# Stuart Wilson (sound engineer)

Stuart Wilson is a Scottish sound engineer working in feature films.
He has been nominated for 7 Academy Awards, for the films War Horse in 2012, Skyfall in 2013, Star Wars: The Force Awakens in 2016, Rogue One in 2017, Star Wars: The Last Jedi in 2018, 1917 in 2020 and The Batman, winning the award for 1917. He was nominated for a British Academy Film Award for The Constant Gardener in 2006, Harry Potter and the Deathly Hallows – Part 2 and War Horse in 2012, Skyfall in 2013, Star Wars: The Force Awakens in 2016, Star Wars: The Last Jedi in 2018 and Star Wars: The Rise of Skywalker and 1917 in 2020. He won the award for the later.

## Awards and nominations

| Year | Association | Category | Work | Result |
| 2012 | Academy Awards | Best Sound Mixing | War Horse | Nominated |
| 2013 | Academy Awards | Best Sound Mixing | Skyfall | Nominated |
| 2016 | Academy Awards | Best Sound Mixing | Star Wars: The Force Awakens | Nominated |
| 2017 | Academy Awards | Best Sound Mixing | Rogue One | Nominated |
| 2018 | Academy Awards | Best Sound Mixing | Star Wars: The Last Jedi | Nominated |
| 2020 | Academy Awards | Best Sound Mixing | 1917 | Won |
| 2023 | Academy Awards | Best Sound | The Batman | Nominated |
| 2006 | BAFTA Awards | BAFTA Award for Best Sound | The Constant Gardener | Nominated |
| 2012 | BAFTA Awards | BAFTA Award for Best Sound | War Horse | Nominated |
| 2012 | BAFTA Awards | BAFTA Award for Best Sound | Harry Potter and the Deathly Hallows – Part 2 | Nominated |
| 2013 | BAFTA Awards | BAFTA Award for Best Sound | Skyfall | Nominated |
| 2016 | BAFTA Awards | BAFTA Award for Best Sound | Star Wars: The Force Awakens | Nominated |
| 2018 | BAFTA Awards | BAFTA Award for Best Sound | Star Wars: The Last Jedi | Nominated |
| 2020 | BAFTA Awards | BAFTA Award for Best Sound | Star Wars: The Rise of Skywalker | Nominated |
| 2020 | BAFTA Awards | BAFTA Award for Best Sound | 1917 | Won |
| 2016 | Association of Motion Picture Sound (AMPS) | Excellence in Sound for a Feature Film | Spectre | Nominated |
| 2016 | Association of Motion Picture Sound (AMPS) | Excellence in Sound for a Feature Film | Star Wars: The Force Awakens | Nominated |
| 2020 | Association of Motion Picture Sound (AMPS) | Excellence in Sound for a Feature Film | 1917 | Won |
| 2016 | Awards Circuit Community Awards | Best Achievement in Sound | Rogue One | Nominated |
| 2017 | Awards Circuit Community Awards | Best Achievement in Sound | Star Wars: The Last Jedi | Nominated |
| 2020 | Awards Circuit Community Awards | Best Sound | 1917 | Won |
| 2003 | British Independent Film Awards | Best Technical Achievement | In This World | Nominated |
| 2013 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action | Skyfall | Nominated |
| 2016 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action | Star Wars: The Force Awakens | Nominated |
| 2017 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action | Rogue One | Nominated |
| 2018 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action | Star Wars: The Last Jedi | Nominated |
| 2021 | CinEuphoria Awards | Best Sound/Sound Effects - International Competition | 1917 | Won |
| 2008 | Genie Awards | Best Sound Mixing | Eastern Promises | Won |
| 2012 | Golden Derby Awards | Sound | Harry Potter and the Deathly Hallows - Part 2 | Nominated |
| 2013 | Golden Derby Awards | Sound | Skyfall | Nominated |
| 2016 | Golden Derby Awards | Sound | Star Wars: The Force Awakens | Nominated |
| 2017 | Golden Derby Awards | Sound | Rogue One | Nominated |
| 2018 | Golden Derby Awards | Sound | Star Wars: The Last Jedi | Nominated |
| 2020 | Golden Derby Awards | Sound | 1917 | Won |
| 2020 | Golden Derby Awards | Sound of the Decade | 1917 | Nominated |
| 2023 | Hollywood Critics Association | Best Sound | The Batman | Nominated |
| 2020 | International Cinephile Society | Best Sound Design | 1917 | Nominated |
| 2013 | International Online Cinema Awards | Best Sound Mixing | Skyfall | Nominated |
| 2016 | International Online Cinema Awards | Best Sound Mixing | Star Wars: The Force Awakens | Nominated |
| 2020 | International Online Cinema Awards | Best Sound Mixing | 1917 | Nominated |
| 2020 | Latino Entertainment Journalists Association | Best Sound | 1917 (2019 film) | Won |
| 2012 | Online Film & Television Association | Best Sound Mixing | War Horse | Nominated |
| 2012 | Online Film & Television Association | Best Sound Mixing | Harry Potter and the Deathly Hallows - Part 2 | Nominated |
| 2013 | Online Film & Television Association | Best Sound Mixing | Skyfall | Nominated |
| 2016 | Online Film & Television Association | Best Sound Mixing | Star Wars: The Force Awakens | Nominated |
| 2017 | Online Film & Television Association | Best Sound Mixing | Rogue One | Nominated |
| 2018 | Online Film & Television Association | Best Sound Mixing | Star Wars: The Last Jedi | Nominated |
| 2020 | Online Film & Television Association | Best Sound Mixing | Star Wars: The Rise of Skywalker | Nominated |
| 2020 | Online Film & Television Association | Best Sound Mixing | 1917 | Won |
| 2011 | Satellite Awards | Best Sound | Harry Potter and the Deathly Hallows - Part 2 | Nominated |
| 2011 | Satellite Awards | Best Sound | War Horse | Nominated |
| 2016 | Satellite Awards | Best Sound | Spectre (2015 film) | Nominated |
| 2019 | Satellite Awards | Best Sound | 1917 | Nominated |
| 2016 | Seattle Film Critics Society | Best Sound Design | Star Wars: The Force Awakens | Nominated |