OpenLLM-France/wikimedia huggingface dataset:
# Jan Tengnagel

Jan Tengnagel (baptised 9 September 1584– buried 23 March 1635) was a Dutch draughtsman and painter.
Jan Tengnagel is one of the lesser known history painters of the early seventeenth-century group in Amsterdam centered around Pieter Lastman, who were of great importance to Dutch painting. The fact that he is not well known is probably due to his very limited oeuvre. Tengnagel born and died in Amsterdam, but traveled and lived in Rome, Italy, between 1608 and 1611. He painted mainly biblical and other religious works.
Born in Amsterdam in 1584, Tengnagel probably trained under Frans Badens. In the summer of 1608 he was in Rome and in 1611 he married a sister of the painters Jan and Jacob Pynas. In 1612 he became a sergeant in the archers' civic guild and from 1616 to 1618 he was dean of the Guild of St. Luke in Amsterdam. That he was well-known is evident from mentions of him as an eminent painter in two publication of that time; and B.Gerbier, "Een ende Claght-Dicht Ter Eeren van de lofweerdigen Hernritus Goltzius, Den Haag 1620.
Nevertheless he opted for a career in public service, becoming a provost in 1619 and being appointed deputy-sheriff in 1625. The last dated works by him are of 1624, after which he seems to have ceased painting. He died a well-to-do man in Amsterdam 1635.
He had one pupil named Laurens Heinrich Hellewich.

## Personal life

In 1611, he married Maijnsje Simonsdr Pynas. They had a son named Mattheus Gansneb Tengnagel who became a poet.
# Tommaso Conca

Tommaso Maria Conca (1734–1822), was an Italian painter and draftsman, active mostly in Rome.

## Biography

Tommaso Conca was born in Gaeta, one of the youngest of some eleven siblings, to Giovanni Conca and Anna Laura Scarsella di Castro. His father was a painter and cousin to the more famous painter Sebastiano Conca; the two were Tommaso's first teachers in Baroque painting. In 1770, Tommaso was made member of Accademia di San Luca, Rome's guild of painters.
From 1775 to 1782 he worked for Marcantonio Borghese, painting the ceilings of two rooms in the renovated Galleria Borghese, in collaboration with Giovanni Battista Marchetti. In Sala del Sileno, above a Roman statue of Silenus he set scenes from that character, along with Bacchus and his followers. In the Sala Egizia, dedicated to Egyptian sculpture, he represented the Nile, Cybele and astronomical bodies, adorning the space between them with mock Egyptian idols; on the walls he added eight scenes of Egyptian religion and the lives of Marcus Antonius and Cleopatra.
Between 1782 and 1787 Conca painted Apollo and the Muses, a fresco decorating Sala delle Muse, a room in the papal Museo Pio-Clementino. At the end of his life, he completed another fresco in the Vatican's Museo Chiaramonti, which celebrates the restitution of paintings that had been taken to Musée Napoléon.
Following Anton Raphael Mengs he shifted to a Neoclassical style. One of his pupils was Camillo Guerra.
# Crescenzio Onofri

Crescenzio Onofri or Crescenzio d'Onofri (Rome, 23 May 1634 – Florence, 1712/1714) was an Italian landscape painter, draughtsman and engraver who worked in Rome and Florence. A presumed pupil of Gaspard Dughet he collaborated with many specialist figure painters of his time.

## Life

Information about Onofri's early life is scarce. Crescenzio Onofri was born in Rome but the date of his birth is not entirely clear and dates vary from 1630 to 1650.
Onofri is believed to have been one of the few pupils of Gaspard Dughet. Dughet was a painter of French descent who spent his whole life in Italy, where he became a pupil of Nicolas Poussin and a prominent landscape painter of the Roman Campagna.
Onofri worked in Rome for at least 20 years. He was involved in many decorative projects in the residences of prominent Roman families such as Pamphili, Rospigliosi, Pallavicini and Colonna families. In 1675 he was listed as a member of the Accademia di San Luca, one of the most prestigious organisations of artists in Rome.
Onofri moved to Florence but art historians are not unanimous about the date of this move. Some place his transfer to Florence as early as 1689 and others in 1696.
He worked until his death in circa 1712 in the service of the Grand Duke. In this period he is known to have collaborated with various artists who painted the figures in his landscapes, including Livio Mehus, Francesco Petrucci and Alessandro Magnasco.

