OpenLLM-France/wikimedia huggingface dataset:
# Tito Lusiardo

Tito Lusiardo (September 13, 1896 – June 25, 1982 in Buenos Aires) was an iconic Argentine film actor and tango singer, notable for his work during the Golden Age of Argentine cinema.
Lusiardo began acting for film in 1933 and made some 50 film appearances as an actor.
He began appearing in tango films in the 1930s such as Idolos de la radio (1934), Así es el tango (1937), Adiós Buenos Aires (1938) and Así te quiero (1942).
In 1951 he appeared in the Cuban musical A La Habana me voy. He retired from the industry in 1969.

## Filmography

    1933 Dancing
    1934 Idolos de la radio
    1935 Tango Bar
    1935 El día que me quieras
    1936 Muchachada de a bordo
    1937 Así es el tango
    1937 La Vuelta de Rocha
    1938 Adiós Buenos Aires
    1938 Three Argentines in Paris
    1938 Mujeres que trabajan
    1938 Jettatore
    1938 Pampa y cielo
    1939 El Sobretodo de Céspedes
    1939 Los Pagares de Mendieta
    1939 Entre el barro
    1939 Gente bien
    1939 La vida es un tango
    1940 Un Señor mucamo
    1940 A Thief Has Arrived
    1940 Isabelita
    1940 Honeymoon in Rio
    1941 Novios para las muchachas
    1941 El Mozo número 13
    1941 Hay que casar a Ernesto
    1942 Así te quiero
    1942 Elvira Fernández, vendedora de tiendas
    1942 Ven mi corazón te llama
    1943 La Calle Corrientes
    1943 El Fabricante de estrellas
    1947 Christmas with the Poor
    1948 Los Secretos del buzón
    1948 El Cantor del pueblo
    1949 La Historia del tango
    1950 El Morocho del Abasto: La vida de Carlos Gardel
    1951 Cuando un pobre se divierte
    1951 A La Habana me voy
    1951 Con la música en el alma
    1951 A Cuban in Spain
    1954 El Cartero
    1958 Del cuplé al tango
    1964 Carlos Gardel, historia de un ídolo
    1964 Cleopatra Was Candida
    1964 Buenas noches, Buenos Aires
    1967 La Cigarra está que arde
    1967 La Muchachada de a bordo
    1969 El Día que me quieras
# Montreux '77 (Tommy Flanagan album)

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Jazz | |
Montreux '77 is an album by pianist Tommy Flanagan. It is a trio recording, with bassist Keter Betts and drummer Bobby Durham.

## Recording

The album was recorded during a concert performance at the Montreux Jazz Festival in Switzerland on July 13, 1977.

## Releases

The album was released by Pablo Records. A subsequent CD reissue had one track – "Heat Wave" – added.

## Track listing

* "Barbados" (Charlie Parker) – 9:25
* "Some Other Spring/Easy Living" – 8:28
* "Star Crossed Lovers/Jump for Joy" (Duke Ellington, Billy Strayhorn) – 6:56
* "Woody 'N You" (Dizzy Gillespie) – 5:42
* "Blue Bossa" (Kenny Dorham) – 8:08
Additional track on CD reissue
* "Heat Wave" (Irving Berlin) – 8:25

## Personnel

* Tommy Flanagan – piano
* Keter Betts – bass
* Bobby Durham – drums
# Finnish national road 58

