OpenLLM-France/wikimedia huggingface dataset:
# Djibasso Department

Djibasso is a department or commune of Kossi Province in western Burkina Faso. Its capital lies at the town of Djibasso. According to the 2019 census the department has a total population of 63,283.

## Towns and villages

| Populated Place | Population | Sub-Prefecture |
| Djibasso | 5 326 | Djibasso Subprefecture |
| Ba | 2 084 | Djibasso Subprefecture |
| Banana | 373 | Djibasso Subprefecture |
| Bankoumana | 489 | Djibasso Subprefecture |
| Bara | 565 | Bara Subprefecture |
| Berkoué | 746 | Bara Subprefecture |
| Bida | 718 | Bara Subprefecture |
| Bokoro | 163 | Bara Subprefecture |
| Bonoua | 400 | Bara Subprefecture |
| Bouakuy | 857 | Bara Subprefecture |
| Diékan | 404 | Diékan Subprefecture |
| Diekuini | 413 | Bara Subprefecture |
| Diena | 1 634 | Bara Subprefecture |
| Donkoro | 197 | Diékan Subprefecture |
| Foni-Boronkin | 688 | Diékan Subprefecture |
| Gnimini | 852 | Diékan Subprefecture |
| Ira | 3 038 | Diékan Subprefecture |
| Kansara | 561 | Diékan Subprefecture |
| Kié | 2 248 | Djibasso Subprefecture |
| Kira | 987 | Djibasso Subprefecture |
| Kolonkan | 611 | Kolonzo Subprefecture |
| Kolonkani-Sirakoro | 562 | Kolonzo Subprefecture |
| Kolonzo | 622 | Kolonzo Subprefecture |
| Kombori | 1 519 | Kombori Subprefecture |
| Maoulena | 837 | Kolonzo Subprefecture |
| Mandara | 777 | Kolonzo Subprefecture |
| Massakuy | 250 | Kolonzo Subprefecture |
| Mouna | 90 | Kolonzo Subprefecture |
| Nairena | 1 067 | Kolonzo Subprefecture |
| Ouarokuy | 1 026 | Kolonzo Subprefecture |
| Oura | 2 482 | Kolonzo Subprefecture |
| Parakuy | 253 | Parakuy Subprefecture |
| Paranzo | 433 | Parakuy Subprefecture |
| Pia n° 1 | 2 552 | Parakuy Subprefecture |
| Saba | 1 737 | Parakuy Subprefecture |
| Sadignakono | 365 | Parakuy Subprefecture |
| Sakuy | 328 | Parakuy Subprefecture |
| Samekuy | 941 | Parakuy Subprefecture |
| Sarakoro | 1 252 | Parakuy Subprefecture |
| Senoulo | 35 | Parakuy Subprefecture |
| Siedougou | 196 | Parakuy Subprefecture |
| Soumoukuy | 284 | Parakuy Subprefecture |
| Sounè | 684 | Parakuy Subprefecture |
| Soye | 2 346 | Parakuy Subprefecture |
| Tiemè | 1984 | Parakuy Subprefecture |
| Voro | 698 | Kolonzo Subprefecture |
# Novgorod Judicial Charter

