OpenLLM-France/wikimedia huggingface dataset:
# Jubilee Hall, Rangoon

Jubilee Hall (Burmese: ဂျူဗလီဟော) was a colonial-era landmark in Rangoon, Burma of historical significance, and considered "one of the best appointed theatres in the Orient" during the early part of the 20th century.

## History

Jubilee Hall, located on Shwedagon Pagoda Road in Dagon Township, was completed in 1897 to mark the Diamond Jubilee of Queen Victoria, commemorating the 60th anniversary of her reign. The building had replaced a complex of assembly rooms used by the colonial administrative apparatus, first constructed in 1854.
Throughout the colonial era, the site was managed by the Rangoon municipality, and used as an event and meeting space for high society in colonial Rangoon, including the inaugural convocation ceremony of Rangoon University. The building's well-appointed theatre had a capacity of 800 seats, with additional ballrooms to host clubs and cabarets.
With the onset of World War II and Japanese occupation, the Ba Maw government renamed the building the "Great Burmese Royal Hall" (မဟာဗမာရုံတော်ကြီး). In 1947, the building hosted the Anti-Fascist People’s Freedom League convention, during which Aung San drafted the Burma's first constitution. The following year, in 1948, the remains of Aung San and other government officials were laid in state at the hall for 6 months following their assassination at the Secretariat on 19 July, which is now observed as a national holiday, Burmese Martyrs' Day.
After Burmese independence, Jubilee Hall came under the possession of the Ministry of Culture, and served as the site of the National Library of Burma and National Museum of Burma for a time, before becoming a cultural center and arts and music school.

## Destruction and aftermath

Jubilee Hall emerged from a 1975 earthquake in Bagan relatively unscathed. Despite this, the Burmese socialist-era government demolished the building in 1985, ostensibly because of its significance as a legacy of the British colonial era.
The Burmese armed forces subsequently opened the Defence Services Museum at the site on 24 March 1994. The museum was short-lived, demolished in 2017 in favor of a US$300 million (equivalent to $388.51 million in 2023) real estate development called Y Complex Project, to be developed on a 3.95 acres (1.60 ha) plot. The project has been the subject of significant controversy, over lack of civilian oversight and financial transparency on a US$300 million (equivalent to $2.57 million in 2023) lease agreement between the Burmese military and the Yangon Technical and Trading Company, a subsidiary of Zaw Win Shein's Ayeyar Hinthar, which is a proxy of the Burmese military. The funds from the lease agreement flow straight into the military's quartermaster general’s office, outside of civilian oversight. The project's international partner is a Japanese-led consortium, including Fujita Corporation, Tokyo Tatemono and the Japan Overseas Infrastructure Investment Corporation for Transport & Urban Development .
# Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi

Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi is an oil-on-panel painting by Lorenzo Lotto, executed in 1523, in the Collections of the Accademia Carrara, Bergamo, Italy.

## Description

The work was commissioned in 1523 by the Bergamese merchant Niccoló Bonghi, who is depicted on the left, behind the Virgin. The painting depicts the Mystical marriage of Saint Catherine, a vision of a chaste union with Jesus, in which the saint has forsaken terrestrial marriage in order to live a consecrated life. Jesus is depicted as an infant or child in the ceremony. The mystical marriage of St Catherine was echoed in the sacrament of consecration of nuns into a religious order.
The scene depicts the toddler Jesus placing a ring on the finger of a kneeling St Catherine. In her hair, Catherine wears an apparent crown with wheel-like spokes, recalling the instrument (wheel) used in her execution. Behind her an angel kneels. A palm frond of a martyr protrudes from her gown below. The work is signed on the Virgin Mary's foot stool. Behind the Virgin is an oriental rug. In the upper right corner of the painting there once was a window that opened onto a landscape; this was lost when the painting was vandalized in 1528–1529 by French troops.
Lotto would use the event in another painting, Mystical Marriage of St Catherine and Saints, now in the Galleria Nazionale d'Arte Antica (Palazzo Barberini) in Rome.
# Mathematics Tower, Manchester

The Mathematics Building in Manchester, England, was a university building which housed the Mathematics Department of the Victoria University of Manchester and briefly the newly amalgamated University of Manchester from 1968 to 2004. The building consisted of a three-storey podium and an 18-storey, 75 m (246 ft) tall tower. It was designed by local architect Scherrer and Hicks with a combination of 1960s-brutalism and international style modernism architecture. It was demolished in 2005 as the maths department moved to the Alan Turing Building on Upper Brook Street.

