OpenLLM-France/wikimedia huggingface dataset:
# UPIC

UPIC (Unité Polyagogique Informatique CEMAMu) is a computerised musical composition tool, devised by the composer Iannis Xenakis. It was developed at the Centre d'Etudes de Mathématique et Automatique Musicales (CEMAMu) in Paris, and was completed in 1977. Xenakis used it on his subsequent piece Mycènes Alpha (1978) and two other works. It has also been used by composers such as Julio Estrada, (Eua´on (1980)), Jean-Claude Risset (on Saxatile (1992)), Jorge Antunes (Interlude de l'opéra Olga (1992)), François-Bernard Mâche (Hypérion (1981), Nocturne (1981), Tithon (1989), Moires (1994), Canopée (2003)), Takehito Shimazu (Illusions in Desolate Fields (1994)), Gérard Pape (Le Fleuve du Désir III (1994)), and Curtis Roads (Purity (1994) and Sonal Atoms (1998)). Aphex Twin implies that he uses UPIC in an interview where he is asked what software he uses and he replies that, "UPIC by Xenakis puts almost everything else to shame [and] it's under 1mb".
Physically, the UPIC is a digitising tablet linked to a computer, which has a vector display. Its functionality is similar to that of the later Fairlight CMI, in that the user draws waveforms and volume envelopes on the tablet, which are rendered by the computer. Once the waveforms have been stored, the user can compose with them by drawing compositions on the tablet, with the X-axis representing time, and the Y-axis representing pitch. The compositions can be stretched in duration from a few seconds to an hour. They can also be transposed, reversed, inverted, and subject to a number of algorithmic transformations. The system allows for real time performance by moving the stylus across the tablet.
The UPIC system has subsequently been expanded to allow for digitally sampled waveforms as source material, rather than purely synthesised tones. In 2005, Mode Records of New York released a 2-CD compilation of works composed with the UPIC at CCMIX, entitled Xenakis, UPIC, Continuum, which provides an overview of the machine's sonic possibilities.
There were a couple of attempts to reproduce the UPIC system using commodity hardware, for instance Iannix, HighC, UPISketch. IanniX, which has been sponsored by the French Ministry of Culture, is a graphical open-source sequencer which syncs via Open Sound Control events and curves to a real-time environment (like Pure Data, SuperCollider, Csound, MaxMSP and openFrameworks among others). For its part, HighC is currently used as a pedagogical tool in classes ranging from early teens to Master classes in composition, while some contemporary composers, such as George Hatzimichelakis have made it part of their toolset.
Another pedagogical tool, UPISketch, was inspired by the UPIC. The first version, released in 2018, runs on OSX and iOS. It was made possible thanks to a partnership between the Centre Iannis Xenakis and the European University of Cyprus, with funding from the Interfaces Project.
# Uroconger

Uroconger is a genus of eels in the family Congridae. It currently contains the following species:
* Uroconger erythraeus Castle, 1982
* Uroconger lepturus (J. Richardson, 1845) (Slender conger)
* Uroconger syringinus Ginsburg, 1954 (Threadtail conger)
# Hankou University

Hankou University, located in Jiangcheng—Wuhan City, Hubei Province, is a full-time private general higher education institution approved by the Ministry of Education of China. It offers programs across six major disciplines: Economics, Law, Arts, Literature, Engineering, and Management. The university has been selected as a leading institution under the "Hubei Province 2011 Plan.
# Poa palustris

Poa palustris (fowl bluegrass, fowl meadowgrass, swamp meadowgrass, woodland bluegrass) is a species of grass native to Asia, Europe and Northern America. This plant is used as fodder and forage, and it also used for erosion control or revegetation.
# Slender conger

The slender conger (Uroconger lepturus, also known as the longtail conger or the yellow pike-conger) is an eel in the family Congridae (conger/garden eels). It was described by John Richardson in 1845, originally under the genus Congrus. It is a marine, tropical eel which is known from the Indo-Western Pacific Ocean, including the Red Sea, South Africa, and Japan. It dwells at a depth range of 18 to 760 metres (59 to 2,493 ft), and inhabits sand and mud. Males can reach a maximum total length of 52 centimetres (20 in), but more commonly reach a TL of 30 centimetres (12 in).
The slender conger's diet consists of small benthic crustaceans. It is of commercial interest to fisheries.
# Threadtail conger