## Work

Onofri was exclusively a landscape painter. He was one of the landscape artists whose style comes the closest to Dughet's Roman work. Typical of Onofrio's work are his carefully balanced compositions, which go back on the model of the classical landscape established in the early 17th century by Annibale Carracci and his pupils and in which the narrative element is reduced.
The so-called 'ideal' landscape of the first half of the 17th century had in fact created compositional formulas that served as a model for numerous Italian and foreign artists. This style of classical landscape had an extraordinary development in the 17th and 18th centuries as is illustrated by the works of Dughet and Jan Frans van Bloemen. The success and spread of this genre of painting was linked to the preferences of the market and the taste of private clients. Important masters practicing the genre included Pietro da Cortona, Nicolas Poussin, Claude Lorrain and Gaspard Dughet, the master of Onofri.
The numerous drawings by his hand demonstrate that Onofri was familiar with the works of the Bolognese artist Giovanni Francesco Grimaldi particularly in his meticulous technique of representing the foliage of trees. In his later years the artist evolved towards a looser and more painterly style.
# Ina Williams

Ina Williams may refer to:
* Ina Maud Sheldon-Williams (1876–1956), British artist
* Ina Phillips Williams (1876–1934), American politician
* Queenie Williams (1896–1962), Australian child actress
# PRM TSI

The Technical Specifications of Interoperability relating to "persons with reduced mobility" (PRM TSI) is a set of supranational technical standards designed to ensure accessibility for individuals with disabilities and reduced mobility within the rail systems of Europe (including United Kingdom). A part of the Technical Specifications for Interoperability (TSI) framework, it was established by the European Union initially as a decision in 2007, and subsequently as a regulation, in 2014.
The PRM TSI aims to enhance accessibility by addressing various aspects of rail infrastructure and rolling stock, including platform heights, platform gaps, accessibility of passenger train toilets and other facilities, and provision of assistance and information for passengers. In the United Kingdom, it superseded the Rail Vehicle Accessibility Regulations (RVAR) for main line passenger rail but not for light rail such as trams.
To ensure effective implementation, the European Railway Agency (ERA) has published a guide outlining the PRM TSI requirements and recommendations for compliance. After Brexit, United Kingdom's Rail Safety and Standards Board (RSSB) established the National Technical Specification Notice Mirror Group (PRM TSI/NTSN MG) to continuously review the standards and advise the Department for Transport on their implementation. The PRM TSI is subject to periodic updates, with the most recent revision in 2023. As the standards are being heightened, railways operators are obligated to periodically make significant expenditures to ensure compliance.
# National Electoral Commission (Somaliland)

The National Electoral Commission (NEC) (Somali: Komishanka Doorashooyinka Qaranka Somaliland; Arabic: لجنة الانتخابات الوطنية في صوماليلاند) is the national election commission of Somaliland.
The commission organizes Somaliland's presidential elections, parliamentary elections, local council elections and referendums. The current chairman of the commission is Musa Hassan Yousuf.

## Members

The commission consists of seven members. Three are nominated by the President of Somaliland, two are nominated by the House of Elders, and the remaining two are nominated by the opposition parties.
The nominees are then approved by the House of Representatives. The term of office of the commission is five years.
# Claude Gay

Claude Gay, often named Claudio Gay in Spanish texts, (18 March 1800 – 29 November 1873), was a French botanist, naturalist and illustrator. This explorer carried out some of the first investigations about Chilean flora, fauna, geology and geography. The Cordillera Claudio Gay in the Atacama Region of Chile is named after him. He founded the Chilean National Museum of Natural History, its first director was another Frenchman Jean-François Dauxion-Lavaysse. The standard author abbreviation Gay is used to indicate this person as the author when citing a botanical name.

