# British Airways ethnic liveries

In 1997 British Airways (BA) adopted a new livery. One part of this was a newly stylised version of the British Airways "Speedbird" logo, the "Speedmarque", but the major change was the introduction of tail-fin art. Also known as the Utopia, World Tails and world image tailfins, they used art and designs from international artists and other sources to represent communities in countries served by BA's route network. The signature of the artist was carried near the design on the tail.
The new corporate logo was created by the London-based design agency Newell & Sorrell, who also oversaw the implementation of the tailfin designs.
The German designs refer to the BA subsidiary Deutsche BA, the French designs refer to the BA subsidiary Air Liberté, and the Australian designs refer to BA's alliance with Qantas.

## History
### Launch and reception

   Our existing livery has served us well. It helped transform our company in preparation for privatisation. Now all of our research is telling us we must change again, to prepare for the exciting new era that the new millennium will bring. ... The identity we unveil publicly today is that of a global, caring company, more modern, more open, more cosmopolitan, but proud to be based in Britain.
The adoption of this aircraft livery was seen as a move away from the traditional British image of the carrier. BA claimed that the previous Landor Associates scheme carried an air of arrogance and detachment, and insisted that the new tailfins were popular with international travelers. In addition to the new tail art, the crest and motto "To Fly. To Serve." were dropped from the livery to make the airline appear more "global and caring." In his speech at the launch, Chief Executive Robert Ayling declared that BA needed "a corporate identity that will enable [it] to become not just a UK carrier, but a global airline that is based in Britain" and the airline should better reflect the international image of the UK as "friendly, diverse and open to other cultures." The total cost of the rebranding was estimated at £60 million, of which £2m was paid to artists and the Newell and Sorrell design firm.
The initial rollout consisted of 15 distinct tail art designs. Quentin Newark later called the initiative "incredibly brave" and praised the work of Newell and Sorrell as "expressive [and] gleeful".
However, they were unpopular with many traditionalists in the UK, despite nine of the designs being inspired by either England, Scotland or Wales. Flight crews derided the new designs as "Air Zulu." Jonathan Glancey criticized the Utopia project as "muddle-headed and messy - ethnic designs turned into the equivalent of doll's-house wallpaper, things applied but not belonging", failing to give the airline a cohesive identity. Glancey added the ethnic designs "had the net effect of trivializing art and design from around the world", comparing their display to the patronizing attitude of the colonial era British Empire. Former Prime Minister Margaret Thatcher showed her displeasure at the designs by covering one of the new tailfins (Animals and Trees) on a model 747 with tissue paper. She declared, "We fly the British flag, not these awful things" in 1997. Thatcher also indicated with these fins the airline would lose its identity. Amongst BA passengers, the highest rate of disapproval for the new designs was registered by business travelers between North America and Great Britain.
Virgin Atlantic took advantage of the controversy by applying a Union flag scheme to the front end of its aircraft. In their own 1999 relaunch, the flag was also applied to the vertical winglets of Virgin Atlantic's aircraft.

### Review of use

While the majority of the designs were applied to a variety of aircraft models, one scheme (the stylised version of the Chatham Dockyard Union Flag) was used on Concorde only. By 1999, BA had repainted around half its fleet (170 aircraft) in its new colours but then Chief Executive, Robert Ayling, announced a review of this process. The aircraft already repainted would keep the new designs, but the remainder of the fleet (still showing the Landor design) would receive a variant of Concorde's Union Flag design. The announcement was timed to divert some attention from Virgin's relaunch. Chris Holt, the head of design management at BA who led the Utopia Project, resigned in October 1999.
A single 747-400 leased from British Airways to Qantas in 2000, registered as VH-NLH whilst operating in Australia (formerly G-BNLH), wore a hybrid livery complete with the Denmark Wings tail design. Under service with Qantas, the British Airways titles were removed and replaced with Qantas' own, but the remainder of the livery was left unchanged.
In May 2001 the new Chief Executive, Rod Eddington, announced the entire fleet would receive the new Union flag livery. The ethnic images would also be removed from baggage tags, menus, signage boarding passes and all company materials. Eddington argued that while an attempt to increase the airline's appeal was not a bad thing, the exercise had hurt the image of the carrier among its core customers – those that are attracted by the British identity. Eddington's opinions were echoed by Adam Hill, founder and partner of the advertising agency Designate, who stated that "name and logo are just small parts of the puzzle: to customers, the pride and heritage of this very British brand is what appeals, and swapping that out in order to appear modern and multicultural resulted in the very essence of the brand being diluted."
The final aircraft with a "Utopia" tail (Whale Rider) was retired in 2006, an Airbus A320-200 registered G-MEDA. Two Bombardier Dash 8 aircraft continued to operate with "Utopia" tails (G-BRYU, Benyhone Tartan; G-BRYV, Colum) for regional service until 2006, when both aircraft entered service for other airlines.