The Finnish national road 58 (Finnish: Kantatie 58; Swedish: Stamväg 58) is the main road from Kangasala to Kärsämäki via Orivesi, Jämsä, Keuruu, Karstula, Kinnula and Haapajärvi. The road is also called Suomenselkätie "Suomenselkä road" and has been marketed as an alternative road connection to Highways 4 and 9. The length of the road is about 385 kilometres (239 mi), which makes it the longest 2nd class main route in Finland. In the 1938 road numbering system, main road 58 was the road between Lahti and Padasjoki, but after the completion of the Helsinki–Lahti road, Highway 4 switched to Lahti and road number 58 was taken out of service. In the mid-1970s, however, it was reopened on the road between Orivesi and Keuruu.
The road is a two-lane road all the way, the quality of which varies greatly; only the section between Orivesi and Keuruu is at the highway level. Other sections are former regional roads, which in many places are considerably narrow, winding and hilly as main roads. The road also passes through several small urban areas. The road is only partially permanently paved, between Keuruu and Reisjärvi the road is mostly lightly paved. On the other hand, road traffic volumes are mainly quite low, especially north of Keuruu. In addition, the road has a total of up to 13 discontinuities, where the main road turns at the junction. Between Multia and Pylkönmäki, main road 58 is marked in the Central Finland's regional plan for the new alignment, and regional road 636 between Pylkönmäki and Karstula will be converted into main road 58. The section between Kinnula and Reisjärvi has been marked for shortening in the new guidelines in the regional plans of Central Finland and North Ostrobothnia.

## Route

The road passes through the following localities:
* Kangasala (Huutijärvi)
* Orivesi (Orivesi and Hirsilä)
* Juupajoki (Korkeakoski and Lyly)
* Jämsä
* Mänttä-Vilppula
* Jämsä
* Mänttä-Vilppula (Mänttä)
* Keuruu (Pohjoislahti and Keuruu)
* Multia (Multia and Väätäiskylä)
* Ähtäri
* Multia
* Ähtäri
* Saarijärvi
* Karstula
* Saarijärvi
* Karstula (Karstula and Humppi)
* Kivijärvi
* Kinnula
* Lestijärvi
* Reisjärvi
* Haapajärvi
* Kärsämäki
# Breslau Tumbler

The Breslau Tumbler is a breed of domestic pigeon. Breslau Tumblers, along with other varieties of domesticated pigeons, are all descendants from the rock pigeon (Columba livia).

## Origin

The Breslau Tumbler was created in Breslau (now Wrocław, Poland) and is descended from the Prague (Czech) Tumbler.
# Collectors' Items

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
| The Encyclopedia of Popular Music | |
| The Rolling Stone Jazz Record Guide | |
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" (two takes) and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker (credited under the pseudonym "Charlie Chan" due to contractual obligations) on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
According to Ira Gitler's liner notes, the 1953 session was only the second time Parker had recorded on tenor saxophone. The CD edition's liner notes indicate the session was the only time Parker and Rollins recorded together.
Davis describes the session with Parker in his autobiography as having been very chaotic. It was Davis' first session of 1953 and his heroin habit had become very bad. Parker had quit his own heroin habit following the arrest of his trumpet player Red Rodney, instead drinking enormous quantities of alcohol. According to Davis, Parker consumed a quart of vodka at the rehearsal, then spoke condescendingly to Davis as if it were his session and Davis an employee or a child. After arguing, Parker fell asleep, angering Davis and in turn angering Gitler who was producing.
The 1953 session remained unreleased for several years, during which Parker died (in March 1955) and Davis left Prestige Records for Columbia Records (in 1956). Part of Davis' contractual obligation to Prestige was to record a second session to pair with the 1953 session that would give Prestige enough material for a full album. For the second session, only Rollins returned, and Davis's band included two relative newcomers to the New York jazz scene. Pianist Tommy Flanagan had just moved to New York City a few weeks prior to the Davis recording session, which was his third recording date in the city. Bassist Paul Chambers had moved to the city in 1955 and first recorded in New York in June at a session for Prestige led by trombonist Bennie Green. Chambers first recorded with Davis in October of 1955 for Columbia as part of Davis' regular performing group of the time, which included John Coltrane, Red Garland, and Philly Joe Jones. The Collector's Items session was his third with Davis, and followed the November 1955 session for Miles: The New Miles Davis Quintet.

