OpenLLM-France/wikimedia huggingface dataset:
# Red Light Lizzie

Red Light Lizzie (fl. 1860 –1875) was the pseudonym of an American madam, procuress and underworld figure in New York City during the mid-to late 19th century.
During the 1860s and 1870s, she controlled much of New York City's prostitution, along with Jane the Grabber. Like her rival, Lizzie employed a number of men and women to travel to rural communities in Upstate New York and New England to lure young girls to the city with promises of well-paying jobs. Some men were paid by Lizzie to bring girls into dive bars and, similar to Shanghaiing, would be given drugged alcohol. The victims would then be forced into prostitution, either by working in her brothels, or being "sold" to similar establishments. Both she and Jane the Grabber specialized in procuring women from wealthy families.
She owned at least twelve "houses of ill-repute" and was so successful as a procurer that she sent a monthly circular letter to all of her clients.
# Independence Junior College

Independence Junior College was established in 2007 to offer tertiary-level education opportunities in Independence Village, Stann Creek District, Belize.
# Incremental heuristic search

Incremental heuristic search algorithms combine both incremental and heuristic search to speed up searches of sequences of similar search problems, which is important in domains that are only incompletely known or change dynamically. Incremental search has been studied at least since the late 1960s. Incremental search algorithms reuse information from previous searches to speed up the current search and solve search problems potentially much faster than solving them repeatedly from scratch. Similarly, heuristic search has also been studied at least since the late 1960s.
Heuristic search algorithms, often based on A*, use heuristic knowledge in the form of approximations of the goal distances to focus the search and solve search problems potentially much faster than uninformed search algorithms. The resulting search problems, sometimes called dynamic path planning problems, are graph search problems where paths have to be found repeatedly because the topology of the graph, its edge costs, the start vertex or the goal vertices change over time.
So far, three main classes of incremental heuristic search algorithms have been developed:
* The first class restarts A* at the point where its current search deviates from the previous one (example: Fringe Saving A*).
* The second class updates the h-values (heuristic, i.e. approximate distance to goal) from the previous search during the current search to make them more informed (example: Generalized Adaptive A*).
* The third class updates the g-values (distance from start) from the previous search during the current search to correct them when necessary, which can be interpreted as transforming the A* search tree from the previous search into the A* search tree for the current search (examples: Lifelong Planning A*, D*, D* Lite).
All three classes of incremental heuristic search algorithms are different from other replanning algorithms, such as planning by analogy, in that their plan quality does not deteriorate with the number of replanning episodes.

## Applications

Incremental heuristic search has been extensively used in robotics, where a larger number of path planning systems are based on either D* (typically earlier systems) or D* Lite (current systems), two different incremental heuristic search algorithms.
# Red Ranger, Texas

Red Ranger is an unincorporated community in Bell County, in the U.S. state of Texas. According to the Handbook of Texas, the community had a population of 12 in 2000. It is located within the Killeen-Temple-Fort Hood metropolitan area.

## History

The area in what is now known as Red Ranger today was first settled by Czech settlers at the turn of the 20th century, which included John Simek and Ben Lesikar. There were 20 residents and one business in the community in the 1940s. It went down to 15 in 1964 and had several scattered houses. Its population was 12 from 1990 through 2000.

## Geography

Red Ranger is located at the intersection of Farm to Market Roads 437 and 940, 11 mi (18 km) southeast of Temple in eastern Bell County.

## Education

Red Ranger had its own school in the 1940s. Today, the community is served by the Rogers Independent School District.
# John III of Glymes

