OpenLLM-France/wikimedia huggingface dataset:
# Shiladitya of Malwa

Shiladitya of "Mo-la-po" (identified as Malwa) was a 6th-century king of India, known only from the writings of the 7th-century Chinese traveler Xuanzang. Several modern scholars identify this king as the Maitraka king Shiladitya I alias Dharmaditya, although alternative theories exist.

## Xuanzang's description

Xuanzang, who visited India during c. 630-644, states that Shiladitya ruled Mo-la-po 60 years before his time. He states that Mo-la-po was located north-west of Po-lu-kie-ch'e-p'o (Bharukachchha). Modern scholars generally identify "Mo-la-po" with Malwa, specifically western or southern Malwa.
Xuanzang states that his information about Shiladitya was derived from the local records. Shiladitya ruled for over 50 years, and was a man of great administrative and intellectual ability. He was caring towards his subjects, ministers, and wives. He practiced non-violence towards all, including animals. He even cared about the life of insects, and ensured that the water given to his horses and elephants was filtered to remove any insects.
Shiladitya built a highly ornamental Buddhist monastery (vihara) beside his palace, and installed the images of the seven Buddhas in it. Every year, he organized an assembly called Moksha mahaparishad, inviting priests and making generous donations to them.
Xuanzang states that the king's subjects loved him, and even 60 years later - during Xuanzang's time - people revered him. He describes the contemporary king Tu-lo-po-po-ta (Dhruva-bhata) of Fa-la-pi (Valabhi) as a nephew of Shiladitya.

## Identification

One theory identifies Xuanzang's Shiladitya as Shiladitya I alias Dharmaditya, the Maitraka king of Vallabhi. Xuanzang states that Dhruva-bhata ("Tu-lo-po-po-ta"), the contemporary Maitraka king of Vallabhi ("Fa-la-pi"), was a nephew of Shiladitya. Although Shiladitya ruled from Valabhi, his rule apparently extended up to western Malwa, because of which Xuanzang describes him as the ruler of Malwa. Malwa and Vallabhi were likely part of a single Maitraka-ruled kingdom, but Xuanzang may have described them as independent kingdoms because of confusion. According to historian B.P. Sinha, "Mo-la-po" did not refer, but to "Malavaka", a part of present-day Gujarat; the name "Malavaka" appears as the name of a region in the inscriptions of the Maitraka king Dhruva-sena II.
Shiladitya's known dates are 606 CE and 612 CE, and his father Dhara-sena ruled at least until 589 CE. These dates do not align with Xuanzang's statement that Shiladitya ruled 60 years before his own time. The proponents of this theor argue that Xuanzang's statement should not be taken literally.
Historian Radha Kumud Mukherjee identified Shiladitya as a son of the Aulikara king Yashodharman.
# Scott G. Eccarius

Scott G. Eccarius (born January 4, 1961) is an American politician. He served as a Republican member of the South Dakota House of Representatives.

## Life and career

Eccarius was born in Sioux Falls, South Dakota. He attended the University of Southern California and the University of South Dakota School of Medicine.
Eccarius served in the South Dakota House of Representatives from 1997 to 2002.
# Euphemia Fedorovna Vsevolozhskaya

Euphemia Fedorovna Vsevolozhskaya (Russian: Евфимия (Ефимья) Фёдоровна Всеволожская; 1630–1657), was a Russian noble, the fiancee of Tsar Alexis of Russia.
Euphemia was chosen to be the future bride of the tsar in 1647, and brought to the imperial court. However, shortly after having been elected, she fainted. Due to political intrigues at court engineered by Boris Morozov, she was diagnosed as an epileptic and thereby disqualified as tsarina. Accused of concealing her "illness" from the tsar, she and her family were exiled to Tyumen (Russian: Тюмень), the first Russian settlement in Siberia.
# Canterbury Guildhall

Canterbury Guildhall, formerly the Church of the Holy Cross, is a municipal building in St Peter's Place in Canterbury, Kent, England. The structure, which is the meeting place of Canterbury City Council, is a Grade II* listed building.

