# List of Independent Curators International exhibitions

This is a list of exhibitions by Independent Curators International since 1975.

## List

| Exhibition | Curator(s) | Date |
| The Taxonomy of Shadows: On Photographic Collectivism | Serubiri Moses | – |
| Mud + Corn + Stone + Blue | Laura Augusta | 2024 |
| Teddy Sandoval and the Butch Gardens School of Art | C. Ondine Chavoya and David Evans Frantz | 2023–24 |
| States of Becoming | Fitsum Shebeshe | 2022–25 |
| Seeing Sound | Barbara London | 2021–24 |
| Notes for Tomorrow | Charles Campbell, Freya Chou, Giulia Colletti, Veronica Cordeiro, Allison Glenn, Tessa Maria Guazon, PJ Gubatina Policarpio, Ivan Isaev, Ross Jordan, Drew Kahuʻāina Broderick, Josh Tengan, Esteban King Álvarez, João Laia, Luis Carlos Manjarrés Martínez, Fadzai Veronica Muchemwa, Lydia Y. Nichols, Marie Hélène Pereira, Balimunsi Philip, Josseline Pinto, Florencia Portocarrero, Shahana Rajani, Rachel Waldrop (Reese), Marina Reyes Franco, Mari Spirito, Alexandra Stock, Eszter Szakács, Fatoş Üstek, Su Wei, and Sharmila Wood | 2021–24 |
| Soundings: An Exhibition in Five Parts | Candice Hopkins and Dylan Robinson | 2019–22 |
| Actions for the Earth: Art, Care & Ecology | Sharmila Wood | 2023–24 |
| Never Spoken Again: Rogue Stories of Science and Collections | David Ayala-Alfonso | 2020–24 |
| Publishing Against the Grain | Independent Curators International (ICI) | 2017–23 |
| Talking to Action: Art, Pedagogy, and Activism in the Americas | Bill Kelley Jr. | 2017–19 |
| Axis Mundo: Queer Networks in Chicano L.A. | C. Ondine Chavoya and David Evans Frantz | 2017–22 |
| The Ocean After Nature | Alaina Claire Feldman | 2016–18 |
| Apichatpong Weerasethakul: The Serenity of Madness | Gridthiya Gaweewong | 2016–20 |
| Salon de Fleurus | Salon de Fleurus | 2016–18 |
| EN MAS': Carnival and Performance Art of the Caribbean | Claire Tancons and Krista Thompson | 2015–18 |
| Push Play | Melissa E. Feldman | 2014–17 |
| do it (2013-) | Hans Ulrich Obrist | 2013–21 |
| Living as Form (The Nomadic Version) | Nato Thompson | 2012–14 |
| State of Mind: New California Art Circa 1970 | Constance M Lewallen and Karen Moss | 2012–14 |
| Performance Now | RoseLee Goldberg | 2012–15 |
| Project 35 Volume 2 | Leeza Ahmady, Meskerem Assegued, Daina Augaitis, Defne Ayas, Regine Basha, Valerie Cassel Oliver, Rosina Cazali, Stuart Comer, Veronica Cordeiro, Christopher Cozier, María del Carmen Carrión, Rifky Effendy, Özge Ersoy, N’Goné Fall, Amirali Ghasemi, Hou Hanru, Virginija Januskeviciute, Vít Havránek, Abdellah Karroum, Sunjung Kim, Pablo León de la Barra, Maria Lind, Yandro Miralles, Srimoyee Mitra, Nat Muller, Sharmini Pereira, Nataša Petrešin-Bachelez, Kathrin Rhomberg, Mats Stjernstedt, David Teh, Philip Tinari, Christine Tohme, Raluca Voinea, Jochen Volz, and Adnan Yildiz | 2012–15 |
| Create | Lawrence Rinder and Matthew Higgs | 2011–14 |
| With Hidden Noise | Stephen Vitiello | 2011–15 |
| Martha Wilson | Peter Dykhuis | 2011–19 |
| Harald Szeemann: Documenta 5 | David Platzker | 2011–19 |
| Raymond Pettibon: The Punk Years, 1978-86 | David Platzker | 2010–13 |
| Project 35 | Magalí Arriola, Ruth Auerbach, Zoe Butt, Yane Calovski, Amy Cheng, Ana Paula Cohen, Joselina Cruz, Sergio Edelsztein, Mai Abu ElDahab, Charles Esche, Lauri Firstenberg, Alexie Glass-Kantor, Julieta González, Anthony Huberman, Lu Jie, Mami Kataoka, Lars Bang Larsen, Weng Choy Lee, Constance M Lewallen, Raimundas Malasauskas, Francesco Manacorda, Chus Martínez, Viktor Misiano, David Moos, Deeksha Nath, Simon Njami, Hans Ulrich Obrist, Jack Persekian, José Roca, Bisi Silva, Franklin Sirmans, Kathryn Smith, Susan Sollins, Mirjam Varadinis, What, How & for Whom/WHW | 2010–16 |
| People's Biennial | Jens Hoffmann and Harrell Fletcher | 2010–12 |
| Image Transfer: Pictures in a Remix Culture | Sara Krajewski | 2010–12 |
| The Storyteller | Claire Gilman and Margaret Sundell | 2009–10 |
