OpenLLM-France/wikimedia huggingface dataset:
# Marie Antoinette Marcotte

Marie Antoinette Marcotte (31 May 1867 – 1929) was a French painter who lived and worked mainly in Belgium. She is known for her paintings of gardens and flowers, portraits and genre scenes that show her interest in the living conditions of disadvantaged social classes.

## Life

Marie Antoinette Marcotte was born in Troyes. Her mother was member of an aristocratic Toudouze family which included various artists during the 19th century. Her father was at the time of her birth Vice-Consul of France at Ostend and later in Antwerp in 1872. Marie Antoinette moved there too and later received instructions from the prominent painter Emile Claus. After her father died in 1884, her mother married Jules Alexandre Sohr, with whom she had three more children.
At the age of 19 she was allowed to move to Paris to study with Jules Joseph Lefebvre. She later studied at the Académie Royale des Beaux-Arts in Brussels under Jean-François Portaels and Joseph Stallaert. She lived and worked in Antwerp where she also studied in the studio of the portrait painter Pieter Van Havermaet.
She began exhibiting at the Salon of the Société des Artistes Français in 1901. In Paris she began exhibiting at the Salon of the Société des Artistes Français in 1901, and under J. Lefèbvre in Paris.

## Work

Her work With the Poor at Home was included in the book Women Painters of the World.
# Alison Rehfisch

Alison Baily Rehfisch (23 January 1900 – 12 March 1975) was an Australian painter born in Sydney.

## Early life

Alison Rehfisch was born as Alison Baily Green on 23 January 1900 in Woollahra, Sydney, and grew up in Mosman. Her mother, who was a proficient sculptor, painter and musician, encouraged her interest in painting and drawing. As a student at Redlands School, Cremorne from 1913–15, she was influenced by the painter Albert Collins.
Upon leaving school, she studied at the Julian Ashton Art School before marrying in 1919 and as Alison Rehfisch studied around 1925 under Antonio Dattilo Rubbo at the Royal Art Society. It was here she met George Duncan and they began sharing studio space.

## Career

She began exhibiting at the Blaxland Gallery in 1929 and it was around this time that she and her husband split up and she moved into a studio apartment with Dorrit Black, Rah Fizelle, Thea Proctor and Adelaide Perry. She left for London in 1933, where she studied, worked and travelled, including a 3-month stay in Spain. After hearing of her husband's death in 1938, she returned to Sydney and in 1942 married George Duncan.
In 1947, their home burnt down and Alison lost several hundred paintings. Friends arranged an auction at the home of Desiderius Orban. She and George moved to the country and took to painting landscapes around Berrima, Moss Vale and Goulburn but returned to Sydney in 1953 when George secured a position as director of David Jones Art Gallery. They bought a house "Hillgrove" in Pymble which she decorated extensively, but spent little time on more mundane tasks. She was active with the Contemporary Art Society and the Contemporary Group. She continued to paint her still lifes and landscapes but concentrated more on flower paintings, which lowered her reputation as a serious painter.

## Death

After George died of cancer in 1974, she was inconsolable and less than a year later, with deteriorating eyesight and suffering depression, committed suicide by swallowing poison.

## In Collections

Her works may be found in the following collections: the National Gallery of Australia (2 prints), the Cruthers Collection of Women's Art at the Lawrence Wilson Art Gallery at UWA, and many in the Art Gallery of New South Wales.

## Exhibitions

She held exhibitions at Blaxland Gallery in 1933 and Macquarie Galleries in 1933, 1939, 1946, 1949 and 1958
A joint retrospective of George's and Alison's work was held at Macquarie Galleries in 1976.

## Awards

* 1929: Royal Art Society Prize for Still Life
# Masoud Homami

Masoud Homami (Persian: مسعود همامی, born 1 May 1983) is an Iranian football goalkeeper who is a member of Mashin sazi in the Azadegan League. He is a former member of Sepahan and Zob Ahan.