## History

The original guildhall in Canterbury was located at the corner of High Street and Guildhall Street and was completed in 1180. The building, which was rebuilt in 1437, 1688 and 1697, was used as a venue for magistrates court hearings and hosted a concert at which the young composer, Wolfgang Amadeus Mozart, performed one of his pieces in 1765.
The building in the High Street was remodelled in the neoclassical style in ashlar stone in 1835. The design involved a symmetrical main frontage with three bays facing onto the High Street; the ground floor featured a rounded headed doorway flanked by two round headed windows. There were sash windows on the first floor flanked by Corinthian order pilasters supporting an entablature and a heavily modillioned pediment with a coat of arms in the tympanum. Internally, the principal room was the main hall, which was decorated with pikes, matchlocks and other weapons seized by Parliamentary Forces from Lady Wootton's house at St Augustine's Abbey, as well as a portrait of Queen Anne by Thomas Gibbs. When Frederick Temple became Archbishop of Canterbury in 1896, he was given an enthusiastic reception by the mayor and the corporation of the city at the guildhall.
The building was primarily used as a venue for civic events after council officers and their departments moved to the Municipal Buildings in Marlowe Avenue. The remodelling carried out in the 19th century involved poor construction which led to the flint walls being declared unstable. Despite considerable controversy at the time, with the exception of the undercroft which still survives, the guildhall was demolished in 1950.
Meanwhile, the Church of the Holy Cross near the Westgate, had been commissioned by Archbishop Simon Sudbury and completed before his death in 1381. The design of the church, which originally formed part of the St Gregory's Priory, involved a nave, a chancel and two aisles, and there was a square tower facing northwest towards the River Stour.
After the church was declared redundant and de-consecrated in 1972, it was acquired by the city council and converted for municipal use: it was officially re-opened by the Prince of Wales as the new Guildhall and meeting place of the city council on 9 November 1978. In May 2021, the city council announced aspirations to secure funding for a scheme which would link the guildhall with other heritage assets in the immediate area such as Westgate and would also involve the council chamber becoming a visitor attraction.
# York Guildhall

The Guildhall York is a municipal building located in St Martins Courtyard, Coney Street, in York. Located behind the Mansion House, it is a Grade I listed building.

## History

The building was constructed as a meeting place for the City's guilds between 1449 and 1459.
King Richard III was entertained in the building in 1483, and the Guildhall was the venue for the trial of St Margaret Clitherow, a Catholic martyr, in 1586. It was also the place where a ransom of £200,000 was counted before being given to the Scots in payment for the release of Charles I in 1647 during the English Civil War, and where Prince Albert, the Prince Consort to Queen Victoria was a guest of honour at a royal banquet in the building in October 1850. At the north end of the Guildhall was a stained glass window painted by Henry Gyles in about 1682.
In 1811 a building, designed by Peter Atkinson the younger as a council chamber, was erected to the south of the original hall (this is now known as "the Atkinson Room"). Then in 1891, another building, designed by Enoch Mawbey, the city surveyor, accommodating a larger council chamber, was built to the north of the original hall (this building is now known as "the Municipal Offices"). The new council chamber was decorated by Kendal, Milne and Co in the 1890s.
The interior of the original building, including the stained glass window, was destroyed during a Baedeker raid in 1942. After the war the Guildhall was rebuilt and a new stained glass window, depicting five aspects of the city's history (architecture, war, civic affairs, commercial trade and religious education), was designed and installed by Harry Harvey of York. The complex was re-opened by Queen Elizabeth The Queen Mother in 1960.
Throughout the 20th century meetings of the City of York Council were held in the Guildhall; however, in Autumn 2017, when a programme of restoration work began at the Guildhall, temporary arrangements were put in place for the council to meet in the former Salvation Army Citadel on Gillygate. The renovation, which cost £21 million and was carried out to remedy serious structural issues, was completed in 2022 and the building was subsequently leased to the University of York, as a centre for start up businesses.
# Llantwit Major Town Hall

Llantwit Major Town Hall (Welsh: Neuadd y Dref Llanilltud Fawr) is a local government administrative building dating back to the late 15th century, in the town of Llantwit Major in the Vale of Glamorgan, Wales. It is a Grade II* listed building.

## History

The original administrative building for the town was ascribed to the late 13th-century Gilbert de Clare, Lord of Glamorgan. The cellar dates from this old courthouse. The present building, in the centre of the old town, was constructed under the lordship of Jasper Tudor in around 1490 and used to collect rents and as a venue for the weekly market. Fairs were also held in the building at weekends. The windows of the Town Hall may have been installed later: they are similar to those of the Old Swan Pub opposite, which date from around 1570. After being found in a state of "utter ruin and decay", it was refurbished in the late 16th century and in subsequent years the lower floor functioned as a school, a slaughterhouse and a jail while the upper floor served as a venue for church meetings and was leased to the St. Illtyd's lodge of the Odd Fellows in 1845. A clock was presented to the town in 1887 to mark the diamond jubilee of Queen Victoria.
In the late 19th century, management of the building passed to the new parish council formed under the Local Government Act 1894. It subsequently passed to the town council which has used the town hall as its meeting place since it was formed in 1978. A major refurbishment was carried out in 2017; the refurbishment works, which entirely related to the main hall, included removal of the stage, sanding and re-varnishing the flooring and installing traditional lighting.