John III, Lord of Bergen op Zoom or John III of Glymes (1452 – 1532, in Brussels) was a noble from the Low Countries.
He was the son of John II of Glymes and Margaret of Rouveroy and succeeded his father as Lord of Bergen op Zoom. In 1494 he purchased the Croy Castle.
As his father, John III was an important political figure of his time. He was First Chamberlain at the Burgundian-Habsburg Court of Maximilian of Austria, Philip the Handsome, and Emperor Charles V. He became a Knight in the Order of the Golden Fleece and was sent in 1508 to England to arrange the marriage between Charles V and Mary Tudor. However, changes in the political alliances of the European powers meant this wedding never took place.
John III was advisor of Margaret of Austria, who was Governor of the Habsburg Netherlands between 1507–1515 and 1519–1530. He also corresponded with Maximilian II, Holy Roman Emperor, Thomas More, Desiderius Erasmus, Thomas Wolsey and King Henry VIII of England.
He was a member of the Secret Council of Mechelen, Dean of the Order of the Golden Fleece, chairman of the Council of Court and executor of the last will of Margaret of Austria (1480–1530). John died in Brussels in 1532.
He married in 1487 with Adriana of Brimeu, daughter of Guy and had :
* John of Glymes of Bergen (1489–1514), killed in a duel.
* Anna of Glymes of Bergen (1492–1541), married Adolf of Burgundy.
* Adriana of Glymes of Bergen (1495–1524), married Philip I, Count of Nassau-Wiesbaden-Idstein
* Philip of Glymes (1498–1525)
* Antony of Glymes (1500–1541), his successor.
# Regent String Quartet

The Regent String Quartet are a British string quartet,
The Regent String Quartet was formed in the mid-1990s. Their original lineup was Helen Godbolt, Sarah Turner, Caryn Cohen and Emma Martin (see the Members section for more details).
They were formed at the Royal Academy of Music where they were all trained as classical players.
There is also an Australian string quartet of the same name based in Melbourne, Victoria.

## Members
### Current lineup

* Caryn Cohen (First Violin)
* Emma Martin (Second Violin)
* Sarah Turner (Viola)
* Helen Godbolt (Cello)

## Appearances
### Artists whom they have supported

KanYe West, McFly, Vanessa Mae, Gabrielle, Mostly Autumn, Nigel Kennedy, Julian Lloyd Webber, Luciano Pavarotti, Russell Watson, The Opera Babes.

### TV

Too Good To Be True (ITV, 2003), Comic Relief 2005, supporting McFly, Brit Awards (several years) - accompanying strings, Top Of The Pops (several appearances) - accompanying strings.

### Film

The Lord of the Rings soundtrack

### DVD

* The V Shows (DVD 2004, CD 2005)
# Reginald Crawford

Reginald Crawford may refer to:
* Reginald Crawford (died 1307), Scottish knight
* Reginald Crawford (cricketer) (1882–1945)
# John Richardson (Archdeacon of Cleveland)

John Richardson (6 February 1676 in North Bierley – 28 October 1735 in York) was Archdeacon of Cleveland from 3 August 1711 to his death on 28 October 1735.
Richardson was educated at Christ's College, Cambridge. He held livings at Burton Agnes and Beeford.
# John Martin (Canadian broadcaster)

John Martin (1947 – February 23, 2006) was a Canadian broadcaster, credited with "almost single-handedly" creating music television in Canada.

## Early life and career

Born in Manchester, England, Martin left school at 16 and moved to London, where he worked as a rock drummer and freelance writer. At 20, he moved to Canada, finding work as a researcher for CBC Radio, then CBC Television. On the radio side, he was the first Canadian to break the story of the use of Agent Orange in the Vietnam War; on the television, he produced segments for series like Weekend and Peter Gzowski's 90 Minutes Live. (Filling in once on the current affairs series Viewpoint, he hired the Cambridge University Choir to sing the Canada Elections Act in harmony.)

## The New Music and MuchMusic

After the cancellation of 90 Minutes Live, Martin found himself driving a taxicab and pitching a new concept to Canadian TV broadcasters: "rock and talk," bringing a sensibility like those of Rolling Stone and the New Musical Express to bear presenting and interpreting musical culture in a documentary television newsmagazine.
The idea didn't sell to Canadian television networks of the day – at the CBC, it was caught between the departments of variety and current affairs – but Moses Znaimer, the impresario of Toronto independent station CITY-TV, took on Martin's plan, and The NewMusic launched in 1979. It was a great success, becoming Canada's most popular syndicated television series.
Martin then began to plan an entire station devoted to music, and the result, MuchMusic launched in 1984 under Znaimer, Martin and CITY's corporate parent CHUM Limited. "We were a bunch of loonies," Martin later recalled. "My gig was to sort of mould the anarchy. It was a bunch of absolutely crazy people reinventing their lives every day. It was fun." Much went on to great success in its own right, inspired spin-off, joint venture and licensed sister networks and programs, within Canada and internationally, and underwrote the music video arts foundation VideoFACT.