| FAX | João Ribas | 2009–14 |
| Mixed Signals: Artists Consider Masculinity in Sports | Christopher Bedford | 2009–11 |
| The New Normal | Michael Connor | 2008–09 |
| Experimental Geography | Nato Thompson | 2008–14 |
| Slightly Unbalanced | Susan Hapgood | 2008–10 |
| Phantasmagoria | José Roca | 2007–09 |
| Jess | Ingrid Schaffner | 2007–09 |
| Space Is the Place | Alex Baker and Toby Kamps | 2006–08 |
| High Times, Hard Times: New York Painting 1967–1975 | Katy Siegel with David Reed as advisor | 2006–08 |
| Beyond Green: Towards a Sustainable Art | Stephanie Smith | 2005–09 |
| Shoot the Family | Ralph Rugoff | 2006–07 |
| Situation Comedy: Humor in Recent Art | Dominic Molon and Michael Rooks | 2005–07 |
| What Sound Does a Color Make? | Kathleen Forde | 2005–07 |
| Will Boys Be Boys?: Questioning Adolescent Masculinity in Contemporary Art | Shamim M. Momin | 2004–07 |
| Likeness: Portraits of Artists by Other Artists | Matthew Higgs | 2004–06 |
| The Paper Sculpture Show Mary Ceruti | Matt Freedman and Sina Najafi | 2003–07 |
| 100 Artists See God | John Baldessari and Meg Cranston | 2003–06 |
| Mark Lombardi: Global Networks | Robert Hobbs | 2003–05 |
| UnNaturally | Mary-Kay Lombino | 2003–04 |
| Thin Skin: The Fickle Nature of Bubbles, Spheres, and Inflatable Structures | Barbara Clausen and Carin Kuoni | 2002–04 |
| Walk Ways | Stuart Horodner | 2002–04 |
| The Gift: Generous Offerings, Threatening Hospitality | Antonio Somaini and Gianfranco Maraniello | 2001–03 |
| My Reality: Contemporary Art and the Culture of Japanese Animation | Jeff Fleming and Susan Lubowsky Talbott | 2001–03 |
| Everything Can Be Different | Maria Lind | 2001–02 |
| Pictures, Patents, Monkeys, and More... On Collecting | Ingrid Schaffner | 2001–02 |
| Telematic Connections: The Virtual Embrace | Steve Dietz | 2001–02 |
| Almost Warm & Fuzzy: Childhood and Contemporary Art | Susan Lubowsky Talbott and Lea Rosson DeLong | 2000–2002 |
| Beyond Preconceptions: The Sixties Experiment | Milena Kalinovska | 2000–2002 |
| Painting Zero Degree | Carlos Basualdo | 2000–2002 |
| Power of the Word | Chang Tsong-zung | 1999–2002 |
| Irish Art Now: From the Poetic to the Political | Declan McGonagle | 1999–2001 |
| Lee Krasner | Robert Hobbs | 1999–2001 |
| Contemporary Art from Cuba: Irony and Survival on the Utopian Island | Marilyn Zeitlin | 1998–2001 |
| The People's Choice | Komar and Melamid | 1998–2002 |
| Judy Pfaff, U.S. entry to 24th São Paulo Bienal | Miranda McClintic | 1998 |
| do it | Hans Ulrich Obrist | 1997–2001 |
| At the Threshold of the Visible: Minuscule and Small Scale Art, 1964–1996 | Ralph Rugoff | 1997–99 |
| Making It Real | Vik Muniz | 1997–99 |
| David Smith: Medals for Dishonor | Matthew Marks and Peter Stevens | 1996–2000 |
| Embedded Metaphor | Nina Felshin | 1996–99 |
| Content and Discontent in Today's Photography | Andy Grundberg | 1995–97 |
| Critiques of Pure Abstraction | Mark Rosenthal | 1995–97 |
| Meret Oppenheim: Beyond the Teacup | Jacqueline Burckhardt and Bice Curiger | 1995–97 |
| Multiple Exposure: The Group Portrait in Photography | Leslie Tonkonow | 1995–97 |
| Image and Memory: Latin American Photography, 1880–1992 | Wendy Watriss | 1994–96 |
| Monumental Propaganda Komar and Melamid | guest instigators | 1994–96 |
| Transformers | Ralph Rugoff | 1994–96 |
| After Perestroika: Kitchenmaids or Stateswomen | Margarita Tupitsyn | 1993–95 |
| Empty Dress: Clothing as Surrogate in Recent Art | Nina Felshin | 1993–95 |
| The First Generation: Women and Video,1970–1975 | JoAnn Hanley | 1993–95 |
| Dark Decor | Tina Potter and Janine Cirincione | 1992–94 |
| Drawn in the Nineties | Joshua Smith | 1992–94 |
| From Media to Metaphor: Art About AIDS | Robert Atkins and Thomas W. Sokolowski | 1992–93 |
| Good Stories, Well Told: Video Art for Young Audiences | Robin White | 1992–94 |
| Departures: Photography, 1923–1990 | Edmund Yankov | 1991–93 |
