OpenLLM-France/wikimedia huggingface dataset:
# Salimah Ali

Salimah Ali (born 1954) is an American contemporary photographer working in portraiture, documentary photography, and photo journalism.

## Early life and education

Ali was born in 1954 in Harlem, New York City. She spent her childhood in Manhattan, Brooklyn, and Queens. Her interest in art was shaped from a young age by her father, an oil painter, who bought Ali her first camera.
After beginning her photography career by shooting photos of babies and newlyweds, Ali got her first break while studying at LaGuardia Community College. She saw a poster advertising an Eddie Kendricks concert and contacted the show's promoter to ask if she could photograph the Kendricks. The promoter told her yes, and that opened the door for Ali to continue photographing other musicians, including Stevie Wonder; Patti LaBelle; Earth, Wind, and Fire; Bob Marley; and others.
Ali later transferred to the Fashion Institute of Technology, where she earned an associate's degree in photography.

## Career

Ali's work has appeared in a number of publications, including Essence, Black Enterprise, USA Today, The New York Times, Los Angeles Times, and The Washington Post.
Ali is a member of Kamoinge, a New York–based collective of African American photographers. The group works to present honest portrayals of the African American experience through photography. In 2007, they got a grant to photograph the aftermath of Hurricane Katrina. Ali participated in the project, taking photographs of New Orleans residents alongside the remains of their devastated homes.
Since 2001, Ali has also worked professionally as a photographer for the New York City Police Department.

## Selected exhibitions

In 2018, an installation of Ali's photographs were shown at the Queens Library. In 2019, Ali participated in a large group show at the African American Museum in Philadelphia. In 2020, Ali showed in "Visions 1020," a photography exhibition at Wilmer Jennings Kenkeleba Gallery in the East Village, Manhattan.
# Hexes

Hexes is the plural of Hex.
Hexes may also refer to:
* Hexes, a book by Tom Piccirilli, 1999 nominee for the Bram Stoker Award for Novel
* Hexes (climbing), items of rock climbing equipment used to protect climbers from injury during a fall
* Hexes and Ohs, a Canadian electronic indie pop group from Montreal
* Hexes for Exes, a 2007 album by Moving Units, their third release
* Strange Hexes, the second album released by Imaad Wasif
# Pseudoxandra leiophylla

Pseudoxandra leiophylla is a species of plant in the family Annonaceae. It is native to Brazil, Colombia, and Venezuela. Ludwig Diels, the German botanist who first formally described the species using the basionym Unonopsis leiophylla, named it after its smooth (Latinized form of Greek λεῖος, leîos) leaves.

## Description

It is a tree reaching 4 to 25 meters in height. Its shiny leathery leaves are 10–20 by 4-7 centimeters and come to a point at their tips. The leaves are hairless on their upper and lower surfaces, but can have warty bumps. The leaves are dark brown, greenish brown or black-brown above and brown or dark brown on their underside. Its petioles are 2-8 millimeters long. Its flowers are solitary or in pairs and axillary. Each flower is on a pedicel 1-5 millimeters long. Its flowers have 3 oval-shaped sepals that are 2–5 by 4-7 millimeters. The sepals are hairy when young, but smooth when mature. Its 6 petals are arranged in two rows of 3. The outer petals are white, 7–12 by 7-8 millimeters, and concave. The outer petals are densely hairy on their outer surface. The inner petals are white, 5–9 by 4-5 millimeters, and concave. The inner petals are smooth on their outer surface except for a densely hairy patch running from the tip to the base. It has numerous stamens that are 1.5-3 millimeters long. Each flower has 2-15 monocarps that are yellow, brown, red or black at maturity and 9-14 millimeters wide. Its shiny brown seeds are 4–9 by 7-9 millimeters.

### Reproductive biology

The pollen of P. leiophylla is shed as permanent tetrads.
# Sam Ripley Farm

Sam Ripley Farm is a historic farm near Midway, Georgia in rural Liberty County, Georgia. The structure was built in 1926 and added to the National Register of Historic Places in 2004.

## History

The farm was built in 1926 by Sam Ripley on a portion of his father Harry Ripley's land. The building is typical of subsistence farms of the era. Ripley died in 1988 and the property was sold in 1994. Following some rehabilitation, the property was operated as a bed and breakfast. It was added to the National Register of Historic Places on October 27, 2004.
According to documentation by the NRHP, the building is "representative of the type of African-American subsistence farmsteads developed after the Civil War." The structure is an example of vernacular architecture.
# Spectacle Theater

Spectacle Theater is a collectively run, independent movie theater that operates out of a small space in Williamsburg, Brooklyn in New York, United States.

