# Peter Zinner

Peter Zinner (July 24, 1919 – November 13, 2007) was an Austrian-American film editor. Following nearly fifteen years of uncredited work as an assistant sound editor, Zinner received credits on more than fifty films from 1959 to 2006. His most influential films are likely The Godfather and The Godfather Part II, both of which appear on a 2012 listing of the 75 best edited films of all time compiled by the Motion Picture Editors Guild.

## Early life

He was born in Vienna, Austria, and studied music there in the Theresianum and at the Max Reinhardt Seminar. Following the occupation of Austria by Nazi Germany in 1938, Zinner and his parents, who were Jewish, emigrated. They went first to the Philippines, and in 1940 to the United States. As a young man, Zinner worked in Los Angeles as a taxi driver and occasionally as a pianist at screenings of silent films.

## Career

In 1943, Zinner became an apprentice film editor at the 20th Century Fox Studios. He became an assistant sound-effects editor at Universal Studios in 1947. Much of his work as an assistant sound and music editor is uncredited; he worked with composers Miklós Rózsa, Jacques Ibert, André Previn, Adolph Deutsch, and Bernard Herrmann on films including Quo Vadis (1951), Singin' in the Rain (1952), The Band Wagon (1953), Gigi (1958), and Gene Kelly's experimental Invitation to the Dance (1956). His first credit as a music editor was for For the First Time (1959); his other credits for music include X-15 (1961), the US version of King Kong vs. Godzilla (1962), and Lord Jim (1965).
Zinner had wanted to move into film editing, and following his music-editing work with producer-director Richard Brooks on Lord Jim, Brooks asked him to edit The Professionals (1967) and In Cold Blood (1967). Zinner's work on The Professionals was nominated for an American Cinema Editors Eddie Award. By 1970 he had become sufficiently established as an editor that he was asked to edit the latter half of The Godfather; William H. Reynolds edited the first half. The film, which was directed by Francis Ford Coppola, has been very successful with critics and at the box office. One of its sequences has become an icon of film editing. As critic Tony Sloman described it in 2007, "As the newly born child of Michael Corleone is christened, the young Don Michael, heir to the murdered Don Vito Corleone, wreaks his revenge on his enemies, eliminating them to the soundtrack of the priest's baby-blessing and the church's organ music. It is unquestionably one of the most dramatically satisfying and audience-shattering sequences in contemporary cinema, a magnificent example of the art of motion-picture editing, the craft of story-telling by montage. The editor of the sequence was Peter Zinner." Director Frank Pierson said, "...That's the kind of thing that he was brilliant at, and it's become a classic sequence in movie history."
Zinner was nominated for the Academy Award for Best Film Editing three times, for his work on The Godfather (1972), The Deer Hunter (1978; directed by Michael Cimino), and An Officer and a Gentleman {1982; directed by Taylor Hackford}. He won the Oscar, a BAFTA, and an Eddie for The Deer Hunter. His work (with Barry Malkin and Richard Marks) on The Godfather Part II (1974) earned a second BAFTA nomination. Zinner was nominated four times for Emmy Awards, and won for the miniseries War and Remembrance (1988) and for Citizen Cohn (1992). His peers in the American Cinema Editors honored him with six Eddie nominations of which he won four.
His many other film editing credits include Blake Edwards' Gunn, Foolin' Around, Darling Lili, Dirty Pictures, Crazy Joe, Mahogany, A Star is Born (with Barbra Streisand) and Somebody Has to Shoot the Picture.
In 1990 he played the role of an admiral in the film The Hunt for Red October. Zinner also produced four films. He directed The Salamander (1981) with Anthony Quinn.

## Personal life

Zinner had married his wife Christa, a German-born photographer and artist, in 1959. Their daughter, Katina Zinner, is also a film editor as well as an artist. Zinner died on November 13, 2007, aged 88, in Santa Monica, California, from non-Hodgkin lymphoma. His funeral was held on January 5, 2008.