## Club career
### Club career statistics

    As of 10 April 2014.
| Club | Division | Season | League | League | Hazfi Cup | Hazfi Cup | Asia | Asia | Total | Total |
| Club | Division | Season | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Sepahan | Pro League | 2004–05 | 1 | 0 | | 0 | 0 | 0 | | 0 |
| Sepahan | Pro League | 2005–06 | 5 | 0 | | 0 | – | – | | 0 |
| Sepahan | Pro League | 2006–07 | 9 | 0 | | 0 | | 0 | | 0 |
| Sepahan | Pro League | 2007–08 | 10 | 0 | | 0 | 2 | 0 | | 0 |
| Moghavemat | Pro League | 2008–09 | 28 | 0 | | 0 | – | – | | 0 |
| Rah Ahan | Pro League | 2009–10 | 22 | 0 | 0 | 0 | – | – | 22 | 0 |
| Shahrdari Tabriz | Pro League | 2010–11 | 22 | 0 | 1 | 0 | – | – | 23 | 0 |
| Shahrdari Tabriz | Pro League | 2011–12 | 3 | 0 | 0 | 0 | – | – | 3 | 0 |
| Zob Ahan | Pro League | 2012–13 | 11 | 0 | 0 | 0 | – | – | 11 | 0 |
| Zob Ahan | Pro League | 2013–14 | 1 | 0 | 0 | 0 | – | – | 1 | 0 |
| Paykan | Division 1 | 2013–14 | 13 | 0 | 0 | 0 | – | – | 13 | 0 |
| Paykan | Pro League | 2014–15 | 0 | 0 | 0 | 0 | – | – | 0 | 0 |
| Persepolis | Pro League | 2014–15 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Career total | Career total | Career total | 126 | 0 | | 0 | | 0 | | 0 |
# Fernande Cormier

Fernande Victoire Cormier, born on 17 November 1888 in Toulon and died on 15 August 1964 in Sanary-sur-Mer, was a French painter.

## Biography

Born on 17 November 1888 in Toulon, Fernande Cormier studied under Ferdinand Humbert and Émile Renard [fr]. She exhibited from 1913 onwards at the Salon des artistes français in Paris (of which she was a member), winning a silver medal and a travel grant in 1920, at the Salon d'automne from 1919 to 1926 and at the Salon des Tuileries in 1927.
She was second grand prix de Rome in 1919. She also participated in the exhibitions of the Society of Modern Women Artists in 1935-1936 and 1938. She traveled to Fez and exhibited her Moroccan paintings in 1926.
Linked to Provence her native region, she made sets for the foyer of the Toulon Opera: in her painting of the Foyer Campra at the Opera, she depicts Massenet's Poème pastoral with a view of the Siou-Blanc plateau, a mountainous massif in the south-western part of the Var department. The subject, painted around 1922, has a symbolist influence.
She also made sets for the town hall of Vincennes around 1932–1935.
   There is truth and accent in Miss Fernande Cormier's portraits.

## List of works

* Le collier de jasmin, oil on canvas, 64 x 55 cm.
* Le sculpteur, oil on canvas, 135 x 105 cm.
* Les pins, 72 x 85 cm.
* Femme marocaine dans son intérieur
* Bateaux dans la baie, oil on canvas, 43 x 53 cm.
* Le chat qui dort, oil on canvas, 61 × 50 cm, Gray (Haute-Saône), Musée Baron-Martin [fr].
* Café en Sidi Bou Saïd, oil on canvas, 80 x 100 cm.
* Portrait de jeune homme à son bureau, oil on canvas, 80 x 64 cm.
# Russia's turn to the East

Russia's turn to the East (Russian: Поворот российской политики на восток) is a change of foreign policy strategy of the Russian Federation at the beginning of the 21st century, associated with a partial foreign economic reorientation towards the countries of Asia.
The goals of the turn were: to occupy a proper economic and political place in the Asia-Pacific region, to improve the balance of foreign trade, which is overly oriented towards Europe, and, from 2014, to weaken the effect of economic sanctions. The turn implies Russia's abandonment of unsuccessful attempts to integrate into the Euro-Atlantic system (which began after the end of the Cold War), the preference for ties with the "non-West" and includes both the development of the Russian Far East and cooperation with Asian countries.
Worsening in the 2010s relations with the West have accelerated these processes, and sanctions are often seen as a necessary boost to Russia's long-overdue transformation into a Eurasian power. Debate—and criticism of the government—in the political and expert communities centers on the ways and means of the turnaround; there is no debate about its necessity; many believe that Russian problems cannot be solved in the West. Sanctions have also made it easier for the government to work with the public: turn to the East is perceived as natural, and attempts to cooperate with the West are perceived as a sign of weakness. At the same time, the perception of China as a friendly country has sharply increased.
All major political parties (with the exception of the ruling United Russia in the 2010s) take anti-American positions; this absence of a pro-Western opposition also simplifies the change.
The leading partner in the turn is China, with which cooperation takes place in many areas: energy, industrial, financial, and military. At the same time, Russia is trying to balance relations with China by strengthening cooperation with South Korea, North Korea and, if possible, with Japan (whose rapprochement with Russia is hindered by a close alliance with the United States).
# Vladimir Lokhov

Vladimir Iosifovich Lokhov (Russian: Владимир Иосифович Лохов; 22 December 1924 – 2002) was a Soviet intelligence officer, and colonel of the KGB of the USSR.