## Architecture

The building was constructed in 1968 and designed by local architect firm, Scherrer and Hicks. The tower had two contrasting façades in juxtaposition; the west-facing side had a concrete brutalist exterior while the east side was clad in windows, which jutted out at varied angles. Both façades represented the current architectural movements of the era; modernism with flush glass panes and brutalism, marked by the use of concrete.

## History

In 2004, the University of Manchester was formed with the merger of the Victoria University of Manchester and University of Manchester Institute of Science and Technology. The newly formed university began a programme of renovating its campus buildings and subsequently the Maths Tower was deemed 'unfit for purpose'.
News of the planned demolition saddened some who hoped the tower would be renovated and maintained for the future. Urban Realm magazine spoke in praise of the Maths Tower and describing it as an architecturally bright building in a dreary campus: "what you will mainly see are university buildings totally lacking imagination and style. Of almost all the university buildings of the last forty years, only the Maths Tower has grace and scale. A pity then, that it is unfit for purpose".
The School of Mathematics moved first into temporary buildings (named Lamb and Newmann) and retained use of the Maths and Social Sciences Building while they awaited a move into the Alan Turing Building on Upper Brook Street in 2007. The site of the former tower is now occupied by a £55 million rotunda building called University Place, which houses a number of lecture theatres. 17 New Wakefield Street, completed in 2012, shares some architectural features with the Maths Tower.
# Daiya

Daiya Foods Inc. is a Canada-based dairy-alternative food company located in Burnaby, British Columbia. The company was established in 2008 by Andre Kroecher and Greg Blake. Daiya's original products are cheese analogues made from coconut oil and tapioca flour that are known for their cheese-like consistency and melting properties. They contain no animal products or soy, lactose, wheat, barley, gluten, or nuts.
Daiya is sold in natural and conventional food stores in many countries including Canada, the US, the UK, Australia, Mexico, and Hong Kong. Its products are featured on restaurant menus and in packaged food products made by Amy's Kitchen and Turtle Island Foods. Daiya has won many awards for its products, including the 2009 Veggie Award for Product of the Year. In 2011, BC Business magazine named Daiya one of the 20 most innovative companies in British Columbia.
In July 2017, Otsuka Pharmaceutical agreed to acquire 100 percent of Daiya Foods for $405 million.

## History

Andre Kroecher first began developing Daiya in 2005. Greg Blake partnered with Kroecher in 2007 and the two spent the next year developing the mozzarella and cheddar style shreds based on Kroecher's early innovations. Food scientist Paul Wong was brought on in early 2008 to help with scaleup and refining the formulations. Daiya Foods, Inc's alternatives were first introduced at the Natural Products Expo West in Anaheim, California, in 2009 and were an instant success. In late 2009, Daiya Foods moved to a dedicated facility to ensure the highest level of food safety (Daiya Foods Inc. is an SQF certified facility) After Daiya's acquisition by Otsuka, some retailers discontinued carrying Daiya products due to Otsuka's practice of using animal testing.
In November 2019, Daiya Foods appointed Hajime Fujita as its new chief executive officer, a role in which he will oversee global operations and the brand's international expansion. Fujita joins Daiya from its parent company, Otsuka Pharmaceuticals. Additionally, Melanie Domer has been promoted to chief commercial officer, and John Kelly to chief marketing officer, marking significant leadership changes within the company.

## Awards

Daiya won first place in the BC Innovation Council (BCIC) 2009 Commercialization of Agricultural Technology Competition. Also in 2009, Daiya was the awarded the PETA Libby Award for best vegan cheese. Daiya Foods won the VegNews Veggie Award at the Natural Products ExpoWest Show in Anaheim, California, in March 2009, 2011 and 2012. In 2010, it won the best vegan cheese award from VegNews, and the 2010 Proggy Award for Company of the Year from PETA. 2012 awards in Canada include the British Columbia Food Processors award for Product of the Year and the Canadian Institute of Food Science and Technology Gordon Royal Maybee award, in recognition of outstanding applied development by a Canadian company or institution in the fields of food production, processing, transportation, storage or quality control.
# Forensic corporate collections

Forensic Corporate Collections refer to the type of debt collection and recovery tactics that apply computer forensics and scientific knowledge to the debt collection process.

## Process

By engaging consistently updated computer software in the debt collection process, forensic corporate collection agencies are able to identify, retrieve, and protect electronic evidence of fraud (and other illegal means of avoiding debt) found on computers and use it as evidence in case of litigation. In order for a forensic collections agency to be used as a means of recovering a debt, the agency must be compliant with and knowledgeable of investigation basics, federal, state and local policies, standards, laws and legal processes. They must also have a working knowledge of the types of crimes and incidents in debt deception and fraud, the computing environment and types of evidence, as well as investigative tools, technical training, and use of forensic recovery equipment.
In order to effectively recover and locate debtors and get them to pay what they owe their client(s), forensic collections agents have become adept and conversant in evidence collection and management, managing the incident scene, the investigation of computer systems, disks, and file structures, extracting and preserving computer and electronic evidence, e-mail and Internet investigations, cell phone and PDA investigations, and other digital footprints debtors invariably leave behind.
# KYANG site

The KYANG site, also known as the Kentucky Air National Guard site or 15JF267, is a prehistoric archaeological site located on the grounds of the Louisville Air National Guard Base in Louisville, Kentucky. The site was occupied from the Early Archaic period to the Late Woodland period. The site includes two zones, both of which contain extensive midden deposits. Burials were also conducted at the site, and human remains have been recovered from both zones. The site was discovered in 1972 during construction work at the base; formal excavations at the site began the following year.
Research by the University of Louisville concluded that KYANG was part of the "Old Clarksville Phase", a group of Middle Archaic sites straddling the Ohio River in the vicinity of the Falls of the Ohio, dated circa 6000-4400 BC, including a prehistoric component at the Old Clarksville site.$^{:58}$ It is also included in the later Lone Hill Phase, circa 4400–3200, a group of sites all located in Jefferson County.$^{:59}$ Extensive deposits of bone from the Middle Archaic period are present in KYANG's large midden, preserved by its highly alkaline soil,$^{:142}$ and their high degree of preservation facilitated a comprehensive study of local Middle Archaic bone-working toolmaking technology in 1992.$^{:143}$ Extensive burials at the site, together with the large midden, testify to its long period of use.$^{:153}$ A large mussel-shell layer atop the midden appears to indicate that the inhabitants used it as a processing spot for river mussels, while the site's bones appear to indicate that their diet was otherwise based on small mammals and deer. Conversely, no evidence of cold-weather occupation is present, suggesting that all occupations were seasonal.$^{:159}$
The site was added to the National Register of Historic Places on September 12, 1972. The boundaries of the National Register listing were decreased in 1990.
# Chasing Shadows

Chasing Shadows may refer to:

## Television and games

* Chasing Shadows (TV series), a British television series
* "Chasing Shadows", a chapter of the game GemCraft

## Literature

* Chasing Shadows, the name of several photography collections by Santu Mofokeng
* Chasing Shadows: Memoirs of a Sixties Survivor, a 1996 book by Fred A. Wilcox
* Chasing Shadows, a 2000 autobiography of Hugo Gryn (also made into a film)
* Chasing Shadows, a 2000 story collection by Lucrecia Guerrero
* Chasing Shadows: A Special Agent's Lifelong Hunt to Bring a Cold War Assassin to Justice, a 2011 book by Fred Burton with John R. Bruning
* Chasing Shadows, a 2013 novel by Swati Avasthi
* Sekret Machines: Book 1 – Chasing Shadows, a 2016 American novel by Tom DeLonge and A. J. Hartley
* Chasing Shadows: My Life Tracking the Great White Shark, a 2023 book by Greg Skomal

## Music
### Albums

* Chasing Shadows (The Comsat Angels album), 1986
* Chasing Shadows, a 1957 album by Jackie Davis
* Chasing Shadows, a 1997 album by Davy Steele
* Chasing Shadows, a 2000 album by John Etheridge
* Chasing Shadows, a 2007 album by the German band Empire featuring the frontman Doogie White and bass player Neil Murray
* Chasing Shadows, a 2012 album by The Strange Familiar
* Chasing Shadows (EP), a 2016 EP by Angels & Airwaves
* Chasing Shadows (Black Tide album)
* Chasing Shadows (Smokie album), 1992

