# List of works by Diego Rivera

This is a list of works by Diego Rivera (8 December 1886, Guanajuato – 24 November 1957, Mexico City). He was a Modern painter, famous for his social realist murals. This list is split into two distinct era's in Rivera's work, the formative years between 1886 until 1920; and the social realism years between 1921 until his death in 1957.
Rivera is also known for his marriage to Frida Kahlo (6 July 1907, Mexico City – 13 July 1954, Mexico City), also a celebrated Mexican painter.

## Paintings by Rivera
### Formative years (1886–1912)

| Title (English) | Year | Location | Dimensions (H × W in cm) |
| Classical Head | 1898 | | 48.5 × 39.2 |
| The Threshing Floor | 1904 | Museo Casa Diego Rivera, Guanajuato, Mexico | 100 × 114.6 |
| Head of a Goat | 1905 | Rafael Coronel Collection, Cuernavaca, Mexico | 12.5 × 9.5 |
| Night Scene in Avila | 1907 | Dolores Olmedo Collection, Mexico City | |
| Self-Portrait | 1907 | Dolores Olmedo Collection, Mexico City | |
| Avila Morning (The Ambles Valley) | 1908 | Museo Nacional de Arte (MUNAL), Mexico City | 97 × 123 |
| Street in Ávila (Ávila Landscape) | 1908 | Museo Nacional de Arte (MUNAL), Mexico City | 129 × 141 |
| House over the Bridge | 1909 | Museo Nacional de Arte (MUNAL), Mexico City | 147 × 120 |
| Notre Dame de Paris | 1909 | | 144 × 113 |
| Portrait of Angelina Beloff | 1909 | | |
| El Picador | 1909 | Dolores Olmedo Collection, Mexico City | 177 × 133 |
| Breton Girl | 1910 | Museo Casa Diego Rivera, Guanajuato, Mexico | 100 × 80 |
| Head Of A Breton Woman | 1910 | Museo Casa Diego Rivera, Guanajuato, Mexico | 129 × 141 |
| After the Storm (The Grounded Ship) | 1910 | Museo Nacional de Arte (MUNAL), Mexico City | 120.7 × 146.7 |
| Landscape | 1911 | | |

### Pre-Cubism (1912–1913)

| Title (English) | Year | Location | Dimensions (H × W in cm) | Medium |
| View Of Toledo | 1912 | | 112 × 91 | |
| Landscape at Toledo | 1913 | Pinacoteca Diego Rivera, Veracruz, Mexico | 32 × 46 | |
| Portrait Of Oscar Miestchaninoff | 1913 | Gobierno del Estado de Veracruz, Pinacoteca Diego Rivera, Xalapa, Veracruz, Mexico | 147 × 120 | |
| Portrait Of The Adolfo Best Maugard | 1913 | Museo Nacional de Arte, Mexico | 227.5 × 161.5 | |
| The Sun Breaking through the Mist | 1913 | Dolores Olmedo Collection, Mexico City, | 83.5 × 59 | |
| The Adoration Of The Virgin | 1913 | | 150 × 120 | Oil and encaustic on canvas |
| Still Life | 1913 | Hermitage, St. Petersburg | 84 × 65 | Tempera on canvas |

### Cubism (1913–1920)

| Title (English) | Year | Location | Dimensions (H × W in cm) | Medium |
| Woman At a Well | 1913 | Museo Nacional de Arte (MUNAL), Mexico City | | |
| Chimenea (Chimney) | 1913 | Foro Valparaíso, Mexico City, México | 73 × 59.4 | Oil and pencil on canvas |
| Portrait of Two Women | 1914 | Arkansas Arts Center, Little Rock | 197.5 × 161.3 | Oil on canvas |
| La Tour Eiffel | 1914 | | 115 × 92 | |
| The Alarm Clock | 1914 | Museo Frida Kahlo, Mexico City | | |
| Sailor at Breakfast | 1914 | | 117 × 72 | |
| Young Man with a Fountain Pen | 1914 | | 79.5 × 63.5 | |
| Portrait of Kawashima and Foujita | 1914 | | 78.5 × 74 | Oil and collage on canvas |
| Zapata-style Landscape | 1915 | Museo Nacional de Arte, Mexico | 145 × 125 | |
| Seated Woman (Women with the Body of a Guitar) | 1915 | Museo Frida Kahlo, Mexico City | | |
| Portrait de Martin Luis Guzman | 1915 | | 72.3 × 59.3 | |
| Portrait of Ramon Gomez de la Serna | 1915 | | | |
| El Rastro | 1915 | Dolores Olmedo Collection, Mexico City, | 27.5 × 38.5 | |
| Portrait of Marevna | | Art institute of Chicago | 145.7 × 112.7 | |
| Motherhood Angelina and the Child Diego | 1916 | Museo de Arte Carrillo Gil, Mexico City | 134.5 × 88.5 | Oil on canvas |
| Urban Landscape | 1916 | Museo Frida Kahlo, Mexico City | | |
| Still Life with Tulips | 1916 | | 67.8 × 53.7 | Oil on canvas |
| Still Life with Utensils | 1917 | Dolores Olmedo Collection, Mexico City, | 71 × 54 | |
| La Jarra de Cerveza (The Beer Pitcher) | 1917 | Foro Valparaíso, Mexico City, México | 27 × 22 | Oil on canvas |

### Realism (1917–1918)

| Title (English) | Year | Location | Dimensions (H × W in cm) |
| Knife and Fruit in Front of the Window | 1917 | Dolores Olmedo Collection, Mexico City, | 91.8 × 92.4 |
| Still Life with Ricer also known as Still Life with Garlic Press | 1918 | | |
| The Outskirts Of Paris | 1918 | | |
| The Mathematician | 1918 | Dolores Olmedo Collection, Mexico City, | |

### Social Realism (1921–1957)

| Title (English) | Year | Location | Dimensions (H × W in cm) | Medium |
| Creation | 1922–1923 | San Ildefonso College, Mexico City, | | Fresco, Gold leaf |
| Bather of Tehuantepec | 1923 | | 63 × 52 | Oil on canvas |
| Entry into the Mine | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 474 × 366 | Fresco |
| Exit from the Mine | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The Embrace | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| Tehuana Women | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 476 × 214 | Fresco |
| The Liberation of The Peon | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The New School | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| Good Friday on the Santa Anita Canal | 1923 | | 456 × 356 | Fresco |
| The Sugar Mill | 1923 | Secretariat of Public Education Main Headquarters, Mexico City | 482 × 366 | Fresco |
| The Festival of The Distribution of The Land | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The Festival of The First of May | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The Market | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The Maize Festival | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | 438 × 239 | Fresco |
| The Sacrificial Offering Day of the Dead | 1923–1924 | Secretariat of Public Education Main Headquarters, Mexico City | 415 × 237 | Fresco |
| Alliance of the Peasant and the Industrial Worker | 1924 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| The Day of the Dead | 1924 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| Partition of the Land | 1924 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| Dia de Flores (Flower Festival) | 1925 | Los Angeles County Museum of Art (LACMA) | 147.3 × 120.7 | Oil on canvas |
| The Exploiters | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| The Abundant Earth | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| Revelation of the Way | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| Triumph of the Revolution | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| The Organization of The Agrarian Movement | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| The Mechanization of The Country | 1926 | Secretariat of Public Education Main Headquarters, Mexico City | | Fresco |
| The Land's Bounty Rightfully Possessed | 1926 | Chapingo Autonomous University, Texcoco, Mexico | | Fresco |
| Indian Boy and Indian Woman with Corn Stalks | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | | |
| Subterranean Forces | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | | |
| Maturation | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | | |
| The Blood of the Revolutionary Martyrs Fertilizing the Earth | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | 244 × 491 | |
| The Liberated Earth with The Powers of Nature Controlled by Man | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | 692 × 598 | |
| The Perpetual Renewal of the Revolutionary Struggle | 1926–27 | Chapingo Autonomous University, Texcoco, Mexico | 354 × 357 | |
| Cargadora With Dog | 1927 | | | Watercolour |
| Death of the Capitalist | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| Night of the Rich | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| Our Bread | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| The Learned | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| The Painter, the Sculptor and the Architect | 1923–1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| Wall Street Banquet | 1928 | Secretariat of Public Education Main Headquarters, Mexico City | | |
| The Arsenal | 1928 | Courtyard of the Fiestas, Secretariat of Public Education, Mexico City, Mexico | | Fresco |
| Entering the City | 1930 | Palace of Cortés, Cuernavaca, Mexico | | Fresco |
| My Godfather's Sons (Portrait of Modesto and Jesus Sanchez) | 1930 | Fomento Cultural Banamex, Mexico City | | |
| Zapata's Horse | 1930 | | | |
| Conquest and Revolution | 1930–31 | | | |
| Still Life and Blossoming Almond Trees | 1930–31 | University of California, Berkeley, Stern Hall, Berkeley, California | 265 × 100 | Fresco |
| Allegory of California | 1930–31 | The City Club of San Francisco, Stock Exchange Tower, San Francisco, California | | Fresco |
| Zapata | 1930–31 | The History of Cuernavaca and Morelos | 214 × 89 | |
| The Making of a Fresco, Showing The Building of a City | 1931 | San Francisco Art Institute, San Francisco, California | | Fresco |
| Frozen Assets | 1931 | Dolores Olmedo Collection, Mexico City | 188.5 × 239 | |
| Blue Boy with the Banana | 1931 | Norton Simon Museum, Pasadena, California | 91.4 × 54.9 | Oil on canvas |
| Edsel B. Ford | 1932 | Detroit Institute of Arts, Detroit, Michigan | 125.1 × 97.8 | |
| Detroit Industry, South Wall | 1932–1933 | Detroit Institute of Arts, Detroit, Michigan | | Fresco |
| Detroit Industry, North Wall | 1933 | Detroit Institute of Arts, Detroit, Michigan | | Fresco |
| Man at the Crossroads / Man, Controller of the Universe | 1933–34 | Palacio de Bellas Artes, Mexico City | | |
| The Ancient Indian World | 1929–35 | Palacio Nacional, Mexico City | | |
| The World of Today and Tomorrow | 1929–35 | Palacio Nacional, Mexico City | | |
| The History of Mexico: From Conquest to the Future (main wall) | 1929–35 | Palacio Nacional, Mexico City | | |
| The History of Mexico | 1929–35 | Palacio Nacional, Mexico City | | |
| Delfina and Dimas | 1935 | | 24 × 31 | tempera on masonite |
| Cargador de Flores (Flower Carrier) | 1935 | San Francisco Museum of Modern Art (SFMOMA) | 121.9 × 121.3 | |
| The Pinole Seller | 1936 | Museo Nacional de Arte (MUNAL), Mexico City | 81.4 × 60.7 | |
| Indian Woman Spinning / Indigena Tejiendo | 1936 | Phoenix Art Museum, Phoenix, Arizona | 81.3 × 59.7 | |
| Carnival of Mexican Life. Dictatorship | 1936 | Palacio de Bellas Artes, Mexico City | | |
| Copalli | 1937 | Brooklyn Museum, Brooklyn, New York City, New York | 91.44 × 121.92 | |
| Portrait of Lupe Marin | 1938 | Museo de Arte Moderno, Mexico City | 171.3 × 122.3 | |
| Portrait of Dolores Del Rio | 1938 | | | |
| The Lady in White | 1939 | | | |
| Portrait of Madesta and Inesita | 1939 | | 99 × 69 | |
| Dancer Resting | 1939 | Dolores Olmedo Collection, Mexico City | 95 × 166 | |
| Los Vasos Comunicantes (The Communicating Cups) | 1939 | Foro Valparaíso, Mexico City, México | 60 × 84,5 | linocut on paper |
| Pan American Unity | 1940 | San Francisco Museum of Modern Art, San Francisco, California (was previously located at City College of San Francisco, Diego Rivera Theater, but moved in 2020) | 670 × 2,260 | Fresco |
| The Hands of Dr. Moore | 1940 | San Diego Museum of Art, San Diego, California | 45.8 × 55.9 | |
| Portrait of Paulette Goddard | 1940–41 | | | |
| Self-Portrait Dedicated to Irene Rich | 1941 | Smith College Museum of Art (SCMA), Northampton, Massachusetts | 61 × 43 | |
| The Flower Seller | 1941 | | | |
| The Flower Vendor (Girl with Lilies) | 1941 | Norton Simon Museum, Pasadena, California | 121.9 × 121.9 | Oil on masonite |
| El Vendedor de Alcatraces (Calla Lily Vendor) | 1942 | Foro Valparaíso, Mexico City, México | | |
| Portrait of Carlos Pellicer | 1942 | | 55 × 43 | |
| Portrait of Natasha Zakólkowa Gelman | 1943 | | 115 × 153 | |
| Calla Lily Vendor | 1943 | The Jacques and Natasha Gelman Collection of Mexican Art | 150 × 120 | Oil on masonite |
| Nude with Calla Lilies | 1944 | | 157 × 124 | |
| The Day of the Dead | 1944 | Museo de Arte Moderno, Mexico City | 91 × 73.5 | |
| The Milliner. Portrait of Henri de Chatillon | 1944 | | | |
| Portrait of Adalgisa Nery | 1945 | | | |
| Portrait of Cuca Bustamante | 1946 | Museo de Arte Moderno, Mexico City, | 158 × 122.5 | |
| Portrait of Mrs Elisa Saldivar de Gutierrez Roldan | | | | |
| Portrait of Linda Christian | 1947 | | | |
| The Temptations of Saint Anthony | 1947 | Museo Nacional de Arte (MUNAL), Mexico City, | 90 × 110 | |
| Portrait of an Actress | 1948 | | | |
| Dream of a Sunday Afternoon in Alameda Park | 1948 | Museo Mural Diego Rivera, Mexico City | | |
| Retrato de María Félix | | | | |
| Portrait of Evangelina Rivas de De la Chica, The lady from Oaxaca | 1949 | | | |
| Portrait of Senora Dona Evangelina Rivas de LaChica | 1949 | | | |
| Portrait of Ruth Rivera | 1949 | | 199 × 100.5 | |
| Vendedora de Flores (The Flower Seller) | 1949 | Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain | 180 × 150 | Oil on canvas |
| Colonisation, 'The Great City of Tenochtitlan' | 1945–52 | Palacio Nacional, Mexico City, | 971 × 492 | |
| The Huastec Civilisation | 1950 | Palacio Nacional, Mexico City, | | |
| The Papermakers | 1950 | Palacio Nacional, Mexico City, | | |
| Totonac Civilization | 1950 | Palacio Nacional, Mexico City, | | |
| Pre-Hispanic America | 1950 | | | |
| Figure Symbolizing the African Race | 1951 | | | |
| Figure Symbolizing the Asiatic Race | 1951 | | | |
| The Hands of Nature Offering Water | 1951 | | | |
| Portrait of the Young Girl Elenita Carrillo Flores | 1952 | | 55 × 105 | |
| The Banana Leaf Loader | 1953 | | 50 × 40 | |
| The History of Medicine in Mexico: The People's Demand for Better Health | 1953 | | | |
| Portrait of Sra. Dona Elena Flores de Carrillo | 1953 | | 140 × 221.5 | |
| The Painter's Studio | 1954 | | 150 × 178 | |
| Evening Twilight at Acapulco | 1956 | | 30 × 40 | |
| Portrait of Silvia Pinal | 1956 | | | |
| The Hammock | 1956 | | | |
| May Day Procession in Moscow | 1956 | | 135.2 × 108.3 | |
| Lenin in 1922 | Unknown | | | |
| Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines | Unknown | | | |
| The Architect, Jesus T. Acevedo | Unknown | Museo de Arte Carrillo Gil, Mexico City | | |
| Portrait of Marevna | Unknown | | | |