The threadtail conger (Uroconger syringinus, also known as the slender-tail conger) is an eel in the family Congridae (conger/garden eels). It was described by Isaac Ginsburg in 1954. It is a marine, subtropical eel which is known from the eastern and western Atlantic Ocean, including the Gulf of Guinea, the Gulf of Mexico and Suriname. It is known to dwell at a depth range of 44 to 384 meters (144 to 1,260 ft). Males can reach a maximum total length of 38 centimeters (15 in).
# One Fast Move or I'm Gone

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
One Fast Move or I'm Gone: Kerouac's Big Sur is an album by Ben Gibbard (Death Cab for Cutie) and Jay Farrar (Son Volt), released in 2009. The lyrics are based on the prose of Jack Kerouac's novel Big Sur (1962). One Fast Move or I'm Gone was a result of Gibbard's and Farrar's mutual appreciation for Kerouac's work while recording several songs for a feature-length documentary of the same name. Jim Sampas, who was a producer of the film, was executive producer of the album.

## Track listing

* "California Zephyr"
* "Low Life Kingdom"
* "Willamine"
* "All in One"
* "Breathe Our Iodine"
* "These Roads Don't Move"
* "Big Sur"
* "One Fast Move or I'm Gone"
* "Final Horrors"
* "Sea Engines"
* "The Void"
* "San Francisco"
# Stone, Steel & Bright Lights

Stone, Steel & Bright Lights is a live album by Jay Farrar, backed by Canyon. It was recorded in September and October 2003, and released in 2004 on Farrar's label Transmit Sound, and distributed by Artemis Records. An accompanying DVD Live at Slim's was recorded at Slim's on January 23, 2004.
Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Pitchfork | (6.5/10) |

## Track listing

All tracks written by Jay Farrar, except where noted.

### Live at Slim's DVD
## Personnel

* Jay Farrar – guitars, harmonica, lead vocals
* Evan Berodt – bass
* Dave Bryson – drums, percussion
* Brandon Butler – guitars, lap steel guitar, maracas
* Derrick DeBorja – keyboards
* Joe Winkle – guitars
# Jay Farrar discography

The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist.

## Albums

| Year | Artist | Title | Label | Comments |
| 1990 | Uncle Tupelo | No Depression | Rockville | |
| 1991 | Uncle Tupelo | Still Feel Gone | Rockville | |
| 1992 | Uncle Tupelo | March 16-20, 1992 | Rockville | |
| 1993 | Uncle Tupelo | Anodyne | Sire | |
| 1995 | Son Volt | Trace | Warner Bros. | |
| 1997 | Son Volt | Straightaways | Warner Bros. | |
| 1998 | Son Volt | Wide Swing Tremolo | Warner Bros. | |
| 2001 | Jay Farrar | Sebastopol | Artemis | |
| 2002 | Jay Farrar | ThirdShiftGrottoSlack (EP) | Artemis | Outtakes from the Sebastopol sessions |
| 2002 | Uncle Tupelo$^,$ | 89/93: An Anthology | Sony | Retrospective compilation including two previously unreleased tracks |
| 2003 | Jay Farrar | The Slaughter Rule | Bloodshot Records | film soundtrack |
| 2003 | Jay Farrar | Terroir Blues | Act/Resist | |
| 2004 | Jay Farrar | Stone, Steel & Bright Lights | Transmit Sound | Live album, includes bonus DVD Live at Slim's |
| 2004 | Jay Farrar | Live in Seattle | Transmit Sound | Live album |
| 2005 | Son Volt | A Retrospective: 1995-2000 | Warner Bros./Rhino | Retrospective compilation including five previously unreleased tracks |
| 2005 | Son Volt | Okemah and the Melody of Riot | Transmit Sound/Legacy | |
| 2006 | Gob Iron | Death Songs for the Living | Transmit Sound/Legacy | |
| 2007 | Son Volt | The Search | Transmit Sound/Legacy | |
| 2009 | Son Volt | American Central Dust | Rounder/UMGD | |
| 2009 | Jay Farrar and Ben Gibbard | One Fast Move or I'm Gone | Atlantic/F-Stop | Collaborative album using the lyrics of Jack Kerouac |
| 2011 | Jay Farrar, Will Johnson, Anders Parker, and Yim Yames | New Multitudes | Rounder | Collaborative album using the lyrics of Woody Guthrie |
| 2013 | Son Volt | Honky Tonk | Rounder | |
| 2017 | Son Volt | Notes of Blue | Transmit Sound/Thirty Tigers | |
| 2019 | Son Volt | Union | Transmit Sound | |
| 2021 | Son Volt | Electro Melodier | Transmit Sound | |

