OpenLLM-France/wikimedia huggingface dataset:
# John Jarvie Historic Ranch District

The John Jarvie Historic Ranch District, in the Utah portion of Brown's Park, is a historic district which was listed on the National Register of Historic Places in 1986.
It is located at Green River and Indian Crossing Bridge east of Dutch John, Utah. The listing included six contributing buildings, five contributing structures, and five contributing objects on 35.4 acres (14.3 ha).
It was maintained by the Bureau of Land Management (BLM) as an interpretive site by 1983,
and in 2019 remains open to the public. According to the BLM, the public is invited to:
   Explore where the wild west is still wild, where Butch Cassidy and the Sundance Kid hid out from the long arms of the law, where traders made a mint, and where a business complemented the turn-of-the-century frontier life in Brown's Park. / In 1880, John Jarvie, a Scotsman built a ranch along the Green River to offer store goods to those that lived or traveled in this wild territory. Jarvie chose this location due to a naturally occurring river crossing which was used by Indians, fur trappers, travelers, and local residents. At its height, the Jarvie ranch operation included a store, post office, river ferry, and cemetery. / At the historic ranch, you’ll find the stone house, which is a one-room, rectangular building. It was built by outlaw Jack Bennett, using masonry skills he learned in prison. This is also the museum where displays decorate the walls and a video of the history of the ranch can be viewed. You’ll also get to duck inside the two-room dugout where John and his wife Nellie first lived. It is built into a hillside with a south-facing entrance overlooking the Green River.
# Ángel Partida

Ángel Gustavo Partida Arévalo (born 15 March 1989) is a Mexican former professional footballer who last played for Loros de la Universidad de Colima.
# Bhagvan Singh Kushwaha

Bhagvan Singh Kushwaha is an Indian politician and is member of the 18th Uttar Pradesh Assembly and also 16th Legislative Assembly of Uttar Pradesh Legislative Assembly, India. He represented the Kheragarh constituency of Uttar Pradesh and was a member of the Bahujan Samaj Party political party. In the year 2022 he joined Bharatiya Janata Party and is one of the candidates in Kheragarh Uttar Pradesh Assembly Election 2022.

## Early life and education

Bhagvan Singh Kushwaha was born in Agra district. He attended the Dr. Bhimrao Ambedkar University and attained Master of Science degree.

## Political career

Bhagvan Singh Kushwaha has been a MLA for two terms. He represented the Kheragarh constituency and is a member of the Bahujan Samaj Party political party.
He lost his seat in the 2017 Uttar Pradesh Assembly election to Mahesh Kumar Goyal of the Bharatiya Janata Party.

## Posts held

| # | From | To | Position |
| 01 | May 2007 | March 2012 | Member, 15th Legislative Assembly |
| 02 | March 2012 | March 2017 | Member, 16th Legislative Assembly |
| 03 | March 2022 | Incumbent | Member, 18th Legislative Assembly |
# Martin Meyer (Liechtenstein politician)

Martin Meyer (born 10 June 1972) is a politician from Liechtenstein who served as the Deputy Prime Minister of Liechtenstein from 2009 to 2013, under the government of Klaus Tschütscher. He additionally served as a government councillor from 2005 to 2013.

## Life

Meyer was born on 10 June 1972 in Grabs as the son of Bruno Meyer and teacher Margit Payer as one of three children. He attended secondary school at the Liechtenstein Gymnasium and then studied business administration at the University of Bern. From 1992 to 1996 he worked as a research assistant at the university. From 1999 to 2001 he worked as at VP Bank and then within the Liechtenstein government from 2001 to 2003. He was temporarily chief of the National Police from 2003 to 2004.
On 25 March 2005 he was appointed as a government councillor in the second Otmar Hasler cabinet. in this position his roles were the interior, healthcare, transport and communication. Following the 2009 Liechtenstein general election, he was appointed as Deputy Prime Minister of Liechtenstein on 25 March 2009, under the government of Klaus Tschütscher. Additionally, his roles were the economy, construction and transport. He was succeeded by Thomas Zwiefelhofer on 27 March 2013.
As of 2017, Meyer was the chairman of the management and member of the board of directors of ITW Ingenieurunternehmung AG in Balzers, and also at the Herbert Ospelt Institution. Since 2016, he has been the honorary consul of Germany in Liechtenstein.
Meyer married Sabine Hasler (born 9 February 1971) on 12 September 2003 and they have four children together. He lives in Gamprin.

