OpenLLM-France/wikimedia huggingface dataset:
# Troitsk Institute of Innovative and Thermonuclear Research

SSC RF "Troitsk Institute of Innovative and Thermonuclear Research" or TRINITY for short Russian: Троицкий Институт инновационных и термоядерных исследований, ГНЦ РФ ТРИНИТИ) is a Russian state scientific center (SSC) in the field of controlled thermonuclear fusion, plasma physics, laser physics, and the technology and practical application of impulse sources of power supply based on MHD generators.
It is located in Troitsk, Moscow. It was established in 1956 as the Magnetic Laboratory of the USSR Academy of Sciences by an initiative of the academician Anatoly Aleksandrov.
In 1961, it was merged into Kurchatov Institute as a special sector (later a section). Currently, its director is Professor V. E. Cherkovets. TRINITY was reestablished in 1991 receiving its current name. In 1994 it was granted the status of State Scientific Center (SSC), which was renewed in 1997, 2000, 2002, 2004, and 2007.
TRINITY operates the experimental facility Angara 5-1 and the thermonuclear complex SFT (Strong Field Tokamak T-11M).
# Trent, Ancholme and Grimsby Railway

The Trent, Ancholme and Grimsby Railway was a railway line in north Lincolnshire which commenced at an end on junction with the South Yorkshire Railway where that railway crossed the River Trent near the village of Gunhouse. This was known as Gunhouse Junction but the village has become known as "Gunness". The line ran for about 14 miles (22.5km) through Frodingham to Wrawby Junction near Barnetby and included railway stations at Appleby, and Elsham. The line also included two branches to Gunness and Gunhouse Wharf on the River Trent. The line was opened on 1 October 1866.
The line was worked, and later absorbed into by the Manchester, Sheffield and Lincolnshire Railway (MS&LR). The MS&LR became the Great Central Railway and on grouping to the LNER. The 14 mile main line is still open and is heavily used, the two branches have closed.

## Acts

* Trent, Ancholme, and Grimsby Railway Act 1861 (24 & 25 Vict. c. clvi); An Act to authorize the Construction in Lincolnshire of a Railway from the River Trent across the River Ancholme to the Manchester, Sheffield, and Lincolnshire Railway.
** "Trent, Ancholme, and Grimsby Railway. (Railway from the Trent, near Keadby, to Barnetby-le-Wold.)", London Gazette (22449): 4372–3, 20 November 1860
* Trent, Ancholme, and Grimsby Railway Act 1862 (25 & 26 Vict. c. 129); An Act to authorize the South Yorkshire Railway and River Dun Company, and the Manchester, Sheffield, and Lincolnshire Railway Company to contribute Funds towards and to acquire the Undertaking of the Trent, Alcholme, and Grimsby Railway Company
** "Trent, Ancholme, and Grimsby Railway. (Further Powers to Manchester, Sheffield, and Lincolnshire Railway, and to South Yorkshire Railway and River Dun Companies.)", London Gazette (22569): 4926, 26 November 1861
* Trent, Ancholme and Grimsby Railway Act 1864 (27 & 28 Vict. c. 65); An Act to enable the Trent, Ancholme, and Grimsby Railway Company to raise further Money
** "Trent, Ancholme, and Grimsby Railway. (Increase of Capital; Powers to South Yorkshire and Manchester, Sheffield, and Lincolnshire Railway Companies).", London Gazette (22791): 5775, 24 November 1863
* Manchester, Sheffield and Lincolnshire Railway and Cheshire Lines Act 1882 (45 & 46 Vict. c. 116);
** "Manchester, Sheffield, and Lincolnshire Railway and Cheshire Lines (Additional Powers.) [..] Railway Companies — Transfer of Trent, Ancholme, and Grimsby Railway, and dissolution of that Company [..] and other purposes", London Gazette (25039): 5661–5664, 18 November 1881
# Fuentes del Narcea, Degaña e Ibias Natural Park

Fuentes del Narcea, Degaña e Ibias Natural Park (Spanish: Parque Natural de las Fuentes del Narcea, Degaña e Ibias) is a natural park in the Principality of Asturias in northern Spain. It protects a natural landscape at the sources of the rivers Narcea and Ibias. It is located within the municipalities of Cangas del Narcea, Degaña and Ibias. The park was designated in 2002 and incorporated the preexisting Muniellos biosphere reserve, which was extended in 2003.

