OpenLLM-France/wikimedia huggingface dataset:
# 2nd Hundred Flowers Awards

Ceremony for the 2nd Hundred Flowers Awards was held in 1963, Beijing.

## Awards
### Best Film

| Winner | Winning film | Nominees |
| N/A | Li Shuangshuang | N/A |

### Best Director

| Winner | Winning film | Nominees |
| Wang Ping | Locust Tree Village | N/A |

### Best Screenplay

| Winner | Winning film | Nominees |
| Li Zhun | Li Shuangshuang | N/A |

### Best Actor

| Winner | Winning film | Nominees |
| Zhang Liang | Brothers | N/A |

### Best Actress

| Winner | Winning film | Nominees |
| Zhang Ruifang | Li Shuangshuang | N/A |

### Best Supporting Actor

| Winner | Winning film | Nominees |
| Zhong Xinghuo | Li Shuangshuang | N/A |

### Best Animation

| Winning film | Nominees |
| The Monkey King | N/A |

### Best Chinese Opera Film

| Winning film | Nominees |
| Monkey Subdus the White-Bone Demon | N/A |
# (101429) 1998 VF31

(101429) 1998 VF$_{31}$ (provisional designation 1998 VF$_{31}$) is a sub-kilometer asteroid that orbits near Mars's L$_5$ Lagrangian point, on average trailing 60° behind it. Its orbit is highly stable, and was originally thought to be spectroscopically similar to 5261 Eureka, suggesting they may both be primordial Martian asteroids.
Spectroscopic observations through 2007 indicate that it has a large proportion of metal and achondrites on its surface (either with or without a mesosiderite contribution); which could also indicate that the surface regolith has undergone space weathering. These observations also reveal differences in the spectra with 5261 Eureka, suggesting they may not be related to each other after all.
# Cobogó

Cobogó is the term generally given to the hollow wall-filling element present in some Brazilian buildings, typically made out of clay or cement. Its purpose is to enable increased airflow and light to enter the interior of a building, whether residential, commercial, or industrial.
The name derives from the initials of the surnames of three engineers from Recife who jointly conceptualized the blocks at the beginning of the 20th century (1929–1930): Amadeu Oliveira Coimbra, Ernest August Boeckmann, and Antônio de Góis.
In many parts of the Brazilian Northeast, the name has undergone variations, transforming into forms such as combobó, combogó, comogó, comongol, comogol, or even comungó.
Initially, cobogós were made exclusively of cement, but their popularization introduced a wider variety of materials, such as clay and glass, along with diverse forms and decorative hollow patterns.
# Robin Ignico

Robin Ignico is an American former child actress. Best known for playing the role of Duffy in the movie Annie. Since retiring from acting, she has been the Property Manager for Belmont Ventures, Inc., and company that has been repeatedly cited and fined as one the worst slumlords in New York City.

## Early life

Robin Ignico grew up in Clearwater, Florida. She started singing and dancing as a small child, making her first TV appearance on Simon & Simon in 1981.

## Filmography

| Year | Title | Role | Notes |
| 2015 | No Solicitors | Burglar | |
| 1986 | News at Eleven | Juliet | TV movie |
| 1984 | The Woman in Red | Becky Pierce | |
| 1984 | Matt Houston | Amy | 1 episode |
| 1984 | The Bikini Murders | Amy | 1 episode |
| 1983-1985 | Trapper John, M.D. | Andrea Branscusi | TV series |
| 1982 | Seven Brides for Seven Brothers | Kate | 1 episode |
| 1982 | Don't Go to Sleep | Mary | TV movie |
| 1982 | Voyagers! | Calpurnia | 1 episode |
| 1982 | Annie | Duffy | |
| 1982 | Cry for the Strangers | Missy Palmer | TV movie |
| 1981 | Simon & Simon | Irene | 1 episode |

### Soundtrack

* Annie (1982) soundtrack album: "It's The Hard-Knock Life", "Sandy", "Maybe (Reprise)", "You're Never Fully Dressed Without A Smile", "Finale Medley: I Don't Need Anything But You/We Got Annie/Tomorrow").
# Steigenberger Hotel & Nelson Village

The Steigenberger Hotel & Nelson Village (Arabic: هيلتون طابا) is a resort hotel in Taba, Egypt, just over 100 metres from the southern border between Egypt and Israel.

