# Pure Phase

Pure Phase is the second studio album by Spiritualized, released on 28 March 1995. The album was recorded in the Moles Studio in Bath, and features contributions from The Balanescu Quartet. Initial CD copies were sold in a glow-in-the-dark, encapsulated CD case.
The lineup fluctuated during recording, with the band eventually reduced to a core trio of Jason Pierce, Kate Radley and Sean Cook. Previous members Mark Refoy and Jonny Mattock performed the main guitar and drums sections respectively, but by the time of album release, both men had been sacked from the band. At the time of release, Pierce had renamed the band as "Spiritualized Electric Mainline", the name that appears on the album cover, before reverting to the Spiritualized name shortly afterwards.
The track "Pure Phase" was the basis for a limited edition release called "Pure Phase Tones For DJs", which consisted of 16 versions of "Pure Phase", four on each side of the single, playable at both 33 and 45rpm. The tracks were in the keys of C/F; D/G; E/A; F/B-flat; G/C; A/D; B/E; and C/F, at varying frequencies. Pierce intended that they were to be used as a set, in order to make chords. The 'Pure Phase Tone' still features heavily in Spiritualized's live set to this day, playing in between songs and before they go onstage, acting as their entrance music.

## Music

The album's sound is described as space rock, noise pop, drone, and "shoegaze full of meditative noise."

## Influence

The Quietus noted the album had more electronic music influences than the band's other records.
   Electronic influences were coming into play too – Pure Phase is the most electronic of the 1990s Spiritualized records – and Pierce was engaged in bridging a gap between dance music and indie rock in a more interesting way than the humble indie dance remix. A Hackney Empire show around the recording of Pure Phase saw Aphex Twin and Mixmaster Morris supporting with a long ambient set – incense was burned, candles flooded the stage.

## Recording

Upon the reissue, Jason Pierce described the unique recording process.
   You can’t really compare this record to any other because of how we mixed it; in such an 'incorrect' way. We mixed the tracks twice but I couldn’t decide which one I liked better so we said, 'let’s have them both.' Both of them were on tape so we spent hours cutting them into usable sections. If you run two things together in parallel you get this kind of Hawkwind effect (phase), which gets deeper as they drift away from being ‘locked’, so we had to keep re-locking on a bass drum every eight or ten bars and it took forever.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Chicago Tribune | |
| Entertainment Weekly | B− |
| The Guardian | |
| Mojo | |
| Q | |
| Record Collector | |
| Rolling Stone | |
| The Rolling Stone Album Guide | |
| Select | 4/5 |
In 2014, NME included the album in its list of "30 Glorious Britpop Albums That Deserve a Reissue Pronto." In 2015, NME also listed it among 30 Albums That Made 1995 a Vintage Year for Music. Louder Than War described it as "probably the most groundbreaking drone album made in size and scope" and "a forgotten masterpiece reawakened." Dash the Henge said, "Pure Phase feels somewhat overlooked as the groundbreaking record it truly is" and, "as much as any Spiritualized release, Pure Phase feels like it has entire galaxies within."

## Track listing

All songs by J. Pierce except "Born, Never Asked" by Laurie Anderson

## Personnel

Credits adapted from liner notes.