# It's Still Rock and Roll to Me

"It's Still Rock and Roll to Me" is a song written and performed by Billy Joel, from the hit album Glass Houses. Released in 1980, the song peaked at number 1 on the Billboard Hot 100 for two weeks, from July 19 through August 1, 1980, making it Joel's first number 1 hit single in the United States. The song spent 11 weeks in the top 10 and was the 7th biggest hit of 1980 according to American Top 40.
The song conveys Joel's criticisms of the music industry and press, commenting on new musical styles of the time such as new wave being mere rehashes of older musical styles. It also addresses changing trends and attitudes of the era.
The single eventually reached platinum status from the RIAA for sales of over 1 million copies in the United States.

## History and composition

Joel wrote the song in response to critics who often described his music as adult contemporary, middle-of-the-road pop. He felt that new styles of music were not unlike older styles of music (regardless of marketing). He especially viewed new wave as akin to older genres such as power pop and rock and roll, commenting in an interview with Rolling Stone that "new wave songs, it seems, can only be about two and a half minutes long... only a certain number of instruments can be played on the record - usually a very few... only a certain amount of production is allowed or can be heard... the sound has to be limited to what you can hear in a garage... a return to that sound is all that’s going on now."
The song is in 4/4 time at 144bpm and is written in C major. It features a saxophone solo before the final verse. According to drummer Liberty DeVitto in an interview, the sound engineer for the song had him tune his snare drum extremely low so that it would "flop" when he played it. The "miracle mile" mentioned in the lyrics refers to a road host to many stores in Manhasset and Great Neck Long Island. The reference to whitewall tires is from the store Best Tire and new speakers is a reference to Berliner Stereo, all locations near the area where Joel spent his childhood.

## Critical reception

In a review made a week later after single release, Billboard editors noticed the laconicism of backing support and Joel's vocal that made the song sparkling. Tom Breihan of Stereogum, in a retrospective review, was mixed, referring to it as "a sharp, well-written song" but commenting that it "never takes off". Cash Box said that Joel "throws a few slyly humorous stones...at the present new wave fad" and that the song includes "a torrid sax break." Record World said that "Joel surveys the current rock scene with sharp vocal phrasing & a pulsating rhythm, driving home his pointed lyrical observations."

## Personnel

* Billy Joel – lead and backing vocals, acoustic piano, electric piano
* Dave Brown – electric guitar
* Russell Javors – electric guitar
* Doug Stegmeyer – bass
* Liberty DeVitto – drums, percussion
* Richie Cannata – saxophone solo

## Certifications and sales

| Region | Certification | Certified units/sales |
| Canada | — | 213,000 |
| New Zealand (RMNZ) | Platinum | 30,000$^‡$ |
| United Kingdom (BPI) | Silver | 200,000$^‡$ |
| United States (RIAA) | 2× Platinum | 2,000,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||

## Music video

A music video for the song was made, showing Joel performing the song live with his band. According to his band members, the song vocals were performed live by Joel during the video's filming.

## Covers and parody

"Weird Al" Yankovic recorded a parody of the song entitled "It's Still Billy Joel to Me" in 1980, popularized on the Dr. Demento radio program. It was not released, either as a single or an album track. Yankovic commented, "I wrote that in 1980, but even by 1983 (when my first album came out) it felt a bit dated. Also, we figured that Billy wasn’t very likely to give us his blessing on that one anyway, so we never even bothered asking." Rapper Kid Rock recorded a version entitled "It's Still East Detroit to Me". Pop rock musician Drake Bell covered the song in 2014 on his rockabilly album Ready Steady Go!.