## World tail liveries

British Airways World Art tail liveries :
| Name | Artist | Summary | Origin | Aircraft | Reg. Nums | Qty |
| Chatham Dockyard Union Flag | | Introduced on Concorde. Revised version later adopted fleet-wide | United Kingdom | Concorde | G-BOAA, BOAB, BOAC, BOAD, BOAE, BOAF, BOAG | 7 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Boeing 747-400 | G-BNLZ | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Boeing 757-200 | G-CPEL | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Boeing 737-200 | G-BGDT, ZS-SBR | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Boeing 737-400 | G-DOCD | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Boeing 777-200 | G-VIIK | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | ERJ-145 | G-EMBD | 8 |
| Animals and trees (Kg'oocoan heé naka hìian theé e) | Cg'ose Ntcox'o | Artist is of the Ncoakhoe People of the Kalahari Desert; depicts seven jackals at an oasis. | Botswana | Avro RJ100 | G-BXAS | 8 |
| Avignon | Jim Avignon | Contemporary German art | Germany | Boeing 737-300 | D-ADBA, ADBB, ADBD, ADBI, ADBQ, ADBT, ADBU | 7 |
| Bavaria (Edelweiss) | | German art | Germany | Boeing 737-300 | D-ADBH, ADBC, ADBF, ADBG | 4 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 737-200 | G-BGDL | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 737-400 | G-BVNO, G-DOCA, DOCJ, DOCV | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 757-200 | G-BIKL, BIKO | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 747-400 | G-BNLI, G-CIVO, G-CIVW, G-CIVZ | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 767-300 | G-BNWF, BNWT | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | DHC8-300 | G-BRYU, | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Airbus A320-100 | G-BUSE | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | British Aerospace ATP | G-BUYW, OY-SVI | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | ERJ-145 | G-EMBK | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 777-200 | G-VIIJ, VIIR | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | ATR72-200 | G-BWTM | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Boeing 727-200 | ZS-OBO | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | BAe 146-200 | G-GNTZ | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | BN-2 Islander | G-BLDV | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Saab 340 | G-GNTE, LGNA | 25 |
| Benyhone (Mountain of the Birds) | Peter MacDonald | Anglicized Gaelic for "Mountain of the Birds", a Scottish tartan design using colours from William Wilson & Son of Bannockburn. | Scotland | Short 360 | G-BPFN | 25 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | Boeing 747-200 | G-BDXG | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | Boeing 757-200 | G-BMRI | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | Boeing 767-300 | G-BNWU | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | Boeing 737-400 | G-DOCE | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | ERJ-145 | G-EMBH | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | Boeing 727-200 | ZS-NOU | 7 |
| Blomsteräng (Flower Field) | Ulrica Hydman Vallien | Artist works for a glassware manufacturer in Småland. This design is taken from a large glass bowl with a hearts and flowers theme. | Sweden | BAe Jetstream 31 | OY-SVJ | 7 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | Boeing 747-200 | G-BDXD | 9 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | Boeing 757-200 | G-BIKA, CPEM | 9 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | Boeing 737-200 | G-BKYB, ZS-NNH | 9 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | Boeing 737-400 | G-DOCC, TREN | 9 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | British Aerospace ATP | G-MAUD | 9 |
| Blue Poole | Sally Tuffin | Taken from a dish and vase designed by Tuffin for Poole. | England | Boeing 737-500 | G-MSKA | 9 |
| British Blend | Simon Balwin | Coffee cup design, result of New Britain competition, used on a single A320, G-BUSI | United Kingdom | Airbus A320-200 | G-BUSI | 1 |
| British Olympic Team (Teaming up for Britain) | Mark Pickthall | Adopted for 2000 Summer Olympics, features British Olympic Association lion logo designed by Pickthall for Ion River Design. | United Kingdom | Boeing 737-200 | G-BKYG | 3 |
| British Olympic Team (Teaming up for Britain) | Mark Pickthall | Adopted for 2000 Summer Olympics, features British Olympic Association lion logo designed by Pickthall for Ion River Design. | United Kingdom | Boeing 757-200 | G-BMRC | 3 |
