OpenLLM-France/wikimedia huggingface dataset:
# Kevin Sinnott

Kevin Sinnott (born 1947, Wales) is a Welsh painter known for contemporary depictions of Welsh life.

## Biography

Sinnott was born in Sarn, South Wales to Irish parents. One of his best known paintings is "Running Away With the Hairdresser" (1995), which is housed in the collection of the National Museum of Wales in Cardiff.
Sinnott studied at Cardiff College of Art and Design from 1967 to 1968, then Gloucester College of Art & Design from 1968 to 1971 and finally; the Royal College of Art in London from 1971 to 1974. During the 1970s and 1980s he exhibited at London galleries including Anne Berthoud and Martin Tinney.
Sinnott has also exhibited internationally at Jan Turner Gallery, Los Angeles, Roger Ramsey Gallery, Chicago and Bernard Jacobson, New York. Following on from these exhibitions Sinnott's work was acquired by major collections including the Metropolitan Museum of Art, New York, the Arts Council of Great Britain, the Royal College of Art, London and the British Museum, as well as, private and corporate collections worldwide.
Sinnott returned to Wales in 1995, where he now lives and works.
# Loyalties (novel)

Loyalties is a novel by Raymond Williams, first published in 1985. ISBN 0-7012-0897-X

## Plot

A political drama that begins in 1936 and extends to the 1980s. How a small group, some from very privileged backgrounds and some working-class militants, react first to the rise of Fascism, then the war, then the changing of alignments during the Cold War. There is suspicion that some of them were doing a lot more than they admitted to their friends. Suspicions of personal and political betrayal.
# Metagaming (book)

Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames is a work that has substantially influenced game theory.

## Description and organization

Written by Stephanie Boluk and Patrick LeMieux in 2017 and published by University of Minnesota Press, the work is presented in both digital and paper formats. It looks at videogames and how they function. Game software is included inside the printed book. The digital version allows viewers to annotate and explore the work as well as play the games. As viewers can start conversations and take notes that can be shared with thousands of other readers, this can be considered an open-access work. The work is in fact both a book and a series of games that can be downloaded and played to demonstrate the theories presented.
The work examines how people interact with videogames as an experience between "playing videogames and their nonhuman operators". Kath Bassett describes this scope as stretching before, during, between, and after playing. The book's six chapters cover various aspects of metagaming. Each chapter contains its own original software that enhances the experience and a specialized topic, resulting in media being built into the work itself.

## Critical assessment

In his Rhizomes 2018 review, Trevor Rubin comments that Metagaming examines what games do and how they work within larger possible contexts. Christopher Goetz in a Critical Inquiry Review notes that the work is a "drastic explanation of what it means to engage with video games", providing extensive research, examples, and footnotes. The work explains that games have a range of play and that metagaming is the truest form of play, Melvin Hill reports in his Project Muse review.
The Critical Inquiry Review explains that Boluk and LeMieux show what it is to engage in a video game and refer to the metagame, the game about the game. In his review, Riccardo Fassone focuses on how this work explains the concept of authority within gaming contexts.

## Associated games

Boluk and LeMieux have developed several games together as demonstrations for Metagaming:
* Triforce (2018) is a short game to locate pieces of the Triforce ship. CJ Andriessen's review in Destructoid explains that this game applies areas from the Legend of Zelda to different 3D surfaces. Heather Alexandra, in Kotaku reviews notes further that this game "completely changes how space and depth work in The Legend of Zelda"
* Footnotes (2018), which Heather Alexandra considers to be a game based on wandering around to collect footnotes and excerpts from Metagaming. Boluk lectured on this game at Stanford Humanities Center January 14, 2019.
* What Should We Do With Our Games? is a metagaming manifesto created for Manifesto Jam (February 8 -13, 2018)
# Erik Malmberg

Erik Malmberg (15 March 1897 – 9 May 1964) was a Swedish wrestler. He competed at the 1924, 1928 and 1932 Summer Olympics in Greco-Roman events and won a bronze, a silver, and a gold medal, respectively. His younger brother Algost also took part in the 1928 Games, but as a freestyle wrestler. Malmberg was a businessman by trade.
# Michael Dunne (MP)

