OpenLLM-France/wikimedia huggingface dataset:
# People's Revolutionary Bloc

The People's Revolutionary Bloc (Spanish: Bloque Popular Revolucionario, abbreviated BPR) was a Salvadoran militant organization that was founded by the Farabundo Martí Liberation People's Forces (FLP) in 1975. The BPR was mainly composed intellectuals, teachers, students, and rural peasants and workers. The group was led by General-Secretary Julio Flores.
# Mohammed Al-Hayaza

Mohammed bin Ali Al-Hayaza(Arabic: محمد بن علي آل هيازع) is a Saudi chemist and politician, who has been the president of Alfaisal University since 1 March 2015. During his term as president, Alfaisal University has risen from one of the Top 800 (2017) to one of the Top 300 (2020) universities in the world according to the Times Higher Education World University Rankings, though the university has faced criticism for its claims of being the best University in the Arab world and in Saudi Arabia.
Alhayaza also serves as the Chairman of Misk schools board, a member of King Abdullah University of Science and Technology (KAUST) board of trustees, member of the first universities affairs council and member of the education and training evaluation commission board. Prior to joining Alfaisal, Al-Hayaza served as the vice president for post Graduate Studies and Research in King Khalid University from 2002-2007 and the president of Jazan University from 2007 to 2014. At the time of his appointment, Jazan University had only three colleges and 3,000 students, but expanded to 40 colleges with an enrollment of 70,000 students during his presidency. Later, he was appointed as health minister in 2014. In 2015, Al-Hayaza was appointed to the Shoura Council, where he served until 2016.
# Ronald Barnett

Ronald Barnett (born 1947) is a philosopher, theorist and analyst of higher education. He is emeritus professor of higher education at University College London.
Barnett's first publication, The Idea of Higher Education (1990), attempted to found a new conception of higher education by drawing upon the Critical Theory of Jurgen Habermas. Barnett's interests in Critical Theory were reflected in a more practical manner in his Higher Education: A Critical Business (1997). In Realizing the University in an Age of Supercomplexity (2000) and A Will to Learn: Being a Student in Age of Uncertainty (2007), Barnett outlined the dispositions and epistemic virtues required by students, teachers and universities to engage with rapidly changing social and pedagogical conditions.
In Being a University (2011) and Imagining the University (2013) Barnett turned to ontological concerns and the importance of the imagination and poetry (under the influence of Martin Heidegger and Roy Bhaskar). Understanding the University (2015) constitutes the final volume of Barnett's 'University trilogy'.
Barnett's most recent books include The Ecological University: A Feasible Utopia (2018) and The Philosophy of Higher Education: A Critical Introduction (2022). The latter reflects upon the history of the philosophy of higher education since the late 1980s and the publication of Barnett's The Idea of Higher Education in 1990. A collection of Barnett's essays, written over a 30 year period, was published as Thinking and Revisiting the University: the selected works of Ronald Barnett (2015).

## Major Publications

* 2021 - The Philosophy of Higher Education: A Critical Introduction (Routledge) (300pp)
* 2018 - The Ecological University: A Feasible Utopia (Routledge) (220pp)
* 2015 - Understanding the University (Routledge) (210pp)
* 2014 - Thinking and Rethinking the University (Routledge World Library of Educationalists) (280pp)
* 2013 - Imagining the University. (Routledge) (190pp)
* 2011 - Being a University. (Routledge) (190pp)
* 2007 - Will to Learn: Being a Student in an Age of Uncertainty (McGraw-Hill/ Open University Press) (200pp)
* 2003 - Beyond All Reason: Living with Ideology in the University (Open University Press) (220pp)
* 2000 - Realizing the University in an age of supercomplexity (Open University Press)
* 1997- Higher Education: A Critical Business (Open University Press) (200pp)
* 1994 - The Limits of Competence (OU Press) (200pp) (October) (reprinted)
* 1992 - Improving Higher Education: Total Quality Care (OU Press) (240pp) (reprinted)
* 1990 - The Idea of Higher Education (Open University Press) (244pp) (reprinted)
# Ilana Harris-Babou

Ilana Harris-Babou (born 1991) is an American sculptor and installation artist. Harris-Babou was born in Brooklyn, New York. Her upbringing was discussed in an interview on the Amy Beecher Show in August 2019. She is currently assistant professor of art and the Luther Gregg Sullivan Fellow in Art at Wesleyan University.