| British Olympic Team (Teaming up for Britain) | Mark Pickthall | Adopted for 2000 Summer Olympics, features British Olympic Association lion logo designed by Pickthall for Ion River Design. | United Kingdom | Airbus A320-100 | G-BUSC | 3 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 737-400 | G-DOCG, DOCQ, BNNL | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 747-200 | G-BDXK | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 757-200 | G-BIKB, BMRD | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 747-400 | G-BNLA, BNLL, BYGA, BYGC, BYGF, CIVA, CIVB, N495MC | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 767-300 | G-BNWB, BNWE, BNWR | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | DHC8-300 | G-BRYI | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | ATR72-200 | G-BVTK | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Avro RJ100 | G-BZAV | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | BAe Jetstream 41 | G-MAJL | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Bombardier CRJ200 | G-MSKN | 23 |
| Chelsea Rose | Pierce Casey | Representation of the English rose, based on visits by Casey to parks and gardens in Chelsea and Battersea. Carried by both 'British Asia Airways' Boeing 747-436s whilst in service with those titles. | England | Boeing 777-200 | G-VIIO, VIIS | 23 |
| Colour Down the Side | Terry Frost | Abstract Cornish painting by Frost in 1968. Used on a single Dash 8 of Brymon Airways (BA Citiexpress) | England | DHC8-300 | G-BRYT | 1 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 737-200 | G-BGDR | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 747-400 | G-BNLC, BYGB, CIVP | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 767-300 | G-BNWK, BNWV | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | DHC8-300 | G-BRYV | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Avro RJ100 | G-BZAU | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | ATR72-200 | G-BYTP | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 727-200 | ZS-NZV | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 757-200 | G-CPEP | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | ERJ145 | G-EMBA | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | BAe Jetstream 31 | OY-SVO | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | BAe Jetstream 41 | G-MAJC | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 737-300 | G-OGBB, OMUC | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 737-400 | G-DOCX | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 737-500 | G-MSKB | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Boeing 777-200 | G-VIIP | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | British Aerospace ATP | OY-SVT | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | BN-2 Islander | G-BJOP | 24 |
| Colum (Dove) | Timothy O'Neill | Anglicized Irish for "Dove": a Celtic design to evoke the memory of St Columba. | Ireland | Short 360 | G-BNMU | 24 |
| Crossing Borders (عبر الحدود) | Chant Avedissian | Reuse of Islamic and Pharaonic images and colour based on the decorations of the tentmakers of Cairo. | Egypt | Boeing 757-200 | G-BIKT | 5 |
| Crossing Borders (عبر الحدود) | Chant Avedissian | Reuse of Islamic and Pharaonic images and colour based on the decorations of the tentmakers of Cairo. | Egypt | Boeing 737-400 | G-DOCT | 5 |
| Crossing Borders (عبر الحدود) | Chant Avedissian | Reuse of Islamic and Pharaonic images and colour based on the decorations of the tentmakers of Cairo. | Egypt | Boeing 737-300 | G-OGBE | 5 |
| Crossing Borders (عبر الحدود) | Chant Avedissian | Reuse of Islamic and Pharaonic images and colour based on the decorations of the tentmakers of Cairo. | Egypt | Bombardier CRJ200 | G-MSKO | 5 |
| Crossing Borders (عبر الحدود) | Chant Avedissian | Reuse of Islamic and Pharaonic images and colour based on the decorations of the tentmakers of Cairo. | Egypt | Airbus A320-200 | G-MEDD | 5 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 737-200 | G-BGDF | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 757-200 | G-BIKX | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 747-400 | G-BNLD, CIVC, CIVN, CIVT | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 767-300 | G-BNWA, BZHB | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Avro RJ100 | G-BXAR | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 737-500 | G-MSKE | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 737-300 | G-OHAJ | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 777-200 | G-RAES, VIIU | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Boeing 727-200 | ZS-NOV | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | BAe Jetstream 41 | PH-KJG | 16 |
| Delftblue Daybreak (Delftsblauwe Dageraad) | Hugo Kaagman | Delft pottery design. Uses "the traditions of the past and [modernises] them for the future." | Netherlands | Short 360 | G-BNMW | 16 |
| Golden Khokhloma | Taisia Akimovna Belyantzeva | Officially Kudrina from Semenov (Сеmёновская кудриа). Based on painted khokhloma decoration on tableware set by Belyantzeva in 1978. | Russia | Boeing 757-200 | G-BIKH | 3 |
| Golden Khokhloma | Taisia Akimovna Belyantzeva | Officially Kudrina from Semenov (Сеmёновская кудриа). Based on painted khokhloma decoration on tableware set by Belyantzeva in 1978. | Russia | Boeing 737-300 | G-XMAN | 3 |
| Golden Khokhloma | Taisia Akimovna Belyantzeva | Officially Kudrina from Semenov (Сеmёновская кудриа). Based on painted khokhloma decoration on tableware set by Belyantzeva in 1978. | Russia | Boeing 767-300 | G-BNWJ | 3 |
| Gothic (Calligraphy) | | German art | Germany | Boeing 737-300 | D-ADBM, ADBN, ADBO, ADBP | 4 |
| Grand Union | Christine Bass | Result of a Sunday Times competition. Based on traditional English canal boat art from walks Bass has taken with her family along the Grand Union Canal in Buckinghamshire. | United Kingdom | Boeing 757-200 | G-BMRJ | 6 |
| Grand Union | Christine Bass | Result of a Sunday Times competition. Based on traditional English canal boat art from walks Bass has taken with her family along the Grand Union Canal in Buckinghamshire. | United Kingdom | DHC8-300 | G-BRYP | 6 |
| Grand Union | Christine Bass | Result of a Sunday Times competition. Based on traditional English canal boat art from walks Bass has taken with her family along the Grand Union Canal in Buckinghamshire. | United Kingdom | Boeing 737-300 | G-XBHX | 6 |
| Grand Union | Christine Bass | Result of a Sunday Times competition. Based on traditional English canal boat art from walks Bass has taken with her family along the Grand Union Canal in Buckinghamshire. | United Kingdom | Boeing 737-400 | G-DOCH | 6 |
| Grand Union | Christine Bass | Result of a Sunday Times competition. Based on traditional English canal boat art from walks Bass has taken with her family along the Grand Union Canal in Buckinghamshire. | United Kingdom | ERJ-145 | G-EMBF | 6 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Boeing 747-400 | G-BNLT | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Boeing 757-200 | G-BPED | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | DHC8-300 | G-BRYW | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Boeing 737-200 | G-BGDG, ZS-SBO | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Boeing 737-300 | G-OGBC | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Boeing 737-400 | G-DOCF | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Airbus A320-100 | G-BUSB | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | ERJ-145 | G-EMBC | 10 |
| Kogutki Lowickie | Danula Wojda | Sometimes spelled Koguty Lowickie, meaning Cockerel of Lowicz. Based on paper cut-out of cockerels, peacocks and flower. Unique variant "Flowers of Mazowsze" applied to G-OGBC | Poland | Short 360 | G-BNMT | 10 |
| L'esprit Liberté | | Celebrating human rights movement | International | Fokker 100 | F-GIOI, GIOG | 12 |
| L'esprit Liberté | | Celebrating human rights movement | International | Douglas DC-10 | F-GPVA | 12 |
| L'esprit Liberté | | Celebrating human rights movement | International | McDonnell Douglas MD-83 | F-GFZB, GHEB, GRML | 12 |
| La Pyramide du Louvre | | One aircraft painted with image of central courtyard of Louvre museum | France | McDonnell Douglas MD-83 | F-GPZA | 1 |
| Nalanji Dreaming | The Balarinji Design Studio | Aboriginal art, originally designed in 1995 for Qantas and painted on a B747-300 aircraft (VH-EBU). Nalanji means "our place". Environmental preservation theme. | Australia | Boeing 757-200 | G-BMRH | 2 |
| Nalanji Dreaming | The Balarinji Design Studio | Aboriginal art, originally designed in 1995 for Qantas and painted on a B747-300 aircraft (VH-EBU). Nalanji means "our place". Environmental preservation theme. | Australia | Boeing 747-400 | G-BNLN | 2 |
| Ndebele Emmly | Emmly Masanabo | Officially named Emmly Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Martha, commonly known as Ndebele Martha. | South Africa | Boeing 757-200 | G-BIKC | 3 |
