# Arabhi

Arabhi or Aarabhi (pronounced ārabhi) is a ragam (musical scale) in Carnatic music (South Indian classical music). It is a Janya raga (derived scale), whose Melakarta raga (parent scale, also known as janaka) is Shankarabharanam, 29th in the 72 Melakarta raga system. It is a combination of the pentatonic scale Shuddha Saveri (or Durga in Hindustani Music) and the sampurna raga scale Shankarabharanam.
Arabhi is a raga that dates back to 7 AD. Originally, it was called as pazhanthakkam in Ancient Tamil music. A very auspicious ragam that emanates Veera rasa (valour), Arabhi is one of the five Ghana ragams that shine with special brilliance when Thanam is played on Veena.

## Structure and Lakshana

Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
* ārohaṇa : S R₂ M₁ P D₂ Ṡ
* avarohaṇa : Ṡ N₃ D₂ P M₁ G₃ R₂ S
Arabhi raga is an Owdava-sampoorna raga meaning, 5 swaras occur in the arohana (so it is called Owdava) and in avarohana all swaras occur (so sampoorna).
It is a raga without much gamakas and frequency variations, relying instead on flat notes. The important point is the swara "ga" always comes very close to "ma" so when we sing the phrase "ma ga ri" it sounds like "ma ma ri". Likewise the swara "ni" always comes very close to the swara "sa" hence when we sing the phrase "sa ni da" it sounds like "sa sa da".
The closest raga to this one is Devagandhari. There are few aspects which make Arabhi different (though both share the same ascending and desce
* In Arabhi the swara "ga" is close to "ma" but in Devagandhari it is not the same.
* The swara "ri" is not fluctuated in Arabhi but it is given "asaivu" in Devagandhari
* The phrase "pa ma da sa" should not be sung in Arabhi, as it is exclusive for Devagandhari
* Devagandhari is sung with gamakas and vilambita kala prayogas (usages with elongated notes)
* Devagandhari is sung with deergha gandharam (elongated G3)
Arabhi raga is a very energetic and it lends itself to creativity in brigas (fast-paced swara usages) more than gamakas.

## Popular Compositions

The 3rd of Pancharatna Kritis (five gems of compositions), Sadhinchanae(also known as "Samayaniki Tagu Mataladene") by Saint Thyagaraja is a famous composition set in Arabhi raga. Here we can note that Thyagaraja uses phrases like "sa sa da" in the charanam although there are phrases like "sa ni da" also.
Here are some more compositions set to Arabhi.
| Type | Composition | Composer | talam |
| Varnam | Sarasija Mukhiro | Pallavi Doraiswamy Iyer | Adi |
| Varnam | Annamae aravaa | Tiger Varadachariar | Adi |
| Varnam | Amba Gauri | Irayimman Thampi | Adi |
| Kriti | Adidano Ranga (2nd Navaratna Malike) | Purandara Dasa | Adi |
| Kriti | Lalisidalu Magana | Purandara Dasa | Adi |
| Kriti | Dangurava Sari | Purandara Dasa | Adi |
| Kriti | Gubbiyalo Gubbiyalo | Vadiraja Tirtha | Adi |
| Kriti | Neela Lohita Damaruga | Jagannatha Dasa | Adi |
| Kriti | Mantralayadolu Rajipa | Kamalesha Vittala Dasu | Adi |
| Kriti | Dachuko Nee Padalaku | Annamacharya | Adi |
| Kriti | Saadinchane O Manasa (3rd Pancharatnam) | Thyagaraja | Adi |
| Kriti | Chaala kallalaadu | Thyagaraja | Adi |
| Kriti | O Rajeevaksha | Thyagaraja | Chapu |
| Kriti | Joothamurare | Thyagaraja | Rupakam |
| Kriti | Nada sudha rasa | Thyagaraja | Rupakam |
| Kriti | Patiki Mangala | Thyagaraja | Adi |
| Kriti | Sundari Ninnu Varnimpa | Thyagaraja | Misra Chapu |
| Kriti | Pranavakaram Siddhi Vinayakam | Ootukadu Venkata Kavi | Adi |
| Kriti | Sakala Loka Nayike Twam Eva Sharanam | Ootukadu Venkata Kavi | Adi |
| Kriti | Ganarajena rakshitoham | Muthuswamy Dikshitar | Misra Chapu |
| Kriti | Shri Saraswati namostute | Muthuswami Dikshitar | Rupakam |
| Kriti | Shwetaranyeshwaram | Muthuswami Dikshitar | Adi |
| Kriti | Adipurishwaram | Muthuswami Dikshitar | Adi |
| Kriti | Marakoti koti lavanya | Muthuswami Dikshitar | Jhampa |
| Kriti | Gowrishaya Namaste | Muthuswami Dikshitar | Triputa |
| Kriti | Palayashumam Paradevate | Syama Sastri | Triputa |
| Kriti | Paahi Parvata Nandini (Navarathri krithi-9th day) | Swathi Thirunal | Adi |
| Kriti | Vande Maheshwaram | Swathi Thirunal | Misra Chapu |
| Kriti | Narasimha Mamava | Swathi Thirunal | Khanda Chapu |
| Kriti | Shri Ramana Vibho | Swathi Thirunal | Aadi |
| Kriti | Madhu kaitabha | Muthiah Bhagavathar | Adi |
| Kriti | Rave Puruhutikamba | Maddirala Venkataraya Kavi | Misra Chapu |
| Kriti | Maravanu ne ninnu | G. N. Balasubramaniam | Rupakam |
| Kriti | Durga Lakshmi Saraswati | Papanasam Sivan | Adi |
| Kriti | Nilakantha Nityananda | Nilakanta Sivan | Adi |
| Kriti | Sri Sakala Ganadhipa | Dr M. Balamuralikrishna | Adi |
| Kriti | Mahadeva Sutam | Dr. M. Balamuralikrishna | Adi |
| Kriti | Maha Balavanta Shri Hanumanta | Kalyani Varadarajan | Adi |