## Filmography
### Film

| Year | Title | Editor | Producer | Other | Director | Notes |
| 1959 | For the First Time | No | No | Yes | Rudolph Maté | Music editor |
| 1961 | The Deadly Companions | No | No | Yes | Sam Peckinpah | Music editor Edited by Stanley Rabjohn |
| 1961 | X-15 | No | No | Yes | Richard Donner | Music editor Edited by Stanley Rabjohn |
| 1962 | Varan the Unbelievable | Yes | No | No | Ishirō Honda | American version only |
| 1962 | King Kong vs. Godzilla | Yes | No | No | Ishirō Honda | American version only |
| 1963 | They Saved Hitler's Brain | No | No | Yes | David Bradley | Music supervisor |
| 1964 | The Naked Kiss | No | No | Yes | Samuel Fuller | Music editor |
| 1965 | Lord Jim | No | No | Yes | Richard Brooks | Music editor |
| 1965 | Deathwatch | No | No | Yes | Vic Morrow | Music editor |
| 1966 | The Professionals | Yes | No | No | Richard Brooks | Nominated- ACE Eddie Award for Best Edited Feature Film |
| 1967 | Gunn | Yes | No | No | Blake Edwards | |
| 1967 | In Cold Blood | Yes | No | No | Richard Brooks | |
| 1969 | Changes | Yes | No | No | Hall Bartlett | |
| 1969 | The Red Tent | Yes | Yes | No | Mikhail Kalatozov | Co-editor with John Shirley |
| 1970 | Darling Lili | Yes | No | No | Blake Edwards | |
| 1972 | The Godfather | Yes | No | No | Francis Ford Coppola | Co-editor with William H. Reynolds Nominated- Academy Award for Best Film Editing Nominated- ACE Eddie Award for Best Edited Feature Film |
| 1973 | Chino | Yes | No | No | John Sturges | Co-editor with Luis Álvarez & Vanio Amici |
| 1974 | Crazy Joe | Yes | Associate | No | Carlo Lizzani | |
| 1974 | The Godfather Part II | Yes | No | No | Francis Ford Coppola | Co-editor with Barry Malkin & Richard Marks Nominated- BAFTA Award for Best Editing |
| 1975 | Mahogany | Yes | No | No | Berry Gordy | |
| 1976 | Foxtrot | Yes | No | No | Arturo Ripstein | |
| 1976 | A Star Is Born | Yes | No | No | Frank Pierson | |
| 1978 | The Deer Hunter | Yes | No | No | Michael Cimino | Academy Award for Best Film Editing BAFTA Award for Best Editing ACE Eddie Award for Best Edited Feature Film |
| 1979 | The Fish That Saved Pittsburgh | Yes | No | No | Gilbert Moses | Co-editor with Frank Mazzola |
| 1980 | Foolin' Around | Yes | No | No | Richard T. Heffron | |
| 1981 | The Salamander | No | No | Yes | Himself | As director |
| 1982 | An Officer and a Gentleman | Yes | No | No | Taylor Hackford | Nominated- Academy Award for Best Film Editing |
| 1983 | Running Brave | Yes | No | No | Donald Shebib | |
| 1985 | War and Love | Yes | No | No | Moshé Mizrahi | |
| 1986 | Saving Grace | Yes | No | No | Robert M. Young | |
| 1990 | The Hunt for Red October | No | No | Yes | John McTiernan | Actor; as Admiral Yuri Padorin |
| 1990 | Eternity | Yes | No | No | Steven Paul | Co-editor with Michael J. Sheridan |
| 1991 | Ted & Venus | Yes | No | No | Bud Cort | Co-editor with Katina Zinner |
| 1992 | Gladiator | Yes | No | No | Rowdy Herrington | Co-editor with Harry B. Miller III |
| 1997 | A Gun, a Car, a Blonde | Yes | Yes | No | Stefani Ames | |
| 1997 | Motel Blue | Yes | No | No | Sam Firstenberg | Co-editor with Phil Russman |
| 1999 | The Omega Code | Yes | No | No | Rob Marcearelli | Co-editor with Katina Zinner |
| 2006 | Running with Arnold | Yes | No | No | Dan Cox | Documentary film Co-editor with Rick Benavides & Katina Zinner |