## Muniellos nature reserve and Muniellos biosphere reserve

The heart of the natural park is the Muniellos nature reserve (area 5,488 ha), where human access is strictly controlled and where timber extraction has been forbidden since 1970. In 2000 UNESCO designated Muniellos as a biosphere reserve, the area of which was extended in 2003 to take account of the creation of the natural park. The core area of the Muniellos biosphere reserve occupies 8,661 ha with the rest of the natural park being regarded as a buffer zone.
In the early years of the twenty-first century there has discussion of how the various biosphere reserves in the Cantabrian Mountains should be managed as a single super-reserve to be known as Gran Cantábrica. This integration is expected to benefit animals which live in the mountains, such as the endangered Cantabrian brown bear which needs to extend its range in order to build a sustainable population.

## Conservation issues

The designation of the natural park met with some local opposition on the grounds that it was detrimental to the interests of property owners (most of the park being private property). However, a management plan for the park was approved in 2006.
Traditional agriculture is carried out in some areas of the park. Although thousands of people live in the protected area, most of the park is sparsely populated and environmental problems are mainly related to mining activity.

### Fauna

Within the natural park the European Union has designated two Special Protection Areas for bird-life, a smaller one, Bosque de Muniellos (5,500 ha), and a larger one, Fuentes del Narcea y del Ibias (51,000 ha), which covers the remaining part of park. Birds of interest include the Cantabrian Capercaillie, a subspecies of the Western Capercaillie, which requires mature woodland to thrive.
Both SPAs have also been designated as Special Areas of Conservation. The park provides a habitat for the Cantabrian brown bear.

## Places of interest

The following list of buildings is in the Asturian language:
* Aldega de Cecos
* Bodegues del Narcea
* Cascu hestóricu de Cangas del Narcea (Historic centre of Cangas del Narcea)
* Centru d'Enterretación de Muniellos
* Colleición Museográfica del Tixileiru
* Monasteriu de Corias: The Monastery of St John the Baptist, Corias, houses the park's interpretation centre.
* Antigu pueblu y mines d'oru romanes de El Corralín (Roman gold-mines)
* Museo Etnográficu del Vinu - Llagar de Santiso
* Palloza de San Antolín
* Pueblu de Besullu
* Pueblu de Riodeporcos
# Proud: An Urban-Pacific Streetsoul Compilation

Proud: An Urban Pacific Streetsoul Compilation is a 1994 New Zealand hip hop and R&B compilation album. It was released in New Zealand by Second Nature Records and in Australia by Volition Records, and later rereleased in New Zealand by Huh! Records in 2000 and then on vinyl for the first time on 26 May 2023, again on Huh! Records. Proud has been described as "one of the most important NZ releases in the past decades" by New Zealand music industry figure Simon Grigg.

## Background

The album had its origins with the work of record producer Alan Jansson. In his Freemans Bay recording studio, Uptown Studios, he was impressed with the young hip hop and R&B acts from South Auckland and West Auckland who were recording at the studio, and the initial success of the resulting singles. Encouraged by Andrew Penhallow of the Australian label Volition Records, Jansson started work on a compilation album to showcase the new musical talent of Auckland.
While the album was based around hip hop and R&B music, Jansson's production emphasised the Pacific sounds of the songs - log drumming, ukuleles and 'Maori strumming', though some performers felt their songs did not sound American enough. Breaking from the urban styles of the rest of the album, the final two tracks featured acoustic log drumming ("Pacific Beats") and an a cappella version of the New Zealand national anthem. The resulting album was received well in both New Zealand and Australia.