## Artistic practice

Harris-Babou often uses music videos, cooking shows, and home improvement television as material in her practice, often dissecting notions of the American Dream. Her practices engages ideas about intimacy, violence, and consumption. Harris-Babou speaks to her audience through humor and reconstructed consumer culture. She describes her work more in an interview with PIN-UP.
In 2018, she created a fake hardware store at the Larrie Gallery in New York City. This project, titled "Reparation Hardware", features reclaimed furniture to create sculptures that reflect the notion of making the old new again. Her work on "Reparation Hardware" critiques double standards and the modern American ideals of life within the home. She also features political messages reflecting the emancipation and equality of African-Americans in the United States.
Harris-Babou has exhibited throughout the US and Europe, with solo exhibitions at The Museum of Arts & Design in New York and Vox Populi Gallery in Philadelphia, Pennsylvania. She also exhibited at the de Young museum in San Francisco, Abrons Art Center in New York, the Zuckerman Museum of Art in Kennesaw, Georgia, Le Doc in Paris, France, the Jewish Museum in New York, & SculptureCenter in Long Island City.
Her most recent exhibition is titled "Decision Fatigue" and was featured at Hesse Flatow in New York City from February 20 to March 21, 2020. This exhibit features a video of Harris-Babou's mother, Sheila Harris conducting a makeup tutorial. The artist's mother reflects on her choices to appear youthful and healthy, questioning the reality of her youth. Harris-Babou uses this video to examine how structural problems are sometimes concealed as personal choices. The exhibit also features sculptures that are similar to items found in a boutique but altered to appear abnormal.

### Selected exhibitions

* 2016 – In Response: Unorthodox – The Jewish Museum, New York City
* 2017 – One Bad Recipe – The Museum of Arts and Design, New York City
* 2018 – Reparation Hardware – Larrie, New York City
* 2018 – Further Thoughts on Earthly Materials – Kunsthaus Hamburg, Hamburg, Germany.
* 2019 – 2019 Whitney Biennial, curated by Rujeko Hockley and Jane Panetta.
* 2019 – Strange Loops– Artspace, New Haven, CT. Curated by Johannes DeYoung and Federico Solmi.
* 2020 – Decision Fatigue – Hesse Flatow, New York City.

## Awards

* 2017 Artist Community Engagement Grant, Rema Hort Mann Foundation, New York City
* 2017 Van Lier Fellow, Museum of Arts and Design, New York City
* 2018 Session, Recess Art, New York City
* 2020 National YoungArts Foundation's Jorge M. Pérez Award
# Amy Howe

Amy Howe is an American gambling executive. She is currently the CEO of FanDuel. She is a frequent evangelist of live entertainment.

## Early life and education

Howe was born in Eden, New York, a suburb of Buffalo. There she attended Eden Junior / Senior High School. In 1994, Howe received a Bachelor of Science (B.S.) in Business, Management, Marketing, and Related Support Services from Cornell University. In 1999 she received a Master of Business Administration (MBA) in Marketing/Marketing Management from the University of Pennsylvania's Wharton Business School.

## Career

Howe began her career at Accenture as a business analyst in 1994. In 1997 she left Accenture to pursue her MBA. She then joined McKinsey & Company and worked her way up to partner over her 14 years with the company. She was recruited to Live Nation by CEO Michael Rapino and joined the company as the chief strategy officer in 2014.
In 2015 she took the position of Ticketmaster North America COO. In 2020, Amy Howe, the COO of Ticketmaster, has left the business.
In 2021, Amy was appointed to the President of FanDuel.

## Honors

In 2015, she was named to Billboard's Women In Music 2015: The 50 Most Powerful Executives in the Industry list. In 2016, she was named to Billboard's Women In Music 2016: The 100 Most Powerful Executives list. In 2017, she was named to Billboard's Women in Music 2017: The Most Powerful Executives in the Industry list. Howe was also nominated to the 2017 Sports Business Journal Game Changers list and listed on the National Diversity Council's 2018 list of the Top 50 Most Powerful Women in Technology.

## Boards

Howe is one of the Live Nation executives that advise and mentor the companies selected by the Women Nation Fund, an early-stage investment fund that invests in companies founded by women that provide a product or service in the live entertainment space.
# Synagogue of the Ashkenazi Jews in Baku

Synagogue of the Ashkenazi Jews in Baku is a synagogue, located at 171 Dilara Aliyeva Street, in Baku, Azerbaijan. The synagogue caters for Ashkenazi and Georgian Jews.