## Research and travels

Gay first went to Paris to study medicine, but he quickly abandoned this idea to become a researcher in natural history. In 1828, he went to Chile to teach physics and natural history at a college in Santiago. In 1829, he accepted a position as a researcher for the Chilean government to carry out a scientific survey of the country.
He returned to France in 1832, and gave his collections to the Muséum national d'histoire naturelle in Paris. His botanical specimens can now be found throughout the world, including at the National Herbarium of Victoria (MEL), Royal Botanic Gardens Victoria.
He returned to Chile in 1834 and explored the country again for four years. After having visited Peru in 1839, he lived in Santiago, where he wrote the multi-volume Historia fisica y politica de Chile. In 1841, Chile conferred the Chilean nationality to him, and his opus work was published by the Chilean government between 1844 and 1871.
Gay returned to France in 1843, and in May, 1856, he was elected a member of the French Academy of Sciences. He made a journey through Russia and Tartary from 1856 to 1858. At the end of 1858, he was sent by the French Academy of Sciences to study the mining system of the United States. He returned to France in 1860, and in 1863, he journeyed to Chile for the last time.

## Honours

* Awarded Grande Médaille d'Or des Explorations by the Société de Géographie, 1845
* Titular of the French Légion d'honneur
* Corresponding member of the Muséum national d'histoire naturelle (Paris)
* Elected to the French Academy of Sciences in 1856.
He is commemorated in the name of a number of plants and animals, including the flower Montiopsis gayana and the rufous-bellied seedsnipe Attagis gayi.
The journal of the Botanical Society of Chile, Gayana. Botánica, is named in his honour and published by the Universidad de Concepción, Chile.

## Works

* Noticias sobre las islas de Juan Fernandez, Valparaiso, 1840
* Historia física y política de Chile, Paris, 1844–1848
* Origine de la pomme de terre, Paris, 1851
* Atlas de la historia física y política de Chile, Paris, 1854
* Triple variation de l'aiguille d'amiante dans les parties Ouest de l'Amerique, Paris, 1854
* Carte générale du Chili, Paris, 1855
* Considérations sur les mines du Pérou, comparées aux mines du Chili, Paris, 1855
* Notes sur le Brasil, Buenos Ayres, et Rio de Janeiro, Paris, 1856
* Rapport à l'académie des sciences sur les mines des États-Unis, Paris, 1861
# Glider snatch pick-up

Glider snatch pick-up (GSPU) was a technique used by the Allies of World War II to launch a military glider with a low-flying powered aircraft (the tow or tug), which did not have to land.
The snatching aircraft, typically a Douglas C-47 Skytrain ("Dakota"), had a 20 ft (6 m) arm hanging down at a 45-degree angle, supporting a hook at the tip. The hook was attached to a steel rope attached to an automatic winch containing 1000 ft (300 m) of steel cable. On flyover, the hook engaged in a square loop of a nylon tow rope supported on two poles about 20 ft (6 m) apart and 3 ft (1 m) off the ground. This loop was attached to a 180 ft (55 m) nylon tow rope attached to the front of the glider. The special design of the hook meant it was less likely to snag the ground but would grab the loop.
When the hook engaged in the loop, the rope initially paid out from the winch, and then gradually, a brake was automatically applied until up to about 800 ft (244 m) of cable had been paid out. This, and the stretch in the nylon rope, reduced shock loading to less than 1 g for a duration of around 3 to 6 seconds, by which time the glider would be airborne. The steel wire was then winched in. It was possible for one plane to pick up two gliders in this way, in two passes. Gliders could be retrieved for re-use in this way after combat operations.
Some casualties were evacuated from the D-Day landings back to the United Kingdom using this technique. Several rescues of downed aircraft passengers were also performed by landing gliders to pick up survivors and then snatching them from remote locations.
# Sergey Lemokh

Sergey Lemokh (born as Sergey Ogurtsov) is a leader of a Soviet/Russian pop band Car-Man and rock band Carbonrock. Lemokh was born in city of Moscow, Soviet Union on May 14, 1965. He graduated from Moscow Cooperative Institute in 1988. In 1990 Lemokh co-founded Car-Man with Bogdan Titomir. After Titomir left in 1991, Lemokh continued as a solo leader of the band. Lemokh wrote and recorded 5 major and a number of secondary albums with Car-Man. In 1997 he released a solo instrumental album Polaris.

