# Monotype typefaces

Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were:
* Lanston Monotype Cooperation in Philadelphia, US
* The Monotype Corporation Limited in Salfords, UK
A third firm produces fonts for computer use:
The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London, England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum. The survival of the Type Museum was threatened since the building was no longer owned by the Science Museum, and was in a very poor state of repair, and the new owner intended other uses for the property. The Type Museum was closed and all equipment has been stored at the National Archives.

## Hot metal

The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability.
In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals", including characters in Garamond, Baskerville, Bodoni, Bembo, Caslon and many other typefaces.
The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.
The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by .01 in (0.25 mm), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 0.918 in (23.3 mm). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the Americans served the Americas and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.
The composition-caster machines of The Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not need to be recast, as with Linotype machines.
These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.
Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.

## Unit arrangement

The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-pica points, a unit being 1⁄18 part of this width. The unit width is calculated as follows for a 12-set example.
* 1 pica = 1⁄6 inch
* 1 pica point = 1⁄12 × 1⁄6 inch = 0.013889 inch
* 1 unit 1 set = 1⁄18 × 1⁄12 × 1⁄6 = 1⁄1296 inch = 0.000771605 inch
* 1 unit 12 set = 12⁄1296 = 0.00925926 inch
All character were designed to have widths a whole number of units of the set. 5, 6, 7, 8, 9, 10, up to 18 or even more.
* 5 units 12 set = 0.046296 inch
* 6 units 12 set = 0.055555
* 7 units 12 set = 0.064815
* 18 units 12 set = 0.1667 inch
English and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.
So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.

## Long and short descenders

The letters g j p q y ĳ are descenders. In the italic typefaces f and the "long s" are also descenders.
Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.

## Letterpress printing

The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.
The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.

## Computer adjustments

After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies, with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen.
The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.
Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.

## List of typefaces

The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.
In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.
A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.001 in (0.025 mm) less deeply engraved. Consequently, the American moulds were higher internally by that amount compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.
The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.

### Latin fonts
#### A

* Acier
    297: Acier (never released)
    319: Acier Grey and White (never released)
* Albertus
    481: Albertus Roman
       introduction: 1935
       display matrices:
| size: | 14pt | 18pt | 24pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1848 | T.2363 | T.3166 | T.4754 | T.6418 | and T.8070 | T.9680 |
    538: Albertus bold titling Roman
       introduction: 1938
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1985 | T.2652 | T.3255 | T.3974 | T.4675 | T.5358 | T.6720 | T.8070 |
    534: Albertus light Roman
       introduction: 1940
       display matrices, one size: 24pt line .2652
    324: Albertus titling Roman (1940 ?)
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1848 | T.2363 | T.3166 | T.3884 | T.4754 | T.5606 | T.6418 | T.8070 | T.9680 |
* Albion
    __5: Albion Roman
       composition matrices UA.2 = 6pt - 12pt
| size: | 6pt | 8pt | 10pt | 12pt |
| set: | 6.75 | 8 | 9.25 | 11.25 |
| line: | M.1235 | M.1270 | M.1305 | M.1360 |
    _42: Albion (No 2) Roman
       composition matrices UA.2 = 6.5pt - 12pt
| size: | 6.5pt | 7.5pt | 9pt | 10pt | 11pt | 12pt | 13pt |
| set: | 7.75 | 8 | 9 | 9.75 | 10.5 | 11.5 | 12.5 |
| line: | M.1235 | M.1238 | M.1270 | M.1300 | M.1320 | M.1360 | M.1390 |
    _63: Albion Roman
       UA.2 : 6.5 pt - 13pt
| size: | 6pt | 7D | 9pt | 10pt | 11pt | 12pt | 13pt |
| set: | 6.5 | 7.5 | 8.25 | 9.75 | 9.5 | 10.75 | 11.5 |
| line: | M.1224 | M.1250 | M.1270 | M.1290 | M.1320 | M.1360 | M.1390 |
    _70: Albion (No 4) Roman
       composition matrices: UA.2 : 6.5pt - 13pt
| size: | 6.5pt | 7.5pt (7D) | 9pt | 10pt | 11pt | 12pt | 13pt |
| set: | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1225 | M.1243 | M.1280 | M.1300 | M.1327 | M.1360 | M.1387 |
    _74: Albion Extended Roman
       composition matrices: UA.3: 6D - 13pt
| size: | 6D | 7D | 9pt | 10pt | 11pt | 12pt | 13pt (12D) |
| set: | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1225 | M.1240 | M.1260 | M.1290 | M.1320 | M.1360 | M.1390 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1995 | T.2308 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    264: Albion (in 1965 taken out of production)
* Aldine Bembo
    270: Aldine Bembo (see: Bembo 270)
    370: Aldine Bembo Titling (see: Bembo Titling)
* Anchor
    491: Anchor (taken out of production, "cancelled")
* Andalé Mono
       Only produced for computer use.
* Angulus
    555: Angulus Roman/italic
       composition matrices: UA.474: only one size available 4.4pt
| size: | 4.5D |
| set: | 5.5 |
| line: | M.1185 |
* Antique
    207: Antique Roman/italic (see: 207 Antique Old Style)
    307: Antique (in 1965 taken out of production)
       composition matrices: U.A. = 70, only: 5.5pt and 7pt
| size: | 5.5pt (5D) | 7pt (7D) |
| set: | 6.25 | 8.5 |
| line: | .1262 | .1314 |
    407: Antique (in 1965 taken out of production)
       composition matrices: UA = 70
| 407-9 (8D) | 9.5 set | lining: M.1338 |
    354: Antique (No. 2) (in 1967 taken out of production)
       composition matrices: UA = 335
| size: | 8 (8D) | 10 (10D) | 12 (12D) |
| set: | 10.75 | 13.5 | 16 |
| line: | M.1348 | M.1440 | M.1525 |
    _74: Antique Extended (see Ionic, see: Albion Extended)
    153: Antique Extended (see: Albion Extended)
    223: Antique Heavy (see: Devonshire Bold)
    224: Antique Heavy Condensed (see: Devonshire Bold Condensed)
* Antique Latin
    __9: Antique Latin (see: Latin Antique)
    _60: Antique Latin (see: Latin Antique No. 2)
    _78: Antique Latin (see: Latin Antique No. 3)
    _84: Antique Latin (see: Latin Antique No. 4)
* Antique Old Style
    __3: Antique Old Style No. 3 Roman/italic
       composition matrices: UA.2 = 6pt - 12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 6.5 | 7.75 | 8.5 | 9.25 | 9.75 | 10.5 | 12 |
| line: | M.1200 | M.1240 | M.1250 | M.1280 | M.1300 | M.1320 | M.1355 |
    161: Antique Old Style No. 3 Roman/italic
       composition matrices: Roman UA.29, italic UA.54, 6pt - 12pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 6.5 | 8 | 8.75 | 9.5 | 10.5 | 11.75 |
| line: | M.1220 | M.1250 | M.1266 | M.1294 | M.1331 | M.1410 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    124: Antique Old Style No. 1 synonyms: Old Style Antique and Series 124 (in 1967 taken out of production)
       all descenders available in two versions short- and long-descenders
       composition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)
| size: | 6pt (6D) | 8pt short desc. op 7pt (7D) | 8pt (8D) | 9pt short desc. op 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.5 | 8.5 | 8.5 | 9.25 | 9.25 | 9.75 | 10.5 | 11.75 |
| line: | M.1200 | M.1250 | M.1250 | M.1280 | M.1280 | M.1300 | M.1320 | M.1355 |
    207: Antique Old Style Roman/italic
       composition matrices: UA.70 = 6.5pt - 10pt
| size: | 6.5pt(6D) | 7pt | 8pt |
| set: | 7.75 | 7.75 | 8.75 |
| line: | M.1268 | M.1268 | M.1314 |
* Arial
       No matrices for hot-metal
* Arrighi Italic
    252: Arrighi Italic (see: Centaur)
* Ashley Crawford
    238: Ashley Crawford (cancelled in 1967)
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | .1672 | .2145 | .2896 | .3484 | .4123 |
    279: Ashley Crawford Plain (cancelled in 1967)
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | .1748 | .2243 | .2996 | .3684 | .4494 |
* Ashley Script
    574: Ashley Script
       display matrices: 14-72 pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1364 | T.1751 | T.2338 | T.2864 | T.3494 | T.4106 | T.4708 | T.5910 | T.7090 |
* Avenir
       No matrices for hot-metal

#### B

* Barbou
    178: Barbou Roman/italic
       composition matrices: UA.447: 8 - 12pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 7.25 | 8 | 8.5 | 9.25 | 10 |
| line: | M.1270 | M.1295 | M.1300 | M.1327 | M.1360 |
* Baskerville
    169: Baskerville Roman/italic
       composition matrices: UA.43: 6D - 14pt
| size: | 6pt (6D) | 7 (7D) | 8pt (8D) | 9pt (8D) | 9.5pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 8.25 | 9 | 9.5 | 10 | 10.75 | 12 | 13 |
| line: | M.1220 | M.1235 | M.1250 | M.1266 | M.1291 | M.1294 | M.1320 | M.1360 | M.1520 |
       large-composition matrices: 14-18pt Roman UA.136, italic UA.141:
       22pt: only Roman, 24pt: Roman UA.136, italic UA.150
| size: | 14pt (14D) | 16pt (16D) | 18pt (18D) | 22pt (22D) | 24pt (24D) |
| set: | 13 | 14.5 | 15.25 | 19 | 21 |
| line: | T.1395 | T.1600 | T.1672 | T.2040 | T.2226 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1600 | T.1672 | T.1853 | T.2040 | T.2226 | T.2780 | T.3332 | T.3886 | T.4440 | T.5685 | T.6830 |
    312: Baskerville bold Roman/italic
       composition matrices: UA.332: 6D - 14pt
| size: | 6pt (6D) | 7 (7D) | 8pt (8D) | 9pt (8D) | 9.5pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 8.25 | 9 | 9.5 | 10 | 10.75 | 12 | 13 |
| line: | M.1220 | M.1235 | M.1250 | M.1266 | M.1291 | M.1294 | M.1320 | M.1360 | M.1520 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1672 | T.2226 | T.2784 | T.3332 | T.4440 | T.5685 | T.6830 |
    313: Baskerville bold (see: 313 Baskerville Semi-Bold)
    377: Baskerville Bold Large Face (cancelled in 1967)
       display matrices:
| size: | 48pt | 60pt | 72pt |
| line: | .4992 | .6236 | .7115 |
    376: Baskerville Bold Titling For Newspaper Headings (cancelled in 1965)
       large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame
| size: | 14pt | 18pt | 24pt |
| set: | 18 | 18 |
| line: | .2075 | .2075 | .2075 |
    378: Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965)
       large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame
| size: | 14pt | 18pt | 24pt |
| set: | 18 | 18 | 18 |
| line: | .2213 | .2213 | .2213 |
    380: Baskerville Extra Bold Titling (cancelled in 1967)
       display matrices:
| size: | 36pt |
| line: | .3704 |
    312: Baskerville Heavy (see: 312 Baskerville Bold)
    313: Baskerville Semi-Bold Roman/italic
       composition matrices: UA.332: 6D - 14pt
| size: | 6pt (6D) | 7 (7D) | 8pt (8D) | 9pt (8D) | 9.5pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 8.25 | 9 | 9.5 | 10 | 10.75 | 12 | 13 |
| line: | M.1220 | M.1235 | M.1250 | M.1266 | M.1291 | M.1294 | M.1320 | M.1360 | M.1520 |
       display matrices:
| size: | 18pt |
| line: | T.1672 |
    381: Baskerville Titling For Newspaper Headings (cancelled in 1965)
       large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one die case
| size: | 14pt | 18pt | 24pt |
| set: | 18 | 18 | 18 |
| line: | .2213 | .2213 | .2213 |
* Bell (by Monotype inc. revised version)
    341: Bell Roman/italic
       composition matrices: UA.314: 8D - 14pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 8.5 | 9.5 | 10 | 11 | 12 | 13.25 |
| line: | M.1240 | M.1267 | M.1285 | M.1314 | M.1335 | M.1385 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1304 | T.1711 | T.2284 | T.2804 | T.3424 |
    619: Bell Gothic Roman
       composition matrices: UA.445: 6 and 8pt
| size: | 6pt (6D) | 8pt (8D) |
| set: | 7 | 9 |
| line: | M.1245 | M.1310 |
    620: Bell Gothic Bold Roman
       composition matrices: UA.445: 6 and 8pt
| size: | 6pt (6D) | 8pt (8D) |
| set: | 7 | 9 |
| line: | M.1245 | M.1310 |
* Bembo
    270: Bembo Roman/italic
       composition matrices: UA.91: 6D - 14pt
       variants: alternative numerals: F537, F538, alternative capitals: R 203, M 145, R 224
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 10.5pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 7.5 | 8.25 | 8.5 | 9 | 9.5 | 10.25 | 11 | 11.5 |
| line: | M.1237 | M.1243 | M.1243 | M.1270 | M.1292 | M.1312 | M.1322 | M.1343 | M.1378 | M.1444 |
       large-composition matrices: 14pt-24pt
| size: | 14pt (14D) | 16pt (16D) | 18pt (18D) | 24pt (24D) |
| UA. | 91 | 163 | 169 | 169 |
| set: | 11.5 | 13.5 | 14.5 | 19.5 |
| line: | T.1344 | T.1559 | T.1725 | T.2302 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt op 24pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1344 | T.1559 | T.1725 | T.2104 | T.2302 | T.2824 | T.3444 | T.4648 | T.5821 | T.6980 |
    428: Bembo bold Roman/italic
       composition matrices: UA.368: 6D - 14pt
| size: | 6pt (6D) | 7D op 8p E | 8pt (8D) | 9pt (8D) | 10pt (10D) | 10.5pt (10D) | 11pt (10D) | 12pt (11D) | 13pt (12D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 7.5 | 8.25 | 8.5 | 9 | 9.5 | 10.25 | 11 | 11.5 |
| line: | M.1237 | M.1243 | M.1243 | M.1270 | M.1293 | M.1312 | M.1322 | M.1353 | M.1378 | M.1444 |
       large-composition matrices: 14pt-18pt
| size: | 16pt (16D) | 18pt (18D) |
| UA. | 399 | 399 |
| set: | 13.5 | 14.5 |
| line: | T.1559 | T.1725 |
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt |
| line: | T.2302 | T.2824 | T.3444 | T.4648 |
    294: Bembo condensed Italic italic
       composition matrices: UA.360: 10pt - 13pt UA.361: 16pt
| size: | 10pt (10D) | 12pt (12D) | 13pt (12D) | 16pt |
| set: | 8.5 | 10.25 | 11 | 13.5 |
| line: | M.1292 | M.1353 | M.1378 | M.1559 |
    428: Bembo Heavy (see: 428 Bembo Bold)
    509: Bembo semi-bold Roman/italic
       composition matrices: UA.91: 5.5pt
| size: | 5.5pt (5.5D) |
| set: | 6.5 |
| line: | M.1235 |
    370: Bembo titling Roman/italic
       display matrices:
| size: | 24pt | 30pt | 36pt | 42pt |
| line: | T.2942 | T.3614 | T.4436 | T.5196 |
* Berling
    643: Berling Roman/italic (cancelled in 1973)
       punches made in cooperation with Berlinska Stilgjuteriet, Lund
       composition matrices: UA.495: 6D-12D
| size: | 6D op 7pt | 8D op 9pt | 9D op 10pt | 10D op 11pt | 11Dop 12pt | 12D op 13pt |
| set: | 6.5 | 8.5 | 9.25 | 10.25 | 11.5 | 12.5 |
| line: | M.1237 | M.1311 | M.1385 | M.1385 | M1459 | M.1459 |
    644: Berling semi bold Roman
       punches made in cooperation with Berlinska Stilgjuteriet, Lund
       composition matrices: UA.496: 6D-12D
| size: | 6D op 7pt | 8D op 9pt | 9D op 10pt | 10D op 11pt | 11Dop 12pt | 12D op 13pt |
| set: | 6.5 | 8.5 | 9.25 | 10.25 | 11.5 | 12.5 |
| line: | M.1237 | M.1311 | M.1385 | M.1385 | M1459 | M.1459 |
* Bernard condensed
    213: Bernard condensed Roman
       display matrices:
| size: | 14pt | 16D op 18pt | 20D op 22pt | 24D op 30pt | 30pt | 36D op 36pt | 42D op 48pt | 48D op 60pt | 60D op 72pt | 72pt |
| line: | T.1671 | T.2008 | T.2520 | T.2984 | T.3444 | T.4474 | T.5249 | T.6040 | T.7570 | T.8550 |
* Blado
    119: Blado Italic italic (designed to be used with Poliphilus 170)
       composition matrices: UA.53: 10pt - 13pt
| size: | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 8.5 | 9.25 | 10.75 | 11.5 |
| line: | M.1299 | M.1326 | M.1374 | M.1399 |
       large-composition matrices: 16pt = UA.142
| size: | 16pt |
| set: | 13.5 |
| line: | T.1577 |
       display matrices:
| size: | 24pt |
| line: | T.2352 |
* Bodoni
    135: Bodoni Roman/italic (synonym: Bodoni no.3)
       composition matrices: UA.1: 6pt-13pt, UA.77: 14pt
       variants: long descenders and "Large-Face" in 11pt
| size: | 6pt (6D) | 6.5 (6D) op 7pica | 7pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 11pt Large Face | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| set: | 6.5 | 6.5 | 7 | 7.75 | 7.75 | 8.5 | 9.5 | 10.25 | 11 | 11.75 | 12.75 | 13.5 |
| line: | M.1164 | M.1164 | M.1210 | M.1238 | M.1238 | M.1260 | M.1279 | M.1302 | M.1315 | M.1347 | M.1372 | M.1448 |
       large-composition matrices: 16pt, 18pt, 24pt Roman, UA.425 = 24pt italic
| size: | 16pt (16D) | 18pt (18D) | 24pt (24D) Roman | 24pt italic |
| UA. | 77 | 77 | 78 | 425 |
| set: | 15.5 | 17 | 23 | 23 |
| line: | T.1551 | T.1741 | T.2324 | T.2324 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt op 24pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1356 | T.1551 | T.1741 | T.2122 | T.2324 | T.2914 | T.3470 | T.4162 | T.4716 | T.5823 | T.7100 |
    254: Bodoni No. 2 (see also: 357 Bodoni No. 2) (cancelled in 1967)
       display matrices: 4 sizes
| size: | 18pt | 24pt | 30pt | 36pt |
| line: | T.1708 | T.2276 | T.2844 | T.3404 |
    288: Bodoni No. 1 (cancelled in 1967)
       composition matrices: UA.364: 10D-12D-14D
| size: | 10D op 11pica | 12D op 13pica | 14D |
| set: | 10.25 | 11.5 | 12.75 |
| line: | M.1280 | M.1323 | M.1365 |
    357: Bodoni No. 2 Roman/italic (see: 357 Bodoni Book)
       composition matrices: UA.319: 8pt-12pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) |
| set: | 8 | 9 | 9.75 | 11.5 |
| line: | M.1277 | M.1309 | M.1315 | M.1366 |
    504: Bodoni No 5 Roman/italic (see: 504 Bodoni 357)
       composition matrices: UA.319: 8pt-12pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) |
| set: | 8 | 9 | 9.75 | 11.5 |
| line: | M.1282 | M.1314 | M.1322 | M.1372 |
    195: Bodoni Bold Roman
       composition matrices: UA.3: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.5 | 7.75 | 8.5 | 9.5 | 10.25 | 11.75 |
| line: | M.1164 | M.1238 | M.1260 | M.1279 | M.1302 | M.1347 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1356 | T.1708 | T.2276 | T.2844 | T.2914 | T.4024 | T.4578 | T.5823 | T.6962 |
    260: Bodoni Bold Roman/italic, Vette variant for series 135
       composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt
       long descenders available and "large face" in 11pt
| size: | 6.5 (6D) | 7pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 11pt (10D) "Large Face" | 12pt (11D) | 13pt (12D) | 14pt (14D) |
| set: | 6.5 | 7 | 7.75 | 8.5 | 9.5 | 10.25 | 11 | 11.75 | 12.75 | 13.5 |
| line: | M.1164 | M.1210 | M.1238 | M.1260 | M.1279 | M.1302 | M.1315 | M.1340 | M.1372 | M.1448 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt | 24pt op 30pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1356 | T.1551 | T.1741 | T.2122 | T.2324 | T.2914 | T.3470 | T.4162 | T.4716 | T.5823 | T.7100 |
    529: Bodoni Bold Condensed Roman/italic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1356 | T.1741 | T.2324 | T.2824 | T.3444 | T.4046 | T.4628 | T.5820 | T.6980 |
    760: Bodoni Bold Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.8490 |
    357: Bodoni Book Roman/italic
       composition matrices: UA.319: 8pt-12pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 8 | 9 | 9.75 | 10.75 | 11.5 |
| line: | M.1277 | M.1309 | M.1315 | M.1345 | M.1366 |
    260: Bodoni Heavy Roman/italic (see: 260 Bodoni Bold)
    529: Bodoni Heavy condensed Roman/italic (see: 529 Bodoni Bold condensed)
    120: Bodoni ultra bold Roman/italic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36 | 42pt | 48pt | 60pt | 72pt |
| line: | T.1472 | T.1876 | T.2502 | T.3094 | T.3746 | T.4436 | T.5088 | T.6380 | T.7660 |
* Bold Face
    _53: Bold Face (see: 53 Old Style Bold)
    167: Bold Face (see: 167 De Vinne Italic)
    366: Bold Face (see: 366 Inflex Bold)
    245: Bold Face Italic No. 2 (see: 245 Old Style Bold Italic)
    253: Bold Face No. 2 (see: 253 Old Style Bold)
    138: Bold Face No. 3 Roman. (cancelled in 1965)
       composition matrices: UA.3: 9pt
* size: 9pt (9D) set: 8.75 line:M.1330
    503: Bold Face (cancelled in 1965)
    176: Bold Face Outline (see: 176 Old Style Bold Outline)
    253: Bold Face Special Line (see: 253 Old Style Bold)
    167: Bold Italic (see: 167 De Vinne Italic series No. 167)
    334: Bold (The Times) (see: 334 Times Bold)
    345: Bold (The Times) (see: 345 Times Bold)
    360: Bold (The Times) (see: 360 Times Bold)
* Braggadocio
    278: Braggadocio Roman
       display matrices:
| size: | 18pt | 24pt | 36 | 48pt | 72pt |
| line: | T.1015 | T.2690 | T.4024 | T.5448 | T.8180 |
* Breitkopf
    466: Breitkopf romain (cancelled in 1936)
* Broadway
    a306: Broadway (Sorts) (cancelled before 1966)
    a307: Broadway Engraved (Sorts) (cancelled before 1966)
* Bruce Rogers
    494: Bruce Rogers (cancelled in 1967)
    594: Bruce Rogers Titling (in research)
* Bulmer
    469: Bulmer Roman/italic
       composition matrices: UA.412: 11pt-12pt
| size: | 11pt (10D) | 12pt (12D) |
| set: | 10 | 11.25 |
| line: | M.1337 | M.1345 |