| Ndebele Emmly | Emmly Masanabo | Officially named Emmly Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Martha, commonly known as Ndebele Martha. | South Africa | Boeing 747-400 | G-BNLO | 3 |
| Ndebele Emmly | Emmly Masanabo | Officially named Emmly Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Martha, commonly known as Ndebele Martha. | South Africa | Boeing 767-300 | G-BNWD | 3 |
| Ndebele Emmly | Emmly Masanabo | Officially named Emmly Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Martha, commonly known as Ndebele Martha. | South Africa | Bombardier CRJ200 | G-MSKL | 3 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | Boeing 757-200 | G-BIKW | 13 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | Boeing 747-400 | G-BNLJ, BNLM | 13 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | Boeing 737-200 | G-BGDA, ZS-SBN | 13 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | Boeing 737-300 | G-OGBD | 13 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | Boeing 737-400 | G-DOCU, DOCL | 13 |
| Ndebele Martha | Martha Masanabo | Officially named Martha Masanabo after the artist, who is of the Ndebele people. Based on a panel decorated with beads and mural-style painting; a similar panel was produced by the artist's twin sister Emmly, commonly known as Ndebele Emmly. | South Africa | BAe Jetstream 41 | G-MAJB, MSKJ, OY-SVS | 13 |
| Paithani (पैठणी) | Meera Mehta | Based on a sari designed by Mehta using traditional motifs from the textile industry in Paithan. Features 'asavari' creeper border with flowering shrubs and parrots. | India | Boeing 747-200 | G-BDXO | 3 |
| Paithani (पैठणी) | Meera Mehta | Based on a sari designed by Mehta using traditional motifs from the textile industry in Paithan. Features 'asavari' creeper border with flowering shrubs and parrots. | India | Boeing 757-200 | G-BMRA | 3 |
| Paithani (पैठणी) | Meera Mehta | Based on a sari designed by Mehta using traditional motifs from the textile industry in Paithan. Features 'asavari' creeper border with flowering shrubs and parrots. | India | ERJ-145 | G-EMBI | 3 |
| Pause to remember | | Poppy design, used around Remembrance Day. Now applied to fuselage. | United Kingdom | Boeing 757-200 | G-BIKW, BMRB | 3 |
| Pause to remember | | Poppy design, used around Remembrance Day. Now applied to fuselage. | United Kingdom | Boeing 737-200 | G-BKYG | 3 |
| Pause to remember | | Poppy design, used around Remembrance Day. Now applied to fuselage. | United Kingdom | Boeing 737-400 | G-BVNM | 3 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 737-200 | G-BGJE | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 737-300 | G-OAMS | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 737-400 | G-DOCM, DOCW | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 747-400 | G-BYGE, BYGD, BYGG, BNLR, CIVV | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 757-200 | G-BIKI, BIKN, BMRE, BMRG, CPEU, CPEV | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 767-300 | G-BNWC, BNWP | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Boeing 777-200 | G-VIIT, ZZZC | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | DHC8-300 | G-BRYY | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | British Aerospace ATP | G-MANO | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | Airbus A320-200 | G-MEDB | 22 |
| Rendezvous (约会) | Yip Man-Yam | Chinese calligraphy of a poem describing water boiling. | Hong Kong | BAe Jetstream 31 | OY-SVZ, OY-SVP | 22 |
| Spring (Primăvară) | Morag Dumetru | Images of Romania. Winner of employee contest. | Romania | Boeing 757-200 | G-BIKY | 1 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | Boeing 757-200 | G-CPET | 14 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | Boeing 737-200 | G-BGDE | 14 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | Boeing 737-300 | G-OFRA, D-ADBK, ADBL, ADBE, ADBR, ADBS, ADBV, ADBW, ZS-NNG | 14 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | Airbus A320-200 | G-BUSG | 14 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | Bombardier CRJ200 | G-MSKM | 14 |
| Sterntaler (Bauhaus) | Antje Brüggemann | Based on 3-D 'ceramic objects' art. | Germany | ERJ-145 | G-EMBB | 14 |
| Water Dreaming (Ngapa Jukurrpa) | Clifford Possum Tjapaltjarri | Art representing northern Australian terrain. | Australia | Boeing 747-400 | G-BNLK | 4 |
| Water Dreaming (Ngapa Jukurrpa) | Clifford Possum Tjapaltjarri | Art representing northern Australian terrain. | Australia | Boeing 737-200 | G-BKYE | 4 |
| Water Dreaming (Ngapa Jukurrpa) | Clifford Possum Tjapaltjarri | Art representing northern Australian terrain. | Australia | Boeing 757-200 | G-BMRF | 4 |
| Water Dreaming (Ngapa Jukurrpa) | Clifford Possum Tjapaltjarri | Art representing northern Australian terrain. | Australia | Airbus A320-200 | G-BUSJ | 4 |
| Water Dreaming (Ngapa Jukurrpa) | Clifford Possum Tjapaltjarri | Art representing northern Australian terrain. | Australia | ERJ-145 | G-EMBG | 4 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 767-300 | G-BZHC | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 747-400 | G-CIVM, CIVR, CIVX | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 737-200 | G-BGDJ, BKYP, ZS-NLN | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 737-300 | G-ODUS | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 737-400 | G-OGBA | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 757-200 | G-BPEC | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Boeing 777-200 | G-VIIM | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | Airbus A320-100 | G-BUSK | 13 |
| Waves and Cranes (波と鶴) | Matazō Kayama | Also known as Nami Tsuru. Nihonga painting of waves and cranes, symbolizing the cosmic world and the soul of Japan. | Japan | ATR72-200 | G-BVTJ | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 757-200 | G-BIKJ | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | DHC8-300 | G-BRYS | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 737-400 | G-DOCR, BNNK | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 737-500 | G-MSKC | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 747-400 | G-BNLV, BNLX | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 767-300 | G-BNWG, BNWH | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Boeing 777-200 | G-VIIA | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | BAe Jetstream 31 | OY-SVR | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | ERJ-145 | G-EMBE | 13 |
| Waves of the City | Jenifer Kobylarz | Simple and modern abstract art meant to "convey a sense of frozen motion." | United States | Avro RJ100 | G-BZAT | 13 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Boeing 737-200 | G-BGDO | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Boeing 737-500 | G-MSKD | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Boeing 757-200 | G-CPEO | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Boeing 747-400 | G-BNLG, CIVS, CIVY | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Boeing 777-200 | G-VIIN | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | Airbus A320-200 | G-MEDA | 9 |
| Whale Rider | Joe David | From wood carving representing the whaling tradition of the Tla-o-qui-aht First Nations. | Canada | ATR72-200 | G-BXTN | 9 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Boeing 747-400 | G-BNLH, CIVU | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Boeing 757-200 | G-CPER, CPES | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Boeing 767-300 | G-BZHA | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Boeing 777-200 | G-VIIL | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | British Aerospace ATP | OY-SVU | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Airbus A320-200 | G-BUSI | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Boeing 737-400 | G-BUHL, DOCB | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | Bombardier CRJ200 | G-MSKK | 13 |
| Wings (Vinger) | Per Arnoldi | Modernist representation of seagulls in flight. | Denmark | BAe Jetstream 41 | G-MAJK, OY-SVW | 13 |
| Wunala Dreaming | The Balarinji Design Studio | Like Nalanji Dreaming, this livery was designed for Qantas in 1994 and appeared on two B747-400 aircraft: VH-OJB and VH-OEJ. Based on an original painting inspired by "the natural colors of Australia" and executed by the Yanyuwa people. The title translates to "Kangaroo Dreaming". | Australia | Boeing 757-200 | G-BIKF | 2 |
| Wunala Dreaming | The Balarinji Design Studio | Like Nalanji Dreaming, this livery was designed for Qantas in 1994 and appeared on two B747-400 aircraft: VH-OJB and VH-OEJ. Based on an original painting inspired by "the natural colors of Australia" and executed by the Yanyuwa people. The title translates to "Kangaroo Dreaming". | Australia | Boeing 747-400 | G-BNLS | 2 |
| Youm al-Suq (Market Day) | Shadia Alem | Abstract inspired by Arab life on market day. | Saudi Arabia | Boeing 737-400 | G-GBTA | 2 |
| Youm al-Suq (Market Day) | Shadia Alem | Abstract inspired by Arab life on market day. | Saudi Arabia | ERJ-145 | G-EMBJ | 2 |

### Notes

* 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Part of the original 15 designs introduced (the two designs from the Masanabo twins were counted as one, Ndebele).

## Photo gallery
### Boeing 747

Reference:
* Chatham Dockyard Union Flag
* Animals and trees
* Rendezvous
* Benyhone
* Water Dreaming
* Colum 1
* Colum 2
* Nalanji Dreaming
* Kogutki Lowickie
* Chelsea Rose
* Paithani
* Blomsterang
* Wings
* Ndebele Martha
* Delftblue Daybreak
* Waves and Cranes
* Blue Poole
* Whale Rider
* Wunala Dreaming
* Ndebele Emmly (model plane)
* Waves of the City

### Others

Reference:
* Delftblue Daybreak (Boeing 777)
* Rendezvous (Boeing 767)
* animals and trees (BAe 146)
* Blomsterang (Boeing 727)
* Whale Rider (Boeing 777)
* Ndebele Martha (Boeing 737)
* Benyhone (Airbus A320)
* Wings (Boeing 767)
* Avignon (Boeing 737)
* Nalanji Dreaming (Boeing 757)
* Chelsea Rose (Boeing 777)
* Youm al-Suq (ERJ-145)
* Waves and Cranes (Boeing 767)
* Crossing Borders (Airbus A320)
* Bavaria (Boeing 737)
* Wunala Dreaming (Boeing 757)
* Blue Poole (Boeing 737)
* Colour Down the Side (DHC-8)
* Golden Khokhloma (Boeing 767)
* Kogutki Lowickie (Airbus A320)
* La Pyramide du Louvre (MD-83)
* Waves of the City (Boeing 737)
* Primăvară (Boeing 757)
* Sterntaler (Boeing 737)
* Water Dreaming (Airbus A320)
* Pause to remember (Boeing 757)
* Paithani (ERJ-145)
* Ndebele Emmly (Boeing 767)
* L'esprit Liberté (Fokker 100)
* Gothic (Boeing 737)
* Colum (BAe 146)
* British Olympic Team (Boeing 757)