## After Much

After leaving Much and CHUM in 1993 – "His mercurial temperament and guerilla management style," CITY's news website would recall after his death, had started "to clash with others in the industry" – he worked on specials, directing The Genius of Lenny Breau (1999), which explores the short and tragic life of Canadian guitar legend Lenny Breau, and also directing Hank & Jimmie: A Story of Country (2000), a portrait of the troubled lives and relationship of Hank Snow and his only child, singer-turned-preacher Jimmie Rodgers Snow. Martin was also program director for the Canadian dance music specialty channel bpm:tv.
He died in 2006, of esophageal cancer.
# Rehta

Rehta is a village in Sonbhadra district, Uttar Pradesh, India.
It is a village neighbouring Kakri. The postal/pin code of Rehta village is 231220. According to Census 2011 Rehta village is located in Dudhi Tehsil of Sonbhadra district in Uttar Pradesh, India. It is situated 68 km away from sub-district headquarter Dudhi and 105 km away from district headquarter Sonbhadra. As per 2009 stats, its also Gram Panchayat.
The total geographical area of village is 67.74 hectares. Rehta has a total population of 3,778 peoples. There are about 586 houses in Rehta village. Anpara is nearest town to Rehta which is approximately 4 km away.
24°10′26″N 82°46′32″E﻿ / ﻿24.1738°N 82.7755°E﻿ / 24.1738; 82.7755
* This Sonbhadra district location article is a stub. You can help Wikipedia by expanding it.
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# Rehti

Rehti is a city municipality in Sehore District in the Indian state of Madhya Pradesh. Rehti is divided into 15 wards for which elections are held every 5 years.

## Geography

Rehti is located at 22°44′N 77°26′E﻿ / ﻿22.73°N 77.43°E﻿ / 22.73; 77.43. It has an average elevation of 303 metres (994 feet). It is located near Vindhyachal Range and surrounded by mountains. The nearest airport is Bhopal and the nearest railway station is Hoshangabad, 37 km away.

## Demographics

The Rehti Nagar Panchayat has population of 11,611 of which 6,062 are males while 5,549 are females as per report released by Census India 2011. Population of children with age of 0-6 is 1,525 which is 13.13% of total population of Rehti (NP). In Rehti Nagar Panchayat, female sex ratio is of 915 against a state average of 931. Child Sex Ratio is around 851 compared to a state average of 918. Literacy rate of Rehti is 80.57% higher than state average of 69.32%. In Rehti, male literacy is around 88.03% while female literacy rate is 72.50%. Rehti Nagar Panchayat has total administration over 2,215 houses to which it supplies basic amenities like water and sewerage. It is also authorized to build roads within Nagar Panchayat limits and impose taxes on properties coming under its jurisdiction.

## Work profile

Out of total population, 3,738 were engaged in work or business activity. Of this 3,130 were males while 608 were females. Of total 3,738 working population, 86.76% were engaged in Main Work while 13.24% of total workers were engaged in Marginal Work.

## Access

Rehti is 70 km from the capital of Madhya Pradesh Bhopal, there are buses running on a route towards Rehti. Nearest railway station budhani.

## Attraction

Salkanpur Temple is a famous site near Rehti. It is just 5 km from Rehti. The Delawadi Forests are also nearby.
# Immensee

Immensee may refer to:
* Immensee railway station, a railway station on the Gotthard railway line in Switzerland
* Immensee (village), one of three villages in Küssnacht, Switzerland
* Immensee (novella) (1848), a novella by German author Theodor Storm
* Immensee (film) (1943), a German film directed by Veit Harlan
# Indigenous mapping

Indigenous mapping is a practice where Indigenous communities own, control, access, and possess both the geographic information and mapping processes. It is based on Indigenous data sovereignty/intellectual property.
Indigenous cartographers tend to employ different strategies than colony-focused or empire-focused cartographers. Indigenous cartography may focus on stories, ever-changing landscapes, and traditional knowledge.
Modern Indigenous mapping is closely association with decolonization. It can reclaim traditional land names and spaces, including sacred areas.