## History

Spectacle Theater opened in September 2010 at 124 S. 3rd Street in Brooklyn in a space that used to be a bodega. From its beginning, the theater was dedicated to showing rare, independent, or arthouse films (that cannot be found on DVD) at $5 per ticket.
In 2013, Spectacle was awarded the "Best Weird Repertory Film Programming" by The Village Voice.
After a rent increase and lease-mandated improvements in 2015, the theater ran a Kickstarter campaign to keep operating out of the same space in central Williamsburg. The campaign was successful and the theater stayed open at its location at 124 S. 3rd Street.
As of 2017, the theater also runs a weekly radio show at Newtown Radio, where volunteers discuss music and film.

## Venue

Spectacle Theater is a 35-seat microcinema. The Theater is run by collective members and screenings are everyday. Spectacle collective members print their own posters for each screening, which are displayed outside the theater. The outside of the theater is unadorned, aside from the posters, and painted black.

## Programming

Spectacle screens films seven days a week, often including midnight screenings and biweekly matinees, including "Blood Brunch" for horror films and "Fist Church" for kung fu films. Programs are selected by the collective, who prepare promotional materials like trailers, pamphlets and posters, as well as run the projector during shows. Spectacle has hosted the first-ever U.S. retrospectives of filmmakers such as Roland Klick, Rogério Sganzerla, Dore O., Andrew Horn, Tadeusz Konwicki, Katrina del Mar, Sarah Minter, Sidney Sokhona, Alyce Wittenstein, and many others. The collective members also cut and edit their own trailers for screenings and series presented at the theater. These trailers often mimic and mock the iconography of the MPAA film rating system. Screenings sometimes have different formats like "VHS nights", talks, live-score shows, and Q&As with directors.
# Amalia in Italia

Amalia in Italia is a studio album recorded by Amália Rodrigues and released on the EMI and Columbia labels. It was recorded between July 31, 1974, and August 7, 1974, and released in September 1974. The album included fado songs translated into Italian as well as traditional Italian songs. The album was reissued on compact disc in 1995.

## Track listing

Side A
* Nós As Meninas (Nós As Meninas) (Pero de Vivâes, Alain Oulman) [2:01]
* Mio Amor, Mio Amor (Meu Limae De Amargura) (Roberto Arnaldi, José Carlos Ary Dos Santos, Alain Oulman) [3:34]
* Maremma (traditional) [2:55]
* Coimbra (Raul Ferrão, José Galhardo) [1:50]
* Canzone Per Te (Sergio Bardotti, Sergio Endrigo) [3:18]
* Il Cuore Rosso Di Maria (Gino Mescoli, Vito Pallavicini) [3:22]
Side B
* É Ou Não É (Alberto Janes) [2:00]
* La Casa In Via Del Campo (Vou Dar De Beber À Dor) (Roberto Arnaldi, Alberto Janes) [2:30]
* Ay Che Negra (Barco Negro) (Gian Carlo Testoni, Caco Velho) [4:10]
* Amor Dammi Quel Fazzolettino (traditional) [2:27]
* Il Mare È Amico Mio (Le Mer Est Mon Amie) (Pierre Cour, Alberto Janes, Vito Pallavicini) [3:21]
* La Tramontana (Daniele Pace, Mario Panzeri) [2:48]
# Matbat language

Matbat is a heavily Papuan-influenced Austronesian language spoken in West Papua, Indonesia, on the island of Misool, Raja Ampat islands. Its dialects are Magey and Tomolol.$^{:17}$ Similar to the neighboring Ma'ya language, Matbat is one of a handful of Austronesian languages with true lexical tone rather than a pitch-accent system or complete lack of phonemic tonal contrasts as with most other Austronesian languages.

## Distribution

Matbat is spoken in the following locations within Raja Ampat Regency:
* Misool Timur District: Tumolol, Lenmalas, Lenmalas Timur Barat, Audam, Foley, and Eduai villages
* Misool Utara District: Atkari and Salafen villages
* Misool Barat District: Magei village

## Phonology

The phonology of the Matbat language is summarized below:
Consonant sounds :
| | Labial | Alveolar | Palatal | Velar | Glottal |
| Plosive | p b | t d | | k g | |
| Fricative | f | s | | | h |
| Nasal | m | n | | ŋ | |
| Lateral | | l | | | |
| Glide | | | j | w | |
/j/ can be heard freely as [ʝ] or [ɟ] in word-initial position.
Vowel sounds :
| | Front | Back |
| Close | i | u |
| Mid | e | o |
| Mid | ɛ | ɔ |
| Open | a | a |

### Tones

Matbat has five lexical tones: high falling ˥˩ 41, high ˦ 3, low rising ˩˨ 12, low level ˩ 1, and low falling ˨˩ 21, which in open syllables has a peaking allophone, ˩˨˩ 121. Most Matbat words are monosyllabic; additional syllables in polysyllabic words are often weak and toneless, though a few words do have two tonic syllables. Examples of some of the longer monomorphemic words are /kamow˩˨/ 'star', /wuj˦te/ 'sea shore', /sapu˥˩luj˩˨/ 'round', /bim˦bom˩˨˩pu/ 'butterfly'.

## Evolution

Tonogenesis in Matbat remains unclear. Some Matbat reflexes of Proto-Malayo-Polynesian (PMP) proto-forms are listed below.$^{:658–659}$
* PMP *bunuq > Mayá bu³n 'kill'
* PMP *penuq > fo¹²n 'full'
* PMP *salaq > sa³l 'error'
* PMP *qateluR (> *teluR) > to¹²l 'egg'
* PMP *matay > ma¹²t 'die'
* PMP *kutu > u³t 'louse'
# Hugo Krawczyk

Hugo Krawczyk is an Argentine-Israeli cryptographer best known for co-inventing the HMAC message authentication algorithm and contributing in fundamental ways to the cryptographic architecture of central Internet standards, including IPsec, IKE, and SSL/TLS. In particular, both IKEv2 and TLS 1.3 use Krawczyk’s SIGMA protocol as the cryptographic core of their key exchange procedures. He has also contributed foundational work in the areas of threshold and proactive cryptosystems and searchable symmetric encryption, among others.

## Education

Krawczyk acquired a Bachelor of Arts in Mathematics from the University of Haifa. Later he received his Master of Science and Ph.D. in computer science from Technion - Israel Institute of Technology with Oded Goldreich as doctoral thesis advisor.

## Career

Hugo Krawczyk is a senior principal scientist at Amazon Web Services (AWS). Between 2019 and 2023 he was a Principal Researcher at the Algorand Foundation and part of its founding team. Prior to that, he was an IBM Fellow and Distinguished Research Staff Member at the IBM T.J. Watson Research Center in New York as a member of the Cryptography Research group from 1992 to 1997, and again from 2004 to 2019. He was an associate professor at the Department of Electrical Engineering at the Technion in Israel from 1997 until 2004.
Krawczyk has published over 100 papers with more than 30,000 citations, and is an inventor in 30 issued patents.
His research includes both theoretical and applied elements of cryptography, with a focus on internet security, privacy, and authentication. His most recent projects in the area include: TLS 1.3, the new-generation SSL/TLS; HKDF, the standard for key derivation embraced by TLS 1.3, Signal, WhatsApp, Facebook Messenger, and others; and OPAQUE, a password authentication protocol being standardized by the IRTF and recently deployed by Facebook in its implementation of end-to-end encrypted chat backups for WhatsApp.
Krawczyk is the author of many other cryptographic algorithms and protocols including the HMQV key-exchange protocol, the LFSR-based Toeplitz Hash Algorithm, the Shrinking Generator encryption scheme, the UMAC message authentication code, and the randomized hashing scheme for strengthening digital signatures.
Other influential work includes threshold and proactive cryptosystems (including distributed key generation), searchable symmetric encryption, and theoretical contributions to secure cryptographic communications, password protocols, zero knowledge and pseudorandomness.

## Awards

Krawczyk has won the RSA Conference Award for Excellence in Mathematics in 2015, the Levchin Prize for Contributions to Real-World Cryptography in 2018, and two IBM corporate awards. He is a Fellow of the International Association of Cryptologic Research (IACR) and the recipient of the 2019 NDSS Test-of-Time award for his 1996 paper, “SKEME: A versatile secure key exchange mechanism for internet”, a precursor of KEM-based key exchange protocols, central to developing post-quantum key exchange standards.
# Bunong house

Bunong house (ផ្ទះឞូន៝ងពីបុរាណ) are circular straw houses built by the Bunong people in Cambodia and Vietnam.