## History

In 1946, a building of former depot of the civil defense on the corner of Korganov (now Rasul Rza) and Pervomayskaya (now Dilara Aliyeva) Streets in a semi-basement place was allocated for the present synagogue. The building was repaired and re-equipped for needs of communities together with a community of Georgian Jews of Azerbaijan. Two praying halls were built there: a big one for the Ashkenazi Jews and a small one for Georgian Jews. Means were collected in the result of voluntary donations donated by Azerbaijani Jews. In 2002, it was decided to build a new building for the synagogue. Opening of the new synagogue was held on March 9, 2003.
At present, Rabbi Shneor Segal, leader of Alliance of Rabbis in Islamic States is the Chief Rabbi of the synagogue and the Ashkenazi community.
# Simeon I of Yerevan

Simeon I of Yerevan or Simeon Yerevantsi (Armenian: Սիմէոն Ա Երեւանցի; 1710 – July 26, 1780) was the Catholicos of All Armenians (head of the Armenian Church) from 1763 to 1780. In 1771 he founded a printing press at the Etchmiadzin Cathedral, the first in Armenia. According to historian Rouben Paul Adalian, the pontificate of Simeon I of Yerevan marked the reemergence of Etchmiadzin as a "truly important center of Armenian national affairs".

## Biography

Simeon I was born in 1710 in Yerevan, then under Safavid Iranian rule. According to his contemporaries and 19th-century sources, his family was of noble origin. He received his education at the monastic school in Etchmiadzin, where he studied with his predecessor as catholicos, Hakob Shamakhetsi, and eventually joined the teaching staff. As a legate of the Holy See of Etchmiadzin, he travelled to Istanbul, New Julfa and Madras, the last of which was an important center of Armenian intellectual activity at the time.
He was elected catholicos at Etchmiadzin in 1763. At the time, due to the remoteness of Etchmiadzin in a frontier province of Iran, the Armenian Patriarchate of Istanbul had become the most important see of the Armenian Church. Simeon took active efforts in order to increase the role of the See of Etchmiadzin and reassert its primacy over the other sees, including by establishing a printing press in 1771, the very first on the territory of historical Armenia. Four years later he established a paper factory to meet the growing needs and costs of the printing press. He furthermore improved the monastic school, which would become a major center of theological learning in the 19th century.
Catholicos Simeon was particularly hostile towards Armenian Catholics and sought to prevent the spread of Catholicism among Armenians, frequently and harshly criticizing them in his written works. He was opposed to the activities of Indian Armenians Shahamir Shahamirian and Joseph Emin, who envisioned the reestablishment of an independent Armenian state.
Simeon I died on July 26, 1780, on the holiday of Vardavar. In accordance with his wishes, his former student Ghukas Karnetsi was elected his successor as catholicos.
# The Black Archer

The Black Archer is a British Silver Age comic book costumed adventurer who debuted in 2 July 1966 edition of Tiger.

## Publication history

The character was created by Eric Bradbury and added to the Tiger line-up in 1966, and was dropped in 1967 after 66 weekly episodes. John Gillatt drew most of the character's appearances. The Black Archer also appeared in an illustrated text story in the 1968 Tiger Annual. Following the character's disappearance from the comic some of the Black Archer's adventures were reprinted in two editions of the digest format Eagle Picture Library in 1985.
In 1989 the character made a guest appearance in Grant Morrison's 2000AD strip Zenith as one of a large number of multiversal superheroes battling the Lloigor. While the character achieves little in terms of actually combating the Lloigor he is a prominent figure, frequently complaining about the chaotic nature of the battle. The Black Archer survives the events and returns to his own Earth, but not before verbally berating Lux for the high cost of what he refers to as a "pyrrhic victory".

## Fictional character biography

Clumsy TV reporter Clem Macey stumbles onto a warehouse while attempting to cover a robbery in the crime-infested fictional Delago City in America. There he finds the trappings of the legendary Black Archer, accompanied by a wise old man. The stranger was able to persuade Macey to take on the powers of the Black Archer to clean up the city. As the Black Archer he was reluctantly aided by a pair of minor crooks - stereotyped Asian Chango and the homunculus-like Katt. The pair reformed and worked with the Archer to stay out of prison and bickered between themselves constantly. Another recurring character was Delgado City's ineffectual Police Chief Delaney, who often blamed Macey for various misfortunes.
Enemies included hooded crime boss Axe-Man, elastic thief The Remover, The Weatherman and his henchmen Ice-Man and Tornado-Man and Chicago millionaire "Madcap" Miller.

