# Steve Johnson (director)

Steve Johnson is an English film director.

## Life and career

Steve Johnson was born in Liverpool in England. At school, Johnson was a keen middle distance runner and set a Great Britain record for his age group in the 4x1,500 metre relay. He took part in a student exchange programme which allowed him to study in Michigan in the United States. During his time here, he became Michigan State Cross Country Champion and participated in many running events including the Athletic Congress national cross country meet at Purdue University and the Invitational Cross Country meet at Bullock Creek.
Johnson's love for film first began after seeing Star Wars at the Futurist Theatre in Liverpool. In November 2005, Johnson established Futurist Online Ltd (later becoming Futurist Digital Ltd in 2013) in Glasgow, Scotland. Over the years, Johnson developed his skills on the Red Digital Cinema Camera Company camera system and later became a freelance trainer and course producer for their REDucation courses and has taught in many cities across the globe including Brisbane, Berlin, Dubai, London, Los Angeles, Madrid, Moscow, Oslo and Singapore. He has also held classes at Pinewood Studios and YouTube Space, London.
In 2014, Futurist Digital teamed up with Production Attic and Quick Off The Mark Productions to film and produce three short children's films for a competition run by Vue Cinemas. The competition asked school children from Aultmore Park Primary School to draw a short storyboard for a film with the top three concepts being made into real short films and shown at their local cinema.
The following year, Johnson served as a post production supervisor for the short film When The Tide Comes In which went on to receive a nomination for Best Composer at the 2015 British Academy Scotland New Talent Awards.
In 2015, Johnson launched an online crowd funding campaign to raise money for what would become his directorial debut and his first feature film project. The Students of Springfield Street follows twenty-four hours in the lives of six friends, examining interpersonal connections and the intricate weave of words, actions and emotions that unknowingly link and change the direction of their day. The crowd funding campaign for the film was successful and raise $6000 in just 4 weeks.
The film was released on 26 June 2015 and was warmly received by critics both at home and abroad. Film review website Indyred wrote:
   "The Students Of Springfield Street easily earns it's rating based on only two elements, clever writing and some damn fine acting. Mr. Johnson is a master of pretext, giving this movie a reason to "hit rewind" and see what you may have missed."
On 23 October 2015, the film had its UK Debut at the Aberdeen Film Festival. The film proved to be a hit with the festival's jurors who awarded the film the Best Feature award. Speaking about his win to Creative Clyde, Johnson said:
   "I am proud that our first full-length production has achieved ‘Best Picture’ recognition. I wanted a film that would spark some discussion over tone, style and the stereotypes surrounding Scottish movies. I wanted The Students of Springfield Street to bring a fresh look at young people and their lives in a very stylised way."
Johnson released his second feature film, Convergence (2019 film) in 2019, premiering at Cineworld, Leicester Square, London as part of the 2019 British Independent Film Festival, where it won Best Feature Film and was nominated for a further four awards including Best Actor, Best Actress, Best Supporting Actor and Best Cinematography. The film stars Jeremy Theobald and Nicolette McKeown.
'Convergence' played at numerous film festival around the world, also winning Best Feature Film at the 2019 Cardiff International Film Festival. The film has received numerous positive reviews:
   "For a film dealing with numerous angsty themes, Johnson does supremely well to explore them in a manner that feels controlled and minimalist. Whilst there are sequences where the drama explodes on screen, such as Lily talking about her childhood or grappling with her ex, the majority of the film feels like a contemplative piece where the viewer is palpably experiencing the grief and distress of the two central characters. A large part of this is due to the character of Martin and the understated performance from Theobald."
   "Jeremy Theobald is great as Martin, conveying the character’s anguish and pain believably. His chemistry with McKeown is excellent, and they make for a credible and engaging onscreen pair. It is Nicolette McKeown though, who owns the entire movie. Her going from scared and traumatized to self-assured and take charge is expertly pulled off. McKeown imbues each and every aspect of that arc with tenderness and emotional honesty that resonates with the viewer on a profound level. Convergence doesn’t exactly do subtle, as it leans heavily on the symbolism. Plus there is one actor that does not entirely sell his character. Beyond that though, Steve Johnson has crafted an impressive, hypnotic film that is equal parts drama and mystery, with fantastic acting."
In 2021, Johnson directed his third feature film, the psychological thriller 'Stalker', written by Chris Watt and produced by production company Stronghold. The film stars bafta winning actor Stuart Brennan with cinematography by Blue Story Simon Stolland. In 2022, 'Stalker' had its World Premiere in Leicester Square, London, as part of Frightfest 2022 and was distributed in the UK on DVD and Digital by Kaleidoscope Film Distribution and in the United States by Gravitas Ventures. 'Stalker' received numerous 4* reviews.
   "Utilising mainly one location (although the opening shots of the rain-soaked surrounds are exquisitely shot), namely a rather spacious service lift, is clearly a sign of a film having a low budget. However, Johnson’s film has a secret weapon vital for any film to succeed: great actors. Skelton and Brennan are believable in their roles. Brennan provides the right amount of anxiety and eeriness to Daniel and it’s easy to feel Rose’s discomfort.
   Johnson ramps the tension, creating a claustrophobic atmosphere that builds to a dramatic conclusion."