## Examples

An example of an Indigenous map is a 2.6-meter long Ojibwe scroll and story detailing the 14th-15th century emigration of the Ojibwe people. It tracks the tribe's journey their original territory in the Zhiiwitaagani-gichigami (Atlantic Ocean) to the Nayaano-nibiimaang Gichigamiin (Great Lakes). The story uses symbols, such as bird migration and a bear carrying a pack of life and coming across different lakes with his tongue, to portray geographic locations including the St. Lawrence River to Montreal, the Lachine Rapids to Mattawa, the French River to Lake Huron, through the Straits of Mackinac to Sault Ste. Marie. The scroll was created and the story was retold by Eshkwaykeeshik (James Red Sky).
# John Jouel

Sir John Jouel (died 16 May 1364) was an English soldier best remembered for his actions against French forces led by Bertrand du Guesclin in the Battle of Cocherel during the Hundred Years' War.

## Account of his life

French poet and court historian Jean Froissart conveyed a heroic account of Jouel in his chronicles relating to the Battle of Cocherel.
In Froissart's writings, Jouel is described as being a bold knight and "performed, that day, many very gallant feats of arms, and never deigned once to retreat."
However, Froissart's writings also revealed a critical error in military judgment made by Jouel, in which he was lured into pursuing Du Guesclin's fleeing forces. The error led to the capture of Jean de Grailly, the Captal (leader) of the Navarrese army causing his force to fall into abysmal disarray.
Froissart further detailed that despite Jouel's valor and fighting skill, he sustained several wounds to his body and head before being captured by a squire of Brittany under the command of Bertrand du Guesclin. Along with Jouel, many more knights were captured or killed as French forces ultimately achieved the day's victory. Before the day's end and while still a prisoner, Jouel would succumb to his wounds.
# John Joughin

John Joughin is a British literary scholar, specialising in Shakespearean studies, and the ex Vice-Chancellor of the University of East London.
# Reimagining (album)

Reimagining is an album by American jazz pianist Vijay Iyer, which was recorded in 2004, originally released on the Savoy label and reissued in Europe by Pi Recordings. The follow-up to Blood Sutra, the record features nine Iyer's compositions for his quartet with Rudresh Mahanthappa on alto sax, Stephan Crump on bass and Marcus Gilmore on drums, and a solo piano interpretation of John Lennon's "Imagine".

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Tom Hull | A– |
| The Penguin Guide to Jazz Recordings | |
In his review for AllMusic, Thom Jurek states, "Reimagining is the sound of the mature Iyer, who is at once authoritative and inquisitive, finding and relating mystery as he uncovers it and, in the process, furthering the jazz tradition. Bravo."
The JazzTimes review by Thomas Conrad says, "The most interesting question about Iyer is how, having fully elaborated a unique and specific musical space, he goes forward from here."
The All About Jazz review by Paul Olson notes, "Reimagining might not reach the searing highs of Blood Sutra, but it substitutes an organic, austere consistency of vision and accomplishment that's simply stunning."

## Track listing

All compositions by Vijay Iyer except where noted.
* "Revolutions" – 6:32
* "Inertia" – 3:19
* "Song for Midwood" – 7:27
* "Infogee's Cakewalk" – 5:36
* "The Big Almost" – 6:42
* "Cardio" – 5:36
* "Experience" – 3:44
* "Composites" – 5:30
* "Phalanx" – 7:29
* "Imagine" (John Lennon) – 3:44

## Personnel

* Vijay Iyer – piano
* Rudresh Mahanthappa – alto saxophone
* Stefan Crump – bass
* Marcus Gilmore – drums
# Impavido-class destroyer

The Impavido class were the second group of destroyers built for the Italian Navy after World War II and the first Italian guided missile destroyers. Similar in performance to the US Navy's Charles F. Adams class, these ships were essentially improved Impetuoso-class vessels, with the aft gun-turret being replaced by a Tartar surface-to-air-missile launcher and associated radar.
Two ships were constructed in the 1960s in Italy, Impavido and Intrepido. They were in active service until the ships were retired in 1991 and 1992 respectively.