## History

Eliyahu Paposchado began construction of the Aviya-Sonesta Beach Hotel in 1979, while the Sinai was under Israeli control. The hotel was located 6 km (3.7 mi) from Eilat and next to Rafi Nelson's Nelson Village, also known as Rafi Nelson's Holiday Village. The village was a center for musical and cultural activity and attracted Israel's who's who in the late 1960s and 1970s.
After the peace agreements were signed in 1979 between the two nations, the status of the incomplete hotel and the village were to be decided by future negotiations. Due to a disagreement over the correct location of the boundary markers, it was the stumbling block in negotiations between Israel and Egypt over the final border between the two countries.
The hotel received its first guests on November 1, 1982 and celebrated its grand opening on November 15, 1982. On the bottom floor, there is an 8.5 m (28 ft) high wall relief, made in 1980–81 with a Hebrew inscription by the Jerusalem sculptor, Daniel Kafri.
In 1986, after months of negotiation, an international arbitration panel decided to return the tiny strip of land to Egyptian control, but allowed Israelis to freely visit the tiny strip without paying a tax (to this day tourists do not pay a tax when travelling between Eilat and the hotel). The hotel was sold to Egypt for $35 million. In January 1989 the hotel and adjacent village were turned over to Egypt.
The hotel became the Hilton Taba on September 1, 1989. It was very popular with Israeli tourists until it was targeted by terrorists in the 2004 Sinai bombings in which 34 people died and hundreds were wounded in the attack. Afterward, the hotel underwent major renovations, but saw a drastic drop in Israeli tourists. Hilton International denied liability to the victims of the terror attack on its grounds and refused to compensate its guests. Some victims sought compensation through legal challenges in Miami and New York, but the lawsuits were ultimately dismissed for forum non conveniens. Subsequently, an Israeli court ruled that the victims were not entitled to compensation by Hilton.
In 2017, Deutsche Hospitality signed a management contract with the hotel's owner, Taba Tourism Development Company, which renovated and reopened the hotel as the Taba Hotel & Nelson Village, managed by DH's Steigenberger Hotels and Resorts brand. In 2023, the hotel was renamed Steigenberger Hotel & Nelson Village, following another renovation.
# Verst

A verst (Russian: верста, romanized: versta) is an obsolete Russian unit of length defined as 500 sazhen. This makes a verst equal to 1.0668 kilometres (3,500 feet).

## Plurals and variants

In the English language, verst is singular with the normal plural versts. In Russian, the nominative singular is versta, but the form usually used with numbers is the genitive plural verst—10 verst, 25 verst, etc.—whence the English form.
A mezhevaya versta (Russian: межевая верста, literally "border verst") is twice as long as a verst.
   The verst of the 17th century was 700 sazhens or 1.49 km as against the 500 sazhens or 1.067 km it became at the time of Peter the Great.

## Finnish virsta

In Finland, a virsta was 1,068.84 m according to the Swedish standard, defined in 1827 as 1⁄10 of a peninkulma, the Finnish language name for the pre-metric Swedish mil, used in Finland since the early 17th century (see Obsolete Finnish units of measurement), or 600 syli (Swedish fathoms, 1.781 m). Metrication replaced virsta with the kilometre in the 1880s.
# Theatre de l'Ange Fou

Theatre de l'Ange Fou is a theatre company that primarily focuses on mime, based in London, England. Its artistic directors are Steven Wasson and Corinne Soum. It was created in Paris in 1984 and relocated to London in 1995. It was co-founded with the International School of Dramatic Corporeal Mime, formerly known as the Ecole de Mime Corporel Dramatique, a theatre school that teaches corporeal mime.

## History

The Theatre de l'Ange Fou and the International School of Corporeal Mime (formerly known as the Ecole de Mime Corporel Dramatique) were created in Paris in 1984 by Wasson and Soum, the last assistants of Etienne Decroux, "the father of Modern Mime", and relocated to London in 1995. The International School of Corporeal Mime is devoted to the development of the technique, growing repertoire and dramaturgy of Corporeal Mime, and offers a full range of professional training programmes.
For a time, the theatre and company was in a country church in Spring Green, Wisconsin.
The company has toured throughout Europe, Russia, the United States, Canada, Brazil, Mexico and the Middle East. It has created more than 20 original plays, devised pieces as well as adaptations, ranging from duets to large ensemble works: The Little Dictator (parts I & II), Beyond the Garden, Crusade, Entangled Lives, The Government Inspector and The Orpheus Complex.
Using Corporeal Mime as the base of their creative work, the dramaturgical construction of their plays takes the form of a voyage where the characters traverse varied landscapes and lifetimes, some real, some imaginary. The world of the Theatre de l'Ange Fou, this visionary world of contrasting light and darkness, of metamorphosis, is populated by a family of invented archetypes in unknown yet familiar settings. Throughout their various productions, the company explores the infinite possibilities of the interaction between the corporeal score and the spoken text, music and film.
Alongside this personal artistic development, in 1992 Wasson and Soum took up the challenge of re-introducing the repertoire of Etienne Decroux to the public with their reconstruction, and performances by the Theatre de l'Ange Fou, of most of his major pieces (including La Meditation, Les Arbres and L'Usine) in The Man Who Preferred to Stand, and more recently, Passage of Man on Earth and Resonance. This was the beginning of the transmission process that is today the basis of the teaching in the International School of Corporeal Mime.
# Yakovlev AIR-11