## Filmography

| Year | Film | Credited as | Credited as | Credited as | Credited as | Notes |
| Year | Film | Director | Cinematographer | Producer | Writer | Notes |
| 2014 | The Students of Springfield Street | Yes | | Yes | Yes | |
| 2015 | Float | | Yes | | | |
| 2015 | February 29th | | Yes | | | |
| 2015 | Dog Dayz | | Yes | | | |
| 2015 | Fanatic | | Yes | | | 2nd Unit Director of Photography |
| 2015 | Harm | | Yes | Yes | | |
| 2015 | A Fire Within | | Yes | Yes | | |
| 2016 | Day 29 | Yes | Yes | | Yes | |
| 2016 | Wee Amy | | Yes | | | |
| 2016 | Round Habit | | Yes | Yes | | |
| 2016 | Killing People | | Yes | | | |
| 2017 | Custodian | | Yes | | | |
| 2017 | Mia: A Rapture 2.0 Production | | Yes | | | |
| 2017 | Wolves in Winter | | Yes | | | |
| 2018 | She of the Land | | Yes | | | |
| 2018 | A Rapture Disaster | | Yes | | | |
| 2019 | Convergence | Yes | Yes | Yes | Yes | |
| 2020 | Autumn Never Dies | | Yes | | | |
| 2022 | Stalker | Yes | | | | |
| 2022 | Snapshot | Yes | Yes | | | |
| 2022 | The 12th Man | Yes | | Yes | | |
| 2022 | The Defender | | Yes | | | |

## Awards and nominations

| Year | Awards | Category | Film | Result |
| 2015 | Aberdeen Film Festival | Best Feature | The Students of Springfield Street | Won |
| 2018 | Sydney Indie Film Festival | Best Cinematography | Mia: A Rapture 2.0 Production | Nominated |
| 2019 | British Independent Film Festival | Best Feature Film | Convergence | Won |
| 2019 | British Independent Film Festival | Best Cinematography | Convergence | Nominated |
| 2019 | New Directors Hollywood Showcase | Best Feature Film | Convergence | Nominated |
| 2019 | LA Edge Film Awards | Best Narrative Feature Film | Convergence | Won |
| 2019 | LA Edge Film Awards | Best Director | Convergence | Won |
| 2019 | LA Edge Film Awards | Best Cinematography | Convergence | Won |
| 2019 | LA Edge Film Awards | Best Editing | Convergence | Won |
| 2019 | United States Film Festival | Best International Feature Film | Convergence | Won |
| 2019 | United States Film Festival | Best Cinematography | Convergence | Won |
| 2019 | Los Angeles Theatrical Release Competition & Awards | Best Director Feature (US & International) | Convergence | Won |
| 2019 | Los Angeles Theatrical Release Competition & Awards | Best Cinematography Feature (US & International) | Convergence | Won |
| 2019 | Cardiff International Film Festival | Best Feature Film | Convergence | Won |
| 2019 | Skiptown International Film Festival | Best Feature Film | Convergence | Nominated |
| 2019 | Skiptown International Film Festival | Best Original Screenplay | Convergence | Nominated |
| 2019 | European Independent Film Awards | Best Cinematography | Convergence | Nominated |
| 2019 | Antakya International Film Festival | Best International Feature Film | Convergence | Nominated |
| 2019 | Antakya International Film Festival | Special Jury Award | Convergence | Won |
| 2020 | London International Motion Picture Awards | Best Feature Film | Convergence | Nominated |
| 2020 | London International Motion Picture Awards | Best Director | Convergence | Nominated |
| 2020 | London International Motion Picture Awards | Best Cinematography | Convergence | Nominated |
| 2020 | The Scottish Short Film Festival | Best Cinematography | She of the Land | Nominated |
| 2020 | Diabolical Horror Film Festival | Best Cinematography | She of the Land | Nominated |
| 2020 | Independent Horror Movie Awards | Best Cinematography | She of the Land | Nominated |
| 2020 | Top Indie Film Awards | Best Cinematography | Autumn Never Dies | Nominated |
| 2021 | Night of Comedy Shorts | Best Cinematography | Autumn Never Dies | Won |
| 2022 | Scotland International Festival of Cinema | Juan Ruiz Anchia Award for Best Cinematography for a Featurette | Autumn Never Dies | Nominated |