# Paul Bentley

Paul Richard Bentley (born 25 July 1942) is a British stage, film and television actor, perhaps best known for playing the High Septon in the television series Game of Thrones. He is also a writer.

## Early life

Bentley was born in Sheffield and brought up in Surrey. He attended Wimbledon College, a Jesuit grammar school, and Kingston Polytechnic. He then attended Birmingham University, achieving a BA in English literature and an MA in Drama and Theatre Arts. His M.A. dissertation, on the stage history of Wagner's Parsifal, involved a research visit to the Wagner Festival Theatre at Bayreuth, Germany.

## Career

After university Bentley moved to Munich, hoping to become an opera director. He began acting in English programmes on the Bavarian radio station Bayerischer Rundfunk. He also appeared in the film The Last Escape, in which he played a British spy in Bavaria in World War Two.
He returned to England in 1970 and continued acting, mainly in repertory theatre, at venues including the Byre Theatre at St. Andrews, the Leicester Haymarket Theatre, the Duke's Playhouse at Lancaster, and the Newcastle Playhouse.
In 1973 Bentley wrote the book and lyrics for Shylock, a musical version of The Merchant of Venice, performed at the 1974 Edinburgh Festival. He played the title role; the composer and director was Roger Haines. Shylock won a Scotsman Fringe First Award. In 1977 an updated version called Fire Angel, set in a 20th century New York City Mafia nightclub, appeared at Her Majesty's Theatre, London. Bentley was the alternate leading man, his first West End part. A revised version of the original Shylock was produced at the Leicester Haymarket Studio Theatre in 1981 and at the Manchester Library Theatre in 1982. Bentley again played the title role and Haines directed both productions.
Bentley's second West End show was in Tommy Steele's Singin' In The Rain at the London Palladium. In 1985 he went to Dublin to play Captain Corcoran in H.M.S. Pinafore, which transferred to the Old Vic in 1986 and for which Bentley was nominated for an Olivier Award for the Outstanding Performance of the Year by an Actor in a Musical. This success led to four back-to-back West End shows lasting five years: Lend Me A Tenor, Follies, Cats and Aspects of Love. Next came an off-West-End Assassins followed by a national tour of Aspects of Love, then Phantom of the Opera in Manchester and back to London for Company, Kiss Me Kate and Dame Edna – the Spectacle. Bentley has other radio, television and film credits but most of his work has been in theatre.
In 1994 Bentley was asked by the Danish composer Poul Ruders to write the libretto for his opera The Handmaid's Tale based on Margaret Atwood's novel, which won a Cannes Classical Award and Reumert Prize. In A Handmaid's Diary, Bentley tells the story of the opera from the first phone call to the first night (directed by Phyllida Lloyd). Ruders' and Bentley's second opera was Kafka's Trial. Librettos for three other composers followed: Ana Sokolovic's The Midnight Court, Dominique Le Gendre's Bird of Night and James Rolfe's Inês.
Bentley has also written a novel, The Man Who Came After Hyacinth Bobo, about the Fourth Crusade and the Siege of Constantinople, published in Greek and English, plus occasional newspaper and magazine articles. Bentley's latest works include Inquisition, a play about the famous Jesuit scientist Teilhard de Chardin, and a radio play in which Jane Austen meets Lord Byron.

## Personal life

Paul Bentley married Annie Healey in 1979. They met at the Byre Theatre, St. Andrews, where Annie was an assistant stage manager. They have two daughters, Emma and Rebecca, who both work in the theatre. Bentley's sister, the novelist Ursula Bentley, died in 2004.
Bentley took part in Mastermind on BBC TV (15 March 1992) where his specialist subject was The Life and Works of King Ludwig II of Bavaria. He lost in this first round with a score of 29.
He is a member of the Wagner Society and the Society for the Promotion of Byzantine Studies. He was the Founder Chairman of the British Association for Modern Mosaic from 1999 to 2005 and remains a member. He is the editor of the website Mosaic Matters, a website about mosaics, and he also edits the British Teilhard Network.

## Awards and nominations

| Year | Award | Production | Result |
| 1986 | Laurence Olivier Award for Best Actor in a Musical | H.M.S. Pinafore | Nominated |