The Yakovlev AIR-11, also known as Yakovlev LT-1, was a 3-seat low-wing touring cabin monoplane designed by A.S. Yakovlev in the USSR, circa 1936.

## Design and development

Reportedly inspired by the Percival Gull, Yakovlev designed and built a similar aircraft using his tried and tested structural formulae of wooden wings, fabric covered steel tube fuselage with fabric covered D1 (Duralumin) tail section and control surfaces. The fixed tail-wheel undercarriage was spatted and fitted with trousers, with a spring steel tail-skid, or, alternatively, on skis.
Pilot and first passenger sat side by side under an upward-folding hood with the second passenger in a seat to the rear.

## Operational history

First flown in late 1936, the AIR-11 took part in sporting air races held on 24 July 1937 winning second place in the two-seat section.
After Sergei Ilyushin expressed his interest in the aircraft Yakovlev presented the aircraft to him, for commuting from Moscow to Voronezh. The aircraft crashed some time later, at the hands of Ilyushin, after a mechanic neglected to fill the oil tank, causing the engine to fail in flight.

## Specifications

Data from OKB Yakovlev, Yakovlev aircraft since 1924
General characteristics
* Crew: 1
* Capacity: 2 passengers
* Length: 7.32 m (24 ft 0 in)
* Wingspan: 10.2 m (33 ft 6 in)
* Wing area: 16.8 m$^2$ (181 sq ft)
* Empty weight: 566 kg (1,248 lb)
* Gross weight: 891 kg (1,964 lb)
* Fuel capacity: 80 kg (180 lb) fuel; 14 kg (31 lb) oil
* Powerplant: 1 × de Havilland Gipsy Major 4-cylinder inverted air-cooled in-line piston engine, 89 kW (120 hp)
* Propellers: 2-bladed wooden fixed pitch propeller
Performance
* Maximum speed: 209 km/h (130 mph, 113 kn) *Landing speed: 82 km/h (51 mph; 44 kn)
* Cruise speed: 195 km/h (121 mph, 105 kn)
* Range: 720 km (450 mi, 390 nmi)
* Service ceiling: 4,480 m (14,700 ft)
* Time to altitude: 1,000 m (3,300 ft) in 5.2 minutes, 3,000 m (9,800 ft) in 21.6 minutes
* Take-off distance: 200 m (660 ft)
* Landing distance: 340 m (1,120 ft)
# WRMW

WRMW (91.3 FM "Radio Maria" (for: Radio Maria-Wisconsin)) is a non-commercial radio station licensed to Peshtigo, Wisconsin serving the Sturgeon Bay area with Catholic programming. WRMW's signal and tower height also has the potential to reach into portions of the southern tip of the Upper Peninsula of Michigan and the western coast of the Lower Peninsula of Michigan.
WRMW began as a construction permit licensed in May 2007 to its founder "Friends of Radio Maria" (which also airs Italian language Catholic programming on the FM subcarrier of New York station WKTU and on the internet.) WRMW is now owned and operated (and licensed to) Radio Maria Inc.
Upon its initial sign-on which took place on May 26, 2010 just days before the construction permit expiration date, WRMW initially aired separate pre-recorded programming from the network archives while it was awaiting the installation of its satellite receiver and dish antenna from originating station KJMJ 580 kHz in Alexandria, Louisiana. Sample archived programming of Radio Maria USA's repeater network geared to the local Catholic community aired from May 26–30 to fulfill the FCC deadline. After a brief period of being off the air, the satellite feed became available on the evening of June 18, 2010, thus allowing WRMW to return to the air to join the KJMJ-originated repeater network and the Radio Maria family on a live full-time basis. This took place the following day on Saturday June 19, 2010.
Audiostreaming from its website is also available for listeners outside its immediate signal area in addition to iPhone, BlackBerry and Android mobile phone devices by means of downloading the appropriate app from the same website.
Another repeater which also took to the air within the same timeframe is WOLM 88.1 mHz in D'Iberville, Mississippi serving the Biloxi area which made its on-air debut on May 27, 2010.
Peshtigo (WRMW's city of license) is a reference to the Peshtigo fire and Marian visionary Adele Brice who in 1859 was visited by the Blessed Virgin Mary on several occasions prior to the killer firestorm of October 8, 1871 in which countless refugees fled to the Shrine of Our Lady of Good Help located near the community of Champion just northeast of Green Bay. The fire miraculously missed the Shrine, saving the uncounted lives of the people and livestock. It was the first Marian apparition that was approved by the Catholic Church which took place in the United States.
# Bolivia–Brazil relations

