OpenLLM-France/wikimedia huggingface dataset:
# Royal College of Dental Surgeons of Ontario

The Royal College of Dental Surgeons of Ontario (RCDSO) is the regulatory college for dentists in the province of Ontario, Canada. The college was incorporated on March 4, 1868, when royal assent was granted to An Act Respecting Dentistry in the Legislative Assembly of Ontario. Dental hygienists are separately regulated by the College of Dental Hygienists of Ontario.
Daniel Faulkner is the current Registrar & CEO of the College. He began his journey as the Registrar & CEO of the Royal College of Dental Surgeons of Ontario in August 2020. He Co-Chaired with the Ontario Ministry of Health to create and implement Canada’s first performance measurement framework for health professional Colleges. He is the current Chair of the Canadian Dental Regulatory Authorities Federation and Chair of the Health Profession Regulators of Ontario.

## History

Barnabas Day organized the Dental Association of Ontario (ODA) in 1867. In 1868 the ODA lobbied the Ontario government to pass the Act Respecting Dentistry, by which the dentists must be licensed in order to practice. This aimed to end tooth pulling by untrained fly-by-night charlatans. The Royal College of Dental Surgeons of Ontario (RCDSO) was formed by ODA members to act as the governing body. In 1869 the RCDSO opened the first dental school in Canada. In 1893 Caroline Louise Josephine Wells became the first woman to graduate from the RCDSO, which made her the first Canadian woman to graduate from any dental school.
# Pierre Passereau

Pierre Passereau (fl. 1509–1547) was a French composer of the Renaissance. Along with Clément Janequin, he was one of the most popular composers of "Parisian" chansons in France in the 1530s. His output consisted almost exclusively of chansons; most of them were published by printer Pierre Attaingnant. Most of them were "rustic" in character, similar to patter songs, using onomatopoeia, double entendres, and frequent obscenity, a common feature of popular music in France and the Low Countries in the 1530s.

## Life

Some details of Passereau's life have been compiled by scholars, including pioneering 19th-century musicologist François-Joseph Fétis in his enormous Biographie universelle des musiciens (1834). Passereau first appears in the historical record as a tenor singer in the chapel of the Count of Angoulême (who was later to become King Francis I); therefore he was already an adult, and born before about 1495. He had some association with both Bourges Cathedral and Cambrai Cathedral, as he appears in the records of both places, and is documented as being a singer at Cambrai between 1525 and 1530. He may also have been a priest at the church of Saint Jacques-de-la-Boucherie in Paris, although this statement by Fétis has not been independently confirmed.

## Music and influence

Almost everything Passereau wrote, or everything that has survived, are chansons. Since details of his biography are spotty, it is difficult to determine how much lost work there may be. He is known to have written one sacred composition, a motet, Unde veniet auxilium michi (the text is from Psalm 120, and used in the Office of the Dead).
Passereau's chansons are mostly light-hearted affairs, similar in content to the Italian frottola, although no direct influence from the earlier popular Italian form has been reliably demonstrated. He liked to use nonsense syllables, often in imitation of animals, as in Il est bel et bon, his most popular piece, which imitates the clucking of chickens. This composition was sung as far away as Venice. While Passereau may have gotten the idea from Janequin, who was writing onomatopoeic chansons as early as 1515 (Il est bel et bon was published in 1534), its popularity rivaled that of the music of Janequin, and printer Pierre Attaingnant devoted a book entirely to the music of the two composers (in 1536). It is possible that Francis I, who knew Passereau from his service at the French court, recommended the composer to the printer.
Additional features of Passereau's chansons include the use of quick declamation, chordal passages with occasional polyphony, generally syllabic word setting, satirical and ribald subjects, and catchy rhythms.
An additional indication of Passereau's popularity is his inclusion by François Rabelais as one of a list of popular musicians in Gargantua and Pantagruel.
# Bowie

Bowie may refer to:

## People

* Bowie (surname), origin of the surname and a list of people with the surname, including particularly:
** David Bowie (1947–2016), English singer, songwriter, and actor
** James Bowie (c. 1796–1836), Texan revolutionary
** Bowie Kuhn (1926–2007), fifth Commissioner of Major League Baseball

## Places

* Bowie, Arizona, an unincorporated community
* Bowie, Colorado, an unincorporated community
* Bowie, Maryland, a city
* Bowie County, Texas
* Bowie, Texas, a city in Montague County
* Fort Bowie, a 19th-century U.S. Army outpost in Arizona
* Bowie Seamount, a submarine volcano on the coast of British Columbia, Canada
* Bowie hotspot, a volcanic hotspot in the Pacific Ocean
* Bowie Canyon, a submarine canyon in the Bering Sea
* Bowie Crevasse Field, Ellsworth Mountains, Antarctica

## Entertainment

* Bowie (Shining Force II), the default name of the protagonist in the Shining Force II video game
* "Bowie" (Flight of the Conchords), the sixth episode of the television series Flight of the Conchords
* Bowie: A Biography, a biography of David Bowie by Marc Spitz
* Bowie – The Video Collection, a video album by David Bowie

## Ships

* USC&GS Bowie (CSS 27), a United States Coast and Geodetic Survey coastal survey ship in commission from 1946 to 1967
* USS Bowie (APA-137), a United States Navy attack transport in commission from 1944 to 1946

## Other uses

* Bowie, a spider genus
* Bowie Handicap (Bowie), a horse race held at Bowie Race Track near Bowie, Maryland, in 1939 and later
* Bowie Handicap (Pimlico), a horse race held at Pimlico Race Course in Baltimore, Maryland, from 1909 to 1938
* Bowie High School (disambiguation), a list of high schools named Bowie
* Bowie knife, popularized by Jim Bowie
* Bowie Race Track, a horse racing track located near Bowie, Maryland
* Bowie State University, located north of Bowie, Maryland
# Johannes Regis

Johannes Regis (French: Jehan Leroy; c. 1425 – c. 1496) was a Netherlandish composer of the Renaissance. He was a well-known composer at the close of the 15th century, was a principal contributor to the Chigi Codex, and was secretary to Guillaume Dufay.

## Life

Nothing is known about his life until 1451, when he became choirmaster at the church of St Vincent, Soignies, near Mons in Hainaut. This was an important musical establishment at the time, and several famous composers either worked there or trained there, including Gilles Binchois, who was probably an associate of Regis. The earliest datable music by Regis is preserved in the choirbooks of Cambrai Cathedral, between 1462 and 1465, indicating that he may have begun working there then.
Between 1464 and 1474 he served as secretary to Guillaume Dufay, and possibly lived in Cambrai for much of this time. Also in the early 1470s he was mentioned as one of the major composers of the time by the theorist Johannes Tinctoris, indicating the spread of his reputation.
He probably died in early summer 1496, since his post was declared vacant then, and eliminated.

## Music

Although Regis was associated professionally with Guillaume Du Fay, his music is stylistically independent of Du Fay and is highly creative and technically innovative. Like his exact contemporary, Johannes Ockeghem, Regis liked to explore the low vocal register resulting in a very broad registral palette, and his music also evidences great harmonic and textural variety. Two masses, seven motets, and two secular songs, both rondeaux, by Regis have survived; some other music is mentioned by Tinctoris and other writers but is lost. One of his lost works is a Missa L'homme armé; dating from the 1450s; it is one of the earliest known masses based on this most popular of all tunes for mass composition. In addition to this lost mass, he wrote another based on the same tune, a Dum sacrum mysterium/Missa l'homme armé; this one has survived, and is a contrapuntal tour-de-force which uses up to three pre-existing melodies simultaneously in the four voices. Regis is one of the few composers known to have written more than one L'homme armé mass. Also among Regis' music for the mass is a single movement, Patrem Vilayge.
Regis' extended motet, Lux solemnis, Repleti sunt omnes, features a lengthy passage of call and answer bicinia dialogue between the upper two voices and the lower two voices, foreshadowing this technique that was made famous in the following generation by Josquin. Regis is one of the first composers to have written for five voices, a standard grouping in the music of the next generation (for example, in the music of Josquin des Prez). Indeed, his motets for five voices seem to have been used by the next generation, including Loyset Compère, Gaspar van Weerbeke, Josquin, and Jacob Obrecht as models for their own work.
# Isabella Straub

Isabella Straub (born 14 August 1991) is a German sport shooter.
She participated at the 2018 ISSF World Shooting Championships.
# Melanie Stabel

Melanie Stabel (born 30 September 1999) is a German deaf sport shooter. She represented Germany at the 2017 Summer Deaflympics and claimed 3 medals including a gold medal in the women's 10m air rifle with a record score of 412.6 in the finals.
Melanie broke the deaf world record for shooting in the 10m air rifle for women in the 2017 Summer Deaflympics at the age of just 17 by competing in an international multi-sport event for the first time. She also claimed 2 silver medals in the women's 50m air rifle and 50m air rifle prone events. Melanie too broke the deaf world record for women in the 50m rifle prone category with a record score of 615.3 during the qualifiers as a part of the 2017 Summer Deaflympics.
# Johannes Pullois

Johannes Pullois (numerous variant spellings of his name include Pillays, Pilloys, Pylois, Pyloys, Pyllois, Puilloys, Puylloys, Puyllois) (died 23 August 1478) was a Franco-Flemish composer of the Renaissance, active in both the Low Countries and Italy. He was one of the early generation of composers to carry the Franco-Flemish polyphonic style from its home region in the Netherlands to Italy.
He was probably born in Pulle, near Antwerp, but nothing is known about his life until he became zangmeester (singing master) at the church of Our Lady in Antwerp in 1443. He unsuccessfully auditioned with Philip the Good for the Burgundian court chapel, but was not accepted for a position. He then went to Rome in 1447 where he sang in the papal chapel until 1468. He returned to Antwerp, becoming residential canon at the same church at which he had worked in the 1440s, and he died there in 1478. During his career he was a colleague of both Johannes Philibert and Johannes Ockeghem.

## Music and influence

One complete cyclic mass has survived, a Missa sine nomine, for three voices; most likely dating from the 1450s, it is one of the earliest cyclic masses to be written on the continent. It shows such influence of English music that it has been mistaken for the work of an anonymous English composer. The mass displays a complex transmission pattern, which has confused its dating and provenance.
Pullois also wrote a motet for the Christmas season Flos de spina, which is similar stylistically to works by Ockeghem, and may have been written during his time in Italy. One other motet, Victime paschali laudes, and three sacred contrafacta of secular songs have survived.
He also wrote 14 secular songs (including the three with contrafactum texts) which appear in various sources from Italy as well as Germany.

## Works
### Masses and mass fragments

* Missa sine nomine (3 voices)
* Gloria (4 voices)

### Motets

* Flos de spina (4 voices)
* Globus igneus (Contrafactum of "Quelque cose", 3 voices)
* O beata Maria (Contrafactum of "De ma dame", 3 voices; not attributed to Pullois in the original)
* Resone unice genito (Contrafactum of "Puis que Fortune", 3 voices)
* Victime paschali laudes, (3 voices)

### Secular

* De ma dame (rondeau, 3 voices)
* He n'esse pas (rondeau, 3 voices)
* Je ne puis (3 voices: no text)
* La bonté du Saint Esperit (ballade, 3 voices)
* Le serviteur (3 voices)
* Les larmes, (3 voices: no text)
* Op eenen tijd, 3 voices (not attributed to Pullois in the original)
* Pour prison, (3 voices: no text)
* Pour toutes fleurs, (rondeau, 3 voices)
* Puisque fortune (rondeau, 3 voices)
* Quelque cose (rondeau, 3 voices)
* Quelque langage, (rondeau, 3 voices)
* Se ung bien peu, (rondeau, 3 voices)
* So lanc so meer, (3 voices, attribution uncertain)
# Victim/Suspect

Victim/Suspect is a 2023 American documentary film, directed and produced by Nancy Schwartzman. It follows young women who are charged by police with making false rape accusations, despite being truthful.
It had its world premiere at the 2023 Sundance Film Festival on January 23, 2023, and was released in a limited release on May 19, 2023, prior to streaming on Netflix on May 23, 2023.

## Premise

Rachel de Leon, a journalist at The Center for Investigative Reporting discovers a number of legal cases across the United States, where young women are charged by police for making false rape accusations, despite being truthful.

## Release

It had its world premiere at the 2023 Sundance Film Festival on January 23, 2023. It also screened at CPH:DOX on March 20, 2023. It was released in a limited release on May 19, 2023, prior to streaming on Netflix on May 23, 2023.

## Reception

Victim/Suspect received mostly positive reviews from critics. On Metacritic the film holds a score of 67 out of 100 based on five reviews, indicating "generally favorable reviews". On Rotten Tomatoes it holds a score of 79% based on 33 reviews, with an average score of 6.9 out of 10. The critics consensus reads "Although it's arguably not quite the documentary its subject deserves, Victim/Suspect remains an important and infuriating piece of journalism."
# Matthaeus Pipelare

Matthaeus Pipelare (c. 1450 – c. 1515) was a Netherlandish composer, choir director, and possibly wind instrument player of the Renaissance.
He was from Louvain, and spent part of his early life in Antwerp. Unlike many of his contemporaries, many of whom traveled to Italy, Spain or elsewhere, he seems never to have left the Low Countries. In spring 1498 he became the choir director at the Illustrious Confraternity of Our Lady at 's-Hertogenbosch, a position he held until 1500. From his name it is presumed that either he or perhaps his father was a wind player, for example a town piper.
Pipelare's style was wide-ranging; he wrote in almost all of the vocal forms current in his day: masses, motets, secular songs in all the local languages. No instrumental music has survived. In mood his music ranged from light secular songs to sombre motets related to those of Pierre de La Rue, an almost exact contemporary.
He wrote 11 complete masses which have survived to modern times (although many of the manuscripts were destroyed in the Second World War), as well as 10 motets, and 8 chansons; the chansons are both in French and Dutch. One of the masses is a four-voice cantus firmus setting of L'homme armé, a style which was already old-fashioned by the time he was writing; the tune moves from voice to voice, but is usually in the tenor. His Missa Fors seulement is based on his own chanson, which he used as the cantus firmus. Memorare Mater Christi is a seven-part motet on the sorrows of the Virgin Mary; each of the seven voices represents a different dolor. The third of the seven voices even quotes the contemporary Spanish villancico "Nunca fué pena mayor" (never was there a greater pain) by Juan de Urrede. Sequential writing and syncopated rhythms are characteristic of his music.

## Discography

* Matthaeus Pipelare: Missa L'homme armé; Chansons; Motets", Huelgas Ensemble (Paul Van Nevel), Sony
* Matthaeus Pipelare: Paradise Regained - Masses, The Sound and the Fury, Fra Bernardo (2014)
# Diana (Rozvadov)

Diana (German: Dianaberg) is a village and administrative part of Rozvadov in the Plzeň Region of the Czech Republic. As of 2011, the population was 27 people. The area of Diana consists also of a former glasshouse and a large defunct woodworking factory.

## Geography

Diana is located in the forests in the southern part of the municipality. The adjacent Diana Nature Reserve (since 1933) consists of one of the oldest and most valuable beech tree forests in the Upper Palatine Forest.

## History

A hunting mansion Diana (first mentioned in 1742) is situated in the settlement. The mansion, which is owned by the noble Kolowrat family, was named after the goddess of hunting. Its project is sometimes attributed to the architect Jan Santini Aichel.
# Jean Japart

Jean Japart (fl. c. 1474 – 1481) was a Franco-Flemish composer of the Renaissance, active in Italy. He was a popular composer of chansons, and may have been a friend of Josquin des Prez.

## Life and work

Nothing is known about his life except for a brief period during the late 1470s, although it is probable he was born in Picardy. He was one of the members of the famous Sforza chapel choir in Milan between 1474 and 1476, which included Alexander Agricola, Loyset Compère and Johannes Martini, the time when this institution had one of the most famous groups of singers and composers in Europe. After the assassination of Galeazzo Sforza in 1476, he left Milan, as did most of the musicians; Japart went to Ferrara where he was quickly employed by Ercole I d'Este; not only did he become one of the most highly paid singers at the Ferrarese court, but the Duke gave him a house in Ferrara. By 1481 he was gone, and there is no further record of him.
Japart was the composer of 23 chansons which are extant. A lost composition by Josquin, Revenu d'oultrements, Japart is often cited as evidence of a friendship between the two composers; if so, they probably met in Milan after 1481, since Josquin did not go to Italy until around 1484.
Stylistically, Japart's music is influenced by Busnois, one of the earlier group of Burgundian composers. He was fond of the quodlibet, the combination of several pre-existing tunes in ingenious ways, and he also wrote puzzle canons — compositions which the singers were intended to figure out from clues given in the text. For example, one of his chansons can only be performed correctly by transposing one of the parts down a twelfth and singing it in retrograde motion. (When a puzzle canon is solved correctly, the parts fit together without violation of the prevailing rules of counterpoint, which in the 15th century are described in the works of theorists such as Tinctoris.)
Japart's music was evidently popular, since many of his chansons were reprinted by Petrucci and achieved wide distribution.

## References and further reading

* Atlas, Allan W. (1980). "Japart, Jean". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. ix (1st ed.). London: Macmillan. p. 553.
* ____ and Jane Alden. "Japart, Jean", Grove Music Online, ed. L. Macy (accessed January 10, 2005), grovemusic.com Archived 2008-05-16 at the Wayback Machine (subscription access).
# Hilaire Penet

Hilaire Penet (born 1501?) was a French composer of the Renaissance, who worked for at least the earlier part of his life in Rome.

## Life and works

Unusually for a Renaissance composer, more is known of his earlier life than his later; indeed nothing at all is known of him after 1520. He was probably born in 1501, since his age is given as 14 in a document of 1515, and he was probably born near Poitiers. He served as a singer in the papal chapel from 1514, when he arrived there in the care of Carpentras, until 1520 when he left never to return. Since much of his music was published in the 1530s and later, he may have still been alive then and working elsewhere; presumably had he been still working in association with the papal chapel, there would be records of his employment.
Penet is most famous as the composer of Descendit angelus Domini, a four-voice motet which was used both by Palestrina and Costanzo Porta as source material for mass composition. The motet circulated widely in Europe and apparently was quite popular; Penet can be seen as a kind of Renaissance one-hit wonder on the strength and popularity of this refined, elegant composition. He also wrote two settings of the Magnificat which have survived, another motet (Virgo prudentissima), as well as a handful of secular chansons, all of which are settings of current popular tunes.

## References and further reading

* Article "Hilaire Penet," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
* Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

## Recording

* Pomerium, Musical Book of Hours. Archiv 289 457 586-2. Contains the five-voice motet Virgo prudentissima, published in 1534.
# Aydar Lisinkov

Aydar Igorevich Lisinkov (Russian: Айдар Игоревич Лисинков; born 2 January 1994) is a Russian former football player.

## Club career

He made his debut in the Russian Professional Football League for FC Spartak-2 Moscow on 30 April 2015 in a game against FC Khimki. He made his Russian Football National League debut for Spartak-2 on 1 November 2015 in a game against FC Tosno.
# Santacruz (Vidhan Sabha constituency)

Santacruz was one of the 288 assembly constituencies of Maharashtra, a western state of India. Santacruz was also part of Mumbai North Central Lok Sabha constituency. Santacruz existed till 2004 elections until Kalina Assembly constituency was formed in 2008.

## Member of Legislative Assembly

| Year | Member | Party |
| 1972 | Jagesh Desai | Indian National Congress |
| 1978 | Shobhanath Sinha | Janata Party |
| 1980 | Commachen C D | Indian National Congress |
| 1985 | C D Ommachen | Indian National Congress |
| 1990 | Abhiram Singh | Bharatiya Janata Party |
| 1995 | Abhiram Singh | Bharatiya Janata Party |
| 1999 | Kripashankar Singh | Indian National Congress |
| 2004 | Kripashankar Singh | Indian National Congress |

## Election results
### 2004

2004 Maharashtra Legislative Assembly election: Santacruz :
| Party | Party | Candidate | Votes |
| | INC | Kripashankar Singh | 78,263 |
| | BJP | Alavani Parag Madhusudan | 56,074 |
| | Independent | Nicholas Benjamin Almeida | 2,384 |
| | BSP | Bastiwala Tahira | 1,666 |
| Majority | Majority | Majority | 22,189 |
| Turnout | Turnout | Turnout | 1,42,167 |
| | INC hold | INC hold | Swing |
# Nearest referent

The nearest referent is a grammatical term sometimes used when two or more possible referents of a pronoun, or other part of speech, cause ambiguity in a text. However "nearness", proximity, may not be the most meaningful criterion for a decision, particularly where word order, inflection and other aspects of syntax are more relevant.
The concept of nearest referent is found in analysis of various languages, including classical languages Greek, Latin and Arabic. It may create or resolve variant views in interpretation of a text.
There are other models than nearest referent for deciding what a pronoun, or other part of speech, refers to, and reference order distinguishes pronoun-referent structures where:
* the pronoun follows its antecedent (Forward Reference, FW)
* the pronoun precedes its referent (Backward Reference, BW)
This is also described as anaphoric reference (anaphor, previous referent) and cataphoric reference (cataphor, following referent).