# List of compositions by Franz Schubert (1816)

Franz Schubert's compositions of 1816 are mostly in the Deutsch catalogue (D) range D 331–510, and include:
* Instrumental works:
** Symphony No. 4, D 417
** Symphony No. 5, D 485
** Rondo in A major for Violin and Strings, D 438
** Adagio and Rondo concertante in F major, D 487
** String Quartet No. 11, D 353
** String Trio, D 471
** Piano Sonata in E major, D 459
* Vocal music:
** Mass No. 4, D 452
** Magnificat, D 486
** Stabat Mater in F minor, D 383
** Gesänge des Harfners aus "Wilhelm Meister", D 478
** "Sehnsucht", D 359
** "Der König in Thule", D 367
** "Mignon", D 469
** "Sehnsucht", D 481
** "Der Wanderer", D 489
** "Wiegenlied", D 498

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1816 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 331 332 | 331 | (1866) | XVI No. 38 | III, 4 No. 31 | Der Entfernten, D 331 | Wohl denk' ich allenthalben | c. 1816 | Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332 |
| 333 | 796 | | | | Laß dein Vertrauen nicht schwinden | | | Part of D 796 No. 21 |
| 334 | 334 | (1897) | XXI, 3 No. 24 | VII/2, 4 | Minuet with Trio, D 334 | A major (minuet) / E major (trio) | before fall 1815 | For piano |
| 335 | 335 | (1897) | XXI, 3 No. 25 | VII/2, 6 | Minuet with two Trios | E major | 1813? | For piano |
| 337 | 337 | (1860) | XVI No. 39 | III, 4 No. 32 | Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit | Es rieselt klar und wehend ein Quell | c. 1816 | Text by Salis-Seewis (other settings: D 393 and 563); For ttbb |
| 338 | 338 | (1891) | XVI No. 40 | III, 4 No. 33 | An den Frühling, D 338 | Willkommen, schöner Jüngling! | c. 1816 | Text by Schiller (other settings: D 283 and 587); For ttbb |
| 342 | 342 | (1885) | XX, 4 No. 238 | IV, 10 | An mein Klavier a.k.a. Seraphine an ihr Klavier | Sanftes Klavier, welche Entzückungen schaffest du mir | c. 1816 | Text by Schubart |
| 343 | 343 | (1831) | XX, 5 No. 342 | IV, 10 | Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen | Ruh'n in Frieden alle Seelen | August 1816 | Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831 |
| 344 | 344 | | | IV, 10 | Am ersten Maimorgen | Heute will ich fröhlich sein | 1816? | Text by Claudius |
| 345 | 345 | (1897) | XXI, 1 No. 3 | V, 7 No. 1 | Violin Concerto, a.k.a. Konzertstück (Concert Piece) | D major | 1816 | Adagio, Allegro |
| 346 | 346 | (1897) | XXI, 3 No. 17 | VII/2, 4 Anh. | Allegretto, D 346 | C major | 1816? | For piano; Fragment; 4th movement of D 279? |
| 347 | 347 | (1897) | XXI, 3 No. 18 | VII/2, 4 Anh. | Allegro moderato, D 347 | C major | 1813? | For piano; Fragment |
| 348 | 348 | (1897) | XXI, 3 No. 19 | VII/2, 4 Anh. | Andantino, D 348 | C major | 1816? | For piano; Fragment |
| 349 | 349 | (1897) | XXI, 3 No. 21 | VII/2, 4 Anh. | Adagio, D 349 | C major | 1816? | For piano; Fragment |
| 350 | 350 | (1885) | XX, 4 No. 203 | IV, 10 | Der Entfernten, D 350 | Wohl denk' ich allenthalben | 1816? | Text by Salis-Seewis (other setting: D 331) |
| 351 | 351 | (1895) | XX, 4 No. 204 | IV, 11 | Fischerlied, D 351 | Das Fischergewerbe gibt rüstigen Mut | 1816? | Text by Salis-Seewis (other settings: D 364 and 562) |
| 352 | 352 | (1847) | XX, 4 No. 286 | III, 2b No. 21 | Licht und Liebe a.k.a. Nachtgesang | Liebe ist ein süßes Licht | 1816? | Text by Collin, M. C.; For st and piano |
| 353 | 353 | 125p,2 (1840) | V No. 11 | VI, 4 No. 12 | String Quartet No. 11 | E major | 1816 | Allegro con fuoco – Andante – Minuet – Rondo |