Bolivia–Brazil relations are the bilateral relations between Bolivia and Brazil. Both countries are members of the Latin American Integration Association, Organization of American States and United Nations.

## Resident diplomatic missions

* Building hosting the Consulate-General of Bolivia in Rio de Janeiro
# Tibetan horn

The Tibetan horn or dungchen (Tibetan: དུང་ཆེན།, Wylie: dung chen, ZYPY: tungqên, literally "big conch," also called rag dung (རག་དུང་, literally "brass horn"; Mongolian: hiidiin buree (хийдийн бүрээ, literally "monastery horn"); Chinese: 筒欽; pinyin: tǒng qīn) is a long trumpet or horn used in Tibetan Buddhist and Mongolian buddhist ceremonies. It is the most widely used instrument in Tibetan Buddhist culture. It is often played in pairs or multiples, and the sound is compared to the singing of elephants. Tsultrim Allione described the sound:
   It is a long, deep, whirring, haunting wail that takes you out somewhere beyond the highest Himalaya peaks and at the same time back into your mother's womb.
# The Outlaw Bible of American Poetry

The Outlaw Bible of American Poetry, edited by Alan Kaufman, is an anthology of American underground poets and fringe poetry from the 1950s to the 2000s. First published in 1999, the collection features work from several notable poets, including Jack Micheline, Patti Smith, Harold Norse, David Trinidad, Tuli Kupferberg, D.A. Levy, Bob Kaufman, Jim Chandler, Jim Brodey, Daniel Higgs, ruth weiss, Jack Kerouac, Bonny Finberg, David Lerner, Richard Brautigan, Allen Ginsberg, Tom Waits, William S. Burroughs, Ken Kesey, Justin Chin, Diane Di Prima, and FrancEyE, among others. S.A. Griffin served as a contributing editor.
Kaufman uses the term "Outlaw poets" in reference to poets whose work is featured in the Outlaw Bible. The definition of the term was characterised as "pretty broad" by Maria Russo in Salon.com, including poets of different ages and backgrounds.
The book was reviewed in Kirkus Reviews, where the reviewer called it an "unwieldy hodgepodge" of texts. John Strausbaugh reviewed it in New York Press, commenting on the large amount of beatnik poetry being published and questioning the need for another anthology, but stated that "there's writing here worth reading, if you can put up with the silly I'm-such-a-rebel attitudinizing that taints the whole project".
The book received the Firecracker Alternative Book Award for Poetry in 2000.
# Predatory marriage

Predatory marriage is the practice of marrying an elderly person exclusively for the purpose of gaining access to their estate upon their death. While the requirements for mental capacity to make a valid will are high, in most jurisdictions the requirements for entering into a valid marriage are much lower; even a person suffering dementia may enter into marriage. In many jurisdictions, a marriage arrangement will invalidate any previous will left by the person, resulting in the spouse inheriting the estate.
In the United Kingdom a campaign, Predatory Marriage UK (originally known as Justice for Joan) was started, working to change laws and procedures around marriage to reduce this practice, supported by lawyer Sarah Young of Ridley and Hall. The local MP, Fabian Hamilton MP, introduced a bill in Parliament during 2018 entitled the Marriage and Civil Partnership (Consent) Bill, to establish that marriage should no longer always revoke a previous will and have introduced other protections against predatory marriage. The bill was passed but ran out of parliamentary time, but work is continuing.