## Description

The building is constructed of stone and has two stories, with chimney stacks and rows of mullioned windows on the long elevations. At the northeast end are two flights of stone stairs leading to an enclosed landing, above which is the large circular clock. At the apex of the northeast gable end is a bell turret with an ancient bell. The bell bears the inscription, Sancte Iltute, ora pro nobis ("Saint Illtyd, pray for us").
The building contains a hall and a council chamber. The ground floor room at the northeast end is currently used as a Tourist Information office. A blue plaque recording the historical importance of the building was placed on the town hall in February 2007.
# Much Wenlock Guildhall

The Much Wenlock Guildhall is a guildhall located on Wilmore Street in Much Wenlock, Shropshire. It is a Grade II* listed building.

## History

In the aftermath of the dissolution of the monasteries, which saw the powers of Wenlock Priory suppressed, civic leaders sought a new meeting place to conduct the business of the town. The new half-timbered building which they commissioned was completed in two phases, the south end (the court room) in 1540 and the north end (the council chamber) in 1557.
The design for the main frontage on Wilmore Street featured three large gables. On the ground floor, at the north end there was initially a prison (it was dismantled in 1869), in the central section there was arcading to allow markets to he held and at the southern end there was a passageway for carriages to pass through. At first floor level, the design involved tall mullion windows below each of the three gables.
Internally, the principal rooms were the courtroom and the council chamber, both on the first floor. The courtroom was the venue for the Quarter sessions where the more serious offences were considered, and also the venue for the Petty sessions where more trivial offences were considered.
In 1546, Alice Glaston the youngest girl ever legally executed in England was imprisoned in the ground floor cell, and placed on trial on the first floor of the building. On 13 April 1546, Glaston was led from the guildhall to Wenlock Edge where she was hanged at the age of just 11 years old.
The Royal Coat of Arms, which is that of Queen Elizabeth I, was erected in the courtroom in 1589. An "inner room" for the storage of court records was created in 1616. A new cupola was erected on the roof in 1720.
The council chamber was the meeting place of the municipal borough of Much Wenlock which was incorporated under the Municipal Corporations Act 1835; it was fitted out with ornate Jacobean style panelling which had been retrieved from a local country house and installed at the expense of the educationalist, William Penny Brookes in 1848.
The last quarter sessions were held in the courtroom in 1951 and the last petty sessions, by then known as magistrates' courts, were held there in 1985.
The council chamber ceased to be the local seat of government when Much Wenlock was absorbed into the Bridgnorth Rural District in 1966. However, it still remains the meeting place of the local town council. The chamber contains a memorial board topped by a clock in memory of 16 Allied airmen - British, Canadian and American - who were killed in aircraft crashes in the territory of Wenlock Borough during the Second World War.
The principal rooms are open to visitors free of charge for entrance from April to October. The stocks and the whipping post can both be seen on the ground floor.
# Dysart Tolbooth and Town House

Dysart Tolbooth and Town House is a municipal building in the High Street, Dysart, Fife, Scotland. The structure, which was comprehensively restored in 2009, is a Category A listed building.

## History

The first municipal building in the town was a tolbooth tower erected in 1567. This does not appear to have been successful as it was demolished, just eight years later, in 1575, and replaced by the present three-stage tower, which was built in harled stone and erected slightly to the south of the original structure, in 1576. The first stage of the tower contained a doorway, while the second and third stages were originally blind, although a clock was installed in the third stage in 1592. There was a round stair-tower at the northeast corner of the building which provided access to the upper levels, and the building was extended to create a prison in 1617: five women were accused of witchcraft and incarcerated there in 1630.
After roundhead troops started using the building to store gunpowder during the English Civil War, the roof of the building was blown off by an accidental explosion in 1651. A forestair leading up to a doorway on the southwest side was added in 1717 and repairs were carried out to the building in 1719. Andrew St Clair, 12th Lord Sinclair, whose seat was at Dysart House, commissioned improvements to the tower in 1743. These works involved remodelling the tower with a new octagonal belfry surmounted by an ogee-shaped roof and a weather vane. The improvements were undertaken by Alexander Mawer at a cost of £499 to a design by John Douglas of Edinburgh and were completed in 1744. The building was then extended down Victoria Street to provide an assembly hall in 1765.
By the early 1880s, the Victoria Street extension had become very dilapidated, and the burgh leaders decided to replace it with a new town house. The new building was designed by Campbell Douglas and James Sellars in the neoclassical style, built in ashlar stone and was completed in 1888. The design involved a main frontage of three bays facing onto Victoria Street. The central bay contained a doorway which was flanked by bi-partite windows in the outer bays, and there were three sash windows on the first floor. Internally, the principal rooms were the council chamber, the courtroom and the magistrates' room. The burgh council, which had previously held their meetings in St Serf's Church, then started using the new council chamber.
The building continued to serve as the meeting place of the burgh council into the 20th century but ceased to be the local seat of government when the area was absorbed by Kirkcaldy Burgh Council in 1930. After a long period of disuse, the fabric of the building deteriorated and the structure again became dilapidated. A major programme of refurbishment works, financed by Fife Council, the National Heritage Lottery Fund and Historic Scotland, started on site at a ceremony attended by the Member of the Scottish Parliament, Marilyn Livingstone, in April 2009. The works formed part of a wide programme of regeneration in the town which was completed in 2014.
# Angelina Tkatcheva