## Honours

* Liechtenstein: Commander's Cross with Star of the Order of Merit of the Principality of Liechtenstein (2013)
# Yin Zhe

Yin Zhe (Chinese: 尹哲) (1916–2005) was a People's Republic of China politician. He was born in Gaoyang County, Hebei. He was Chairman of the CPPCC Committee of his home province and Chinese Communist Party Committee Secretary of Qinhuangdao.
| Preceded byLiu Zihou | Chairman of the CPPCC Hebei Committee | Succeeded byLi Wenshan |
# List of museums of ancient Near Eastern art

This is a list of museums with major art collections from the Ancient Near East.
* British Museum, London, UK. 290,000 objects.
* Vorderasiatisches Museum, Berlin, Germany. 250,000 objects.
* National Museum of Iraq, Baghdad, Iraq. 170,000 objects.
* Musée du Louvre, Paris, France. 100,000 objects.
* Mosul Museum, Iraq.
* Sulaymaniyah Museum, Iraq
* Basra Museum, Iraq
* Oriental Institute, Chicago. 20,000 objects
* Metropolitan Museum of Art, New York. 7,000 objects
* Istanbul Archaeology Museum, Istanbul, Turkey.
* Penn Museum, Philadelphia, Pennsylvania.
* Rijksmuseum van Oudheden, Leiden, The Netherlands.
* Israel Museum, Jerusalem, Israel.
* Eretz Israel Museum, Tel Aviv, Israel.
* Hecht Museum, Haifa, Israel.
* Bible Lands Museum, Jerusalem, Israel.
* Semitic Museum, Cambridge, Massachusetts.
* Musei reali, Turin, Italy
* Vatican Museums, Rome, Italy
# The Birds (Respighi)

The Birds (Italian: Gli uccelli) is a suite for small orchestra by the Italian composer Ottorino Respighi. Dating from 1928, the work is based on music from the 17th and 18th century and represents an attempt to transcribe birdsong into musical notation, and illustrate bird actions, such as fluttering wings, or scratching feet. The work is in five movements:
* "Prelude" (based on the music of Bernardo Pasquini)
* "La colomba" ("The dove"; based on the music of Jacques de Gallot)
* "La gallina" ("The hen"; based on the music of Jean-Philippe Rameau)
* "L'usignuolo" ("The nightingale"; based on the folksong "Engels Nachtegaeltje" transcribed by recorder virtuoso Jacob van Eyck)
* "Il cucù" ("The cuckoo"; based on the music of Pasquini)
At least three of the movements make use of specific instruments picked to resemble birds. "La colomba" uses an oboe to resemble a dove. "La gallina" uses violins which are said to be "clucking in imitation of the gallinaceous beauty." "L'usignuolo" uses a woodwind over sylvan strings.
The suite was used for the ballet of the same name, with choreography by Cia Fornaroli, first performed at Sanremo Casinò Municipale on 19 February 1933; with choreography by Margarita Wallmann at the Teatro Colón, Buenos Aires, on 27 February 1940; and by Robert Helpmann, with design by Chiang Yee, by the Sadler's Wells Ballet at the New Theatre, London on 24 November 1942.
Between 1965 and 1977 the first movement was used as the opening and closing theme for BBC TV series Going for a Song. The music played along with the sound of a bird in a cage automaton.

## Instrumentation

* Woodwinds: 2 Flutes (2nd doubling Piccolo), Oboe, 2 Clarinets, 2 Bassoons
* Brass: 2 Horns, 2 Trumpets
* Keyboard: Celesta
* Strings: Harp, 1st and 2nd Violins, Violas, Cellos, Double Basses

## Reception

Discussing The Birds, John Mangum notes that it "serves as a reminder, in our own age of authenticity, that there are other ways to hear and enjoy Baroque music". Timothy Judd of the Listener's Club calls it "colorful, atmospheric, and cinematic"
# Deir ez-Zor Museum