## Biography

Lokhov was born on 22 December 1924 in the village of Pichidzhin, Znaur District, in the South Ossetian Autonomous Oblast, part of the Georgian SSR, Soviet Union. He was of Ossetian nationality.
From 1942 to 1948 Lokhov served in the 30th division of the troops of the NKVD — Ministry of Internal Affairs of the USSR. Since 1952 he was employed in the state security agencies. In 1953 he graduated from the Law Faculty of Azerbaijan State University. In 1952-1957 he worked as an assistant to the detective and detective of the 5th department of the MGB — Ministry of Internal Affairs of the Azerbaijan SSR — the State Security Committee (KGB) under the Council of Ministers (CM) of the Azerbaijan Soviet Socialist Republic.
Since 1957 Lokhov was an employee of the Office "C" (illegal intelligence) of the First Chief Directorate (CCGT, foreign intelligence) of the KGB under the USSR Council of Ministers - the KGB of the USSR. Until August 1962, he was trained to work in special conditions. He worked as an illegal scout in a number of countries in Asia, Europe, and the East. When performing critical tasks, he visited dozens of states in these regions. In August 1963, he began illegal work in one of the Asian countries, where he was successfully legalized for a long time and created the necessary conditions for conducting intelligence work from illegal positions.
In November 1965, a valuable and reliable agent was transferred to Lokhov for communication, with the help of which, over time, he managed to form an effective agent network. Skillful steps during legalization allowed Vladimir Lokhov, as an illegal resident, to direct the indicated valuable agents and receive important classified materials from her. In 1973 he returned to the USSR, worked as an illegal trainer. In January 1979 he was appointed head of the 1st department (“where the most-classified illegal immigrants worked”, the “illegal immigrants of the center” of the Office “C” of the PSU of the KGB of the USSR), which he headed until 1991. He supervised the activities of the most valuable illegal intelligence officers of the KGB of the USSR, in particular, the work of the legendary pair of intelligence spouses Gevork Andreyevich Vartanyan and Gohar Levonovna Vartanyan. During these years, he directly developed and organized the implementation of many of the most important operations of Soviet intelligence.
Lokhov retired due to his age in July 1991. The Center passed on the experience to the younger generation of scouts. In retirement he lived in Moscow, dying there in 2002. He was buried in the city's Troyekurovskoye Cemetery.

## Awards

* Order of the Red Banner of Labour (31 July 1985)
* Order of the Red Star (1977)
* Medal "For Battle Merit" (1967)
* Medals of the USSR and the Russian Federation
* Badge "Honorary State Security Officer" (1970)
# Yvonne Diéterle

Yvonne Emma Diéterle (1882–1974) was a sculptor and painter from Paris. She was known as Yvonne Diéterle-Laurens after her marriage.

## Biography

Diéterle was from a family of artists; her grandfather was Jules Diéterle. She first studied art with her father, then at the École Duperré, where her teachers included Fernand Pelez.
She first exhibited artwork at the Paris Salon in 1899, when she was only 17 years old. Her talent as a portrait painter led to her 1903 induction into the Société des Artistes Français, when she was 21.
In a 1912 inventory of French sculptors by the Royal Institute of British Architects, she and Fanny Marc were the only two women. The author of the inventory, Henry Heathcote Statham, judged her Sommeil as one of the best works of the Salon of 1903. This sculpture is now in the Beaux-Arts museum of Rouen.
Diéterle directed the creation of the frescos and stained glass windows in the Notre-Dame-du-Calvaire church in the Paris suburb of Châtillon, Hauts-de-Seine in the 1920s and 1930s.
She painted a portrait of singer Marya Freund, who was hiding in Diéterle's home, fleeing the Nazi occupation of France.
# Yolande Ardissone

Yolande Ardissone (born 6 June 1927) is a French painter. Born in Bueil (Normandy), she studied at the Beaux-Arts and at the Académie de la Grande Chaumière in Paris.
She met Jaques Eitel - who was going to become her husband - during a trip in Italy in 1949. Yolande Ardissone and Jacques Eitel had a daughter, who also became a painter known under the name of Florence Arven. Yolande Ardissone exhibited her works in many salons, including the Salon des artistes français.
She was discovered by the art merchant Wally Findlay in 1957 and started exhibiting her works in New York City, Beverly Hills, Palm Beach and other US-based galleries that same year. Yolande Ardissone has gained a considerable reputation. Yolande Ardissone loves to paint Provence, Paris and the French countryside. But her favorite topic is the region of Brittany in western France.