#### C

* Calendar
    L17: Calendar Figures Roman
    L19: Calendar Days Roman
* Calisto
* Canterbury
    197: Canterbury (cancelled in 1967)
       composition matrices: UA.57 = 8-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 6.5 | 8 | 9.75 | 11.5 |
| line: | M.1258 | M.1302 | M.1400 | M.1450 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
* Caslon
    128: Caslon Roman/italic
       composition matrices: UA.57 = 8-12pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13.5pt (14D) op 14pE | 14pt Large Face (14D) |
| UA. | 7 | 8 | 9 | 10 | 11 | 12 | 384 |
| set: | 8.25 | 8.75 | 9.75 | 11.25 | 12.25 | 13 |
| line: | M.1210 | M.1225 | M.1270 | M.1285 | M.1324 | M.1360 | M.1474 |
       large composition: 18pt - 24pt,
| size: | 18pt | 20pt (20D) | 24pt Small face (24D) | 24pt |
| UA.Roman | 104 | 160 | 105 |
| UA.italic | 153 | 167 | 167 | 152 |
| set: | 15.75 | 18 | 18 | 21.5 |
| line: | T.1672 | T.2088 | T.2088 | T.2364 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt (short desc.) op 24pica | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1672 | T.2364 | T.2918 | T.2918 | T.3474 | T.4166 | T.4988 | T.6120 | T.7660 |
    209: Caslon Titling Roman
       display matrices:
| size: | 48pt | 60pt | 72pt |
| line: | T.4988 | T.6120 | T.7660 |
* Castellar
    600: Castellar Roman
    Title typeface drawn by John Peters in 1957 based on engraved Roman square capitals.
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.2986 | T.3654 | T.4474 | T.6038 | T.7590 | T.9110 |
* Centaur
    252: Centaur Roman/italic, also known under the name: Arrighi
       composition matrices: UA.90 = 6-14pt, UA.322 = 14pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.5 | 8.25 | 8.75 | 9.25 | 10.25 | 11.25 | 12.5 |
| line: | M.1202 | M.1252 | M.1256 | M.1256 | M.1286 | M.1315 | M.1418 |
       large composition: 14pt - 24pt, UA.165 = Roman, UA.166 = italic
| size: | 14pt (14D) | 16pt (16D) | 18pt (18D) | 22pt (22D) | 24pt (24D) |
| set: | 12.5 | 14 | 15.5 | 18.5 | 21 |
| line: | T.1418 | T.1493 | T.1675 | T.2024 | T.2240 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1306 | T.1493 | T.1675 | T.2240 | T.2744 | T.3344 | T.3926 | T.4508 | T.5640 | T.6800 |
    352: Centaur Roman/italic
       large composition matrices only 18pt
| size: | 18pt (18D) Roman | 18pt (18D) italic |
| UA. | 389 | 166 |
| set: | 18.25 | 15.5 |
| line: | T.1747 | T.1747 |
    295: Centaur Titling Roman
* Century
    227: Century No. 2 Roman/italic (see: 227 Century Schoolbook)
    211: Century No. 1 Roman (synonym: 211 Modern)
       composition matrices UA.1 = 8pt
| size: | 8pt (8D) |
| set: | 8.5 |
| line: | M.1320 |
    545: Century Bold (cancelled in 1967)
    546: Century Bold Extended (cancelled in 1967)
    227: Century Schoolbook Roman/italic
       composition matrices: UA.369 = 6-14pt, UA.322 = 14pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 8.25 | 9.25 | 10 | 10.75 | 11.75 | 14 |
| line: | M.1250 | M.1280 | M.1310 | M.1346 | M.1375 | M.1405 | M.1448 | M.1655 |
       large composition: 18pt - 20pt only Roman UA.370
| size: | 18pt (18D) | 20pt (20D) (18pt long desc.) |
| set: | 18 | 18 |
| line: | T.2015 | T.2015 |
    477: Century Schoolbook Bold Roman
       composition matrices: UA.498 = 6-14pt,
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 7.5 | 8.25 | 9.25 | 10 | 10.75 | 11.75 | 14 |
| line: | M.1250 | M.1280 | M.1310 | M.1346 | M.1375 | M.1405 | M.1448 | M.1655 |
    650: Century Schoolbook Roman/italic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1549 | T.1950 | T.2559 | T.3184 | T.3874 | T.4565 | T.5257 | T.6640 | T.8020 |
    651: Century Schoolbook Bold Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1549 | T.1950 | T.2559 | T.3184 | T.3874 | T.4565 | T.5257 | T.6640 | T.8020 |
* Century Gothic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
* Chatsworth
    510: Chatsworth (cancelled in 1965)
       At the request of Stephenson and Blake, Sheffield produced for them in one size.
       composition matrices: UA.391 = 10pt,
| size: | 10pt (10D) |
| set: | 12 |
| line: | M.1425 |
* Chiswell Old Face
    154: Chiswell Old face Roman/italic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
* Clarendon
    _12: Clarendon Roman
       composition matrices: UA.2 = 5-12pt,
| size: | 5pt (5D) | 5.5pt (5D) | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (11D) | 12pt (12D) |
| set: | 5.5 | 6.5 | 6.5 | 7.25 | 8.25 | 9.25 | 9.75 | 10.75 | 12 |
| line: | M.1200 | M.1240 | M.1258 | M.1280 | M.1305 | M.1330 | M.1320 | M.1380 | M.1385 |
    412: Clarendon No. 2 (cancelled in 1967)
       composition matrices: UA.2 = 5-12pt,
| size: | 8pt (8D) | 9pt (8D) | 11pt (11D) |
| set: | 8.5 | 9.25 | 10.5 |
| line: | M.1240 | M.1265 | M.1320 |
    501: Clarendon Timetable (cancelled in 1967)
* Clearface Bold
    157: Clearface Bold Roman/italic
       composition matrices: UA.2 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 6.75 | 8.25 | 9.25 | 10 | 10.75 | 11.75 |
| line: | M.1220 | M.1250 | M.1250 | M.1294 | M.1320 | M.1360 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
* Cloister
    271: Cloister Bold (cancelled in 1967)
       composition matrices: UA.86 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.75 | 8.25 | 9.75 | 10.75 |
| line: | M.1245 | M.1273 | M.1285 | M.1326 |
    272: Cloister Old Style (cancelled in 1967)
       composition matrices: UA.89 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.5 | 7.75 | 8.5 | 10 |
| line: | M.1236 | M.1275 | M.1269 | M.1316 |
    a395: Cloister Old Style (Sorts) (cancelled before 1966)
* Cochin
    165: Cochin Roman/italic
       composition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic
| size: | 6D (6D) | 8pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) | 14pt (14D) |
| set: | 7.5 | 8.5 | 10.5 | 11.5 | 12.25 | 13.25 | 15 |
| line: | M.1239 | M.1254 | M.1293 | M.1320 | M.1360 | M.1387 | M.1440 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1440 | T.1841 | T.2480 | T.3056 | T.3726 |
    225: Colonna Roman
       display matrices:
| size: | 18pt | 24pt | 36pt |
| line: | T.1585 | T.2114 | T.3154 |
* Condensa
    511: Condensa italic
       display matrices:
| size: | 18pt | 24pt | 30pt |
| line: | T.1948 | T.2640 | T.3194 |
* Condensed
    213: Condensed Bold (see: 213 Bernard Condensed)
    224; Condensed Heavy Antique (see: 224 Devonshire Bold Condensed)
    383: Condensed Heavy Grotesque (see: 383 Grotesque Condensed)
    523: Condensed Heavy Grotesque Titling (see: 523 Grotesque Condensed)
    419: Condensed Latin (see: 419 Grotesque Condensed Titling)
* Crossword
    306: Crossword Puzzle Solutions
       composition matrices: 11pt
       11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge.
    306: Crossword Puzzle Specials
       18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld
       309: Crossword Squares (cancelled)
* Cushing
    _17: Cushing (cancelled in 1967)
       composition matrices UA.1 = 6pt - 13pt
| size: | 6D (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11 of 12DD) | 13pt (12D) |
| set: | 6.5 | 7.25 | 8 | 8.75 | 9.25 | 10.25 | 12 | 12.5 |
| line: | M.1235 | M.1220 | M.1245 | M.1265 | M.1290 | M.1323 | M.1380 | M.1395 |
* Curlz

#### D

* Daily Mail Modern
    326: Daily Mail Modern (cancelled in 1974)
* Dante
       This font was the last design of Giovanni Mardersteig. Charles Malin, the engraver producing the punches for Mardesteig died in 1955. After this event Mardersteig did not want any more new designs. In his opinion punches made with a pantograph were inferior. The character was later adapted for composition casters by Monotype and released in 1957.
    592: Dante Roman/italic
       composition matrices: UA.441, 6D-14D
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE | 13D at 14pE | 14D at 16pE |
| set: | 6 | 7 | 7.5 | 8.25 | 8.75 | 9.75 | 10.75 | 11.5 | 12.75 |
| line: | M.1200 | M.1245 | M.1290 | M.1322 | M.1382 | M.1533 |
       display matrices
| size: | 18D at 20pE | 24D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1841 | T.2462 | T.3684 | T.4960 |
    682: Dante Semi Bold Roman/italic
       composition matrices: UA.504, 6D-14D
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE | 14D at 16pE |
| set: | 6 | 7 | 7.5 | 8.25 | 8.75 | 9.75 | 10.75 | 12.75 |
| line: | M.1200 | M.1245 | M.1290 | M.1322 | M.1354 | M.1533 |
    612: Dante Titling Roman
       display matrices
| size: | 16D at 18pE | 20D at 22pE | 28D at 30pE | 36D at 36pE |
| line: | T.1677 | T.2085 | T.2952 | T.3764 |
* Deutsch Romisch
    298: Deutsch Romisch (cancelled in 1970)
       composition matrices: UA.303, 6D-12D
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 6.75 | 8 | 9 | 10 | 12 |
| line: | M.1243 | M.1350 | M.1480 |
    286: Deutsch Romisch Bold (cancelled in 1967)
       composition matrices: UA.304, 8D-10D
| size: | 8D at 9pE | 10D at 11pE |
| set: | 8 | 10 |
| line: | M.1390 |
* De Vinne
    131: De Vinne (cancelled in 1967
       composition matrices: UA.400, 8pt
| size: | 8pt (8D) | 12D op 13pE |
| set: | 8 | 12.25 |
| line: | M.1445 |
       display matrices
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1938 | T.2640 | T.3194 | T.3884 |
    _21: De Vinne (see: De Vinne Condensed)
    _21: De Vinne Condensed (cancelled in 1967)
       composition matrices: UA.2 6.5pt - 12 pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 6.5 | 8 | 9.25 | 11.25 |
| line: | M.1230 | M.1280 | M.1360 | M.1435 |
    167: De Vinne Italic (synonym: Bold Italic Series No. 167) (cancelled in 1967)
       composition matrices: UA.3 7.5pt - 11 pt
| size: | 7.5pt (7D) | 8pt (8D) | 9pt (8D | 10pt (9D) | 11pt (10D) |
| set: | 8 | 8 | 8.75 | 9.75 | 10.5 |
| line: | M.1250 | M.1250 | M.1280 | M.1294 | M.1320 |
* Devonshire
    223: Devonshire Bold (synonym: 223 Heavy Antique (cancelled in 1967)
       display matrices
| size: | 42pt | 48pt |
| line: | T.4576 | T.5268 |
    224: Devonshire Bold Condensed (synonym: 224 Condensed Heavy Antique) (cancelled in 1967)
       display matrices
| size: | 42pt | 48pt |
| line: | T.4576 | T.5268 |
* Didot
    _71: Didot Roman/italic
       composition matrices: UA.1 6.5pt - 13pt
| size: | 6.5pt (6D) | 7.5pt (7D) | 9pt (8D | 10pt (9D) | 11pt (10D) | 11pt Large face (10D) | 12pt (11D | 13pt (12D) |
| set: | 7,25 | 7.5 | 8.75 | 9.5 | 10.25 | 11 | 11.75 | 12.5 |
| line: | M.1225 | M.1240 | M.1260 | M.1290 | M.1320 | M.1335 | M.1360 | M.1390 |
* Divina Comedia
    425: Divina Comedia (destroyed in a bombardment)
* Dorchester Script
    436 Dorcherster script
       display matrices
| size: | 14pt | 18pt | 24pt | 36pt |
| line: | T.1218 | T.1565 | T.2088 | T.3114 |

#### E

* Egyptian
    107: Egyptian No. 1 Roman
       composition matrices: UA.2 = 6-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 6.5 | 7.25 | 7.5 | 8 | 8.75 | 10.5 | 12 |
| line: | M.1220 | M.1220 | M.1250 | M.1266 | M.1291 | M.1315 | M.1356 |
    171: Egyptian (synonym: 171 Egyptian Bold) (cancelled in 1967)
       composition matrices: UA.39 = 9pt
| size: | 9pt |
| set: | 8.5 |
| line: | M.1266 |
    173: Egyptian No. 4 Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
    129: Egyptian Roman (see: Egyptian Bold nr.1 en: 251)
    130: Egyptian (cancelled in 1967)
       composition matrices: UA.3 = 8pt
| size: | 8pt |
| set: | 8 |
| line: | M.1285 |
    162: Egyptian No. 3 (cancelled in 1967)
       composition matrices: UA.3 = 8pt
| size: | 6.5pt |
| set: | 6.5 |
| line: | M.1210 |
    184: Egyptian (see: 184 Ionic No. 3)
    241: Egyptian
    251: Egyptian (see: Egyptian Condensed)
    330: Egyptian (see: Egyptian Bold)
    129: Egyptian Bold No. 1 Roman (see: 251)
       composition matrices: UA.3 = 8-10pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) |
| set: | 8.5 | 9.25 | 10 |
| line: | M.1235 | M.1257 | M.1290 |
    171: Egyptian Bold (see: 171 Egyptian) (cancelled in 1967)
    330: Egyptian Bold (synonym: 330 Egyptian) (cancelled in 1967)
       composition matrices: UA.3 = 6D
| size: | 6D (6D) |
| set: | 8 |
| line: | M.1285 |
    282: Egyptian Bold Condensed Roman (see: 251) (synonyms: Egyptian Heavy and Heavy Egyptian
       composition matrices: UA.313 = 6D
| size: | 6D |
| set: | 6.5 |
| line: | M.1230 |
    251: Egyptian Condensed Roman
       composition matrices: UA.63 = 6.5pt
| size: | 6.5pt (6D) |
| set: | 6.5 |
| line: | M.1230 |
    112: Egyptian Condensed (cancelled in 1967)
       composition matrices: UA.2 = 9pt
| size: | 9 |
| set: | 8.5 |
| line: | M.1270 |
    464: Egyptian Condensed (cancelled in 1967)
       composition matrices: UA.130 = 6D-10D
| size: | 6D op 7pE | 7D op 8pE | 8D op 9pE | 9D op 10pE | 10D op 11pE |
| set: | 6.75 | 7.75 | 8.5 | 9.5 | 10.75 |
| line: | M.1206 | M.1246 | M.1278 | M.1301 | M.1335 |
    _72: Egyptian Extended Roman
       composition matrices: UA.3 = 5-13pt
| size: | 5pt (5D) | 5.5pt (5D) | 6pt (6D) | 6.5pt (6D) | 7.5pt (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) |
| set: | 5.5 | 7.25 | 7.25 | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1173 | M.1220 | M.1220 | M.1225 | M.1240 | M.1260 | M.1290 | M.1320 | M.1360 | M.1390 |
    465: Egyptian Extended (bij bombardement vernietigd)
    282: Egyptian Heavy Roman (see: 282 Egyptian Bold Condensed)
* Ehrhardt
    453: Ehrhardt Roman/italic
       composition matrices: UA.397 = 6-14pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.25 | 7.25 | 7.75 | 8.5 | 9.25 | 10 | 11 | 12.75 |
| line: | M.1220 | M.1255 | M.1270 | M.1300 | M.1320 | M.1346 | M.1381 | M.1520 |
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt |
| line: | T.1810 | T.2424 | T.2987 | T.3608 |
    563: Ehrhardt (cancelled in 1974)
    573: Ehrhardt Semi-Bold Roman/italic
       composition matrices: UA.430 = 6-14pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.25 | 7.25 | 7.75 | 8.5 | 9.25 | 10 | 11 | 12.75 |
| line: | M.1220 | M.1255 | M.1270 | M.1300 | M.1320 | M.1346 | M.1381 | M.1520 |
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt |
| line: | T.1810 | T.2424 | T.2987 | T.3608 |
* Ellington
* Elite Typewriter
    235: Elite Typewriter (see: Typewriter)
       composition matrices: UA.28 = 12pt
| size: | 12pt (11D of 12D) |
| set: | 13.25 |
| line: | M.1302 |
* Elsevir
    _19: Elsevir Roman/italic
       UA.1 6pt - 12 pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt |
| set: | 6.5 | 7.25 | 8 | 8.75 | 9.5 | 10.25 | 12 |
| line: | M.1210 | M.1242 | M.1270 | M.1290 | M.1340 | M.1360 | M.1415 |
* Electronic Reading Founts
    E-13B
    CMC7
    407-1
    OCR-B
* Emerson
    320: Emerson Roman/italic
       composition matrices: UA.390 = 8-14pt
| size: | 8pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 7.5 | 8.75 | 9.5 | 10.25 | 12.25 |
| line: | M.1210 | M.1252 | M.1270 | M.1299 | M.1421 |
       display matrices:
| size: | 18pt | 24pt |
| line: | T.1693 | T.2260 |
    400: Emerson (cancelled in 1967)
    479: Emerson (destroyed in a bombardment)
* Emery
    452: Emery (cancelled in 1965)
* Engravers Titling
    146: Engraver's Titling (see: 146 Engravers' Titling)
    146: Engravers' Titling Roman
       composition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.
| size: | 6pt (6D) |
| set: | 8 |
| line: | M.1282 |
    147: Engravers' Titling (see: Engravers' Bold Titling)
    147: Engravers' Titling Bold (see: Engravers' Bold Titling)
* Engravers Bold titling
    147: Engravers Bold Titling Roman
       composition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.
| size: | 6pt (6D) | 12pt (12D) |
| set: | 8 | 14.5 |
| line: | M.1282 | M.1420 |
       display matrices: 24 pt in 5 sizes
| size: | 24pt |
| line: | T.3060 |

#### F

* Fabritius
    586: Fabritius Roman
* Falstaff
    323: Falstaff Roman/italic
       composition matrices: UA.347 = 6D-12D
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 10.25 | 12 | 13.75 | 15.5 | 17 | 20.5 |
| line: | M.1245 | M.1288 | M.1330 | M.1373 | M.1415 | M.1503 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 20D at 22pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 42D at 48pE |
| line: | T.1616 | T.1838 | T.2060 | T.2282 | T.2756 | T.3465 | T.4134 | T.4849 |
* Felix Titling
    399: Felix Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.7400 |
* Fanfare Bold
    514: Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment)
    516: Fanfare Bold Condensed Italic Titling No. 2 italic
* Festival Titling
    554: Festival Titling italic
       display matrices:
| size: | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.4576 | T.5406 | T.6098 | T.7619 | T.9175 |
* Figaro
    536: Figaro Roman
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt |
| line: | T.2680 | T.3294 | T.4014 | T.5418 |
    626: Figaro Bold (cancelled in 1967)
^ Fleet Titling
    632: Fleet Titling Roman
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1622 | T.1855 | T.2080 | T.2780 | T.3414 | T.4164 | T.4906 | T.5618 | T.7050 | T.8470 |
* Floriated capitals
    431: Floriated capitals
       display matrices:
| size: | 48pt |
| line: | T.6488 |
* Fontana
    403: Fontana Roman/italic
       composition matrices: UA.464 = 8pt-14pt
| size: | 8pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 7.5 | 9.25 | 10 | 11 | 12.5 |
| line: | M.1233 | M.1295 | M.1320 | M.1352 | M.1481 |
       large composition matrices:
| size: | 18pt Roman | 18pt italic | 24pt Roman |
| UA. | 488 | 464 | 488 |
| set: | 16 | 16 | 21.5 |
| line: | T.1810 | T.1810 | T.2364 |
    437: Fontana bible face Roman/italic
       composition matrices: UA.464 = 4.5pt-6pt
| size: | 4.5pt (4D) | 5pt (5D) | 6pt (6D) | 6pt long desc. & asc.on 8pE |
| set: | 5.25 | 6.25 | 7.25 | 7.25 |
| line: | M.1231 | M.1271 | M.1300 | M.1300 |
    443: Fontana Titling (destroyed in a bombardment)
* Forte
    614: Forte
       display matrices:
| size: | 18D at 20pE | 24D at 30pE | 36D at 36pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1984 | T.2654 | T.3974 | T.5360 | T.6710 | T.7530 |
* Fournier
    185: Fournier Roman/italic
       composition matrices: UA.59 = 8pt-13.5pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13.5pt op 14pE (14D) |
| set: | 7.25 | 8.25 | 8.75 | 9.25 | 10.25 | 11.75 |
| line: | M.1256 | M.1280 | M.1294 | M.1315 | M.1345 | M.1397 |
       large composition matrices: UA. 446
| size: | 14pt (14D) |
| set: | 12.25 |
| line: | T.1385 |
    185: Fournier Old Face (see: Fournier)
    285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals)
    285: Fournier Shortened Capitals Roman/italic (see also: Fournier 185)
       composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185
| size: | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13.5pt op 14pE (14D) |
| set: | 8.75 | 9.25 | 10.25 | 11.75 |
| line: | M.1294 | M.1315 | M.1345 | M.1397 |
* French Face Extended
    _76: French Face Extended (cancelled in 1967)
       composition matrices: UA.1 = 7D-10pt
| size: | 7D at 8pE | 9pt (8D) | 10pt (9D) |
| set: | 8.25 | 9.75 | 10.75 |
| line: | M.1250 | M.1257 | M.1301 |
* French Modern
    111: French Modern (cancelled in 1967)
       composition matrices: UA.1 = 6D-10pt
| size: | 6D op 7pE | 7D op 8pE | 9pt (8D) | 10pt (9D) |
| set: | 7 | 8.25 | 8.5 | 9 |
| line: | M.1215 | M.1250 | M.1270 | M.1290 |
* French Old Style
    _68: French Old Style Roman/italic
       composition matrices: UA.1 = 6.5pt-13pt
       oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same.
| size: | 6.5pt at 7pE (6D) | 7pt | 7.5pt (7D) at 8pE | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 7.25 | 7.25 | 7.5 | 7.5 | 8.25 | 9.75 | 10.75 |
| line: | M.1215 | M.1215 | M.1253 | M.1253 | M.1260 | M.1290 | M.1320 | M.1388 |
    109: French Old Style Roman/italic (synonym: French Old Stype no. 2) (cancelled in 1967)
       composition matrices: UA.1 = 6.5pt-11pt
| size: | 6.5pt (6D) op 7pE | 7.5pt (7D) op 8pE | 9pt (8D) | 10pt (9D) | 11pt (10D) |
| set: | 6.5 | 7.5 | 8.25 | 9.5 | 10.25 |
| line: | M.1220 | M.1250 | M.1260 | M.1291 | M.1315 |
    148: French Old Style No. 3 (cancelled in 1967
       composition matrices: UA.1 = 6.5pt
| size: | 6.5pt (6D) op 7pE |
| set: | 6.5 |
| line: | M.1215 |
    _69: French Old Style Bold Roman/italic
       composition matrices: UA.1 = 7pt-13pt
| size: | 7pt (6D) | 8pt (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 7.5 | 7.5 | 8.75 | 9.5 | 10.25 | 12.25 |
| line: | M.1215 | M.1253 | M.1260 | M.1290 | M.1320 | M.1388 |
    _69: French Old Style (Half-Fat) (see: French Old Style Bold)
* French Round Face
    _44: French Round Face Roman/italic
       composition matrices: UA.1 = 6.5pt-13pt
| size: | 6.5pt (6D) at 7pE | 7.5pt (7D) at 8pE | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1225 | M.1243 | M.1280 | M.1300 | M.1327 | M.1360 | M.1387 |
* Fredericus Antiqus
    314: Fredericus Antiqus Roman/italic
       composition matrices: UA.1 = 6.5pt-13pt
| size: | 6D at 7pE | 7D at 8pE | 10D at 11pE | 12D at 13pE |
| set: | 8 | 8.5 | 9 | 11 | 12.5 |
| line: | M.1236 | M.1268 | M.1295 | M.1333 | M.1380 |
* Futura Buchschrift
    596: Futura Buchschrift (cancelled in 1960)