The Deir ez-Zor Museum (Arabic: متحف دير الزور) is a museum devoted to the archaeology and history of northeastern Syria, an area more commonly known as the Jezirah, or Upper Mesopotamia. The museum is located in Deir ez-Zor, the capital of Deir ez-Zor Governorate, Syria. It was founded in 1974 and housed in a gallery of a shopping mall. Between 1983 and 1996, it was located in an old law court built in 1930. In 1996, the museum moved to its current location in a building that had been especially designed for the museum. The exhibition halls cover an area of 1,600 square metres (17,000 sq ft) and are arranged around a courtyard. The construction of the new museum was a joint Syrian–German operation.
When the museum was founded in 1974, its collection consisted of only 140 objects, donated by the National Museum of Damascus and the National Museum of Aleppo. The current collection consists of some 25,000 objects, including the majority of the clay tablets found at Mari. The museum also holds many objects found by international teams of archaeologists at sites in the Upper Khabur area, such as Tell Beydar, Tell Brak, Tell Leilan and Tell Mozan. The Euphrates Valley southeast of Deir ez-Zor is represented with objects from the Classical site of Dura-Europos, which was once a border city of the Roman Empire.
The collection is organized around five chronological themes: prehistory, ancient Syria (late fourth to first millennium BCE), the Classical period, the Islamic era and ethnography. It includes a number of life-size reconstructions of buildings from different periods, including a house from the Pre-Pottery Neolithic B site of Bouqras in the Euphrates Valley, an Early Bronze Age city-gate from Tell Bderi on the Khabur River, the southern façade with wall paintings of the "Court of the Palms" of Zimri-Lim's palace in Mari and the gate of the Islamic Qasr al-Heer al-Sharqi.
In 2015, the collection was allegedly removed from the museum by the Syrian Army in view of increased ISIS encroachments in Deir ez Zor.
# Idlib Museum

Idlib Museum (Arabic: متحف إدلب) is an archaeological museum located in the city of Idlib in northwestern Syria.
The museum was founded in 1989 and holds a significant collection of artifacts, most notably the clay tablets from what the museum calls the Royal Archive of Ebla, carefully preserved for study, and they have reshaped much of what is known about the ancient Near East.

## Collection highlights

Idlib Museum preserves a collection from the ancient city of Ebla, located near Saraqib, a kingdom that thrived thousands of years ago. Among the artifacts are basalt steles, pottery jars, mosaics, and clay figurines. The museum also holds a collection of Islamic artifacts, in addition to artifacts from the Roman and Byzantine periods.
The most notable items in the museum are the cuneiform tablets, often referred to as the Ebla Royal Archives. These tablets, discovered in 1964 by an Italian archaeological mission led by Paolo Matthiae, have revealed significant historical data dating back to 5000 BC. The museum also houses a wide range of items from Syria's ancient history, including 12,000-year-old artifacts.

## War damage and preservation

The museum first closed in 2013 due to the escalation of the Syrian civil war, during which it suffered from looting and bombings. Despite this, opposition groups reopened the museum in 2018, supervised by a local civilian group called the Idlib Antiquities Center, which restored two galleries for visitors.
Idlib Museum has endured substantial damage during the conflict. It was directly hit by shelling in 2015 and again in 2017, causing significant structural damage. Further harm occurred from the aftermath of the 2023 Turkey–Syria earthquakes, leading to cracks in the museum's walls.

## Current challenges

The museum remains open but struggles with a lack of support and the absence of tourists due to ongoing instability. Local visitors, including school and university students, are the primary audience. Efforts continue to raise awareness of the museum's importance and advocate for increased protection and restoration of Syria's cultural heritage.

## Sell also

* List of museums in Syria
# Tomoni

"Tomoni" (ともに) is a special single by Kis-My-Ft2 and the last work by the seven membered, released exclusively through "xxxxx.pop up store" on August 3, 2023.
The title song "Tomoni" was written by all the members when Hiromitsu Kitayama announced his graduation.
Yuta Tamamori, another member of the group, commented on the creation of the song, "The seven of us discussed and decided on everything together, including the song title and the song title. Among the various ideas we had, we decided to use Wataru Yokoo's idea of "Tomoni" as the title of the song. The title "Tomoni" has two meanings in Japanese: "to be together" and "to be friends".
The DVD and Blu-ray that comes with the single includes the music video for "Tomoni," which includes documentment scenes of the song's production process and the real thoughts and expressions of the members as they were. The new profile picture was taken with the morning sun on the roof of the Tokyo Dome Hotel, where they also performed as an encore during the live broadcast of "Kis-My-Ft2 Live Tour 2020 To-y2" held on October 4, 2020.
The single's jacket photo was taken in front of the Yoyogi National Gymnasium, the memorable location where their debut was announced on February 12, 2011.

