# HPA Award for Outstanding Sound – Feature Film

The Hollywood Professional Association Award for Outstanding Sound in a Feature Film is an annual award, given by the Hollywood Professional Association (HPA) to post-production workers in the film and television industry, in this case sound. First awarded in 2006, it has been presented every year since. From 2006 to 2009, the category was titled HPA Award for Outstanding Audio Post - Feature Film.

## Winners and nominees

* †† – indicates the winner of both the Academy Award for Best Sound Editing and Academy Award for Best Sound Mixing.
* ‡‡ – indicates nominations for both the Academy Award for Best Sound Editing and Academy Award for Best Sound Mixing.
* †‡ – indicates a winner of the Academy Award for Best Sound Editing and a nominee for the Academy Award for Best Sound Mixing
* ‡ – indicates a nomination for the Academy Award for Best Sound Editing

### 2000s

Outstanding Audio Post - Feature Film
| Year | Film | Winners/Nominees |
| 2006 | Flightplan | Dave McMoyler, Michael Minkler, Myron Nettinga |
| 2006 | The Producers | Lon Bender, Lee Dichter |
| 2007 | The Bourne Ultimatum †† | Karen Baker Landers, Per Hallberg, Scott Millan, David Parker |
| 2007 | Meet the Robinsons | David E. Fluhr, Myron Nettinga, Todd Toon |
| 2008 | WALL-E ‡‡ | Ben Burtt, Tom Myers, Michael Semanick, Matthew Wood |
| 2008 | Into the Wild | Michael Minkler, Lora Hirschberg, Martin Hernández |
| 2008 | Wanted ‡‡ | Wylie Stateman, Harry Cohen, Chris Jenkins, Frank A. Montaño |
| 2009 | Watchmen | Chris Jenkins, Frank A. Montaño, Scott Hecker, Eric A. Norris |
| 2009 | Quantum of Solace | Eddy Joseph, James Boyle |
| 2009 | Up ‡‡ | E.J. Holowicki, Tom Myers, Michael Silvers, Michael Semanick |

### 2010s

Outstanding Sound - Feature Film
| Year | Film | Winners/Nominees |
| 2010 | District 9 | Chris Ward, Brent Burge (supervising sound editors); Michael Hedges, Gilbert Lake (re-recording mixers) |
| 2010 | The Book of Eli | Steven D. Williams, Eric A. Norris (sound designers/supervising sound editors); Chris Jenkins, Frank A. Montaño (re-recording mixers) |
| 2010 | Inception †† | Richard King (sound designer/supervising sound editor); Lora Hirschberg, Gary Rizzo (re-recording mixers) |
| 2010 | The Princess and the Frog | Odin Benitez (sound designer/supervising sound editor); David E. Fluhr, Dean Zupanic (re-recording mixers) |
| 2010 | Toy Story 3 ‡‡ | Tom Myers (re-recording mixer/sound designer/supervising sound editor), Michael Silvers (supervising sound editor), Michael Semanick (re-recording mixer) |
| 2011 | Green Lantern | Per Hallberg, Karen Baker Landers (supervising sound editors); John T. Reitz, Gregg Rudloff, Rick Kline (re-recording mixers) |
| 2011 | Cars 2 | Tom Myers (re-recording mixer/sound designer/supervising sound editor), Michael Silvers (supervising sound editor), Michael Semanick (re-recording mixer) |
| 2011 | Fast Five | Peter Brown (sound designer/supervising sound editor); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2011 | Sucker Punch | Scott Heccker, Eric A. Norris (sound designers/supervising sound editors); Chris Jenkins, Frank A. Montaño (re-recording mixers) |
| 2011 | True Grit ‡‡ | Skip Lievsay, Craig Berkey (re-recording mixers/supervising sound editors); Greg Orloff (re-recording mixer) |
| 2012 | The Adventures of Tintin | Chris Ward, Brent Burge (supervising sound editors); Christopher Boyes, Michael Hedges, Andy Nelson (re-recording mixers) |
| 2012 | Brave | Gwendolyn Yates Whittle (supervising sound editor), E.J. Holowicki (sound designer), Gary Rydstrom (re-recording mixer/sound designer), Tom Johnson (re-recording mixer) |
| 2012 | Extremely Loud & Incredibly Close | Blake Leyh (supervising sound editor); Eliza Paley (supervising dialogue editor); Skip Lievsay, Paul Urmson (re-recording mixers) |
| 2012 | The Hunger Games | Lon Bender (sound designer/supervising sound editor); Bill R. Dean, Kris Fenske (sound designers); Glynna Grimala (supervising dialogue editor); Michael Keller, Mike Prestwood Smith (re-recording mixers) |
| 2012 | Safe House | Per Hallberg (supervising sound editor); Chris Jenkins, Frank A. Montaño (re-recording mixers); Nico Louw, Conrad Kuhne (production sound mixers) |
| 2013 | Argo ‡‡ | Erik Aadahl, Ethan Van der Ryn (sound designers/supervising sound editors); John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2013 | Gangster Squad | Cameron Frankley (sound designer/supervising sound editor); Jason W. Jennings (sound designer); Dean Zupanic, Jon Taylor (re-recording mixers) |
| 2013 | Iron Man 3 | Mark Stoeckinger, Andrew DeCristofaro (supervising sound editors); Michael Keller, Mike Prestwood Smith (re-recording mixers) |
| 2013 | Pacific Rim | Scott Martin Gershin (sound designer/supervising sound editor); Tim LeBlanc, John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2013 | Turbo | Richard King (supervising sound editor); Andy Nelson, Michael Babcock (re-recording mixers); Nico Louw, Conrad Kuhne (production sound mixers) |
| 2014 | Gravity †† | Glenn Freemantle (sound designer/supervising sound editor); Skip Lievsay, Christopher Benstead, Niv Adiri (re-recording mixers) |
| 2014 | Frozen | Odin Benitez (sound designer/supervising sound editor), David E. Fluhr (re-recording mixer), Gabriel Guy (re-recording mixer/original dialogue mixer) |
| 2014 | Godzilla | Erik Aadahl, Ethan Van der Ryn (sound designers/supervising sound editors); Tim LeBlanc, John T. Reitz, Rick Kline (re-recording mixers) |
| 2014 | The Hunger Games: Catching Fire | Jeremy Peirson (re-recording mixer/sound designer/supervising sound editor), Skip Lievsay (re-recording mixer) |
| 2014 | Noah | Craig Henighan (re-recording mixer/supervising sound editor), Skip Lievsay (re-recording mixer), Jill Purdy (supervising dialogue editor) |
| 2015 | American Sniper †‡ | Alan Robert Murray (supervising sound editor); Tom Ozanich (sound designer); John T. Reitz, Gregg Rudloff (re-recording mixers) |
| 2015 | Birdman or (The Unexpected Virtue of Ignorance) ‡‡ | Martin Hernández, Aaron Glascock (sound designers/supervising sound editors); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2015 | Interstellar ‡‡ | Richard King (sound designer/supervising sound editors); Gary Rizzo, Gregg Landaker (re-recording mixers); Mark Weingarten (production sound mixer) |
| 2015 | Mad Max: Fury Road †† | Mark Mangini, Scott Hecker (supervising sound editors); Chris Jenkins, Gregg Rudloff (re-recording mixers) |
| 2015 | Unbroken ‡‡ | Becky Sullivan, Andrew DeCristofaro (supervising dialogue editors); Jon Taylor, Frank A. Montaño (re-recording mixers) |
| 2016 | Sicario ‡ | Alan Robert Murray (supervising sound editor), Tom Ozanich (re-recording mixer/sound designer), John T. Reitz (re-recording mixer) |
| 2016 | Batman v Superman: Dawn of Justice | Scott Hecker (supervising sound editor); Chris Jenkins, Michael Keller (re-recording mixers) |
| 2016 | Eye in the Sky | Bill R. Dean (supervising sound editor/sound designer), Craig Mann (re-recording mixer/supervising sound editor), Adam Jenkins (re-recording mixer), Chase Keehn (dialogue editor) |
| 2016 | Room | Niall Brady (supervising dialogue editor), Steve Fanagan (re-recording mixer/sound designer), Ken Galvin (re-recording mixer) |
| 2016 | Zootopia | Addison Teague (sound designer/supervising sound editor), David E. Fluhr (re-recording mixer), Gabriel Guy (re-recording mixer/original dialogue mixer) |
| 2017 | Guardians of the Galaxy Vol. 2 | Addison Teague, David Acord (sound designers/supervising sound editors), Christopher Boyes, Lora Hirschberg (re-recording mixers) |
| 2017 | Doctor Strange | Shannon Mills, Daniel Laurie (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2017 | The Fate of the Furious | Peter Brown, Mark Stoeckinger (supervising sound editors); Paul Aulicino (assistant supervising sound editor); Stephen P. Robinson (sound designer), Bobbi Banks (supervising adr editor) |
| 2017 | John Wick: Chapter 2 | Mark Stoeckinger (supervising sound editor); Alan Rankin (sound designer/supervising sound editor); Andy Koyama, Martyn Zub, Gabriel J. Serrano (re-recording mixers) |
| 2017 | Sully ‡ | Alan Robert Murray, Bub Asman (supervising sound editors); John T. Reitz (re-recording mixer); Tom Ozanich (re-recording mixer/sound designer) |
| 2018 | The Shape of Water ‡‡ | Nelson Ferreira, Nathan Robitaille (supervising sound editors); Christian Cooke, Brad Zoern (re-recording mixers) |
| 2018 | Ant-Man and the Wasp | Addison Teague, Katy Wood (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2018 | Avengers: Infinity War | Shannon Mills, Daniel Laurie (supervising sound editors); Tom Johnson, Juan Peralta (re-recording mixers) |
| 2018 | Black Panther ‡‡ | Benjamin A. Burtt (supervising sound editor), Steve Boeddeker (supervising sound editor/re-recording mixer), Brandon Proctor (re-recording mixer) |
| 2018 | Blade Runner 2049 ‡‡ | Mark Mangini (supervising sound editor); Theo Green (sound designer); Mac Ruth (production sound mixer); Ron Bartlett, Doug Hemphill (re-recording mixers) |
| 2019 | Godzilla: King of the Monsters | Erik Aadahl (sound designer/supervising sound editor); Jason W. Jennings, Nancy Nugent (supervising sound editors); Tim LeBlanc, Tom Ozanich (re-recording mixers) |
| 2019 | Aquaman | Eliot Connors, Stephen P. Robinson (sound designers); Joe Dzuban (sound designer/re-recording mixer); Peter Brown (supervising sound editor); Tim LeBlanc (re-recording mixer) |
| 2019 | Roma ‡‡ | Sergio Diaz (sound designer/supervising sound editor), Skip Lievsay (sound designer/supervising sound editor/re-recording mixer), Ruy García (supervising adr editor), Craig Henighan (re-recording mixer), Carlos Honc (dialogue editor), Caleb Townsend (music editor) |
| 2019 | Shazam! | Bill R. Dean (sound designer/supervising sound editor); Erick Ocampo (sound designer); Kelly Oxford (supervising adr editor); Michael Keller, Kevin O'Connell (re-recording mixers) |
| 2019 | Smallfoot | Michael Babcock (sound designer/supervising sound editor/re-recording mixer), Chris Diebold (sound effects editor), Harrison Meyle (dialogue supervisor), Jeff Sawyer (foley supervisor), David E. Fluhr (re-recording mixer) |