# Shorts México

The Mexico International Short Film Festival - Shorts México - is a film festival exclusively dedicated to short films in Mexico.
Since 2006, it has been held annually during the first week of September in Mexico City, in addition to having a national and international Tour, which takes Mexican short films to venues in Mexico City, other cities in the country and in the world.
It is a festival certified by the Mexican Academy of Cinematographic Arts and Sciences (AMACC). This means that by submitting a short film at this festival, one can register and be considered for the Ariel Award.
The 15th edition of Shorts México (FICMEX) will take place from September 2 to 9, 2020.
The Festival's founder and director is Jorge Magaña and the Director of programming is film curator and producer, Isaac Basulto.

## Evolution

Founded by Jorge Magaña, the first edition took place in 2006 under the name of Shorts Shorts Film Festival Mexico. It was the adaptation of an Asian format, which continues to take place in the city of Tokyo. It was supported by institutions such as the Embassy of Japan in Mexico, Japan Foundation, the Mexican Institute of Cinematography (IMCINE), Cinemex, Televisa Foundation and Telmex Foundation. The venues were: Cinemex WTC, Cinemex Insurgentes, Bella Epoca Cine Lido Cultural Center, Cinematoía Loreto, Pabellón de Alta Tecnología (PAT), the Cineteca Nacional and the University Cultural Center of the UNAM.
As of 2011, the special program of Homenage en Corto was created, in which the works of some actors realized in short films are presented. In that edition, the first actress commemorated was Ana Ofelia Murguía; in 2012, Damián Alcázar; in 2013, Daniel Giménez Cacho; in 2015, the actress Cecilia Suárez; in 2016, Mónica Huarte; in 2017, Vanessa Bauche and in 2018, Arcelia Ramírez. Likewise, in 2013, the Neo Mex Mexican Competition was created to promote new talents in Mexican cinema.
In 2012, it was decided to continue with the Short Film Screenplay Contest, in which the participants submit short film screenplays.
In 2019, the Short Film Pitching Competition was created, in which participants submit short film projects.

## Other events of the festival
### Noches de Shorts

Created in 2014 with the purpose of having a place of continuous exhibition for the short film, they are also known as "Noche de Cortoteca". It is an exhibition platform that has the presence of filmmakers, directors, producers, actors, who interact with the audience. They show mainly Mexican short films and a specialized selection of international shorts. This event takes place at the Cineteca Nacional, Fondo de Cultura Económica - Bella Epoca Cine Lido Cultural Center, and now the Comunal Condesa restaurant.

### Cortoteca

Web program dedicated exclusively to diffuse the national and international short films produced by Shorts México and the company Filmmen, presented by the actress Mónica Huarte.

### Espacio Shorts México

Created in 2017, it is the first program dedicated to a film festival, presented by Mexican actress Vanessa Bauche and directed by Rafa Lara, aired on AZ Cinema. The purpose of the program is to show the winning short films of each edition of the festival.

### Shorts México Academy

Series of conferences created and carried out on an academic level with professionals in the fields related to production, postproduction, screenplay, promotion, copyright, etc.

### Tour Shorts México

At the end of its exhibition in Mexico City the festival has a Shorts México Tour throughout the year, which takes place in Mexico City, cities and towns of the Mexican Republic, as well as in various countries. At the national level it has been presented in: Zacatecas, León, Morelia, Fresnillo, Xalapa, Los Cabos, Mérida, Querétaro, Monterrey, Cancun, Oaxaca, Puebla and Saltillo. Internationally, a selection of Mexican shorts have been presented in Tokyo, New York, Cairo, London, Paris, Madrid, Montreal, Santiago and Vancouver.