## Track listing

There were two editions were released. DVD and Blu-ray versions have the same content.
* CD with DVD (JWC1-63892/B)
* CD with Blu-ray (JWC1-63893/B)

### CD

* "Tomoni"
* "Tomoni (Instrumental)"

### DVD/Blu-ray

* "Tomoni (Music video and documentary)"
# Slaves of the Shinar

Slaves of the Shinar is a historical fantasy novel that was written by Justin Allen and published in 2007. The book explores the early lives and origins of characters and peoples to be found in Middle Eastern myths and religious texts, especially the Biblical Book of Genesis and the Epic of Gilgamesh. Included from Genesis are depictions of the Nephilim (called Niphilim in the book), Jared (grandfather of Methuselah), Lamech (father of Noah) and Adah (wife of Lamech).
# Copper Bull

The Copper Bull is a copper sculpture found at the site of Tell al-'Ubaid near the ancient city of Ur, now in southern Iraq, by Sir Leonard Woolley in 1923. The sculpture, which dates from about 2600 BC, is now in the British Museum.

## Discovery

The sculpture was found with a number of other artifacts at the base of a foundation in Tell al-'Ubaid. The sculpture was found by Leonard Woolley who was working jointly for the University of Pennsylvania Museum of Archaeology and Anthropology and the British Museum. The foundation which hid the sculpture was a platform made from brick and mud which had originally supported a temple to the goddess Ninhursag. The bull sculpture had been crushed by the falling masonry of the damaged temple. Woolley found similar models of bulls but only this and one other were recovered in an intact state.
Ninhursag was a goddess of the pastures, so it is appropriate that cows should be found around her temple; it was said that her milk sustained the kings.

## Construction

The sculpture had been made by first making a wooden model of a bull. This had then been coated with bitumen. The parts of the bull were made in sections. The legs were shaped out of wood covered in copper plate and held in place using tacks. The legs were attached and then more copper sheet covered the main body, with a different sheet for the bull's shoulders. These sheets were held in place by flat-headed nails along the back of the legs, the haunches and the stomach. The body's sheets overlapped the places where the legs had been attached.
Copper bolts attached the legs to the base and the head was attached with a wooden dowel. The horns and the ears were then attached to the head.

## Recovery

By the time the bull was discovered the wood had decayed away and the bull was recovered only by casting wax around the fragile remains and then lifting the remains out for later conservation. The sculpture as exhibited in the British Museum includes a horn, part of the tail and hooves which have been recreated to make the bull complete.

## Ownership

The Copper Bull is in the British Museum. The artifacts discovered by Woolley were shared between the Iraqi State which received around 50% of the objects and the British Museum and the University of Pennsylvania Museum of Archaeology and Anthropology which each received about 25% of the objects. Ur was one of the first sites excavated under Iraq's antiquity law, drawn up by Gertrude Bell.
# Relief of Gebel Sheikh Suleiman

The relief of Gebel Sheikh Suleiman, or Jebel Sheikh Suleiman, is an ancient Egyptian relief generally dated to the late predynastic period of Egypt (Naqada III), or at the time of the first pharaohs circa 3000 BCE. More precisely, it has been proposed that it dates to pharaoh Djer or Djet, who was the third king of the First Dynasty, and who is known for his victorious expeditions to Nubia.
The relief comes from the Second Cataract, one of the most ancient frontiers in the history of mankind, in an area just south of Buhen. It is now kept in the National Museum of Sudan. The relief was transferred to the National Museum of Sudan in Khartoum in 1963, before the drowning of the area by the water of the Lake Nasser.
Inscribed on a large block of sandstone (2,75m x 0,80m), it is an early example of low relief carving, possibly describing a war between the Egyptians and the A-Group Nubian people. It describes the victory of an Egyptian king, embodied by his serekh, although the serekh does not give a specific royal name. The circles at the bottom represent cities. The boat is considered as an embodiment of the king, dominating defeated Nubians.
The iconography is comparable to that of the earlier Gebel el-Arak Knife or the fresco from Tomb 100 at Hierakonpolis, all corresponding to the Naqada II period of Prehistoric Egypt, and might be considered as a slight archaism meant to legitimize the rule of the early pharaoh who authored the relief. The symbolism and early hieroglyphic markings do point to the First Dynasty or Second Dynasty of Egypt.
A second inscription found nearby represents a large scorpion with bound captives, and seems to be from an slightly earlier date, and possibly related to king Scorpion II.
# Tablet of Akaptaḫa

The tablet of Akaptaḫa, or Agaptaḫa, is an ancient Mesopotamian private commemorative inscription on stone of the donation of a 10 GUR field (about 200 acres) by Kassite king Kaštiliašu IV (c. 1232 BC – 1225 BC) to a fugitive leatherworker from Assyrian-occupied Ḫanigalbat in grateful recognition of his services provisioning the Babylonian army with bridles (pagumu, a loanword from Hurrian or perhaps Kassite) .