Angelina Tkatcheva (Belarusian: Ангелина Ткачёва) is a Belarusian virtuoso cimbalist. She is regarded as one of the greatest Belarusian cimbel players of all time.

## Biography

She was born in Minsk, Belarus, where she began her musical studies at a very young age. At the age of 10, she received her first prize in the Belarusian competition for young musicians, performing works on cimbel.
After a few years, she continued her studies at the Belarusian State Academy of Music, where she completed her studies in 1983, receiving a diploma. In the same year, she took part in a solo competition of the Soviet Union held in Moscow, in which she received an award. After that, she pursued a career as a soloist, giving concerts and recitals in various cities of the USSR, while at the same time continuing to attend classes at the academy, as part of her postgraduate studies.
Her repertoire includes works by classical, romantic, but also contemporary composers. In 1989 she settled permanently in Greece, which was the occasion to begin a new artistic career, starting collaborations with the Athens Concert Hall, the Greek National Opera, the Athens State Orchestra, the Thessaloniki State Symphony Orchestra, the Orchestra of Colors and the ERT Music Ensembles, while generally collaborating with the Greek Composers' Union. She has also performed at the Odeon of Herodes Atticus and the Pallas Theater, but has also taken part in many music festivals and events.
She has taught at the Athens Conservatoire, the Hellenic Conservatory and the Municipal Conservatories of Patras and Petroupoli. Some of her students are Areti Ketime, Christina Kouki, Penny Georgopoulou and Antonis Fragakis.

## Discography

| Name | Year published | Album artist |
| ROM | 1989 | Nikos Kypourgos |
| An Imoun Andras | 1997 | Maria Katinari |
| At The Café Aman | 1998 | Niki Tramba, Ross Daly, Labyrinth |
| Proves apoheretismou | 1999 | Maria Voumvaki |
| I Domna Samiou sto Megaro Mousikis | 1999 | Domna Samiou |
| Septemvrios | 2001 | Nikos Platyrachos |
| Tis Kira-Thalassas | 2002 | Domna Samiou |
| Allotes Otan Ekoursevan | 2006 | George Hatzimichelakis |
| Ode | 2007 | Tassis Christoyannis |
| Tragoudia tou Aigaiou | 2008 | Orchestra of Colors, Savina Yannatou, Vasilis Gisdakis |
| 24 = 24 Songs | 2008 | Manos Hadjidakis |
| To Hrisafi t' Ouranou | 2015 | Michalis Loukovikas, Aris Alexandrou |
| Modus | 2016 | George Hatzimichelakis |
| Music from Greece: Domna Samiou | 2018 | Domna Samiou |
| Lydian stone | 2019 | George Hatzimichelakis |
# Love Is Forever (Leonora song)

"Love Is Forever" is a song by Danish singer Leonora that was Denmark's entry at the Eurovision Song Contest 2019 in Tel Aviv. It is the first multilingual entry from Denmark in Eurovision and also the first Danish entry with Danish lyrics since the removal of the language rule in 1999. It was performed at the second semi-final on 16 May 2019, and qualified for the final, where it placed 12th with 120 points.

## Eurovision Song Contest

The song represented Denmark in the Eurovision Song Contest 2019, after Leonora was chosen through Dansk Melodi Grand Prix 2019, the music competition that selects Denmark's entries for the Eurovision Song Contest. On 28 January 2019, a special allocation draw was held which placed each country into one of the two semi-finals, as well as which half of the show they would perform in. Denmark was placed into the second semi-final, held on 16 May 2019, and was scheduled to perform in the first half of the show. Once all the competing songs for the 2019 contest had been released, the running order for the semi-finals was decided by the show's producers rather than through another draw, so that similar songs were not placed next to each other. Denmark performed in position 7 and qualified for the final on 18 May 2019. Denmark performed sixth in the final. At the end of the voting, the song had received 120 points, ending 12th.

## Charts

| Chart (2019) | Peak position |
| Denmark (Tracklisten) | 16 |
| Lithuania (AGATA) | 69 |
| Scotland (OCC) | 77 |
| Sweden Heatseeker (Sverigetopplistan) | 12 |
| UK Singles Downloads (OCC) | 61 |