## Powers and abilities

The Black Archer powers gave Macey enhanced strength and agility, though his primary power was incredible marksmanship. His signature weapon was a crossbow, for which the Archer had a range of custom bolts - such as one that could generate a smokescreen, another that would allow him to grapple up walls, an incandescent "fire bolt" and - most dramatically - the Black Wind of Fate, which caused a small tornado. His secondary weapon was a dagger that could project fire. He could switch between his everyday identity as Macey and the Black Archer at will and used the flying three-wheeled Aero-Cycle that could be rendered invisible.
# James Hay (British Army officer)

Lieutenant-General James Hay CB (1780 – 25 February 1854) was a British Army officer who saw service during the Peninsular War and the Waterloo Campaign. He was the last owner of the Arnolfini Portrait before it was bought by the National Gallery.

## Life

He was born in Braco, Scotland the son of John Hay and joined the 16th Light Dragoons as a cornet on 10 June 1795. He was subsequently promoted to Lieutenant on 4 March 1795; to Captain on 28 February 1799; to Major on 2 January 1812 and to Lieutenant-colonel on 18 February 1813.
During the Peninsular War, Hay was present at the battles of Vittoria and the Nive for which he received the Army Gold Medal with one clasp. He had his arm broken at the Battle of Salamanca. In one engagement he led his regiment against the Lancers de Berg during which 70 enemy men and a squadron chief were captured.
On 22 June 1815, on the recommendation of Wellington, he was appointed a Companion of the Most Honourable Order of the Bath (CB) for his services at Quatre Bras and Waterloo. He was so seriously injured at Waterloo that he could not be moved from the field for eight days.
He later claimed (very implausibly) that the Arnolfini Portrait hung in the room in Brussels where he recovered further, and he bought it from the landlord. It is far more likely that he had acquired it in Spain after the Battle of Vitoria, when a coach loaded with treasures from the Spanish royal collection by Joseph Bonaparte was captured and looted by British soldiers. Wellington ordered the recovery of as much as he could, and offered the works back to the King of Spain, who later let the Wellington Collection keep them. The Arnolfini painting is well-documented as being in the Spanish royal collection before the war.
Hay offered the painting to the Prince Regent, later King George IV, via Sir Thomas Lawrence. The Prince had it on approval for two years at Carlton House before eventually returning it in 1818. Around 1828, Hay gave it to a friend to look after, not seeing it or the friend for the next thirteen years, until he arranged for it to be included in a public exhibition in 1841. It was bought the following year (1842) by the recently formed National Gallery, London for £600, as inventory number 186, where it remains.
Hay was given the colonelcy of the 79th Regiment of Foot (Cameron Highlanders) from 1849 to his death. He died at his seat near Kilburn, County Longford on 25 February 1854.
# RD-263

The RD-263 (Russian: Ракетный Двигатель-263, romanized: Raketnyy Dvigatel-263, lit. 'Rocket Engine 263', GRAU index: 15D117) is a liquid-fuel rocket engine, burning a hypergolic mixture of unsymmetrical dimethylhydrazine (UDMH) fuel with dinitrogen tetroxide (N$_2$O$_4$) oxidizer in the oxidizer rich staged combustion cycle. Four RD-263 engines form a propulsion module RD-264 (GRAU index: 15D119). For the R-36M KB Yuzhnoye only ordered the first stage propulsion to Energomash, instead of both stages, arguing that they were overworked with the RD-270 development. By April 1970 Yuzhnoye was getting the engine documentation. By the end of 1972 Energomash started to test fire the engines in its own test stand. And by September 1973 the engine was certified for flight. While the engine is out of production, the ICBM as well as the Dnepr remain operational as of 2015.