## Albums

* Nitro — 2009
* Back to Future — 1999
* The King of the Disk — 1998
* Your Sexy Thing — 1996
* Polaris — 1995
* Live... — 1994
* Massive Sonic Aggression of Russia — 1994
* Carmania — 1992
* Around the World — 1991

## Facts

Sergey changed his last name, Ogurtsov, to his mother's maiden name, Lemokh. He is often called Oguretz (Russian for "cucumber").
# 1928 Virginia Cavaliers football team

The 1928 Virginia Cavaliers football team represented the University of Virginia as a member of the Southern Conference (SoCon) during the 1928 college football season. Led by Greasy Neale in his sixth and final season as head coach, the Cavaliers compiled an overall record of 2–6–1 with a mark of 1–6 in conference play, tying for 20th place in the SoCon. The team played its games at Lambeth Field in Charlottesville, Virginia.

## Schedule

| Date | Opponent | Site | Result | Attendance |
| September 29 | Randolph–Macon* | Lambeth FieldCharlottesville, VA | W 66–0 | |
| October 6 | South Carolina | Lambeth FieldCharlottesville, VA | L 13–24 | 7,500 |
| October 13 | at Princeton* | Palmer StadiumPrinceton, NJ | T 0–0 | |
| October 20 | at VMI | Alumni FieldLexington, VA | L 0–9 | |
| October 27 | at Vanderbilt | Dudley StadiumNashville, TN | L 0–34 | |
| November 3 | Washington and Lee | Lambeth FieldCharlottesville, VA | W 20–13 | |
| November 10 | at VPI | Miles StadiumBlacksburg, VA (rivalry) | L 0–20 | 5,000–7,000 |
| November 17 | at Maryland | Byrd StadiumCollege Park, MD (rivalry) | L 2–18 | |
| November 29 | North Carolina | Lambeth FieldCharlottesville, VA (rivalry) | L 20–24 | 18,000-20,000 |
| *Non-conference gameHomecoming ||||||
# Apple of My Eye (song)

"Apple of My Eye" is a song recorded by the rock/pop band Badfinger for inclusion on their 1973 album, Ass. The song was written and sung by Pete Ham, produced by Chris Thomas and Badfinger, and released on Apple Records.

## Writing

Ham wrote the song about his mixed feelings upon the band's leaving Apple Records (which was the "apple of my eye" to Ham) to pursue a larger contract by moving to Warner Bros. Records. The same concern is reflected on the Ass album cover, which shows a donkey following a carrot into the distance. Coincidentally, disregarding those performed by an ex-Beatle, it was the last single (Apple 49) released by Apple before its collapse.

## Problems and release

Due to Apple's financial chaos and its problems with the group, no new picture sleeve was created for the single, although some countries (such as the Netherlands, shown here) used a variant of the "Day After Day" sleeve. It would become the original group's last single to chart in the US, although it missed making the Billboard Hot 100, peaking at number 102 on the "Bubbling Under Hot 100 Singles" chart. It reached number 11 in South Africa.
In most countries, Tom Evans' "Blind Owl" was released as the B-side. However, in Japan, "Apple of My Eye" was backed with Mike Gibbins' song "Cowboy", and in the Philippines, Evans' "When I Say" was the B-side.

## Reception

Classic Rock History critic Janey Roberts also rated it as Badfinger's 5th best song, calling it "a beautiful song that signified the end of an era for Badfinger and their relationship with the Beatles Apple Records." Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 6th best song. Classic Rock critic Rob Hughes rated it as Badfinger's 10th best song, calling it "a poignant farewell."