| 354 | 354 | (1930) | | VI, 9 | Four Komische Ländler | D major | January 1816 | For two violins |
| 355 | 355 | (1928) | | VI, 9 | Eight Ländler, D 355 | F♯ minor | January 1816 | For violin(?) |
| 356 | 356 | (1844) | | III, 3 Anh. II No. 3 | Trinklied, D 356 | Funkelnd im Becher so helle, so hold | 1816 | For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.) |
| 357 | 357 | (1892) | XIX No. 24 | III, 4 No. 35 VIII, 2 No. 28 | Goldner Schein | Goldner Schein deckt den Hain | 1/5/1816 | Text by Matthisson; Canon for three voices |
| 358 | 358 | (1849) | XX, 4 No. 235 | IV, 10 | Die Nacht, D 358 | Du verstörst uns nicht, o Nacht! | 1816 | Text by Uz |
| 359 | 359 | (1872) | XX, 4 No. 260 | IV, 3 | Sehnsucht, D 359 a.k.a. Lied der Mignon | Nur wer die Sehnsucht kennt | 1816 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4) |
| 360 | 360 | 65,1 (1826) | XX, 4 No. 268 | IV, 3 | Lied eines Schiffers an die Dioskuren | Dioskuren, Zwillingssterne | 1816 | Text by Mayrhofer |
| 361 | 361 | 109p,1 (1829) | XX, 4 No. 272 | IV, 10 | Am Bach im Frühling | Du brachst sie nun, die kalte Rinde | 1816 | Text by Schober; Piano intro probably not by Schubert |
| 362 | 362 | (1895) | XX, 4 No. 280 | IV, 11 | Zufriedenheit, D 362, a.k.a. Lied | Ich bin vergnugt | 1815 or 1816? | Text by Claudius (other setting: D 501) |
| 363 | 363 | | | IV, 10 | An Chloen, D 363 | Die Munterkeit ist meinen Wangen | 1816 | Text by Uz; Fragment |
| 364 | 364 | (1897) | XXI, 4 No. 35 | III, 4 No. 34 | Fischerlied, D 364 | Das Fischergewerbe gibt rüstigen Mut | 1816 or 1817? | Text by Salis-Seewis (other settings: D 351 and 562); For ttbb |
| 365 | 365 | 9 (1821) | XII No. 1 | VII/2, 6 & 7a | 36 Original Dances a.k.a. Erste Walzer | Various keys | c. Mar. 1818– Jul. 1821 | For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1) |
| 366 | 366 | (1824) (1869) | XII No. 10 | VII/2, 6 & 7a | 17 Ländler, D 366 | Various keys | c. Jul. 1824– Nov. 1824 | For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814 |
| 367 | 367 | 5,5 (1821) | XX, 4 No. 261 | IV, 1a | Der König in Thule | Es war ein König in Thule | early 1816 | Text by Goethe, from Faust I, 8 |
| 368 | 368 | 3,4 (1821) | XX, 4 No. 262 | IV, 1a | Jägers Abendlied, D 368 | Im Felde schleich ich, still und wild | early 1816? | Text by Goethe (other setting: D 215) |
| 369 | 369 | 19,1 (1825) | XX, 4 No. 263 | IV, 1a | An Schwager Kronos | Spute dich, Kronos! | 1816 | Text by Goethe |
| 370 | 370 | (1930) | | VI, 9 | Nine Ländler, D 370 | D major | January 1816 | For violin?; No. 7 reused in D 378 No. 6 |
| 371 292 | 371 | (1872) | XX, 4 No. 185 | IV, 10 | Klage, D 371 | Trauer umfließt mein Leben | January 1816 | Two versions: 1st, a sketch, was D 292 |
| 372 | 372 | (1895) | XX, 4 No. 183 | IV, 10 | An die Natur | Süße, heilige Natur | 15/1/1816 | Text by Stolberg-Stolberg |
| 373 | 373 | (1895) | XX, 4 No. 184 | IV, 10 | Lied, D 373 | Mutter geht durch ihre Kammern | 15/1/1816? | Text by Motte Fouqué, from Undine |
| 374 | 374 | (1902) | | VI, 9 | 11 Ländler, D 374 | B♭ major | February 1816? | For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10 |
| 375 | 375 | (1830) | XX, 4 No. 187 | IV, 10 | Der Tod Oskars | Warum öffnest du wieder | February 1816 | Text by Macpherson (Ossian), transl. by E. Baron de Harold |