## Common scams and methods

There are several techniques known to have been employed in targeting vulnerable people in this way, often involving coercive and controlling behavior. One example is convincing a vulnerable person to sign over assets before or after marriage to avoid prenuptials. This can be disguised either as a way to avoid tax or in exchange for care and affection, and is often accompanied with legal documentation purporting to protect the person being scammed but such documentation often does not hold up in court, especially if provided by the scammer.
# More Adey

William More Adey (1858 – 29 January 1942) was an English art critic, editor and aesthete. He was a co-editor of The Burlington Magazine, but is perhaps best known for having been a friend and member of the inner circle of Oscar Wilde from the early 1890s until Wilde's death in 1900. As a defender of Wilde during his trial and imprisonment, Adey visited the fallen author in Reading Gaol, attempted to negotiate on behalf of the gaoled writer's interests as his de facto guardian, and oversaw a collection that was used to purchase necessities of life, including clothes, for him upon his release.
Adey was also a partner of Lord Alfred Douglas in 1895, and a close friend of the poet from the 1890s until 1913. Douglas's biographer, Rupert Croft-Cooke, refers to Adey as "a homosexual of what, among his fellows, was and is, called the 'discreet' kind." Adey also developed a professional relationship and 15-year life partnership with Wilde's other good friend, Robbie Ross. When Douglas and Ross faced each other in court in 1913 in the Arthur Ransome libel case, Adey testified in Ross's favour, which caused Douglas to sever his ties with his former friend.
Adey became assistant editor of the Burlington Magazine in November 1910, and served as co-editor, in partnership with Roger Fry and Lionel Cust, from January 1914 until May 1919. Adey can thus be seen as a point of connection between the aesthetes of the London 1890s and the Bloomsbury circle that came to prominence a generation later. He is credited with over thirty bylined articles in the magazine, as well as numerous unsigned notes and reviews, and is credited with bringing a strong iconographic appreciation to the magazine.
Ross's death in October 1918 was a blow to Adey, who wrote in a letter to a mutual friend five days after the bereavement that "no one can ever be to me what he has been". Ross made his former partner the principal beneficiary of his will, but at an unknown point in the 1920s Adey was overcome by mental challenges and had to be confined in a place of long-term care.
Adey died under care in 1942; in a brief tribute to the Burlington Magazine's early co-editor, Barbara Pezzini described him in May 2010 as follows: "More Adey has often been described as a shy and diffident man, and his tragic death in a mental health institution in 1942, after having lost contact with even his closest friends, seemed to taint retrospectively his whole life."
# Liesl Theron

Liesl Theron is a South African trans activist and the co-founder of Gender DynamiX organisation.

## Personal life

Theron was born in South Africa to an Afrikaans speaking family and has a 2+1⁄2-years-younger sister.
In 1992, she came out as a lesbian at the age of 20. Her mother struggled with her sexually at first, but later wrote a book about her coming to terms with it.
As of 2008 through 2013, she was in relationship with photographer Zanele Muholi.

## Career

Theron is the co-founder of Gender DynamiX trans rights advocacy organisation. Theron was the inaugural Executive Director for Gender DynamiX from its inception, 2005 until she stepped down, June 2014
Theron supported Sasha, one of South Africa's first openly trans refugees to navigate entry into South Africa. Theron continued to support a number of trans refugees and asylum seekers from various African countries. Throughout her tenure at Gender DynamiX, Theron advocated for a number of important issues, such as Access to Health Care and other rights for trans people in general. After Theron left Gender DynamiX as Director, she became a consultant In 2016, she received the Global Transgender Heroes award from the True Colors Fund. Theron moved January 2018, to Mexico to live in Mexico City. Since moving to Mexico, Theron explored with her consultancy to start working with LGBTIQ and specifically Trans organizations in the Caribbean. As a result, Theron was one of the two co-consultants leading on an important and first research of its kind in the Caribbean, with 1080 Lesbian, Bi, Queer and Trans masculine respondents. The "From the Fringes to Focus - A deep dive into the lived-realities of Lesbian, Bisexual and Queer women and Trans Masculine persons in 8 Caribbean countries" research highlighted issues about sexual orientation, gender identity, education, health, domestic violence, access to rights, mental health and reproductive health. Theron worked with a few more activists (Julius Kaggwa, Victor Mukasa and Gabrielle le Roux) to bring alive, end of 2022 the Trans and Intersex History in Africa website

## Selected publications

* Liesl Theron, Mariam Armisen, and John McAllister Where do we go from here?: A call for critical reflection on queer/LGBTIA+ activism in Africa, Pambazuka News, 2016
* Sherwood, J., Lankiewicz, E., Castellanos, E., O’Connor, N., Theron, L., & Restar, A. Assessing inclusion of trans people in HIV national strategic plans: a review of 60 high HIV prevalence countries. Journal of the International AIDS Society, [s. l.], v. 24, n. 11, p. 1, 2021. DOI 10.1002/jia2.25837
* Liesl Theron and Ricki Kgositau, The Emergency of a Grassroots African Trans Archive, Transgender Studies Quarterly 2(4): 578-583, 2015
* Jessica Scott and Liesl Theron, The promise of heteronormativity: Marriage as a strategy for respectability in South Africa, 2017