## Personnel

* Pete Ham – vocals, acoustic guitar, keyboards
* Tom Evans – bass guitar
* Joey Molland – electric guitar
* Mike Gibbins – drums, percussion
# Carry on Till Tomorrow

"Carry on Till Tomorrow" is a song written by Tom Evans and Pete Ham that was first released on Badfinger's 1970 album Magic Christian Music. It was also used in the film The Magic Christian, starring Ringo Starr and Peter Sellers. An edited version was later used as the b-side of Badfinger's single "No Matter What" in the United States.

## Writing and recording

"Carry on Till Tomorrow" was produced by Paul McCartney. It was one of three songs on Magic Christian Music that was produced by McCartney, the others being "Rock of All Ages" and the single "Come and Get It". Beatle producer George Martin wrote the score for the string instruments.
The song was originally intended for the film Magic Christian Music. McCartney had been commissioned to write the music for the film, but after playing Badfinger's recording of "Come and Get It" the movie company agreed that Badfinger could handle the music. According to Evans:
   We saw the opening of the film and Paul gave us his impression, mentioning a 'Simon and Garfunkel' type of style. Pete and I went back and wrote "Carry on Till Tomorrow," which we were pleased with. Paul liked the song and brought us to Abbey Road Studios. He gave us leeway, added a few ideas, and produced it. He was very free in his approach.
Drummer Mike Gibbins said "This was a test of our strengths, our potential. We only saw rough cuts. It was difficult for us to imagine the total finished film."

## Lyrics and music

The song is in a folk music style influenced by Simon and Garfunkel. Evans sings the lead vocal. The lyrics are influenced by the opening title sequence of The Magic Christian, in which the wealthy character played by Peter Sellers helps the downcast character played by Ringo Starr. Allmusic critic Joe Viglione noted that the song contains "poignant, troubled" lyrics such as the line "For my life's too short for waiting...There's no reason to look back. Carry on." Viglione also noted a similarity of some of the melody with the theme song from the television show Gilligan's Island. The instrumentation incorporates string instruments backing the folk guitar that generally play softly and gently, but the quiet is punctuated a couple of times by louder bursts of electric guitar played by Ham. At the end, the strings swell to a climax as the electric guitar comes in one last time.

## Reception

Badfinger biographer Robert Day-Webb called the song a "beautiful and heart-rending ballad" and said that "This magnificently moody and atmospheric number oozes class" and particularly praised the string score and the coda. Allmusic critic Stephen Thomas Erlewine described "Carry on Till Tomorrow" as a "dreamy post-psych pop [tune] driven by strong hooks and harmonies." Rolling Stone critic John Mendelsohn felt that it sounded similar to the Beatles' song "I'll Be Back", but with the addition of the "politely raunchy lead guitar into the middle." Roger Kaye of the Fort Worth Star-Telegram described it as an "early FM rock radio staple." Classic Rock History critic Janey Roberts rated "Carry on Till Tomorrow" as Badfinger's 6th best song.
# Eden Landing Ecological Reserve

Eden Landing Ecological Reserve is a nature reserve in Hayward and Union City, California, on the eastern shore of San Francisco Bay. The reserve is managed by the California Department of Fish and Game and includes 5,040 acres (2,040 ha) of former industrial salt ponds now used as a low salinity waterbird habitat.

## Background

The reserve lies between the Hayward Regional Shoreline and Alameda Creek Regional Trail to the north and adjacent to Don Edwards National Wildlife Refuge and Coyote Hills Regional Park to the south and is south and adjacent to the San Mateo–Hayward Bridge, across which lies the Hayward Shoreline Interpretive Center. Some waterfowl hunting is periodically permitted. The remains of the Oliver Salt Company are located in the reserve.
This is part of the organization's South Bay Salt Pond Restoration Project, which is the largest salt pond restoration project on the west coast of the United States. To date, over 1,000 acres of marsh have been restored, many of the former salt ponds have been enhanced for wildlife, and new trails and a kayak launch were opened to the public in April 2016. The Bay Area environmental organization Save the Bay is also working on the site to plant native vegetation along the edges of the salt marshes.