## Track listing

Prestige – PRLP7044:

## Personnel
### January 30, 1953 session

* Miles Davis – trumpet
* Sonny Rollins – tenor saxophone
* Charlie Parker (as "Charlie Chan") – tenor saxophone
* Walter Bishop Jr. – piano
* Percy Heath – bass
* Philly Joe Jones – drums

### March 16, 1956 session

* Miles Davis – trumpet
* Sonny Rollins – tenor saxophone
* Tommy Flanagan – piano
* Paul Chambers – bass
* Art Taylor – drums
# The Black Camel (film)

The Black Camel is a 1931 American pre-Code mystery film directed by Hamilton MacFadden and starring Warner Oland, Sally Eilers, Bela Lugosi, and Dorothy Revier. It is based on the 1929 novel of the same name by Earl Derr Biggers. It is the second film to star Oland as detective Charlie Chan, and the sole surviving title of the first five Chan films starring Oland. The Black Camel marked the film debut of Robert Young.

## Plot

Movie star Shelah Fayne is making a picture on location in Honolulu, Hawaii. She summons mystic adviser Tarneverro from Hollywood to help her decide whether to marry wealthy Alan Jaynes, a man she has known for only a week. Her friend Julie O'Neil worries, however, that the famous psychic has too much influence over Fayne. Meanwhile, Julie has fallen in love herself with local publicity director Jimmy Bradshaw.
Honolulu Police Inspector Chan pretends to be a humble merchant, but Tarneverro sees through his impersonation. Chan mentions to him the yet unsolved murder of film star Denny Mayo, committed years before.
Then Jimmy finds Shelah's body; she has been murdered. Julie makes him remove Shelah's ring before calling for the police.
Chan investigates. He invites Tarneverro to assist him. Tarneverro reveals that Shelah told him she was in love with Denny and was responsible for his death, but kept quiet to protect her career.
The suspects are many, but after various startling revelations, Chan eventually identifies the killer and the connection to Danny Mayo's death.

## Cast

* Warner Oland as Inspector Charlie Chan
* Sally Eilers as Julie O'Neil
* Bela Lugosi as Tarneverro / Arthur Mayo
* Dorothy Revier as Shelah Fane
* Victor Varconi as Robert Fyfe, Shelah's ex-husband
* Murray Kinnell as Archie Smith
* Robert Young as Jimmy Bradshaw
* Violet Dunn as Anna
* J.M. Kerrigan as Thomas MacMasters
* Mary Gordon as Mrs. MacMasters
* Rita Rozelle as Luana
* Otto Yamaoka as Kashimo
* Dwight Frye as Jessop (uncredited)
* Hamilton MacFadden as Val Martino (uncredited)

### Other

The film further reunited Lugosi with Dwight Frye (playing Jessop, the butler), who had appeared with him in Dracula in the same year. C. Henry Gordon, who had been in Warner Oland's first (lost) Chan film and would show up in three more Chan films with both Oland and the later Chan Sidney Toler, appears uncredited as Huntley Van Horn, and William Post Jr. plays Captain Allan Jayne, Shelah's fiancee.
The small but crucial role of Anna the housekeeper was played by stage actress Violet Dunn, the wife of director Hamilton MacFadden.

## Production

Much of the picture was shot on location in Honolulu, with several scenes filmed at the renowned Royal Hawaiian Hotel. The opening beach scene was filmed at Kailua Beach.
# New York Jazz Sextet: Group Therapy

Group Therapy (released on CD as Art Farmer's New York Jazz Sextet) is an album by Art Farmer's New York Jazz Sextet recorded in 1965 and 1966 and originally released on the Scepter label.
The Lone Hill Jazz CD reissue includes both mono and stereo versions. The stereo versions seem to have been mastered from a stereo LP and are poorly banded.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
Ken Dryden of Allmusic states, "Art Farmer fans will want to pick up this valuable reissue, especially since this represents the sole recording by this short-lived sextet".