## Design

The Impavido class were the first guided missile destroyers of the Italian Navy. The vessels were commissioned in the early 1960s and were roughly equal to the American Charles F. Adams-class destroyer. Both classes shared the Tartar missile system, with a Mk 13 launcher, and carried around 40 missiles. They had two fire control radars to guide their weaponry and all this was fitted in the aft of the ship. Both classes also had two single 127 mm (5 in) guns, but the American ships had these in single mountings and in a new model, the Mk 42, one fore and the other aft, while the Impavidos made use of an older Mk 38 dual turret.
One difference between the classes was the secondary weaponry. While both had lightweight torpedo launchers, the rest was different. The Charles F. Adams class had an ASROC launcher, dedicated to anti-submarine warfare tasks, to help counter the growing number of Soviet submarines. The Impavidos did not have such systems, but instead had four model MM (Marina Militare) 76 mm (3 in) guns. In the Mediterranean Sea, where the ships were intended to operate, there was always the danger of air attacks as the main threat to ships. This usually led to the construction of many Italian warships with a heavier short-range air defence armament than normal.
In service the MM guns were not considered satisfactory, despite having decisive improvements over the older American 76 mm guns. Reliability left a lot to be desired, while the lack of a totally automatic mode of fire proved a disadvantage.
A characteristic of these ships were the superstructures, having a much less clean layout than other classes. They had a double line of windows in the main turrion, similar to the Alpino-class frigates.
They became progressively obsolescent, not receiving any important updates in their service lives.

## Ships

| Name | Pennant number | Builder | Laid down | Launched | Commissioned | Fate |
| Impavido | D 570 | CNR Riva Trigoso | 10 June 1957 | 25 May 1962 | 16 November 1963 | Decommissioned 1992 |
| Intrepido | D 571 | Ansaldo, Livorno | 16 May 1959 | 21 October 1962 | 28 July 1964 | Decommissioned 1991 |
# In the Land of Pain

In the Land of Pain is a collection of notes by Alphonse Daudet chronicling the pain and suffering he experienced from tabes dorsalis, its effects on his relationships with friends, family, and other people, and the various drugs he took and physical treatments he underwent in his fight against the disease. Daudet originally began making these notes for a projected book, but none of the material was published in his lifetime. He planned to use the title La Doulou, a Provençal word for pain. The collection was published in French in 1930 in a volume titled La Doulou (La Douleur): 1887–1895 et Le Trésor d'Arlatan: 1897, and translated into English in 2002 by Julian Barnes.

## Synopsis

Daudet records observations, experiences, and aphorisms related to his intense suffering over the course of many years. He describes his symptoms in graphic detail and charts their progression. This begins with isolated attacks of agonising nerve pain, and eventually becomes a daily litany of pain and use of drugs like opium and chloral hydrate to fight it. He comments on the effect of his illness on family and friends, and on his outlook on life.
He describes the different physical treatments he underwent, including being suspended in the air, diets, and a variety of injections. He also details his observations of fellow sufferers of the disease and his interactions with them. In his later years, he frequently spent time at sanitariums, becoming a celebrity among the other patients. He describes his time at these sanitariums in detail. Daudet stopped making these notes a few years before his death.

## Critical response

Daudet originally planned to use his notes on his sufferings to make either a novel or an autobiography. After discussing the projected work with fellow writer Edmond de Goncourt, Goncourt predicted the work would be superb because Daudet would be writing from intense personal experience. Although the book was never realized, translator Julian Barnes agrees with Goncourt's prediction in relation to the collection in its current form. He believes the notes format is appropriate and fitting for the subject because of its implication of passing time and its absence of disguise.
According to critic Richard Eder, this work is worthy of lasting recognition. Daudet uses wit to probe a dark and distressing subject, providing the reader with powerful images. Daudet surprisingly responds to his pain often with humor and spirit, and even comments mockingly on his disease and its symptoms at times. Some of the most poignant moments in the book are Daudet's expressions of sympathy for his fellow sufferers.