| 376 | 376 | (1895) | XX, 10 No. 592 | IV, 10 | Lorma, D 376 | Lorma saß in der Halle von Aldo | 10/2/1816 | Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment |
| 377 | 377 | (1872) | XX, 4 No. 186 | III, 3 No. 21 Anh. I No. 3 | Das Grab, D 377 | Das Grab ist tief und stille | 11/2/1816 | Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano |
| 378 | 378 | (1889) | XII No. 12 | VII/2, 6 | Eight Ländler, D 378 | B♭ major | 13/2/1816 | For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7 |
| 379 | 379 | (1859) | XIV No. 17 | I, 9 No. 13 & Anh. 2 | Deutsches Salve Regina (German Salve Regina) | Sei, Mutter der Barmherzigkeit F major | 21/2/1816 | Text: after Salve Regina; For SATB and organ |
| 380 | 380 | (1897) (1956) (1989) | XXI, 2 No. 28 | VII/2, 6 | Three Minuets, each with Two Trios | E major (No. 1) A major (No. 2) C major (No. 3) | 22/2/1816 | For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557 |
| 381 | 381 | (1895) | XX, 4 No. 189 | IV, 10 | Morgenlied, D 381 | Die frohe, neubelebte Flur | 24/2/1816 | |
| 382 | 382 | (1895) | XX, 4 No. 190 | IV, 10 | Abendlied, D 382 | Sanft glänzt die Abendsonne | 24/2/1816 | |
| 383 992 | 383 | (1888) | XIV No. 13 | I, 7 | Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater) | Jesus Christus schwebt am Kreuze F minor | started 28/2/1816 | Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992 |
| 384 | 384 | 137p,1 (1836) | VIII No. 2 | VI, 8 No. 1 & anh. 1 | Violin Sonata, D 384, a.k.a. Sonatina No. 1 | D major | March 1816 | Allegro molto (+early version in NSA) – Andante – Allegro vivace |
| 385 | 385 | 137p,2 (1836) | VIII No. 3 | VI, 8 No. 2 | Violin Sonata, D 385, a.k.a. Sonatina No. 2 | A minor | March 1816 | Allegro moderato – Andante – Minuet – Allegro |
| 386 | 386 | (1833) | XIV No. 20 | I, 9 No. 12 & Anh. 1 | Salve Regina, D 386 | B♭ major Salve Regina | early 1816 | Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB |
| 387 | 387 | (1897) | XXI, 4 No. 44 | III, 2b Anh. No. 4b | Die Schlacht, D 387 | Schwer und dumpfig | March 1816 | Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1 |
| 388 | 388 | (1895) | XX, 4 No. 193 | IV, 10 | Laura am Klavier | Wenn dein Finger durch die Saiten meistert | March 1816 | Text by Schiller; Two versions |
| 389 | 389 | (1873) | XX, 4 No. 194 | IV, 3 | Des Mädchens Klage, D 389 | Der Eichwald brauset | March 1816 | Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191) |
| 390 | 390 | (1895) | XX, 4 No. 195 | IV, 10 | Entzückung an Laura, D 390 | Laura, über diese Welt | March 1816 | Text by Schiller (other setting: D 577) |
| 391 | 391 | 111p,3 (1829) | XX, 4 No. 196 | IV, 10 | Die vier Weltalter | Wohl perlet im Glase | March 1816 | Text by Schiller |
| 392 | 392 | (1895) | XX, 4 No. 197 | IV, 10 | Pflügerlied | Arbeitsam und wacker | March 1816 | Text by Salis-Seewis |
| 393 | 393 | (1845) | XX, 4 No. 198 | IV, 11 | Die Einsiedelei, D 393 | Es rieselt klar und wehend ein Quell | March 1816 | Text by Salis-Seewis (other settings: D 337 and 563) |
| 394 | 394 | (1895) | XX, 4 No. 199 | IV, 10 | An die Harmonie a.k.a. Gesang an die Harmonie | Schöpferin beseelter Töne! | March 1816 | Text by Salis-Seewis |
| 395 | 395 | 111p,2 (1829) | XX, 4 No. 205 | IV, 10 | Lebensmelodien | Auf den Wassern wohnt mein stilles Leben | March 1816 | Text by Schlegel, A. W. |
| 396 | 396 | (1975) | | IV, 2 Anh. No. 1 | Gruppe aus dem Tartarus, D 396 | Horch, wie Murmeln des empörten Meeres | March 1816 | Text by Schiller (other settings: D 65 and 583); Fragment |