### Songs

* "Chasing Shadows", a song by Anoushka Shankar from the 2011 album Traces of You
* "Chasing Shadows", a song by Chaos Divine album from the 2011 album The Human Connection
* "Chasing Shadows", a song by Deep Purple from the 1969 album Deep Purple
* "Chasing Shadows", a song by Frankmusic from the 2013 album Between
* "Chasing Shadows", a 2013 song by Jamie Drastik featuring Pitbull and Havana Brown
* "Chasing Shadows", a 1935 song by Jimmy Dorsey and Tommy Dorsey; covered by many artists
* "Chasing Shadows", a song by Kansas from the 1982 album Vinyl Confessions
* "Chasing Shadows", a song by Paul Field from the 1983 album Daybreak
* "Chasing Shadows", a song by Paul Rodgers from the 1997 album Now
* "Chasing Shadows", a song by Santigold from the 2016 album 99¢
* "Chasing Shadows", a song by Shakira from the 2014 album Shakira
* "Chasing Shadows", a song by Yanni from the 1997 album In the Mirror
# Charade (1963 song)

"Charade" is a Parisian waltz with music by Henry Mancini and lyrics by Johnny Mercer performed in the 1963 film of the same name starring Cary Grant and Audrey Hepburn. It was nominated that year for the Academy Award for Best Original Song.

## Inspiration

Stanley Donen had heard and been charmed by Henry Mancini's song "Baby Elephant Walk" from the film Hatari!, Henry Mancini had become a friend of Audrey Hepburn while scoring Breakfast at Tiffany's, and he composed the song for Charade: "Our next film together was Charade in 1963. Stanley Donen directed Peter Stone's screenplay. There is a scene in the movie where Audrey returns from a happy winter holiday to her Paris flat to find it stripped of everything of value. Bare floors and the walls are all that remain. Her loutish husband had absconded with all of her worldly goods. She enters the dimly-lit apartment with her suitcase and surveys the scene. Her feelings are of sadness, loneliness and vulnerability. To me, it translated into a sad little Parisian waltz. With that image of Audrey in my mind, I went to the piano and within less than an hour 'Charade' was written. I played it for Audrey and Stanley. Both felt it was just right for the movie. Johnny Mercer added his poetry, and the song was nominated for an Oscar that year".

## Recordings

Henry Mancini's version reached #15 on the adult contemporary chart and #36 on the Billboard Hot 100 in 1963. Andy Williams released a version that reached #100 on the Billboard Hot 100 in 1964. Sammy Kaye also released a version in 1964 that reached #10 on the adult contemporary chart and #36 on the Billboard Hot 100. Blossom Dearie's version is found on her album "May I Come In". It was used for the closing credits for the film Can You Ever Forgive Me?. Dame Shirley Bassey recorded the song for EMI which was released in 1968 on the LP entitled " 12 of those songs " Bassey, who is known for her joyous powerful voice, recorded a beautiful melodic version. This song is available via the usual digital platforms

## Reactions

As with "Moon River" and "The Days of Wine and Roses," the song is subjugated, at various places in the film, to the role of source music. Though the Mancini-Mercer team lost the Oscar that year, Johnny Mercer said it was his favourite Mancini melody. Donen was impressed with Mancini as a working partner: "just a lovely man to work with" and "elegant, meticulous, very organized".

## In popular culture

The song was prominently featured in the 1976 Columbo fifth-season episode "Now You See Him..." It is sung twice onscreen by a cabaret singer (portrayed by Patrick Culliton) and later plays in an instrumental version over the episode's closing credits.
The 1965 Bollywood film Gumnaam has a recurring song that appropriates the melody of “Charade,” taunting the characters as they are killed one by one.

## Composition

Charade is a waltz written in minor chord in the standard form AABA without introduction with the main part (or A part) repeated three times. In the second A part the song is arranged with a chromatic harmony that recalls James Bond's theme.
# Ripley railway station

