# Freeez

Freeez were an English electronic music group, initially known as one of the UK's main jazz-funk bands of the early 1980s before transitioning to an electro style. Initiated by John Rocca, Freeez consisted of various musicians, originally with Rocca and others such as Andy Stennett (keyboards), Peter Maas (bass guitar) and Paul Morgan or Everton McCalla (drums). They had an international hit with "IOU", and a UK top 10 with "Southern Freeez".

## Career

The jazz-funk band Freeez started in North London in 1978. Their first single, "Keep in Touch" (1979) was self-funded and produced by John Rocca on his label Pink Rhythm Records (later signed to Calibre/Pye), and included guitarist Jean-Paul 'Bluey' Maunick, who went on to become the initiator of the musical band Incognito. Freeez are known for their UK top 10 single "Southern Freeez", from the album of the same name, also self-funded and produced by Rocca on his own Pink Rhythm label (and later signed to post-punk label Beggars Banquet), which included guest vocals by Ingrid Mansfield Allman. In the UK, the band was then contracted with the recording company Beggars Banquet Records.
Freeez's last and biggest hit (a top 5 hit in many countries worldwide) was the song "IOU", which was written and produced by Arthur Baker with lyric contributions and lead vocals by Rocca and remixed by Jellybean Benitez and Baker. The song was also used for the 1980s breakdancing film Beat Street. It spent two weeks at number one on the Billboard Dance chart, and was number 2 on the UK Singles Chart during the summer of 1983. It was followed by other releases from the album such as "Pop Goes My Love" / "Scratch Goes My Dub", which was a U.S. top 5 hit. During 1987, a remix of "I.O.U." reached number 18 on the U.S. Dance chart, and number 23 on the UK Singles Chart.
Freeez reformed during 1984 without Rocca or any of the other original members, other than Peter Maas. With a new style and almost a new group altogether, Maas worked with Louis Smith who assumed the duties of keyboard player, co-writer and programmer with Billy Crichton as songwriter and guitarist. The new Freeez then recorded an album, Idle Vice (1985), at Studio number 2 at Abbey Road Studios in the same room where the Beatles made their recordings. "That Beats My Patience" was the first single from the album.
Rocca and Stennett also recorded under other pseudonyms such Pictures and Pink Rhythm during 1985 and John Rocca went on to score two further solo number one Billboard Dance hits under his own name and the pseudonym of Midi Rain, along with several other US cult dance hits.
Louis Smith later became a session keyboard player and toured with rock band the Escape Club who had a U.S. number one song with "Wild, Wild West" and several other U.S. top 10 successes. He also recorded as one half of Bass Kruncher with main guitarist John Holliday from the Escape Club.
Later in 1993–94, Maas and Paul Morgan took the Freeez format again and reformed as the Dazzling Urbanites adding Poly Koutrouzas (vocals) and Max Rutherford (guitar) to the lineup. Despite extensive preparation and rehearsals in North London (Dukes Avenue, Muswell Hill), the original success was never achieved.
Late 2011 saw the first CD release of their 1980 debut album Southern Freeez. The CD came as a double 'expanded' two-disc set featuring 12-inch versions, remixes and rare demos as well as newly written inlay booklet featuring notes from Rocca and Maas. Their second album Gonna Get You has also been reissued in the same way.

## Discography
### Albums

| Year | Album title / Label | Chart positions |
| Year | Album title / Label | UK |
| 1981 | Southern Freeez (Beggars Banquet) | 17 |
| 1983 | Gonna Get You (Beggars Banquet) | 46 |
| 1983 | I.O.U. (Streetwise, Beggars Banquet) | — |
| 1984 | Anti-Freeez (Beggars Banquet) | — |
| 1985 | Idle Vice (Beggars Banquet) | — |
| "—" denotes releases that did not chart. |||

### Singles

| Year | Song title / Label | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Certifications |
| Year | Song title / Label | AUS | US Dance | UK | US R&B | NLD | BEL | Certifications |
| 1980 | "Keep in Touch" (Pye) | — | — | 49 | — | — | — | |
| 1980 | "Stay" / "Hot Footin' It" (Pink Rhythm) | — | — | — | — | — | — | |
| 1981 | "Southern Freeez" (Beggars Banquet) | — | — | 8 | — | — | — | BPI: Silver |
| 1981 | "Flying High" (Beggars Banquet) | — | — | 35 | — | — | — | |
| 1981 | "Anti-Freeez (Set Me Free)" / "Mountain Man" (Beggars Banquet) | — | — | — | — | — | — | |
| 1982 | "One to One" (Beggars Banquet) | — | — | — | — | — | — | |
| 1983 | "I.O.U." (Beggars Banquet) | 3 | 1 | 2 | 13 | 2 | 3 | BPI: Gold |
| 1983 | "Pop Goes My Love" / "Scratch Goes My Dub" (Beggars Banquet) | — | 5 | 26 | 47 | 24 | 10 | |
| 1983 | "Love's Gonna Get You" (Beggars Banquet) | — | — | — | — | — | — | |
| 1984 | "That Beats My Patience" (Beggars Banquet) | — | — | — | — | — | — | |
| 1984 | "Train of Thoughts" (Beggars Banquet) | — | — | — | — | — | — | |
| 1987 | "I.O.U." (remix) (Citybeat) | — | 37 | 23 | — | — | — | |
| 1987 | "Southern Freeez" (remix) (Total Control) | — | — | 63 | — | — | — | |
| "—" denotes releases that did not chart or were not released in that territory. |||||||||