## Exhibitions

* Galerie Framond, Paris, 1957, 1959, 1961 and 1966
* Galerie Moyon-Avenart, Nantes, 1970
* Galerie Makovski, Frankfurt, 1955
* Galerie Burrell, New York City, 1963
* Wally Findlay Gallery, New York City, 1966, 1968, 1975 and 1977
* Wally Findlay Gallery, Beverly Hills, 1976 and 1978
* Wally Findlay Gallery, Palm Beach, 1962 and 1978
* Wally Findlay Gallery, Chicago, 1962, 1971,1974, 1976, 1977 and 1978
* Wally Findlay Gallery, Paris, 1973 and 1975
* Galerie Artenoo, Paris, 2006 and 2007

## Salons

* Salon d'Automne
* Salon des Indépendants
* Salon des artistes français
* Salon de la Jeune Peinture
* Salon de la Société Nationale des Beaux-Arts
* Salon de la Marine
* Salon du dessin et de la peinture à l'eau
* Greenshields Prize

## Awards

* Salon des Artistes Francais, honorary mention, 1949
* Award of the City of Fontainebleau, 1967
* The City of Paris has awarded Yolande Ardissone the Medaille d'Argent.
# Geneviève Asse

Geneviève Asse (Vannes, France, 24 January 1923 – 11 August 2021) was a French painter. She died in August 2021 at the age of 98. She was awarded the Grand-Cross of the National Order of the Legion of Honour.
Geneviève Asse is one of the most notable abstract French painters of the post-war era. The characteristic shade of blue she created had been called "le bleu Asse".

## Collections

* Musée des Beaux-Arts de Tours, Horizons, oil on canvas
* Musée des Beaux-Arts de Quimper, Vertical Collage I, oil on canvas
* Musée d'Arts de Nantes
* Musée d'art moderne de la ville de Paris
* Musée National d'Art Moderne Centre Pompidou
* Menil Collection, Houston
# Eleanor Bond

Eleanor Bond (born 25 March 1948) is a Canadian multimedia artist and art educator who is best known for reworking the Canadian landscape tradition using a new ecological awareness.

## Early life

Eleanor Bond was born in Winnipeg to pharmacist Herbert Bond and teacher Mildred MacFarlane. She graduated from the School of Art, University of Manitoba in 1976. A previous undergraduate degree included studies in English, comparative religion and interior design.

## Work

In the early 1980s, Bond produced aerial views of natural sites showing ecological disruption. In her Work Station (1989) and Social Centres (1992) bodies of work, Bond explored the impact of technological advances and urban design on humankind by producing staged, fictitious landscapes and built urban environments. She used lengthy, ironic titles in her earlier work. These large-scale, unstretched canvases suggested that the city is an imaginary place with landscapes that existed as in-between spaces. Recent projects include the Mountain of Shame series of paintings and sculptures (2010) that marked a shift away from the social and architectural and towards the personal. Bond created an emotional topography in which the vulnerabilities of doubt, age and loss are mapped on the surfaces of various media.
Bond's work has been widely exhibited in Canada and internationally, including solo shows at the Witte de With Center for Contemporary Art in Rotterdam (1988 and 1995), the Clocktower in New York (1990), the Winnipeg Art Gallery (1992), Museo de Arte Moderna de São Paulo in Brazil (1995), Musée d'art contemporain de Montréal (1998) and Museum of Contemporary Canadian Art in Toronto (2001). Group exhibitions have included shows at The National Gallery of Canada (1989) and the Vancouver Art Gallery (1991) as well as exhibitions at the Museum of Contemporary Art in São Paulo (1987) and the Barbican Centre in London (1991). She has been a lecturer, has held studio residencies abroad, and has been actively involved in Plug In ICA in Winnipeg since its inception. Bond's solo show Mountain of Shame, curated by Helga Pakasaar, was the inaugural exhibition that opened the new Plug In ICA gallery in 2010 and toured to the Illingworth Kerr Gallery at the Alberta College of Art & Design (ACAD) in Calgary in 2011.
Bond is an Associate Professor of painting and drawing who works with graduate students at Concordia University. She also maintains an active art studio in the North End, Winnipeg.