## Film Songs
### Language:Tamil

| Song | Movie | Composer | Singer |
| Indru Namathullame Pongum | Thanga Padhumai | Viswanathan–Ramamoorthy | T. M. Soundararajan, Jikki |
| Brindavanamum Nandakumaranum (shades of Devagandhari with the explicit Gandharam) | Missiamma | S. Rajeswara Rao | A. M. Rajah, P. Susheela |
| Yeri Karaiyin Mele | Mudhalali | K. V. Mahadevan | T. M. Soundararajan |
| Kaviri Paayum (Pallavi, anupallavi only) | Maragatham | S. M. Subbaiah Naidu | T. M. Soundararajan |
| Kanni Paruvam Aval | Indira En Selvam | C. N. Pandurangan & H.R.Padmanabha Shastri | P. B. Sreenivas, Soolamgalam Rajalakshmi |
| Thendralil Aadidum | Madhuraiyai Meetta Sundharapandiyan | M. S. Viswanathan | K. J. Yesudas, Vani Jairam |
| Meenakshi Kalyanam(Ragamalika) | Meenakshi Thiruvilayadal | M. S. Viswanathan | K. J. Yesudas, Vani Jairam |
| Manthaara Malare | Naan Avanillai | M. S. Viswanathan | P. Jayachandran, L. R. Eswari |
| Santhakavigal | Metti | Ilaiyaraaja | Brahmanandam |
| Aasai Kiliye | Thambikku Entha Ooru | Ilaiyaraaja | Malaysia Vasudevan |
| Madhurai Vaazhum | Pudhupatti Ponnuthayi | Ilaiyaraaja | Unni Menon, S. Janaki |
| Mannavane Mannavane | Thanthu Vitten Ennai | Ilaiyaraaja | S. P. Balasubrahmanyam, S. Janaki |
| Sandhanam Ennum | Aatam Paatam Kondaatam | Gangai Amaran | Mano, Deepan Chakravarthy |
| Kaalai Arumbi | Kana Kandaen | Vidyasagar | Srinivas, Kalyani Nair |
| Vidiya Vidiya | Samudhiram | Sabesh–Murali | Udit Narayan, Sadhana Sargam |
| Rayilin Pathayil | Appavi | Joshua Sridhar | Hariharan, Shreya Ghoshal |

### Title Song

| Song | Tv Serial | Composer | Singer |
| Aadugiran Kannan | Adugiran Kannan | C. Sathya | Srinivas |

### Language: Malayalam

| Song | Movie | Composer | Singers |
| Navakabhishekam Kazhinju | Guruvayur Kesavan | G. Devarajan | K J Yesudas |
| Tiruvona Pularithan | | | |
| Shreekovil Nadathurannu | | | |

### Language: Telugu

| Song | Movie | Composer | Singers |
| Hey Parvathi natha | Sita Rama Kalyanam (1961 film) | Gali Penchala Narasimha Rao | Ghantasala (musician) |
| Tapamu Phalinchina Shubhavela | Sri Krishnarjuna Yuddhamu | Pendyala (composer) | Ghantasala (musician) |
| Sri Kamini Kamitakara | Panduranga Mahatyam | T. V. Raju | Ghantasala (musician) |
| Brindavanamadi Andaridi Govindudu Andari vadele(Confluence of Devagandhari present) | Missamma | S. Rajeswara Rao | A. M. Rajah & P. Susheela |