## Awards

| Editions | Competitions | Awards | Winners |
| 2006 | MEXICAN CINEMA | Best Mexican short film | La leche y el agua by Celso García |
| 2006 | MEXICAN CINEMA | Best director | Francisco Vargas Quevedo for El violín |
| 2006 | MEXICAN CINEMA | Best screenplay | Celso García for La leche y el agua |
| 2006 | MEXICAN CINEMA | Best photography | Ciro Cabello for El Otro Cuarto |
| 2006 | MEXICAN CINEMA | Best actress | Vicky de Fuentes for Latidos |
| 2006 | MEXICAN CINEMA | Best actor | Dagoberto Gama for El violín |
| 2006 | MEXICAN CINEMA | Special mention | Música de ambulancia by Paula Marcovitch |
| 2006 | MEXICAN VIDEO | Best Mexican short film in video | En el cielo como en la tierra by Natalia López |
| 2006 | IBEROAMERICAN | Best iberoamerican short film | Te quiero mal by Mireia Giró Costa from Spain |
| 2006 | IBEROAMERICAN | Special mention | Medianeras by Gustavo Taretto from Argentina |
| 2007 | MEXICAN CINEMA | Best Mexican short film | Tiene la tarde ojos by Hari-Carlos Sama |
| 2007 | MEXICAN CINEMA | Best Director | Pablo Fulgueira for Es muy fácil |
| 2007 | MEXICAN CINEMA | Best screenplay | Sebastián Menagaz y Lucas Ezequiel Damino for Reality Show |
| 2007 | MEXICAN CINEMA | Best photography | Ciro Cabello for Fin de trayecto |
| 2007 | MEXICAN CINEMA | Best Actor | Enrique Arreola for Tiene la tarde ojos |
| 2007 | MEXICAN CINEMA | Best actress | Ana Ofelia Murguía for Señas particulares |
| 2007 | MEXICAN CINEMA | Special mention of the jury | De la vista nace el amor by Miguel Anaya, Ver Llover by Elisa Miller, El sueño de Isi by Isi Sarfati |
| 2007 | MEXICAN VIDEO | Best Mexican short film in video | De causas y azares by Ileana Leyva |
| 2007 | MEXICAN VIDEO | Special mention of the jury | Ventana by Santiago Esteinou, Historia de un letrero by Alonso Álvarez |
| 2007 | MEXICAN VIDEO | Special mention for photography | Lugares secretos by Alejandro Díaz |
| 2007 | IBEROAMERICAN | Best iberoamerican short film | Éramos pocos by Borja Cobeaga |
| 2007 | IBEROAMERICAN | Special mention of the jury | El canto del grillo by Dany Campos |
| 2008 | MEXICAN CINEMA | Best short film | Café paraíso by Alonso Ruizpalacios |
| 2008 | MEXICAN CINEMA | Best Director | Alonso Ruizpalacios for Café paraíso |
| 2008 | MEXICAN CINEMA | Best photography | Damián García for Café paraíso |
| 2008 | MEXICAN CINEMA | Best screenplay | Alonso Ruizpalacios for Café paraíso |
| 2008 | MEXICAN CINEMA | Best actor | Tenoch Huerta for Café paraíso |
| 2008 | MEXICAN CINEMA | Best actress | Yuriria del Valle for La ropa sucia |
| 2008 | MEXICAN CINEMA | Special mention of the jury | Cosita linda by Fernando Fidel Urdapilleta |
| 2008 | MEXICAN CINEMA | Special mention of the jury | ¡Destápalo! by Eun Hee Ihm |
| 2008 | MEXICAN CINEMA | Special mention of the jury | Jacinta by Karla Castañeda |
| 2008 | MEXICAN CINEMA | Special mention of the jury | La curiosa conquista del ampere by Ramón Orozco |
| 2008 | MEXICAN VIDEO | Best short film | Edén, by Sergio Tovar Velarde |
| 2008 | MEXICAN VIDEO | Best director | Gabriel Herrera for Primer movimiento para veinte hombres en un cuarto vacío |
| 2008 | MEXICAN VIDEO | Special mention for animation | El hambre de Caribdis by Chehaibar-Macias |
| 2008 | MEXICAN VIDEO | Special mention for experimental | Pescador by Daniela Schneider |
| 2008 | MEXICAN VIDEO | Technical special mention | Cero en geometría by Isac Betancourt |
| 2008 | MEXICAN VIDEO | Technical special mention | El llanto de la tierra by Lucio Olmos |
| 2008 | IBEROAMERICAN | Best short film | Saliva by Esmir Filho (Brazil) |
| 2008 | IBEROAMERICAN | Best director | Eduardo Chapero Jackson for the short film Alumbramiento (Spain) |
| 2008 | IBEROAMERICAN | Special mention of the jury | Convite para jantar com o camarada Stalin by Ricardo Alves (Brazil-Argentina) |
| 2008 | IBEROAMERICAN | Award SIGNIS | Paloma by Roberto Fiesco |
| 2008 | IBEROAMERICAN | Special mention SIGNIS | Carretera del Norte by Rubén Rojo Aura |
| 2008 | | Award Cinemex | Voodoo Bayou by Javier Gutiérrez |
| 2008 | Award CINEMAFILMS | Best short film cinema | Café paraíso by Alonso Ruizpalaciocena |
| 2008 | Award CINEMAFILMS | Best short film video | Edén, by Sergio Tovar Velarde |
| 2009 | MEXICAN CINEMA | Best short | Tierra y Pan, by Carlos Armella |
| 2009 | MEXICAN CINEMA | Best Director | Carlos Armella for Tierra y Pan |
| 2009 | MEXICAN CINEMA | Best screenplay | 40 grados a la Sombra, by Flavio González Mello |
| 2009 | MEXICAN CINEMA | Best photography | 40 grados a la Sombra, by César Gutiérrez and Iván Fernández |
| 2009 | MEXICAN CINEMA | Best edition | El armadillo fronterizo, by Miguel Anaya Borja |
| 2009 | MEXICAN CINEMA | Best sound | Carlos Zamorano for Tierra y pan |