## Stage and screen credits
### Theatre

| Year | Title | Role | Notes |
| 1983–84 | Singin' In the Rain | Steve the Film Director | London Palladium, London |
| 1985–86 | H.M.S. Pinafore | Captain Corcoran | The Old Vic, London Gaiety Theatre, Dublin Tour |
| 1986–87 | Lend Me A Tenor | Tito Morelli (Il Stupendo) | Globe Theatre, London |
| 1987 | Follies | Roscoe | Shaftesbury Theatre, London |
| 1987–89 | Cats | Bustopher Jones & Gus | New London Theatre, London |
| 1989–92 | Aspects of Love | Marcel | Prince of Wales Theatre, London |
| 1992 | Assassins | Proprietor | Donmar Warehouse Theatre, London |
| 1996 | Company | Larry | Donmar Warehouse Theatre, London Albery Theatre, London |
| 1997 | Kiss Me Kate | Gremio | Regent's Park Open Air Theatre, London |
| 1997 | A Midsummer Night's Dream | Egeus | Regent's Park Open Air Theatre, London |
| 1998 | Edna – The Spectacle | Various roles | Theatre Royal Haymarket, London |
| 1999 | Persuasion | Sir Walter and Admiral Croft | Northcott Theater, Exeter Theatre Royal, Windsor |
| 2001 | Over The Moon | Richard | The Old Vic, London |
| 2002 | Iolanthe | Lord Chancellor | Savoy Theatre, London |
| 2002 | Follies | Roscoe | Royal Festival Hall, London |
| 2004 | We Happy Few | Various roles | Gielgud Theatre, London |
| 2006–08 | Mary Poppins | Admiral Boom and the Bank chairman | Prince Edward Theatre, London |
| 2008 | Gigi | Lawyer Dufresne | Regent's Park Open Air Theatre, London |
| 2011 | Bridget Jones' Diary | Mr. Darcy's Father | Working title workshop |
| 2014 | Aladdin | The Emperor | Central Theatre, Chatham |
| 2015 | The Sleeping Beauty | King Clarence | Gordon Craig Theatre, Stevenage |
| 2016 | Oliver | Mr. Brownlow | Grange Park Opera, Northington |

### Television

| Year | Title | Role | Notes |
| 2003 | Absolute Power | Sandy "Rigor" Morters | BBC – Country Life |
| 2004 | The Courtroom | Inspector Jackson | Channel 4 – Season 1 Fists of Fury |
| 2006 | ChuckleVision | Mayor of Slapsbergen | BBC – Season 18 Oompah Oompah |
| 2011 | Doctor Who | Professor Candy | BBC – Series 6 Let's Kill Hitler |
| 2011 | Doctors | Mr. Gold | BBC – Episode 145 The Jug |
| 2013–2015 | Game of Thrones | High Septon | HBO & Sky – Seasons 3, 4 and 5 |
| 2021 | The Nevers | Judge | HBO & Sky - Season 1 |

### Film

| Year | Title | Role | Notes |
| 1970 | The Last Escape | Jarvis | United Artists |
| 2001 | Jack Brown and the Curse of the Crown | Rupert the Butler | Hot Gold Ltd |
| 2011 | The Iron Lady | Douglas Hurd | Pathé Films |

### Radio

| Year | Title | Role | Notes |
| 1986 | The Threepenny Opera | Macheath | BBC Radio 3 |
| 1990 | Friday Night Is Music Night | Various roles | BBC Radio 2 |
| 2009 | The Good Companions | Morton Mitcham | BBC Radio 3 |

### Recordings as singer

| Year | Title | Composed & Written By | Role | Record Company |
| 1987 | Follies | Sondheim & Goldman | Roscoe | First Night Records |
| 1989 | Aspects of Love | Lloyd Webber & Black & Hart | Marcel | Polydor |
| 1997 | Passion | Sondheim & Lapine | Colonel Ricci | First Night Records |

### Recordings as librettist

| Year | Title | Composer | Record Company |
| 2000 | The Handmaid's Tale | Poul Ruders | dacapo |
| 2006 | Kafka's Trial | Poul Ruders | dacapo |

### Operas as librettist

* The Handmaid's Tale - composer Poul Ruders, director John Fulljames – San Francisco Opera, 2024
* The Handmaid's Tale – composer Poul Ruders, director Peter Carp – Theater Freiburg, Freiburg, 2024
* The Handmaid's Tale – composer Poul Ruders, director John Fulljames – Royal Danish Opera, Copenhagen, 2022
* The Handmaid's Tale – composer Poul Ruders, director Annilese Miskimmon – English National Opera, London, 2022
* The Handmaid’s Tale – composer Poul Ruders, director Anne Bogart – Boston Lyric Opera, Boston, 2019
* The Handmaid’s Tale – composer Poul Ruders, director Linda Thompson – Gertrude Opera, Yarra Valley Opera Festival, Melbourne, 2018
* Ines – composer James Rolfe, director Jennifer Tarver – Queen of Puddings Music Theatre, Enwave Theatre, Toronto, 2009
* Bird of Night – composer Dominique Le Gendre, director Irina Brown – Royal Opera Covent Garden, Linbury Studio, London, 2006
* The Midnight Court – composer Ana Sokolovic, director Michael Cavanagh – Queen of Puddings Music Theatre, Harbourfront Centre, Toronto 2005; Royal Opera Covent Garden, Linbury Studio, London, 2006
* Kafka's Trial – composer Poul Ruders, director Francisco Negrin – Opera House, Copenhagen, 2005
* The Handmaid's Tale – composer Poul Ruders, director Eric Simonson – Minnesota Opera, Minneapolis, 2003
* The Handmaid's Tale – composer Poul Ruders, director Phyllida Lloyd – Royal Danish Opera, Copenhagen, 2000; English National Opera, London, 2003; Canadian Opera Company, Toronto, 2004