## The tablet

The Mitanni kingdom of Ḫanigalbat, here given the Babylonian pronunciation Ḫaligalbatû, had been annexed under the preceding reign of Adad-nārārī I (1307–1275 BC) or Salmānu-ašarēdu I (1274–1245 BC) and Akaptaḫa (a Hurrian name) seems to have been one of the political refugees (munnabittu, refugee, displaced person, foreigner) who consequently sought asylum in the Kassite kingdom. He made his home in Padan (var. Padnu), one of the eastern provinces somewhere (Jebel Hamrin, according to Jensen) in the upper Diyala region which had been claimed by the Kassites since the time of Agum II.
The object was recovered during the French excavations at Susa at the end of the 19th century, where it had been taken as war booty during one of the Elamite invasions following the overthrow of Kaštiliašu IV by Tukulti-Ninurta I, those of Kidin-Hutran III (ca. 1224 BC and 1217 BC), Shutruk-Nakhunte (ca. 1158 BC) and Kutir-Nahhunte II (1155 BC).
The tablet describes itself using the same term applied generally to kudurrus as a narû, "stele", and falls into the same tradition of entitlement monuments, excepting the absence of religious iconography and the format of the granting and cursing formulae. The text invokes "the gods of the king", presumably the Kassite deities Šuqamuna and Šumalia. The inscription uses an informal mix of monumental and cursive cuneiform, precedes the royal name with a masculine ($^1$ or $^m$) rather than the divine or ($^D$) determinative and spells his name with -ti-li- in place of the more usual –til-, suggesting its provincial origin or perhaps its lack of authenticity.
The name Akaptaḫa appears on four accounts of salaries or ration lists from Nippur as the father of Ninurta-ašarēdu, dated to the sixteenth year of an unnamed king probably Nazi-Maruttaš (1291 BC), the father of Izkur-Šuqamuna, in the twentieth year of an unnamed king, that of Arunayû the twenty-first year of Kurigalzu II and as DUMU-Akaptaḫa on an inventory of gardening implements from Nazi-Maruttaš’ second year but these incidents are probably for someone else as they appear too early.
# Uruk Trough

The Uruk Trough is an important Sumerian sculpture found at the site of Uruk, Iraq. It has been part of the British Museum's collection since 1928. Along with the Uruk Vase, the trough is considered to be one of the earliest surviving works of narrative relief sculpture from the Middle East, dating to 3300–3000 BC, during the Uruk period. Simple relief sculpture is known from much earlier periods, from the site of Göbekli Tepe, dating to circa 9000 BC.
It is thought to have served as some sort of cult image in the temple of the goddess Inanna. The carving depicts a procession of sheep, but the meaning of this scene is unclear.

## History and discovery

The trough was found at Uruk, an ancient city of Sumer and later Babylonia situated east of the Euphrates in southern Iraq. During the Uruk period (4000–3000 BC) Uruk was one of the largest cities in southern Mesopotamia, stretching over an area of 5 square kilometres (1.9 sq mi). For a long time power seems to have been concentrated in the temples or religious organisations but eventually King Gilgamesh took over, building new structures and a massive city wall. The Uruk Trough was probably a venerated object in one of the temples in the city, perhaps devoted to the deity Inanna. The circumstances of its discovery are not known. The trough was purchased by the British Museum with the support of the National Art Collections Fund in 1928, just before the German Oriental Society carried out excavations at the site.

## Description

The Uruk Trough is made of gypsum, is double troughed, and is approximately 1 m (3 ft 3 in) long. A fragment of one end of the object is now in the Vorderasiatisches Museum in Berlin. It contains several scenes:
* Two male breeding sheep by a hut from which two lambs are emerging
* A female goat being mounted by a male goat
* A standing bull