| 397 | 397 | (1832) | XX, 4 No. 191 | IV, 10 | Ritter Toggenburg | Ritter, treue Schwesterliebe | 13/3/1816 | Text by Schiller |
| 398 | 398 | (1887) | XX, 4 No. 217 | IV, 10 | Frühlingslied, D 398 | Die Luft ist blau | 13/5/1816 | Text by Hölty (other setting: D 243) |
| 399 | 399 | (1895) | XX, 4 No. 218 | IV, 10 | Auf den Tod einer Nachtigall, D 399 | Sie ist dahin, die Maienlieder tönte | 13/5/1816 | Text by Hölty (other setting: D 201) |
| 400 | 400 | (1895) | XX, 4 No. 219 | IV, 10 | Die Knabenzeit | Wie glücklich, wem das Knabenkleid | 13/5/1816 | Text by Hölty |
| 401 | 401 | (1895) | XX, 4 No. 220 | IV, 10 | Winterlied, D 401 | Keine Blumen blühn | 13/5/1816 | Text by Hölty |
| 402 | 402 | (1872) | XX, 4 No. 192 | IV, 10 | Der Flüchtling | Frisch atmet des Morgens lebendiger Hauch | 18/3/1816 | Text by Schiller (other setting: D 67) |
| 403 | 403 | (1845) (1895) | XX, 4 No. 201 | IV, 10 | Lied, D 403 | In's stille Land | 27/3/1816 | Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No. 4 |
| 404 | 404 | (1885) | XX, 4 No. 200 | IV, 10 | Die Herbstnacht a.k.a. Die Wehmuth | Mit leisen Harfentönen | March 1816 | Text by Salis-Seewis |
| 405 | 405 | (1895) | XX, 4 No. 202 | IV, 10 | Der Herbstabend | Abendglockenhalle zittern | April 1816 | Text by Salis-Seewis; Two versions: 1st in AGA |
| 406 | 406 | (1887) | XX, 4 No. 208 | IV, 10 | Abschied von der Harfe | Noch einmal tön, o Harfe | March 1816 | Text by Salis-Seewis |
| 407 441 | 407 | (1891) (1892) | XVI No. 44 XIX No. 5 | III, 3 No. 22 Anh. IV No. 3 VIII, 2 No. 31 | Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri | Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da | before 16/6/1816 | Text by Schubert; Quartet for ttbb (variant for ttb and piano: formerly D 441) – Aria for t and piano – Canon for three voices |
| 408 | 408 | 137p,3 (1836) | VIII No. 4 | VI, 8 No. 3 | Violin Sonata, D 408, a.k.a. Sonatina No. 3 | G minor | April 1816 | Allegro giusto – Andante – Minuet – Allegro moderato |
| 409 | 409 | (1872) | XX, 4 No. 206 | IV, 10 | Die verfehlte Stunde | Quälend ungestilltes Sehnen | April 1816 | Text by Schlegel, A. W. |
| 410 | 410 | 115p,3 (1829) | XX, 4 No. 207 | IV, 10 | Sprache der Liebe | Laß dich mit gelinden Schlägen rühren | April 1816 | Text by Schlegel, A. W. |
| 411 | 411 | (1887) | XX, 4 No. 209 | IV, 10 | Daphne am Bach | Ich hab' ein Bächlein funden | April 1816 | Text by Stolberg-Stolberg |
| 412 | 412 | (1838) | XX, 4 No. 210 | IV, 10 | Stimme der Liebe, D 412 | Meine Selinde | April 1816 | Text by Stolberg-Stolberg; Two versions: 2nd in AGA |
| 413 | 413 | (1895) | XX, 4 No. 211 | IV, 10 | Entzückung | Tag voll Himmel! | April 1816 | Text by Matthisson |
| 414 | 414 | (1895) | XX, 4 No. 212 | IV, 10 | Geist der Liebe, D 414 | Der Abend schleiert Flur und Hain | April 1816 | Text by Matthisson (other setting: D 747) |
| 415 | 415 | (1895) | XX, 4 No. 213 | IV, 10 | Klage, D 415 | Die Sonne steigt, die Sonne sinkt | April 1816 | Text by Matthisson |
| 416 | 416 | (1825) | | IV, 10 | Lied in der Abwesenheit | Ach, mir ist das Herz so schwer | April 1816 | Text by Stolberg-Stolberg; Fragment |
| 417 | 417 | (1884) | I, 2 No. 4 | V, 2 No. 4 | Symphony No. 4 Tragic | C minor | completed 27/4/1816 | Adagio molto, Allegro vivace – Andante – Minuet – Allegro |
| 418 | 418 | (1895) | XX, 4 No. 214 | IV, 10 | Stimme der Liebe, D 418 | Abendgewölke schweben hell | 29/4/1816 | Text by Matthisson (other setting: D 187) |
