OpenLLM-France/wikimedia huggingface dataset:
# The Gentle Touch

The Gentle Touch is a British police procedural drama series made by London Weekend Television for ITV which began on 11 April 1980 and ran until 24 November 1984. The series is notable for being the first British series to feature a female police officer as its leading character, ahead of the similarly themed BBC series Juliet Bravo by four months.

## Series history

The series starred Jill Gascoine as Detective Inspector Maggie Forbes, who has worked her way up through the ranks of the police force and is based at the fictional Seven Dials police station in London. Maggie's husband, a police constable, is murdered during the first episode, leaving her to juggle her career with single parenthood, raising her teenage son.
The Gentle Touch largely dealt with routine police procedures and offered a frank depiction of relevant social issues (including racism, sexism, homosexuality, mental health and euthanasia). It was relatively low on action and violence in comparison to previous classic crime series such as The Sweeney, opting for a more realistic and low key approach. Although the series mostly focused on Maggie's professional life in a male-dominated field, it also showed her home life with her elderly father George and her teenage son Steve. Occasionally, Maggie's romantic involvements were seen which sometimes clashed with her job.
The Gentle Touch was a ratings success in the UK, where it was screened on Friday nights in a 9.00 p.m. slot (except for the final series which was shown on Saturday nights). One episode shown in January 1982 garnered over 18 million viewers and was the 5th most watched television programme in Britain that year. The Gentle Touch made Gascoine a household name, and ran for five series until 1984.

## Spin-off

Gascoine returned as Maggie Forbes in the more action-oriented spin-off series C.A.T.S. Eyes (also created by Terence Feely), concerning a specialised team of female detectives in Kent who covertly work for the Home Office. C.A.T.S. Eyes lasted three series from 1985 to 1987.

## Main cast

* Jill Gascoine as Detective Inspector Maggie Forbes
* William Marlowe as Detective Chief Inspector Bill Russell
* Brian Gwaspari as Detective Inspector Bob Croft (1980–1983)
* Derek Thompson as Detective Sergeant Jimmy Fenton (1980–1982)
* Paul Moriarty as Detective Sergeant Jake Barrett
* Nigel Rathbone as Steve Forbes
* Kevin O'Shea as Detective Sergeant Peter Phillips (1982–1984)
* Bernard Holley as Detective Inspector Mike Turnbull (1982–1984)
* James Ottaway as George Taylor (1980-1982, 1984)
* Michael Graham Cox as Detective Inspector Jack Slater (1984)

## Home media

The complete series is available on DVD in the UK in five series sets from Network.
# Thermoarcturidae

Thermoarcturidae is a family of marine isopods in the suborder Valvifera. It was originally described by Poore in 2015.

## Genera

The family contains the following three genera:
* Califarcturus Poore, 2015
* Spinarcturus Kensley, 1978
* Thermoarcturus Paul & Menzies, 1971
# Antonis Antoniadis

Antonis Antoniadis (Greek: Αντώνης Αντωνιάδης, born 25 May 1946) is a Greek former professional footballer who played as a striker. He scored 243 goals during his 22-years long career. He started his career in 1964 playing for Aspida Xanthi before moving to Panathinaikos on 31 July 1968. Antoniadis scored his first official goal for Panathinaikos on 27 October 1968 in a 1–0 victory over Apollon Athens. During his time at Xanthi, he was sometimes used as a goalkeeper because of his height. His nickname was "the Tall" (Greek: "Ο Ψηλός).

## Career

Antoniadis scored 187 goals in 242 matches in the Greek Championship, and was top scorer five times: in 1970 (25 goals), 1972 (39 goals), 1973 (22), 1974 (26) and 1975 (20). In 1971,when Panathinaikos reached the European Cup Final against Ajax, Antoniadis was the leading scorer in the tournament with 10 goals.
During the summer of 1978 he was transferred to Olympiakos where he stayed for one season, playing in 13 games and scoring 7 goals. He later went on to play for Atromitos Athens. In 1980 he went full circle and returned to Panathinaikos. Antoniadis is known for his accurate heading and long, powerful shots. He made 21 appearances and scored 6 goals for the Greece national team between 1970 and 1977.
After his retirement, he served as president of Panhellenic Professional Football Players Association (1980 - 2008) and as vice-president of the football team of Panathinaikos Athletic Club from 2008 to 2010.

## Honours

Panathinaikos
* Alpha Ethniki: 1968–69, 1969–70, 1971–72, 1976–77
* Greek Cup: 1968–69, 1976–77
* European Cup: 1971 (runner-up)
* Intercontinental Cup: 1971 (runner-up)
* Balkans Cup: 1977
Greece military
* World Military Cup: 1969
Individual
* Beta Ethniki top scorer: 1966–67, 1967–68
* Alpha Ethniki top scorer: 1969–70, 1971–72, 1972–73, 1973–74, 1974–75 (record)
* European Cup top scorer: 1970–71
* European Silver Boot: 1971
# Archival Wall of Aphrodisias

The so-called "Archival Wall" is the north end wall of the stage building of the theatre in the city of Aphrodisias, located in Anatolia, Turkey, which was built in the late 1st century BCE. This wall has attracted scholarly attention because it contains several, well-preserved inscriptions, that were added after the initial construction of the wall. The fact that these inscriptions survived the test of time relatively well and are mostly still in situ is what makes this wall unique. The documents preserved on the wall originate from the second and third century CE and range from senatorial decrees to imperial letters. Additionally, all documents attest to a good relation between the city of Aphrodisias and its Roman rulers.

## Documents

The following documents are inscribed on the ‘Archival Wall’
* Senatorial decree from 39 BCE, the senatus consultum de Aphrodisiensibus, concerning the legally and fiscally privileged status granted by the Romans.
* Eleven Imperial letters, which were sent by Roman emperors.
** Seven Imperial letters addressed to the city of Aphrodisias, including letters from emperors Hadrian, Gordian III, Commodus, Septimius Severus and Caracalla and, lastly, Severus Alexander.
** Three Imperial letters addressed to the cities of Ephesus, Samos and Smyrna, sent by emperors Octavian and Trajan.
** One Imperial letter by Octavian addressed to an individual named Stephanos.
* Triumviral decree from the reign of emperor Augustus.
* Documents on the sympolity of Plarasa and Aphrodisias.
** List of excerpts recording early awards.
** Letter by an individual named Stephanos to the sympolity.
* Letter to Plarasa/Aphrodisias (uncertain author and date).

## Significance

Despite the name it is commonly known as and the fact that it contains a varied collection of documents that were already historic at the time they were added to it, this wall is not an archive. An archive is meant for the deposition, retrieval and consultation of documents, either for a general public or for private individuals. The ‘Archival Wall’ of Aphrodisias does not fit these criteria.
The different documents were selected with care and presented to the public because they were meant to reflect a certain message. It is unclear who was in charge of this selection process, but it is most likely that the documents were selected and inscribed by members of Aphrodisias' elite, as they were the people who concerned themselves with the promotion of the city's identity. These documents were included because they represented Aphrodisias’ grandeur and history: the past initiatives by private citizens, the favour of the gods that was bestowed upon the city, Aphrodisias’ bravery and loyalty to Rome, and the appreciation and recognition of Rome for Aphrodisias in return.
The different documents incorporated in this wall are, therefore, historically significant as they improve archeological understanding of how ancient societies, such as the people of Aphrodisias, constructed and transmitted their public memory, how their commemoration practices worked and how they carefully constructed their own civic identity.
# Golden Spike (disambiguation)

The Golden spike is the ceremonial final spike which joined the rails of the First Transcontinental Railroad
Golden spike may also refer to:

## Entertainment

* Golden Spike, the highest award at the Valladolid International Film Festival
* The Golden Spike, an album by Sky Larkin
* The Golden Spike, a novel by Hal Ellson

## Science

* Global Boundary Stratotype Section and Point, a term in geology
* Golden Spike Company, a former American space transport company

## Sports

* Golden Spike (Belgium), an annual athletics award in Belgium
* Golden Spikes Award, an annual amateur baseball award in the United States
* Golden Spike Ostrava, an annual athletics event held in Ostrava, Czech Republic
* The Golden Spike, a tradition for both pregame and Man of The Match for soccer team Atlanta United FC in the United States
# İncirliin Cave

İnicrliin Cave (Turkish: İncirliin Mağarası) is a show cave located in Gökçeler Canyon in Milas district of Muğla Province, Turkey. It is the most significant one and the only show cave in a group of nearly 30 caves in the canyon area. It is on the northern hillside of Mount Manastır overlooking the canyon.

## Description

The cave is 345 m (1,132 ft) long. It is a horizontal lying spring cave. Its forming was affected by a distinctive fault in a karst formation. The cave has a wide entrance. It is 3–10 m (9.8–32.8 ft) wide and has a clearance of 2–20 m (6.6–65.6 ft). It features ponds, giant stalactites and stalagmites. There are many rooms separated from the main gallery by stalactites. The rooms are mostly connected with each other by 6–7 m (20–23 ft) high passages. The "Gösteri Salonu" (literally "Show Room") in the middle of the cave is 7 m (23 ft) below the entrance level. The "Damlataş Galerisi" ("Dripstone Gallery") at the end of the show cave, which was formed on the fault, is situated 12 m (39 ft) higher than the entrance level.
In terms of hydrogeology, the cave is in a vadose zone. It remains totally dry but becomes wet by dripping water from the cave ceiling during the rainy period. Generally, the stalactites and stalagmites in the entrance, the "Yarasa Galerisi" ("Bat Gallery"), the "Havuzlu Salon" ("Pond's Room") and the "Gösteri Salonu" are partially fossilized, while the formation of the stalactites, stalagmites, columns and draperies in the "Damlataş Galerisi" ("Dripstone Gallery") is still continuing.

## Tourist access

The cave was fitted in 2013 with lighting that does not harm geological formations. In April 2016, a 155 m (509 ft)-long part of the cave was opened to the public as a show cave, from the total length of 345 m (1,132 ft).

## Archaeological findings

A great number of earthenware pieces, which are dated back to the prehistoric era and antiquity, were found in the ground at the entrance and inside the cave. By December 2016, archaeological excavations were started by the Muğla University in the section of the cave, which is not open to the public, Human and animal bones, stone tools and terracotta pieces were discovered. These finds show that the cave was inhabited in the ancient times already 8,000 years ago in 6000 BC. İncirliin Cave was registered as a first-grade archaeological site and first-grade nature reserve on February 27, 2008.
# Pepuza

Pepuza (Greek: Πέπουζα Pepouza) was an ancient town in Phrygia, Asia Minor (in today's Karahallı District, Uşak Province, in Turkey's Aegean Region).
From the middle of the 2nd century AD to the middle of the 6th century, Pepuza was the headquarters of the ancient Christian movement known as Montanism, which spread all over the Roman Empire. The Montanist patriarch resided at Pepuza, and the Montanists expected the heavenly Jerusalem to descend to earth at Pepuza and the nearby town of Tymion. In late antiquity, both places attracted crowds of pilgrims from all over the Roman Empire. Women played an emancipated role in Montanism, becoming priests and also bishops. In the 6th century, this movement became extinct.
Since 2001, Peter Lampe of the University of Heidelberg has directed annual archaeological campaigns in Phrygia, Turkey. During these interdisciplinary campaigns, together with William Tabbernee of Tulsa, numerous unknown ancient settlements were discovered and archaeologically documented. Two of them are the best candidates so far in the search for the identification of the two holy centres of ancient Montanism, Pepuza and Tymion. Scholars had searched for these lost sites since the 19th century.
Historians such as W. Weiss, T. Gnoli, S. Destephen, M. Ritter, C. M. Robeck, T. D. Barnes, M. Mazza, and the renown classical historian and epigrapher Stephen Mitchell (2023) affirm that Lampe and his team can "claim credit for identifying the location of the Montanist centres Pepuza and Tymion".
The ancient settlement in the Karahallı area, near the village of Karayakuplu, discovered and identified as Pepuza by William Tabbernee and Peter Lampe, was settled continuously from Hellenistic times to Byzantine times. In Byzantine times, an important rock-cut monastery belonged to the town.
# Serrion Teichos

Serrion Teichos (Ancient Greek: Σέρριον τείχος) or Serreion Teichos (Σέρρειον τεῖχος) was a Greek city in ancient Thrace, located in the region of the Propontis. It was a member of the Delian League and appears in tribute lists of Athens between 428/7 and 418/7 BCE. It later bore the name of Ganus or Ganos (Γάνος or Γᾶνος). It is under this name that the town is mentioned by geographers and historians, as a noted mountain fortress of Thrace.
Its site is near the modern Ganos, Turkey.
# Bubon (Lycia)

Bubon or Boubon (Ancient Greek: Βούβων) was a city of ancient Lycia noted by Stephanus of Byzantium; the ethnic name, he adds, ought to be Βουβώνιος, but it is Βουβωνεύς, for the Lycians rejoice in this form. The truth of this observation of Stephanus is proved by the inscription found on the spot: Βουβωνέων ἡ Βουλὴ καὶ ὁ Δῆμος.
Bubon is located west of ancient Balbura, near Ibecik, as confirmed by modern scholars. The city stood on a hill side commanding the entrance to the pass over the mountains.
Bubon is mentioned by Pliny, Ptolemy, and Hierocles. Pliny mentions a kind of chalk (creta) that was found about Bubon.
Bubon, along with Balbura and Oenoanda formed the district of Cabalia.
There is a small theatre built of sandstone and on the summit of the hill was the acropolis.

## Bishopric

Bubon was a Christian bishopric, a suffragan of the metropolitan see of Myra, the capital of the Roman province of Lycia. The names of two of its bishops, both called Romanus, are recorded in extant documents. One of them was at the First Council of Constantinople in 381. The other attended the Council of Chalcedon in 451 and was a signatory of the protest letter that the bishops of the province of Lycia sent in 458 to Byzantine Emperor Leo I the Thracian over the killing of Proterius of Alexandria.
No longer a residential bishopric, Bubon is today listed by the Catholic Church as a titular see.
# Inscriptions of Aphrodisias

Inscriptions of Aphrodisias was a project funded by the Leverhulme Trust and the British Academy that aimed to publish the inscriptions of the Greek ancient site of Aphrodisias (modern day Turkey) online. Apart from aiming for a digital publication of the inscriptions, the experience from this publishing process was intended to be used for further development of the guidelines of the EpiDoc collaborative, on which the publication was based.

## History

Initial efforts to form an international team of collaborators were already made in 2002, with a British Academy project led by Charlotte Roueché and Geoffrey B. Waywell. A first major result was the publication of 'Aphrodisias in Late Antiquity' ('ala2004') by Charlotte Roueché in 2004. Leverhulme's grant in 2004 also allowed the establishment of several workshops a year from May the same year. These workshops were held in the United States, the United Kingdom and mainland Europe to allow wide participation and collaboration.
The goal was to create a follow-up publication of a much wider range of inscriptions from Aphrodisias as well as to amend existing standards for the digital publication of epigraphic material and producing new guidelines where necessary. To this end, more than ten workshops were held between 2004 and 2006, and representatives of the project also gave talks on the project in various context during this period. The final first edition of a corpus of all inscriptions from Aphrodisias was published in 2007 by Joyce Reynolds, Charlotte Roueché and Gabriel Bodard

## Project aims

Aphrodisias was a small ancient Greek city in modern-day Turkey. It is well known for its rich epigraphic record with about 2000 known inscriptions conditioned by the high-quality marble from the area. This richness invited a publication format different from the conventional, and the choice of online publication using EpiDoc was chosen for the possibility to incorporate diverse archaeological information as well as good accessibility.
Initially intended to create a corpus of the inscriptions of Aphrodisias and to further develop the EpiDoc guidelines, the Inscriptions of Aphrodisias Project also proved to foster the networks and collaboration between scholars in the field. Another result was the plan to develop the EpiDoc guidelines not only as a tool for publication, but also for editing and preparing a publication.
# İvriz relief

The İvriz relief is a Hittite rock relief in south-central Anatolia, located in the town of Aydınkent, formerly called İvriz (modern Turkey, Konya Province, about 17 km south-east of the modern town of Ereğli). The rock relief is on a rock face near the source of the İvriz Suyu, whose water has damaged the relief in modern times. It depicts the late 8th-century BC king Warpalawas and the storm-god Tarhunzas and is accompanied by a hieroglyphic Luwian inscription. Rock reliefs are a prominent aspect of Hittite art.
It is the best produced of the many Hittite rock reliefs and measures 4.2 m high by 2.4 m wide. It dates from the second half of the 8th century BC, the time of the Neo-Hittite-Aramean principalities. On the right hand side of the relief is king Warpalawas of Tuwana who stands on a stone platform with his hands raised in a gesture of greeting or worship. Opposite him at left stands the god Tarhunzas, who is depicted as much larger. Ripe stalks of wheat and grape clusters in his hands indicate that he brings about fertility. A sickle at his hip symbolises the time immediately before the harvest. The location of the relief on the cliff face of the İvriz Suyu suggests that the source of the fertility depicted on the relief was not the rare rains but the water which flowed from this spot almost all year. Thus, the spring could indicate the existence of a local spring cult. In front of the god's face and behind the king's back are three lines of inscription in Luwian hieroglyphs, naming both figures. Another inscription at the base of the rock-face was probably two lines long, but it is badly worn.
During construction work on the weir in 1986, two further finds were made: a fragment of a stele of Tarhunzas, with a bilingual inscription in Luwian hieroglyphs and Phoenician (unpublished) saying that it was erected by Warpalawas and part of the head of a large statue, which probably also depicted Tarhunzas. These finds gave support to the idea that the location was a wealthy sanctuary of Tarhunzas patronised by Warpalawas. South of the cliff relief in the hills along the Ambar Deresi river, near Kızlar Sarayı (the ruins of a Byzantine abbey), is another relief, which is a copy of the İvriz relief. It is not so well carved and was never completely finished; the hieroglyphs are missing.

## Modern history

The monument was described in Kâtip Çelebi (Hajji Khalifa)'s 17th-century geography. The Swedish-born French diplomat Jean Otter described the relief in his Voyage en Turquie... (1748), and was long said to be the first European to have seen it. But apparently he was depending on Kâtip Çelebi's text, and never saw it himself. The first European to actually visit it was a Major von Fischer in 1837.
# Pedro Monzón

Pedro Damián Monzón (born 23 February 1962) is an Argentine football manager and former player who played as a defender. He is an assistant manager of Independiente.

## Club career

Moncho Monzón played in different clubs, but most importantly in Independiente, with which he obtained 4 titles, including the Intercontinental Cup in 1984.

## International career

With the Argentina national team he scored one goal against Romania in the 1990 World Cup.
Monzón became the first player to be sent off in a World Cup final, when referee Edgardo Codesal gave him a straight red card for a high tackle on Jürgen Klinsmann of Germany 65 minutes into the game, 20 minutes after he replaced fellow defender Oscar Ruggeri. Argentina lost the game 1–0. Many critics called the incident a prime example of Klinsmann's diving, a claim he contradicted. In an interview in 2004, Klinsmann noted that the foul left a 15-cm gash on his shin.

## Managerial career

After retirement, Monzón became a coach and manager. He has coached different clubs in Mexico and Ecuador, as well as youth divisions of clubs in Mexico and Argentina. He had a short spell as interim manager of Independiente,.
In Ecuador, he was suspended for 2 months while coaching club Olmedo for aggression towards a referee.
He then became youth team manager at CD Veracruz before taking over as first team manager in the Primera División de México, he was replaced in 2007.
In 2008, he returned to Argentina to take over as manager of Chacarita Juniors.

## Personal life

Monzón's son, Florián, is a professional footballer.

## Career statistics
### International goals

    Scores and results list Argentina's goal tally first.
| No | Date | Venue | Opponent | Score | Result | Competition |
| 1. | 18 June 1990 | Stadio San Paolo, Naples, Italy | Romania | 1–0 | 1–1 | 1990 FIFA World Cup |

## Honours
### Player
#### Independiente

* Primera División Argentina: Metropolitano 1983, 1988–89
* Copa Libertadores: 1984
* Copa Intercontinental: 1984
* Supercopa Libertadores runner-up: 1989

#### Argentina

* FIFA World Cup runner-up: 1990
# Mike Harmon (American football)

Mike Harmon (born July 24, 1961) is an American former professional football wide receiver. He played for the New York Jets in 1983.
# Michał Tyszkiewicz (Egyptologist)

Count Michał Tyszkiewicz (4 December 1828, in Wołożyn – 18 November 1897, in Rome) was a Polish nobleman, collector of antiquities and Egyptologist. He was a member of the Polish Tyszkiewicz family.
He first excavated at Luxor in 1861–1862 and revisited Egypt in 1867–1868, building up a collection during his travels. It is now split between different locations in Lithuania, Paris, London, Copenhagen, Berlin, Boston, Rome, and the Tyszkiewicz Palace at Lahojsk, Belarus. A small part of it remains in Poland in the National Museum in Warsaw.

## Writings

* Diary of a Journey to Egypt and Nubia, Paris 1863.
* Memories of an old collector, translated into English by Mrs. Andrew Lang. Longmans, Green, London 1898.
# Lady Mary Bruce

Mary Lennox, Duchess of Richmond (16 April 1740 – 5 November 1796), styled Lady Mary Bruce, was an English noblewoman and peeress as the wife of Charles Lennox, 3rd Duke of Richmond.

## Biography

Mary was born on 16 April 1740 as the only daughter of Charles Bruce, 3rd Earl of Ailesbury and his third wife, Lady Caroline Campbell.

### Marriage

On 1 April 1757, she married Charles Lennox, 3rd Duke of Richmond. The wedding was held at the house of Major-General Henry Seymour Conway in Warwick Street, St James, with the consent of the Major-General, one of Mary's guardians, by special licence of the Dean and Chapter of Canterbury Cathedral, given the then vacancy of the See of Canterbury, and performed by Frederick Keppel, then Canon of Windsor and the future Bishop of Exeter. On 5 November 1796, Mary died at the age of 56.

## Gallery

* Engraving by William Wynne Ryland after Angelica Kauffman (1775)
* Portrait by Thomas Gainsborough (1786–1787)