# Traditional Cambodian musical instruments

Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities.
* Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat.
* Kse diev at Angkor Wat, North Section, 16th Century.
* Khmer gong chimes from Angkor Wat.

## Woodwind
### Flute

* Khloy (Khmer: ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane
** Khloy ek - smaller in size
** Khloy thom - larger in size

### Free-reed

* Sneng (Khmer: ស្នែង) - water buffalo or ox horn with a single free reed
* Pey pok (Khmer: ប៉ីពក) - free-reed pipe
* Ploy (Khmer: ព្លយខ្មែរ) (also called m'baut) - mouth organ with gourd body and five to seven bamboo pipes; used by Mon-Khmer-speaking upland ethnic minorities
* Ken/Khaen (Khmer: គែន) - free-reed mouth organ used in northwestern Cambodia
* Angkuoch (Khmer: អង្គួច) (also called kangkuoch) - jaw harp made of bamboo or metal

### Quadruple Reed

* Sralai instrument, Siem Reap, 2024Sralai (Khmer: ស្រឡៃ) - quadruple-reed oboe
** Sralai toch (Khmer: ស្រឡៃតូច) - small quadruple-reed oboe
** Sralai thom (Khmer: ស្រឡៃធំ)- large quadruple-reed oboe
* Pey ar (Khmer: ប៉ីអៃ) (also spelled beyaw, and also called bey prabauh) - oboe with cylindrical bore

### Horns

* Saing - conch horn

### Other

* Slek - tree leaf used as a wind instrument

## String
### Bowed

* Tro (ទ្រ) - fiddle
** Tro Khmer (ទ្រ ខ្មែរ) - three-string vertical spike fiddle with coconut shell body; used in classical music
** Tro che (ទ្រឆេ) - high-pitched two-string vertical fiddle, with face covered with snakeskin
** Tro sau toch (ទ្រសោធំ តូច) - two-string vertical fiddle with hardwood body; used in classical music
** Tro sau thom (ទ្រសោធំ) - two-string vertical fiddle with hardwood body; used in classical music
** Tro u (also spelled tro ou) (ទ្រអ៊ូ) - lower two-string vertical fiddle with a coconut shell body, with face covered with calfskin or snakeskin; used in classical music

### Plucked

* Chapei dong veng (ចាប៉ីដងវែង) - plucked fretted lute
* Kong ring - bamboo tube zither, can play thet drum's part
* Krapeu (also called takhe) - crocodile-shaped fretted floor zither with three strings
* Kse diev (Khmer: ខ្សែដៀវ) or khse mhoy (Khmer: ខ្សែមួយ) - chest-resonated stick zither)
* Pin - Cambodian harp, ancient instrument reborn in modern times

### Struck

* Khim (ឃឹម) - hammered dulcimer

## Percussion
### Drums

* Sampho (សម្ភោរ)- barrel drum, played with the hands
* Skor (also spelled sko) - long skor drum
** Skor thom (ស្គរធំ)- pair of large barrel drums, played with sticks
** Skor yike (ស្គរយីកេ) - flat skor drum, played with hands and used in Yike dance drama
* Thon, Skor daey and skor arak - goblet-shaped drums, played with the hands
* Rumana - frame drum, played with the hands

### Gong chimes

* Kong vong toch (also called kong toch) - small gong circle
* Kong vong thom (also called kong thom) - large gong circle
* Kong mon (also called kong mon) - small gong chime shaped curved

### Xylophone

Roneat (រនាត)- trough-resonated keyboard percussion instrument; generally played with two mallets and used in Khmer classical and theater music
** Roneat ek - smaller xylophone
** Roneat thung - larger xylophone
** Roneat dek - smaller metallophone
** Roneat thong larger metallophone; no longer used

### Gongs

* Kong vong or kong thom (Khmer: គងធំ) - single suspended gong

### Clappers

* Krap (ក្រាប់) - pair of flat bamboo or hardwood sticks

### Cymbals

* Ching (ឈិង) - pair of small cymbals used to mark time
* Chap - pair of flat cymbals

### Woodblocks

* Pan - woodblock
* Nay pay - pellow
* Sindang - small size woodblocks

## Occasions

Traditional Cambodian musical instruments play a significant role in the Cambodian culture. These instruments are typically used during royal events, weddings, and festivals. For weddings and royal events, the musicians playing the instruments would wear traditional Cambodian attire. Just like the Chinese, with regard to playing context, there is no conductor in traditional Cambodian music because musicians generally learned and memorized how to play the instruments aurally. These instruments provide a sense of identity for the Cambodian people.