## Honours and awards

* York Wilson Prize;
# Sharifabad Cultural Centre

Sharifabad Cultural Centre (Persian: سازمان كشت وصنعت شريف اباد – Sāzmān-e Kesht Vaṣnʿat Sharīfābād) is a cultural centre and village in Sharifabad Rural District, Mohammadiyeh District, Alborz County, Qazvin Province, Iran. At the 2006 census, its population was 126, in 33 families.
# Daetong-bap

Daetong-bap (Korean: 대통밥) or juktong-bap (죽통밥) is a South Korean dish consisting of rice mixed with various nuts, beans, and grains steamed in bamboo. This imparts the fragrance from the bamboo into the rice. The mixed rice is then eaten out of the bamboo.
The dish is native to Damyang, South Jeolla Province. Damyang grows the most bamboo plants in Korea. Bamboo grown for more than 3 years is best suited for daetong-bap, and it is recommended to use bamboo only once to impart the most fragrance possible into the rice.

## Gallery

* Daetong-bap, with mixed nuts visible
# Alessio Sarti

Alessio Sarti (born 8 September 1979) is an Italian former footballer who played as a goalkeeper.

## Career
### Prato

Born in Florence, Tuscany, Sarti started his career at Tuscany club Prato. He then sold to Parma and loaned back to Prato. In 1998–99 season, he played as a regular of the team at Serie C2 after the left of Gabriele Aldegani.

### Parma, Milan and loans

During the 1999–2000 season, he left for Serie B side Ravenna, as Giovanni Cervone's backup. In October 2000, he swapped club with Gianluca Zanetti to A.C. Milan but remained at Ravenna. At Ravenna, he competed with Alex Calderoni and Gilbert Bodart and none of them were absolute starter. Ravenna relegated that season and concerned the second highest goals.
In 2001–02 season, he left for Serie C1 side Arezzo, he competed with Massimo Lotti and Marco Giannitti, again none them were the absolute regular starter. In 2002–03 season, he returned to Prato and played as regular and earned a switch to Lucchese in co-ownership deal. At Lucchese he was the regular starter and helped the club reach the promotion playoffs, although they lost to Lumezzane in the first round (semi-final). In June 2004 Milan bought back Sarti and loaned him back to Lucchese as the 1st choice.

### Cesena

In July 2005, he was loaned to Serie B side Cesena, as Luigi Turci's backup. In March 2006 he deal became permanent. In 2006–07 season he was the regular starter along with Turci. In 2007–08 season he competed with Gianluca Berti then injuries made him unable to play. In January 2008 the club signed Artur as the new first choice. He had an operation on his left knee in March 2008.
In his last season with Cesena, he faced injuries problem and unable to play the whole season. After the team won Lega Pro Prima Divisione, he was released.
# Coigneux

Coigneux (pronounced; Picard: Cognu) is a commune in the Somme department and Hauts-de-France region of northern France.

## Geography

Coigneux is situated on the D176 road, some 22 miles (35 km) northeast of Amiens. The source of the Authie river is found here.
# Francesco Cafiso

Francesco Cafiso (born 24 May 1989) is an Italian jazz alto saxophonist.
Cafiso was born in Sicily on 24 May 1989. He was successful musically from a young age: he played duets with pianist Franco D'Andrea at the 2002 Umbria Jazz Festival, toured Europe with trumpeter Wynton Marsalis at the age of 14, made his playing debut in the United States in 2004 and the following year recorded the album A Tribute to Charlie Parker with orchestral backing. Part of a concert with D'Andrea at the 2002 Pescara Jazz Festival was later released as the album Standing Ovation Pescara. He went on to record the studio album New York Lullaby for Venus Records at the age of 16. This was followed by Portrait in Black and White and Seven Steps to Heaven, which were quartet albums for the same label. He recorded his eighth album as leader, Angelica, at the age of 19; it was released by CAM Jazz. In 2011, Verve Records released his Moody'n, which was bebop-based and was judged by some critics to be well executed but illustrative of Cafiso's lack of innovation.
For the following three years Cafiso did not record and toured much less than before. He re-emerged with a new band that was influenced by Sicilian music yet retained jazz sensibilities, and released the three-CD recording 3. Much of the music was written by Cafiso, which was also a change from his earlier career. He attributed some of his musical change to switching from a Selmer Mark VI to a Selmer Reference 54: "The new saxophone is more rigid. It doesn't respond immediately. In looking how to adjust my playing to this new instrument, I found my new sound."