# Neolatino Romance

Neolatino Romance, or simply called Neolatino, (Romance neolatino in Neolatin), is a pan-Romance language, that is, a codified linguistic variety based on the Romance languages. It has been proposed as a standard language for the entire Romance family, and thus an auxiliary zonal constructed language enabling communication between speakers of different Romance languages. The development of the language was intended as a linguistic innovation, not to serve any political or nationalistic ideology.
Neolatino aims to be a hypothetical natural evolution of Vulgar Latin in a way most intuitive to native speakers of other Romance languages, thus staying true to the shared gramatical and structural nuances these languages have. This means that to an outsider of the Romance languages, Neolatino may not necessarily be the easier to learn than the rest of Romance languages, however, it aims to be as mutually intelligible as possible with all of them.

## Introduction

Neolatino emerged as a standard language with a strictly Romance basis, unlike other similar language projects such as Interlingua. Interlingua is an artificial language project, created by the International Auxiliary Language Association (IALA), whose objective was initially to evaluate existing artificial languages and make the necessary recommendations for the adoption of an artificial language as a common language between them.
Neolatino, on the other hand, is not based on any artificial language, instead it is made following criteria recommended by linguistic science. The main objective of Neolatino is not to promote the adoption of an auxiliary international language for the whole world, but to help the communication of "the various speakers of modern Latin (romance languages) through their own" (Martín Rincón, 2016). Therefore unlike Interlingua, Neolatino does not use innovative principles, but is based on the codification theory developed by linguists such as Lamuela, Castellanos and Sumien. The essential development takes into account the entire existing romance linguistic system.
The initial objective of the language is therefore to facilitate and also dignify pan-latin communication, which is why the project of this language, properly called Via Neolatina, aims to recover the original essence of the Latin or romance languages and their traditional standards. The language model presented is a synthesis of the romance variation that attempts to be representative of the romance as a whole: a new and common variety but at the same time natural and plural that allows its speakers to communicate throughout the Latin world. It is also a useful language for non-speakers of Latin languages as an easier way of accessing these languages.
There are several precedents for this pan-romance language, some of them codified in auxiliary languages. In 1947, André Schild created a language called Neolatin, and later, in 1948, a Portuguese linguist, João Campos Lima, proposed a language, International, with the goal of being an alternative to Esperanto for international communication. Later, in 2001, Richard Sorfleet and Josu Lavin created Interlingua Romanica and years later, Raymund Zacharias and Thiago Sanctus created Interromanic in 2017, also as proposals for pan-Latin communication. In 2010, a proposal by linguist Clayton Cardoso, Olivarianu, also appeared but as an artificial artistic language inserted within a fictional world.
Along with Neolatino, there are also other parallel projects in other European language families. Of them, the most advanced and developed, is Interslavic, of which the development began in 2006 with the name Slovianski, years before it adopted the current name of Interslavic. Later this project was merged with another similar project of a common Pan-Slavic language, New Slavic, promoted by the Czech linguist Vojtěch Merunka.

## History
### Conception

The language got started in 2006 by researcher of Romance languages Jordi Cassany Bates and was subsequently developed by a first small community, an international and interdisciplinary project called Vía Neolatina, which brings together linguists and other professionals from different Latin countries.
In 2019, a basic grammar (Grammatica Essentiale Neolatina) and dictionary (Dictionario Essentiale Neolatino) were published, which reformed some aspects of a preliminary model published in 2012.
By January 2021, A Facebook group dedicated to learning Neolatino reached 700 followers, and the creation of dedicated groups in other websites followed, including a blog called Mondo Neolatino by Cassany, and Lo espàzio, by Martín Rincón, Neolatino is also briefly talked about in an article published by Global Academic Journal of Linguistics and Literature titled "The Environment of Language Creation from the Perspective of European Geopolitics: A Case Study of the Rise of Pan-nationalist Zonal Constructed Languages", which touches upon the emergence of zonal constructed languages, including pan-germanic and pan-slavic on top of pan-romantic.
In 2022, with the support of multiple linguists, Vía Neolatina celebrates its first congress at University of Valencia.

## Phonology

The official neolatin phonology is composed of the most common phonemes found in modern Romance languages, minimizing the amount of new sounds a speaker of any other Romance language would need to learn.
Note that some sounds like /ɲ/ or /ʎ/ are not present in all modern Romance languages and speakers are allowed to pronounce them in other ways that can sound similar such as /nj/ and /lj/
Consonants :
| | Labial | Labial | Alveolar | Alveolar | Palatal/ Post-alveolar | Palatal/ Post-alveolar | Velar | Velar |
| Nasal | | m | | n | | ɲ | | |
| Stop | p | b | t | d | | | k | ɡ |
| Affricate | | | ts | dz/z | tʃ | dʒ/ʒ | | |
| Fricative | f | v | s | dz/z | ʃ | dʒ/ʒ | | |
| Aproximant | | w | | | | j | | (w) |
| Lateral | | | | l | | ʎ | | |
| Trill | | | r | | | | | |
| Flap | | | ɾ | | | | | |
Vowels :
| | Front | Back |
| Closed | i | u |
| Mid-closed | e | o |
| Mid-open | ɛ | ɔ |
| Open | a | |

