# List of compositions by Rebecca Clarke

The following is a sortable list of compositions by Rebecca Clarke, drawn largely from the lists found on the website of the Rebecca Clarke Society. The works are categorized and sortable by genre, date of composition, and title.
| Genre | Date | Title | Scoring | Notes | Publisher / owner |
| Orchestral | 1941 | Combined Carols | for string orchestra | original for 2 violins, viola and cello | |
| Chamber music | 1907–1908 | Danse bizarre | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Prelude | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Nocturne | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate |
| Chamber music | 1907–1908 | Finale | for 2 violins and piano | incomplete | Rebecca Clarke Estate |
| Chamber music | 1907–1909 | Sonata | for violin and piano | in one movement | Rebecca Clarke Estate |
| Chamber music | 1908–1909 | Sonata | for violin and piano | | Rebecca Clarke Estate |
| Chamber music | 1909 | Lullaby | for viola and piano | | Oxford University Press |
| Chamber music | 1913 | Lullaby (on an ancient Irish tune) | for viola and piano | | Oxford University Press |
| Chamber music | ca. 1916 | 2 Pieces LullabyGrotesque | for viola (or violin) and cello | | Oxford University Press |
| Chamber music | 1917-1918 | Untitled movement | for viola and piano | | Oxford University Press |
| Chamber music | 1917–1918 | Morpheus | for viola and piano | composed under the pseudonym "Anthony Trent" Morpheus is the Greek god of dreams. | Oxford University Press |
| Chamber music | 1917–1918 | Untitled Work | for viola and piano | | Oxford University Press |
| Chamber music | 1918 | Lullaby | for viola and piano | | Oxford University Press |
| Chamber music | 1919 | Sonata | for viola (or cello) and piano | | Chester Music DaCapo Press Hildegard Publishing |
| Chamber music | 1921 | Chinese Puzzle | for violin (or viola) and piano | | Oxford University Press |
| Chamber music | 1921, 1925 | Chinese Puzzle | for flute, violin, viola and cello | original for violin and piano | Oxford University Press |
| Chamber music | ?1921 | Epilogue | for cello and piano | | Oxford University Press |
| Chamber music | 1921 | Trio | for violin, cello and piano | | Winthrop Rogers DaCapo Press Boosey & Hawkes |
| Chamber music | 1923 | Rhapsody | for cello and piano | | Library of Congress |
| Chamber music | 1924 | Comodo et amabile | for 2 violins, viola and cello | | Oxford University Press |
| Chamber music | 1924 | Midsummer Moon | for violin and piano | | Oxford University Press |
| Chamber music | 1926 | Poem | for 2 violins, viola and cello | | Oxford University Press |
| Chamber music | ca. 1940 | Untitled Works | for 2 instruments for 2 treble instrumentsfor treble and bass instruments | 2 compositional studies; unfinished | |
| Chamber music | 1941 | Combined Carols | for 2 violins, viola and cello | also arranged for string orchestra | Rebecca Clarke Estate |
| Chamber music | ?1940–1941 | Passacaglia (on an Old English Tune, attributed to Tallis) in C minor | for viola (or cello) and piano | tune attributed to Thomas Tallis | G. Schirmer Chappell Music Hildegard Publishing |
| Chamber music | 1941 | Prelude, Allegro and Pastorale | for viola and clarinet | | Oxford University Press |
| Chamber music | ?1941 | Dumka | for violin, viola and piano | | Oxford University Press |
| Chamber music | 1944 | I'll bid my heart be still (Old Scottish border melody) | for viola and piano | | Oxford University Press |
| Piano | 1907–1908 | Theme and Variations | for piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | |
| Piano | ?1930 | Cortège | for piano | revised 1970s | |
| Chamber music | ca. 1940 | Untitled, 2 pieces for two instruments One with two treble clef partsone with treble and bass clef parts | for compositional studies | | Oxford University Press |
| Choral | ca. 1906 | Now Fie on Love | for male chorus | words by anonymous | Oxford University Press |
| Choral | 1907 | Music, When Soft Voices Die | for mixed chorus | words by Percy Bysshe Shelley | Oxford University Press |
| Choral | ca. 1908 | A Lover's Dirge | for mixed chorus | words from Twelfth Night by William Shakespeare | Oxford University Press |
| Choral | ca. 1909 | The Owl (When Cats Run Home and Light Is Come) | for mixed chorus | words by Alfred, Lord Tennyson | |
| Choral | ca. 1911–1912 | Come, O come, my life's delight | for mixed chorus | words by Thomas Campion; also for voice and piano | Oxford University Press |
| Choral | ca. 1911–1912 | My Spirit Like a Charmed Bark Doth Float | for mixed chorus | words by Percy Bysshe Shelley | Oxford University Press |
| Choral | ca. 1911–1912 | Weep You No More Sad Fountains | for mixed chorus | words by anonymous (John Dowland?); also for voice and piano | |
| Choral | ca. 1914 | Philomela | for mixed chorus | words by Sir Philip Sidney | Oxford University Press |
| Choral | 1921 | He That Dwelleth in the Secret Place (Psalm 91) | for SATB soloists and mixed chorus | | |
| Choral | 1928 | There Is No Rose of Such Virtue | for baritone solo and alto, tenor, baritone, bass chorus | after a 15th-century English carol | Oxford University Press |
| Choral | ca. 1937 | Ave Maria | for female chorus | | |
| Choral | ca. 1943 | Chorus from Hellas | for female chorus | words from Hellas by Percy Bysshe Shelley | Oxford University Press |
| Vocal | ca. 1903 | Wandrers Nachtlied | for voice and piano | words by Johann Wolfgang von Goethe | |
| Vocal | 1904 | Ah, for the Red Spring Rose | for voice and piano | | |
| Vocal | 1904 | Aufblick | for voice and piano | words by Richard Dehmel | |
| Vocal | 1904 | Shiv and the Grasshopper | for voice and piano | words from The Jungle Book by Rudyard Kipling | |
| Vocal | ca. 1904 | Chanson | for voice and piano | words by Maurice Maeterlinck | |
| Vocal | ca. 1904 | Klage | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1904 | O Welt | for voice and piano | | |
| Vocal | ca. 1904 | Stimme im Dunkeln | for voice and piano | words by Richard Dehmel | |
| Vocal | 1905 | Du | for voice and piano | words by Richard von Schaukal | |
| Vocal | ca. 1905 | The Moving Finger Writes | for voice and piano | words from The Rubáiyát of Omar Khayyám translated by Edward FitzGerald | |
| Vocal | ca. 1905 | Oh, Dreaming World | for voice and piano | | |
| Vocal | ca. 1905 | Wiegenlied | for voice, violin and piano | words by Detlev von Liliencron | |
| Vocal | 1906 | Durch die Nacht | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1906 | Nach einem Regen | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1907 | Das Ideal | for voice and piano | words by Richard Dehmel | |
| Vocal | 1907 | Magna est veritas | for voice and piano | words by Coventry Patmore | |
| Vocal | 1907 | Manche Nacht | for voice and piano | words by Richard Dehmel | |
| Vocal | 1907 | Nacht für Nacht | for 2 voices and piano | words by Richard Dehmel | |
| Vocal | 1907 | Vergissmeinnicht | for voice and piano | words by Richard Dehmel | |
| Vocal | ca. 1909 | Spirits | for 2 high voices and piano | words by Robert Bridges | |
| Vocal | ca. 1910 | The Color of Life | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1910 | Return of Spring | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1910 | Tears | for voice and piano | words from traditional Chinese writings | |
| Vocal | ca. 1911 | The Folly of Being Comforted | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1911–1912 1926 | Come, Oh Come, My Life's Delight | for voice and piano | words by Thomas Campion; original version for mixed chorus | |
| Vocal | ca. 1912 | The Cloths of Heaven | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1912 | Shy One | for voice and piano | words by William Butler Yeats | |
| Vocal | ca. 1912 | Weep You No More Sad Fountains | for voice and piano | words by anonymous (John Dowland?); also for mixed chorus | Oxford University Press |
| Vocal | ca. 1912–1913 | Away Delights | for 2 voices and piano | words by John Fletcher | |
| Vocal | ca. 1912–1913 | Hymn to Pan | for tenor, baritone and piano | words by John Fletcher | |
| Vocal | ca. 1913 | Infant Joy | for voice and piano | words by William Blake | |
| Vocal | 1919 | Down by the Salley Gardens | for voice and piano | words by William Butler Yeats; also for voice and violin | |
| Vocal | 1920 | Psalm 63 | for voice and piano | | |
| Vocal | 1922 | The Seal Man | for voice and piano | words by John Masefield | Winthrop Rogers Boosey & Hawkes |
| Vocal | 1924 | Three Old English Songs It Was a Lover and His LassPhyllis on the New Mown HayThe Tailor and His Mouse | for voice and violin | 1. words by William Shakespeare | Boosey & Hawkes |
| Vocal | 1925 | June Twilight | for voice and piano | words by John Masefield | |
| Vocal | 1926 | A Dream | for voice and piano | words by William Butler Yeats | |
| Vocal | 1926 | Poem (Adagio) | for voice and string quartet | | Oxford University Press |
| Vocal | 1926 | Sleep | for tenor, baritone and piano | words by John Fletcher; 2 versions | |
| Vocal | 1926 | Sleep [version II] | for tenor, baritone and piano | words by John Fletcher; 2 versions | |
| Vocal | 1926 | Three Irish Country Songs I Know My LoveI Know Where I'm GoinAs I Was Goin to Ballynure | for voice and violin | | |
| Vocal | ca. 1926 | Take, O Take Those Lips Away | for tenor, baritone and piano | words from Measure for Measure by William Shakespeare | |
| Vocal | 1927 | The Cherry-blossom Wand | for voice and piano | words by Anna Wickham | Oxford University Press |
| Vocal | 1927 | Eight O'clock | for voice and piano | words by A. E. Housman | |
| Vocal | ca. 1928 | Greeting | for voice and piano | words by Ella Young | |
| Vocal | 1929 | The Aspidistra | for voice and piano | words by Claude Flight | |
| Vocal | 1929 | Cradle Song | for voice and piano | words by William Blake | Oxford University Press |
| Vocal | 1929–1933 | The Tiger (Tiger, Tiger) | for voice and piano | words by William Blake | |
| Vocal | ca. 1940 | Binnorie | for voice and piano | words after a traditional ballad The Twa Sisters | |
| Vocal | ca. 1940 | Daybreak | for voice and string quartet | words by John Donne | Prairie Dawg Press |
| Vocal | 1941 | Lethe | for voice and piano | words by Edna St. Vincent Millay | |
| Vocal | 1942 | The Donkey | for voice and piano | words by G. K. Chesterton | |
| Vocal | 1919, 1950s | Down by the Salley Gardens | for voice and violin | words by William Butler Yeats; original for voice and violin | |
| Vocal | 1954 | God Made a Tree | for voice and piano | words by Katherine Kendall | |
| Vocal | | Up-Hill | for voice and piano | words by Christina Rossetti | |