The Novgorod Judicial Charter (Russian: Новгородская судная грамота), also known as the Charter of Novgorod, was the legal code of the Novgorod Republic, inherited from the earlier Russkaya Pravda ("Russian Truth") and issued in 1440, although the current version was supplemented in 1471 under the auspices of Grand Prince Ivan III (r. 1462–1505), and his son, Ivan Ivanovich (1458–1490). The preamble reads:
   After reporting to the lords the grand princes, Grand Prince Ivan Vasil'evich of All Russia, and his son Grand Prince Ivan Ivanovich of All Russia, and with the blessing of the archbishop-elect of Novgorod the Great and of Pskov, the priest-monk Feofil, it has been decided by the mayors of Novgorod, and the commanders [tysiatskie] of Novgorod, and the boyars, and the burghers [zhit'i liudi], and the merchants, and the common people [chernye liudi], all five boroughs, and all Lord Novgorod the Great at the assembly [veche] in Iaroslav's Court.
The charter exists in only one copy with the end missing. While it was issued very late in the history of the Novgorod Republic, it probably codified practices that had existed for some time. It allowed for four sets of courts: the ecclesiastical, headed by the archbishop of Novgorod); the mayoral, headed by the posadnik; the princely, headed by the prince or his namestnik (lieutenant); and the tysyatsky's, headed by the tysyatsky, who was originally head of the town militia, although the court probably served as a commercial court.
The various provisions of the charter dealt with administrative matters, the collection of court fees and stipulated that cases had to be completed before a posadnik left office (they were elected annually). It did not deal with particular crimes as such. That was dealt with in the Russkaya Pravda.
The Novgorod Judicial Charter, along with the similar Pskov Judicial Charter, are considered more sophisticated than Muscovite law of the time, and contributing factors in Ivan III's issuance of the Sudebnik of 1497.
# Ed Allen (musician)

Edward Clifton Allen (December 15, 1897 – January 28, 1974) was an American jazz trumpeter and cornetist.

## Early life

Allen was born in Nashville, Tennessee on December 15, 1897. His family moved to St. Louis, Missouri when he was seven; he began playing piano at age ten and settled on cornet soon after. He worked as a truck driver in his teens and played in military bands.

## Later life and career

By the mid-1910s Allen was playing professionally in local nightclubs and bars. He moved to Seattle to take a gig with Ralph Stevenson, then returned to St. Louis to play on the Streckfus line of riverboats which ran between New Orleans and St. Louis on the Mississippi River. Early in the 1920s he played in the band of Charlie Creath, but by 1922 he had his own ensemble, the Whispering Gold Band, aboard the S.S. Capitol. After this, he was based in New Orleans until 1923.
In 1924 he made his way to Chicago and played with Earl Hines until 1925. He then played from 1925 to 1927 in a revue called Ed Daily's Black and White Show, as a member of Joe Jordan's group, the Sharps & Flats. Between 1927 and 1937 Allen recorded extensively with Clarence Williams. Allen also accompanied vocalist Bessie Smith on some recordings, and recorded in several bands of King Oliver's.
Allen played in various dance bands through the 1930s and 1940s, then played with Benton Heath in New York City from the middle of the 1940s up until 1963. His last appearance on record was in England with Chris Barber in the 1950s. After 1963 his failing health resulted in retirement from music. He died in New York City on January 28, 1974.

## Playing style

"In his early work Allen sometimes used the cackle-like muted timbre employed by contemporary jazz cornetists, and he produced a pleasant tone with a wa-wa mute; on the open instrument he often affected a singing, lyrical style in the manner of Joe Smith, but he showed a substantial New Orleans influence, especially in his lead playing."
# De De Pierce

Joseph De Lacroix "De De" Pierce (February 18, 1904 – November 23, 1973) was an American jazz trumpeter and cornetist. He is best remembered for the songs "Peanut Vendor" and "Dippermouth Blues", both with Billie Pierce.

## Biography

Pierce was born Joseph De Lacroix Pierce in New Orleans, Louisiana, United States. Pierce's first gig was with Arnold Dupas in New Orleans in 1924.
During his time playing in city nightclubs, he met Billie Pierce, who became his wife as well as a musical companion; the two were the house band at the Luthjens Dance Hall from the 1930s through the 1950s. They released several albums together but stopped performing in the middle of the 1950s due to illness, which left De De Pierce blind.
By 1959, they had returned to performing, and De De Pierce toured with Ida Cox and played with the Preservation Hall Jazz Band, before further health problems ended his career.
He died in November 1973, at the age of 69. He received a Catholic jazz funeral.
# Rusty Dedrick

Lyle "Rusty" Dedrick (12 July 1918 – 25 December 2009) was an American swing and bebop jazz trumpeter and composer born in Delevan, New York, probably better known for his work with Bill Borden, Dick Stabile, Red Norvo, Ray McKinley and Claude Thornhill, among others.
In 1971, Dedrick joined the faculty of the Manhattan School of Music, later becoming director of jazz studies.
He was the uncle of the members of the sunshine pop group The Free Design.

## Discography
### As leader/co-leader

* Counterpoint for Six Valves (Riverside, 1955–56) - with Don Elliott
* Salute to Bunny (Counterpoint, 1957)
* Twelve Isham Jones Evergreens (Monmouth, 1964)

### As sideman

With Bobby Hackett
* Creole Cookin' (Verve, 1967)
With Maxine Sullivan
* Sullivan Shakespeare Hyman (Audiophile, 1971)
# Reuben Reeves

Reuben "River" Reeves (October 25, 1905 – September 1975) was an American jazz trumpeter and bandleader.

## Career

Born in Evansville, Indiana, Reeves was the youngest of three brothers. He initially learned piano, encouraged by his pianist mother, but while at Frederick Douglass High School he switched to trumpet.
Reeves' professional career began in the Lexington-based Bill Smith Orchestra in summer 1923. He moved to New York City in 1924 to study dentistry, but soon dropped out to concentrate on his music career, playing in local bands with Count Basie among others, before moving to Chicago in January 1925. In 1926 he joined Erskine Tate's orchestra, then played with Fess Williams and Dave Peyton (1928–1930). While in Chicago, he took lessons from a German trumpet player, Albert Cook, who played in the Chicago Symphony. While playing at the Regal Theater in 1929, Peyton featured Reeves, his hot trumpet player, on a night where Louis Armstrong, who had a gig across the street at the Savoy, performed as a guest. The "vicious" gesture from Peyton in an attempt to intimidate Armstrong did not work as the audience begged Armstrong to play five encores. He signed to Vocalion and recorded as a bandleader with his groups the Tributaries and the River Boys; among his sidemen were his brother, trombonist Gerald Reeves, and clarinetist Omer Simeon (20 sides were recorded in 1929). He played under Cab Calloway in New York in 1931–32, and recorded again with the River Boys in 1933. He toured as a leader from 1933 to 1935, then returned to New York, playing in Dick Ward's band, and as a freelancer through the late 1930s.
Reeves joined the National Guard and played in the 369th Infantry Band. During World War II, he served in the army, and led an Army band called the Jungleers. Stationed at the Army Jungle Training Center on the northeast coast of Oahu, they were popular participants in Battle of the Band competitions that were an integral part of the "extraordinary music scene in Hawaii during the war." After the war, he worked in a Post Office and went on to join Harry Dial's Blusicians in 1946. He worked as a guard for the Chemical Bank New York Trust Company from 1952, and in 1955 gave up music.
Reuben Reeves died in September 1975.
Reeves' entire output as a bandleader has been released to a single compact disc by RST Records.
# Richard Maltby Sr.

Richard Eldridge Maltby Sr. (June 26, 1914 – August 19, 1991) was an American musician, conductor, arranger and bandleader, most notable for his 1956 recording "(Themes from) The Man with the Golden Arm". He was also the father of the Broadway lyricist and director Richard Maltby Jr.
After studying briefly at Northwestern University's music school, he left college to become a full-time musician. He played trumpet with several big bands, including those of Jack Little, Roger Pryor, Bob Strong and Henry Busse, as well as also doing some arranging. In 1940, he took a job as an arranger for the orchestra of the Chicago-based radio station, WBBM, before moving to New York City in 1945 to become an arranger-conductor on network radio, where he worked with Paul Whiteman. In 1942, Benny Goodman recorded his composition "Six Flats Unfurnished."
During the post-war years, he made several recordings for subsidiary labels of RCA Victor, and in 1954, finally scored a Top 40 hit with "St. Louis Blues Mambo". In 1955, he began leading his own dance band, with which he had his Top 20 hit, "(Themes From) The Man With the Golden Arm", in the spring of the following year. He left RCA for Columbia Records in 1959, then moved to Roulette Records a year later. He stopped recording on his own during the mid-1960s.
He was also the musical director of SESAC Jazz Classics between 1950 and 1965, and recorded several transcriptions for radio. As a conductor, he worked with singers such as Peggy Lee, Sarah Vaughan, Johnnie Ray, Vic Damone and Ethel Merman, and after he stopped recording on his own, he served as an arranger and conductor for Lawrence Welk on records and television.
A heart condition in his later years forced him into retirement, and he underwent several operations prior to his death. He died in 1991, aged 77.
# Bagh-e Dehak