## Description
### Structure: thatched grass roof and flattened bamboo walls

The traditional Bunong house is built with almost no legs and has a thatched grass roof and flattened bamboo walls.
The architecture is close to the conical Mbaru Niang house of rumah adat traditional houses built in any of the vernacular architecture styles of Indonesia, collectively belonging to the Austronesian architecture.
If the habitat of the Bunong can be interpreted as a sign of their mindset, the single common room where the family gathers around the central fire of the Bunong house "speaks to the global and intimate as mutually constituted entities".

### Inner design: dark rooms and precious artefacts

The traditional Bunong house has no windows and the main door is the only source of light. This results in a rather dark atmosphere inside the house where fire and oil lamps are the main source of artificial light.
Bunong houses are the treasure chest of the most valuable artefacts of the local people, namely large jars, which are sometimes believed more than a thousand years old. The jars are used for drinking sra peang.
In the houses, the Bunong also keep there traditional gongs. There are various gongs used at different occasions.

## Rites

The traditional Bunong house gives a lot of room to the local spirits different from the Cambodian neak ta. The household rice is thus kept in the house in a central cellar protected by a rice spirit as the head of the house (njoh baa). A main altar (kuat njoh), and the fireplace (lu-nak) are also consecrated to the local spirits (brah jaang). When these spirits are disturbed, rituals such as sacrifices of chicken and rites of purification are made to repair the relationship with the local good. However, as the Bunong population embraces Christianity, these rites are being replaced by images of the Divine Mercy and the Our Lady of Sorrows and Christians ask their priests to celebrate house blessings. A traditional Bunong house was thus built at the Catholic church of Bou Sra.

## Conservation

Bunong houses can still be seen in Mondulkiri in villages such as Dak Dam. Many of the traditional houses were burned and bombed during the Cambodian Civil War or left in disrepair after continuous movement of the populations caught in the Vietnam War. While since the 2010s the Khmer-style house on pillars and the more modern phteah lveng are growing more popular, the traditional Bunong house can still be seen in the villages however. More recently, Traditional housing has been threatened by deforestation and real estate development. The disappearance of the Bunong house has become a symbol of the "sense of urgency to protect the culture of ethnic minorities". However, the Bunong community and other non-governmental organizations such as Refugees International have been careful to protect and rebuild this heritage, in order to create village centres for producing Bunong handicrafts.
Visiting and sleeping in a Bunong house has become an integral part of community-owned ecotourism in Mondulkiri.
# Da Dong Roast Duck Restaurant

Da Dong Roast Duck Restaurant (Chinese: 北京大董烤鸭店, Pinyin: Běijīng dà dǒng kǎoyā diàn) is a Chinese restaurant located in Dongcheng District, Beijing. The restaurant is named after its founder Dong Zhenxiang (董振祥), who bears the nickname "Dà (Big) Dong" (大董).
It is widely known for its Chinese cuisine, especially Peking duck. Da Dong has contributed towards innovating methods of cooking Peking duck by using a spherical wood fired oven instead of the more traditional method of a square oven, and the innovated roast duck is called "SuperLean" (酥不腻) Roast Duck. In 2014 the eatery was named the best Chinese cooking style restaurant in Beijing by The Beijinger.
Da Dong has been rated within the top ten best Peking duck serving restaurants in Beijing by various food critics. It was also listed as a suggestion for Bucket lists in the book 1,000 Places to See before you die by Patricia Schultz.

## Awards

* Beijing Restaurant of the Year (2014) – The Beijinger
* Travellers choice awards (2014) – TripAdvisor
* Food Award Winner (2011) – Time Out Beijing
* Top 10 Beijing restaurants (2015) – Gayot
# Fired On

Fired On is a 1907 oil painting by Frederic Remington. It measures 68.8 cm × 101.6 cm (27.1 in × 40.0 in) and has been held by the Smithsonian American Art Museum since 1910.
Sometimes described as a nocturne, it depicts a group of men on horseback lit by moonlight in the murky pre-dawn. An unseen adversary has fired upon the man on a white horse.
The painting was bought by William T. Evans in November 1909, and he donated it to the Smithsonian Gallery of Art, now the Smithsonian American Art Museum. It was the first painting by Remington to be acquired by a US public gallery. The painting was displayed in the Oval Office during the presidency of Harry S. Truman. Later presidents preferred bronzes by Remington, such as The Bronco Buster or The Rattlesnake.
Remington's paintings of the Wild West were later copied by Western filmmakers, with John Ford saying that his 1948 movie She Wore a Yellow Ribbon: "I tried to copy the Remington style there. You can't copy him one hundred per cent, but you can get the colour and the movement."
# Secretary General of the Organization of American States

The Secretary General of the Organization of American States is the highest position within the Organization of American States.

