# Au revoir les enfants

Au revoir les enfants (French pronunciation:, meaning "Goodbye, Children") is an autobiographical 1987 film written, produced, and directed by Louis Malle. It is based on the actions of Père Jacques, a French priest and headmaster who attempted to shelter Jewish children during the Holocaust. The film won the Golden Lion at the Venice Film Festival.

## Plot

During the winter of 1943–44, Julien Quentin, a student at a Carmelite boarding school in occupied France, is returning to school from vacation. He acts tough to the other students, but is actually a pampered boy who misses his mother deeply. Saddened to be returning to the monotony of boarding school, Julien's classes seem uneventful until Père Jean, the headmaster, introduces three new pupils. One of them, Jean Bonnet, is the same age as Julien. Like the other students, Julien at first despises Bonnet, a socially awkward boy with a talent for arithmetic and playing the piano.
One night, Julien wakes up and finds Bonnet wearing a kippah and praying in Hebrew. After digging through his new friend's locker, Julien learns the truth. His real name is not Bonnet, but Kippelstein. Père Jean, a compassionate, sacrificing priest at the school, had agreed to grant secret asylum to hunted Jews. After a game of treasure hunt, Julien and Jean bond and develop a close friendship.
When Julien's mother visits on Parents' Day, Julien asks his mother if Bonnet, whose parents could not come, could accompany them to lunch at a gourmet restaurant. As they sit around the table, the talk turns to Julien's father, a factory owner. When Julien's brother asks if he is still for Marshal Pétain, Madame Quentin responds, "No one is anymore." The Milice arrive and attempt to expel a Jewish diner. When Julien's brother calls them "Collabos", the Milice commander is enraged and tells Madam Quentin, "We serve France, madam. He insulted us." But when a Wehrmacht officer coldly orders them to leave, the Milice officers grudgingly obey. Julien's mother comments that the Jewish diner appears to be a very distinguished gentleman. She insists that she has nothing against Jews, but would not object if the socialist politician Léon Blum were hanged.
Shortly thereafter, Joseph, the school's assistant cook, is exposed for selling the school's food supplies on the black market. He implicates several students as accomplices, including Julien and his brother, François. Although Père Jean is visibly distressed by the injustice, he fires Joseph but does not expel the students for fear of offending their wealthy, influential parents.
On a cold morning in January 1944, the Gestapo raid the school, searching for Jean Kippelstein. As his classroom is being searched, Julien unintentionally gives away Bonnet by looking in his direction. As the other two Jewish boys are hunted down, Julien encounters the person who denounced them, Joseph the kitchen hand. Trying to justify his betrayal in the face of Julien's mute disbelief, Joseph tells him, "Don't act so pious. There's a war going on, kid." Disgusted, Julien runs off. Jean and Julien exchange books, a shared habit of theirs, as they pack away their belongings due to the closure of the school.
As the students are lined up in the school courtyard, a Gestapo officer denounces Père Jean's actions and calls French people weak and undisciplined. A moment later, Père Jean, followed by the three Jewish boys in single file is led away across the school yard. One by one, as the priest passes through their midst, the students spontaneously call out to him, "Au revoir, mon père!" He pauses and half turns towards them and gives a loud reply: "Au revoir, les enfants! À bientôt!" Jean is the last to exit the school grounds through a metal door in the garden wall. As he steps through the doorway, he glances back for a moment toward Julien, and Julien gives him a timid wave in return.
The film ends with an older Julien providing a voiceover epilogue, in which he mentions that Bonnet, Negus and Dupre died at Auschwitz, whereas Père Jean died at Mauthausen; the school reopened in October. He explains that although more than 40 years have passed, he will remember every second of that January morning until the day he dies.

## Cast

* Gaspard Manesse as Julien Quentin
* Raphaël Fejtő as Jean Kippelstein, alias "Jean Bonnet"
* Francine Racette as Mme Quentin (Julien's mother)
* Stanislas Carré de Malberg as François Quentin (Julien's older brother)
* Philippe Morier-Genoud as Father Jean/Père Jean
* François Berléand as Father Michel/Père Michel
* Irène Jacob as Mlle Davenne
* François Négret as Joseph (kitchen helper)
* Peter Fitz as Dr. Müller, Gestapo leader
* Pascal Rivet as Boulanger
* Benoît Henriet as Ciron
* Richard Leboeuf as Sagard
* Xavier Legrand as Babinot
* Arnaud Henriet as Negus
* Damien Salot as Dupre

## Actual events

The film is based on events in the childhood of the director, Louis Malle, who at age 11 was attending a Roman Catholic boarding school near Fontainebleau. One day, he witnessed a Gestapo raid in which three Jewish students and a Jewish teacher were rounded up and deported to Auschwitz. The school's headmaster, Père Jacques, was arrested for harboring them and sent to the concentration camp at Mauthausen. He died shortly after the camp was liberated by the U.S. Army, having refused to leave until the last French prisoner was repatriated. Forty years later, Yad Vashem, Israel's official memorial to the victims of the Holocaust, granted Père Jacques the title of Righteous Among the Nations.