| 419 | 419 | (1895) | XX, 4 No. 215 | IV, 10 | Julius an Theone | Nimmer, nimmer darf ich dir gestehen | 30/4/1816 | Text by Matthisson |
| 420 | 420 | (1871) | XII No. 11 | VII/2, 7a | Twelve German Dances, D 420 | Various keys | 1816 | For piano; No. 10 reappears in D 679 No. 1 |
| 421 | 421 | (1889) | XII No. 27 | VII/2, 6 | Six Écossaises, D 421 | Various keys | May 1816 | For piano; No. 1 after D 145 Écoss. No. 5 |
| 422 | 422 | 16,2 (1823) | XVI No. 8 | III, 3 No. 23 | Naturgenuß, D 422 | Im Abendschimmer wallt der Quell | 1822? | Text by Matthisson (other setting: D 188); For ttbb and piano |
| 423 | 423 | (1974) | | III, 4 No. 36 | Andenken, D 423 | Ich denke dein wenn durch den Hain | May 1816 | Text by Matthisson (other setting: D 99); For ttb |
| 424 | 424 | (1974) | | III, 4 No. 37 | Erinnerungen, D 424 | Am Seegestad, in lauen Vollmondsnächten | May 1816 | Text by Matthisson (other setting: D 98); For ttb |
| 425 | 425 | | | | Lebensbild | | May 1816 | Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb |
| 426 | 426 | | | III, 4 | Trinklied, D 426 | Herr Bacchus ist ein braver Mann | May 1816 | Lost; Text by Bürger; For ttb |
| 427 | 427 | (1892) | XIX No. 17 | III, 4 No. 38 | Trinklied im Mai | Bekränzet die Tonnen | May 1816 | Text by Hölty; For ttb |
| 428 | 428 | (1974) | | III, 4 No. 39 | Widerhall | Auf ewig dein, wenn Berg und Meere trennen | May 1816 | Text by Matthisson; For ttb |
| 429 | 429 | (1885) | XX, 4 No. 221 | IV, 10 | Minnelied | Holder klingt der Vogelsang | May 1816 | Text by Hölty |
| 430 | 430 | (1895) | XX, 4 No. 222 | IV, 10 | Die frühe Liebe | Schon im bunten Knabenkleide | May 1816 | Text by Hölty; Two versions: 1st in AGA |
| 431 | 431 | (1887) | XX, 4 No. 223 | IV, 10 | Blumenlied | Es ist ein halbes Himmelreich | May 1816 | Text by Hölty |
| 432 | 432 | (1850) (1895) | XX, 4 No. 224 | IV, 10 | Der Leidende a.k.a. Klage, D 432 | Nimmer trag' ich langer | May 1816 | Other setting: D Anh. I/28; Two versions: 1st publ. in 1850 |
| 433 | 433 | (1895) | XX, 4 No. 225 | IV, 10 | Seligkeit | Freuden sonder Zahl | May 1816 | Text by Hölty |
| 434 | 434 | (1850) | XX, 4 No. 226 | IV, 10 | Erntelied | Sicheln schallen, Ähren fallen | May 1816 | Text by Hölty |
| 435 | 435 | (1893) | XV, 7 No. 13 | II, 13 III, 4 No. 30 | Die Bürgschaft, D 435 | (Opera in three acts) | started 2/5/1816 | For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment) |
| 436 437 | 436 | (1850) | XX, 4 No. 216 | IV, 10 | Klage, D 436 | Dein Silber schien durch Eichengrün | 12/5/1816 | Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437 |
| 438 | 438 | (1897) | XXI, 1 No. 4 | V, 7 No. 2 | Rondo, D 438 | A major | June 1816 | For violin and string orchestra |
| 439 | 439 | (1872) | XVII No. 12 | III, 2a No. 8 | An die Sonne, D 439 | O Sonne, Königin der Welt | June 1816 | Text by Uz; For satb and piano |
| 440 | 440 | (1839) | XVII No. 18 | III, 2a No. 9 | Chor der Engel | Christ ist erstanden | June 1816 | Text by Goethe, from Faust I, 1; For SATB |
| 441 | 407 | | | | | | | See D 407 |
| 442 | 442 | (1847) | XX, 4 No. 227 | III, 3 No. 7 Anh. I No. 4 IV, 10 | Das große Halleluja | Ehre sei dem Hocherhabnen | June 1816 | Text by Klopstock; For voice(s?) and piano |
| 443 | 443 | (1895) | XX, 4 No. 228 | III, 3 No. 8 Anh. I No. 5 IV, 10 | Schlachtlied, D 443, a.k.a. Schlachtgesang | Mit unserm Arm ist nichts getan | June 1816 | Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano |
| 444 | 444 | (1831) | XX, 4 No. 229 | IV, 10 | Die Gestirne | Es tönet sein Lob | June 1816 | Text by Klopstock, from Oden |
| 445 | 445 | (1837) | XX, 4 No. 230 | IV, 10 | Edone | Dein süßes Bild, Edone | June 1816 | Text by Klopstock, from Oden |
| 446 | 446 | (1887) | XX, 4 No. 231 | IV, 10 | Die Liebesgötter | Cypris, meiner Phyllis gleich | June 1816 | Text by Uz |
| 447 | 447 | (1895) | XX, 4 No. 232 | IV, 10 | An den Schlaf | Komm und senke die umflorten Schwingen | June 1816 | |
| 448 | 448 | (1887) | XX, 4 No. 233 | IV, 10 | Gott im Frühlinge | In seinem schimmernden Gewand | June 1816 | Text by Uz; Two versions: 1st, publ. in 1887, in AGA |
| 449 | 449 | (1872) | XX, 4 No. 234 | IV, 10 | Der gute Hirt | Was sorgest du? | June 1816 | Text by Uz |
| 450 | 450 | (1832) (1895) | XX, 4 No. 236 | IV, 10 | Fragment from Aeschylus | So wird der Mann | June 1816 | Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832 |
| 451 | 451 | | | | Prometheus, D 451 | Hervor aus Buschen und Baumen | 17/6/1816 | Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra |
| 452 961 | 452 | 48 (1825) (1829) | XIII, 1 No. 4 | I, 2 | Mass No. 4 | C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | Jun. 1816– Oct. 1828 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961 |
| 453 | 453 | | | I, 5 Anh. | Requiem | C minor Introitus – Kyrie | July 1816 | Fragment; For SATB and orchestra |
| 454 | 454 | (1872) | XX, 4 No. 239 | IV, 10 | Grablied auf einen Soldaten | Zieh hin, du braver Krieger du! | July 1816 | Text by Schubart |
| 455 | 455 | (1887) | XX, 4 No. 240 | IV, 10 | Freude der Kinderjahre | Freude, die im frühen Lenze | July 1816 | Text by Köpken [scores] |
| 456 | 456 | (1887) | XX, 4 No. 241 | IV, 10 | Das Heimweh, D 456 | Oft in einsam stillen Stunden | July 1816 | Text by Hell |
| 457 | 457 | 44 (1827) | XX, 4 No. 237 | IV, 3 | An die untergehende Sonne | Sonne, du sinkst | July 1816– May 1817 | Text by Kosegarten |
| 458 | 458 | (1872) | XX, 4 No. 242 | IV, 10 | Aus Diego Manazares: Ilmerine | Wo irrst du durch einsame Schatten | 30/07/1816 | Text by Schlechta [de] from Diego Manazares |
| 459 (Nos. 1–2) | 459 | (1843) | XI No. 14 | VII/2, 1 No. 3 | Piano Sonata, D 459 | E major | August 1816 | Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke |
| 459 (Nos. 3–5) | 459A | (1843) | XI No. 14 | VII/2, 4 | Three piano pieces, D 459A | C major (No. 1) A major (No. 2) E major (No. 3) | 1816? | Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke |
| 460 | 460 | (1888) | XIV No. 7 | I, 9 No. 6 | Tantum ergo, D 460 | C major | August 1816 | Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra |
| 461 | 461 | (1935) | | I, 9 No. 7 | Tantum ergo, D 461 | C major | August 1816 | Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra |
| 462 | 462 | (1895) | XX, 4 No. 244 | IV, 10 | An Chloen, D 462 | Bei der Liebe reinsten Flammen | August 1816 | Text by Jacobi |
| 463 | 463 | (1895) | XX, 4 No. 245 | IV, 10 | Hochzeit-Lied | Will singen euch im alten Ton | August 1816 | Text by Jacobi |
| 464 | 464 | (1895) | XX, 4 No. 246 | IV, 10 | In der Mitternacht | Todesstille deckt das Tal | August 1816 | Text by Jacobi |
| 465 | 465 | (1885) | XX, 4 No. 247 | IV, 10 | Trauer der Liebe | Wo die Taub' in stillen Buchen | August 1816 | Text by Jacobi; Two versions: 1st, in AGA, publ. 1885 |
