# The Golden Apples of the Sun

The Golden Apples of the Sun is an anthology of 22 short stories by American writer Ray Bradbury. It was published by Doubleday & Company in 1953.
The book's title is also the title of the final story in the collection. The words "the golden apples of the sun" are from the last line of the final stanza of W. B. Yeats' poem "The Song of Wandering Aengus" (1899):
   Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done The silver apples of the moon, The golden apples of the sun.
Bradbury prefaces his book with the last three lines of this poem. When asked what attracted him to the line "the golden apples of the sun", he said, "[My wife] Maggie introduced me to Romantic poetry when we were dating, and I loved it. I love that line in the poem, and it was a metaphor for my story, about taking a cup full of fire from the sun."
The Golden Apples of the Sun was Bradbury's third published collection of short stories. The first, Dark Carnival, was published by Arkham House in 1947; the second, The Illustrated Man, was published by Doubleday & Company in 1951.

## Contents

In 1990, Bantam Books collected most of the stories from R Is for Rocket (1962) and The Golden Apples of the Sun into a semi-omnibus edition titled Classic Stories 1. In 1997, Avon Books printed a new edition of the omnibus, titling it The Golden Apples of the Sun and Other Stories. Harper Perennial titled their 2005 edition as A Sound of Thunder and Other Stories.
The semi-omnibus editions omit three of the stories that appear in The Golden Apples of the Sun: "The Pedestrian" (1951), "Invisible Boy" (1945), and "Hail and Farewell" (1953).
| Story | First published | Sequence | Sequence |
| Story | First published | The Golden Apples of the Sun | Classic Stories 1 |
| "The Fog Horn" | 1952 | 1 | 1 |
| "The Pedestrian" | 1951 | 2 | Dropped |
| "The April Witch" | 1951 | 3 | 2 |
| "The Wilderness" | 1952 | 4 | 3 |
| "The Fruit at the Bottom of the Bowl" | 1948 | 5 | 4 |
| "Invisible Boy" | 1945 | 6 | Dropped |
| "The Flying Machine" | 1953 | 7 | 5 |
| "The Murderer" | 1953 | 8 | 6 |
| "The Golden Kite, the Silver Wind" | 1953 | 9 | 7 |
| "I See You Never" | 1947 | 10 | 8 |
| "Embroidery" | 1951 | 11 | 9 |
| "The Big Black and White Game" | 1945 | 12 | 10 |
| "A Sound of Thunder" | 1952 | 13 | 23 |
| "The Great Wide World Over There" | 1953 | 14 | 11 |
| "Powerhouse" | 1948 | 15 | 12 |
| "En la Noche" | 1952 | 16 | 13 |
| "Sun and Shadow" | 1953 | 17 | 14 |
| "The Meadow" | 1947 | 18 | 15 |
| "The Garbage Collector" | 1953 | 19 | 16 |
| "The Great Fire" | 1949 | 20 | 17 |
| "Hail and Farewell" | 1953 | 21 | Dropped |
| "The Golden Apples of the Sun" | 1953 | 22 | 18 |
| "R Is for Rocket" | 1943 | — | 19 |
| "The End of the Beginning" | 1956 | — | 20 |
| "The Rocket" | 1950 | — | 21 |
| "The Rocket Man" | 1953 | — | 22 |
| "The Long Rain" | 1950 | — | 24 |
| "The Exiles" | 1950 | — | 25 |
| "Here There Be Tygers" | 1951 | — | 26 |
| "The Strawberry Window" | 1954 | — | 27 |
| "The Dragon" | 1955 | — | 28 |
| "Frost and Fire" | 1947 | — | 29 |
| "Uncle Einar" | 1947 | — | 30 |
| "The Time Machine" | 1957 | — | 31 |
| "The Sound of Summer Running" | 1957 | — | 32 |

## Reception

Writing in The New York Times, Charles Poore reported that Bradbury "writes in a style that seems to have been nourished on the poets and fabulists of the Irish Literary Renaissance", and said he was "wonderfully adept at getting to the heart of his story without talking all day long about it and around it."
Anthony Boucher and J. Francis McComas of The Magazine of Fantasy & Science Fiction found Golden Apples to be a "most uncertain reading experience… material of a curiously mixed quality; writing that is often simply and perceptively moving [and] just as often sadly lacking any particular strength or color".
Imagination reviewer Mark Reinsberg called Bradbury "a gifted writer", but complained that he had "a tendency to overestimate the power of style to nourish anemic themes."
Groff Conklin of Galaxy Science Fiction praised the collection, saying it included "some of the best imaginative stories [Bradbury] or anyone else has ever written. One cannot even begin to describe their delights."