## Proud tour

In 1994, Otara Millionaires Club's Phil Fuemana organised the national Proud tour, in order to promote the acts featured on the album. Fuemana described it as "like a modern version of Motown – taking the talent and travelling around the country with it." The tour included the Otara Millionaires Club (and singer Sina) and Sisters Underground. The tour lost money, but boosted the profile of the featured acts.

## Legacy

The main breakout act from Proud was the Otara Millionaires Club. The following year, as the OMC, Pauly Fuemana had a worldwide hit single with "How Bizarre". Hip hop duo Sisters Underground had two tracks on the album, including "In the Neighbourhood", which is now regarded as a landmark single for both in the emerging South Auckland music scene of the 1990s and for New Zealand music as a whole. Musician and producer Phil Fuemana contributed to two tracks on Proud and continued his work with the South Auckland music scene, developing the urban Pasifika sound. Hip hop performers Herman Loto (Ermehn) and Sani Sagala (Dei Hamo) later had local success with their solo work.
The album is now considered a hallmark of New Zealand music, and was one of the featured albums in music journalist Nick Bollinger's 2009 book 100 Essential New Zealand Albums.
In 2022 Alan Jansson won the Taite Music Prize's Independent Music NZ Classic Record award for the album.

## Charting singles

Two singles from the album charted in the New Zealand singles chart.
| Year | Act | Song | Peak NZ chart positions |
| 1992 | Semi MC's | "Trust Me" | 27 |
| 1994 | Sisters Underground | "In the Neighbourhood" | 6 |
# Rapmasters: From Tha Priority Vaults, Vol. 3

Rapmasters: From Tha Priority Vaults, Vol. 3 is the third of an eight volume budget Compilation series released on October 24, 1996 by Priority Records. Unlike the first two volumes, This volume [and the following volume] was issued in a fully uncut explicit version [as well as an edited version].

## Critical response

Leo Stanley of Allmusic wrote: Rapmasters, Vol. 3 is an adequate collection of hardcore rap, featuring cuts by EPMD ("Get the Bozack"), Ice Cube ("Givin' Up the Nappy Dug-Out"), NWA ("3 the Hard Way"), WC and the Madd Circle ("Dress Code"), 415 ("Nu Niggaz on the Blokkk") and Ice-T ("I Ain't New Ta This"). Though many of these weren't even hits, it's still a good hardcore sampler for casual fans, even though it was thrown together haphazardly.

## Track listing

* Wanted Dead (Mack 10)
* Givin' Up The Nappy Dug Out (Ice Cube)
* Get The Bozack (EPMD)
* Dress Code (WC and the Maad Circle)
* Roll Em Up (Don Jagwarr)
* I Ain't New Ta This (Ice-T)
* 3 The Hard Way (Fila Fresh Crew)
* Level-N-Service (Anotha Level Featuring Ice Cube)
* Nu Niggaz On Tha Blokkk (415)
# Rapmasters: From Tha Priority Vaults, Vol. 6

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
Rapmasters: From Tha Priority Vaults, Vol. 6 is the sixth volume of an eight volume budget compilation series that Priority Records released throughout 1996 and 1997. As is the standard with almost all volumes in the series, This was only released in an edited version that censored many of the profanities that originally appeared in these songs.