| No Laughing Matter | Nina Felshin | 1991–93 |
| Contemporary Illustrated Books: Word and Image, 1967–1988 | Donna Stein | 1990–91 |
| Eye for I: Video Self-Portraits | Raymond Bellour | 1990–92 |
| Imágenes Líricas/New Spanish Visions | Lucinda Barnes | 1990–92 |
| Points of Departure: Origins in Video | Jacqueline Kain | 1990–91 |
| Team Spirit | Susan Sollins and Nina Sundell | 1990–92 |
| Through the Path of Echoes: Contemporary Art in Mexico | Elizabeth Ferrer | 1990–92 |
| A Different War: Vietnam in Art | Lucy Lippard | 1989–92 |
| Eternal Metaphors: New Art from Italy | Susan Sollins | 1989–92 |
| The Presence of Absence: New Installations | Nina Felshin | 1989–93 |
| Acceptable Entertainment | Paul Laster and Renée Riccardo | 1988–90 |
| Hybrid Neutral: Modes of Abstraction and the Social | Tricia Collins and Richard Milazzo | 1988–90 |
| Line and Image: The Northern Sensibility in Recent European Drawing | Peter Frank | 1988–89 |
| The Analytical Theatre: New Art from Britain | Milena Kalinovska and Michael Newman | 1987–88 |
| Ancient Inspirations: Six Figurative Sculptors | Judith Olch Richards | 1987–88 |
| Modern Redux: Critical Alternatives for Architecture in the Next Decade | Douglas Davis | 1987–88 |
| Morality Tales: History Painting in the 1980s | Thomas W. Sokolowski | 1987–89 |
| The Success of Failure | Joel Fisher | 1987–88 |
| After Matisse Tiffany Bell | Irving Sandler and Susan Sollins | 1986–88 |
| Video Transformations Lois Bianchi | | 1986–88 |
| The American Experience: Contemporary Immigrant Artists | Cynthia Jaffee McCabe | 1985–86 |
| Large Drawings | Elke Solomon | 1985 |
| Points of View: Four Painters | Susan Sollins | 1985–86 |
| Tradition and Conflict: Images from a Turbulent Decade, 1963–1973 | Mary Schmidt Campbell | 1985–87 |
| Drawings: After Photography | William Olander | 1984–86 |
| From the Collection of Sol LeWitt | Andrea Miller-Keller and John Ravenal | 1984–86 |
| Indiana Influence – Part I | William H. Gerdts | 1984 |
| Indiana Influence – Part II | Peter Frank | 1984 |
| Verbally Charged Images | Nina Felshin | 1984–86 |
| Concepts in Construction: 1910–1980 | Irving Sandler | 1983–85 |
| New Sculpture: Icon and Environment | Susan Sollins | 1983–84 |
| Sculpture from Germany | Michael Klein | 1983–85 |
| The End of the Road: Vanishing Highway Architecture in America | John Margolies | 1982–84 |
| Texas on Paper | Cheryl A. Brutvan and Linda L. Cathcart | 1982–84 |
| Art Materialized: Selections from the Fabric Workshop | Michael Quigley | 1981–84 |
| CAPS/ICI Traveling Video Festival | Nina Sundell | 1981–84 |
| Ezra Stoller: Architectural Photographs | | 1981–83 |
| Mapped Art: Charts, Routes, Regions | Peter Frank | 1981–83 |
| Metropolitan Container of Art | | 1981 |
| Some Color Photographs | Marvin Heiferman | 1980 |
| American Images: New Work by Twenty Contemporary Photographers | Renato Danese | 1979–84 |
| Collaborations and Amplifications | Elke Solomon | 1979 |
| Masks Visiting Artists Collaborative | | 1979–81 |
| The Photograph as Artifice | Constance Glenn | 1979–80 |
| Supershow! | Susan Sollins and Elke Solomon | 1979–80 |
| Artists’ Books U.S.A. | Peter Frank and Martha Wilson | 1978–79 |
| Numerals: Mathematical Concepts in Contemporary Art | Rainer Crone | 1978–79 |
| The Sense of Self: From Self-Portrait to Autobiography | Nina Sundell | 1978–80 |
| The City Project | Susan Sollins | 1977 |
| New Work/New York | Susan Sollins | 1977–78 |
| American Pop Art and the Culture of the Sixties | Nina Sundell | 1976 |
| Art in Landscape | Susan Sollins | 1976–77 |
| Language and Structure in North America | Richard Kostelanetz | 1976 |
| MC=E2 | | 1976–77 |
| Photography: A Representative Survey | John R. Gossage | 1976–78 |
| Ralph Eugene Meatyard: A Retrospective | Van Deren Coke | 1976–79 |
| Video Art U.S.A., U.S. entry to 1976 São Paulo Bienal | Jack Bolton | 1975 |