# Rehabilitation Through the Arts

Rehabilitation Through the Arts (RTA) is a 501(c)(3) tax-exempt non-profit organization founded by Katherine Vockins in 1996 in Sing Sing Correctional Facility in Ossining, New York. RTA brings art workshops in theatre, music, dance, visual arts, writing and poetry behind the walls to over 230 incarcerated individuals and operates in ten maximum and medium security New York State prisons: Sing Sing, Bedford Hills, Woodbourne, Green Haven, Greene, Fishkill, Otisville, and Taconic.

## Background

RTA began at Sing Sing when Katherine Vockins, RTA's founder, met with a group of men who wanted help writing and presenting a play. One year later, the theatre group performed an original piece for the prison population. The play was about their own lives—drugs, gangs, crime and bad decisions—but also about the possibility of change and redemption. In time, participants, observing changes in their own attitudes and behavior, changed the organization’s name to Rehabilitation Through the Arts.
In 2003, Sing Sing closed its medium security section and men who were transferred lobbied the Department of Corrections to establish RTA at their new facilities. In 2008, RTA began working at Bedford Hills, New York State’s only maximum-security prison for women, and in 2020 RTA established its program at Taconic Correctional Facility, a medium-security women's prison where many Bedford Hills residents are transferred as they near release. Many RTA alumni seek to continue their creative journey and maintain the community they found so meaningful inside.
Rehabilitation Through the Arts’s theatre program at Sing Sing Correctional Facility has been dramatized in the independent narrative film Sing Sing, which premiered at the Toronto Film Festival in September 2023. Produced by Greg Kwedar, Sing Sing stars Colman Domingo and previous RTA participants, including co-star Clarence Maclin, and RTA Founder Katherine Vockins in a cameo.

## Programs

RTA works with professional teaching artists to lead year-round workshops in theatre, dance, music, creative writing, and visual arts. The RTA model provides an intensive, comprehensive arts program to help the participants develop self-expression and the ability to communicate, collaborate, solve problems, and set goals.
40% of people who enter the NYS prison system do not have a high school or equivalency diploma. RTA has no academic or good behavior requirements to participate, with a focus on the life skills learned through the arts within a safe community: communication skills, problem-solving, collaboration, goal-setting, discipline and much more.
Participants can remain in the program as long as they are in a facility where RTA operates. Many participants stay in the program for years, forming a close community and a safe space where they are mutually respectful and accountable.
RTA is self-governed by steering committees made up only of incarcerated participants. Steering committees liaise between the facility and RTA staff and make decisions about workshops and material to perform.

### "Reimagining Myself"

RTA's transitional reentry program, "Reimagining Myself" is an approach to reentry that explores the social and emotional challenges an incarcerated individual is likely to face when released. The program includes narrative and interview films, a 20-session workshop with an arts-based curriculum, participant workbook, facilitator guide and facilitator training. The program was launched in New York State prisons in 2023 and is being marketed to departments of corrections and reentry agencies nationwide.

## Research

Two research studies demonstrate the positive effects of RTA's program. John Jay College of Criminal Justice's 2003 study with the NYS Department of Correctional Services showed that RTA participants had fewer infractions than a control group. A 2010 study conducted by SUNY Purchase and the NYS Department of Correctional Services concluded that RTA participants complete the GED earlier in their incarceration, more RTA participants complete educational programs beyond the GED, and that after joining RTA, participants spent an almost three-fold increase in time enrolled in post-GED courses than those who did not participate.
Compared to the average national recidivism rate of over 60%, that of RTA participants is less than 3%.

## Board of directors

E. Annette Nash Govan (Board Chair); Mikki Shaw (Vice Chair); Jermaine Archer; Sheryl Baker (Secretary); Lawrence Bartley; Michael Capra; Allison Chernow; Gabe Cruz; Tanya Diaz-Goldsmith; Kenneth Fields (Treasurer); Sean Dino Johnson; Suzanne Kessler; Que Newbill; Lauren Price; Karin Young Shiel.

## Funding

RTA is funded through the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, the National Endowment for the Arts, the Mellon Foundation, the Tow Foundation, Art for Justice Fund (a project of the Ford Foundation in partnership with Rockefeller Philanthropy Advisors), ArtsWestchester, Humanities NY, Hyde and Watson Foundation, Sills Family Foundation, Tikkun Olam Foundation, Robert & Mercedes Eichholz Foundation, Howard Gilman Foundation, the New York State Department of Corrections & Community Supervision and many individual donors.

## Theatrical productions
### Published works

* 12 Angry Men
* 1776
* Twelfth Night
* The Wizard of Oz
* Golden Boy
* Our Town
* Father Comes Home from the Wars
* Two Trains Running
* Jitney
* Ma Rainey
* The Wiz
* The Odd Couple
* Death of a Salesman
* Macbeth
* A Few Good Men
* Superior Donuts
* Of Mice and Men
* West Side Story
* SLAM
* One Flew Over the Cuckoo's Nest

### Original works

* Same Thing Makes You Laugh, That Thing Gonna Make You Cry
* Café of the Heart
* Stratford's Decision
* Reality in Motion
* Starting Over
* Stories from the Inside Out
* The Sacrifice
* Evolution
* An Evening of Theatre, Four Original One-Act Plays
* When We're Home
* The N_____ Trial
* Breakin' the Mummy's Code
* Fine Print
* Dutch Crown
* Voices from Within