#### G

* Gallia (Sorts)
    a313: Gallia (Sorts) (cancelled voor 1966)
* Garamond
    156: Garamond Roman/italic
       Swash and ligatures for 156
       The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was: ' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines.
       composition matrices: UA.37 = 6-12pt, UA.99 = 14pt
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (11D) | 12D | 14pt (14D) |
| set: | 6 | 6.75 | 7 | 8 | 8.75 | 9.5 | 10.25 | 11.25 | 12.25 | 12.25 |
| line: | M.1186 | M.1200 | M.1220 | M.1250 | M.1268 | M.1276 | M.1300 | M.1338 | M.1368 | M.1486 |
       large composition: Roman = UA.114 italic = UA.115
          14pt (14D) Roman/italic, 16pt (16D) Roman, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic
| size: | 14pt (14D) | 16pt (16D) | 18pt (18D) | 24pt (24D) |
| set: | 12.75 | 14 | 16 | 21.5 |
| line: | T.1395 | T.1600 | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1600 | T.1810 | T.2138 | T.2364 | T.2918 | T.3470 | T.4166 | T.4778 | T.5961 | T.7240 |
    201: Garamond bold Roman/italic
       composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (11D) | 12D | 14pt (14D) |
| set: | 6 | 6.75 | 7 | 8 | 8.75 | 9.5 | 10.25 | 11.25 | 12.25 | 14 |
| line: | M.1186 | M.1200 | M.1223 | M.1254 | M.1268 | M.1285 | M.1311 | M.1350 | M.1380 | M.1500 |
       large composition: UA.154
          18pt (18D) Roman/italic, 24pt (24D) Roman/italic
| size: | 18pt (18D) | 24pt (24D) |
| set: | 18 | 24 |
| line: | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1600 | T.1810 | T.2138 | T.2364 | T.2918 | T.3608 | T.4162 | T.4854 | T.5961 | T.7240 |
    174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966)
       composition matrices: UA.42 = 6-12pt, UA.140 = 14pt
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (11D) | 12D | 14pt (14D) |
| set: | 6 | 6.75 | 7 | 8 | 8.75 | 9.5 | 10.25 | 11.25 | 12.25 | 12.75 |
| line: | M.1186 | M.1200 | M.1220 | M.1250 | M.1268 | M.1276 | M.1300 | M.1338 | M.1368 | M.1486 |
       large composition: UA.140
          14pt (14D) Roman/italic, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic
| size: | 14pt (14D) | 18pt (18D) | 24pt (24D) |
| set: | 12.75 | 16 | 21.5 |
| line: | T.1395 | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1600 | T.1810 | T.2138 | T.2364 | T.2918 | T.3470 | T.4166 | T.4778 | T.5961 | T.7240 |
    201: Garamond Heavy (see: 201 Garamond Bold)
    Am. 548: Garamond Bold
    Am. 5481: Garamond Bold Italic
    Am. 648E: American Garamond (Roman)
    Am. 649G: American Garamond Italic
* Garamont (Goudy)
    Am. 248: Garamont (Goudy) Roman
    Am. 2481: Garamont Italic (Goudy) italic
* Gill
    275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold)
    430: Gill Face (destroyed in a bombardment)
    442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold)
    433: Gill Moiree Shadow (destroyed in a bombardment)
* Gill Sans
    262: Gill Sans Roman/italic
       composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)
| size: | 5pt (5D) | 5.5pt at 6pE (6pt S.H.) (5D) | 6pt (6D) | 6D at 7pE | 7pt (7D) | 8pt (8D) | 8D at 9pE (9pt S.H.) | 9pt (8D) | 9D at 10pE (10pt S.H.) | 10pt (10D) | 10D at 11pE (11pt S.H.) | 11pt (11D) | 12pt (11D) | 14pt (14D) |
| set: | 6 | 6.5 | 6.5 | 7 | 7.5 | 8 | 9 | 9 | 9.5 | 9.5 | 10.25 | 10.25 | 11.25 | 12.5 |
| line: | M.1198 | M.1220 | M.1220 | M.1235 | M.1255 | M.1255 | M.1285 | M.1285 | M.1302 | M.1302 | M.1327 | M.1327 | M.1360 | M.1415 |
       large composition: UA.383, Roman 18pt
| size: | 18pt (18D) |
| set: | 17 |
| line: | T.1841 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1611 | T.1841 | T.2002 | T.2181 | T.2480 | T.2918 | T.3606 | T.4162 | T.4844 | T.6124 | T.7270 |
    349: Gill Sans No. 2 Roman/italic
       composition matrices: Roman: UA.345 = 5pt
| size: | 5pt (5D) |
| set: | 5 |
| line: | M.1155 |
    275: Gill Sans Bold Roman/italic
       composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)
| size: | 5pt (5D) | 5.5pt at 6pE (6pt S.H.) (5D) | 6pt (6D) | 6D at 7pE | 7pt (7D) | 8pt (8D) | 8D at 9pE (9pt S.H.) | 9pt (9D) | 9D at 10pE (10pt S.H.) | 10pt (10D) | 10D at 11pE (11pt S.H.) | 11pt (11D) | 12pt (11D) | 14pt (14D) |
| set: | 6 | 6.5 | 6.5 | 7 | 7.5 | 8 | 9 | 9 | 9.5 | 9.5 | 10.25 | 10.25 | 11.25 | 12.5 |
| line: | M.1198 | M.1220 | M.1220 | M.1235 | M.1255 | M.1255 | M.1285 | M.1285 | M.1302 | M.1302 | M.1327 | M.1327 | M.1360 | M.1415 |
       large composition: UA.383, Roman 18pt
| size: | 18pt (18D) |
| set: | 18 |
| line: | T.1841 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1611 | T.1841 | T.2002 | T.2181 | T.2480 | T.2918 | T.3606 | T.4162 | T.4844 | T.6124 | T.7270 |
    350: Gill Sans Bold Roman (see: 350 Gill Sans 349)
       composition matrices: Roman: UA.346 = 5pt
| size: | 5pt (5D) |
| set: | 5 |
| line: | M.1155 |
    575: Gill Sans Bold (cancelled in 1967)
    343: Gill Sans Bold Condensed Roman
       composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)
| size: | 5.5pt at 6pE (6pt S.H.) (5D) | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 6.5 | 6.5 | 8 | 9 | 9.5 | 11.25 | 12.5 |
| line: | M.1220 | M.1220 | M.1255 | M.1285 | M.1302 | M.1360 | M.1415 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1611 | T.1841 | T.2480 | T.2918 | T.3606 | T.4162 | T.4844 | T.6124 | T.7270 |
    373: Gill Sans Bold Condensed Titling No. 1 Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1181 | T.2363 | T.3193 | T.3886 | T.4714 | T.6418 | T.8070 | T.9680 |
    525: Gill Sans Bold Condensed Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    468: Gill Sans Bold Extra Condensed Eoman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1637 | T.2086 | T.2805 | T.3470 | T.4160 | T.5684 | T.7150 | T.8552 |
    _L8: Gill Sans Bold Timetable Roman
    317: Gill Sans Bold Titling Roman
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.3160 | T.3886 | T.4744 | T.6398 | T.8050 | T.9660 |
    233: Gill Sans Cameo Roman
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt |
| line: | T.2890 | T.4344 | T.5096 | T.5828 |
    299: Gill Sans Cameo Ruled Roman
       display matrices:
| size: | 36pt | 48pt |
| line: | T.4914 | T.6528 |
    485: Gill Sans Condensed Roman
       composition matrices: Roman: UA.499 = 10-12pt
| size: | 10pt (10D) | 12pt (12D) |
| set: | 8.75 | 10.25 |
| line: | M.1302 | M.1360 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1841 | T.2480 | T.2918 | T.3606 |
    321: Gill Sans Extra Bold Roman
       composition matrices: UA.336 = 6D-12pt
| size: | 6D op 7pE | 7D op 8pE | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 7 | 8 | 8 | 9.5 | 11.25 |
| line: | M.1235 | M.1270 | M.1255 | M.1302 | M.1360 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt | 72D op 72pE |
| line: | T.1395 | T.1581 | T.1841 | T.2181 | T.2480 | T.2918 | T.3608 | T.4162 | T.4844 | T.6124 | T.7270 | T.8060 |
    526: Gill Sans Extra Bold Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling)
    362: Gill Sans Light Roman/italic
       composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt
| size: | 4.5 | 5pt | 5.5pt at 6pE | 6pt | 6D at 7pE | 7pt | 8pt | 8D at 9pE | 9pt | 9D at 10pE | 10pt | 10D at 11pE | 11pt | 12pt | 14pt |
| didot: | 4D | 5D | 5D | 6D | 6D | 7D | 8D | 8D | 9D | 9D | 10D | 10D | 11D | 12D | 14D |
| set: | 5.5 | 6 | 6.5 | 6.5 | 7 | 7.5 | 8 | 9 | 9 | 9.5 | 9.5 | 10.25 | 10.25 | 11.25 | 12.5 |
| line: | M.1239 | M.1198 | M.1220 | M.1220 | M.1235 | M.1255 | M.1255 | M.1285 | M.1285 | M.1302 | M.1302 | M.1327 | M.1327 | M.1360 | M.1415 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1611 | T.1841 | T.2002 | T.2181 | T.2480 | T.2918 | T.3606 | T.4162 | T.4844 | T.6124 | T.7270 |
    662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light, see also: Gill Sans 349)
       composition matrices: Roman: UA.345 = 5pt
| size: | 5pt (5D) |
| set: | 5 |
| line: | M.1155 |
    353: Gill Sans Poster Roman
       display matrices:
| size: | 66pt op 72pE | 72pt |
| line: | T.6683 | T.8030 |
    406: Gill Sans Shadow No. 1 Roman
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt | 42 | 48pt | 60pt | 72pt |
| line: | T.2363 | T.3160 | T.3894 | T.4744 | T.5596 | T.6408 | T.8050 | T.9660 |
    408: Gill Sans Shadow No. 2 Roman
       display matrices:
| size: | 42 |
| line: | T.6648 |
    338: Gill Sans Shadow No. 3 Roman
       display matrices:
| size: | 72 |
| line: | T.7950 |
    290: Gill Sans Shadow Line Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42 | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1840 | T.2480 | T.2918 | T.3608 | T.4161 | T.4854 | T.6124 | T.7270 |
    304: Gill Sans Shadow Titling Roman
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt | 48pt |
| line: | T.2363 | T.3162 | T.3884 | T.4744 | T.6372 |
    231: Gill Sans Titling Roman
       composition matrices: UA.84 = 6pt in 4 sizes, 12pt
| size: | 6pt size 4 | 6pt size 3 | 6pt size 1 | 6pt sizes 3 and 4 | 6pt sizes 1 and 3 | 12pt |
| didot | 6D | 6D | 6D | 6D | 6D | 12D |
| set: | 7.75 | 7.75 | 7.75 | 7.75 | 7.75 | 16 |
| line: | M.1365 | M.1365 | M.1365 | M.1365 | M.1365 | M.1750 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1846 | T.2367 | T.3162 | T.3884 | T.4744 | T.5562 | T.6372 | T.8034 | T.9700 |
    262: Gill Sans-Serif (see: 262 Gill Sans)
    349: Gill Sans-Serif (see: 349 Gill Sans)
    353: Gill Sans-Serif (see: 353 Gill Sans Poster)
    275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold)
    350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold)
    343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed)
    468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed)
    233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo)
    299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled)
    373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling)
    321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold)
    485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed)
    362: Gill Sans-Serif Light (see: 362 Gill Sans Light)
    304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling)
    406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1)
    408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2)
    290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line)
    231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling)
    317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling)
    338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3)
    442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold)
    442: Gill Sans Ultra Bold Roman
       display matrices:
| size: | 18pt | 24pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1985 | T.2640 | T.3974 | T.5398 | T.6720 | T.8060 |
       Alternative characters for 262, 275, 362
* Gloucester
    103: Gloucester Bold Roman/italic
       composition matrices: UA.5 = 6-13.5pt,
| size: | 6pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 11.5pt (11D) | 12pt (11D) | 13.5pt (13D) |
| set: | 6 | 7.25 | 7.25 | 8 | 9 | 9.75 | 10.5 | 11.25 | 12.75 |
| line: | M.1276 | M.1323 | M.1323 | M.1352 | M.1400 | M.1433 | M.1467 | M.1500 | M.1563 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    198: Gloucester Bold Condensed Roman
       composition matrices: UA.60 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 6 | 7.25 | 8.5 | 9.25 | 9.75 |
| line: | M.1276 | M.1323 | M.1400 | M.1433 | M.1443 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    243: Gloucester Bold Extended Roman
       composition matrices: UA.75 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 6 | 7.25 | 9 | 9.75 | 11.25 |
| line: | M.1276 | M.1323 | M.1400 | M.1433 | M.1500 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    395: Gloucester Bold Extra Condensed Roman
       display matrices: 14-72pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1580 | T.2015 | T.2676 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    160: Gloucester Bold Italic
       composition matrices: UA.3 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 12pt (11D) |
| set: | 6.75 | 8 | 9 | 10.25 | 11.5 |
| line: | M.1276 | M.1323 | M.1353 | M.1400 | M.1500 |
    396: Gloucester Extra Condensed Roman
       display matrices: 14-72pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 |
    _99: Gloucester Old Style Roman/italic
       composition matrices: UA.4 = 6-13.5pt,
| size: | 6pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 11.5pt (11D) | 12pt (11D) | 13.5pt (13D) |
| set: | 6 | 7.25 | 7.25 | 8 | 9 | 9.75 | 10.5 | 11.25 | 12.75 |
| line: | M.1276 | M.1323 | M.1323 | M.1352 | M.1400 | M.1433 | M.1467 | M.1500 | M.1563 |
       large composition: 18pt (18D) UA.116, Roman/italic, 24pt (24D) UA.117, Roman/italic
| size: | 18pt (18D) | 24pt (24D) |
| set: | 16 | 21.5 |
| line: | T.1984 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
* Gothic (collective name for sans serif typefaces)
    __4: Gothic (synonym: Grotesque Condensed) (cancelled in 1967)
       composition matrices UA.1B 6pt - 12pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 6.5 | 8 | 8.5 | 9.25 | 12 |
| line: | M.1220 | M.1260 | M.1290 | M.1320 | M.1360 |
* Goudy
    269: Goudy Bold Roman/italic
       composition matrices: UA.88 = 6-14pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 7.5 | 9.25 | 11 | 11.75 | 12.75 | 15.5 |
| line: | M.1250 | M.1286 | M.1362 | M.1386 | M.1425 | M.1620 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt |
| line: | T.1518 | T.1965 | T.2590 | T.3124 | T.3824 | T.4427 |
    441: Goudy Bold Roman/italic
       composition matrices: UA.382 = 6-12pt,
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) |
| set: | 6.75 | 8.5 | 10.25 | 11.25 | 12.25 |
| line: | M.1246 | M.1295 | M.1370 | M.1407 | M.1442 |
    268: Goudy Cataloque Roman/italic
       composition matrices: UA.83 = 6-14pt,
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 7 | 8.75 | 9.25 | 10.25 | 12 | 14 |
| line: | M.1250 | M.1294 | M.1325 | M.1377 | M.1447 | M.1592 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1470 | T.1980 | T.2620 | T.3194 | T.3884 | T.4576 | T.5268 |
    364: Goudy Cataloque Roman/italic
       composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,
| size: | 5pt (5D) | 5,5pt (6D) | 6pt (6D) | 7pt (7D) | 7.75pt op 8pE (8D) |
| set: | 5.5 | 6.25 | 7.75 | 8.5 | 9.25 |
| line: | M.1190 | M.1208 | M.1240 | M.1253 | M.1282 |
    214: Goudy Extra Bold Roman/italic
       composition matrices: UA.88 = 6-14pt,
| size: | 6pt (6D) | 8pt (8D) | 8D op 9pE | 9pt (9D) | 10pt (10D) | 12pt (12D) |
| set: | 7.5 | 9 | 10.25 | 10.25 | 11.5 | 13.5 |
| line: | M.1237 | M.1285 | M.1323 | M.1323 | M.1323 | M.1385 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1810 | T.2502 | T.3056 | T.3746 | T.4406 | T.5048 | T.6340 | T.7550 |
    249: Goudy Modern Roman/italic
       composition matrices: UA.87 = 10-12pt,
| size: | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 9.25 | 10 | 11.25 |
| line: | M.1235 | M.1256 | M.1290 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1257 | T.1671 | T.2226 | T.2780 | T.3332 | T.3886 | T.4438 |
    291: Goudy Old Style Roman/italic
       composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt
| size: | 6pt (6D) | 8pt (8D) | 8pt long desc. | 10pt | 10pt long desc. | 11pt short desc. | 11pt | 12pt | 14pt |
| didot: | 6D | 8D | 9D op 9pE | 10D | 11D | 10D op 11pE | 11D | 12D | 14D |
| set: | 6.75 | 8.5 | 8.5 | 10.25 | 10.25 | 11.25 | 11.25 | 12.25 | 15 |
| line: | M.1246 | M.1295 | M.1295 | M.1370 | M.1370 | M.1407 | M.1407 | M.1442 | M.1630 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1538 | T.1948 | T.2606 | T.3184 | T.3874 | T.4427 | T.5118 | T.6364 | T.7609 |
    292: Goudy Text (gotisch schrift)
       composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals
| size: | 9pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 7.5 | 8 | 9.5 |
| line: | M.1354 | M.1356 | M.1425 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 36pt | 48pt |
| line: | T.1523 | T.1939 | T.2590 | T.3884 | T.5268 |
    439: Goudy Titling Roman
* Gravura
    533: Gravura Roman (cancelled in 1965)
       composition matrices: UA.1 = 12pt
| size: | 12pt (12D) |
| set: | 10 |
| line: | M.1325 |
* Grock
    388: Grock Roman
       display matrices:
| size: | 24pt | 36pt | 48pt |
| line: | T.3160 | T.4744 | T.6398 |
* Grosvenor Script
    493: Grosvenor Script italic
       display matrices:
| size: | 18pt |
| line: | T.1980 |
* Grotesque (collective name for sans serif typefaces)
    _11: Grotesque (see: 11 Grotesque Bold Condensed)
    _33: Grotesque (see: 33 Grotesque Condensed)
    _51: Grotesque Roman/italic
       composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 7.75 | 9.5 | 10.25 | 11.5 | 12.5 | 15.5 |
| line: | M.1220 | M.1235 | M.1265 | M.1291 | M.1315 | M.1444 |
       large composition:
| size: | 14pt (14D) | 18pt (18D) | 24pt (24D) |
| set: | 14 | 18 | 24 |
| line: | T.1533 | T.1984 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2308 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    126: Grotesque (see: 126 Grotesque Light No. 1)
    215: Grotesque Roman/italic (synonym: Grotesque No. 1)
       composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401
| size: | 5pt (5D) | 6.5pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 5.25 | 6.75 | 7.5 | 7.75 | 8.5 | 9.5 | 10.25 | 12.5 |
| line: | M.1208 | M.1265 | M.1287 | M.1292 | M.1322 | M.1371 | M.1405 | M.1495 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 20D at 22pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1630 | T.1852 | T.2076 | T.2300 | T.2780 | T.3565 | T.4164 | T.5570 | T.7040 | T.7900 |
    216: Grotesque (see: 216 Grotesque Bold)
    274: Grotesque (see: 274 Grotesque Light Condensed)
    389: Grotesque No. 2 (see: 389 Grotesque Light)
    212: Grotesque Roman (cancelled in 1964)
       composition matrices: UA.62 = 6.5pt
| size: | 6.5pt at 7pE (6D) |
| set: | 7 |
| line: | M.1393 |
    _73: Grotesque Bold No. 3 Roman
       composition matrices: UA.3 = 6-13pt
| size: | 6pt (6D) | 6.5pt at 7pE (6D) | 7.5pt at 8pE (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 7.25 | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1211 | M.1225 | M.1240 | M.1260 | M.1290 | M.1320 | M.1360 | M.1390 |
    _97: Grotesque Bold Roman (in red: withdrawn around 197(?) )
       composition matrices: UA.2 = 7.7pt
| size: | 7.5pt (7D) |
| set: | 9.5 |
| line: | M.1262 |
    216: Grotesque Bold No. 2 Roman/italic combines with Series No. 215 Grotesque
       composition matrices: 6.5pt-13pt = UA.66
| size: | 5pt (5D) | 6.5pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 5.25 | 6.75 | 7.5 | 7.75 | 8.5 | 9.5 | 10.25 | 12.5 |
| line: | M.1208 | M.1265 | M.1287 | M.1292 | M.1322 | M.1371 | M.1405 | M.1495 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 20D at 22pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1630 | T.1852 | T.2076 | T.2300 | T.2780 | T.3565 | T.4164 | T.5570 | T.7040 | T.7900 |
    680: Grotesque Bold Roman (see: Bell Gothic 619)
       composition matrices UA.502 6pt
| size: | 6pt (6D) |
| set: | 7 |
| line: | M.1245 |
    _11: Grotesque Bold Condensed (cancelled in 1967)
       composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque)
| size: | 6pt (6D) | 9pt (8D) |
| set: | 6.5 | 8 |
| line: | M.1225 | M.1260 |
    _15: Grotesque Bold Condensed No. 2 Roman/italic (synonym: series 15 Sans Serif)
       composition matrices Roman: UA.2 = 6pt - 12pt
       6pt (6D) with short descenders: 6.5 set line .1225
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.5 | 7.75 | 8 | 8.75 | 10 | 10.75 | 12 |
| line: | M.1225 | M.1255 | M.1285 | M.1310 | M.1355 | M.1380 | M.1430 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
    365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic) (cancelled in 1967)
       composition matrices UA.333 = 10pt - 12pt
| size: | 10pt (10D) | 12pt (12D) |
| set: | 8.75 | 10.25 |
| line: | M.1410 | M.1490 |
    _81: Grotesque Bold Condensed Roman
       composition matrices: UA.2 = 10pt
| size: | 10pt (9D) |
| set: | 9.5 |
| line: | M.1301 |
    166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling)
       composition matrices: UA.403 = 12pt, UA.121 = 14pt
| size: | 12pt (12D) |
| set: | 12 |
| line: | M.1590 |
       large composition:
| size: | 14pt (14D) |
| set: | 14 |
| line: | T.1691 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1671 | T.2085 | T.2778 | T.3470 | T.4299 | T.4991 | T.5821 | T.7204 | T.8623 |
    166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4)
    527: Grotesque Bold Condensed Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    150: Grotesque Bold Extended No. 1 Roman/italic
       composition matrices: 6pt-12pt, 7pt and 9pt only italic
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| UA. rom: | 22 | . | 40 | . | 40 | 40 | 40 |
| UA. curs. | 309 | 310 | 310 | 310 | 310 | 310 | 130 |
| set: | 6.5 | 8.75 | 10 | 11 | 12 | 13 | 14 |
| line: | M.1200 | M.1245 | M.1280 | M.1306 | M.1365 | M.1395 | M.1470 |
       large composition:
| size: | 18pt (18D) | 24pt (24D) |
| set: | 19.5 | 26 |
| line: | T.1948 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2308 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    168: Grotesque Bold Extended (cancelled in 1967)
    524: Grotesque Bold Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    _33: Grotesque Condensed No. 2 Roman
       composition matrices: UA.2 = 6pt-13.5pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) | 13.5pt (14D) |
| set: | 6.75 | 7 | 8 | 8.5 | 9.25 | 9.75 | 11.25 | 11.25 | 12.5 |
| line: | M.1255 | M.1255 | M.1285 | M.1315 | M.1365 | M.1395 | M.1455 | M.1440 | M.1517 |
       large composition, UA.395 = 22pt :
| size: | 22pt (20D) |
| set: | 14 |
| line: | T.2350 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2308 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    318: Grotesque Condensed Roman
       composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt
| size: | 5D at 6pE | 6pt (6D) | 6D at 7pE | 7D at 8pE | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 5 | 5.25 | 5.5 | 6.5 | 6.75 | 7.5 | 8.25 | 9.25 | 10.25 | 11 |
| line: | M.1220 | M.1248 | M.1264 | M.1307 | M.1328 | M.1373 | M.1410 | M.1459 | M.1505 | M.1551 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt |
| line: | T.1544 | T.1948 | T.2640 | T.3332 | T.4022 | T.5406 |
    383: Grotesque Condensed No. 4 Roman
       composition matrices: UA.341 = 5D-12D
| size: | 6D at 7pE | 8D at 9pE | 10D at 11pE | 12D at 13pE |
| set: | 5 | 6 | 7 | 8 |
| line: | M.1280 | M.1358 | M.1410 | M.1500 |
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 42pt at 48pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1626 | T.2074 | T.2776 | T.3565 | T.4164 | T.4879 | T.5620 | T.7030 | T.7890 |
    __4: Grotesque Condensed (see: Gothic Series No. 4)
    383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed)
    523: Grotesque Condensed Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    215: Grotesque Half Fat (see: 215 Grotesque No. 1)
    126: Grotesque Light No. 1 Roman/italic
       composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt
| size: | 5pt (5D) | 5.5pt (5D) | 6.5pt (6D) | 7.5pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 5.25 | 5.75 | 6.75 | 7.5 | 7.75 | 8.5 | 9.5 | 10.25 | 12.5 |
| line: | M.1208 | M.1231 | M.1265 | M.1287 | M.1292 | M.1322 | M.1371 | M.1405 | M.1495 |
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 48D at 60pE |
| line: | T.1630 | T.2076 | T.2780 | T.3565 | T.4164 | T.5570 |
    389: Grotesque Light (synonym: 389 Grotesque No. 2) (cancelled in 1967)
       composition matrices: UA.2 = 8pt-12pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 9.5 | 10.25 | 11.25 | 12.5 | 15.5 |
| line: | M.1235 | M.1265 | M.1291 | M.1315 | M.1444 |
    274: Grotesque Light Condensed No. 2 Roman
       composition matrices: UA.427 =5D, UA.94 = 6D-13pt
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 5 | 5.5 | 6.5 | 6.75 | 7.5 | 8.25 | 9.25 | 10.25 | 11 |
| line: | M.1220 | M.1264 | M.1307 | M.1328 | M.1373 | M.1410 | M.1459 | M.1505 | M.1551 |
    204: Grotesque Light Condensed (synonym: 204 Light face Gothic) (cancelled in 1967)
       composition matrices: UA.58 = 12pt
| size: | 12pt (12D) |
| set: | 10.25 |
| line: | M.1360 |
       display matrices:
| size: | 14pt | 18pt |
| line: | T.1395 | T.1810 |
    405: Grotesque Light Condensed (cancelled in 1967)
    405: Grotesque Narrow (see: 405 Grotesque Light Condensed)
    177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads)
    216: Grotesque 3⁄4 Fat (see: 216 Grotesque Bold No. 1)
    502: Grotesque Timetable (cancelled in 1967)
    524: Grotesque Titling (see: 524 Grotesque Bold Titling)
* Gwendolin
    208: Gwendolin (cancelled in 1967)
* Gustavus
    484: Gustavus Bold (cancelled in 1965)
    497: Gustavus Light (cancelled in 1965)