Michael Dunne (1800 – 20 September 1876) was an Irish Liberal, Whig and Independent Irish Party politician.
He was a farmer and lived in Ballymanus, Stradbally, Queen's County, a house and land the family rented from the Grattans. Michael's son William Dunne (1843-1915) was a racehorse trainer and bred two consecutive Irish Derby winners (Soulouque in 1879 and King of the Bees in 1880) and Cortolvin who went on to win the 1867 Grand National.
Michael was a Justice of the Peace.
Dunne became an Independent Irish Party MP for Queen's County at the 1852 general election and, standing as a Whig in 1857 and a Liberal in 1859, held the seat until 1865 when he did not seek re-election.
# Kulveer Ranger

Kulveer Singh Ranger, Baron Ranger of Northwood (born 21 February 1975) is an English strategy and communications executive. A board member of the trade association techUK, he has been a member of the House of Lords since 2023.

## Career

Ranger was the unsuccessful Conservative parliamentary candidate in Makerfield at the 2005 general election. He unsuccessfully stood in the ward of Syon at the 2006 Hounslow London Borough Council election.
After Boris Johnson's victory in the 2008 London mayoral election, Johnson selected Ranger to be his director for transport policy. Ranger had previously managed the implementation of the Oyster card with Transport for London in 2003. In 2011, he became Director for Environment and Digital London, with his work resulting in a record fall in bike thefts, in addition to a number of new electric car charging points in London to encourage a higher take up of electric vehicles.
Ranger was part of the Conservative A-List for the 2010 general election but did not stand. He was on the long list to be the Conservative party candidate for the 2021 London mayoral election.

### House of Lords

Ranger was nominated for a life peerage in Boris Johnson's resignation honours list. On 11 July 2023, he was created Baron Ranger of Northwood, of Pimlico in the City of Westminster, and was introduced to the House of Lords on 20 July.
In May 2024, the House of Lords Conduct Committee found that Ranger had drunkenly bullied and harassed two members of parliamentary staff in the House of Commons Strangers' Bar in January 2024. The committee recommended that Ranger be suspended for three weeks and denied access to the bars of the House of Lords for twelve months. Ranger resigned the Conservative whip in the Lords and sat as a non-affiliated peer. The committee's recommendations were approved by the House of Lords on 18 July. Following his suspension, the Conservative whip was restored to Ranger on 9 August.

## Family and early life

Ranger is a Sikh, born in Hammersmith in West London, the son of Indian parents. His grandfather Gurnam Singh Sahni set up the first British-Asian newspaper, The Punjab Times, in the mid-1960s.
Ranger gained an honours degree in architecture from University College London. He also has a business diploma from Kingston Business School.
# Daniel DiMauro

Daniel DiMauro is an American documentary filmmaker from Brooklyn, New York.
In 2020, DiMauro directed The Swamp, an HBO Documentary Films documentary about dysfunction in the United States Congress. The film follows three Republican Congressmen: Matt Gaetz of Florida, Thomas Massie of Kentucky, and Ken Buck of Colorado.
Earlier in the year, DiMauro directed and produced with Morgan Pehme an episode of the Netflix Original documentary series Dirty Money entitled Slumlord Millionaire, which chronicles Jared Kushner's business practices at the helm of Kushner Companies, his family's real estate company that he led prior to becoming a White House senior advisor in the administration of his father-in-law Donald Trump.
Previously, DiMauro directed, wrote, edited and produced Get Me Roger Stone, the critically acclaimed Netflix Original documentary which had its premiere at the 2017 Tribeca Film Festival. The film, about controversial Republican political consultant and longtime Donald Trump advisor Roger Stone, was described by The Guardian as a "grim if gripping profile of the man who made Trump," and was hailed by Variety as "lively, fun, sickening, and essential." Entertainment Weekly called the film a "staggering, shock-to-the-system political documentary about America’s most powerful dirty trickster." Get Me Roger Stone was released on Netflix on May 12, 2017.
DiMauro has additionally worked as a producer and editor on multiple award-winning documentaries such as Denial (2016), (T)ERROR (2015), The House I Live In (2012) and Reagan (2011).
As a writer, DiMauro has contributed to The New York Times, The Washington Post, and The Daily Beast.
# Indosuchus

Indosuchus (lit. 'Indian crocodile') is a genus of abelisaurid dinosaur from the Late Cretaceous Period (70 to 66 million years ago – the Maastrichtian), a theropod related to Abelisaurus. Like most theropods, Indosuchus was a bipedal carnivore. It was about 7 metres long, weighed about 1.2 tonnes, and had a crested skull, flattened on the top.

