# Pádraig Cusack

Pádraig Cusack (Irish:; born 16 March 1962) is an Irish theatre producer who has worked with the National Theatre of Great Britain, the Abbey Theatre Dublin, the NCPA Mumbai and numerous international festivals.

## Personal life

The youngest son of the Irish actor Cyril Cusack and actress Maureen Cusack, he is the brother of actresses Niamh Cusack, Sinéad Cusack and Sorcha Cusack, and half-brother of Catherine Cusack. He has one brother, Paul Cusack (a retired television producer). He is married and has two daughters, Megan, an actress, who in 2020 joined the leading cast in the Netflix/BBC popular series Call the Midwife in the recurring role of Nurse Nancy Corrigan, and Kitty, a psychology graduate. Two of his nephews are also actors, Max Irons and Calam Lynch. He lives in West Cork, Ireland.

## Education

Cusack was educated bi-lingually in Irish and English, initially at Scoil Lorcáin in Monkstown, County Dublin, and subsequently at Coláiste Eoin, Booterstown, County Dublin. Pádraig was a Taylor Exhibition music scholar at Trinity College, Dublin, before winning a scholarship to train at the Royal Northern College of Music to be a professional cellist. In 1995, he returned to education to take a post-graduate degree in Business at University College, Cork.

## Career

Having begun his career as a freelance musician, playing with the BBC Philharmonic Orchestra and English National Opera North, an accident ended his career as a musician, resulting in him pursuing a career in arts administration. Initially he focused on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.
In 1992 he made his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly where he produced a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he was appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009 he became the National Theatre's Associate Producer. During this period he produced numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he has worked as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London's West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he was appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.
As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwright Matt Wilkinson.
In 2023, Cusack was the recipient of the Olwen Wymark Award from the Writers' Guild of Great Britain for his championing of new writing which was presented at the 18th Annual Awards Ceremony in London.

## Selected dramatography - international touring

Productions :
| Year | Play | Director | Leading Actors | Notes |
| 1995 | The Servant of Two Masters by Carlo Goldoni adapted by Improbable Theatre | Phelim McDermott | Toby Jones | Leeds & Venice |
| 2002 | The PowerBook by Jeanette Winterson | Deborah Warner | Fiona Shaw, Saffron Burrows | London, Paris, Rome |
| 2005 | Primo by Primo Levi | Richard Wilson | Antony Sher | London, Cape Town, New York |
| 2005–2007 | Happy Days by Samuel Beckett | Deborah Warner | Fiona Shaw | London, Dublin, Paris, Amsterdam, Madrid, Epidaurus, Washington DC & New York |
| 2006–2008 | The History Boys by Alan Bennett | Nicholas Hytner | Richard Griffiths, Dominic Cooper, Frances de la Tour | London, UK Tour, Dublin, Hong Kong, Sydney, Wellington & New York |
| 2007 | Waves - a work devised by Katie Mitchell and the company from the text of Virginia Woolf's novel, The Waves | Katie Mitchell | Anastasia Hille, Kate Duchêne | London, UK Tour, Amsterdam, Luxembourg & New York |
| 2009 | Phèdre by Jean Racine in a translation by Ted Hughes | Nicholas Hytner | Helen Mirren, Ruth Negga | London, Epidaurus & Washington DC |
| 2009-10 | The Cat in the Hat by Dr. Seuss in an adaptation by Katie Mitchell | Katie Mitchell | Angus Wright | London & Paris |
| 2012–2013 | One Man, Two Guvnors by Carlo Goldoni adapted by Richard Bean | Nicholas Hytner | James Corden/Owain Arthur | London, UK Tour, Hong Kong, Adelaide, Sydney, Melbourne & Auckland |
| 2014–2015 | Not I, Footfalls & Rockaby by Samuel Beckett | Walter Asmus | Lisa Dwan | London, Galway, UK Tour, Hong Kong, Perth & New York |
| 2014–2016 | riverun adapted by Olwen Fouéré from Finnegans Wake by James Joyce | Olwen Fouéré | Olwen Fouéré | Galway, Dublin, London, Edinburgh, Adelaide, Sydney, Princeton, New York & Washington DC |
| 2015–2016 | A Girl Is a Half-formed Thing by Eimear McBride adapted by Annie Ryan | Annie Ryan | Aoife Duffin | Dublin, Edinburgh, London, UK Tour & New York |
| 2017 | Tiger Bay the Musical by Daf James and Michael Williams | Melly Still | John Owen-Jones & Noel Sullivan | Cardiff, Wales & Cape Town, South Africa |
| 2018 | Long Day's Journey into Night by Eugene O'Neill | Richard Eyre | Jeremy Irons & Lesley Manville | New York & Los Angeles |
| 2020 | The Mirror Crack'd by Agatha Christie, adapted for the stage by Rachel Wagstaff, reimagined by Ayeesha Menon | Melly Still | Sonali Kulkarni, Shernaz Patel & Denzil Smith | Mumbai, India |
| 2022 | Psychodrama by Matt Wilkinson | Matt Wilkinson | Emily Bruni | TravFest22, Edinburgh |
| 2024 | Nye by Tim Price | Rufus Norris | Michael Sheen, Sharon Small | London, Cardiff & NT Live |