## Duties

According to the Charter of the Organization of American States:
   The Secretary General shall direct the General Secretariat, be the legal representative thereof, and [...] be responsible to the General Assembly for the proper fulfillment of the obligations and functions of the General Secretariat.
   The Secretary General of the Organization shall be elected by the General Assembly for a five-year term and may not be reelected more than once or succeeded by a person of the same nationality. In the event that the office of Secretary General becomes vacant, the Assistant Secretary General shall assume his duties until the General Assembly shall elect a new Secretary General for a full term.
   The Secretary General, or his representative, may participate with voice but without vote in all meetings of the Organization.
   The Secretary General may bring to the attention of the General Assembly or the Permanent Council any matter which in his opinion might threaten the peace and security of the Hemisphere or the development of the Member States.

## Secretaries General of the OAS

| No. | Name | Country | Term of Office |
| 1 | Alberto Lleras Camargo | Colombia | 30 April 1948– 1 August 1954 |
| 2 | Carlos Dávila Died while in office | Chile | 1 August 1954 – 19 October 1955 |
| 3 | José Antonio Mora | Uruguay | 1956–1968 |
| 4 | Galo Plaza | Ecuador | 1968–1975 |
| 5 | Alejandro Orfila | Argentina | 1975–1984 |
| 6 | João Clemente Baena Soares | Brazil | 1984–1994 |
| 7 | César Gaviria Re-elected to a second term at the 1999 General Assembly | Colombia | 15 September 1994 – 15 September 2004 |
| 8 | Miguel Ángel Rodríguez Resigned | Costa Rica | 15 September 2004 – 15 October 2004 |
| – | Luigi R. Einaudi (acting) | United States | 15 October 2004 – 26 May 2005 |
| 9 | José Miguel Insulza Elected 2 May 2005 (see: OAS Secretary General election, 2005), re-elected on 24 March 2010 | Chile | 26 May 2005 – 26 May 2015 |
| 10 | Luis Almagro | Uruguay | 26 May 2015 - present |

## Assistant Secretaries General of the OAS

| No. | Name | Country | Term of Office |
| 1 | William Manger | United States | 1948–1958 |
| 2 | William Sanders | United States | 1958–1968 |
| 3 | M. Rafael Urquía | El Salvador | 1968–1975 |
| 4 | Jorge Luis Zelaya Coronado | Guatemala | 1975–1980 |
| 5 | Val T. McComie | Barbados | 1980–1990 |
| 6 | Christopher R. Thomas | Trinidad and Tobago | 1990–2000 |
| 7 | Luigi R. Einaudi | United States | 2000–July 2005 |
| 8 | Albert Ramdin | Suriname | 19 July 2005–2015 |
| 9 | Nestor Mendez | Belize | 17 July 2015–present |
# A Galician in Mexico

A Galician in Mexico (Spanish: Una Gallega en México) is a 1949 Mexican comedy film directed by Julián Soler and starring Niní Marshall, Joaquín Pardavé, and Alma Rosa Aguirre. It was shot at the Azteca Studios in Mexico City. The film's sets were designed by the art director Jorge Fernández.

## Cast

* Niní Marshall as Doña Cándida
* Joaquín Pardavé as Don Robustiano
* Alma Rosa Aguirre as Aurora
* Pepe del Río as Rodolfo
* Armando Soto La Marina as Morongo
* Lilia Prado as Ernestina
* Los Panchos as Cantantes
* Trío Calaveras as Cantantes
* Willy Chevalier as Cantante
* Jorge Negrete as Jorge Negrete
* Lupe Carriles as Vecina
* Fernando Casanova as Ricardo
* Roberto G. Rivera as Cantante
* Irma Dorantes as Chica en mercado
# Rosemary Okafor

Rosemary Nkemjika Okafor (born 22 May 1981) is a Nigerian sprinter. She competed in the women's 4 × 400 metres relay at the 2000 Summer Olympics.