# PTP (artist collective)

PTP, also known as Purple Tape Pedigree, is an American artist collective and independent record label based in New York City. PTP has been called "New York’s experimental incubator", and the collective has released recordings named among the best in new experimental, hip hop, metal, avant-garde, and electronic music. Pitchfork noted that "PTP's mission seems to be to annihilate genre boundaries and revel in the brilliant debris", and VICE has called PTP "home to some of the most boundary pushing music being made".
Artist Geng (stylized GENG PTP) founded the collective as a media platform in 2009, with label operations beginning in 2012. Artists associated with PTP include Dreamcrusher, YATTA, Dis Fig, Armand Hammer, Saint Abdullah, Celestial Trax, Among The Rocks And Roots, DeForrest Brown Jr. (also known as Speaker Music), H31R (the duo of maassai and JWords), madam data, Amani, photographer Richard R. Ross, and Geng, who also performs and records as King Vision Ultra.
PTP's projects include Silent Weapons, a live performance series raising money for causes including prison abolition and immigrant rights.

## History

In 2009, New York City born and based artist GENG PTP started a wide-ranging music blog on hip hop, hardcore, and punk; his friend NOTE assisted him and handled visuals and design. Geng named the platform Purple Tape Pedigree after Wu-Tang rapper Raekwon's 1995 hip hop classic Only Built 4 Cuban Linx (often called "the purple tape" for the colored plastic of its original cassette release); the album came out the same year Geng, then in his teens, transitioned from cassette decks to turntables, going on to collaborate with the Atoms Family hip hop collective in the late '90s and produce beats for Dipset in the early 2000s. Friends soon joined Geng and Note in writing for the blog, creating visuals, organizing radio sets, booking performances, and eventually releasing music.
The first two official Purple Tape Pedigree releases came out in 2012 and 2015; after the second, Celestial Trax's Ride Or Die EP, PTP began to release recordings more frequently. As the platform grew into a collective with a distinct identity not solely affiliated with hip hop or DJ culture, Geng began exclusively using the acronym PTP. Later he resumed using the full name and acronym interchangeably, explaining in 2021 that he doesn't feel a need to "put the Raekwon reference to the side" given the name's personal significance and potential to draw attention to a "lineage" that might otherwise be overlooked.
As PTP gained greater recognition, the collective began to prioritize using their platform to provide support for community members in need. In 2018, PTP started a live performance series called Silent Weapons to raise money for organizations including Books Through Bars, The Bronx Freedom Fund, Black Alliance for Just Immigration, and Kids in Need of Defense. PTP has published several photo books, the first of which was also called Silent Weapons; the volume, by photographer Richard R. Ross, documents the first year of performances in the namesake series. In 2017, PTP released a benefit album for Puerto Rico following Hurricane Maria, and in 2020 PTP was noted for donations to racial justice initiatives, as well as for including a PDF of Alex S. Vitale’s The End Of Policing with all digital purchases.
In 2024, PTP announced RESIST COLONIAL POWER BY ANY MEANS NECESSARY, a massive 95-track compilation raising funds for Gaza and Haiti. The sprawling release eschews hierarchy, with a wide range of artists (including a²z, Algiers, Bergsonist, bookworms, Dakn x Hiro Kone, DJ Manny, E L U C I D, Fatboi Sharif x Malik Abdul-Rahmaan, gushes, HxH, June McDoom, Kevin Richard Martin & KMRU, Omar Ahmad x Myyuh, Rachika Nayar, RaFia, subt.le, Swaya, Tati au Miel, The Body, Yaeji, and many more) included in alphabetical order. The release's Bandcamp page credits pro-Palestinian organization Within Our Lifetime for inspiring the title.

## Critical reception

Records in PTP's catalog have been praised as among the best in experimental music by publications and organizations including NPR Music, The Wire, Bandcamp Daily, Pitchfork, Mixmag, CVLT Nation, and SLUG Magazine. Notable releases include Celestial Trax's Nothing is Real (2017); Kepla and DeForrest Brown Jr.'s Absent Personae (2017) and The Wages Of Being Black Is Death (2018); YATTA's WAHALA, which was included in Pitchfork, Bandcamp Daily, and the Wire as among the best albums of 2019; Dis Fig's PURGE (2019); 9T Antiope's Nocebo (2019) and Placebo (2020); Copperhead's Gazing in the Dark (2019); Dreamcrusher's Panopticon! and Another Country; Amani and King Vision Ultra's An Unknown Infinite (2020); and madam data's The Gospel of the Devourer (2021), a "sweeping epic of metal, noise and drone" featuring Moor Mother, Mental Jewelry, and King Vision Ultra.
Geng has pushed against the description of PTP as solely a label, saying the group's principles and practices of peer support and coalition-building are more akin to those of an artist collective or community. The outlet has nevertheless received significant recognition for its work releasing music: alongside many other accolades, PTP was a featured label in Resident Advisor and named among the TIU Mag best labels of 2015 and Mixmag best labels of 2016. In 2019, Tiny Mix Tapes included the "beautiful experiment" of PTP among their favorite labels of the decade: "Drawing from and experimenting with the rich collective productions, social reimaginings, and conspiratorial caretakings tagged and thumping throughout NYC — Wu Tang, Powerule Crew, Mobb Deep — caretaker Geng less curated than colluded, clearing space within the chokeholding architectures of foreclosure and incarceration for séances of breath, ugly cries, lustrous comeups, and, above all, love stories".

## Discography

Includes cassette reissues and both official and "unofficial" releases (i.e., those released without a catalogue number).
| Year | Artist | Title |
| 2012 | Gorgeous Children | Gorgeous Children |
| 2012 | GENG PTP | Screwing Yourself To Live: A Chopped & Slowed Tribute To Black Sabbath |
| 2015 | Celestial Trax | Ride Or Die EP |
| 2015 | Gang Fatale / CYPHR | Body Horror I |
| 2015 | MM / Imaabs | Body Horror II |
| 2015 | Eaves | GORILLA |
| 2016 | Joey LaBeija | Shattered Dreams |
| 2016 | Endgame | Savage EP |
| 2016 | DJ NJ Drone | Syn Stair |
| 2016 | Celestial Trax | From The Womb EP |
| 2016 | Baby Blue | CELL, Issue 01: Baby Blue/Void Gate + Audio Codex |
| 2016 | Endgame | Savage Remix EP |
| 2016 | Copout | Forces EP |
| 2016 | WWWINGS | CHIMERA EP |
| 2016 | Club Cacao | CELL, Issue 02: Club Cacao - Vae Solis |
| 2016 | N-Prolenta | A Love Story 4... |
| 2016 | ssaliva | CELL, Issue 03: ssaliva - keys2diversion |
| 2016 | 0comeups | One Deep |
| 2016 | FLORA | CELL, Issue 04: FLORA - City God |
| 2017 | Eaves | Verloren |
| 2017 | ACAPELLA | CELL, Issue 05: ACAPELLA - Riot In Versace |
| 2017 | YATTA | Spirit Said Yes! |
| 2017 | Bonaventure | Free Lutangu |
| 2017 | GENG | PTP-RIDD01 (Narc) |
| 2017 | Violence | Human Dust to Fertilize the Impotent Garden |
| 2017 | Kepla & DeForrest Brown Jr. | Absent Personae (2017) |
| 2017 | Celestial Trax | Nothing Is Real |
| 2017 | VA (Compilation) | Shine |
| 2018 | Among The Rocks And Roots | Raga |
| 2018 | Saint Abdullah | Stars Have Eyes |
| 2018 | Nima Aghiani | REMS |
| 2018 | Armand Hammer | Paraffin |
| 2019 | Kepla & DeForrest Brown Jr. | The Wages Of Being Black Is Death |
| 2019 | 9T Antiope | Nocebo |
| 2019 | Dis Fig | PURGE |
| 2019 | City & i.o | Spirit Volume |
| 2019 | YATTA | Wahala |
| 2019 | lojii | lofeye |
| 2019 | Copperhead | Gazing In The Dark |
| 2020 | Saint Abdullah | Where Do We Go, Now? |
| 2020 | Dreamcrusher | Panopticon! |
| 2020 | Dreamcrusher | Another Country |
| 2020 | A Space for Sound | Sound Bath Mixtape Vol.1 |
| 2020 | Sour Spirit / Sour Data | LIVE DUSS I |
| 2020 | Sour Spirit | LIVE DUSS II |
| 2020 | Sour Vision | East Side Powerviolence |
| 2020 | Speaker Music & bookworms | As Serious As Your Life |
| 2020 | Amani & King Vision Ultra | An Unknown Infinite |
| 2020 | 9T Antiope | Placebo |
| 2020 | King Vision Ultra | QUATTRO (death circus) |
| 2020 | H31r | Ve·loc·i·ty |
| 2020 | Speaker Music | a bitter but beautiful struggle |
| 2020 | AKAI SOLO | Eleventh Wind |
| 2021 | Contour | Weight |
| 2021 | AKAI SOLO x BSTFRND | Like Hajime |
| 2021 | Model Home + Saint Abdullah | Invasive Inclinations |
| 2021 | Mimz & Dunn | Infinite Lawn |
| 2021 | maassai | With The Shifts |
| 2021 | AKAI SOLO & Navy Blue | True Sky |
| 2021 | Cities Aviv | THE CRASHING SOUND OF HOW IT GOES |
| 2021 | madam data | The Gospel of the Devourer |
| 2021 | GENG PTP | Slowness as the Vehicle II |
| 2021 | Centennial Gardens | SPLIT |
| 2021 | Lungs/LoneSword | The Birth of LoneSword |
| 2021 | GENG PTP | Slowness as the Vehicle III |
| 2021 | phiik + S!LENCE | THAT WAS A TEST |
| 2021 | Devin KKenny | NY LOTTERY / CBD KRATOM |
| 2022 | Lord Kayso | MOOR CHORES |
| 2022 | GENG PTP | Slowness as the Vehicle IV |
| 2022 | grey wulf | Path Of Urda |
| 2022 | Swaya | EXistence |
| 2022 | GENG PTP | Slowness as the Vehicle: Portishead Forever |
| 2022 | Fatboi Sharif x noface | Preaching In Havana |
| 2022 | Straw + GENG PTP | RETROVERTIGO |
| 2023 | YATTA | Fully Lost, Fully Found |
| 2023 | King Vision Ultra | Shook World (hosted by Algiers) |
| 2023 | babyfang | In The Face Of |
| 2023 | seina sleep & YoursTruuly | TRUUSLEEP |
| 2023 | Dreamcrusher | Suite ONE |
| 2023 | E L U C I D | Every Egg I Cracked Today Was Double Yolked (REDUX) |
| 2023 | kœnig | 1 Above Minus Underground |
| 2023 | Centennial Gardens | archive live 03.26.2023 mucho stereo |
| 2023 | Dreamcrusher | Suite TWO |
| 2023 | Temp-Illusion | failsafe |
| 2024 | Various Artists | RESIST COLONIAL POWER BY ANY MEANS NECESSARY |