## Track listing

* It Was a Good Day (Ice Cube)
* Peep Game (JT The Bigga Figga Featuring D-Moe)
* Calm Before Da Storm (O.G.C.)
* The Evil That Men Do (Ras Kass)
* Red Carpet (Me & My Cousin)
* On Them Thangs (Mack 10)
* Radio (Eazy-E)
* Dead Men Can't Rap (Lil 1/2 Dead)
* Gamers (The Conscious Daughters)
# Street Sounds Electro 3

Street Sounds Electro 3 is the third compilation album in a series and was released 1984 on the StreetSounds label. The album was released on LP and cassette and contains seven electro music and old school hip hop tracks mixed by Herbie Laidley.
# Street Sounds Hip Hop Electro 14

Street Sounds Hip Hop Electro 14 is the fourteenth compilation album in a series and was released 1986 on the StreetSounds label. The album was released on LP and cassette and contains eight electro music and old school hip hop tracks mixed by Herbie Laidley.
# The Trill: A Journey so Far

Professional ratings :
| Review scores ||
| Source | Rating |
| Las Vegas Critics | 66% |
The Trill: A Journey so Far is the second compilation album by Canadian rapper k-os. The album contains tracks from k-os's first three studio albums as well as some of the hit singles, remixes, and radio edits of a couple singles. The album also contains a leftover track from Yes!.

## Track listing

* "Crabbuckit" – 3:47
* "Sunday Morning (Radio Edit)" - 3:31
* "Exit (Call Me)" - 4:01
* "The Love Song" - 4:17
* "Follow Me" - 3:48
* "Equalizer (Go! Remix)" - 3:39
* "Crucial" - 3:27
* "ELEctrik HeaT - the seekwiLL" - 3:40
* "Born to Run" - 4:51
* "Superstarr Pt. 2 (Babylon Girl)" - 3:28
* "Man I Used to Be (Radio Remix)" - 3:44
* "Flypaper" - 4:11
* "Neutroniks" - 3:52
* "Heaven Only Knows" - 3:59
* "B-Boy Stance" - 4:00
* "Dance in Your Car" - 3:54
# Ernest W. Stairs

Ernest Whitfield Stairs (10 April 1873 – 31 October 1941) was a Canadian farmer and politician. He was born in Southampton, New Brunswick, a descendant of United Empire Loyalists who settled the area in 1784. A successful farmer, Stairs was involved in a variety of public and social activities. He was a director of the Farmers Co-Operative Association and served on the Municipal Council Board for York County from 1911–1921 and served as Warden in 1916.
Stairs was the unsuccessful Liberal Party of Canada candidate for the House of Commons of Canada in the 1921 York-Sunbury riding Federal by-election. Encouraged to run in the 1935 New Brunswick general election by Liberal Party leader Allison Dysart, Stairs was elected to the 38th New Brunswick Legislative Assembly as the York County representative. He served in the Legislative Assembly at Fredericton until 1939.
Stairs died at his home in 1941.
His daughter, Nelda (1905–1993), married Harry A. Corey who was elected the Liberal member of the Provincial Legislature for Stairs' York County riding in 1944. Corey served two terms through 1952 then was elected President of the New Brunswick Liberal Association, serving from 1952 to 1958.

## Sources

* Library of Parliament - riding history for York-Sunbury 1917-1987
* Legislative Assembly of New Brunswick
Legislative Assembly of New Brunswick :
| Preceded byJames K. Pinder | MLA for York County 1935-1939 | Succeeded byCharles Price |
# Violator: The Album

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
Violator: The Album is the first installment in the Violator hip hop compilations series. It was released on August 10, 1999 through Violator/Def Jam Recordings. It was the first release through the imprint Violator Records, a spin-off of Mona Scott & Chris Lighty's Violator Management company. A number of then-Violator Management clients and associates appear on the album, among them Q-Tip, Busta Rhymes, and Noreaga.
The LP features production from The Beatnuts, DJ Scratch, Diamond D, Havoc, Nottz, Q-Tip and Swizz Beatz, and featured Busta Rhymes, LL Cool J, Mobb Deep, Ja Rule, The Hot Boys and Mysonne. Violator proved to be a success, making it to #8 on the Billboard 200 and #1 on the Top R&B/Hip-Hop Albums, and spawned one sequel, Violator: The Album, V2.0, in 2001. Q-Tip's "Vivrant Thing", the first solo single for the former A Tribe Called Quest member, was the album's first single and a major pop success. "Say What", by LL Cool J, was the album's second single.
The album was certified gold on September 29, 1999.