#### H

* Haarlemmer
    531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen
       composition matrices: UA.408 = 14D
| size: | 14D |
| set: | 12.75 |
| line: | M.1500 |
* Half Fat Modern Mediaeval
    _52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette) (withdrawn in 196(?) )
       composition matrices: UA.5
| size: | 6D op 7pE | 7D op 8pE | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12D op 13pE |
| set: | 7.75 | 9 | 9.25 | 9.75 | 10.5 | 12.7 |
| line: | M.1264 | M.1307 | M.1338 | M.1399 | M.1425 | M.1517 |
* Headline bold
    595: Headline Bold Roman/italic
       composition matrices: UA.443 = 6-14pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 8 | 8.75 | 9.75 | 10.75 | 11.75 | 12.75 | 14.75 |
| line: | M.1245 | M.1287 | M.1320 | M.1358 | M.1397 | M.1431 | M.1474 | M.1624 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
* Heavy
    223: Heavy Antique (see: Devonshire Bold)
    282: Heavy Egyptian (see: 282 Egyptian Bold Condensed) (synonym Egyptian Heavy)
    365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed) (cancelled in 1967)
    435: Heavy Shadow French (cancelled in ??)
    337: Heavy Small Caps (cancelled in 1974)
* Helvetica
    765: Helvetica Roman/italic
       combines with 766 Helvetica Medium, equivalent with Stempel's Helvetica halbfett, and Linotype Helvetica Bold
       composition matrices: UA.508 = 6D-12D
| size: | 6D op 7pE | 7D op 8pE | 8D op 9pE | 9D op 10pE | 10D op 11pE | 12D op 13pE |
| set: | 7 | 7.75 | 8.75 | 9.75 | 10.75 | 12.75 |
| line: | M.1230 | M.1255 | M.1290 | M.1328 | M.1360 | M.1430 |
    766: Helvetica Medium Roman/italic
       composition matrices: UA.508 = 6D-12D
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 7 | 7.75 | 8.75 | 9.75 | 10.75 | 12.75 |
| line: | M.1230 | M.1255 | M.1290 | M.1328 | M.1360 | M.1430 |
* Horley Old Style
    261: Horley Old Face Heavy (see: 261 Horley Old Style Bold)
    188: Horley Old Style (replaced by 199, cancelled in 1965)
    199: Horley Old Style Roman/italic
       composition matrices: UA.56 = 6-13pt, UA.362 = 14pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| set: | 6.75 | 8.25 | 9.25 | 10 | 10.75 | 11.75 | 12.75 | 13 |
| line: | M.1250 | M.1296 | M.1328 | M.1362 | M.1392 | M.1435 | M.1473 | M.1520 |
       large composition: Roman = UA.367
| size: | 18pt | 24pt |
| set: | 16.6 | 22 |
| line: | T.1828 | T.2390 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1422 | T.1828 | T.2390 | T.2944 | T.3634 |
    261: Horley Old Style Bold Roman/italic
       composition matrices: UA.80 = 6-13pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 6.75 | 8.25 | 9.25 | 10 | 10.75 | 11.75 | 12.75 |
| line: | M.1250 | M.1296 | M.1328 | M.1362 | M.1392 | M.1435 | M.1473 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 84pt | 60pt | 72pt |
| line: | T.1422 | T.1828 | T.2390 | T.2944 | T.3634 | T.4276 | T.4898 | T.6150 | T.7380 |
* 923: Hungry Dutch, roman
       composition matrices, 12pt, no italic available
       Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.

#### I

* Imprint
    101: Imprint Roman/italic
       combines with series 310 or 410
       composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13.5pt on 14pE |
| set: | 7 | 7.75 | 7.75 | 8.5 | 9.25 | 9.5 | 10.25 | 11.75 | 13.25 |
| line: | M.1237 | M.1257 | M.1257 | M.1285 | M.1312 | M.1300 | M.1325 | M.1375 | M.1440 |
       large composition:
| size: | 16pt (16D) | 18pt (18D) | 24pt (24D) |
| UA.Roman | 106 | 106 | 107 |
| UA.italic | missing | 128 | 129 |
| set: | 16 | 18 | 24 |
| line: | T.1609 | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1609 | T.1810 | T.1998 | T.2364 | T.2918 | T.3608 |
    310: Imprint Bold Roman/italic
       combines with series 101
       composition matrices: UA.98 = 6pt-13.5pt
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13.5pt at 14pE |
| set: | 7 | 7.75 | 7.75 | 8.5 | 9.25 | 9.5 | 10.25 | 11.75 | 13.25 |
| line: | M.1237 | M.1257 | M.1257 | M.1285 | M.1312 | M.1300 | M.1325 | M.1375 | M.1440 |
    410: Imprint Bold No. 2 Roman/italic
       combines with series 101
       composition matrices: 6-13.5pt
| size: | 6pt (6D) | 7pt short desc. op 6.5pE (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 11pt large face (11D) | 12pt 12D) | 13.5pt on 14pE (14D) |
| UA.Roman | 348 | 348 | 348 | 348 | 348 | 348 | 348 | 348 | 348 |
| UA.italic | 76 | 76 | 76 | 76 | 76 | 76 | 76 | geen italic | 76 | 76 |
| set: | 7 | 7.75 | 7.75 | 8.5 | 9.25 | 9.5 | 10.25 | 11 | 11.75 | 13.25 |
| line: | M.1237 | M.1257 | M.1257 | M.1285 | M.1312 | M.1300 | M.1325 | M.1346 | M.1375 | M.1440 |
    310: Imprint Heavy No. 1 (see: 310 Imprint Bold)
    410: Imprint Heavy No. 2 (see: 410 Imprint Bold)
    101: Imprint Old Face (see: 101 Imprint)
    190: Imprint Shadow Roman/italic
       display matrices
| size: | 60pt | 72pt |
| line: | T.6237 | M.7516 |
* Indicateur
    462: Indicateur (cancelled in 1967)
* Inflex Bold
    366: Inflex Bold Roman
       composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic
| size: | 5pt (5D) | 5.5pt (6D) | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) |
| set: | 5.5 | 6 | 6.75 | 7.5 | 8.5 | 9.25 |
| line: | M.1220 | M.1242 | M.1270 | M.1290 | M.1327 | M.1355 |
* Inflex Timetable
    503: Inflex Timetable (see: Bold Face)
* Ionic
    __6: Ionic (see: 6 Modern no.4) (cancelled in 1967)
    265: Ionic No. 1 Roman/italic (cancelled in 1967)
       composition matrices: UA.321 = 6pt-6.5pt
| size: | 6pt (6D) | 6.5pt (6D) |
| set: | 7 | 7.75 |
| line: | M.1237 | M.1248 |
    342: Ionic No. 2 Roman/italic (see also: 562 Ionic 2-line
       composition matrices: UA.317 = 5pt-9pt
| size: | 5pt (5D) | 5.5pt (6D) | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) |
| set: | 5.5 | 6 | 6.75 | 7.5 | 8.5 | 9.25 |
| line: | M.1220 | M.1242 | M.1270 | M.1290 | M.1327 | M.1355 |
    184: Ionic No. 3 Roman (synonym : 184 Egyptian) (cancelled in 1967)
       composition matrices: UA.51 = 6pt
| size: | 6pt (6D) |
| set: | 6.75 |
| line: | M.1255 |
    153: Ionic No. 4 Roman (cancelled in 1967)
       composition matrices: UA.1 = 8pt
| size: | 8pt (8D) |
| set: | 10.75 |
| line: | M.1285 |
    416: Ionic No. 5 Roman/italic (cancelled in 1967)
       composition matrices: UA.1 = 7D-8D
| size: | 7D op 8pE | 8D op 9pE |
| set: | 9.25 | 9.75 |
| line: | M.1266 | M.1329 |
    451: Ionic No. 6 Roman/italic (cancelled in 1967)
       composition matrices: UA.380 = 6pt-7pt
| size: | 6pt (6D) | 7pt (7D) |
| set: | 6.75 | 7.5 |
| line: | M.1270 | M.1290 |
    476: Ionic (destroyed in a bombardment)
    562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic)
       composition matrices: UA.317(?) = 5pt,
       In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run.
| size: | 5pt (5D) |
| set: | 8.25 |
| line: | M.1610 |
* Iroquois Condensed
    _23: Iroquois Condensed Roman (cancelled in 1964)
       UA.2, 8pt, 10pt, 12 pt
| size: | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 8.5 | 9.75 | 12 |
| line: | M.1305 | M.1390 | M.1480 |
* Italian Old Style
    108: Italian Old Style Roman/italic
       composition matrices: UA.4 = 6pt-13pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) |
| set: | 6.75 | 7.5 | 8.25 | 9 | 9.75 | 10.5 | 12 | 13 |
| line: | M.1237 | M.1268 | M.1286 | M.1313 | M.1338 | M.1364 | M.1420 | M.1448 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
    149: Italian Old Style Bold Roman
       composition matrices: UA.5 = 6pt-13pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) | 12pt (11D) | 13pt (12D) |
| set: | 6.75 | 7.5 | 8 | 8.75 | 9.75 | 10.5 | 12 | 13 |
| line: | M.1237 | M.1268 | M.1286 | M.1313 | M.1338 | M.1364 | M.1420 | M.1448 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1737 | T.1948 | T.2152 | T.2640 | T.3194 | T.3884 |
    149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface))
* Italic Display
    _54: Italic Display (see: 54 Modern Bold Italic)

#### J

* Jacno
    579: Jacno (experimental)
* Janson
    646: Janson (cancelled in 1972)
    Am. 401 Janson Roman
    Am. 4011 Janson italic
* Jenson
    Am. 58 Jenson Old Style
    Am. 258 Jenson Condensed
* Joanna
    478: Joanna Roman/italic
       composition matrices: UA.449 = 8pt-14pt
| size: | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 8.5 | 9.5 | 10 | 11 | 12 | 14 |
| line: | M.1230 | M.1260 | M.1283 | M.1310 | M.1340 | M.1460 |
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt |
| line: | T.1755 | T.2364 | T.2918 | T.3504 |
* Jocunda
    369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967)
       display matrices:
| size: | 36pt |
| line: | T.3606 |

#### K

* Kaatskill
    311: Kaatskill (cancelled in 1967)
* Kennerley
    Am:
* Kino
    305: Kino Roman
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt |
| line: | T.1927 | T.2572 | T.3154 | T.3854 |
* Klang
    593: Klang italic
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |

#### L

* Lamp
    490: Lamp (cancelled)
* Latin Antique
    __9: Latin Antique Roman
       composition matrices: UA-2 (6-13pt) (synonym: Latin Antique)
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 6.5 | 7.25 | 8 | 9 | 9.5 | 10.5 | 12 | 12.5 |
| line: | M.1230 | M.1258 | M.1270 | M.1300 | M.1310 | M.1370 | M.1380 | M.1388 |
    _60: Latin Antique Roman (synonym: 60 Latin Antique No. 2
       composition matrices: UA.2 = 8-12pt
| size: | 8pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 8 | 9 | 9.75 | 11.25 |
| line: | M.1223 | M.1301 | M.1323 | M.1369 |
    _78: Latin Antique Roman
       composition matrices: UA.2 = 6-13pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 7.75 | 8.25 | 9.25 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1245 | M.1240 | M.1270 | M.1280 | M.1301 | M.1323 | M.1369 | M.1388 |
    _84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4)
       composition matrices: UA.2 = 6-12pt
| size: | 6pt (6D) | 9pt (8D) | 11pt (10D) | 12pt (12D) |
| set: | 7 | 8.5 | 10.25 | 11.75 |
| line: | M.1235 | M.1262 | M.1323 | M.1369 |
    419: Latin Condensed Roman
       display matrices:
| size: | 24D op 30pE | 28D op 30pE | 36D op 36pE | 48D op 60pE | 60D op 72pE | 72pt |
| line: | T.2686 | T.3182 | T.4044 | T.5410 | T.6800 | T.7630 |
    164: Latin Wide (cancelled in 1967)
       composition matrices: UA.19 = 8pt
| size: | 8pt (8D) |
| set: | 7.5 |
| line: | M.1250 |
* Laudian Old Style
    450: Laudian Old Style Roman/italic
       composition matrices: UA.1 = 5.5pt-7.75pt
| size: | 5.5pt (5.5D) | 7.75pt (8D) |
| set: | 6.75 | 8.5 |
| line: | M.1270 | M.1282 |
    454: Laudian Old Style (destroyed by bombs)
* Lectern Missal
    538: Lectern Missal Roman (see: Missal 393)
* Leysbourne
    348: Leysbourne (cancelled in 1965)
       12 pt 10.5 set line.1325 UA.359
* Light
    505: Light Extra Condensed (see: 505 Placard light Extra Condensed)
    204: Light Face Gothic (see: 204 Grotesque Light Condensed)
    113: Light Face Plantin (see: 113 Plantin Light)
    522: Light Placard Titling (see: 522 Placard Condensed Titling)
    475: Light Script (see: 475 Script Light)
* Littleworth
    284: Littleworth (cancelled in 1967)
       UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557
* Lombardic Capitals
    293: Lombardic Capitals (see: 292 Goudy Text 292)
* L.P.T.B. Titling
    517: L.P.T.B. Titling (cancelled in 1965)
* Lutetia, this early design of Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.
    255: Lutetia Roman/italic
       composition matrices Unit arrangements different for each size
| size: | 8D | 10D | 12D | 14D | 16D | 20D |
| UA Roman: | 334 | 306 | 307 | 308 | 170 | 172 |
| UA italic: | 334 | 306 | 308 | 308 | 171 | 172 |
| set: | 7.5 | 8 | 10.75 | 11.75 | 13.5 | 16.5 |
| line: | M.1215 | M.1276 | M.1305 | M.1488 | M.1488 | M.1980 |
       display matrices:
| size: | 28D | 36D | 48D |
| line: | T.2754 | T.3554 | T.4790 |

#### M

* Mardersteig
    347: Mardersteig
       Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost.
* Matura
    496: Matura script
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1841 | T.2458 | T.3014 | T.3674 | T.4316 | T.4958 |
* Matura scriptorial Capitals
    528: Matura scriptorial Capitals (combines with 496 Matura)
       display matrices:
| size: | 24pt |
| line: | T.3170 |
* Mediaeval
    125: Mediaeval Roman (cancelled in 1965)
    134: Mediaeval Roman (cancelled in 1965)
    136: Mediaeval Roman (cancelled in 1965)
    _88: Mediaeval Modern (see: 88 Modern Mediaeval)
    _52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)
    _67: Mediaeval Old Style (see: 67 Old Style)
* Menhart
    397: Menhart Roman/italic
       composition matrices: UA.378 = 10D-14
| size: | 10D at 11pE | 14D at 16pE |
| set: | 9.5 | 13.5 |
| line: | M.1314 | M.1596 |
       display matrices:
| size: | 18D at 20pE | 24D at 30pE |
| line: | T.1841 | T.2536 |
* Mercurius Bold Script
    583: Mercurius Bold Script
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1556 | T.1985 | T.2656 | T.3405 | T.3974 | T.5360 | T.6720 | T.7540 |
* Missal
    336: Missal
    393: Missal Roman
    448: Missal No. 3
    459: Missal No. 4
* Modern
    __1: Modern No. 1 Roman/italic
       1901, after a design of Miller & Richards
       composition matrices: UA-1 (6-12pt), UA-1a(14pt),
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 14pt (small face)(14D) |
| set: | 6.75 | 7 | 8 | 8.5 | 9.25 | 9.75 | 11.25 | 13.5 |
| line: | M.1210 | M.1208 | M.1237 | M.1260 | M.1290 | M.1310 | M.1360 | M.1405 |
    _80: Modern No. 2 (cancelled in 1967)
       190?, composition matrices: UA-1,
| size: | 9D (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 8.75 | 9.25 | 10 | 11.25 |
| line: | M.1257 | M.1290 | M.1310 | M.1369 |
    189: Modern No. 3 Roman/italic
       190?, composition matrices: UA-1,
| size: | 6D | 7D at 8pt | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) |
| set: | 7 | 8 | 8.5 | 9.25 | 9.75 | 11.25 |
| line: | M.1208 | M.1237 | M.1260 | M.1290 | M.1310 | M.1360 |
    __6: Modern No. 4 (cancelled in 1967) (synonym: Ionic)
       190?, composition matrices: UA-1,
| size: | 8pt (8D) | 10pt (9D) |
| set: | 8 | 9.25 |
| line: | M.1240 | M.1290 |
    _95: Modern No. 5 Roman/italic (cancelled in 1967)
       composition matrices: UA-1 = 11pt
| size: | 11pt (10D) |
| set: | 10.25 |
| line: | M.1332 |
    250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5)
       composition matrices: UA.92 = 6.5pt UA=418 = 7D
| size: | 6.5pt (6D) | 7D op 8pE |
| set: | 6.5 | 7.5 |
| line: | M.1230 | M.1267 |
    422: Modern No. 7 Roman/italic (cancelled in 1965)
       composition matrices: UA.376 = 12 pt
| size: | 12pt (12D) |
| set: | 13 |
| line: | M.1380 |
    471: Modern No. 8 Roman (cancelled in 1967)
       composition matrices: UA.1 8D-10D
| size: | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9 | 9.5 | 10.5 |
| line: | M.1310 | M.1365 | M.1380 |
    183: Modern Roman (synonym: 183 Modern no. 6) (cancelled in 1967)
       display matrices,
| size: | 18pt |
| line: | T.1948 |
    211: Modern Roman (see: 211 Century no.1)
    257: Modern (synonym: 257 Modern Wide)
       composition matrices: UA.1
| size: | 10pt (9D) | 11pt (10D) |
| set: | 10.5 | 11.25 |
| line: | M.1294 | M.1310 |
    444: Modern (cancelled in 1936)
    570: Modern Bold Roman, combines with: Modern Series No. 7
       composition matrices: UA.2,
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| set: | 7 | 7.75 | 8.5 | 9.25 | 9.75 | 10.5 | 12 |
| line: | M.1235 | M.1210 | M.1235 | M.1260 | M.1200 | M.1310 | M.1360 |
    _54: Modern Bold Italic italic (synonym: 54 Italic-Display)
       composition matrices: UA.3 = 6-12pt
| size: | 6pt (6D) | 6.5pt (6D) | 7D | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.5 | 8.75 | 9.5 | 10 | 10.75 | 12.5 |
| line: | M.1202 | M.1216 | M.1238 | M.1235 | M.1257 | M.1391 | M.1315 | M.1363 |
       display matrices:
| size: | 14pt (14D) | 18pt (18D) |
| line: | T.1395 | T.1810 |
    263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17)
    _13: Modern Condensed No. 1 Roman/italic
       composition matrices UA.1 = 6pt
| size: | 6pt (6D) |
| set: | 6.5 |
| line: | M.1185 |
    _14: Modern Condensed No. 2 Roman/italic
       composition matrices: UA.1 = 7 pt
| size: | 7pt (7D) |
| set: | 7.25 |
| line: | M.1220 |
    _39: Modern Condensed No. 3 Roman/italic
       composition matrices: UA.1,
| size: | 6.5pt (6D) | 7.5pt (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 6.5 | 7.5 | 8 | 8.75 | 9.5 | 11.25 |
| line: | M.1225 | M.1250 | M.1260 | M.1290 | M.1320 | M.1390 |
    _79: Modern Condensed No. 4 Roman/italic (cancelled in 1965)
       composition matrices: UA.1 = 11pt
| size: | 11pt (10D) |
| set: | 8.75 |
| line: | M.1375 |
    250: Modern Condensed No. 5 Roman
       composition matrices: UA.92 = 6.5pt, UA.418 = 7D
| size: | 6.5pt (6D) | 7D op 8pE |
| set: | 6.5 | 7.5 |
| line: | M.1230 | M.1267 |
    __7: Modern Extended No. 1 Roman/italic,
       1902, some bit wider version of Modern no.1
       composition matrices: UA.1 = 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 7 | 7.75 | 8.5 | 9.25 | 9.75 | 10.5 | 12 |
| line: | M.1235 | M.1210 | M.1235 | M.1260 | M.1290 | M.1310 | M.1360 |
    _77: Modern Extended No. 2 Roman/italic (cancelled in 1967)
       composition matrices, UA1 = 9pt-11pt
| size: | 9pt (8D) | 11pt (10D) |
| set: | 9.5 | 10.5 |
| line: | M.1290 | M.1375 |
    447: Modern Extended No. 3 (cancelled in 1965)
       composition matrices, UA1 = 8D-9D
| size: | 8D op 9pE | 9D op 10pE |
| set: | 8.75 | 9.5 |
| line: | M.1341 | M.1375 |
    237: Modern French
    247: Modern French (cancelled in 1965)
    _88: Modern Mediaeval (cancelled in 1964)
    _52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)
    500: Modern Timetable (cancelled in 1967)
    179: Modern Titling Roman/italic (synonyms: 179 Titling 179, Titling Italic)
       composition matrices: UA.1 = UA.8-12pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D |
| set: | 8.75 | 10.5 | 14.75 | 19.5 |
| line: | M.1341 | M.1455 | M.1642 | M.1755 |
    _16: Modern Wide No. 1 Roman/italic
       composition matrices: UA.1 = 5pt
| size: | 5pt (5D) |
| set: | 6.5 |
| line: | M.1240 |
    _18: Modern Wide No. 2 Roman/italic (synonym: Modern Wide)
       composition matrices: UA.1 = 6pt
| size: | 6pt (6D) |
| set: | 7.75 |
| line: | M.1245 |
    _25: Modern Wide No. 3 Roman/italic (synonym: Modern Wide, also referred to as: Romano)
       composition matrices UA.2 = 6pt - 12pt
| size: | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 9.25 | 10.25 | 11 | 12.5 |
| line: | M.1260 | M.1300 | M.1318 | M.1360 |
    _26: Modern Wide No. 4 Roman/italic (synonym: Modern Wide)
       composition matrices: UA.1 = 4.5pt-5pt
| size: | 4.5pt op 5pE (5D) | 5pt (5D) |
| set: | 5.5 | 5.5 |
| line: | M.1173 | M.1173 |
    _30: Modern Wide No. 5 Roman/italic (synonym: Modern Wide)
       composition matrices: UA.1 = 7pt-8pt
| size: | 7pt (7D) | 8pt (8D) |
| set: | 8.25 | 9.25 |
| line: | M.1240 | M.1270 |
    _75: Modern Wide No. 6 (synonym: 75 Modern Wide) (cancelled in 1967)
       composition matrices: UA.1 = 7Dt
| size: | 7D op 8pE |
| set: | 9.5 |
| line: | M.1262 |
    257: Modern Wide No. 7 (cancelled in 1967)
       composition matrices: UA.1 = 10pt-11pt
| size: | 10pt (9D) | 11pt (10D) |
| set: | 10.5 | 11.25 |
| line: | M.1294 | M.1320 |
* Modernistic
    a297: Modernistic (Sorts) (cancelled vóór 1966)
* Morrison Face
    537: Morrison Face (cancelled in 1964)
* Monoline Script
    351: Monoline Script
* Musical signs
    210: Musical signs
    382: Musical signs

#### N

* Narrow
    294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic)
    166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling)
    527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling)
    405: Narrow Grotesque (see: 405 Grotesque Light Condensed)
* Nastaliq
    402: Nastaliq (cancelled)
* Neo Didot
    _27: Neo Didot Roman/italic
       composition matrices: UA.1 = 6.5-13pt
| size: | 6.5pt (6D) | 7.5pt (7D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 7.75 | 8 | 9 | 9.75 | 10.5 | 11.5 | 12.5 |
| line: | M.1235 | M.1238 | M.1270 | M.1300 | M.1320 | M.1360 | M.1390 |
    _65: Neo Didot Roman/italic
       composition matrices: UA.1 = 6.5-13pt
| size: | 6.5pt (6D) | 7.5pt (7D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 7.75 | 8.5 | 9.75 | 10 | 11 | 12.25 | 13 |
| line: | M.1225 | M.1240 | M.1260 | M.1290 | M.1320 | M.1360 | M.1390 |
* New Clarendon
    617: New Clarendon Roman/italic combines with: 618 New Clarendon Bold
       composition matrices: UA.481 = 6-14pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 8 | 9.75 | 11.75 | 14 | 16.5 |
| line: | M.1220 | M.1285 | M.1318 | M.1380 | M.1495 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1610 | T.1805 | T.2433 | T.2987 | T.3608 | T.4231 | T.4853 | T.6098 | T.7308 |
    618: New Clarendon Bold Roman/italic
       composition matrices: UA.481 = 6-14pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 8 | 9.75 | 11.75 | 14 | 16.5 |
| line: | M.1220 | M.1285 | M.1318 | M.1380 | M.1495 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1395 | T.1610 | T.1805 | T.2433 | T.2987 | T.3608 | T.4231 | T.4853 | T.6098 | T.7308 |
* New Emerald Bible
    610: New Emerald Bible
* New Face
    606: New Face (cancelled in 1964)
    607: New Face Bold (cancelled in 1964)
    615: New Grotesque (cancelled in 1974) (apart from "A")
    616: New Grotesque Bold (cancelled in 1974) (apart from "A")
    666: New Grotesque Light (cancelled in 1967) (apart from "A")
* News Advertisements
    229: News Advertisements (see: Newspaper Small Ads)
* Newspaper Small Ads
    177: Newspaper Small Ads (cancelled in 1965)
    229: Newspaper Small Ads (cancelled in 1965)
* Newspaper Smalls
    115: Newspaper Smalls Roman (cancelled vóór 1966)
       Available matrices: capitals, small capitals and lower case plus double large capitals and numbers.
       These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters.
       composition matrices: UA.30 = 5.5-7pt
| size: | 5.5pt (6D) | 6pt (6D) | 7pt (7D) |
| set: | 10 | 10.25 | 12.5 |
    163: Newspaper Smalls (cancelled in 1967)
    193: Newspaper Smalls (cancelled in 1965)
    333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)
    335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)

#### O

* Octavian
    603 : Octavian Roman/italic
       Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club".
       composition matrices: UA.485 = 14pt
| size: | 14pt (14D) |
| set: | 11.75 |
| line: | M.1500 |
* Old English text
    456: Old English text frakture typeface
       composition matrices: UA.318 = 8-12pt
| size: | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 8.75 | 10.25 | 12.25 |
| line: | M.1321 | M.1394 | M.1470 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.155 | T.1991 | T.2660 | T.3264 | T.3984 | T.4686 | T.5368 | T.6750 | T.8090 |
    356: Old English Text frakture typeface (cancelled in 1967)
       composition matrices: UA.318 = 8-12pt
| size: | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 8.75 | 10.25 | 12.25 |
| line: | M.1321 | M.1394 | M.1470 |
    456: Old English Text Light (see: 456 Old English Text)
* Old Face
    _43: Old Face (see: _43 Scotch Roman No. 3)
    _46: Old Face (see: _46 Scotch Roman No. 1)
    137: Old Face (see: 137 Scotch Roman No. 2)
    154: Old Face (see: 154 Chiswell Old Face)
    240: Old Face (cancelled in 1964)
       composition matrices: UA.385 = 9pt
| size: | 9pt (9D) |
| set: | 9 |
| line: | M.1354 |
    159: Old Face Heavy (see: 159 Old Style Bold No. 2)
    _20: Old Face (Special) (cancelled in 1967)
       UA.6, 6.5pt - 12 pt
| size: | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt |
| set: | 6.5 | 6.5 | 7.25 | 8 | 8.75 | 9.75 | 11.25 |
| line: | M.1196 | M.1196 | M.1220 | M.1240 | M.1260 | M.1290 | M.1350 |
    _45: Old Face Standard (cancelled in 1967)
* Old Style
    __2: Old Style No. 2 Roman/italic
       UA.1: 6 tot 12 punt, UA.1a: 14pt
| size: | 6pt | 7pt | 8pt | 9pt | 10pt | 11pt | 12pt | 14pt |
| set: | 6.5 | 7.75 | 8.5 | 9.25 | 9.75 | 10.5 | 12 | 13.25 |
| line: | M.1200 | M.1230 | M.1230 | M.1250 | M.1295 | M.1315 | M.1360 | M.1405 |
    151: Old Style No. 4 Roman/italic
       composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (11D) | 13.5pt op 14pE (13D) |
| set: | 6.5 | 7.5 | 8 | 8.75 | 9.5 | 10.5 | 11.75 | 13.5 |
| line: | M.1220 | M.1250 | M.1250 | M.1266 | M.1294 | M.1331 | M.1360 | M.1405 |
       large composition: Roman = UA.133 italic = UA.358
          18pt (18D) Roman/italic, 24Pt (24D) Roman
| size: | 18pt (18D) | 24pt (24D) |
| set: | 18 | 24 |
| line: | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1374 | T.1810 | T.2364 | T.2918 | T.3608 |
    _67: Old Style Roman/italic (cancelled in 1967)
       UA.1 = 9-12pt
| size: | 9pt | 10pt | 11pt | 12pt |
| set: | 8 | 9.5 | 10.25 | 12 |
| line: | M.1260 | M.1290 | M.1320 | M.1360 |
    104: Old Style Roman/italic(cancelled in 1964)
       UA.1 = 11pt
| size: | 11pt |
| set: | 11.25 |
| line: | M.1355 |
    __3: Old Style Antique (see: __3 Antique Old Style)
    124: Old Style Antique (see: 124 Antique Old Style)
    161: Old Style Antique (see: 161 Antique Old Style)
    232: Old Style Antique Italic (cancelled in 1965)
    _53: Old Style Bold No. 1 Roman/italic
       composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76
       Large composition matrices only available in roman.
| corps: | 5.5pt (6D) | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 14pt | 18pt | 24pt |
| set: | 6.75 | 6.75 | 7.75 | 7.75 | 8.5 | 9.25 | 9.5 | 10.5 | 12 | 15.5 | 19.5 | 26 |
| line: | .1202 | .1202 | .1250 | .1250 | .1235 | .1257 | .1291 | .1315 | .1364 | .1533 | .1948 | .2640 |
       Display-matrijzen:
| corps: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt |
| line: | .1533 | .1948 | .2308 | .2640 | .3194 | .3884 |
    159: Old Style Bold No. 2 Roman
       composition matrices: UA.32 = 8-12pt, UA.112 = 14pt
| size: | 8pt (8D) | 10pt (9D) | 12pt (12D) | 14pt (14D) |
| set: | 8.75 | 10.75 | 12.25 | 14 |
| line: | M.1280 | M.1414 | M.1450 | M.1533 |
       large composition: UA.112
| size: | 14pt (14D) | 18pt (18D) | 24pt (24D) |
| set: | 14 | 18 | 24 |
| line: | T.1533 | T.1948 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2308 | T.2604 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    544: Old Style Bold No. 5 Roman
       composition matrices: UA.2 = 6-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 6.5 | 8.5 | 9.75 | 12 |
| line: | M.1200 | M.1230 | M.1295 | M.1360 |
    253: Old Style Bold (synonym: 253 Bold Face No. 2) (cancelled in 1967)
       composition matrices: UA.3 = 8-9pt
| size: | 8pt (8D) | 9pt (8D) |
| set: | 8.5 | 9.25 |
| line: | M.1285 | M.1312 |
    245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2) (cancelled in 1967)
       composition matrices: UA.76 = 8-12pt
| size: | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 8 | 10 | 12.25 |
| line: | M.1308 | M.1385 | M.1474 |
    176: Old Style Bold Outline Roman
       composition matrices: UA.100 = 12pt
| size: | 12pt (12D) |
| set: | 12.75 |
| line: | M.1450 |
       large composition: UA.100
| size: | 18pt |
| set: | 19.5 |
| line: | T.1948 |
       display matrices:
| size: | 14pt | 18pt | 24pt |
| line: | T.1533 | T.1948 | T.2640 |
    __8: Old Style Condensed Roman/italic (cancelled in 1967)
       UA.1, = one size only: 10pt (9D) = 9 set, line.1295
| size: | 10pt (9D) |
| set: | 9 |
| line: | M.1295 |
    _50: Old Style Condensed (cancelled in 1967)
       composition matrices: UA.1 = 8-10pt
| size: | 8pt | 9pt | 10pt |
| set: | 7.5 | 8.25 | 9 |
| line: | M.1240 | M.1265 | M.1290 |
    _55: Old Style Italic Display (see: 55 Gloucester Bold Italic)
    122: Old Style (Prumyslava) Roman
* Onyx
    591: Onyx Roman
    Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    Am 404): Onyx Roman
* Opus
    652: Opus (cancelled in 1966)
* Othello
    246: Othello Roman capitals
       composition matrices: UA.85 = 10pt-12
| size: | 10pt (9D) | 12pt (11D) |
| set: | 12 | 14.5 |
| line: | M.1620 | M.1770 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1868 | T.2395 | T.3200 | T.3934 | T.4804 |
    248: Othello Shadow (cancelled in 1967)
* Outline
    176: Outline (see: 176 Old Style Bold Outline)

#### P

* Palace script
    429: Palace Script italic
       Overhanging character that can only be cast with special moulds.
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt |
| line: | T.1434 | T.1871 | T.2422 | T.3204 | T.3554 | T.4506 |
* Pastonchi
    206: Pastonchi Roman/italic
       composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.
| size: | 9pt(8D) | 10pt(9D) | 11pt | 13pt(12D) | 14D (op 16pt) |
| set: | 7.75 | 8.5 | 9.5 | 11.75 | 13.5 |
| line: | M.1226 | M.1248 | M.1276 | M.1338 | M.1430 |
       display matrices:
| size: | 14D op 16pt | 16D op 18pt | 20D op 22pt | 24D op 30pt | 30D op 36pt | 36D op 36pt |
| line: | T.1430 | T.1634 | T.2044 | T.2452 | T.3085 | T.3704 |
* Pegasus
    508: Pegasus Roman
       display matrices:
| size: | 16pt |
| line: | T.1677 |
* Pepita
    613: Petita script
       display matrices
| size: | 14D at 16pt | 18D at 20pt | 24D at 30pt | 30D at 36pt | 36D at 36pt | 42D at 38pt | 48D at 60pt | 60D at 72pt |
| line: | T.1283 | T.1642 | T.2194 | T.2825 | T.3274 | T.3829 | T.4410 | T.5520 |
* Perpetua
    239: Perpetua Roman/italic
       introduction: 1930, design: Eric Gill,
       composition matrices UA.96 = 5.5pt - 18pt
| size: | 5.5pt | 6pt | 8pt | 9pt | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| set: | 7.5 | 7.25 | 8 | 8.5 | 9 | 10 | 11 | 11.75 | 13 |
| line: | M.1205 | M.1205 | M.1221 | M.1210 | M.1212 | M.1237 | M.1260 | M.1278 | M.1380 |
       large-composition matrices: 18pt(18D) 16.5 set line T.1635
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1380 | T.1635 | T.2204 | T.2744 | T.3344 | T.3926 | T.4508 | T.5683 | T.6823 |
    316: Perpetua No. 3 (cancelled in 1967)
       registered design No. 751804,
       composition matrices: UA.96 = 9pt
| size: | 9pt (9D) |
| set: | 10.5 |
| line: | M.1305 |
    386: Perpetua No. 2 (cancelled in 1967)
       composition matrices: UA.96 = 14pt
| size: | 14pt (14D) |
| set: | 13 |
| line: | M.1440 |
    461: Perpetua Bold Roman/italic
       composition matrices UA.379 = 6pt - 14pt
| size: | 5.5pt | 6pt | 8pt | 9pt | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| set: | 7.5 | 7.25 | 8 | 8.5 | 9 | 10 | 11 | 11.75 | 13 |
| line: | M.1205 | M.1205 | M.1221 | M.1210 | M.1212 | M.1237 | M.1260 | M.1278 | M.1380 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1380 | T.1635 | T.2204 | T.2744 | T.3344 | T.3926 | T.4508 | T.5683 | T.6823 |
    200: Perpetua Bold Titling Roman
       composition matrices: UA. 145 : 12pt(12D) = 11.25 set line.1753
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1753 | T.1848 | T.2371 | T.3894 | T.4754 | T.5606 | T.6418 | T.8060 | T.9680 |
    480: Perpetua Light Titling Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1730 | T.2224 | T.2970 | T.3644 | T.4444 | T.5236 | T.5998 | T.7540 | T.9050 |
    561: Perpetua Semi-Bold (cancelled in 1963)
    258: Perpetua Titling Roman
       composition matrices: UA. 97 = 10pt - 12pt
| size: | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 10.5 | 11.5 | 12.5 |
| line: | M.1546 | M.1593 | M.1652 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1730 | T.2219 | T.2950 | T.3644 | T.4444 | T.5236 | T.5998 | T.7540 | T.9050 |
    543: Perpetua Titling (cancelled in 1967)
    480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling)
* Pierre Didot
    411: Pierre Didot (cancelled in 1965)
       composition matrices: UA.375 = 9pt
| size: | 9D at 10pE |
| set: | 10 |
| line: | M.1234 |
* Pitman i.t.a.
    453: Pitman's i.t.a. (see: Ehrhardt 453)
    573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573)
* Placard
    506: Placard Bold Condensed No. 1 Roman
       composition matrices: UA.387 = 6D-12D
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 10D at 11pE | 12D at 13pE |
| set: | 6 | 7 | 7.75 | 9.5 | 11.5 |
| line: | M.1280 | M.1330 | M.1368 | M.1450 | M.1540 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 42D at 48pE | 48D at 60pE |
| line: | T.1728 | T.1964 | T.2478 | T.2996 | T.3442 | T.4414 | T.5179 | T.5960 |
    515: Placard Bold Condensed No. 2 Roman
       display matrices:
| size: | 30pt | 36pt | 42pt | 48pt | 60pt |
| line: | T.3524 | T.4299 | T.5066 | T.5808 | T.7300 |
    568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed)
       composition matrices: UA.387 = 6D-12D
| size: | 6D op 7pE | 7D op 8pE | 8D op 9pE | 9D op 10pE | 10D op 11pE | 12D op 13pE |
| set: | 5.5 | 6 | 6.5 | 7 | 7.5 | 8.75 |
| line: | M.1327 | M.1380 | M.1436 | M.1487 | M.1543 | M.1650 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 42D at 48pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1806 | T.2052 | T.2544 | T.3076 | T.3592 | T.4614 | T.5409 | T.6330 | T.7800 | T.8760 |
    522: Placard Condensed Roman (see: 522 Placard Condensed Titling)
    522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed)
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    505: Placard light Extra Condensed Roman
       composition matrices: UA.387 = 10D
| size: | 10D op 11pE |
| set: | 6 |
| line: | M.1540 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 42D at 48pE | 48D at 60pE |
| line: | T.1860 | T.2037 | T.2674 | T.3236 | T.3722 | T.4774 | T.5589 | T.6440 |
    568: Placard Medium Condensed (see: 568 Placard Condensed)
* Plantin
    110: Plantin Roman/italic
       composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt
| pica: | 5.5pt | 6pt | 6.5pt | 7pt | 7.5pt | 7.5D | 8pt | 8pt | 9pt | 10pt | 10pt | 10pt | 10pt | 11pt | 11pt | 11pt | 12pt | 12pt | 13.5pt | 14pt |
| cast: | 5.5pt | 6pt | 6.5pt | 7pt | 7.5pt | 8pt | 8pt | 10pt | 9pt | 10pt | 10pt | 12pt | 10pt | 11pt | 11pt | 14pt | 11pt | 12pt | 14pt | 14pt |
| didot: | 6D | 6D | 6D | 7D | 7D | 7.5D | 8D | 10D | 8D | 9D | 9D | 11D | 10D | 10D | 10D | 14D | 11D | 11D | 14D | 14D |
| spec. | | | | short desc. | | short desc. | short desc. | | long asc. & desc. | short desc. | | long desc. | long asc. & desc. | short desc. | | long asc. & desc. | short desc. | | | Large Face |
| set: | 7 | 7 | 7.75 | 7.75 | 8.5 | 9.25 | 8.5 | 8.5 | 9.25 | 9.5 | 9.5 | 9.5 | 9.5 | 10.25 | 10.25 | 10.25 | 11.75 | 11.75 | 13.25 | 14 |
| line: | M.1237 | M.1237 | M.1257 | M.1257 | M.1285 | M.1312 | M.1285 | M.1285 | M.1312 | M.1332 | M.1332 | M.1332 | M.1332 | M.1360 | M.1360 | M.1360 | M.1415 | M.1415 | M.1465 | M.1620 |
       large composition matrices:
| size: | 18pt (18D) | 18pt (18D) | 24pt (24D) | 24pt (24D) |
| | UA.106 | UA.128 | UA.107 | UA.129 |
| | Roman | italic | Roman | italic |
| set: | 18 | 18 | 24 | 24 |
| line: | T.1948 | T.1948 | T.2640 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2351 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    194: Plantin Bold Roman/italic
       can be combined with: 110 Plantin and 113/773 Plantin light
       composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt
| pica: | 6pt | 6.5pt | 7pt | 7.5pt | 8pt | 9pt | 10pt | 11pt | 12pt | 13.5pt | 14pt |
| cast: | 6pt | 6.5pt | 7pt | 7.5pt | 8pt | 9pt | 10pt | 11pt | 12pt | 14pt | 14pt |
| didot: | 6D | 6D | 7D | 7D | 8D | 8D | 9D | 10D | 11D | 11D | 14D |
| spec. | | 7pt short desc. | | short desc. |
| set: | 7 | 7.75 | 7.75 | 8.5 | 8.5 | 9.25 | 9.5 | 10.25 | 11.75 | 13.25 | 14 |
| line: | M.1237 | M.1257 | M.1257 | M.1285 | M.1285 | M.1312 | M.1332 | M.1360 | M.1415 | M.1465 | M.1620 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2351 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    287: Plantin Bold (synonym: 287 Plantin Heavy No. 2) (cancelled in 1968)
       composition matrices: UA.5 = 6.5pt-7.5pt
| size: | 6.5pt op 7pE | 7.5pt op 8pE |
| set: | 7 | 8 |
| line: | M.1265 | M.1308 |
    236: Plantin Bold Condensed Roman/italic
       composition matrices: UA.72 = 6pt-14pt
| size: | 6pt (6D) | 6.5 at 7pE (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| set: | 7 | 7.5 | 8.5 | 9.25 | 9.5 | 10.25 | 11.75 | 12.5 | 14 |
| line: | M.1237 | M.1252 | M.1285 | M.1312 | M.1332 | M.1360 | M.1415 | M.1442 | M.1620 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2351 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    289: Plantin Condensed Roman/italic (cancelled in 1967)
       composition matrices: UA.4 = 7.5ptt
| size: | 7.5pt op 8pE (7D) |
| set: | 8 |
| line: | M.1318 |
    194: Plantin Heavy (see: 194 Plantin Bold)
    236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed)
    287: Plantin Heavy No. 2 (see: 287 Plantin Bold)
    113: Plantin Light Roman/italic
       composition matrices: UA.4 = 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) | 12pt op 13pE |
| didot: | 6D | 7D | 8D | 8D | 9D | 10D | 12D | 12D long desc. |
| set: | 7 | 7.75 | 8.5 | 9.25 | 10 | 10.75 | 11.75 | 11.75 |
| line: | M.1237 | M.1257 | M.1285 | .1312 | M.1342 | M.1370 | M.1426 | M.1426 |
       large composition matrices:
| size: | 18pt (18D) | 18pt (18D) | 24pt (24D) | 24pt (24D) |
| | UA.106 | UA.128 | UA.107 | UA.129 |
| | Roman | italic | Roman | italic |
| set: | 18 | 18 | 24 | 24 |
| line: | T.1948 | T.1948 | T.2640 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    773: Plantin Light Roman/italic
    113: Plantin Light Face (see: 113 Plantin Light)
       composition matrices: UA.4 = 10pt-11pt
       The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this.
| size: | 10pt (9D) | 11pt (10D) |
| set: | 9.5 | 10.25 |
| line: | M.1322 | M.1360 |
    281: Plantin Old Style No. 2 (cancelled in 1967)
       composition matrices: UA.305 = 9pt-11pt
| size: | 9pt (8D) | 11pt (10D) |
| set: | 9.5 | 11.25 |
| line: | M.1330 | M.1400 |
    663: Plantin Semi Bold Roman/italic
       composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 7 | 7.75 | 8.5 | 9.25 | 9.5 | 10.75 | 11.75 |
| line: | M.1237 | M.1257 | M.1285 | M.1312 | M.1332 | M.1360 | M.1414 |
    438: Plantin Titling Roman
       display matrices:
| size: | 72pt |
| line: | T.9640 |
* Plate Gothic
    139: Plate Gothic (see: 139 Spartan Light)
    140: Plate Gothic (see: 140 Spartan)
    141: Plate Gothic (see: 141 Spartan Bold)
    142: Plate Gothic (see: 142 Spartan Light Condensed)
    143: Plate Gothic (see: 143 Spartan Condensed)
    145: Plate Gothic (see: 145 Spartan Wide)
    144: Plate Gothic Italic (see: 144 Spartan Italic)
* Poliphilus
    170: Poliphilus Roman
       composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic
| size: | 10pt (9D) | 11pt (10D) | 12pt (12D) | 13pt (12D) |
| set: | 8.5 | 9.25 | 10.75 | 11.5 |
| line: | M.1299 | M.1326 | M.1374 | M.1399 |
       large-composition matrices: 16pt = UA.139
| size: | 16pt |
| set: | 13.5 |
| line: | T.1577 |
       display matrices:
| size: | 24pt |
| line: | T.2352 |
    230: Poliphilus Titling Roman
       display matrices in 2 sizes
| size: | 18pt | 24pt |
| line: | T.2359 | T.3192 |
* Poltawski
    394, Poltawski Roman
       composition matrices: UA.156: 6D, 8D, 10D, 12D
| size: | 6D at 7pica | 8D at 9 pica | 10D at 11pica | 12D at 13pica |
| set: | 6.5 | 8.5 | 10.75 | 13 |
| line: | M.1206 | M.1275 | M.1337 | M.1405 |
    398: Poltawski Bold Roman
       composition matrices: UA.156: 6D, 8D, 10D, 12D
| size: | 6D at 7pica | 8D at 9 pica | 10D at 11pica | 12D at 13pica |
| set: | 6.5 | 8.5 | 10.75 | 13 |
| line: | M.1206 | M.1275 | M.1337 | M.1405 |
* Prayer Bookface
    532: Prayer Book Face (OUP) (cancelled)

#### R

* Rockwell
    371: Rockwell Roman/italic
       composition matrices: UA.338 = 6-14pt:
| size: | 6pt (6D) | 7D at 8pE | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 8 | 9.5 | 10.75 | 12.5 | 15.75 |
| line: | M.1220 | M.1256 | M.1275 | M.1307 | M.1340 | M.1400 | M.1624 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2392 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    391: Rockwell Bold Roman/italic
       composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell
| size: | 6pt (6D) | 7D at 8pE | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 8 | 8.5 | 9.5 | 10.75 | 12.5 | 15.75 |
| line: | M.1220 | M.1256 | M.1275 | M.1307 | M.1340 | M.1400 | M.1624 |
       display matrices:
| size: | 14pt | 18pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2392 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    359: Rockwell Bold Condensed Roman
       composition matrices: UA.411 = 11pt
| size: | 11pt (10D) | 11pt (11D) |
| except. | short desc. |
| set: | 11.75 | 11.75 |
| line: | M.1376 | M.1376 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    414: Rockwell Condensed Roman
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    424: Rockwell Extra Bold Roman
       composition matrices: UA.162 = 6-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.75 | 8.5 | 10.75 | 12.5 |
| line: | M.1220 | M.1275 | M.1340 | M.1400 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold)
    391: Rockwell Heavy (see: 391 Rockwell Bold)
    359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed)
    390: Rockwell Light Roman/italic
       composition matrices: UA.338 = 6-14pt
| size: | 6pt (6D) | 7D op 8pE | 8pt (8D) | 9pt (9D) | 10pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 6.75 | 8 | 8.5 | 9.5 | 10.75 | 12.5 | 15.75 |
| line: | M.1220 | M.1256 | M.1275 | M.1307 | M.1340 | M.1400 | M.1624 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    582: Rockwell Light Condensed (Film Sub-titles) Roman/italic
    175: Rockwell Shadow Roman
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.2363 | T.3144 | T.3864 | T.4724 | T.5566 | T.6368 | T.8000 | T.9600 |
    175: Rockwell Shadow Titling (see: Rockwell Shadow)
* Romulus
    458: Romulus Roman/italic
       Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman.
       composition matrices: UA.405 = 8D-14D
| size: | 8Dpt op 9pE | 9D op 10pE | 10D op 11pE | 12D op 13pE | 14D op 16pE |
| set: | 7.75 | 8.5 | 9 | 10.75 | 12.75 |
| line: | M.1225 | M.1245 | M.1264 | M.1320 | M.1478 |
       large composition: UA.406
| size: | 16D op 18pE | 20D op 14pE |
| set: | 16.5 | 20.5 |
| line: | T.1602 | T.1994 |
       display matrices:
| size: | 24D at 30pE | 28D at 30pE | 36D at 36pE | 48D at 60pE | 60D at 72pE |
| line: | T.2404 | T.2812 | T.3584 | T.4810 | T.6030 |
    520: Romulus Bold Roman/italic (synonym: 520 Van Krimpen Bold)
       composition matrices: UA.405 = 8D-14D
| size: | 8Dpt at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE | 14D at 16pE |
| set: | 7.75 | 8.5 | 9 | 10.75 | 12.75 |
| line: | M.1225 | M.1245 | M.1264 | M.1320 | M.1478 |
* Ronaldson
    _10: Ronaldson Roman/italic
       composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style)
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.5 | 9.25 | 9.75 | 10.5 | 12 |
| line: | M.1200 | M.1230 | M.1230 | M.1250 | M.1295 | M.1315 | M.1360 |
    _10: Ronaldson Old Style (see: Ronaldson)
* Runic Condensed
    420 : Runic Condensed Roman

#### S

* Sabon
       This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there.
       The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype.
    669: Sabon Roman/italic
       composition matrices: UA.503 8D-12D
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 6.75 | 8.5 | 9.25 | 10.25 | 12.25 |
| line: | M.1237 | M.1308 | M.1383 | M.1383 | M.1459 |
    693: Sabon Semi-Bold Roman
       composition matrices: UA.503 8D-12D
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 6.75 | 8.5 | 9.25 | 10.25 | 12.25 |
| line: | M.1237 | M.1308 | M.1383 | M.1383 | M.1459 |
* Sachsenwald Mager
    499: Sachsenwald Mager (cancelled in 1965)
* Sans Serif
    _15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2)
    _81: Sans-Serif (see: 81 Grotesque Bold Condensed)
    267: Sans-Serif (cancelled in 1965)
    318: Sans-Serif Condensed (see: 318 Grotesque Condensed)
* Schmale Nürnburger Gotisch
    186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)
       display matrices in 6 sizes
| size: | 14D | 18D | 20D | 24D | 28D | 36D |
| line: | T.1671 | T.2054 | T.2560 | T.3052 | T.3524 | T.4574 |
* Schoeffer
    _22: Schoeffer (cancelled in 1964)
       composition matrices UA.2, 8pt, 10pt, 12 pt
| size: | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 8 | 9.25 | 11.25 |
| line: | M.1270 | M.1310 | M.1378 |
* Schurmann Antiqua Halbfette
    _52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967)
* Scotch Roman
    _46: Scotch Roman Roman/italic
       composition matrices: UA.1 = 6-12pt
| size: | 6pt at 5.5pE | 6pt | 7pt | 7D at 8pE | 8pt | 9pt at 8pE | 9pt | 10pt | 11pt | 12pt |
| didot: | 6D | 6D | 7D | 7D | 8D | 8D | 8D | 9D | 10D | 12D |
| bijz. | short desc. | | | | | short desc. |
| set: | 7 | 7 | 8 | 8.5 | 8.5 | 9.25 | 9.25 | 10 | 10.75 | 12.25 |
| line: | M.1220 | M.1220 | M.1250 | M.1235 | M.1235 | M.1257 | M.1257 | M.1290 | M.1320 | M.1360 |
    137: Scotch Roman Roman/italic
       composition matrices: 8-12pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11D) |
| UA. | 13 | 14 | 15 | 16 | 17 |
| set: | 8.25 | 8.5 | 9.25 | 10.25 | 12.25 |
| line: | M.1260 | M.1262 | M.12603 | M.1285 | M.1362 |
       large composition: UA.144 = Roman, UA.151 = italic
| size: | 14pt (14D) | 18pt (18D) | 24pt (24D) |
| special feature | | | no italic available |
| set: | 13.5 | 17 | 23 |
| line: | T.1395 | T.1810 | T.2364 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1395 | T.1810 | T.2364 | T.2918 | T.3608 | T.4300 | T.4854 |
* Script
    322: Script (see: 322 Script Bold)
    574: Script Ashley (see: 574 Ashley Script)
    322: Script Bold script
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1452 | T.1863 | T.2488 | T.3054 | T.3724 | T.4376 | T.4968 | T.6300 | T.7560 |
    436: Script Dorchester (see: 436 Dorchester Script)
    493: Script Grosvenor (see: 493 Grosvenor Script)
    475: Script Light
       display matrices:
| size: | 24pt |
| line: | T.2488 |
    351: Script Monoline (see: 351 Monoline Script)
    429: Script Palace (see: 429 Palace Script)
    455: Script Temple (see: 455 Temple Script)
    385: Script Wenceslas (see: 385 Wenceslas Script) (cancelled in 196?)
* Shadow French
    434: Shadow French (cancelled)
* Shakespeare Titling
    234: Shakespeare Titling (cancelled in 1967)
       display matrices:
| size: | 36pt |
| line: | T.4434 |
* Sheldon
    552: Sheldon
* Solus
    276: Solus Roman (cancelled in 1967)
       composition matrices: UA.320 = 12pt-14pt
| size: | 12pt (12D) | 14pt (14D) |
| set: | 11 | 13 |
| line: | M.1310 | M.1437 |
       display matrices:
| size: | 18pt | 48pt |
| line: | T.1841 | T.4982 |
    368: Solus Bold Roman (cancelled in 1967)
       composition matrices: UA.320 = 12pt-14pt
| size: | 11pt (10D) |
| set: | 11.5 |
| line: | M.1375 |
    368: Solus Heavy (see: Solus Bold)
* Spartan
       Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case.
    140: Spartan Roman
       composition matrices: UA.16 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 7 | 11 |
| line: | M.1282 | M.1420 |
       large composition: UA.157 = 24pt
| size: | 24pt (24D) | 24pt (24D) |
| sizes: | 4 and 5 | 2 and 3 |
| set: | 19.5 | 26 |
| line: | T.3060 | T.3060 |
       display matrices:
| size: | 24pt |
| line: | T.3060 |
    141: Spartan Bold Roman
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 7 | 11 |
| line: | M.1282 | M.1420 |
       display matrices:
| size: | 24pt |
| line: | T.3060 |
    143: Spartan Condensed Roman
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 5 | 9 |
| line: | M.1282 | M.1420 |
    144: Spartan Italic italic
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 7 | 12 |
| line: | M.1240 | M.1420 |
    139: Spartan Light Roman
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 7 | 12 |
| line: | M.1282 | M.1420 |
       display matrices:
| size: | 24pt |
| line: | T.3060 |
    142: Spartan Light Condensed Roman
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 7 | 9 |
| line: | M.1282 | M.1420 |
    145: Spartan Wide Roman
       composition matrices: UA.18 = 6-12pt
| size: | 6pt (6D) | 12pt (12D) |
| set: | 8.5 | 12.75 |
| line: | M.1282 | M.1420 |
* Spectrum
    556: Spectrum Roman/italic
       This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition.
       composition matrices: UA. 428 = 6D-12D
| size: | 6D at 7pE | 8D at 9pE | 10D at 11pE | 12D at 13pE |
| set: | 6.25 | 7.5 | 8.75 | 10.25 |
| line: | M.1215 | M.1250 | M.1297 | M.1350 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 24pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 48D at 60pE | 60D at 72pE |
| line: | T.1454 | T.1656 | T.2060 | T.2483 | T.2912 | T.3714 | T.5000 | T.6270 |
* Surrey Old Style
    196: Surrey Old Style Roman (cancelled in 1967)
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
* Swing Bold
    583: Swing Bold script
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1301 | T.1668 | T.2229 | T.2724 | T.3324 |

#### T

* Temple Script
    455: Temple Script
       composition matrices: UA.386 = 10D-12D
| size: | 10D at 11pE | 12D at 13pE |
| set: | 9.25 | 11.25 |
| line: | M.1453 | M.1549 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1684 | T.1916 | T.2378 | T.2874 | T.3362 | T.4304 | T.5810 | T.7280 | T.8170 |
* The Times
    355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling)
       composition matrices: UA.323 = 9pt-12pt
| size: | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 9 | 10 | 11 | 12 |
| line: | M.1320 | M.1357 | M.1391 | M.1430 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt |
| line: | T.1510 | T.1887 | T.2502 | T.3056 |
* Times
    334: Times Bold Roman/italic
       to be used in combination with Times New Roman Series 327
       composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt
       matrices for long-descenders are available in several sizes
| size: | 5.5pt | 6pt | 6pt | 6D | 6.5pt | 7pt | 7pt | 7.5pt | 7.5pt | 8pt | 8pt | 9pt | 9pt | 10pt | 10pt | 11pt | 11pt | 12pt | 12pt | 14pt |
| op: | 5.5pE | 6pE | 6.5pE | 7pE | 6.5pE | 7pE | 7.5pE | 7.5pE | 8pE | 8pE | 9pE | 9pE | 10pE | 10pE | 11pE | 11pE | 12pE | 12pE | 14pE | 14pE |
| didot: | 5D | 6D | 6D | 6D | 6D | 7D) | 7D | 7D | 8D) | 8D | 9D) | 8D | 10D | 10D | 11D | 10D | 12D | 12D | 14D | 14D |
| special features | | | long. desc. | 7pt short desc. | | long desc. | | | long desc. | | long desc. | | long desc. | | long desc. | | long desc. | | long desc. |
| set: | 6.5 | 6.75 | 6.75 | 7.75 | 7.25 | 7.75 | 7.75 | 8.25 | 8.25 | 8.25 | 8.25 | 9 | 9 | 9.75 | 9.75 | 10.25 | 10.25 | 12 | 12 | 12.75 |
| line: | M.1239 | M.1239 | M.1239 | M.1268 | M.1250 | M.1268 | M.1268 | M.1286 | M.1286 | M.1298 | M.1298 | M.1325 | M.1325 | M.1338 | M.1338 | M.1368 | M.1368 | M.1420 | M.1420 | M.1470 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 20pt | 22pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1458 | T.1672 | T.1873 | T.2150 | T.2363 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    345: Times Bold No. 2 Roman (see also: 360 Times Bold)
       composition matrices: UA.324 = 5pt-6pt
| size: | 7pt (7D) | 9pt (8D) | 11pt (10D) | 12pt (12D) |
| set: | 7.75 | 9 | 10.5 | 12 |
| line: | M.1268 | M.1325 | M.1368 | M.1420 |
    360: Times Bold Roman
       composition matrices: UA.324 = 5pt-6pt
| size: | 5pt (5D) | 6pt (6D) |
| set: | 6.25 | 6.75 |
| line: | M.1210 | M.1239 |
    328: Times Bold Titling No. 2 Roman
       composition matrices: UA.324 = 5pt-6pt
| size: | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) |
| set: | 9.25 | 10.25 | 10.25 | 11.5 | 13 |
| line: | M.1360 | M.1382 | M.1410 | M.1440 | M.1500 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1671 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5248 | T.6651 | T.7930 |
    332: Times Bold Titling Roman
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1948 | T.2640 | T.3194 | T.3884 | T.5248 | T.6651 | T.7930 |
    639: Times Cosmoli Titling (cancelled in 1966)
    339: Times Extended Titling Roman
       composition matrices: UA.327 = 7pt-14pt
| size: | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) | 14pt (14D) |
| set: | 8.5 | 9.5 | 10.25 | 11 | 11.75 | 13.25 | 17 |
| line: | M.1356 | M.1360 | M.1376 | M.1410 | M.1440 | M.1500 | M.1738 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1671 | T.1921 | T.2224 | T.2534 | T.2918 | T.3714 | T.4406 | T.5008 | T.6235 | T.7515 |
    569: Times Four-line Mathematics
    355: Times Hever Titling (see:355 The Times Hever Titling)
    333: Times Newspaper Smalls
    335: Times Newspaper Smalls
    329: Times Titling Roman
       composition matrices: UA.328 = 14pt
| size: | 14pt (14D) |
| set: | 15.75 |
| line: | M.1500 |
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1707 | T.1948 | T.2640 | T.3194 | T.3884 |
    358: Times Titling (cancelled in 1967)
* Times New Roman
    327: Times New Roman Roman/italic
    421: Times New Roman Semi-bold Roman/italic
       composition matrices: UA.325 = 7pt-14pt
| size: | 6pt (6D) | 6.5pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) |
| set: | 7 | 7.5 | 8.25 | 9 | 9.75 | 10.75 | 11.75 | 12.75 | 14.5 |
| line: | M.1245 | M.1265 | M.1291 | M.1310 | M.1300 | M.1329 | M.1358 | M.1395 | M.1600 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3884 | T.5268 | T.6651 | T.7930 |
    427: Times New Roman Wide Roman/italic
    627: Times New Roman Book Roman/italic
       Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427
       composition matrices: UA.327 = 7pt-14pt
| size: | 7.5pt (7D) | 10pt (10D) | 11pt (11D) | 12pt (12D) | 14pt (14D) | 14D op 16pE |
| set: | 7.75 | 9 | 10.25 | 11.25 | 12.25 | 13.25 |
| line: | M.1267 | M.1328 | M.1370 | M.1405 | M.1438 | M.1450 |
       large composition: UA.426, 14pt only Roman
| size: | 24pt (24D) |
| set: | 21.5 |
| line: | T.2230 |
       display matrices:
| size: | 20pt | 24pt |
| line: | T.1827 | T.2230 |
    474: Times New Roman Heavy Book (destroyed in a bombardment)
    727: Times New Roman (Light Caps) Roman
    827: Times New Roman (French) Roman/italic (see: Times New Roman 727)
       alternative matrices for:
          small capitals and Roman capitals C G Q R Ç
          italic capitals C Q R and lower case g and k
       composition matrices: UA.325 = 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (10D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.25 | 9 | 9.75 | 10.5 | 12 |
| line: | M.1230 | M.1268 | M.1298 | M.1325 | M.1338 | M.1368 | M.1420 |
* Titling
    179: Titling (see: 179 Modern Titling)
       synonyms: 179 Titling Modern No. 1, 179 Titling Italic
    180: Titling (see: 180 Victoria Bold Condensed Titling) (synonym: 180 Victoria Bold Condensed)
    181: Titling (see: 181 Victoria Condensed Titling)
    182: Titling (see: 182 Victoria Titling)
    183: Titling (see: 183 Modern)
    209: Titling (see: 209 Caslon Titling)
    234: Titling (see: 234 Shakespeare Titling)
    440: Titling (cancelled in 1965)
    522: Titling (see: 522 Placard Condensed Titling)
    332: Titling Bold (The Times) (see: 332 Times Bold Titling)
    __H: Titling (Caps) Roman
    180: Titling Condensed (see: 180 Victoria Bold Condensed Titling)
    339: Titling Extended (The Times) (see: 339 Times Extended Titling)
    328: Titling Heavy (The Times) (see: 328 Times Bold Titling)
    355: Titling Hever (The Times) (see: 355 Times Hever Titling)
    179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling)
       synonyms: 179 Titling 179 Modern Titling No. 1
    179: Titling Modern No. 1 (see: 179 Modern Titling)
       synonyms: 179 Titling, 179 Titling Italic
    329: Titling (The Times) (see: 329 Times Titling)
* Tonic-Sol-Fa
    325; Tonic-Sol-Fa
* Traveller
    629: Traveller Roman
       display matrices:
| size: | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.2918 | T.3538 | T.4161 | T.4715 | T.5960 | T.7100 |
* Treyford
    226: Treyford
* Trojan
    114: Trojan Roman (cancelled in 1967)
       composition matrices: UA.81 = 9pt-11pt
| size: | 9pt (8D) | 11pt (10D) |
| set: | 9.5 | 11.25 |
| line: | M.1306 | M.1370 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 36pt |
| line: | T.1502 | T.1929 | T.2576 | T.3854 |
* Typewriter
       Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well.
       Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary.
    _82: Typewriter No. 1 Roman
       composition matrices: UA.28 = 10pt-12pt
| Series: | 82 | 100 | 105 | 235 | 301 | 302 | 344 |
| size: | 10pt (9D) | 12pt (11D) | 12pt (12D) | 12pt(11D) | 10pt (10D) | 12pt (11D) | 12pt (12D) |
| set: | 12 | 14.5 | 14.5 | 13.25 | 12 | 14.5 | 14.5 |
| line: | M.1291 | M.1364 | M.1550 | T.1302 | M.1291 | M.1364 | M.1355 |
    100: Typewriter No. 2 Roman (see: 100 Typewriter 82)
    105: Typewriter No. 3 Roman (see: 105 Typewriter 82)
    127: Typewriter No. 4 Roman
       composition matrices: UA.28 = 8pt-12pt
| size: | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 10 | 12 | 14.5 |
| line: | M.1270 | M.1296 | M.1364 |
    235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82)
    301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82)
    602: Typewriter IBM "Executive" Roman
       This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase.
       Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt)
       composition matrices: UA.442 = 14pt
| size: | 14pt (13D) |
| set: | 13.5 |
| line: | M.1475 |
    _82: Typewriter Underlined Roman
    100: Typewriter Underlined Roman
    105: Typewriter Underlined Roman