### Notes

* ^ Note 1: Uncle Tupelo from 1987 to 1992 included Jay Farrar, Jeff Tweedy and Mike Heidorn
* ^ Note 2: Uncle Tupelo from 1993 to 1994 included Farrar, Tweedy, Ken Coomer, John Stirratt and Max Johnston
* ^ Note 3: Son Volt from 1994 to 1998 included Farrar, Heidorn, Jim Boquist and Dave Boquist
* ^ Note 4: Son Volt from 2005 includes Farrar, Dave Bryson, Andrew Duplantis, Chris Masterson, and Derry De Borja (from 2007)
* ^ Note 5: Gob Iron includes Farrar and Anders Parker
# Xenomystax

Xenomystax is a genus of eels in the family Congridae. It currently contains the following species:
* Xenomystax atrarius C. H. Gilbert, 1891 (Deepwater conger)
* Xenomystax austrinus D. G. Smith & Kanazawa, 1989
* Xenomystax bidentatus (Reid, 1940)
* Xenomystax congroides D. G. Smith & Kanazawa, 1989 (Bristletooth conger)
* Xenomystax trucidans Alcock, 1894
# Lawry

Lawry is a surname. Notable people with the surname include:
* William Morris "Bill" Lawry (born 1937), Australian cricketer
* Frank Lawry (1839–1921), New Zealand politician
* Jo Lawry, Australian singer
* John Lawry (born 1950), musician
* Michael Lawry, New Zealand musician
* Otis Lawry (1893–1965), American baseball player
* Samuel Lawry (1854–1933), New Zealand Methodist minister
* William Lawry (born 1940), English cricketer
# Margaret M. Mitchell

Margaret M. Mitchell (born 1956) is an American biblical scholar and professor of early Christianity. She is currently Shailer Mathews Distinguished Service Professor at the University of Chicago Divinity School. Mitchell received her doctorate at the same institution in 1989, under the supervision of Hans Dieter Betz and Robert McQueen Grant. She also served as dean of the Divinity School from 2010 to 2015.
Mitchell has made important contributions to research on the letters of the Apostle Paul, particularly on those to the Corinthians, on early Christian rhetoric, and on John Chrysostom. She has served on the editorial board of the Journal of Biblical Literature and New Testament Studies, and is currently the co-editor of a number of series, including the Novum Testamentum: Supplements series (Brill Publishers) and the Writings from the Greco-Roman World text and translation series (Society of Biblical Literature). Forthcoming projects include a commentary in the Hermeneia series on the Second Epistle to the Corinthians. She was awarded a Guggenheim fellowship in 2010.

## Selected works
### Thesis

* Mitchell, Margaret M. (1989). Paul and the rhetoric of reconciliation an exegetical investigation of the language and composition of 1 Corinthians (Ph.D.). Chicago, IL: University of Chicago. ISBN 9780521197953. OCLC 722335252.

### Book

* ——— (2000). The Heavenly Trumpet: John Chrysostom and the Art of Pauline Interpretation. Hermeneutische Untersuchungen zur Theologie. Vol. 40. Tübingen: Mohr Siebeck. ISBN 9780664225100. OCLC 49527186.
* ——— (1991). Paul and the Rhetoric of Reconciliation: An Exegetical Investigation of the Language and Composition of 1 Corinthians. Hermeneutische Untersuchungen zur Theologie. Vol. 28. Tübingen: Mohr Siebeck. ISBN 9783161457944. OCLC 797505309. OCLC 782103693. - revision of author's thesis.
* ———; Greer, Rowan A. (2007). The "Belly-Myther" of Endor: Interpretations of 1 Kingdoms 28 in The Early Church. Writings from the Greco-Roman World. Vol. 16. Atlanta: Scholars Press. ISBN 9781435626942. OCLC 191683218.
* ——— (2010). Paul, the Corinthians, and the Birth of Christian Hermeneutics. Cambridge, UK: Cambridge University Press. ISBN 9780521197953. OCLC 496958988.
* ——— (2017). Paul and the Emergence of Christian Textuality: early Christian literary culture in context: collected essays. Volume I. Wissenschaftliche Untersuchungen zum Neuen Testament. Vol. 393. Tübingen: Mohr Siebeck. ISBN 9783161546167. OCLC 1018406215.

### Edited by

* ———; Betz, Hans Dieter; Collins, Adela Yarbro, eds. (2001). Antiquity and Humanity: essays on ancient religion and philosophy : presented to Hans Dieter Betz on his 70th birthday. Tübingen: Mohr Siebeck. ISBN 9783161475856. OCLC 47852469.
* ———; Young, Frances M., eds. (2006–2009). The Cambridge History of Christianity (in 10 Volumes). Cambridge, UK: Cambridge University Press.
# Azeb Mesfin

Azeb Mesfin Haile (Amharic and Tigrinya: አዜብ መስፍን ኃይሌ; born 21 December 1966) is an Ethiopian politician who was the second First Lady of Ethiopia from 2001 to 2012. Azeb is the widow of Ethiopian Prime Minister Meles Zenawi. She is the founder and patron of National Initiative for Mental Health of Ethiopia. In early 2009, she was appointed CEO of the Endowment Fund for the Rehabilitation of Tigray by its head Abadi Zemu.

## Early life

Azeb was born in Welkait in the Tigray region, and was raised in Gadarif, Eastern Sudan. She is the daughter of an Amhara peasant farmer father Mesfin Haile and a Tigrayan mother Konjit Gola. Her maternal grandfather, Gola Goshu was as an Italian Askari during the Second Italo-Ethiopian War (1935–1936). Due his action in the country, Gola was killed by Ethiopian patriots. From an early age, Azeb was raised by her aunt Maniahlosh Gola who is the daughter of this "Fitawrari" a title given to Goshu by Italian invaders meaning Commander of the vanguard; a feudal era military title.
Azeb was married to Ethiopian Prime Minister Meles Zenawi until his death in 2012. Together they had three children: Semhal, Marda and Senay Meles.

## Career

She was elected in 2005 to the House of Peoples' Representatives (the lower House of the Ethiopian Parliament) representing her home woreda of Welkait and Humera, and serves as chair of its Social Affairs Standing Committee. Her role has at times been controversial, with some members of Ethiopian diaspora alleging that, during the period in which she was an executive at the parastatal Mega Corporation, she was involved in "the impropriety of mingling public, private and party-owned businesses."
However Azeb is also known for her work to teach rural Ethiopians about the issues of HIV/AIDS Her appearance at a special ceremony to honor the First Ladies of Africa for their efforts against the spread of HIV/AIDS held by Georgetown University of Washington DC on 15 January 2007 was met by protests of exiled Ethiopians." The University was awarding its "John Thompson Legacy of a Dream Award" to the Organization of African First Ladies against HIV/AIDS for its leadership and service toward the ideals of Dr. Martin Luther King, Jr. Mesfin was to accept the award on behalf of the organization along with the first ladies of Zambia and Rwanda.
She started the organization "Ethiopian Coalition of Women against HIV/AIDS" and continues to work closely with community leaders to ensure the rights of women, fight harmful traditional practices and HIV/AIDS. She said the award she received is not just for her organization but for the entire Ethiopian women declaring "the award is the result of the relentless struggle waged by Ethiopian women.
# Macugonalia moesta

Macugonalia moesta is a species of leafhopper from the genus Macugonalia. The species was originally described by Johan Christian Fabricius in 1803.

## Description

Macugonalia moesta is a small blue insect that is 6,7 millimeters long. It has two spots on its back that look like a blue band in the middle and black on the sides. The head and the middle part of the body, the thorax, are black. On the thorax, there is a blue band that stops near the insect's compound eyes. On the head, there is a white band between the eyes that covers two small eyes called ocelli.

## Hosts

Macugonalia moesta has been found on Wedelia trilobata, Ayapana pallustrus, Heliotropium indicum, Ocimum basilicum, Hyptis mutabilis and Aristolochia iquitensis.

## Distribution

Macugonalia moesta has been documented in Brazil, French Guiana, Guyana, Peru, and Suriname. Recent observations obtained through crowdsourcing seem to confirm this.

## Ecology

Together with Macugonalia umbrosa, M. moesta has been observed as possible vectors for Xylella fastidiosa in citrus orchards in Brazil. X. fastidiosa is a xylem-inhabiting, vector-transmitted, Gram-negative, very slow-growing bacterium, which in the Amazon causes citrus variegated chlorosis (CVC) or citrus X disease.
# Aibonito barrio-pueblo

Aibonito barrio-pueblo is a barrio and the administrative center (seat) of Aibonito, a municipality of Puerto Rico. Its population in 2010 was 3,539.
As was customary in Spain, in Puerto Rico, the municipality has a barrio called pueblo which contains a central plaza, the municipal buildings (city hall), and a Catholic church. Fiestas patronales (patron saint festivals) are held in the central plaza every year.