## Naming

Indosuchus was named by Friedrich von Huene in 1932 and was described by Huene and Charles Alfred Matley in 1933 from three partial skulls found by Matley in India near Jabalpur in Madhya Pradesh in strata of the Lameta Formation. The lectotype is GSI K27/685, consisting of the parietals and frontals of a single individual. Two paralectotypes were referred, both including material from the posterior skull, with the fossils referred based on the parietal morphology.
The generic name is derived from Indos, Ancient Greek for the Indus and Soukhos, Ancient Greek for the Egyptian crocodile god. The specific name raptorius means "raptorial" in Latin.

## Classification

Because only some skull elements have been found, Indosuchus placement has been somewhat erratic. Although it is now somewhat firmly placed within the Abelisauridae, it was originally assigned by von Huene to the Allosauridae. Alick Walker thought in 1964 it was a member of the Tyrannosauridae. The discovery of other abelisaurids like Carnotaurus has helped clarify its position; in 1986 José Bonaparte concluded it was an abelisaurid.
Indosuchus is defined based on how the frontonasal suture is placed anteriorly compared to lacrimal, according to Novas et al., 2004.
# Christiane Cegavske

Christiane Cegavske is an American artist and stop motion animator.
She is primarily known for her animated film Blood Tea and Red String and for having done the animated segments to the film The Heart Is Deceitful Above All Things. She has also made a short film Blood and Sunflowers and has done animation for the TV series X-Chromosome. Her second animated feature, Seed in the Sand, is currently in production as of 2023.
# Dilka Bear

Dilyara Nassyrova, better known as Dilka Bear (born 1977 in Almaty, Kazakhstan), is a Kazakh artist, illustrator and painter.

## Biography

Dilka Bear studied Architecture at the Almaty University of Arts, in Kazakhstan. After working as an illustrator and a graphic designer for companies such as Cosmopolitan Kazakhstan, Grey Central Asia, Saatchi & Saatchi Kazakhstan, she devoted herself to painting. In 2005 she moved to Trieste, where she currently lives.
Her work has been shown in galleries in Rome, Amsterdam, Los Angeles, and Melbourne.

## Influences and style

Influenced by the great masters of the past, such as Bruegel and Bosch, the Italian Renaissance, but also by contemporary artists such as Marion Peck and Ray Caesar, and by Grimms' Fairy Tales, Dilka Bear mainly paints with acrylics on table and “creates beautiful […] illustrations of young girls and their frank expressions that mirrors the worlds around them”.
Her “dreamy” works – to use her own words – is often categorized as belonging to the Pop surrealism visual art movement.

## Exhibitions
### Group exhibitions

* 1997 “Butterflies”, Tribuna Art Gallery, Almaty, Kazakhstan
* 1998 “Break 21”, International Festival of Young Artists, Ljubljana, Slovenia
* 1999 “Break 21”, International Festival of Young Artists, Ljubljana, Slovenia
* 1999 “The Line of Beauty”, Art Manege ’99 - Moscow, Russia
* 2000 “Africa”, Soros Centre of Contemporary Art, Almaty, Kazakhstan
* 2001 The Cover of Daily Routine - Stuttgarter Kunstverein, Stuttgart, Germany
* 2009 “Kokeshi: from Folk to Art Toy”, Japanese American National Museum, Los Angeles, United States
* 2011 “Italian Pop Surrealism”, Mondo Bizzarro, Rome
* 2012 “Run Away Circus”, Auguste Clown Gallery, Melbourne, Australia
* 2012 “Vanishing Point”, Auguste Clown Gallery, Melbourne, Australia
* 2013 “Draw”, Auguste Clown Gallery, Melbourne, Australia
* 2013 “Blue Hour”, Auguste Clown Gallery, Melbourne, Australia
* 2013 “Into the Wild”, Strychnin Gallery, Berlin, Germany
* 2013 “All Stars”, 10 Years Anniversary Exhibition, Strychnin Gallery, Berlin, Germany
* 2013 “Kingdom of Broken Dreams: Dilka Bear & Paolo Petrangeli”, Flower Pepper Gallery, Pasadena, USA

### Solo exhibitions

* 2012 “Wild Escape”, Mondo Bizzarro, Rome
* 2013 “Sleepwalker’s Dreams”, Auguste Clown Gallery, Melbourne, Australia
* 2014 “Forgotten Memories”, Auguste Clown Gallery, Melbourne, Australia
# Seleqseya

Seleqṣeya (Hebrew:הסלקציה) was the Israeli policy of selective immigration imposed on poor Moroccan Jews adopted in mid 1951. It was applied by Cadima, the Zionist apparatus overseen by agents from Mossad LeAliyah and the Jewish Agency that administered the migration of Moroccan Jews to Israel from 1949 to 1956.