Bagh-e Dehak (Persian: باغ دهك, also Romanized as Bāgh-e Dehak) is a village in Raqqeh Rural District, Eresk District, Boshruyeh County, South Khorasan Province, Iran. At the 2006 census, its population was 167, in 45 families.
# Georgi Ulyanov

Georgi Vladimirovich Ulyanov (Russian: Георгий Владимирович Ульянов; born 12 September 1985) is a Russian former footballer.

## Club career

He played for Shinnik Yaroslavl in the Russian Premier League.
# Roybridge

Roybridge (Scottish Gaelic: Drochaid Ruaidh, 'the bridge over the Roy') is a small village, that lies at the confluence of the rivers River Roy and River Spean, located three miles (five kilometres) east of Spean Bridge, in Kilmonivaig Parish, Inverness-shire, Scottish Highlands and is in the Highland administrative area.
Roybridge is on the A86 between Spean Bridge and Newtonmore, and has a station on the (former West Highland Railway) line, served by trains passing between Crianlarich and Fort William.

## Mary MacKillop

Both of the parents of Australia's only recognised saint Mary MacKillop, lived in Roybridge, prior to emigrating to Australia. MacKillop visited Roybridge in the 1870s, and St Margaret's, the local parish church of the Roman Catholic Diocese of Argyll and the Isles, now has a shrine to her.

## Other notable people

* Iain Lom (c.1624-1710), a Cavalier poet from Clan MacDonald of Keppoch, first Poet Laureate of Scotland, and senior figure in the canon of Scottish Gaelic literature. Buried at Cille Choiril, just east of Roybridge and near his former home at Allt a' Chaorainn.
* Peter Hope, 4th Baron Rankeillour (1935–2005), landowner and peer, lived at Achaderry House.
* Joseph Toal, current bishop of Diocese of Motherwell.
# Yank Lawson

John Rhea "Yank" Lawson (May 3, 1911 – February 18, 1995) was an American jazz trumpeter known for Dixieland and swing music.
Born John Lausen in 1911, from 1933 to 1935 he worked in Ben Pollack's orchestra and after that became a founding member of the Bob Crosby Orchestra. He later worked with Benny Goodman and Tommy Dorsey, but also worked with Crosby again in 1941–42. Later in the 1940s he became a studio musician leading his own Dixieland sessions.
In the 1950s he and Bob Haggart created the Lawson-Haggart band and they worked together in 1968 to form the World's Greatest Jazz Band, a Dixieland group which performed for the next ten years.
# Charles Freeman Lee

Charles Freeman Lee, known as Freeman Lee (August 13, 1927 – June 15, 1997) was an American Jazz Trumpeter, recording with the Elmo Hope Quintet, Bennie Green, Babs Gonzales and Howard McGhee.

## Early life and education

Charles Freeman Lee was born in New York, NY, to Louella Simpson Lee and Charles Henry Lee. He studied at Wilberforce University, and played with Wilberforce Collegians. He graduated from Central State University with a B.S. in Biology.

## Early career

In 1950 Lee played piano with Snooky Young. In 1951, Lee played trumpet with Candy Johnson. In 1952, Lee played trumpet with Sonny Stitt and Eddie "Lockjaw" Davis. In 1953 Lee performed with Joe Holiday. In 1954 and 1955 Lee freelanced in New York City. In 1956 he played with James Moody. Lee visited Ohio for a year, later returning to NYC and gigging around, including performances at the jazz club Birdland, playing both piano and trumpet. He also played with Babs Gonzales.

## Professional career

Lee was the trumpeter for the Elmo Hope quintet, other members of the group being Hope (piano), Frank Foster (tenor sax), Percy Heath (bass) and Art Blakey (drums). Foster played on the albums Elmo Hope Quintet, Volume 2 (1952) and Hope Meets Foster (1955).
Lee wrote the song "My Delight" on the album Shades of Blue by Howard McGhee.
Lee was a member of a group of singers called "The Modern Sounds" who sang on the tracks "Movin' and Groovin'" and "The Doomed" on Gonzales' album Voila the Preacher, performed by Gonzales (vocals), Les Spann (flute), Charlie Griffin (tenor sx), Horace Parlan (piano), Charlie Rouse (bass clarinet), Ray Crawford (guitar), Peck Morrison (bass), Roy Haynes (drums) with The Modern Sounds: Joe Bailey, Curtis Lewis, Freeman Lee, Mamie Watts (all vocals).
Lee was a composer on the album Bennie Green Swings the Blues, along with Arthur Johnston and John Burke, and producer Teddy McRae. Other artists were Paul Gusman on drums, Bennie Green on trombone, Sonny Clark on piano, and Jimmy Forrest on tenor sax.
In 2017 a book about the life of Lee was published entitled “A Jazzman’s Tale”. It was written by Annette Johnson, who was inspired to write the book after having met Lee in his later years.

## Personal life

After his career as a jazz trumpeter, Lee was a science educator who inspired his students greatly at Krueger Junior High School in Michigan City, Indiana. His sisters Mary W. White and Jane Lee Ball were also educators. He never married but has a daughter, granddaughter, seven grandchildren and 5 great grandchildren. He was buried in Xenia Ohio.

## Discography

* 2011 Bebop: It Began in the Big Apple: Trumpet
* 2008 New York Is Our Home: Trumpet
* 2004 Swings the Blues, Bennie Green: Composer
* 1997 Blue Note: A Story of Modern Jazz, Trumpet
* 1973. Howard McGhee - Shades Of Blue, Writing and Arrangement
* 1958. The Preacher - Voila: Performed by Babs Gonzales: vocals, as part of The Modern Sounds quartet
* 1957 Trio and Quintet: Elmo Hope, Main Personnel: Trumpet
* 1955 Hope Meets Foster, Elmo Hope and Frank Foster : Trumpet
* 1954 Elmo Hope Quintet (New Faces-New Sounds, Vol. 2) Elmo Hope Quintet: Trumpet
# Kal-e Nakhab

Kal-e Nakhab (Persian: كال نخاب, also Romanized as Kāl-e Nakhāb) is a village in Raqqeh Rural District, Eresk District, Boshruyeh County, South Khorasan Province, Iran. At the 2006 census, its population was 26, in 7 families.
# Kid Howard

Avery "Kid" Howard (April 22, 1908, New Orleans, Louisiana - March 28, 1966, New Orleans) was an American jazz trumpeter, associated with the New Orleans jazz scene.
Howard began on drums at about age fourteen, but switched to cornet and then trumpet after playing with Chris Kelly. In New Orleans, he played in the 1920s with the Eureka Brass Band, Allen's Brass Band, and the Tuxedo Brass Band. He led his own bands late in the 1920s and early in the 1930s; it was his band which played at the jazz funeral for Buddy Petit. He played in the Palace Theatre pit orchestra from 1938 to 1943. In 1943, he recorded with George Lewis, considered to be among his best recordings. In 1946, he led the Original Zenith Brass Band, but played only locally for the next few years. In 1952 he returned to playing with Lewis, where he would remain until 1961. His later recordings with Lewis are uneven because he was battling with alcoholism, which interfered with his abilities as a soloist. He fell ill in 1961 and left Lewis's band, and upon his recovery he led his own band from 1961 to 1965 and recorded several times; these recordings were also highly praised.
He continued to play in New Orleans at Preservation Hall and other venues up until his death of a brain hemorrhage in 1966.