## Grammar
### Alphabet

Neolatino uses the basic 26 letter Latin alphabet, although several letters (mainly K, W and Y) are only used in loan words.
Basic Alphabet :
| Letter | Name | Pronunciation | Leter | Name | Pronunciation |
| A a | A | a | N n | Ènne | n |
| B b | Be | b | O o | O | o or ɔ* |
| C c | Ce | k before a, o, u tʃ before e, i | P p | Pe | p |
| D d | De | d | Q q | Cu | k |
| E e | E | e or ɛ* | R r | Èrre | ɾ or r* |
| F f | Èffe | f | S s | Èsse | s |
| G g | Ge | ɡ before a, o, u dʒ before e, i | T t | Te | t |
| H h | Hacca | - | U u | U | u |
| I i | I | i | V v | Ve | v |
| J j | Jota | dʒ~ʒ* | W w | Ve dople | w |
| K k | Ca | k | X x | Ics | ks |
| L l | Èlle | l | Y y | I grèca | i or j |
| M m | Èmme | m | Z z | Zèta | dz~z* |
Other Graphemes :
| Letter(s) | Pronunciation | Letter(s) | Pronunciation |
| À à | a | NÎ nî | ɲ |
| CH ch | k before e, i | Ò ò | ɔ |
| CÎ cî | tʃ before a, o, u | Ó ó | o |
| È è | ɛ | QU qu | kw* |
| É é | e | RR rr | r |
| GH gh | ɡ before e, i | SÎ sî | ʃ |
| GÎ gî | dʒ before a, o, u | TI ti | tsj when followed by another vowel |
| Í í | i | TI ti | tsj when followed by another vowel |
| LÎ lî | ʎ | Ú ú | u |
Notes:
* Neolatino makes use of gemination, which lengthens the pronunciation of a consonant and is represented in written form by doubling it.
* The letters e and o will be pronounced /e/ and /o/ respectively whenever they are not marked with a diacritic, or marked with an acute accent, but will be pronoucned as /ɛ/ and /ɔ/ whenever marked with a grave accent.
* The letters j and z can be pronounced as affricates or as fricatives. The commonly accepted method is to pronounce them as fricatives (/z/, /ʒ/) whenever they are not geminated, and as affricates (/dz/, /dʒ/) when geminated.
* The grapheme qu is meant to be pronounced /kw/ but with a couple of exceptions like the monosyllabic words ''que'' and ''qui'', where the u is silent.
* The letter r should be pronounced /ɾ/ when appearing once between two vowels, and should be pronounced /r/ when appearing twice in a row or at the beginning of a word.
* The letter î (i with circumflex accent) appears exclusively as part of the digraphs cî, gî, lî, nî, sî as a way of indicating the palatalization of the respective consonants.

### Stress and Diacritics

In Neolatino, words can be oxytones (have their stress on their final syllable), paroxytones (have their stress on their penultimate syllable) or proparoxytones (have their stress on their antepenultimate syllable). And which group each word belongs in depends on spelling and the use of graphic accents. The grave accent is used in open vowels (à, è, ò) While the acute accent is used in closed vowels (é, í, ó, ú).
In terms of spelling affecting the stress, words can be divided into two groups:
* Words ending in the letters a, e, i, n, o, s, t or u. By default words ending on these letters will be paroxitones. If this rule isn't broken then the stressed vowel does not need a graphic accent, otherwise the stressed vowel should be marked.
* Words that do not end on the aforementioned letters are very rare, but by default they will be oxitones. Once again if this rule is broken the stressed vowel should be marked.
This means that:
* Oxitone words are marked with a graphic accent if they end on a vowel or the consonants n, s or t.
* Paroxitone words are marked with a graphic accent if they end on consonants excluding n, s or t.
* Proparoxitone words are always marked.

## Vocabulary

The vocabulary in Neolatino mainly takes from late Latin. However, in the event of discrepancies between Latin and modern Romance languages, giving the fact that all living Romance languages are more closely related amongst themselves than to Latin, Neolatino favors the more widely spread modern vocabulary. It also favours any vocabulary of Romance origin over other linguistic families such as vocabulary of Germanic origin.
In any case, Neolatino looks at the morphological relations between Latin languages and applies a regular but naturalistic evolution, based on how modern Romance languages have evolved from Latin such as palatalization of consonants, or a vowel shift that abandons length distinction in favour of openness distinction.
Comparisons of the different romance vowels :
| Neolatino | Latin | Portuguese | Spanish | Catalan | French | Italian | Romanian |
| vino cinque | vīnum cīnque | vinho cinco | vino cinco | vi cinc | vin cinq | vino cinque | vin cinci |
| sete secco | sĭtim sĭccum | sede seco | sed seco | set sec | soit sec | sete secco | sete sec |
| parete cresce | parētem crēscim | parede cresce | pared crece | paret creix | paroi croît | parete cresce | parete crește |
| mèle fèrro | mĕle fĕrrum | mel ferro | miel hierro | mel ferro | miel fer | miele ferro | miere fier |
| mare vacca | mare vaccam | mar vaca | mar vaca | mar vaca | mer vache | mare vacca | mare vaccă |
| nòvo còrno | nŏvum cŏrnu | novo corno | nuevo cuerno | nou corn | neuf corne | nuovo corno | nou corn |
| flore tocca | flōrem tōccat | flor toca | flor toca | flor toca | fleur touche | flore tocca | floare toacă |
| jóvene bocca | iŭvenem bŭcca | jovem boca | joven boca | jove boca | jeuvem bouche | giovane bocca | june bocă |
| luna fuste | lūnam fūstem | lua fuste | luna fuste | lluna fust | lune fût | luna fusto | lună fuște |