## Certifications

| Region | Certification | Certified units/sales |
| United States (RIAA) | Gold | 500,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||
# Who U Wit?

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
Who U Wit? is a compilation album released from American hip hop record label No Limit Records. It was released on May 25, 1999, and was produced by Beats By the Pound and Meech Wells. This compilation charted much lower than No Limit's previous two compilations, 1998's Mean Green and We Can't Be Stopped, only making it to #62 on the Billboard 200 and #22 on the Top R&B/Hip-Hop Albums.
# Ihi

Ihi (Nepal Bhasa: ईही), also spelled as Ehee, is a ceremony performed by the Newar people of Nepal in which age 1,3,5,7 or 9 girls are ceremonially "married" to a bael fruit which is considered a symbol of either the Hindu deity Vishnu or the Buddha. It is believed that if the girl's husband dies later in her life, she is not considered a widow because she is married to Vishnu, and so already has a husband that is believed to be still alive. This was basically done to dodge the tradition of 'Sati Pratha', where after the husband dies, the widow sacrifices herself in the burning fire.
Ihi is falsely labeled as "Bel Bibaha". However, this naming is incorrect as "Bel Bibaha" would mean marriage to a fruit Bel(or Bael). At the core of the Ihi is a traditional Hindu ceremony of marriage, but the spouse is Visnu/Narayana.
This ritual has been in practice for centuries. It is a highly sacred ritual and a real kanyaadaan as a virgin girl is handed over to God. Actually, during the Ihi ceremony girl is married to a golden statue of lord Vishnu known as Suvarna Kumar, and Bel fruit is given as its witness. As bel fruit (wood apple) has a peculiar quality of not rotting and remaining fresh forever, it is sometimes considered as Divya Purusha (divine male) or incarnation of the god. This ceremony lasts for two days. All the rituals of a Hindu marriage are performed in this ceremony. So, these rituals need not be performed again while marrying a man. That's why in Newars it is not necessary for a groom to join the wedding procession [janti (nep.), Baraat (Hindi)]. The family members and friends bring the bride to the groom's house where few rituals are performed. But nowadays newar grooms participate in their wedding procession hence the wedding in this community has become a bit lengthy as compared before.
A second marriage, known as the Bahra ceremony or Sun marriage, occurs before a girl's first menstruation, which starts with a seclusion in a dark room for twelve days.
# Electric boogaloo (dance)

Electric boogaloo (sometimes referred to as electric boogie on the East Coast) is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles.
It is characterized as a fluid leg-oriented style danced to funk music, utilizing rolls of the hips, knees, legs, and head, which was later combined with popping.

## Dance steps
### Creepin

    A foundational step of Boogaloo done in Oakland inspired by cartoon's Goofy, typically done as an entry and exit step with arms out, legs extended. Sometimes the Creep can be combined with a physical pointing hand gesture to challenge an opponent.

### Crazy legs

    A footwalk that was created by Poppin Pete. He invented "Crazy Legs" by watching a boy called Crazy Legs dancing and changed what he saw into a popping move.

### The Slot (ex. Fresno)

    This foundation originates in Oakland's Boogaloo generation, created by John Murphy.
Basic movement between body, arm, and foot. Previously referred to earlier Boogaloo dancers in Oakland as "The Slot", it was a side to side movement ending in a hard pose or a "hit" to help keep dancers in rhythm or "put him in the slot", to imitate a pinball slot machine.
    It was adapted later by Boogaloo Sam and used to refer to a whole routine called "The Fresno". The adapted Electric Boogaloo move is a fundamental move in Popping. The Slot can be performed in various ways as only the following requirements exist. In a fresno or the slot, the dancer moves side-to-side doing a hit on each turn with the leg and arm of the side the dancer has moved to; it can be done backward and forwards.