#### U

* Ultra Bodoni
    120: Ultra Bodoni (see: 120 Bodoni Ultra Bold)
* Univers
       Univers was developed in cooperation with the French type foundry Deberny & Peignot.
       It was possible to cast characters in lining with the character bought in France.
    693: Univers Bold Roman/italic
       composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 7 | 7.75 | 8.75 | 9.5 | 10.5 | 11.25 | 13 | 14 | 15 |
| line: | M.1220 | M.1234 | M.1265 | M.1290 | M.1320 | M.1350 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    694: Univers Bold Condensed Roman/italic
    692: Univers Bold Expanded Roman
       composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,
| size: | 6D at 7pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.75 | 13.75 | 16 |
| line: | M.1234 | M.1290 | M.1350 | M.1408 |
       display matrices:
| size: | 12D at 13pE | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1356 | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    696: Univers Extra Bold Roman
       composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 7 | 7.75 | 8.75 | 9.5 | 10.5 | 11.25 | 13 | 14 | 15 |
| line: | M.1220 | M.1234 | M.1265 | M.1290 | M.1320 | M.1350 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    695: Univers Extra Bold Expanded Roman/italic
       composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,
| size: | 6D at 7pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.75 | 13.75 | 16 |
| line: | M.1234 | M.1290 | M.1350 | M.1408 |
       display matrices:
| size: | 12D at 13pE | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1356 | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    684: Univers Extra Light Extra Condensed Roman/italic
       display matrices: extra &: S16511, superior: L292,
| size: | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    685: Univers Light Roman/italic
       composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,
| size: | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 7.75 | 8.75 | 9.5 | 10.5 | 11.25 | 13 | 14 | 15 |
| line: | M.1234 | M.1265 | M.1290 | M.1320 | M.1350 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    686: Univers Light Condensed Roman/italic
       composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 5.5 | 6 | 6.75 | 7.25 | 8 | 8.5 | 9.75 | 10.5 | 11.25 |
| line: | M.1220 | M.1234 | M.1265 | M.1290 | M.1320 | M.1350 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    687: Univers Light Extra Condensed Roman/italic
       composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,
| size: | 10D at 11pE | 12D at 13pE |
| set: | 7 | 8 |
| line: | M.1408 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    689: Univers Medium Roman/italic
       composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 7 | 7.75 | 8.75 | 9.5 | 10.5 | 13 | 14 | 15 |
| line: | M.1220 | M.1234 | M.1265 | M.1290 | M.1320 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    690: Univers Medium Condensed Roman/italic
       composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251
       5D was not supplied after 1969
| size: | 5D at 6pE | 6D at 7pE | 7D at 8pE | 8D at 9pE | 8.5D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE |
| set: | 5(?) | 6 | 6.75 | 7.25 | 8 | 8.5 | 9.75 | 10.5 | 11.25 |
| line: | M.1220 | M.1234 | M.1265 | M.1290 | M.1320 | M.1350 | M.1408 | M.1436 | M.1468 |
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    688: Univers Medium Expanded Roman
       composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.75 | 13.75 | 16 |
| line: | M.1234 | M.1290 | M.1350 | M.1408 |
       display matrices:
| size: | 12D at 13pE | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1365 | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    691: Univers Medium Extra Condensed Roman
       composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263
| size: | 8D at 9pE | 9D at 10pE | 10D at 11pE | 12D at 13pE |
| set: | 5.5 | 6 | 7 | 8 |
| line: | M.1290 | M.1350 | M.1408 | M.1460 |
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1587 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |
    697: Univers Ultra Bold Expanded Roman
       composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.75 | 13.75 | 16 |
| line: | M.1234 | M.1290 | M.1350 | M.1408 |
       display matrices:
| size: | 12D at 13pE | 14D at 16pE | 16D at 18pE | 18D at 20pE | 22D at 24pE | 28D at 30pE | 36D at 36pE | 48D at 60pE |
| line: | T.1365 | T.1587 | T.1818 | T.2048 | T.2538 | T.3252 | T.4024 | T.5420 |

#### V

* Van Dijck
    203: Van Dijck Roman.italic
       composition matrices: UA.354 = 7pt-14pt
| size: | 7pt (6D) | 7pt (7D) | 8pt (7D) | 8pt (8D) | 10pt op 8D | 10pt (10D) | 11pt op 9D | 11pt (11D) | 12pt (12D) | 13pt (12D) | 14pt (14D) |
| special features | short desc. | | short desc. | | short desc. | | short desc. |
| set: | 7.5 | 7.5 | 8 | 8 | 8.75 | 8.75 | 9.75 | 9.75 | 10 | 11 | 12 |
| line: | M.1235 | M.1235 | M.1255 | M.1255 | M.1286 | M.1286 | M.1310 | M.1310 | M.1331 | M.1462 | M.1457 |
       large composition: UA.423
| size: | 16pt (16D) | 18pt (18D) |
| set: | 13.25 | 14.75 |
| line: | T.1601 | T.1797 |
       display matrices:
| size: | 16pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1601 | T.1797 | T.2398 | T.2944 | T.3584 |
* Van Krimpen Bold
    520: Van Krimpen Bold (see: 520 Romulus Bold)
* Veronese
    _59: Veronese (cancelled in 1967)
       composition matrices: UA.4 = 11pt-12pt
| size: | 11pt (10D) | 12pt (12D) |
| set: | 10.5 | 12 |
| line: | M.1364 | M.1420 |
       large-composition matrices:
| size: | 14pt (14D) | 18pt (18D) | 24pt (24D) |
| UA. Roman: | 106 | 106 | 107 |
| UA. italic: | 128 | 128 | 129 |
| set: | 14 | 18 | 24 |
| line: | T.1533 | T.1948 | T.2640 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 |
* Victoria
    180: Victoria Bold Condensed Roman (see: 180 Victoria Bold Condensed Titling)
    180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed)
       composition matrices: UA.49 = 10pt-12pt
| size: | 10pt (10D) | 12pt (12D) |
| set: | 8.75 | 10.75 |
| line: | M.1420 | M.1500 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1671 | T.1948 | T.2640 | T.3194 | T.3884 |
    181: Victoria Condensed Titling Roman
       composition matrices: UA.50 = 12pt
| size: | 12pt (12D) |
| set: | 12.25 |
| line: | M.1715 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1809 | T.2224 | T.2960 | T.3608 | T.4436 |
    182: Victoria Titling Roman (synonym: 182 Titling)
       display matrices:
| size: | 14pt | 16pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1533 | T.1809 | T.1948 | T.2640 | T.3194 | T.3884 |

#### W

* Walbaum
    374: Walbaum Roman/italic
       composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE | 14pt (14D) | 14D at 16pE | 16D |
| set: | 7.75 | 9 | 9.75 | 10 | 10.75 | 11.75 | 13.75 | 14 | 15 |
| line: | M.1227 | M.1225 | M.1254 | M.1277 | M.1285 | M.1290 | M.1533 | M.1533 | M.1810 |
       display matrices:
| size: | 14pt | 16D at 18pE | 20D at 22pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 42D at 48pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1308 | T.1740 | T.2110 | T.2546 | T.3355 | T.4044 | T.4739 | T.5450 | T.6830 | T.7670 |
    674: Walbaum Roman/italic (see: 374 Walbaum)
    375: Walbaum Medium Roman/italic
       composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D
| size: | 6D at 7pE | 8D at 9pE | 9D at 10pE | 10D at 11pE | 11D at 12pE | 12D at 13pE | 14pt (14D) | 14D at 16pE | 16D |
| set: | 7.75 | 9 | 9.75 | 10 | 10.75 | 11.75 | 13.75 | 14 | 15 |
| line: | M.1227 | M.1225 | M.1254 | M.1277 | M.1285 | M.1290 | M.1533 | M.1533 | M.1810 |
       display matrices:
| size: | 14pt | 16D at 18pE | 20D at 22pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 42D at 48pE | 48D at 60pE | 60D at 72pE | 72pt |
| line: | T.1308 | T.1740 | T.2110 | T.2546 | T.3355 | T.4044 | T.4739 | T.5450 | T.6830 | T.7670 |
* Wenceslas Script script
    385: Wenceslas Script (cancelled in 1967)
       display matrices:
| size: | 18pt |
| line: | T.1865 |
       Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)
       One incomplete set survives at the BookArtMuseum, Lodz, Poland
* Wide Gothic
    _97: Wide Gothic Roman (see: 97 Grotesque Bold)
* Wide Latin
    164: Wide Latin Roman (see: 164 Latin Wide)
* Wigan Condensed
    273: Wigan Condensed (cancelled in 1965)
       display matrices:
| size: | 18pt |
| line: | T.1945 |
* Worcester Old Face
    123: Worcester Old Face (cancelled in 1965)

## Fraktur

* _89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur)
* _98: Alte 'Monotype' Fraktur (cancelled in 1972)
       composition matrices: UA. 5F
| size: | 6D (6.5pt E) | 8D (9pt E) | 9D (10pt E) | 10D (11pt E) | 12D (13pt E) | 14 |
| set: | 6.75 | 8.25 | 9.25 | 10 | 13 | 13.5 |
| line: | .1276 | .1349 | .1396 | .1431 | .1530 | .1533 |
       display matrices:
| size: | 18 | 20D | 24 | 24D | 30 | 36 | 48D | 60D |
| line: | .2011 | .2382 | .2724 | .2880 | .3299 | .4014 | .5820 | .7300 |
* 449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette)
* 102: Alte Schwabacher (cancelled in 1972)
* _31: Armin Fraktur
* _32: Armin Fraktur Fette
* _34: Armin Fraktur Halbfette
* _37: Bamberger Fraktur (cancelled in 1967)
* _49: Bamberger Fraktur Fette (cancelled in 1967)
* _48: Bamberger Fraktur Halbfette (cancelled in 1964)
* 521: Berliner Fraktur (cancelled in 1965)
* 387: Blücher Fraktur Fette (cancelled in 1967)
* 116: Breitkopf Fraktur (cancelled in 1972)
* 367: Breitkopf Fraktur (cancelled in 1972)
* 256: Breitkopf Fraktur Fette (cancelled in 1972)
* 413: Breitkopf Fraktur Halbfette
* 256: Dürer Fraktur
* 513: Dürer Fraktur Fette (cancelled in 1965)
* 512: Dürer Fraktur Halbfette (cancelled in 1965)
* 363: Enge Fraktur Halbfette (cancelled in 1967)
* 498: Enschedé Fraktur (cancelled in 1967)
* 296: Erfurter Fraktur (cancelled in 1964)
* 379: Essener Fraktur Fette (cancelled in 1967)
* _38: Fraktur (cancelled in 1964)
* _94: Große Moderne Fraktur (cancelled in 1967)
* 308: Helen Fraktur (cancelled in 1964)
* 384: Hessen Fraktur (cancelled in 1964)
* 202: Hessen Fraktur Halbfette (cancelled in 1964)
* 417: Hessen Fraktur Halbfette (cancelled in 1964)
* 315: Hutten Fraktur (cancelled in 1964)
* 423: Jean Paul Fraktur (cancelled in 1967)
* _40: Kasseler Fraktur
* _41: Kasseler Fraktur Halbfette
* _56: Koelner Fraktur
* _58: Koelner Fraktur halbfette
* 118: Mainzer Fraktur
* 132: Mainzer Fraktur Halbfette
* _64: Moderne Fraktur
* _66: Moderne Fraktur Fette
* _86: Moderne Schwabacher
* _93: Moderne Schwabacher Halbfette
* _35: Neue Schwabacher
* _36: Neue Schwabacher
* 463: Rundgotisch
* 186: Schmale Nürnburger Gotisch (cancelled in 1965)
       display matrices in 6 sizes
| size: | 14D | 18D | 20D | 24D | 28D | 36D |
| line: | T.1671 | T.2054 | T.2560 | T.3052 | T.3524 | T.4574 |
* 187: Schmalfette Frankfurter Fraktur
       display matrices in 7 sizes
| size: | 14D | 16D | 20D | 24D | 28D | 36D | 48D |
| line: | T.1671 | T.2086 | T.2620 | T.3102 | T.3584 | T.4654 | T.6282 |
* 483: Uhlen Rundgotisch
* 205: Unger Fraktur
* 277: Unger Fraktus Halbfette
* _28: Wittenberg Fraktur
* _29: Wittenberg Fraktur
* _83: Wuerzburger Fraktur

## Non-Latin-typefaces
### Amharic

    599: Amharic
       composition matrices: 9D-12D
| size: | 9D | 12D |
| set: | 9.5 | 11.75 |
       display matrices: 14D
    624: Amharic
       composition matrices: 10D
| size: | 10D |
| set: | 10 |

### Arabic

    409: Arabic (cancelled in 1946. replaced by series 549)
    542: Arabic Bold (destroyed in a bombardement)
    415: Arabic Display (cancelled in 1950)
    549: Arabic Naskh
       composition matrices: 8D-18D, for 8D a special mould was needed.
| size: | 8D | 10D | 12D | 14D | 16D | 18D |
| set: | 9.25 | 11.5 | 11.5 | 11.5 | 13.25 | 16.5 |
       display matrices:
| size | 24D | 36D | 48D matrices-holder Xb6SL was needed for casting |
    589: Arabic Naskh Accented
       large composition matrices:
| size: | 20D | 24 |
| set: | 13.5 | 16.5 |
    649: Arabic Naskh Bold
       composition matrices: 8D-18D
| size: | 8D | 10D | 12D | 14D | 16D | 18D |
| set: | 9.25 | 11.5 | 11.5 | 11.5 | 13.25 | 16.5 |
       display matrices:
| size | 24D | 30D | 36D | 42D | 48D | 54D |
    559: Arabic Solloss
       Display matrices:
| size | 54D with holder Xb7SL |
    507: (see: 507 Urdu)
    707: (see: 707 Urdu)
    721: Farsi
       composition matrices: 10D-12D
| size: | 10D | 12D |
| set: | 10.75 | 13 |
       display matrices:
| size | 18D | 24D | 36D | 48D |

### Armenian

    638: Armanian
       composition matrices: 8D-12D
| size: | 8D | 10D | 12D |
| set: | 8.5 | 10.25 | 12.5 |

### Bangali

    470: Bengali
       composition matrices: 8D-12D
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.25 |
    700: Bengali
       composition matrices: 8D-12D
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.5 |
    701: Bengali Bold
       composition matrices: 8D-12D
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.5 |
    670: Bengali Bold (cancelled in 1967)

### Burmese

    558: Burmese Light
       composition matrices: 12pt-18pt
| size: | 12pt | 14pt | 16pt | 18pt |
| set: | 9 | 10.5 | 12 | 12.75 |
    578: Burmese Bold
       composition matrices: 12pt-18pt
| size: | 12pt | 14pt | 18pt |
| set: | 9 | 10.5 | 12 | 12.75 |

### Chinese

    633: Chinese (cancelled in 1974)
    133: Chu Yin (cancelled in 1967)