## History

In the summer of 1951, the recently established State of Israel sought to severely limit the immigration of poor Moroccan Jews by adopting Seleqṣeya, a policy of selective immigration. With this policy, the Jewish Agency discriminated against poor Moroccan Jews unable to pay for their own immigration, families without a breadwinner in the age range of 18-45, and families with a member in need of medical care. The American historian Norman Stillman described the Seleqṣeya as a "draconian and frequently cruel policy." This policy was also imposed to a lesser extent upon Tunisian Jews.
The policy caused bitterness among Moroccan and Maghrebi Jews. It was debated among members of Israeli administration, and it was rescinded in 1953 as Cadima sought to increase its activity in the twilight of French colonial rule in Morocco.

## Justifications

Stillman writes that when the Seleqṣeya was imposed, the recently established State of Israel was overwhelmed with immigrants and in a state of economic crisis. He adds that Jews living under French rule in the Maghreb were not perceived to be in the same kind of danger as Jews in Iraq, Yemen, and Libya. He also writes that, though it was not expressed, the policy may have been influenced by the prejudice of European Ashkenazim veterans in Israel against Sephardic/Mizrahi Jews in general, and Maghrebi Jews and Moroccan Jews in particular. Epithets such as Maroqo sakkin (מרוקו סכין 'Morocco of the knife) demonstrate the prejudiced view of Moroccans as primitive and violent.
# Gypospirifer condor

Gypospirifer condor is an extinct species of articulate brachiopod fossils belonging to the family Trigonotretidae. They were stationary epifaunal suspension feeders.
Fossils of this species have been found in the sediments of the Carboniferous and Permian ages (from 298.9 to 279.5 million years ago).
# Paraceratites

Paraceratites is an extinct genus of ammonite cephalopods in the family Ceratitidae.

## Species

* Paraceratites gabbi † Meek 1877
* Paraceratites binodosus † Hauer 1850
* Paraceratites brembanus † Mojsisovics 1882
* Paraceratites elegans † Mojsisovics 1882
* Paraceratites orientalis † Yabe and Shimizu 1927
* Paraceratites stecki † Silberling and Nichols 1982
* Paraceratites subnodosus † Mojsisovics 1882
* Paraceratites trinodosus † Mojsisovics 1882

## Distribution

Fossils of Paraceratites are found in the Triassic marine strata throughout the world, including Bulgaria, Cambodia, China, Germany, Israel, Italy, Japan, Laos, Malaysia, Montenegro, Papua New Guinea, Russia, Serbia, Turkey, United States and Vietnam.
# Turris worcesteri

Turris worcesteri is an extinct species of sea snail, a marine gastropod mollusk in the family Turridae, the turrids.

## Description

Dimensions: altitude of shell 10 mm; altitude of spire 1 mm; maximum diameter of shell 11 mm; angle of spire 41.
(Original description) The shell is small or slender and contains six or seven whorls. The middle portion of the whorls are marked by broad, sharply angulated, revolving folds. On the surface between these folds and the suture are two revolving ribs. The body whorl is ornamented with 14 revolving ribs with interspaces of equal width. The first two ribs just below the prominent revolving fold are moderately prominent, the others decreasing in size as they approach the anterior end. The aperture is elongate-elliptical, wider posteriorly. The siphonal canal is short, wide and twisted to the left. The inner lip is calloused.
This species differs from Turris thurstonensis (Weaver, 1916) in the fact that in all specimens of the species there are two constant revolving ribs between the suture and the angulated portion of the whorls. The intercalary threads are also absent between the revolving threads. The adult specimens of the species are smaller than in the case of Turris thurstonensis.

## Distribution

Fossils of this marine species were found in Eocene strata in Washington, USA. (Age range: 37.2 to 33.9 Ma).
# Holden Woodville Plant

The Holden Woodville Plant was a manufacturing facility owned by the Australian motor vehicle manufacturer Holden situated in Cheltenham, South Australia, a suburb of Adelaide.

## Etymology

Although the plant is named after the Australian town of Woodville, South Australia, the actual plant was located in the adjacent suburb of Cheltenham.

## History

In 1923, Holden's Motor Body Builders Ltd (HMBB) established a 23.5-acre (9.5 ha) site known as the Holden Woodville Plant, expanding to 40 acres (16 ha) and employing 5,500 people three years later, which had an impact on all of the surrounding suburbs.
The Woodville plant got its first orders from General Motors. When Holden became the exclusive supplier of car bodies for General Motors, all of them were manufactured at the Woodville plant, from around 1949. The very first Holden car was completed and delivered from the Woodville plant in 1948.
The plant grew and developed largely under the guidance and vision of the Australian motor engineer Sir Laurence Hartnett, who was instrumental in the success of the Australian automobile industry. It was largely due to Hartnett that Holden went from a minor Australian marque to a significant competitor in the global car market.
Between 1959 and 1965, all non-obsolete equipment was moved to Holden's new Elizabeth plant. However Woodville continued to produce replacement parts for discontinued models. The Holden TriMatic transmission was produced at the plant until 1987, although the site was sold off in 1984. Through the 1980s, Holden progressively moved its operations to its Elizabeth plant, leading to the closure of Holden Woodville Plant.
The plant was finally demolished in 1991.

## Achievements

During the 1950s, the Woodville plant assembled approximately 10 per cent of all Holden vehicles assembled in Australia.
Although the Woodville plant was closed along with several other plants such as the Elizabeth manufacturing plant, the plant has lived on in the folklore of Australian industry veterans and in their collective memory.
# Empress Theatre (Brixton)

The Empress Theatre (variously later known as: The Empress Theatre of Varieties; Empress Music Hall; and, from 1957, Granada Cinema) was an entertainment venue located on the corner of Bernay's Grove and Brighton Terrace in Brixton, south London from 1898 to 1992 when the building was demolished and the site redeveloped for housing.
The Empress Theatre was built for Messrs W. H. Burney and W. J. Grimes and was designed by Wylson & Long and built by the contractor T. L. Green. The Empress could seat 1,260 on three levels, stalls and pit, Dress Circle and Gallery, and had a large stage 60 foot wide by 40 deep with a proscenium opening 30 foot wide. The electric lighting and heating was installed by Messrs Strode and Co.. The box-office hall was decorated with marble mosaic by Messrs Diespeker and Co., and was fitted with Japanese leather decorations. The auditorium, decorated in the French Renaissance style, was fitted with 'chaste embellishments' of nine panels 'each ornamented by a heraldic dive of griffins.. clawing a shield in delicate pink' measured 75 foot by 64 foot in the clear over which was a "lofty saucer-shaped dome". Over the proscenium, on each top corner, were positioned reclining female figures of Euterpe and Terpsichore, while over the two boxes, placed on each side of the proscenium on the dress circle level, were paintings, again in the French Renaissance style. The Empress opened on Boxing Day 1898 with a variety show. The Music and Theatre Review of 30 December 1898 recorded that on the theatre's opening night hundreds of patrons were turned away. On the 'bill' that night were Brixton's Kate Carney as well as a display of the Thomas Edison moving pictures. The singer and comedian Arthur Lloyd appeared here in 1900, 1901 and 1902. Other performers to appear at the Empress at this time included Joe Elvin, Vera Lynn, Tommy Fields, Wilson, Keppel and Betty, Marie Lloyd and Harry Lauder.
During the 1950s and 1960s various well-known performers appeared at the Empress, including Tony Hancock, Dorothy Squires, Alma Cogan, Joe Brown, Shirley Abicair, Hughie Green, Charlie Chester, Max Miller, Stan Laurel and Oliver Hardy and Bruce Forsyth.
The Empress Theatre was variously known as the Empress Theatre of Varieties and the Empress Music Hall. In 1930 it was taken over by Variety Theatre Consolidated as a variety theatre and the auditorium was remodelled in the Art Deco Style to seat 2,000. It was the Granada Cinema from 1957 until the 1970s when it was repurposed as a bingo hall. The Empress eventually became a furniture warehouse before being demolished in 1992. A small housing development now stands on the site.