### Neck-o-flex

    The neck twix between the body and the neck.

### Old man

    A type of boogaloo style was created by Boogaloo Sam. Boogaloo Sam invented this move by watching an old man walking across the street.

### Twist-o-flex

    A technique where, as in the mannequin, the dancer creates the impression of unnatural body joints by moving and twisting various parts in sequence. Non-twisting parts should remain absolutely still. The effect resembles a Rubik's Cube moving, or somewhat a clay figure being modeled. It can be further refined by using hands to "push" or "pull" the body parts around.

### Walk-out

    A footwalk that took you from point A to point B.
# It's Goin' Down (Yung Joc song)

"It's Goin' Down" is the debut single by American hip hop artist Yung Joc, released in April 15, 2006. It is from his debut album New Joc City. The song was written by Yung Joc and Chadron Moore, the song features and was produced by Nitti.

## Composition

The song is part of the snap genre, popular in hip hop music from the Southern United States. The title is slang for describing a "good time." According to Stereogum the track features an "insistent" beat, with Yung Joc’s rapping style showcasing a "nonchalant T.I.-esque flow".

## Music video

Directed by Lenny Bass, a music video for "It's Goin' Down" was filmed in early March 2006. It took place at various locations in the Atlanta area, including the corner of Rocky Ford Road and Hosea Williams Drive at the Kirkwood neighborhood and a clothing store in Belvedere Plaza. Yung Joc and other cast members ride in the 1969 Oldsmobile Cutlass. Making cameos in this video included rapper Killer Mike, two members of the R&B group Cherish, and producer Nitti.

## Commercial performance

"It's Goin' Down" performed very well in the U.S., peaking at number 3 on the Billboard Hot 100 on June 24, 2006. It peaked at number 1 on the Billboard Hot R&B/Hip-Hop Songs chart for eight weeks beginning on June 3, 2006.
This single and successor "I Know You See It" both earned Platinum RIAA certification on December 14, 2006 for selling one million copies.

## Critical reception and awards

David Jeffries of allmusic called the song "a simple, familiar-sounding bit of Southern weekend music that withstands numerous replays." Sonia Murray of Yung Joc's hometown Atlanta Journal-Constitution newspaper described the beat as having "sharp, insistent keyboards" and the lyrics as "simple...[but] infectious."
Brian Sims of HipHopDX was more critical in his review: "hypnotic, even if the flow is not" and "nothing fancy, just bar after monotonous bar." Tom Breihan of Pitchfork also had negative feedback: "just a clicking drumbeat, a maddeningly repetitive synth line, and a swaggery brag-rap."
In year-end lists, Rolling Stone ranked "It's Goin' Down" no. 79 in its year-end "100 Best Songs of the Year" list in 2006 for showing "the power of a pure, synthy snap beat and a singsongy rhyme." The January 2007 issue of Vibe ranked the song 15th in its "60 Songs of '06" list.
"It's Goin' Down" was a nominee for the Grammy Award for Best Rap Song in 2007, which went to "Money Maker" by Ludacris featuring Pharrell. However, it won the Hip-Hop Track of the Year award at the BET Awards 2006.

## Remixes

Five remixes were made for this song: the official remix features Rick Ross, Slim Thug, and Jody Breeze; one adds a verse by Cam'ron to the official remix; one features Trae; the last features Lil Wayne, Rick Ross and Currency. Rapper Lydell Lucky made a remix to the song as well, which features Paul Wall, Trae and others.

## Certifications

| Region | Certification | Certified units/sales |
| United States (RIAA) | 3× Platinum | 3,000,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||
# Litoligia

Litoligia is a genus of moths belonging to the family Noctuidae.
The species of this genus are found in Europe and Japan.
Species: