# Satan Takes a Holiday

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Satan Takes a Holiday is an album by Anton Szandor LaVey, a celebrity figure best known for his creation of the Church of Satan (CoS) inside of the United States, which was released through Amarillo Records in 1995. In addition to founding LaVeyan Satanism as a belief system, he had a long career as a showman and particularly as a musician, which the album's various tracks captured.
The album is an eclectic work of underground music featuring a diverse mix of musical styles as well as lyrical topics, with its songs being primarily based on LaVey's personal interest in the synthesizer. Unlike the public image often associated with his words and actions, and the surrounding controversy, the album has received positive reviews from publications such as AllMusic and is known for its often comedic approach, emphasizing straightforward entertainment. Scholar James R. Lewis of the book Satanism Today: An Encyclopedia of Religion, Folklore, and Popular Culture has asserted that "LaVey's musicianship is preserved" in both the album and a previous release from 1994 in songs that "are impressive", particularly given LaVey's abilities in musical engineering.
It's title is a reference to the notorious Tommy Dorsey & His Orchestra release of the same name alongside multiple previous forms of popular media known as _____ Takes a Holiday. These include the drama movies Death Takes a Holiday and Sin Takes a Holiday among other things.

## Background and release

In addition to founding LaVeyan Satanism as a belief system, LaVey had a long career as a showman and particularly as a musician, which the album had captured. In contrast to the dramatic and serious public image often associated with LaVey and his doctrines, with his words and actions drawing controversy, the album is a frequently comedic release intended for straightforward entertainment purposes featuring popular music styles of a "lighthearted" nature, including lyrics with romantic appeals and merry-go-round type carnival backgrounds. It additionally features materials from a diverse array of songwriters, including media created in the 19th Century. A praising review by music journalist Greg Prato of AllMusic remarked that "[b]efore listening to this album, one must cast aside all preconceptions of... LaVey". Prato regarded LaVey's diverse take in both musical genres and instrumental skills as "comforting" to the listener, in the context of the whole album's "spooky" nature.
In depth, Satan Takes a Holiday is an eclectic body of songs that LaVey primarily constructed using his personal synthesizer. A few of these tracks are standards, being associated with famous media of years prior, and their composers well known. Nevertheless, LaVey chose all of these songs to create deliberate modes of feeling in terms of emotional tone. His original treatments of many of these releases, and others similar to them in context and style, were performed on a variety of organs that he mastered over the course of his life. Throughout his various experiences, LaVey performed many such songs in burlesque houses, circuses, carnivals, and roadhouses as an entertainer, with his career's twists and turns not necessarily being associated with the CoS in any sense. The album's very title shows this in the context of the positive term "holiday".
LaVey is joined on this recording by Blanche Barton, another celebrity who's otherwise best known for serving as the "High Priestess" of the CoS. Nick Bougas additionally takes part. He's otherwise best known for being the director of LaVey's film biography titled Speak of the Devil: The Canon of Anton LaVey, having also worked in other movie projects over the years.
It's title is a reference to the notorious Tommy Dorsey & His Orchestra release of the same name alongside multiple previous forms of popular media known as _____ Takes a Holiday. These include the drama movies Death Takes a Holiday and Sin Takes a Holiday among other things.
Looking back in retrospect, scholar James R. Lewis of the book Satanism Today: An Encyclopedia of Religion, Folklore, and Popular Culture has asserted that "LaVey's musicianship is preserved" in both the album and a previous release from 1994 in songs that "are impressive", particularly given LaVey's abilities in musical engineering. Still looking back retrospectively, Amarillo Records released Satan Takes a Holiday in 1995, in the context of LaVey's campaigns during the 1990s. The independent record label has been known for its association with other eccentric artists (especially in the burgeoning San Francisco music scene of the 1990s) and was created by actor and comedian Gregg Turkington, who ironically had absolutely no connection to Amarillo, Texas whatsoever and abandoned the company while also emigrating out of the United States altogether.

## Track listing

* "Satan Takes a Holiday" – written in 1937 by bandleader Larry Clinton. Arranged for Hammond Novacord. Originally used as background music for "magic acts and midnight spook shows".
* "Answer Me" – A German love song from 1953 by Gerhard Winkler and Fred Rauch, with a translation by Carl Sigman. Vocal by A. LaVey.
* "The Whirling Dervish" – Written in 1938 by Harry Warren and Al Dubin for the film Garden of the Moon.
* "Chloe, or the Song of the Swamp" – Written by Gus Kahn and Neil Moret in 1927. This is a tale of lost love told from the perspective of the abandoned one. Vocal by N. Bougas.
* "Thine Alone" – Bombastic version of a 1917 piece by Victor Herbert and Henry Blossom, for stage show, called Eileen.
* "Golden Earrings" – Written by Jay Livingston and Ray Evans for the film of the same name, starring Marlene Dietrich. Vocal by A. LaVey, credited as "The Tipsy Gypsy".
* "The More I See You" – Written by Harry Warden with words by Mack Gordon. Vocal by N. Bougas.
* "Band Organ Medley
** "Money in My Clothes" – A 1934 song written by Irving Kahal and Sammy Fain.
** "Taboo" – 1941 piece by Margarita Lecuona.
** "Giovanni" – Standard Band Organ Waltz composer and date unknown
** "Yankee Rose" – by Abe Frankel and Sidney Holden, written in 1926.
* "Hello, Central, Give Me No Man's Land" – Written by Sam L. Lewis, Joe Young, and Jean Schwartz about a young boy trying to use the telephone to talk to his father who's been killed in the war. Vocal by A. LaVey
* "Blue Prelude" – 1933 suicide song by Gordon Jenkins and Joe Bishop. Vocal by B. Barton.
* "Softly, as in a Morning Sunrise" – By Sigmund Romberg and Oscar Hammerstein II, for the 1928 operetta, "The New Moon". A song about love's betrayal. Vocal by N. Bougas.
* "Honolulu Baby" – Written by T. Marvin Hatley in 1933 as background music for the Laurel and Hardy comedy, Sons of the Desert. Vocal by A. LaVey.
* "Variations on the Mooche" – Written by Duke Ellington and Irving Mills, 1928 and favored by exotic dancers.
* "Here Lies Love" – Suicide song written by Leo Robin and Ralph Rainger for the 1933 film, The Big Broadcast. Vocal by N. Bougas.
* "Dixie" – Written by Daniel Emmett in 1860. Vocal by N. Bougas.
* "If You Were the Only Girl in the World" – By Nat D. Ayer and Clifford Grey, 1916. Vocal by A. LaVey.
* "Satan Takes a Holiday (reprise)" – Vocal treatment of title track by Blanche Barton.
* "Satanis Theme" – Written in 1968 by LaVey for the film, Satanis.
The information for the track listings were lifted, at times verbatim, from the liner notes for the CD of this release. Copyright Amarillo Records, 1995.

## Usage in popular culture

Figure skating world champion Javier Fernández performed a short program to "Satan Takes a Holiday" during the 2013-14 season in his sport. This time period included the XXII Olympic Winter Games in Sochi. The program was choreographed by David Wilson.

## Release notes

* Originally released by Amarillo Records in 1995.
* Re-released in 2002 by Reptilian Records.