### Coptic

    609: Louvain Coptic

### Cyrillic

    (Russian, Serbian, Bulgarian and Macedonian)
    _42: Albion
       composition matrices: 6.5(6D)-13pt(12D)
| size: | 6.5pt (6D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| cast at: | 7pE | 9pE | 10pE | 11pE | 13pE |
| set: | 7.75 | 9 | 9.75 | 10.5 | 12.5 |
| line: | M.1235 | M.1270 | M.1300 | M.1320 | M.1390 |
    _63: Albion
       composition matrices: 9(8D)-13pt(12D)
| size: | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| set: | 8.25 | 9.5 | 11.5 |
| line: | M.1270 | M.1320 | M.1390 |
    _70: Albion
       composition matrices: 6.5(6D)-13pt(12D)
| size: | 6.5pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| cast at: | 7pE | 9pE | 11pE | 13pE |
| set: | 7.75 | 9.75 | 11 | 13 |
| line: | M.1225 | M.1280 | M.1327 | M.1387 |
    169: Baskerville (Russian) Roman / italic
       composition matrices: 9pt-11pt
| size: | 9pt (8D) | 11pt (10D) |
| line: | M.1266 | M.1320 |
       display matrices: Roman
| size: | 18pt | 24pt | 36pt |
| line: | T.1672 | T.2226 | T.3332 |
    370: Bembo Titling
       display matrices: 36pt-42pt
| size: | 36pt | 42pt |
| line: | T.4436 | T.5196 |
    260: Bodoni Bold Roman / italic
       display matrices: 14pt-72pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt | 60pt | 72pt |
| line: | T.1356 | T.1741 | T.2324 | T.2914 | T.3474 | T.4716 | T.5823 | T.7100 |
    529: Bodoni Bold Condensed
       display matrices: 14pt-36pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1356 | T.1741 | T.2324 | T.2914 | T.3444 |
    120: Bodoni Ultra Bold (Cyrillic) Roman
       display matrices: 14pt-42pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt |
| line: | T.1472 | T.1876 | T.2502 | T.3094 | T.3746 | T.4436 |
    _17: Cushing (cancelled in 1967)
    _68: French Old Style
       composition matrices: 6.5(6D)-13pt(12D)
| size: | 6.5pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| cast at: | 7pE | 9pE | 11pE | 13pE |
| set: | 7.5 | 8.75 | 10.25 | 12.25 |
| line: | M.1215 | M.1260 | M.1320 | M.1388 |
    _69: French Old Style Bold
       composition matrices: 6.5(6D)-13pt(12D)
| size: | 6.5pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| cast at: | 7pE | 9pE | 11pE | 13pE |
| set: | 7.5 | 8.75 | 10.25 | 12.25 |
| line: | M.1215 | M.1260 | M.1320 | M.1388 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    _44: French Round Face
       composition matrices: 6.5pt-13pt
| size: | 6.5pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| set: | 7.75 | 9.75 | 11 | 13 |
| line: | M.1237 | M.1285 | M.1332 | M.1415 |
    201: Garamond Bold (Cyrillic Roman
       display matrices:
| size: | 18pt | 24pt | 30pt |
| line: | T.1810 | T.2364 | T.2918 |
    262: Gill Sans
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 6.5 | 8 | 9 | 9.5 | 10.25 | 11.25 |
| line: | M.1220 | M.1255 | M.1285 | M.1302 | M.1327 | M.1360 |
       display matrices:
| size: | 14pt | 16pt | 20pt | 24pt |
| line: | T.1395 | T.1611 | T.2002 | T.2480 |
    275: Gill Sans Bold
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 9pt (9D) | 10pt (10D) | 11pt (11D) | 12pt (12D) |
| set: | 6.5 | 8 | 9 | 9.5 | 10.25 | 11.25 |
| line: | M.1220 | M.1255 | M.1285 | M.1302 | M.1327 | M.1360 |
       display matrices:
| size: | 14pt | 16pt | 20pt | 24pt |
| line: | T.1395 | T.1611 | T.2002 | T.2480 |
    373: Gill Sans Bold Condensed Titling
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 48pt |
| line: | T.1811 | T.2363 | T.3193 | T.3886 | T.4714 | T.6418 |
    233: Gill Sans Cameo Roman
       display matrices:
| size: | 24pt |
| line: | T.2890 |
    485: Gill Sans Condensed
       display matrices: 14pt-36pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1841 | T.2480 | T.2918 | T.3606 |
    362: Gill Sans Light
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 6.5 | 8 | 9.5 | 11.25 |
| line: | M.1220 | M.1255 | M.1302 | M.1360 |
       display matrices:
| size: | 14pt | 16pt | 20pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1611 | T.2002 | T.2480 | T.2918 | T.3606 |
    _96: Gothic (cancelled in 1965)
    _51: Grotesque
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 7.75 | 9.5 | 11.5 | 15.5 |
| line: | M.1220 | M.1235 | M.1291 | M.1444 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 |
    _97: Grotesque Bold (cancelled in 1967)
    _11: Grotesque Bold Condensed (cancelled in 1967)
    166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling)
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1671 | T.2085 | T.2778 | T.3470 | T.4299 | T.4991 | T.5821 | T.7204 | T.8623 |
    166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic))
    _33: Grotesque Condensed Roman
       composition matrices: 6pt-13pt
| size: | 6pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| set: | 6.75 | 8.5 | 9.75 | 11.5 |
| line: | M.1255 | M.1315 | M.1395 | M.1440 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 |
    383: Grotesque Condensed Roman
       composition matrices: 6pt-13pt
| size: | 6D op 7pE | 8D op 9pE | 10D op 11pE | 12D op 13pE |
| set: | 5 | 6 | 7 | 8 |
| line: | M.1280 | M.1358 | M.1410 | M.1500 |
       display matrices:
| size: | 14D at 16pE | 18D at 20pE | 24D at 30pE | 30D at 36pE | 36D at 36pE | 48D at 60pE | 60 at 72pE | 72pt |
| line: | T.1626 | T.2074 | T.2776 | T.3565 | T.4164 | T.5620 | T.7030 | T.7890 |
    383: Grotesque Condensed
       composition matrices: 6D-12D
| size: | 6D at 7pE | 8D at 9pE | 10D at 11pE | 12D at 13pE |
| set: | 5 | 6 | 7 | 8 |
| line: | M.1280 | M.1358 | M.1410 | M.1500 |
       display matrices:
| size: | 14D | 18D | 24D | 30D | 36D | 48D | 60D op 72pE | 72pt |
| line: | T.1626 | T.2074 | T.2776 | T.3565 | T.4164 | T.5620 | T.7030 | T.7890 |
    _39: Modern Condensed
       composition matrices: 6.5pt-13pt
| size: | 6.5pt (6D) | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| set: | 6.5 | 8 | 9.5 | 11.5 |
| line: | M.1225 | M.1260 | M.1320 | M.1390 |
    _77: Modern Extended (cancelled in 1967)
    _75: Modern Wide (cancelled in 1967)
    _27: Neo Didot
       composition matrices: 6.5pt-13pt
| size: | 6.5pt (6D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 7.75 | 9 | 9.75 | 10.5 | 12.5 |
| line: | M.1235 | M.1270 | M.1300 | M.1320 | T.1390 |
    506: Placard Bold Condensed
       display matrices:
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 36pE | 42D at 48pE | 48pt at 60pE |
| line: | T.1728 | T.1964 | T.2478 | T.2996 | T.3442 | T.4414 | T.5179 | T.5960 |
    515: Placard Bold Condensed
       display matrices:
| size: | 36pt | 48pt | 60pt | 72pt |
| line: | T.4299 | T.5808 | T.7300 | T.8760 |
    568: Placard Condensed
       display matrices:
| size: | 14D op 16pE | 16D op 18pE | 20D op 22pE | 22D op 30pE | 28D op 30pE | 36D op 36pE | 48D op 60pE | 60D op 72pE |
| line: | T.1806 | T.2052 | T.2544 | T.3076 | T.3592 | T.4614 | T.6230 | T.7800 |
    522: Placard Condensed Titling
       display matrices:
| size: | 72pt |
| line: | T.9700 |
    194: Plantin Bold (Russian) Roman
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 7 | 8.5 | 9.5 | 11.75 |
| line: | M.1237 | M.1285 | M.1332 | M.1415 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 |
    113: Plantin Light (Russian) Roman / italic
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (9D) | 12pt (12D) |
| set: | 7 | 8.5 | 10 | 11.75 |
| line: | M.1237 | M.1285 | M.1342 | M.1426 |
       display matrices:
| size: | 14pt | 16pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt |
| line: | T.1533 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 |
    327: Times New Roman
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.25 | 9 | 9.76 | 12 |
| line: | M.1230 | M.1268 | M.1298 | M.1325 | M.1338 | M.1420 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1438 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |
    334: Times Bold
       composition matrices: 6pt-12pt
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (9D) | 10pt (9D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.25 | 9 | 9.76 | 12 |
| line: | M.1230 | M.1268 | M.1298 | M.1325 | M.1338 | M.1420 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | T.1438 | T.1948 | T.2640 | T.3194 | T.3884 | T.4576 | T.5268 | T.6651 | T.7930 |

### Devenagari

    155: Devenagari
       composition matrices: 12pt-16pt
| size: | 12pt | 14pt | 16pt |
| set: | 9 | 10.5 | 12 |
       display matrices:
| size: | 20pt | 24pt | 36pt | 48pt |
    346: Devenagari Bold
       composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig
| size: | 10pt | 12pt | 14pt | 16pt |
| set: | 7.5 | 9 | 10.5 | 12 |
    755: Devenagari Italic
       composition matrices: 10pt-16pt
| size: | 10pt | 12pt | 14pt | 16pt |
| set: | 7.5 | 9 | 10.5 | 12 |
       Display matrices 18pt, 24pt, 30pt, 36pt

### Gaelic

    _24: Gaelic
       composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.25 | 8.25 | 9.25 | 11.25 |
| line: | .1200 | .1248 | .1330 | .1387 |
       large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt
| size: | 14pt | 18pt | 24pt |
| set: | 14 | 18 | 24 |
| line: | .1533 | .1948 | 2640 |
       display matrices: 14pt - 72pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt | 42pt | 48pt | 60pt | 72pt |
| line: | .1533 | .1948 | .2640 | .3194 | .3884 | .4576 | .5268 | .6651 | .7930 |
    117: Gaelic (see: 117 Gaelic Sans-Serif)
    121: Colum Cille (see: 121 Gaelic Colm Cille)
    121: Gaelic Colm Cille
    _85: Gaelic Display
    117: Gaelic Display (see: 117 Gaelic Sans-Serif)
    117: Gaelic Sans Serif

### Georgian

    539: Georgian Light (cancelled in 1972)
       display matrices: 16D
    540: Georgian Bold (cancelled in 1972)
       display matrices: 24D
    587: Georgian
       composition matrices: 8D-10D
| size: | 8D | 10D |
| set: | 8.75 | 10.75 |

### Glagolitic

    598: Glagolitic (see also: 597 Old Bulgarian)
       composition matrices: 12pt:
| size: | 12pt |
| set: | 11.75 |
| line: | M.1415 |

### Greek

    259: Antigone
       composition matrices: UA.432 = 13pt:
| size: | 13pt (12D) |
| set: | 9.25 |
| line: | M.1330 |
    672: Gill Sans Bold Upright
       is used as "bold" in combination with series 571 & 572
    585: Gill Sans Condensed
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1841 | T.2480 | T.2918 | T.3606 |
    625: Gill Sans Bold Upright
       composition matrices: UA.452 = 8-12pt:
| size: | 8pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (11D) |
| set: | 8 | 9.5 | 10.25 | 11.25 |
| line: | M.1255 | M.1302 | M.1327 | M.1360 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1841 | T.2480 | T.2918 | T.3606 |
    571: Gill Sans Inclined italic
       Is used as italic in combination with series 572 and 672, data similar with Series 572:
    572: Gill Sans Upright Roman
       composition matrices: UA.451 = 8-12pt:
| size: | 8pt (8D) | 10pt (10D) | 11pt (11D) | 12pt (11D) |
| set: | 8 | 9.5 | 10.25 | 11.25 |
| line: | M.1255 | M.1302 | M.1327 | M.1360 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1395 | T.1841 | T.2480 | T.2918 | T.3606 |
    473: Greek (cancelled in 1967)
    _91: Greek: Inclined
       composition matrices: UA.26 = 6-13pt:
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 6.75 | 8.25 | 9 | 9.75 | 10.5 | 12.5 |
| line: | M.1198 | M.1245 | M.1270 | M.1300 | M.1320 | M.1390 |
    _92: Greek: Bold Upright (see also: 92 Greek Upright Display)
       composition matrices: UA.26 = 6-13pt:
| size: | 6pt (6D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 6.75 | 9 | 9.75 | 10.5 | 12.5 |
| line: | M.1198 | M.1270 | M.1300 | M.1320 | M.1390 |
    472: Greek: Inclined
       composition matrices: UA.434 = 8-11pt:
| size: | 8pt (8D) | 9pt (9D) | 10pt (9D) | 11pt (10D) |
| set: | 8.5 | 9.25 | 9.75 | 10.5 |
| line: | M.1235 | M.1260 | M.1290 | M.1310 |
    _90: Greek: Upright
       composition matrices: UA.26 = 6-13pt:
| size: | 6pt (6D) | 8pt (8D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 13pt (12D) |
| set: | 7.5 | 8 | 9 | 9.75 | 10.5 | 12.5 |
| line: | M.1235 | M.1250 | M.1270 | M.1300 | M.1320 | M.1390 |
    _92: Greek Upright Display (Synoniem: 92 Greek Bold Upright)
       composition matrices: UA.27 = 9-13pt:
| size: | 9pt (8D) | 11pt (10D) | 13pt (12D) |
| set: | 9 | 10.5 | 12.5 |
| line: | M.1270 | M.1320 | M.1390 |
    683: Grotesque Condensed Upright
       display matrices: 14D-36D
| size: | 14D at 16pE | 18D at 20pE | 24D at 30pE | 30D at 36pE | 36D at 26pE |
| line: | T.1616 | T.2074 | T.2776 | T.3565 | T.4164 |
    718: Grotesque Condensed Upright
       display matrices: 14pt-36pt
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1544 | T.1948 | T.2640 | T.3332 | T.4022 |
    486: Heavy Greek (see: 486 Sans-Serif)
    192: New Hellenic Greek
       composition matrices: UA.73 = 7-12pt:
| size: | 7pt (7D) | 9pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (11 of 12D) |
| set: | 7.25 | 8.75 | 9.75 | 10.5 | 12 |
| line: | M.1225 | M.1273 | M.1307 | M.1332 | M.1380 |
       display matrices:
| size: | 18pt |
| line: | T.1807 |
    553: Old Style Bold Inclined
       composition matrices: UA.436 = 9-11pt:
| size: | 9pt (9D) | 11pt (10D) |
| set: | 9.25 | 10.5 |
| line: | M.1257 | M.1315 |
    283: Perpetua (cancelled in 1967)
    605: Placard Extra Light Condensed
       display matrices: 14D-36D
| size: | 14D at 16pE | 16D at 18pE | 24D at 30pE | 28D at 30pE | 36D at 16pE |
| line: | T.1860 | T.2114 | T.3236 | T.3722 | T.4774 |
    668: Placard Condensed Upright
       display matrices: 14D-36D
| size: | 14D at 16pE | 16D at 18pE | 20D at 22pE | 24D at 30pE | 28D at 30pE | 36D at 16pE |
| line: | T.1806 | T.2052 | T.2544 | T.3076 | T.3592 | T.4614 |
    106: Porson
       composition matrices: UA.26 = 5.5-12pt:
| size: | 5.5pt (5.5D) | 8pt (8D) | 10pt (9D) | 11pt (10D) | 12pt (12D) |
| set: | 6.5 | 8 | 9.75 | 10.5 | 12 |
| line: | M.1195 | M.1250 | M.1294 | M.1315 | M.1356 |
    404: Porson Condensed (cancelled in 1967)
    486: Greek: Sans Serif
       composition matrices: UA.415 = 8-10pt:
| size: | 8pt (8D) | 10pt (10D) |
| set: | 8 | 9.75 |
| line: | M.1250 | M.1294 |
    739: Spartan Light Upright
       Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
       composition matrices: UA.454 = 6-12pt:
| size: | 6pt (6D) | 12pt (11D) |
| set: | 7 | 11 |
| line: | M.1282 | M.1420 |
    740: Spartan Upright
       Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
       composition matrices: UA.454 = 6-12pt:
| size: | 6pt (6D) | 12pt (11D) |
| set: | 7 | 11 |
| line: | M.1282 | M.1420 |
    741: Spartan Bold Upright
       Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
       composition matrices: UA.454 = 6-12pt:
| size: | 6pt (6D) | 12pt (11D) |
| set: | 7 | 12 |
| line: | M.1282 | M.1420 |
    565: Times Upright
       composition matrices: UA.437 = 6-12pt:
| size: | 6pt (6D) | 7pt (7D) | 8pt (8D) | 9pt (8D) | 10pt (10D) | 11pt (10D) | 12pt (12D) |
| set: | 6.75 | 7.75 | 8.25 | 9 | 9.75 | 10.5 | 12 |
| line: | M.1230 | M.1268 | M.1298 | M.1325 | M.1338 | M.1368 | M.1420 |
       display matrices:
| size: | 14pt | 18pt |
| line: | T.1438 | T.1948 |
    566: Times Inclined was used as italic with Series 565 Times Upright
       composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal)
    567: Times Bold Upright
       composition matrices: UA.439 = 6-12pt:
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.75 | 8.25 | 9.75 | 12 |
| line: | M.1239 | M.1298 | M.1338 | M.1420 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1458 | T.1873 | T.2640 | T.3194 | T.3884 |
    667: Times Bold Inclined
       composition matrices: UA.439 = 6-12pt:
| size: | 6pt (6D) | 8pt (8D) | 10pt (10D) | 12pt (12D) |
| set: | 6.75 | 8.25 | 9.75 | 12 |
| line: | M.1239 | M.1298 | M.1338 | M.1420 |
       display matrices:
| size: | 14pt | 18pt | 24pt | 30pt | 36pt |
| line: | T.1458 | T.1873 | T.2640 | T.3194 | T.3884 |
    893: Univers Bold Upright
       composition matrices: UA.439 = 6-12pt:
| size: | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.25 | 13 |
| line: | M.1290 | M.1350 | M.1408 |
    989: Univers Medium Inclined
       composition matrices: UA.439 = 6-12pt:
| size: | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.25 | 13 |
| line: | M.1290 | M.1350 | M.1408 |
    889: Univers Medium Upright
       composition matrices: UA.439 = 6-12pt:
| size: | 8D at 9pE | 9D at 10pE | 10D at 11pE |
| set: | 9.5 | 11.25 | 13 |
| line: | M.1290 | M.1350 | M.1408 |

### Gujerathi

    460: Gujerathi
       composition matrices:
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.5 |
    518: Gujerathi Bold
       composition matrices:
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.5 |
       display matrices:
| size: | 18pt | 24pt | 30pt | 36pt |
    704: Gujerathi
       composition matrices:
| size: | 10pt | 12pt | 14pt |
| set: | 7.5 | 9 | 10.5 |

### Gurmukhi

    601: Gurmukhi Bold
       composition matrices: 12-16pt:
| size: | 12pt | 14pt | 16pt |
| set: | 9 | 10.5 | 12 |
    604: Gurmukhi
       composition matrices: 12-16pt:
| size: | 12pt | 14pt | 16pt |
| set: | 9 | 10.5 | 12 |
    604: Gurmukhi Light (see: 604 Gurmukhi)

### Hebrew

    219: Ashurith (unpointed)
       composition matrices: 7-8pt:
| size: | 7pt at 12pE (7D) | 8pt at 13pE (8D) |
| set: | 6.5 | 7 |
    487: Gill (cancelled in 1967)
    222: Hebrew
       composition matrices: 6-8pt:
| size: | 6pt at 9pE (6D) | 7pt at 10pE (7D) | 8pt at 13pE (8D) |
| set: | 7 | 7 | 7 |
    219: Hebrew Ashurith (see: 219 Ashurith)
    221: Hebrew Levenim (see: 221 Levenim)
    220: Hebrew Peninim (see: 220 Peninim)
    228: Hebrew Rabbinic (see: 228 Rabinnic)
    547: Hebrew Schocken No. 1 (cancelled in 1974)
    550: Hebrew Schocken No. 2 (cancelled in 1967)
    551: Hebrew Schocken No. 3 (cancelled in 1967)
    218: Hebrew Sonzino (pointed) (see: 218 Sonzino)
    221: Levênim (unpointed)
       composition matrices: 7pt:
| size: | 7pt op 9pE (7D) |
| set: | 7.25 |
    492: Mayer
    488: Mayer Pointed
    220: Peninim (unpointed)
       composition matrices: 5-7pt:
| size: | 5pt at 8pE | 6pt at 9pE | 7pt at 11pE |
| set: | 5 | 5.5 | 7.25 |
       display matrices: size: 14pt, 18pt, 24pt
    489: Peninim
    217: Peninim Pointed
       composition matrices: 6-8pt:
| size: | 6pt (6D) | 7pt | 8pt |
| set: | 5 | 5.5 | 7 |
    228: Rabbinic
       composition matrices: 11-12pt:
| size: | 11pt (10D) | 12pt (12D) |
| set: | 6.5 | 7 |
    218: Sonzino
       composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot
| size: | 9pt | 12pt |
| set: | 7.5 | 10 |
       display matrices: 18pt point S5469 to S5476 cast at 6 point

### Kannada

    588: Kannada
       composition matrices: 10-16pt:
| size: | 10pt | 12pt | 14pt | 16pt |
| set: | 9.75 | 11.5 | 13.75 | 15.75 |
    590: Kannada (see: 590 Malayalam)
    788: Kannada
    787: Kannada Semi-Bold

### Malayalam

    590: Malayalam (synonym: 590 Kannada)
       composition matrices: 10-12pt:
| size: | 8pt | 10pt | 12pt |
| set: | 9.75 | 12.5 | 14.75 |
    660: Malayalam
       composition matrices: 8pt:
| size: | 8pt |
| set: | 11 |

### Old Bulgarian

    597: Old Bulgarian (see also: 598 Glagolitic)
       composition matrices: 10-12pt:
| size: | 10pt (9D) | 12pt (11D) |
| set: | 9.5 | 11.75 |
| line: | M.1332 | M.1415 |

### Oriya

    706: Oriya

### Sangalese

    557: Sangalese
       composition matrices: 8-14pt:
| size: | 8pt | 10pt | 12pt | 14pt |
| set: | 7.75 | 9.25 | 11 | 13 |
    657: Sangalese Bold
       composition matrices: 8-14pt:
| size: | 8pt | 10pt | 12pt | 14pt |
| set: | 7.75 | 9.25 | 11 | 13 |
    698: Sangalese Italic
       composition matrices: 8-14pt:
| size: | 8pt | 10pt | 12pt |
| set: | 7.75 | 9.25 | 11 |
    699: Sangalese Bold Italic
       composition matrices: 8-14pt:
| size: | 8pt | 10pt | 12pt |
| set: | 7.75 | 9.25 | 11 |

### Syriac

    564: Syriac "Estrangelo"
       composition matrices: 8-10pt:
| size: | 8D | 10D |
| set: | 8.75 | 10.75 |

### Tamil

    280: Tamil
       composition matrices:
| size: | 8pt | 10pt |
| set: | 912 | 15 |
    340: Tamil Bold
       composition matrices: 8pt-10pt
| size: | 8pt | 10pt |
| set: | 12 | 15 |
       display matrices:
| 12pt | 14pt | 18pt | 24pt |
    581: Tamil Bold (cancelled)
    340: Tamil Heavy (see: 340 Tamil Bold)
    580: Tamil Medium\
       composition matrices:
| size: | 8pt | 9pt | 10pt | 11pt | 12pt |
| set: | 9.75 | 11 | 12.5 | 13.5 | 14.75 |
    708: Tamil Medium
       composition matrices:
| size: | 8pt | 9pt | 10pt | 11pt | 12pt | 14pt |
| set: | 9.75 | 11 | 12.5 | 13.5 | 14.75 | 17 |

### Telugu

    426: Telugu (cancelled in 1969)
    626: Telugu Medium
       composition matrices:
| size: | 12pt |
| set: | 12 |
    726: Telugu Bold

### Thai

    577: Thai
       composition matrices:
| size: | 12pt | 16pt | 18pt |
| set: | 9 | 12 | 13.5 |
    608: Thai Light
       composition matrices:
| size: | 12pt | 16pt | 18pt |
| set: | 8.5 | 11.5 | 12.75 |
    611: Thai Bold
       composition matrices:
| size: | 12pt | 16pt | 18pt |
| set: | 9 | 12 | 13.5 |
    621: Thai Medium
       display matrices:
| size: | 24pt | 30pt | 36pt | 48pt |
    628: Thai Light Italic
       composition matrices:
| size: | 16pt | 18pt |
| set: | 11.5 | 12.75 |

### Urdu

    507: Urdu
       composition matrices: 9D-16D
| size: | 9D | 12D | 14D | 16D |
| cast at: | 12pE at 12D | 16pE at 16D duplex | 18pE at 18D duplex | 20pE at 20D duplex |
| set: | 10.5 | 13 | 14.75 | 17 |
    707: Urdu Bold
       composition matrices: 9D-16D
| size: | 9D | 12D | 14D | 16D |
| cast at: | 12pE at 12D | 16pE at 16D duplex | 18pE at 18D duplex | 20pE at 20D duplex |
| set: | 10.5 | 13 | 14.75 | 17 |
       display matrices:
| size: | 18D | 24D | 30D | 42D | 54D |
| cast at: | 24pE at 24D | 30pE at 30D | 36pE at 36D | 48pE at 48D | 60pE at 60D |
| holder: | | | | Xb7SL | Xb7SL |