## Versions

The basic engine has been used for the
* RD-263 (GRAU index: 15D117): Initial version used on the R-36M and R-36MUTTKh first stage (15А14 and 15A18).
* RD-268 (GRAU index: 15D168): Variation used on the MR-UR-100 (15А15) and MR-UR-100UTTKh (15A16) first stage.
* RD-273 (AKA RD-263F): Improved version based on the RD-263F upgrade project. Version used on the R-36M2 (15A18M) and (15A18M2) first stage.
RD-0210 family of engines :
| Engine | RD-263 | RD-268 | RD-273 |
| AKA | 15D117 | 15D168 | RD-263F |
| Propulsion module | RD-264 | N/A | RD-274 |
| Development | 1969-1975 | 1970-1976 | 1982-1988 |
| Engine type | Liquid oxidizer rich staged combustion using N$_2$O$_4$/UDMH propellant with an O/F ratio of 2.67 | Liquid oxidizer rich staged combustion using N$_2$O$_4$/UDMH propellant with an O/F ratio of 2.67 | Liquid oxidizer rich staged combustion using N$_2$O$_4$/UDMH propellant with an O/F ratio of 2.67 |
| Combustion chamber pressure | 20.6 MPa (2,990 psi) | 22.6 MPa (3,280 psi) | 22.6 MPa (3,280 psi) |
| Thrust, vacuum | 1,130 kN (250,000 lbf) | 1,240 kN (280,000 lbf) | 1,240 kN (280,000 lbf) |
| Thrust, sea level | 1,040 kN (230,000 lbf) | 1,130 kN (250,000 lbf) | 1,130 kN (250,000 lbf) |
| I$_{sp}$, vacuum | 318s | 318.5s | 318s |
| I$_{sp}$, sea level | 293s | 295.6s | 296s |
| Length | 2,150 mm (85 in) | 2,150 mm (85 in) | 2,150 mm (85 in) |
| Width | 1,080 mm (43 in) | 1,083 mm (42.6 in) | 1,080 mm (43 in) |
| Dry weight | 870 kg (1,920 lb) | 770 kg (1,700 lb) | Unknown |
| Use | R-36M (15А14) and R-36MUTTKh (15A18) core stage | MR-UR-100 (15А15) and MR-UR-100UTTKh (15A16) first stage | R-36M2 (15A18M) and (15A18M2) first stage |
| Status | Out of production | Retired | Retired |
| References | | | |

## Modules

Some of these engines were bundled into modules of multiple engines. The relevant modules and auxiliary engines are:
* RD-264 (GRAU Index 15D119): A module comprising four RD-263. Propulsion module of the R-36M and R-36MUTTKh first stage (15А14 and 15A18).
* RD-274 (GRAU Index ): A module comprising four RD-273. Propulsion module of the R-36M2 (15A18M) and (15A18M2) first stage.
# Ghukas Karnetsi

Ghukas Karnetsi (Armenian: Ղուկաս Կարնեցի, lit. 'Luke of Karin/Erzurum'; 1722 – 28 December 1799) was Catholicos of All Armenians (head of the Armenian Church) in Etchmiadzin from 1780 to 1799. He succeeded his former teacher Simeon of Yerevan and continued many of his policies. He was catholicos during a time of economic hardship and conflict in Iranian Armenia and appealed to the Russian Empire to take Armenians under its protection. He was careful not to worsen the church's relations with Muslim rulers. He was also responsible for the renovation and decoration of Etchmiadzin Cathedral.

## Biography

Ghukas was born in 1722 in Kiğı in the Erzurum Eyalet of the Ottoman Empire. At the monastic school in Etchmiadzin, he was a student of future catholicos Simeon (r. 1763–1780). He was ordained a priest in 1751 and sent to the diocese of Rumelia as a legate (nvirak) of the catholicos. In 1763, he was consecrated as a bishop and appointed prelate of the Armenians of Izmir. When his term as legate ended, his parishioners wrote to Catholicos Simeon asking him to allow Ghukas to remain in Izmir; Simeon agreed. In 1775, Ghukas returned to Etchmiadzin. Catholicos Simeon designated Ghukas as his successor, and he was elected catholicos after Simeon's death in 1780. As a result of the wartime conditions created by Georgian king Heraclius II's campaign against the Khan of Erivan, Ghukas's election was not preceded by the traditional consultation with the Armenians of Constantinople, who initially refused to accept him. However, the new Armenian patriarch of Constantinople recognized Ghukas as the head of the Armenian Church a year later.
Ghukas became catholicos during a difficult time in Eastern Armenia, characterized by economic hardship and conflict between local rulers in the absence of central authority. In 1782, Ghukas appealed to the Russian military command to free the Armenian people from Iranian rule. Ghukas undertook building projects, renovating Etchmiadzin Cathedral. In 1786, he hired painter Hovnatan Hovnatanian to decorate the walls of the cathedral. In 1797, Ghukas appealed to Tsar Paul I of Russia to take the Armenian people under his protection and recognize the spiritual authority of the Mother See of Holy Etchmiadzin over the Armenians living in the Russian Empire. Paul carried out Ghukas's request with a decree issued on 26 February 1798. A cautious leader, Ghukas managed to maintain good relations with the Ottomans and Iranians despite his overtures to Russia.
Ghukas divided some of his power by creating a permanent council of bishops to assist the catholicos, which, according to historian George Bournoutian, contributed to later factionalism within the church. His death was followed by significant interest by Iran and Russia in Etchmiadzin's affairs. Archbishop Hovsep Arghutian, who was elected as Ghukas's successor with Russian support, died before being consecrated. Ghukas was succeeded by Davit V Enegetsi as catholicos.