| 466 | 466 | (1872) | XX, 4 No. 248 | IV, 10 | Die Perle | Es ging ein Mann zur Frühlingszeit | August 1816 | Text by Jacobi |
| 467 | 467 | (1885) | XX, 10 No. 593 | IV, 10 | Pflicht und Liebe | Du, der ewig um mich trauert | August 1816 | Text by Gotter; Fragment |
| 468 | 468 | (1895) | XX, 4 No. 243 | IV, 10 | An den Mond, D 468 | Was schauest du so hell | 07/08/1816 | Text by Hölty |
| 469 | 469 | (1897) | XXII, 11 Nos. 394– 395 | IV, 3 | Mignon, D 469 | So laßt mich scheinen, bis ich werde | September 1816 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments |
| 470 601 | 470 | (1886) | II No. 3 | V, 5 VI, 4 Anh. No. 4 | Overture, D 470 | B♭ major | September 1816 | For orchestra; Overture to D 472(?); Fragment for string quartet was D 601 |
| 471 | 471 | (1890) (1897) | VI No. 1 XXII, 1 p. 84 | VI, 6 No. 1 & Anh. No. 2 | String Trio, D 471 | B♭ major | September 1816 | Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII) |
| 472 | 472 | 128p (1830) (1892) | XVII No. 2 | III, 1 | Kantate zu Ehren von Josef Spendou | Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht | September 1816 | Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir |
| 473 | 473 | (1833) (1895) | XX, 4 No. 249 | IV, 10 | Liedesend | Auf seinem gold'nen Throne | September 1816 | Text by Mayrhofer; Two versions: 2nd in 1st ed. |
| 474 | 474 | (1832) (1895) | XX, 4 No. 250 | IV, 10 | Lied des Orpheus, als er in die Hölle ging | Wälze dich hinweg | September 1816 | Text by Jacobi; Two versions: 2nd in 1st ed. |
| 475 | 475 | (1885) | XX, 4 No. 251 | IV, 11 | Abschied: Nach einer Wallfahrts-Arie bearbeitet | Über die Berge zieht ihr fort | September 1816 | Text by Jacobi |
| 476 | 476 | (1872) | XX, 4 No. 252 | IV, 11 | Rückweg | Zum Donaustrom, zur Kaiserstadt | September 1816 | Text by Mayrhofer |
| 477 | 477 | (1895) | XX, 4 No. 253 | IV, 11 | Alte Liebe rostet nie | Alte Liebe rostet nie | September 1816 | Text by Mayrhofer |
| 478 479 480 | 478 | 12 (1822) (1895) | XX, 4 Nos. 254, 256– 258, 255 | IV, 1a & b No. 10 & Anh. Nos. 6–7 | Gesänge des Harfners aus "Wilhelm Meister" | 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen | September 1816–1822 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12 |
| 481 | 481 | (1895) | XX, 4 No. 259 | IV, 3 | Sehnsucht, D 481 | Nur wer die Sehnsucht kennt | September 1816 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4) |
| 482 | 482 | (1895) | XX, 4 No. 264 | IV, 11 | Der Sänger am Felsen | Klage, meine Flöte, klage | September 1816 | Text by Pichler, from Idyllen |
| 483 | 483 | (1895) | XX, 4 No. 265 | IV, 11 | Lied, D 483 | Ferne von der großen Stadt | September 1816 | Text by Pichler, from Idyllen |
| 484 | 484 | (1895) | XX, 10 No. 594 | IV, 11 | Gesang der Geister über den Wassern, D 484 | Des Menschen Seele gleicht dem Wasser | September 1816 | Text by Goethe (other settings: D 538, 705 and 714); Fragment |
| 485 | 485 | (1885) | I, 2 No. 5 | V, 2 No. 5 | Symphony No. 5 | B♭ major | Sept.–3 Oct. 1816 | Allegro – Andante con moto – Minuet – Allegro vivace |
| 486 | 486 | (1888) | XIV No. 11 | I, 9 No. 4 | Magnificat | Magnificat anima mea Dominum C major | 15/09/1815 | Text by Luke (Vulgate translation); For satbSATB and orchestra |
| 487 | 487 | (1865) | VII, 1 No. 2 | V, 7 No. 4 VI, 7 No. 5 | Adagio e Rondo concertante | F major | October 1816 | For piano quartet |
| 488 | 488 | (1888) | XIV No. 10 | I, 8 | Auguste jam coelestium | Auguste jam coelestium | October 1816 | Duet for st and orchestra |