### Television

| Year | Title | Editor | Producer | Other | Director | Notes |
| 1960-61 | The Brothers Brannagan | No | No | Yes | Paul Landres | Music editor/supervisor 4 episodes |
| 1961 | Miami Undercover | No | No | Yes | Howard W. Koch | Music editor/supervisor 38 episodes |
| 1983 | The Winds of War | Yes | No | No | Dan Curtis | Miniseries Co-editor with Bernard Gribble, John F. Burnett & Jack Tucker Primetime Emmy Award for Outstanding Editing for a Limited Series or Movie |
| 1988-89 | War and Remembrance | Yes | No | No | Dan Curtis | Miniseries Co-editor with John F. Burnett Primetime Emmy Award for Outstanding Editing for a Limited Series or Movie ACE Eddie Award for Best Edited Television Mini-Series |
| 1987 | Broken Vows | Yes | Yes | No | Jud Taylor | Television film |
| 1990 | Somebody Has to Shoot the Picture | Yes | No | No | Frank Pierson | Television film |
| 1992 | Citizen Cohn | Yes | No | No | Frank Pierson | Television film Primetime Emmy Award for Outstanding Editing for a Limited Series or Movie ACE Eddie Award for Best Edited Television Special Nominated- CableACE Award for Best Editing in a Dramatic Special |
| 1994 | The Enemy Within | Yes | No | No | Jonathan Darby | Television film |
| 2000 | American Tragedy | Yes | No | No | Lawrence Schiller | Television film |
| 2000 | Dirty Pictures | Yes | No | No | Frank Pierson | Television film ACE Eddie Award for Best Edited Motion Picture for Non-Commercial Television |
| 2001 | Conspiracy | Yes | Yes | No | Frank Pierson | Television film Nominated- Primetime Emmy Award for Outstanding Television Movie Nominated- Primetime Emmy Award for Outstanding Editing for a Limited Series or Movie |
| 2002 | 10,000 Black Men Named George | Yes | No | No | Robert Townsend | Television film Co-editor with Katina Zinner |

## Awards and nominations

| Year | Association | Category | Work | Result |
| 1967 | American Cinema Editors | Best Edited Feature Film | The Professionals | Nominated |
| 1972 | American Cinema Editors | Best Edited Feature Film | The Godfather | Nominated |
| 1973 | Academy of Motion Picture Arts and Sciences | Best Film Editing | The Godfather | Nominated |
| 1974 | British Academy of Film and Television Arts | Best Editing | The Godfather Part II | Nominated |
| 1978 | American Cinema Editors | Best Edited Feature Film | The Deer Hunter | Won |
| 1979 | British Academy of Film and Television Arts | Best Editing | The Deer Hunter | Won |
| 1979 | Academy of Motion Picture Arts and Sciences | Best Film Editing | The Deer Hunter | Won |
| 1983 | Academy of Motion Picture Arts and Sciences | Best Film Editing | An Officer and a Gentleman | Nominated |
| 1984 | Academy of Television Arts & Sciences | Outstanding Editing for a Limited Series or Movie | War and Remembrance | Won |
| 1989 | American Cinema Editors | Best Edited Television Mini-Series | War and Remembrance | Won |
| 1990 | Academy of Television Arts & Sciences | Outstanding Editing for a Limited Series or Movie | War and Remembrance | Won |
| 1992 | American Cinema Editors | Best Edited Television Special | Citizen Cohn | Won |
| 1993 | CableACE Awards | Best Editing in a Dramatic Special | Citizen Cohn | Nominated |
| 1993 | Academy of Television Arts & Sciences | Outstanding Editing for a Limited Series or Movie | Citizen Cohn | Won |
| 2000 | American Cinema Editors | Best Edited Motion Picture for Non-Commercial Television | Dirty Pictures | Won |
| 2002 | Academy of Television Arts & Sciences | Outstanding Television Movie | Conspiracy | Nominated |
| 2002 | Academy of Television Arts & Sciences | Outstanding Editing for a Limited Series or Movie | Conspiracy | Nominated |