## Track listing

* "Signature" (Tom McIntosh) – 0:10
* "Bottom on Top" (McIntosh) – 5:32
* "Supplication" (Adolph Sandole) – 5:26
* "Another Look" (Adolph Sandole) – 7:31
* "Dim After Day" (Dennis Sandole) – 6:42
* "Indian Summer" (Victor Herbert) – 4:32
* "Joy Shout" (Dennis Sandole) – 4:37
* "Giant Steps" (John Coltrane) – 3:41

## Personnel

* Art Farmer – flugelhorn
* Tom McIntosh – trombone
* James Moody – tenor saxophone, flute
* Patti Bown (track 8 & 16), Tommy Flanagan (tracks 1–7) – piano
* Richard Davis (tracks 1–7), Reggie Workman (track 8) – bass
* Albert Heath – drums
* Marie Volpee – vocals (track 8)
# Commitment (Jim Hall album)

Commitment is an album by guitarist Jim Hall recorded and released by the Horizon label in 1976.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
Allmusic awarded the album 4  stars with the review by Scott Yanow stating "There is lots of variety on this ... He has separate duets with pianist Don Thompson, his wife Jane Hall, pianist Tommy Flanagan, and drummer Terry Clarke. He also overdubs acoustic and electric guitars ... teams up with pianist Flanagan and flugelhornist Art Farmer on two duets, and uses a slightly larger group ... there is plenty of intriguing music on this recommended set".

## Track listing

All compositions by Jim Hall except where noted
* "Walk Soft" − 7:14
* "One Morning in May" (Hoagy Carmichael, Mitchell Parish) − 3:32
* "Lament for a Fallen Matador (Based on "Adagio in G minor)" (Tomaso Albinoni) − 11:47
* "Down the Line" − 3:21
* "When I Fall in Love" (Victor Young, Edward Heyman) − 1:50
* "My One and Only Love" (Guy Wood, Robert Mellin) − 5:51
* "Bermuda Bye Bye" − 5:59
* "Indian Summer" (Victor Herbert, Al Dubin) − 6:39

## Personnel

* Jim Hall − guitar
* Art Farmer − flugelhorn (tracks 1, 3 & 8)
* Tommy Flanagan (tracks 1, 3, 6 & 8), Don Thompson (track 2) − piano
* Ron Carter − bass (tracks 1, 3 & 8)
* Allan Ganley (tracks 1, 3 & 8), Terry Clarke (track 7) − drums
* Eroll Bennett − percussion (track 3)
* Jane Hall (track 5), Joan La Barbara (track 3) − vocals
* Don Sebesky − arranger (tracks 1, 3 & 8)
# Hessdalen Church

Hessdalen Church (Norwegian: Hessdalen kirke) is a parish church of the Church of Norway in Holtålen Municipality in Trøndelag county, Norway. It is located in the village of Hessdalen. It is the church for the Hessdalen parish which is part of the Gauldal prosti (deanery) in the Diocese of Nidaros. The red, wooden church was built in a long church style in 1940 using plans drawn up by the architect John Egil Tverdahl. The church seats about 186 people.

## History

Hessdalen is a fairly remote mountain valley with only one road connecting the valley to the rest of the municipality. The Hessdalen valley got its own cemetery in 1905, and the parish priest was required to meet twice a year at the new cemetery to perform funerals. Soon after, the people of the valley began requesting a chapel to go along with the new cemetery. During the 1930s, planning began for a new chapel. Around 1940 the chapel was constructed, but it was not fully finished until 1942, likely due to the effects of World War II. The architect of the new building was John Egil Tverdahl and Arne S. Gynnild was the lead builder. It was not until 3 July 1949 that the new chapel was formally consecrated. Even after the consecration, there was still some remaining work that needed to be finished to complete the new building. The chapel builders had limited financial resources, but they obtained the pulpit from the old Ålen Church, which had been stored on the Støvne farm after the church had been torn down. The owner had bought it at auction when the church was torn down. The altarpiece is from the 17th century and it too was from the old stave church in Ålen.
# Alan Tomes

Alan Tomes (born 6 November 1951) is a former Scotland international rugby union player.