| 2009 | MEXICAN CINEMA | Best Actor | Rubén Pablos for La canción de los niños muertos |
| 2009 | MEXICAN CINEMA | Best actress | Ana Elisa Fernández for Sobre ruedas |
| 2009 | MEXICAN CINEMA | Special mention | Jaulas, by Juan José Medina |
| 2009 | MEXICAN CINEMA | Special mention | Sobre Ruedas, by Ivonne Delgadillo |
| 2009 | MEXICAN CINEMA | Special mention (Carlos Bonfil) | La cena, by Gil González |
| 2009 | MEXICAN CINEMA | Special mention (Mónica Huarte) | La espera, by Pablo Tamez |
| 2009 | MEXICAN VIDEO | Best short | Fogatas en el cielo, by César Salgado |
| 2009 | MEXICAN VIDEO | Best animated short | El Gran Bang, by the collective Llamarada de Petate |
| 2009 | MEXICAN VIDEO | Special mention of the jury | Pelea de gallos, by Gabriel Pontones |
| 2009 | MEXICAN VIDEO | Special mention of the jury | Pájaros en abril, by Gabriel Ridaura |
| 2009 | MEXICAN VIDEO | Special mention of the jury | El descubrimiento, by Alonso Álvarez Barreda |
| 2009 | MEXICAN VIDEO | Special mention of the jury | Nación Apache, by Carlos Muñoz |
| 2009 | MEXICAN VIDEO | Special mention of the jury | Día Festivo, by Eber García |
| 2009 | IBEROAMERICAN | Best short | Donde quiera que vayas, by Sara Barbas from Portugal/UK |
| 2009 | IBEROAMERICAN | Best director | Brian Jacobs for Quien es el Verdugo, from Cuba/Perú |
| 2009 | IBEROAMERICAN | Best screenplay | El ataque de los robots de la nebulosa-5, by Chema García Ibarra from Spain |
| 2009 | IBEROAMERICAN | Best photography | Javier Fuentes for El mal de Schneider, by Javier Chillón from Spain |
| 2009 | IBEROAMERICAN | Best acting | Mónica Muntaner in Absent, by Guillermo Asensio from Spain |
| 2009 | IBEROAMERICAN | Best sound | Carlos Manrique Clavijo, Gonzalo García for En Agosto; Andrés Barrientos and Carlos Andrés Reyes from Colombia |
| 2009 | IBEROAMERICAN | Best edition | Enterrados by Alex Lora Cércos, from Spain |
| 2009 | SIGNIS | Award SIGNIS | La canción de los niños muertos, by David Pablos. |
| 2009 | SIGNIS | Special mention SIGNIS | El armadillo fronterizo, by Miguel Anaya Borja |
| 2009 | RED RENTALS | RED RENTALS | Tierra y pan by Carlos Armella |
| 2010 | MEXICAN FICTION | Best short film | Últimos pasajeros, directed by Ricardo Soto |
| 2010 | MEXICAN FICTION | Best Director | Felipe Gómez for the short film Lupano Leyva |
| 2010 | MEXICAN FICTION | Best screenplay | Erick Garcia Corona and Alexandra Márquez for the short film Amanecer, directed by Erick Garcia Corona |
| 2010 | MEXICAN FICTION | Best photography | Andrés León Becker for the short film 5 recuerdos, directed by Oriana Alcaine and Alejandra Márquez |
| 2010 | MEXICAN FICTION | Best actress | Leticia Huijara for the short film Las Ovejas pueden pastar seguras, directed by Nestor Sampieri |
| 2010 | MEXICAN FICTION | Best Actor | Ramiro Ramírez for the short film A solas, directed by David Romay |
| 2010 | MEXICAN FICTION | Best edition | Yibran Asuad for the short film 5 Recuerdos, directed by Oriana Alcaine and Alejandra Márquez |
| 2010 | MEXICAN FICTION | Best sound design | Pablo Fernández for el Último Canto del pájaro Cú, directed by Alonso Ruizpalacios. |
| 2010 | MEXICAN ANIMATION | Mention for Best short ANIMATION | Martyris directed by Luis Felipe Hernández |
| 2010 | MEXICAN ANIMATION | Mention for Best short film Experimental | Tensa Calma directed by Alfredo Salomon |
| 2010 | MEXICAN ANIMATION | Mention for Best short film Experimental | Amanecer by Erick García Corona (Gustavo Montiel Pagés) |
| 2010 | MEXICAN ANIMATION | Mention for Best short film Experimental | Cinco Recuerdos by Oriana Alcaine and Alejandra Marquez (Iliana Fox) |
| 2010 | MEXICAN ANIMATION | Mention for Best short film Experimental | La mina de oro by Jacques Bonnavent (Monica Dionne) |
| 2010 | MEXICAN ANIMATION | Mention for Best short film Experimental | Martyris by Luis Felipe Hernández (Javier Arath Cortes) |
| 2010 | MEXICAN DOCUMENTARY | Best short film | Cassandro, el exótico directed by Michael Ramos Araizaga |
| 2010 | MEXICAN DOCUMENTARY | Best director | Carlos Hernández for Aquellos sin nombre |
| 2010 | MEXICAN DOCUMENTARY | Best photography | Juan Carlos Lazo for the short film Solo pase la persona que se va a retratar, directed by Roque Azcuaga |
| 2010 | MEXICAN DOCUMENTARY | Special mention for the short film Tragicómico | Autocasting directed by José Luis Soto Ruvalcaba |
| 2010 | IBEROAMERICAN | Best short film | Abuelos directed by Michael Wahrmann from Brazil |
| 2010 | IBEROAMERICAN | Best Director | Michael Wahrmann for the short film Abuelos from Brazil |
| 2010 | IBEROAMERICAN | Best screenplay | Cláudia Varejao and Graca Castanheira, for the short film Un día frió from Portugal |
| 2010 | IBEROAMERICAN | Best photography | Rui Xavier, for the short film Un día Frió from Portugal |