## The central plaza and its church

The central plaza, or square, is a place for official and unofficial recreational events and a place where people can gather and socialize from dusk to dawn. The Laws of the Indies, Spanish law, which regulated life in Puerto Rico in the early 19th century, stated the plaza's purpose was for "the parties" (celebrations, festivities) (Spanish: a propósito para las fiestas), and that the square should be proportionally large enough for the number of neighbors (Spanish: grandeza proporcionada al número de vecinos). These Spanish regulations also stated that the streets nearby should be comfortable portals for passersby, protecting them from the elements: sun and rain.
Located across from the central plaza in Aibonito barrio-pueblo is the Parroquia San José. The first church found at this place was made of wood and built between the years 1825 and 1831. Construction on the current church began in 1887 and was based on an architectural design by Pedro Cobreros. Work stopped in 1888 and resumed in 1893. The church was finally inaugurated in 1897 and renovations have been made over the years.

## Sectors

Barrios (which are, in contemporary times, roughly comparable to minor civil divisions) in turn are further subdivided into smaller local populated place areas/units called sectores (sectors in English). The types of sectores may vary, from normally sector to urbanización to reparto to barriada to residencial, among others.
The following sectors are in Aibonito barrio-pueblo:
Barrio Pueblo Norte, Barrio Pueblo Sur, and Urbanización Buena Vista.

## Urban development

In 2014, William Alicea Pérez, then mayor of Aibonito celebrated the improvements that had been made to Aibonito, specifically to its urban center. Several infrastructure projects were completed in 2014. An assisted living center was inaugurated, and a stadium. The mayor announced plans for a future gym, gave updates on progress of another stadium and other projects that were under way for the benefit of Aibonito. Pérez indicated that its urban center had been transformed and would continue to be improved upon. The construction of a gym for boxing and martial arts was underway with the help of Miguel Cotto, a Puerto Rican boxing champion.

## Gallery

Places in Aibonito barrio-pueblo:
* Plaza de recreo in Aibonito
* San Jose Parish Church
# He Was King

He Was King is an album recorded by Felix da Housecat, released worldwide just two days before his 38th birthday on August 25, 2009 via Nettwerk Records. The album was described by Felix as follows, "Whereas Kittenz and Thee Glitz was straight up electro, He Was King is straight Felix da Housecat pop with a nice electronic feel."
The first single released from the album was "Kickdrum", released as a digital download in May 2009. The second single, "We All Wanna Be Prince" featured a remix contest prior to its release in July.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
| The A.V. Club | (unfavorable) |
| Pitchfork Media | (4.5/10) |
| Slant Magazine | |
| Spin | |
Initial critical response to He Was King was average. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 63, based on nine reviews.

## Track listing

All songs written by Felix da Housecat (Felix Stallings).
* "We All Wanna Be Prince" — (3:33)
* "Plastik Fantastik" — (3:29)
* "Kickdrum" — (3:49)
* "Do We Move Your World" — (4:35)
* "We" — (4:20)
* "Spank U Very Much" — (2:32)
* "Do Not Try This at Home" — (4:08)
* "Turn Me on a Summer Smile" — (3:39)
* "Elvi$" — (6:06)
* "LA Ravers" — (3:47)
* "Machine" — (3:31)
* "He Was King" — (3:23)
# Joséphin Soulary

Joséphin (Joseph Marie) Soulary (23 February 1815 - 28 March 1891), French poet, son of a Lyon merchant of Genoese origin (Solari).
He was born in Lyon and entered a line regiment when he was sixteen, serving for five years, during which he published his first poems. Some small lyrical works of a patriotic nature were published under the pseudonym "S. Grenadier" in the journal L'Indicateur de Bordeaux. He was Chef de Bureau in the prefecture of the Rhône from 1845 to 1867, and in 1868 he became librarian to the Palais des Arts in his native town. He became a member of the Parnassiens, with Alphonse Lemerre including some of Soulary's poems in the 1871 and 1876 volumes of the collection Le Parnasse contemporain. Soulary died at Lyon.

## Works

Lyrical
* À travers champs (1838)
* Les Cinq cordes du luth (1838)
* Le Chemin de fer (1839)
* Les Ephémères (two series, 1846 and 1857)
* Sonnets humoristiques (1862)
* Les Figulines (1862)
* Les Diables bleus (1870)
* Pendant l'invasion (1871)
* La Chasse aux mouches d'or (1876)
* Les Rimes ironiques (1877)
* Jeux divins (1882)
Plays
* Un Grand homme qu'on attend (1879)
* Promenade autour d'un tiroir (1886)
His Œuvres poetiques were collected in three volumes (1872–1883). His Sonnets humoristiques attracted great attention, and charmed their readers by the mixture of gaiety and tragedy. His mastery over the technical difficulties of his art, especially in the sonnet, won him the title of the "Benvenuto of rhyme."