## Rugby Union career
### Amateur career

Born in Hawick, Tomes moved to Gateshead when he was 8 years old. He played rugby for Gateshead Fell.
His grandfather, still in Hawick, told Robin Charters of his rugby loving grandson in the north-east of England.
Tomes recalls:
   Dad got a phonecall from [club stalwart] Robin Charters: 'How big’s this boy of yours, Charlie?’ I was 6ft 5ins so I got asked up to Mansfield Park for a trial. Robin told me to go into the changing-room and introduce myself. Fourteen other guys wondered: 'Who’s this big bugger?’ I was a bit forward, calling myself a replacement for Jim Scott. Plus, Jim Renwick was in full flow with a funny story and I interrupted him. Not an auspicious first day!
He then played for Hawick.

### Provincial career

He was capped by South of Scotland District.
He played for Scotland Probables on 11 January 1975.

### International career

He was capped by Scotland 'B' against France 'B' in 1975.
He had 48 caps for Scotland.
He toured South Africa in 1980 with the British and Irish Lions.
He also played for the Barbarians. Tomes remembered:
   I remember making a 50-yard break for the Barbarians and the attitude of my English colleagues was: 'Middle-rows just don’t do that.' England have never played a loose game whereas, bulk or no bulk, Scots have always wanted to have a go.
# George Gaffney

George Gaffney (c.1941 – December 4, 2002) was an American jazz pianist, noted as an accompanist for vocalists. Gaffney listed Bud Powell, Horace Silver, Bill Evans, Tommy Flanagan and Hank Jones as his major influences. Gaffney said of his playing that "...in each solo, you can play a line or a chord that has the effect of pulling the carpet out from under the listener, that will give some deeper emotional meaning to it all."

## Life

Born in New York City, Gaffney started studying the piano at the age of 10, but played the trombone by time he entered the United States Marine Corps in 1958. Gaffney left the Marines in 1961, and resumed playing the piano on his return to New York. Gaffney became noted as a backer and arranger for Jazz vocalists, and moved to the Chicago area in the late 1960s. It was during the 1960s that Gaffney first met Jazz vocalist Sarah Vaughan, when he was musical director of the Playboy Club in Lake Geneva, Wisconsin.
Gaffney moved to California in the early 1970s and began to work as a studio musician and accompanist. Working in television, his most notable musical work was for Moonlighting starring Bruce Willis and Cybill Shepherd. For his work on Moonlighting he was twice nominated for the Primetime Emmy Award for Outstanding Musical Direction.
Gaffney served as Sarah Vaughan's accompanist and musical director from 1980 to 1990, the last decade of Vaughan's life. He said of working Vaughan that it was like "soaring with the eagles...She allowed complete musical freedom, given the context. You can hear her on record, but to really hear her, you had to sit next to her on the piano bench, feel the floor vibrate as she sang, hear her fill the room."
After Vaughan's death he worked as Engelbert Humperdinck's musical director in Las Vegas, and as an orchestrator for Rita Moreno. Gaffney also accompanied Peggy Lee, Carmen McRae, Buddy Greco and Ernie Andrews.
Gaffney died from complications from a stroke in Los Angeles in 2002. He is survived by three children and five grandchildren.

## Discography

With Marlena Shaw
* Marlena Shaw Live at Montreux (Live, Blue Note Records, 1973)
With Sarah Vaughan
* Gershwin Live! (With the Los Angeles Philharmonic, live, CBS, 1982)
* Send in the Clowns (With the Count Basie Orchestra, Pablo Records, 1981)
# Tate-a-Tate

Tate-a-Tate is an album by saxophonist Buddy Tate with trumpeter/flugelhornist Clark Terry. The album was recorded in 1960 and released on the Swingville label.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
Scott Yanow of AllMusic states: "The music is enjoyable and practically defines mainstream jazz of the era".