## Discography

* Kid Howard and His La Vida Jazz Band (1961, Icon Records)
* "Kid" Howard And His New Orleans Jazz Band At Zion Hill Church (1965, Nobility Recording Co.)
# Albert Snaer

Albert Snaer (January 29, 1902 – 1962) was an American jazz trumpeter.
Snaer was born, in New Orleans, Louisiana and there studied with Paul Chaligny. He worked on riverboats on the Mississippi River in the 1920s, playing in the bands of Fate Marable, Dewey Jackson, and George Augustin. With Augustin, he co-led a band called the Moonlight Serenaders. He played in the Excelsior Brass Band before moving to New York City in 1928.
In the 1930s Snaer played with Andy Kirk and Leroy Smith, but spent most of his time as a member of Claude Hopkins's orchestra. He went into semiretirement in the 1940s, starting up a dry cleaning business in Connecticut. He played on some of Sidney Bechet's recordings in the late 1940s. In the middle of the 1950s he moved to San Francisco, where he played with Big Boy Goudie. In 1960 it was thought that he had died, and several papers ran obituaries about him; he did not actually die until 1962.
# Percy Humphrey

Percy Gaston Humphrey (January 13, 1905 – July 22, 1995) was an American jazz trumpeter and bandleader in New Orleans, Louisiana.
In addition to his band, Percy Humphrey and His Crescent City Joymakers, for more than thirty years he was leader of the Eureka Brass Band. He also played in the band of the pianist Sweet Emma Barrett. From its opening in the early 1960s until shortly before his death, Humphrey played often at Preservation Hall, traveling internationally for performances with the Preservation Hall Jazz Band and his own bands.
Percy Humphrey was the younger brother of clarinetist Willie Humphrey and trombonist Earl Humphrey. His father was clarinetist Willie Eli Humphrey. His grandfather was "Professor" Jim Humphrey, who took the train from New Orleans to sugar cane plantations during the 1890s to teach music to children of plantation workers.

## Leader of Eureka Brass Band (1946-1975)

The Eureka Brass Band was founded in 1920 by trumpeter Willie Wilson. The band's members included clarinetists Willie Parker, John Casimir, and George Lewis. Humphrey took over the band in 1946 and led the group for the remainder of its existence. The members of the band varied, usually having nine to eleven members. Typical instrumentation was three trumpets, two trombones, two reeds, tuba, snare drum, and bass drum. Reed instruments were many, including the saxophones that often are found among jazz bands, but the clarinet is characteristically the signature reed instrument of New Orleans jazz.
They recorded prolifically, for such labels as Pax, Alamac, Folkways, Jazzology, and Sounds of New Orleans. A 1951 album, New Orleans Parade, features Humphrey, trombonists Charles "Sunny" Henry and Albert Warner, and saxophonist Emanuel Paul. Their 1962 sessions, Jazz at Preservation Hall, Volume 1: the Eureka Brass Band of New Orleans, issued on Atlantic Records, features Humphrey and his brother, Willie, trumpeters Kid Sheik Cola and Peter Bocage, trombonists Albert Warner and Oscar "Chicken" Henry, Emanuel Paul on tenor saxophone, Wilbert "Bird" Tillman on sousaphone, snare drummer Cie Frazier, and bass drummer Robert "Son Fewclothes" Lewis.
The Eureka Brass Band disbanded in 1975, but Humphrey subsequently revived the name for festival performances and other appearances. He continued to lead his own band and perform at Preservation Hall until his death in New Orleans in 1995. His last performance was at the annual New Orleans jazz festival in April, three months before his death at the age of ninety.

## Discography

* 1953 Percy Humphrey at Manny's Tavern (Biograph)
* 1954 Sounds of New Orleans, Vol. 1: Paul Barbarin & His Band/Percy Humphrey's Jam Session (Storyville)
* 1961 Percy Humphrey's Crescent City Joymakers (Riverside)
* 1965 Climax Rag (Delmark)
* 1972 New Orleans to Scandinavia (SLP)
* 1972 A Portrait of Percy Humphrey (Storyville)
* 1974 Living New Orleans Jazz (Smokey Mary)
* 1995 Jazz in Schloss Gracht (GHB)
* 1995 Hot Six (GHB)
* 1996 Percy Humphrey & Paul Barbarin (American Recordings)
* 2000 In Italy (GHB)
* 2014 Percy Humphrey and the New Orleans Joymakers (GHB)