| 2010 | SIGNIS | Award SIGNIS | La patrona directed by Lizzette Arguello, Mexico |
| 2010 | NOT BEEN DONE | Best Skateboarding short film in the professional category | Skater directed by Francisco Manzanares |
| 2010 | NOT BEEN DONE | Best Skateboarding short film in the independent category | Out of Bounds directed by Enrique M. Benites |
| 2011 | MEXICAN FICTION | Best short | Una noche by Acán Coen |
| 2011 | MEXICAN FICTION | Best director | Firmes by Yordi Capó |
| 2011 | MEXICAN FICTION | Best screenplay | Acán Coen for Una Noche |
| 2011 | MEXICAN FICTION | Best photography | Heriberto Acosta for Firmes |
| 2011 | MEXICAN FICTION | Best actor | Mario Zaragoza for Una noche |
| 2011 | MEXICAN FICTION | Best actress | María Deschamps for Miel |
| 2011 | MEXICAN FICTION | Special mention | Borreguito for La dirección |
| 2011 | MEXICAN FICTION | Special mention | To Rubén Pablos's acting in El pescador |
| 2011 | MEXICAN FICTION | Special mention | El pescador, screenplay by Samantha Pineda and Davy Giorgi |
| 2011 | MEXICAN FICTION | Special mention | De este mundo, work of the actress Diana Lein |
| 2011 | MEXICAN FICTION | Special mention | Miel, direction and screenplay by Lucero Sánchez |
| 2011 | MEXICAN FICTION | Special mention | Mari Pepa for direction and screenplay of Samuel Kishi |
| 2011 | MEXICAN ANIMATION | Best short | Clean es Good by Carlos Matiella |
| 2011 | MEXICAN ANIMATION | Special mention | Prita Noire by Sofía Carrillo |
| 2011 | MEXICAN ANIMATION | Special mention | Mutatio for concept and realization |
| 2011 | MEXICAN DOCUMENTARY | Best DOCUMENTARY | Nunca nunca no dejé ir by Moisés Aisemberg |
| 2011 | MEXICAN DOCUMENTARY | Special mention | Río Lerma by Esteban Arrangoiz |
| 2011 | MEXICAN DOCUMENTARY | Special mention | Semana santa cora by Omar Osiris and Beatriz B. Bautista |
| 2011 | SIGNIS | Award SIGNIS | Firmes by Yordi Capó |
| 2011 | IBEROAMERICAN | Best short | El Cortejo by Marina Seresesky from Spain |
| 2011 | IBEROAMERICAN | Best director | 15 summers later by Pedro Collantes |
| 2011 | IBEROAMERICAN | Best screenplay | Protopartículas by Chema García |
| 2011 | IBEROAMERICAN | Best photography | Voodoo by Sandro Aguilar de Portugal |
| 2011 | IBEROAMERICAN | Special mention | Hidden Soldier by Alejandro Suárez |
| 2011 | IBEROAMERICAN | Special mention | Birdboy by Pedro Rivero and Alberto Vázquez |
| 2011 | IBEROAMERICAN | Special mention | 3,2 Lo que hacen las novias by Jota Linares |
| 2011 | INTERNATIONAL | Best short | Colivia by Adrian Sitaru from Romania |
| 2011 | INTERNATIONAL | Special mention | Vafor by Kave Nobation from Canada-Mexico |
| 2012 | MEXICAN FICTION | Best short | La herida de Lucrecia by Sabrina Maldonado |
| 2012 | MEXICAN FICTION | Best director | Sebastian Quintanilla for La Habitación |
| 2012 | MEXICAN FICTION | Best screenplay | Alexandra Marquez for Dos de tres by Paulina Rosas |
| 2012 | MEXICAN FICTION | Best photography | Alejandro Cantú for Revelación by Acán Coen |
| 2012 | MEXICAN FICTION | Best actor | Juan Carlos Barreto for Apocrifo by Ernesto Fundora |
| 2012 | MEXICAN FICTION | Best actress | Karina Gidi for La Habitacion by Sebastián Quintanilla |
| 2012 | MEXICAN FICTION | Special mention acting | Aida López for La Madre by Ernesto Martínez Bucio |
| 2012 | MEXICAN FICTION | Kids and teenagers | Emanuel Espíndola, Alan Fuentes, Sebastián Díaz, Rebeca Tolsá Bolado, Sergio Meneses Villarreal and Assira Abbate Machado, from the castings of the following shorts: Dos de tres by Paulina Rosas, Dentro de uno by Salvador Aguirre, Assemble by Miguel Ferráez, Pollito Chiken, Gallina Hen by Marta Hernaiz Pidal, and Plutón y los planetas by Vonno A. Ambriz. |
| 2012 | MEXICAN FICTION | Best edition | Miguel Ferraez for Assemble by Miguel Ferráez |
| 2012 | MEXICAN FICTION | Best sound | MCO estudios for Apocrifo by Ernesto Fundora |
| 2012 | MEXICAN FICTION | Best art | Rol Juárez Pérez for El Banquete del Clown by Franco Carmona |
| 2012 | MEXICAN FICTION | Special mention Art | Sofía Carrillo for Retrato anónimo by Paola Chaurand |
| 2012 | MEXICAN FICTION | Special mention | Me extinguiré en el silencio by David Castañón Medina |
| 2012 | MEXICAN FICTION | Special mention | Del aire soy by Rodrigo Ugalde de Haene |
| 2012 | MEXICAN ANIMATION | Best short | Dame posadas by Cecilio Vargas Torres |
| 2012 | MEXICAN ANIMATION | Special mention | A secas by Andreas Papacostas |
| 2012 | MEXICAN ANIMATION | Special mention | Teclopolis by Javier Mrad from Argentina |
| 2012 | MEXICAN DOCUMENTARY | Best DOCUMENTARY | Fuimos gigantes by Víctor Navarro |
| 2012 | MEXICAN DOCUMENTARY | Special mention | Yuban by Ya´asib Vázquez Colmenares |
| 2012 | MEXICAN DOCUMENTARY | Special mention | Ruinas by Martín Molina Gola |
| 2012 | IBEROAMERICAN | Best short | Salón Royal by Sabrina Campos from Argentina. |
| 2012 | IBEROAMERICAN | Special mention | La Matraca de Benfhazi by Paco Torres from Spain and Ireland |
| 2012 | INTERNATIONAL | Best short | Normal People by Piotr Zlotorowitcz from Poland |
| 2012 | INTERNATIONAL | Special mention | A trois by Vanessa Clement / Jonathan Hazan from France |
| 2012 | INTERNATIONAL | Special mention | The Extraordinary Life of Rocky by Kevin Meul and Steven Dhoedt from Belgium |
| 2012 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Cuando yo era viejo by Armando Narváez del Valle |
| 2012 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Special mentions | Carmita by Yoame Escamilla de Arsenal |
| 2012 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Special mentions | Mimodrama by Carlos Alvahuante |
| 2012 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Special mentions | Esa palabra con C by Karla E. López Romero |
| 2012 | Award KUBRIK Universidad de la Comunicación | DOCUMENTARY | Fuimos gigantes by Víctor Navarro |
| 2012 | Award KUBRIK Universidad de la Comunicación | FICTION | Assemble by Miguel Ferráez |
| 2012 | Award KUBRIK Universidad de la Comunicación | ANIMATION | A secas by Andreas Papacostas |
| 2012 | Award MacTrainee | Best Mexican screenplay | Cuando yo era viejo by Armando Narváez del Valle |
| 2012 | Award MacTrainee | Best DOCUMENTARY | Fuimos gigantes by Víctor Navarro |
| 2012 | Award MacTrainee | Best animation short | Dame posadas by Cecilio Vargas Torres |
| 2012 | Award MacTrainee | Best fiction short | La herida de Lucrecia by Sabrina Maldonado |
| 2013 | MEXICAN FICTION | Best short | Contrafábula de una niña disecada by Alejandro Iglesias Mendizábal |
| 2013 | MEXICAN FICTION | Best director | Alejandro Iglesias Mendizábal for Contrafábula de una niña disecada |
| 2013 | MEXICAN FICTION | Best screenplay | Juan Manuel Barreda and Ana Mary Ramos for Inframundo |
| 2013 | MEXICAN FICTION | Best photography | Ignacio Miranda for La Tiricia o cómo curar la tristeza |
| 2013 | MEXICAN FICTION | Best actor | Pedro Hernández for La banqueta and Kristyan Ferrer for Ratitas |
| 2013 | MEXICAN FICTION | Best actress | Concepción Márquez for El cielo en el lago and Andrea Berzosa for forcelana |
| 2013 | MEXICAN ANIMATION | Best short | Lluvia en los ojos by Rita Basulto |
| 2013 | MEXICAN ANIMATION | Special mention | Electrodoméstico |
| 2013 | MEXICAN DOCUMENTARY | Best DOCUMENTARY | La Parka by Gabriel Serra Argüello |
| 2013 | MEXICAN DOCUMENTARY | Special mention | B-Boy by Abraham Escobedo Salas |
| 2013 | MEXICAN NEOMEX | Best short | Antídoto by Tania Karenni Flores |
| 2013 | MEXICAN NEOMEX | Special mention | El silencio by Sinhue Benavides |
| 2013 | IBEROAMERICAN | Best short | Voice Over by Martín Rosete from Spain |
| 2013 | IBEROAMERICAN | Special mention | Anacos by Xacio Baño from Spain |
| 2013 | INTERNATIONAL ANIMATION | Best short | Lady with Flower Hair by Sarah Tabibzadeh from Iran |
| 2013 | INTERNATIONAL ANIMATION | Special mention | The Kiosk by Anete Melece from Switzerland |
| 2013 | INTERNATIONAL ANIMATION | Special mention | Head over Heels by Timothy Reckart from UK |
| 2013 | INTERNATIONAL FICTION | Best short | Death of a Shadow by Tom Van Avermaet (Belgium/France) |
| 2013 | INTERNATIONAL FICTION | Special mention | Traje de Baño by Mathilde Bayle (France) |
| 2013 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Rewind by Santiago Ortiz Monasterio |
| 2014 | MEXICAN FICTION | Best short | Matabichos, by Gabriela Palacios |
| 2014 | MEXICAN FICTION | Best director | Bella, by Maricarmen Merino |
| 2014 | MEXICAN FICTION | Best screenplay | El Sonámbulo, by Lenz Claure |
| 2014 | MEXICAN ANIMATION | Best short | El don de los espejos, by Mara Soler Guitián |
| 2014 | MEXICAN ANIMATION | Special mention | El modelo de pickman, by Pablo Ángeles |
| 2014 | DOCUMENTARY MEXICANO-IBEROAMERICANO | Best DOCUMENTARY MEX | Fuera de Foco, by Adrián Arce and Antonio Zirión |
| 2014 | DOCUMENTARY MEXICANO-IBEROAMERICANO | Special mention MEX | Sueño de Juguetes, by Francisco Machado |
| 2014 | DOCUMENTARY MEXICANO-IBEROAMERICANO | Best short IA | Godka Cirka, by Alex Lora, Spain |
| 2014 | DOCUMENTARY MEXICANO-IBEROAMERICANO | Special mention IA | Prisioneros del Kanun, by Roser Corella, Spain |
| 2014 | IBEROAMERICAN | Best short | Minerita, by Raúl de la Fuente, Spain |
| 2014 | IBEROAMERICAN | Best director | Óscar Bernácer, Bikini, Spain |
| 2014 | IBEROAMERICAN | Best screenplay | Bikini, by Óscar Bernácer, Spain |
| 2014 | INTERNATIONAL | Best short | Zima, by Cristina Picchi, Russia |
| 2014 | INTERNATIONAL | Best screenplay | Washingtonia, by Konstantina Kotzamani, Greece |
| 2014 | INTERNATIONAL | Best director | Ilan Klipper, Juke Box, France |
| 2014 | INTERNATIONAL | Special mention | The mass of men, by Gabriel Gauchet, UK |
| 2014 | INTERNATIONAL | Special mention | Hasta Santiago, by Mauro Carraro, Switzerland / France |
| 2014 | INTERNATIONAL | Special mention | The way back, by Halla Kim, South Korea |
| 2015 | MEXICAN FICTION | Best short | Trémulo, by Roberto Fiesco |
| 2015 | MEXICAN FICTION | Best director | Roberto Fiesco, for Trémulo |
| 2015 | MEXICAN FICTION | Best screenplay | Julio Berthely, for Mientras duermo |
| 2015 | MEXICAN FICTION | Best photography | Alejandro Cantú for Trémulo |
| 2015 | MEXICAN FICTION | Best sound | Alberto Molero for Nunca regreses |
| 2015 | MEXICAN FICTION | Best edition | Aina Calleja for Huellas |
| 2015 | MEXICAN FICTION | Best art | Maria José Pizarro for La tiara vacía |
| 2015 | MEXICAN FICTION | Best actor | Burak Yigit for Juego de dedos |
| 2015 | MEXICAN FICTION | Best actress | Margarita Sanz for Tres variaciones de Ofelia |
| 2015 | MEXICAN FICTION | Best production | Huellas, by Jorge Orozco Watson |
| 2015 | MEXICAN DOCUMENTARY | Best short | Mucacho en la barra se mastura con rabia y osadía by Julián Hernández |
| 2015 | MEXICAN ANIMATION | Best short | Zimbo by Juan José Medina and Rita Basulto |
| 2015 | MEXICAN NEOMEX | Best short | Afuera by José Permar |
| 2015 | MÉXICO VIDEO | Best short | El incansable amor por la ruta del grupo Ramona |
| 2015 | IBEROAMERICAN FICTION | Best ibero-American fiction short film | La Gallina de Manel Raga / Spain |
| 2015 | IBEROAMERICAN ANIMATION | Best short | Edificio Tatuapé Mahal by Carolina Marcowicz and Fernando Salloum / Brazil |
| 2015 | IBEROAMERICAN DOCUMENTARY | Best short | La Reina by Manuel Abramovich / Argentina |
| 2015 | INTERNATIONAL DOCUMENTARY | Best short | Waiting For The (T)rain by Simon Panay / USA |
| 2015 | INTERNATIONAL ANIMATION | Best short | Dinner for Few by Nassos Vakalis / Greece |
| 2015 | INTERNATIONAL FICTION | Best short | Angels Die In The Soil by Babak Amini / Iran |
| 2015 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Tutti Frutti by Miguel Saucedo |
| 2016 | MEXICAN FICTION | Best short | 24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea |
| 2016 | MEXICAN FICTION | Best director | Carlos Lenin Treviño for 24 º 51’ Latitud Norte |
| 2016 | MEXICAN FICTION | Best screenplay | Juliana Orea and Peter Asley Solís for En el estacionamiento |
| 2016 | MEXICAN FICTION | Special mention for screenplay | Rodrigo Ruiz Paterson, and Claudia Saint Luce for Australia |
| 2016 | MEXICAN FICTION | Best photography | Diego Tenorio for 24 º 51’ Latitud Norte |
| 2016 | MEXICAN FICTION | Best sound | Galileo Galaz, Be Flores and Misael Hernández for 24 º 51’ Latitud Norte |
| 2016 | MEXICAN FICTION | Best edition | David Zonana and Karen Espinal for Sangre Alba |
| 2016 | MEXICAN FICTION | Best art | Estibaliz Valdivia and Leo Juárez for El ocaso de Juan |
| 2016 | MEXICAN FICTION | Best costumes | Paula Quintanar and Constanza Martínez for En el estacionamiento |
| 2016 | MEXICAN FICTION | Best actor | Kristyan Ferrer for El Ocaso de Juan |
| 2016 | MEXICAN FICTION | Best actress | Lisa Owen for Australia |
| 2016 | MEXICAN FICTION | Special mention for the actress | María Fernanda Carrillo, for En el estacionamiento |
| 2016 | MEXICAN DOCUMENTARY | Best short | Tobías, by Francisco de Acosta and Ramiro E. Pedraza |
| 2016 | MEXICAN DOCUMENTARY | Special mention | Club Amazonas, by Roberto Fiesco |
| 2016 | MEXICAN DOCUMENTARY | Special mention | Aurelia and Pedro, by José Permar and Omar Robles |
| 2016 | MEXICAN ANIMATION | Best short | Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz |
| 2016 | MEXICAN ANIMATION | Special mention | Los aeronautas, by León Fernández |
| 2016 | MEXICAN ANIMATION | Special mention | Los gatos, by Alejandro Río |
| 2016 | MEXICAN NEOMEX | Best short | Puertas, by Soledad Violeta Carbajal |
| 2016 | MEXICAN NEOMEX | Special mention | Abducción, by Antonio Ayala Galindo |
| 2016 | MEXICAN NEOMEX | Special mention | Luz de día, by Maurico Calderón Mora |
| 2016 | IBEROAMERICAN FICTION | Best ibero-American fiction short film | San Cristóbal, by Omar Zuñiga Hidalgo, from Chili |
| 2016 | IBEROAMERICAN FICTION | Mention | Lo compró en Zaratutz, by Aitor Arregui, from Spain |
| 2016 | IBEROAMERICAN ANIMATION | Best short | La noche del oceano, by María Lorenzo, from Spain |
| 2016 | IBEROAMERICAN ANIMATION | Special mention | Un nueve de abril, by Edgar Álvarez, from Colombia |
| 2016 | IBEROAMERICAN DOCUMENTARY | Best short | A poquito es noche, by Paula Murcia Restrepo, from Cuba-Colombia |
| 2016 | IBEROAMERICAN DOCUMENTARY | Special mention | La impresión de una guerra, by Camilo Restrepo, from Colombia-France |
| 2016 | INTERNATIONAL DOCUMENTARY | Best short | Irregulars, by Fabio Palmieri, from Italy |
| 2016 | INTERNATIONAL DOCUMENTARY | Special mention | Mining poems or Odes, by Callum Rice, Scotland |
| 2016 | INTERNATIONAL ANIMATION | Best short | To Build A Fire, by Fx Goby, from France |
| 2016 | INTERNATIONAL ANIMATION | Special mention | Deer Flowers, by Kangmin Kin, from South Korea |
| 2016 | INTERNATIONAL FICTION | Best short | Zeus, by Pavel Vesnakov, from Germany |
| 2016 | INTERNATIONAL FICTION | Special mention | The Ravens, by Jennifer Perrot, from Australia |
| 2016 | Award OF THE AUDIENCE ON LINE | ANIMATION | Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz |
| 2016 | Award OF THE AUDIENCE ON LINE | Queer | Libar, by Bárbara Moreno Turcott |
| 2016 | Award OF THE AUDIENCE ON LINE | FICTION | La hija prometida |
| 2016 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Espuma de mar, by Luis Mariano García |
| 2016 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Special mention | Psic0nautas, by Israel Granja Hernández |
| 2016 | Award OF THE PRESS | Best short | 24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea |
| 2017 | MEXICAN FICTION | Best short | Verde, by Alonso Ruizpalacios |
| 2017 | MEXICAN FICTION | Best director | Alonso Ruizpalacios, for Verde |
| 2017 | MEXICAN FICTION | Best screenplay | Antonio de Jesús Sánchez, for La Ramona |
| 2017 | MEXICAN FICTION | Best photography | Julio Llorente, for Loving South |
| 2017 | MEXICAN FICTION | Best sound | Javier Umpierrez, for Verde |
| 2017 | MEXICAN FICTION | Best edition | Sheila Altamirano and Esteban Arrangoiz, for Peñas |
| 2017 | MEXICAN FICTION | Best art | Javier Umpierrez, for Verde |
| 2017 | MEXICAN FICTION | Best costumes | Alex Caraza and Eloise Kazan, for Julkita |
| 2017 | MEXICAN FICTION | Best actor | Gerardo Taracena, for La Ramona |
| 2017 | MEXICAN FICTION | Best actress | Meraqui Pradis, for Fuerza Bruta |
| 2017 | MEXICAN ANIMATION | Best short | Cerulia, by Sofía Carrillo |
| 2017 | MEXICAN ANIMATION | Special mention | Poliangular, by Alexandra Castellanos Solís |
| 2017 | MEXICAN DOCUMENTARY | Special meSogon | La yarda, by Francisco Javier Sandoval |
| 2017 | MEXICAN DOCUMENTARY | Best short | Relato Familiar, by Sumie García |
| 2017 | MEXICAN DOCUMENTARY | Special mention | Semillas de Guamúchil, by Carolina Corral Paredes |
| 2017 | MEXICAN DOCUMENTARY | Special mention | Los árboles no dejan ver el bosque, by Gastón Andrade |
| 2017 | MEXICAN NEOMEX | Special mention | Tierra Baldía, by Argenis Salinas Pineda |
| 2017 | MEXICAN NEOMEX | Best short | Bestia, by José Permar |
| 2017 | MEXICAN NEOMEX | Special mention | El sabor de los nudillos, by Dante Alejandro Silva Treviño |
| 2017 | MEXICAN NEOMEX | Special mention | Colapso, by Santiago González Gavilanes |
| 2017 | IBEROAMERICAN FICTION | Special mention | Hijo por Hijo, by Juan Avellar, from Venezuela |
| 2017 | IBEROAMERICAN FICTION | Best ibero-American fiction short film | Culiaos, by Samuel González, from Chile |
| 2017 | IBEROAMERICAN ANIMATION | Mention | Here's the plan, by Fernanda Frick, from Chile |
| 2017 | IBEROAMERICAN ANIMATION | Mention | La casa de los colores, by Nicolas Villareal, from Argentina |
| 2017 | IBEROAMERICAN ANIMATION | Best short | Corp, by Pablo Polledri, from Argentina |
| 2017 | IBEROAMERICAN DOCUMENTARY | Best short | Bolingo, el Bosque del amor, by Alejandro G. Salgado, from Spain |
| 2017 | INTERNATIONAL ANIMATION | Special mention | I think you are a little confused, by Iku Ogawa, from Japan |
| 2017 | INTERNATIONAL ANIMATION | Best short | Au Revoir Balthazar, by Rafel Sommerhalder, from Switzerland. |
| 2017 | INTERNATIONAL DOCUMENTARY | Best short | One day in Aleppo, by Ali Alibrahim, from Syria-Sweden-Denmark |
| 2017 | INTERNATIONAL DOCUMENTARY | Special mention | Speaking is difficult, by A. J. Schnack, from USA |
| 2017 | INTERNATIONAL FICTION | Special mention | Semele, by Myrsini Aristidou, from Greece |
| 2017 | INTERNATIONAL FICTION | Best short | Minh Tam, by Vincent Maury, from France |
| 2017 | AWARD OF THE ASOCIACION DE MUJERES EN EL CINE Y LA TV | | Taller de Corazones Luisa Alba, for Filamentos |
| 2017 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Eternity, by Davy Giorgi and Samantha Pineda |
| 2018 | MEXICAN FICTION | Best short | Los desterrados hijos de Eva, by Omar Robles |
| 2018 | MEXICAN FICTION | Best director | El aire delgado, by Pablo Giles |
| 2018 | MEXICAN FICTION | Best screenplay | Mamartuile, Gabriel Nuncio |
| 2018 | MEXICAN FICTION | Best photography | Ulises, Tonatiuh Martínez |
| 2018 | MEXICAN FICTION | Best sound | Ulises, Rodrigo Barberá and José Iván Aguilera |
| 2018 | MEXICAN FICTION | Best edition | Laura y el viento, Natali Montell, Arián Sánchez and Gabriela Ruvalcaba |
| 2018 | MEXICAN FICTION | Best art | Mamartuile, Oscar Tello |