| 489 493 | 489 | 4,1 (1821) (1895) (1970) | XX, 4 No. 266 | IV, 1a & b No. 5 | Der Wanderer, D 489, a.k.a. Der Unglückliche | Ich komme vom Gebirge her | October 1816 | Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760 |
| 490 | 490 | (1895) | XX, 4 No. 267 | IV, 11 | Der Hirt | Du Turm! zu meinem Leide | October 1816 | Text by Mayrhofer |
| 491 | 491 | (1887) | XX, 4 No. 269 | IV, 11 | Geheimnis: An F. Schubert | Sag an, wer lehrt dich Lieder | October 1816 | Text by Mayrhofer |
| 492 | 492 | (1849) | XX, 4 No. 270 | III, 3 No. 15 IV, 11 | Zum Punsche, D 492 | Woget brausend, Harmonien | October 1816 | Text by Mayrhofer |
| 493 | 489 | | | | | | | See D 489 |
| 494 | 494 | (1871) | XVI No. 32 | III, 4 No. 41 | Der Geistertanz, D 494 | Die bretterne Kammer der Toten erbebt | November 1816 | Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb |
| 495 | 495 | (1868) | XX, 4 No. 271 | IV, 11 | Abendlied der Fürstin | Der Abend rötet nun das Tal | November 1816 | Text by Mayrhofer |
| 496 | 496 | (1885) | XX, 4 No. 274 | IV, 11 | Bei dem Grabe meines Vaters | Friede sei um diesen Grabstein her! | November 1816 | Text by Claudius |
| 140 | 496A | (1968) | | IV, 7 No. 22 | Klage um Ali Bey, D 496A | Laßt mich! laßt mich! ich will klagen | November 1816 | Text by Claudius (other setting: D 140) |
| 497 | 497 | 98,1 (1829) | XX, 4 No. 276 | IV, 5 | An die Nachtigall, D 497 | Er liegt und schläft | November 1816 | Text by Claudius |
| 498 | 498 | 98,2 (1829) | XX, 4 No. 277 | IV, 5 | Wiegenlied, D 498 | Schlafe, schlafe, holder süßer Knabe | November 1816 | |
| 499 | 499 | (1885) | XX, 4 No. 278 | IV, 11 | Abendlied, D 499 | Der Mond ist aufgegangen | November 1816 | Text by Claudius |
| 500 | 500 | (1895) | XX, 4 No. 279 | IV, 11 | Phidile | Ich war erst sechzehn Sommer alt | November 1816 | Text by Claudius |
| 501 | 501 | (1895) | XX, 4 No. 281 | IV, 11 | Zufriedenheit, D 501 | Ich bin vergnugt | November 1816 | Text by Claudius (other setting: D 362); Two versions: 1st in AGA |
| 502 | 502 | (1872) | XX, 4 No. 282 | IV, 11 | Herbstlied, D 502 | Bunt sind schon die Wälder | November 1816 | Text by Salis-Seewis |
| 503 | 503 | | | IV, 11 | Mailied, D 503 | Grüner wird die Au | November 1816 | Text by Hölty (other settings: D 129 and 199) |
| 504 | 504 | 6,3 (1821) (1970) | XX, 4 No. 275 | IV, 1a & b No. 8 | Am Grabe Anselmos | Daß ich dich verloren habe | 4/11/1816 | Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3 |
| 505 | 505 | 145p,1 (1848) (1897) | XI No. 5 XXII, 4 No. 5 | VII/2, 2 | Adagio, D 505 | D♭ major | September 1818? | For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1 |
| 506 | 506 | 145p,2 (1848) | XI No. 5 | VII/2, 4 | Rondo, D 506 | E major | June 1817? | For piano; 4th movement of D 566? |
| 507 | 507 | (1895) | XX, 4 No. 283 | IV, 11 | Skolie, D 507 | Mädchen entsiegelten | December 1816 | Text by Matthisson |
| 508 | 508 | (1845) | XX, 4 No. 284 | IV, 11 | Lebenslied, D 508 | Kommen und Scheiden | December 1816 | Text by Matthisson (other settings: D Anh. I, 23, and possibly 425) |
| 509 | 509 | (1872) | XX, 4 No. 285 | IV, 11 | Leiden der Trennung | Vom Meere trennt sich die Welle | December 1816 | Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA |
| 510 | 510 | (1895) | XX, 10 No. 573 | IV, 11 | Vedi quanto adoro | Vedi quanto adoro | December 1816 | Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri |