OpenLLM-France/wikimedia huggingface dataset:
# Abiodun Oyewole

Abiodun Oyewole (born Charles Davis, February 1948), is a poet, teacher and member of the African-American music and spoken-word group The Last Poets, which developed into what is considered to be the first hip hop group. Critic Jason Ankeny wrote, "With their politically charged raps, taut rhythms, and dedication to raising African-American consciousness, the Last Poets almost single-handedly laid the groundwork for the emergence of hip-hop."

## Early life

Oyewole was born in Cincinnati, Ohio and he moved with his maternal aunt and her new husband at age three to Queens, New York. At the age of 15, he attended a Yoruba Temple in Harlem. It was there that he was given the name by which he is best known.
As a youth, Oyewole was influenced by jazz and gospel music played by his parents and the poems of Langston Hughes.

## The Last Poets

The group was born on May 19, 1968, Malcolm X's birthday, when Oyewole, David Nelson, and Gylan Kain read poetry in tribute to Malcolm X. The group was based in black nationalism and quickly became known throughout the African-American community. They are generally credited, along with Gil Scott-Heron, as being major influences on the development of hip hop.
At one point, Oyewole was forced to leave the group as he spent four years in a North Carolina prison, convicted of larceny. After serving two and a half years of a three-year sentence, because of good behavior he was eligible for study release during the day. Oyewole continued his education at nearby Shaw University in Raleigh, and earned his undergraduate degree. He subsequently went on to earn a doctorate from Columbia University in New York City, where he once served as a member of the faculty.

## Later years

In 1994, Oyewole appeared on the Red Hot Organization's compilation CD, Stolen Moments: Red Hot + Cool, appearing on an update of "This is Madness" alongside Omar Ben Hassen and Pharoah Sanders. The album was named "Album of the Year" by Time.
Recently, Oyewole has been touring the world giving lectures on poetry and politics and hosting a weekly Open House for up-and-coming poets. He has also taught at the Schomburg Center for Research in Black Culture in Harlem. In 2022, he released a solo CD entitled "Gratitude".

## Quotes

* "(Malcolm X) was our pathway to revolutionary understanding. Malcolm X went through a series of rites of passage - from Malcolm Little to Detroit Red to Satan to Malcolm X to El-Hajj Malik El-Shabazz. All this because the man never stopped trying to develop and recognize the best of himself. He was self-determined. Malcolm was saying we need to be more. And we heard that. And he said it better than anybody ever said it. He made it clear to us. So all we wanted to do, was to be disciples of Malcolm, in a sense, using poetry to illuminate the same values that he planted in our head." On Malcolm X's influence on the Last Poets (2001).
# F.U. Don't Take It Personal

F.U. Don't Take It Personal is the debut studio album from American hip hop group Fu-Schnickens, released February 25, 1992, on Jive Records. The recording sessions took place at Battery Studios in New York, New York.
The album peaked at number sixty-four on the Billboard 200 chart. By late 1992, it was certified gold by the RIAA, for shipping 500,000 copies in the United States.

## Background

The album was recorded at Battery Studios in New York, New York.

## Commercial performance

F.U. Don't Take It Personal peaked at sixty-four on the U.S. Billboard 200 and reached the thirteenth spot on the R&B Albums chart. The album was certified gold in 1992.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Village Voice | A− |
In The Village Voice, Robert Christgau praised Fu-Schnickens' ideas and illustratory rhymes, calling the group "rappers whose visions of fun, agape, and aural conquest remain open-ended, playful, and, face it, silly". The Kitchener-Waterloo Record wrote that the production "tends to muddy things to the extent that the group's grating, high-speed raps are almost lost."
Stanton Swihart at AllMusic wrote in retrospect that "although their fashion sense (kung fu outfits on the cover) and taste in influences may have initially painted them as a novelty, their approach to music was straight serious on this debut album, and it shows."

## Charts
### Weekly charts

| Chart (1992) | Peak position |
| U.S. Billboard 200 | 64 |
| U.S. Heatseekers | 1 |
| U.S. R&B Albums | 13 |

## Certifications

| Region | Certification | Certified units/sales |
| United States (RIAA) | Gold | 500,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||

## Personnel

* assistant engineering – Charlie Allen, Pete Christensen, Eric Gast, Gerard Julien, Tim Latham
* engineering – Barbera Aimes, Anthony Saunders
* mixing – Ali Shaheed Muhammad, Bob Power, Chris Trevett
* production – A Tribe Called Quest, Fu-Schnickens, Lyvio G.
* vocals (background) – Debbie Lewis Aimes, Kia Jeffries, Hirami Kuroimo, Sally Ries
# University of Frankfurt Institute for Social Research

The Institute for Social Research (German: Institut für Sozialforschung, IfS) is a research organization for sociology and continental philosophy, best known as the institutional home of the Frankfurt School and critical theory. Currently a part of Goethe University Frankfurt, it has historically also been affiliated with Columbia University in New York City.

## History

The Institute was founded in Frankfurt am Main in 1923, where it was (and as of 2005 once again is) affiliated with the University of Frankfurt am Main. It was founded by Felix Weil, a student of the Marxist philosopher Karl Korsch, with an endowment provided by Weil's wealthy father Hermann Weil. Its first director, Kurt Albert Gerlach, who proposed the idea of creating the institute with Weil, died before making his mark, and was swiftly followed by Carl Grünberg, a Marxist historian who gathered together fellow "orthodox" Marxists at the Institute, including his former pupil Henryk Grossman. Grünberg was followed by co-founder Friedrich Pollock.
Following a non-fatal heart attack, Grünberg was succeeded in 1930 by Max Horkheimer. Horkheimer rapidly became the guiding spirit of the Frankfurt School, a group of thinkers that was born under his directorship at the Institute. Horkheimer edited the group's journal Zeitschrift für Sozialforschung (Journal for Social Research) and wrote essays defining a critical theory of society.
The growing influence of the Nazis led the founders to decide in September 1930 to prepare to move the Institute out of Germany, by establishing a branch in Geneva and moving the funds to the Netherlands. In 1933, after the rise of Hitler, the Institute left Germany for Geneva and then in 1934 moved to New York City. In New York it became affiliated with Columbia University, and its journal Zeitschrift für Sozialforschung was renamed Studies in Philosophy and Social Science. It was there that much of the important work of the Frankfurt School thinkers began to emerge, and the Institute's residence in New York was likely partly accountable for its work's favorable reception in American and English academia.
The Institute re-opened in Frankfurt in 1951 under the direction of Pollock.
The Institute has been both a research enterprise and, during its Frankfurt periods, a provider of instruction in sociology at the university there. The current acting director is Ferdinand Sutterlüty, who has followed on from Axel Honneth's directorship of 2001 to 2018.
# Zeytintaşı Cave

Zeytintaşı Cave (Turkish: Zeytintaşı Mağarası) is a show cave in Antalya Province, southwestern Turkey. It is a registered natural monument of the country.
The cave is located at Akbaş village in Serik district of Antalya Province. It is at an elevation of 225 m (738 ft) above main sea level on the slope of a hill. Its distance to Serik town is 16 km (9.9 mi) and to Antalya city is 54 km (34 mi). Tourist attraction Aspendos is 10 km (6.2 mi) far from the cave.
The cave is enclosed in impermeable limestone formation of Jurassic-Cretaceous period. It was formed on a distinct fault line in northwest-southeast direction. The cave has two interconnected levels with a depth of 14 m (46 ft). The lower gallery is 97 m (318 ft) long and the upper gallery is 136 m (446 ft) long. It features still active stalactites, stalagmites and columns. as well as soda straws of 3 cm (1.2 in) thickness and 70 cm (28 in) length. There are pools between columns.
The cave was discovered by the Turkish Highway Administration during preliminary works for road construction in 1997. The upper gallery was opened to public visit as a show cave in 2002. The soda straws inside the cave make it a rare example. Zeytintaşı Cave with its surrounding area of 45.895 ha (113.41 acres) was registered a natural monument on 27 June 2013.
# Holman, New Mexico

Holman is an unincorporated community located in Mora County, New Mexico, United States. The community is located on New Mexico State Road 518, 5.3 miles (8.5 km) northwest of Mora. Holman has a post office with ZIP code 87723, which opened on September 17, 1894. Holman was settled in 1816.
# Al-Shabab

Al-Shabaab or Al-Shabab (الشباب al-Shabāb) is an Arabic phrase meaning "the Youth". It may refer to:

## Association football

* Al Shabab Al Arabi Club Beirut, a Lebanese association football club
* Al Shabab Al Arabi Club Dubai, an Emirati former association football club
* Al-Shabab Club (Manama), a football club in Bahrain
* Al-Shabab FC (Riyadh), a football club in Saudi Arabia
* Al-Shabab SC (Al Ahmadi), a football club in Kuwait
* Al-Shabab SC (Baghdad), a football club in Iraq
* Al-Shabab SC (Seeb), a football club in Oman
* Al-Shabab SC (Syria), a football club in Raqqa, Syria
* Chabab Ghazieh SC, a Lebanese football club
* Shabab Al Ahli Club, an Emirati association football club
* Shabaab al Jabal, a Libyan football club
* Shabab Al-Ordon SC, a Jordanian association football club
* Shabab Al Sahel FC, a Lebanese football club
* Shabab El-Bourj SC, a Lebanese football club
* Shabab Rafah, a Palestinian football club
* Muaither SC, a Qatari football club previously known as Al Shahab

## Groups

* Al-Shabaab (militant group), a Somalia-based militant Islamist group aligned with Al-Qaeda
* Al-Shabab Al-Muslim, a Jihadist Palestinian organization based in Lebanon
* Ash-Shabab al-Mu'min, a Zaidi Shia insurgent group operating in Yemen commonly known as the Houthis
* Ansar al-Sunna (Mozambique), a rebel group also known as al-Shabaab

## Locations

* RNOV Shabab Oman, a pair of vessels in the Royal Omani Navy
* Shabab Rural District, an administrative subdivision of Iran
* Shabab, Iran, a city in Iran

## Other

* Shabaab (film), a 1954 Indian film
# First battle of Makli

The First Battle of Makli (Sindhi: مڪلي واري پهرين جنگ) was fought during the Kalhora reign in Sindh between the Baloch Kalmat (Karmat) tribe and the Sindhi Jokhio tribe at the location of Makli.

## Background

This battle took place before Bajar Jokhio received the title of Jam, when the leadership of the Jokhio tribe was under Karim Dad, the son of Jam Murid. During Karīm Dād's time, Jam Bajar rose to power. Mian Ghulam Shah Kalhora fully supported Bajar in the killing of Rano Arjun. Following this incident, the Kalhoras transferred the tribal leadership to Bajar. Rano Arjun was associated with the Nagamars (Rano) and had strong ties of friendship with the Kalmat Baloch chiefs. Many of the Nagamars in Rano's forces were Kalmat warriors. The Kalmat (or Karmat) tribe ruled Hub, Malir, and Sakro as their domains. They were granted lands by Emperor Aurangzeb. After the decline of the Mughals, in 1150 AH (1737 CE), when Thatta came under the control of Mian Noor Muhammad Kalhora, the new regime sought to consolidate power by negotiating with local tribal chiefs. For those who resisted, the Kalhoras launched military campaigns or applied political pressure.
To weaken the Kalmat’s dominance over Hub, Malir, and Sakro, the Kalhoras sent an army from Khudaabad. The Kalmat tribe, led by Nauzak Khan’s sons, stood firm in this campaign. Their mother, Mai Izzat, is remembered for her role during this period. While the Kalmat tribe managed to defend Malir, the Jokhios, under Jam Bajar, had the backing of the Kalhoras.

## The Battle

In this first battle, Jam Bajar Jokhio led the Jokhio forces, while young Mir Mazar Khan commanded the Kalmat Baloch. Though Mir Mazar Khan was injured during the fighting, the Kalmat Baloch emerged victorious, defeating the Jokhio tribe.

## Aftermath

After the First Battle of Makli, enmity arose between the tribes.
# Al-Jarud

al-Jārūd was a small-town in the Wadi Hamar area, about 40 km east of the Balikh River in present-day Syria, inhabited during the 9th century. It is identified with Kharāb Sayyār, a ruin covering 42 hectares. The remains of its rectangular-shaped fortification with protruding half-round towers are the most prominent feature. At its peak, during the mid-9th century, al-Jarud was a regional center situated along an east-west running traffic and trading route and was embedded in a well settled, agricultural landscape. At least 60 contemporary settlements have been identified within a 13 km radius.

## History

The site and its surroundings have been explored and excavated as a joint mission of the Directorate-General of Antiquities & Museums (DGAM Syria) and the Goethe-University Frankfurt between 1997 and 2011 (Directors: Imad Mussa and Jan-Waalke Meyer). Meyer originally proposed that occupation at the site began during the Umayyad period, perhaps in the 730s or 740s, but has since revised his chronology to exclude an Umayyad phase at al-Jarud. Although there is evidence of multiple phases, only the peak phase of the settlement can be dated with relative certainty. According to Stefan Heidemann, who studied the coin finds of Kharab Sayyar excavation, al-Jarud was only built "to any significant extent" in the middle of the 9th century. At this point, the Abbasid capital was in Samarra, and the demand for agricultural produce was at its peak. The latest dated numismatic evidence found at al-Jarud is a coin fragment dated to the reign of al-Mu'tadid, between the years 892 and 902, and was probably abandoned not too long after that. This timeframe of the main phase of the settlement – the last in most of the buildings – is mostly supported by the dating of the undecorated pottery by C. Falb and that of the stucco decorations by A.Koppel.

## Layout

Al-Jarud was surrounded by a rectangular city wall, measuring approximately 650 x 650 m and featured projecting half-towers. A geophysical survey revealed a large number of the structures inside the walls, as well as some on the outside. Excavations in the northwestern part of the town revealed a mosque and a segment of a market with adjacent buildings. On the western stretch of the fortification, a gate and a stretch of the fortification have been uncovered. Towards the centre of the town, a bathhouse was uncovered. In the northwestern part of the town, the remains of at least seven residential buildings as well as those of a small mosque have been excavated. Two larger buildings, one situated in the southwest, the second on top of the third millennium tell, located in the south-eastern corner of the walled area, have been explored with smaller excavation. Additionally, numerous features of the water supply-system have been excavated. Two rooms of the residential buildings as well as parts of the mosque in the northwest of the town were decorated with stucco that shares similarities with decorations found in Samarra.
# Oriental Nakamura

Oriental Nakamura (オリエンタル中村百貨店, Orientaru Nakamura Hyakkaten) was a Japanese department store in Sakae, Nagoya, central Japan.

## History

The history goes back to the year 1869 (Meiji 2）when the Nakamura a dry goods store was founded on the corner of Honmachi street in Nagoya. Today the Bank of Tokyo-Mitsubishi is located there. After World War II, the company moved to a newly built department store on February 16, 1954, and was renamed Oriental Nakamura.
Along with Matsuzakaya, Maruei, and Meitetsu, Oriental Nakamura was one of the four major department stores of Nagoya.
The flagship store installed a rooftop Ferris wheel. The artist Tarō Okamoto was commissioned to install a large mural on the main facade of the flagship store. A new design for shopping bags and packaging was also introduced. In 1974 a new store in Hoshigaoka was opened. In 1977 however, Tokyo-based Mitsukoshi bought the Nakamura group and renamed the stores in 1980, which effectively meant the end of the name.
In front of the entrance to the flagship store, a modern sculpture of a kangaroo was placed, which quickly became a favourite meeting-spot. The large mural by Taro Okamoto was demolished after Mitsukoshi bought the store. The Ferris wheel however still exists. It is the oldest extant commercially running Ferris wheel in Japan and was registered in 2005 as a tangible cultural property.
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# What You Need (Stacy Lattisaw album)

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
What You Need is the tenth and final studio album by American contemporary R&B singer Stacy Lattisaw, released October 17, 1989 via Motown Records. It did not chart on the Billboard 200, but it peaked at #16 on the Billboard R&B chart. It was also Lattisaw's final album before she retired from the music industry.
Four singles were released from the album: "What You Need", "Where Do We Go from Here", "Dance for You" and "I Don't Have the Heart". "Where Do We Go from Here" was the most successful single from the album, peaking at #1 on the Billboard R&B singles chart in 1990.

## Charts
### Weekly charts

| Chart (1989–1990) | Peak position |
| US Top R&B/Hip-Hop Albums (Billboard) | 16 |

### Year-end charts

| Chart (1990) | Position |
| US Top R&B/Hip-Hop Albums (Billboard) | 60 |
# Ocate, New Mexico

Ocate is an unincorporated community located in Mora County, New Mexico, United States. The community is located at the junction of State Routes 442 and 120, 22.3 miles (35.9 km) west-northwest of Wagon Mound. Ocate has a post office with ZIP code 87734, which opened on January 10, 1870.
It is the location of the J. P. Strong Store and of the Narciso Valdez House, which are listed on the National Register of Historic Places.
In April 2022, Ocate was threatened by the Cooks Peak Fire, which burned tens of thousands of acres in Mora and Colfax counties.
Ocate is within the Ocate Volcanic Field.
# Rangeela (1970 film)

Rangeela is a 1970 Pakistani Urdu romantic comedy film directed and produced by Rangeela. The lead cast included Nisho, Rangeela, Aqeel, Saiqa, Salma Mumtaz, and Munawar Zarif.
The film won a Nigar Award in the best script writer category. A song from the film "We Sab To Sohniya" (vocalized by Tasawar Khanum) became the highlight of the movie and is still considered an iconic melody. As a director, it was Rangeela's second movie after "Diya Aur Toofan" (1969).

## Cast

* Nisho
* Rangeela
* Aqeel
* Saiqa
* Salma Mumtaz
* Munawar Zarif
* Sultan Rahi
* Meena Chodhary
* Zarqa
* Najmul Hassan
* Mazhar Shah
* Ilyas Kashmiri
* M.D. Sheikh
* Jaggi Malik
* Munir Zarif
* Rasheed Zarif
* Chhabeela
* Nanha
* Ladla
* Zulfi
* Razia
* Amin Malik
* Banka
* Rafiq
* Tingu

## Music and soundtracks

The film's music was composed by Kamal Ahmed and only one film song was composed by Nazir Ali. Lyrics were penned by Waris Ludhianvi, Fayyaz Hashmi, Khawaja Pervaiz, and Kemal Ahmad:
* Array Tu Hay Bara Nadan, O Sajna... Singer(s): Irene Parveen, Music: Kamal Ahmed, Poet: Kemal Ahmad
* Chheir Koi Sargam Ragi, Taan Maar Kay Pathar Tor Dun... Singer(s): Rangeela, Munawar Zarif, Music: Kemal Ahmad, Poet: Kemal Ahmad
* Ham Nay Jo Dekhay Khawab Suhanay, Aaj Un Ki Tabeer Mili... Singer(s): Rangeela, Music: Kemal Ahmad, Poet: Kemal Ahmad
* Jhalki Dikhlay Kay Dil Lay Liya, Bijli Gira Kay Dil Lay Liya... Singer(s): Ahmad Rushdi, Music: Kemal Ahmad, Poet: Fayyaz Hashmi
* Kis Nay Tora Hay Dil Hazoor Ka, Kis Nay Thukraya Tera Pyar... Singer(s): Mala, Music: Kemal Ahmad, Poet: Khawaja Pervaiz
* Way Sab Tun Sohneya, Hehe Way Mann Mohnya (sad)... Singer(s): Tasawar Khanum & Co., Music: Nazir Ali, Poet: Waris Ludhyanvi
* Way Sab Tun Sohneya, Hehe Way Mann Mohnya, Main Teri Ho Geyi... Singer(s): Tasawur Khanum& Co., Music: Nazir Ali, Poet: Waris Ludhyanvi

## Release and box office

Rangeela was released on 18 September 1970. The film was a golden jubilee hit in Pakistan.

## Awards

| Year | Film | Award | Category | Awardee | Ref. |
| 1970 | Rangeela | Nigar Award | Best script writer | Rangeela | |
# Dignāja Parish

Dignāja parish (Latvian: Dignājas pagasts) is an administrative unit of Jēkabpils Municipality, Latvia.
# Kūkas Parish

Kūkas Parish (Latvian: Kūku pagasts) is an administrative unit of Jēkabpils Municipality in the Latgale region of Latvia.

## Towns, villages and settlements of Kūkas parish

* Zīlāni
# Rapture anxiety

Rapture anxiety is a psychological phenomenon characterized by an overwhelming fear or general anxiety concerning the Rapture, an event in dispensational and premillennial Christian eschatologies where it is believed that Jesus Christ will return to Earth and raise faithful Christians into heaven before the apocalypse.
In many popular depictions of the Rapture, Christians physically rise into the sky, sometimes leaving their clothes behind. Many children raised with the concept of the rapture report having fears that they will be left behind, or that they will be raptured before being able to live their full life. This anxiety can follow many into adulthood.

## Background

In the Gospel of Matthew, Jesus tells his disciples that no one will know the day and time when the second coming will happen.
   "But about that day or hour no one knows, not even the angels in heaven, nor the Son, but only the father."
The concept of the rapture has been widely criticized. It is not accepted by either the Catholic or Eastern Orthodox Church, who purport that the calling of Christians into heaven as described in verses such as 1 Thessalonians will not be a literal, physical ascension. They also dispute the exact timing relative to the second coming when this event will happen, or if it will even be a single event at all. Furthermore, historic Protestant denominations espouse eschatological positions, such as amillennialism or postmillennialism, which also do not accept the concept of rapture.
Despite this, many children fear that because of some minor sin or transgression, they will be left behind on Earth while their loved ones enter heaven. There are numerous reports of children coming home to empty houses, and fearing that they have been condemned.
This fear may also be influenced by popular works of fiction such as the Christian book and film series Left Behind or the 1972 film A Thief in the Night, which both depict the collapse of society and suffering following the rapture.
Many who suffer from rapture anxiety are hesitant to voice their fears due to their belief that only sinners should fear judgement.