## Reception
### Box office

The film was a box-office success, having 3.5 million admissions in France and grossing $4,542,825 in North America.

### Critical response

The film was extremely well received by critics. Au Revoir, les Enfants has an approval rating of 97% on review aggregator website Rotten Tomatoes, based on 37 reviews, and an average rating of 9.1/10, with the consensus: "Louis Malle's autobiographical tale of a childhood spent in a WWII boarding school is a beautifully realized portrait of friendship and youth." Metacritic assigned the film a weighted average score of 88 out of 100, based on 18 critics, indicating "universal acclaim".
According to Quentin Tarantino, the title for his first feature-length film, Reservoir Dogs (1992), came about after a patron at a Video Archives rental store, where Tarantino worked, misheard his film suggestion of Au revoir les enfants as "reservoir dogs".
The screenplay was published by Gallimard in the same year.

### Awards and nominations

| Year | Association | Category | Nominee | Result |
| 1988 | Academy Awards | Best Foreign Language Film | Au revoir les enfants | Nominated |
| 1988 | Academy Awards | Best Screenplay Written Directly for the Screen | Louis Malle | Nominated |
| 1989 | BAFTA Awards | Best Film | Louis Malle | Nominated |
| 1989 | BAFTA Awards | Best Direction | Louis Malle | Won |
| 1989 | BAFTA Awards | Best Original Screenplay | Louis Malle | Nominated |
| 1989 | BAFTA Awards | Best Film Not in the English Language | Louis Malle | Nominated |
| 1988 | César Awards | Best Film | Au revoir les enfants | Won |
| 1988 | César Awards | Best Director | Louis Malle | Won |
| 1988 | César Awards | Most Promising Actor | François Négret | Nominated |
| 1988 | César Awards | Best Writing | Louis Malle | Won |
| 1988 | César Awards | Best Cinematography | Renato Berta | Won |
| 1988 | César Awards | Best Editing | Emnanuelle Castro | Won |
| 1988 | César Awards | Best Sound | Jean-Claude Laureux, Claude Villand, Bernard Leroux | Won |
| 1988 | César Awards | Best Costume Design | Corinne Jorry | Nominated |
| 1988 | César Awards | Best Production Design | Willy Holt | Won |
| 1988 | Golden Globe Awards | Best Foreign Language Film | Au revoir les enfants | Nominated |
| 1987 | Louis Delluc Prize | Best Film | Louis Malle | Won |
| 1987 | Los Angeles Film Critics Association | Best Foreign film | Louis Malle | Won |
| 1987 | Venice Film Festival | Golden Lion | Louis Malle | Won |
| 1987 | Venice Film Festival | OCIC Award | Louis Malle | Won |
| 1987 | Venice Film Festival | UNICEF Award | Louis Malle | Won |
| 1987 | Venice Film Festival | Sergio Trasatti Award | Louis Malle | Won |
| 1987 | Venice Film Festival | Special Golden Ciak | Louis Malle | Won |
| 1987 | National Board of Review | Top Five International Films | Au revoir les enfants | 3rd place |
| 1988 | David di Donatello Awards | Best Foreign Film | Louis Malle | Won |
| 1988 | David di Donatello Awards | Best Foreign Director | Louis Malle | Won |
| 1988 | David di Donatello Awards | Best Foreign Screenplay | Louis Malle | Won |
| 1988 | European Film Awards | Best Film | Louis Malle | Nominated |
| 1988 | European Film Awards | Best Director | Louis Malle | Nominated |
| 1988 | European Film Awards | Best Screenwriter | Louis Malle | Won |
| 1988 | Film Independent Spirit Awards | Best International Film | Louis Malle | Nominated |
| 1988 | French Syndicate of Cinema Critics | Best French Film | Louis Malle | Won |
| 1988 | Italian National Syndicate of Film Journalists | Director of Best Foreign Film | Louis Malle | Won |
| 1989 | Bodil Awards | Best European Film | Louis Malle | Won |
| 1989 | Chicago Film Critics Association | Best Foreign Language Film | Au revoir les enfants | Won |
| 1989 | Guild of German Art House Cinemas | Foreign Film (Silver) | Au revoir les enfants | Won |
| 1989 | London Film Critics' Circle | Foreign Language Film of the Year | Au revoir les enfants | Won |
| 1989 | SESC Film Festival | Best Foreign Film | Louis Malle | Won |
| 2022 | Online Film & Television Association | Film Hall of Fame (Motion Picture) | Au revoir les enfants | Awarded |

## Legacy

The film was included by the Vatican in a list of important films compiled in 1995, under the category of "Values".