# Ame ni mo makezu

Ame ni mo makezu (雨ニモマケズ, 'Be not Defeated by the Rain') is a poem written by Kenji Miyazawa, a poet from the northern prefecture of Iwate in Japan who lived from 1896 to 1933. It was written in a notebook with a pencil in 1931 while he was fighting illness in Hanamaki, and was discovered posthumously, unknown even to his family when it was published. Because "11.3" was written at the top of the opening page with blue pencil, it is presumed to have been written on November 3, 1931, less than two years before he died.
Kenji always carried a notebook and pencil with him, and there are as many as 15 notebooks. In the notebook with Ame ni mo makezu, Kenji wrote about his thoughts on his sickbed, his religious beliefs, and the important events of his life. Although Kenji did not intend to show Ame ni mo makezu to others as poetry, it has become his most widely known poem and is considered one of his masterpieces. This poem is part of the curriculum of Japanese school children.
In November 1936, a poetry monument engraved with this work was erected in Hanamaki. The poem was popularized by being recorded in "Kaze no Matasaburo", a collection of works for children published in 1939. On April 11, 2011, the poem was read aloud in English by the President of the Cathedral of Samuel Lloyd III at a memorial service was held at the National Cathedral in Washington to mourn the victims of the Great East Japan Earthquake.

## The poem

The text of the poem is given below in Japanese, as a transliteration using romaji, and in translation. Aside from including some kanji, the poem was written in katakana rather than hiragana (see style). This was used expression like antithesis. The last sentence reveals subject.
| Original | Modern orthography | Transliteration | English translation |
| 雨ニモマケズ 風ニモマケズ 雪ニモ夏ノ暑サニモマケヌ 丈夫ナカラダヲモチ 慾ハナク 決シテ瞋ラズ イツモシヅカニワラッテヰル 一日ニ玄米四合ト 味噌ト少シノ野菜ヲタベ アラユルコトヲ ジブンヲカンジョウニ入レズニ ヨクミキキシワカリ ソシテワスレズ 野原ノ松ノ林ノ蔭ノ 小サナ萓ブキノ小屋ニヰテ 東ニ病氣ノコドモアレバ 行ッテ看病シテヤリ 西ニツカレタ母アレバ 行ッテソノ稻ノ朿ヲ負ヒ 南ニ死ニサウナ人アレバ 行ッテコハガラナクテモイヽトイヒ 北ニケンクヮヤソショウガアレバ ツマラナイカラヤメロトイヒ ヒデリノトキハナミダヲナガシ サムサノナツハオロオロアルキ ミンナニデクノボートヨバレ ホメラレモセズ クニモサレズ サウイフモノニ ワタシハナリタイ | 雨にもまけず 風にもまけず 雪にも夏の暑さにもまけぬ 丈夫なからだをもち 慾はなく 決して瞋らず いつもしずかにわらっている 一日に玄米四合と 味噌と少しの野菜をたべ あらゆることを じぶんをかんじょうにいれずに よくみききしわかり そしてわすれず 野原の松の林の蔭の 小さな萱ぶきの小屋にいて 東に病気のこどもあれば 行って看病してやり 西につかれた母あれば 行ってその稲の束を負い 南に死にそうな人あれば 行ってこわがらなくてもいいといい 北にけんかやそしょうがあれば つまらないからやめろといい ひでりのときはなみだをながし さむさのなつはおろおろあるき みんなにでくのぼうとよばれ ほめられもせず くにもされず そういうものに わたしはなりたい | ame ni mo makezu kaze ni mo makezu yuki ni mo natsu no atsusa ni mo makenu jōbu na karada wo mochi yoku wa naku kesshite ikarazu itsu mo shizuka ni waratte iru ichi nichi ni genmai yon gō to miso to sukoshi no yasai wo tabe arayuru koto wo jibun wo kanjō ni irezu ni yoku mikiki shi wakari soshite wasurezu nohara no matsu no hayashi no kage no chiisa na kayabuki no koya ni ite higashi ni byōki no kodomo areba itte kanbyō shite yari nishi ni tsukareta haha areba itte sono ine no taba wo oi minami ni shinisō na hito areba itte kowagaranakute mo ii to ii kita ni kenka ya soshō ga areba tsumaranai kara yamero to ii hideri no toki wa namida wo nagashi samusa no natsu wa oro-oro aruki minna ni deku-no-bō to yobare homerare mo sezu ku ni mo sarezu sō iu mono ni watashi wa naritai | Unbeaten by the rain Unbeaten by the wind Bested by neither snow nor summer heat Strong of body Free of desire Never angry Always smiling quietly Dining daily on four cups of brown rice Some miso and a few vegetables Observing all things Leaving myself out of account But remembering well Living in a small, thatched-roof house In the meadow beneath a canopy of pines Going east to nurse the sick child Going west to bear sheaves of rice for the weary mother Going south to tell the dying man there is no cause for fear Going north to tell those who fight to put aside their trifles Shedding tears in time of drought Wandering at a loss during the cold summer Called useless by all Neither praised Nor a bother Such is the person I wish to be |

## Style

Miyazawa chose to write the poem using mainly katakana. This could seem to be stylistically odd from a modern perspective, as katakana is nowadays (usually) only used in Japanese writing to denote foreign words. However, at the time, katakana rather than hiragana was the preferred syllabary. The limited use of kanji might be viewed as a move to make his poem more accessible to the rural folk of northern Japan with whom he spent his life, or perhaps as similar to American poet E. E. Cummings's style in using primarily lower case. Another interpretation could be that, since katakana were regularly used in pre-war Japan for laws, regulations and other normative texts, the use of katakana here emphasizes the normative character of this promise to self.