| 2018 | MEXICAN FICTION | Best costumes | Los desterrados hijos de Eva, Constanza Martínez |
| 2018 | MEXICAN FICTION | Best actor | El futuro, Krystian Ferrer |
| 2018 | MEXICAN FICTION | Best actress | El futuro, Jana Raluy |
| 2018 | MEXICAN DOCUMENTARY | Best short | La sombra de un Dios, by Bernhard Hetzenauer |
| 2018 | MEXICAN DOCUMENTARY | Special mention | Oro Rosado, by Daniel Anguiano Zúñiga |
| 2018 | MEXICAN ANIMATION | Best short | In a heartbeat, by Esteban Bravo and Beth David |
| 2018 | MEXICAN NEOMEX | Best short | El último romántico, by Natalia García Agraz |
| 2018 | MEXICAN NEOMEX | Special mention | Espuma de mar, by Luis Mariano García |
| 2018 | IBEROAMERICAN FICTION | Best ibero-American fiction short film | Lucy, by Roberto Gutiérrez (Venezuela) |
| 2018 | IBEROAMERICAN ANIMATION | Best short | Lupus, by Carlos Gómez Salamanca (Colombia/ France) |
| 2018 | IBEROAMERICAN ANIMATION | Special mention | O vestido de Myriam, by Lucas H. Rossi (Brazil) |
| 2018 | IBEROAMERICAN ANIMATION | Special mention | Rabia, by Romina Tamburello (Argentina) |
| 2018 | IBEROAMERICAN DOCUMENTARY | Best short | Detroit ́s Rivera, by Julio Ramos (Puerto Rico/ USA) |
| 2018 | IBEROAMERICAN DOCUMENTARY | Special mention | Here - Ici, by Cayetano Espinosa (Peru) |
| 2018 | IBEROAMERICAN DOCUMENTARY | Special mention | Drop by drop, by Alexandra Ramírez and Laura Goncalves (Portugal) |
| 2018 | INTERNATIONAL DOCUMENTARY | Best short | Edith+Eddie, by Laura Checkoway and Thomas Lee Wright, USA |
| 2018 | INTERNATIONAL DOCUMENTARY | Special mention | The rabbit hunt, by Patrick Bresnan, USA and Hungary |
| 2018 | INTERNATIONAL ANIMATION | Best short | Sog, by Jonatan Schwenk, Germany |
| 2018 | INTERNATIONAL FICTION | Best short | Adele, by Mirene Igwabi, Australia |
| 2018 | INTERNATIONAL FICTION | Special mention | May Day, by Olivier Magis and Fedrik De Beul, Belgium |
| 2018 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Recalentado es Best, by Alba Cecilia Garza and Diana López |
| 2018 | Award OF THE PRESS | Special mention | Ulises, by Jorge Malpica |
| 2018 | Award OF THE PRESS | Best short | Al caer la noche, by Rocko Desvan |
| 2019 | MEXICAN FICTION | Best short | Playa Gaviotas by Eduardo Esquivel |
| 2019 | MEXICAN FICTION | Best director | Laura Baumeister, for Water Navel. |
| 2019 | MEXICAN FICTION | Best screenplay | Betzabé García, for The girl with two heads. |
| 2019 | MEXICAN FICTION | Best cinematography | Alana Mejía González, for The Girl with Two Heads. |
| 2019 | MEXICAN FICTION | Best sound | Fernando Gómez, Paulina Villavicencio and Óscar Victoria, for No Returns. |
| 2019 | MEXICAN FICTION | Best editing | Eduardo Spiegeler and Julián Sarmiento, for Navel of water. |
| 2019 | MEXICAN FICTION | Best art | Lou Peresandi, for The Witch of the Walking Match. |
| 2019 | MEXICAN FICTION | Best costumes | Lilia Hernández, for The walking witch match. |
| 2019 | MEXICAN FICTION | Best actor | Noé Hernández, by Arcángel. |
| 2019 | MEXICAN FICTION | Best actress | Tessa Ia, for No Returns. Sofía Espinosa, for No Returns. |
| 2019 | MEXICAN DOCUMENTARY | Best short | Goodbye, Goodbye, Goodbye, by Ricardo Castro. |
| 2019 | MEXICAN DOCUMENTARY | Special mention | Symphony of a sad sea, by Carlos Mario Morales García |
| 2019 | MEXICAN ANIMATION | Best short | Grandma´s pie, by Ricardo San Emeterio (Mexico / USA). |
| 2019 | MEXICAN ANIMATION | Special Mention | Adelina, by Ana Portilla. Gina by David Diomedes Heras |
| 2019 | MEXICAN NEOMEX | Best short | Lazareto, by Gustavo Hernández De Anda. |
| 2019 | MEXICAN NEOMEX | Special mention | We exist in silence, by Héctor Ibarra Jiménez. |
| 2019 | IBEROAMERICAN FICTION | Best ibero-American fiction short film | Matria, by Álvaro Gago (Spain). |
| 2019 | IBEROAMERICAN ANIMATION | Best short | Agouro, by David Doutel and Vasco Sá (Portugal / France). |
| 2019 | IBEROAMERICAN DOCUMENTARY | Best short | We were waiting for it to get dark, by Wendi V. Muñiz and Guillermo Zouain (Dominican Republic - USA). |
| 2019 | IBEROAMERICAN DOCUMENTARY | Special mention | Laatash, by Elena Molina (Spain). |
| 2019 | INTERNATIONAL DOCUMENTARY | Best short | The space shuttle challenger, by Cecilia Araneda (Canada). |
| 2019 | INTERNATIONAL ANIMATION | Best short | Raymonde Ou L'evasion Verticale, by Sarah Van Den Boom (France). |
| 2019 | INTERNATIONAL FICTION | Best short | Skin, by Guy Nattiv (USA). |
| 2019 | NATIONAL SHORT FILM SCREENPLAY CONTEST | Best Mexican screenplay | Pinky promise, by Indra Villaseñor Amador. |
| 2019 | Award OF THE PRESS | Special mention | The Witch of the strolling phosphor, by Sofía Carrillo. The Missing Persons Press Award, by Astrid Domínguez |
| 2019 | Award OF THE PRESS | Best short | Arcángel, by Ángeles Cruz. |