Ripley railway station was a railway station which served the town of Ripley in Derbyshire, England. It was opened in 1856 by the Midland Railway on its Ripley branch from Little Eaton Junction, approximately 3 miles north of Derby. In 1890 it became the terminus of a line from Heanor Junction on the Erewash Valley Line near Langley Mill.
Approximately two and a half miles from Denby the line crossed the main Ripley Road at Marehay and reached the original station immediately to the south of Peasehill Road, around 1 km south of the town centre.
In 1889 a new line was built from Langley Mill through Heanor and Crosshill. A new station was built nearer to the town centre since it was planned to extend the line to meet the Ambergate to Pye Bridge Line at Butterley. The original station became known as the Old Yard and provided goods facilities.
The new station, to the south of Nottingham Road and in a deep cutting, was double tracked with two platforms provided with matching single storey buildings.
In the Grouping of all lines (into four main companies) in 1923 the station became part of the London, Midland and Scottish Railway . The station closed to passengers in 1930, though it continued with a very lively goods trade for the town's shops and businesses. There were also regular excursions, for instance to the FA Cup Final organised by the Miners Welfare, and the annual week at the holiday camp at Skegness, taken by over a thousand miners and their families. On 12 October 1961 the station featured on the ITV programme Lunchbox. Midland Railway Number 1000 brought 500 spectators from Derby.
The line north of Ripley to Butterley had closed on 23 January 1938. That going north from Marehay Junction closed in 1954 along with the Old Yard. The station finally closed to goods on 1 April 1963.
The station buildings were finally demolished around 1985 and part of the site was occupied by a builders merchant's warehouse.

## Stationmasters

* William Rich until 1861
* W. Bevers 1861 - 1863
* J. Ashton from 1863
* Joseph Hudson ca. 1869 - 1874
* G. Tamblin 1874 - 1879
* William Grundy 1879 - 1884
* E.R. Brown 1884 - 1893
* H. King 1893 - 1894
* William F. Foster 1894 - 1924
* Harry Finch 1924 - 1931 (afterwards station master at Wigston)
* Richard Pratt 1931 - ca. 1945 (formerly station master at Whitwell
* Mr. Knight ca. 1956
| Preceding station | Historical railways | Historical railways | Historical railways | Following station |
| Denby Line closed, station closed | | Midland Railway Ripley Branch | | Butterley Line closed, station open |
| Crosshill and Codnor Line closed, station closed | | Midland Railway Ripley to Erewash Valley Branch | | Butterley Line closed, station open |
# Searching for Louis Archambault

Searching for Louis Archambault (French: À la recherche de Louis Archambault) is a Canadian documentary film, directed by Werner Volkmer and released in 2000. The film is a portrait of Louis Archambault, the Quebec sculptor who was one of the pioneers of abstract sculpture in Canada.
The film premiered in March 2000 at the International Festival of Films on Art in Montreal, where it was the winner of the Telefilm Canada award for Best Canadian Film. It was subsequently screened at the 2000 Hot Docs Canadian International Documentary Festival, where it won the award for Best Arts Documentary.
The film won the Jutra Award for Best Documentary Film at the 3rd Jutra Awards in 2001.
# Construct (Python library)

Construct is a Python library for the construction and deconstruction of data structures in a declarative fashion. In this context, construction, or building, refers to the process of converting (serializing) a programmatic object into a binary representation.
Deconstruction, or parsing, refers to the opposite process of converting (deserializing) binary data into a programmatic object. Being declarative means that user code defines the data structure, instead of the convention of writing procedural code to accomplish the goal. Construct can work seamlessly with bit- and byte-level data granularity and various byte-ordering.

## Benefits

Using declarative code has many benefits. For example, the same code that can parse can also build (symmetrical), debugging and testing are much simpler (provable to some extent), creating new constructs is easy (wrapping components), and many more. If one is familiar with the C (programming language), one can think of constructs as casting from char * to struct foo * and vice versa, rather than writing code that unpacks the data.

## Example

The following example show how a TCP/IP protocol stack might be defined using Construct. Some code is omitted for brevity and simplicity. Also note that the following code is just Python code that creates objects.
First, the Ethernet header (layer 2):
Next, the IP header (layer 3):
And finally, the TCP header (layer 4):
Now define the hierarchy of the protocol stack. The following code "binds" each pair of adjacent protocols into a separate unit. Each such unit will "select" the proper next layer based on its contained protocol.
At this point, the code can parse captured TCP/IP frames into "packet" objects and build these packet objects back into binary representation.

## Ports and spin-offs
### Perl

Data::ParseBinary is a CPAN module that originated as a port of Construct to the Perl programming language. (see its main POD document for its inspiration). Since the initial version, some parts of the original API have been deprecated.

### Java

A port to Java is available on GitHub. Examples in Java, the Ethernet header (layer 2):