## Track listing

All compositions by Clark Terry except where noted
* "Groun' Hog" – 8:10
* "Tate-a-Tate" – 4:09
* "Snatchin' It Back" – 5:37
* "#20 Ladbroke Square" (Buddy Tate, Esmond Edwards) – 6:20
* "All Too Soon" (Duke Ellington, Carl Sigman) – 4:11
* "Take the "A" Train" (Billy Strayhorn) – 7:02

## Personnel

* Buddy Tate – tenor saxophone
* Clark Terry – trumpet, flugelhorn
* Tommy Flanagan – piano
* Larry Gales – bass
* Art Taylor – drums
# Swingin' with Pee Wee

Swingin' with Pee Wee is an album by clarinetist Pee Wee Russell with trumpeter Buck Clayton which was recorded in 1960 and released on the Swingville label.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Jazz Recordings | |
Scott Yanow of AllMusic states, "Russell and trumpeter Buck Clayton make for a perfectly compatible team on the 1960 date ... His playing is much more consistent and comfortable on the mid-tempo material than usual and he mostly gets to avoid the overly hyper Dixieland warhorses. A gem".

## Track listing

* "What Can I Say Dear" (Walter Donaldson, Abe Lyman) – 5:00
* "Midnight Blue" (Pee Wee Russell) – 5:38
* "The Very Thought of You" (Ray Noble) – 4:40
* "Lulu's Back In Town" (Harry Warren, Al Dubin) – 5:02
* "Wrap Your Troubles in Dreams" (Harry Barris, Ted Koehler, Billy Moll) – 5:37
* "I Would Do Most Anything for You" (Mack David) – 6:07
* "Englewood" (Russell) – 6:40

## Personnel

* Pee Wee Russell – clarinet
* Buck Clayton – trumpet
* Tommy Flanagan – piano
* Wendell Marshall – bass
* Osie Johnson – drums
# Etchū-Daimon Station

Etchū-Daimon Station (越中大門駅, Etchū-Daimon-eki) is a railway station on the Ainokaze Toyama Railway Line in the city of Imizu, Toyama Prefecture, Japan, operated by the third-sector railway operator Ainokaze Toyama Railway. It is also a freight terminal for the Japan Freight Railway Company.

## Lines

Etchū-Daimon Station is served by the Ainokaze Toyama Railway Line and is 26.5 kilometres from the starting point of the line at Kurikara.

## Station layout

Etchū-Daimon Station has one side platform and one island platform connected by a footbridge. The station is staffed.

### Platforms

| 1 | ■ Ainokaze Toyama Railway Line | for Takaoka and Kanazawa |
| 2, 3 | ■ Ainokaze Toyama Railway Line | for Toyama and Uozu |

## History

Etchū-Daimon Station opened on 15 October 1923 as a station on the Japanese Government Railway (JGR). It was privatized on 1 April 1984, becoming a station on JR West.
From 14 March 2015, with the opening of the Hokuriku Shinkansen extension from Nagano to Kanazawa, local passenger operations over sections of the Hokuriku Main Line running roughly parallel to the new shinkansen line were reassigned to different third-sector railway operating companies. From this date, Etchū-Daimon Station was transferred to the ownership of the third-sector operating company Ainokaze Toyama Railway.

## Adjacent stations

| « | « | Service | » | » |
| Ainokaze Toyama Railway Line |||||
| Ainokaze Liner: Does not stop at this station |||||
| Takaoka | Takaoka | Local | Kosugi | Kosugi |

## Passenger statistics

In fiscal 2015, the station was used by an average of 903 passengers daily (boarding passengers only).

## Surrounding area

* former Daimon Town Hall
* former Oshima Town Hall
# Henry Sherringham

Henry Sherringham was a former Australian professional soccer player who played as a forward and played for the Australia.

## International career

Sherringham began his international career with Australia in an inside-left position against Canada in a 3–2 win on 7 June 1924. He played his second and last international match against in a 0–1 loss to Canada.

## Career statistics
### International

| National team | Year | Competitive | Competitive | Friendly | Friendly | Total | Total |
| National team | Year | Apps | Goals | Apps | Goals | Apps | Goals |
| Australia | 1924 | 0 | 0 | 2 | 0 | 2 | 0 |
| Career total | Career total | 0 | 0 | 2 | 0 | 2 | 0 |