# Panchavimshatimurti

The panchavimshatimurti (Sanskrit: पञ्चविंशतिमूर्ति, romanized: Pañcaviṃśatimūrti, lit. 'twenty-five forms') is the representation of twenty-five forms of Shiva in Hindu iconography. These forms are described in the Shaiva Agamas of the southern Shaiva Siddhanta sect of Shaivism. The Sritattvanidhi calls these the panchavimshatililamurti (twenty-five sportive forms). These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the main images of the sanctum or sculptures and reliefs in the outer walls of Shiva temples.

## Description

The Agama texts describe twenty-five forms of Shiva, offering specifications in which the deity is to be represented. For each form, the attire, ornaments, posture, weapons, as well as the other accessories associated with the form are described, along with associated deities and objects.

## Iconography

The common list of the Panchavimshatimurti is given below:
| Form | Description |
| Bhikshatana | Bhikshtana is depicted in the form of a nude four-armed mendicant, adorned with ornaments and holding a begging bowl in his hand. |
| Kamari | Kamari is depicted as the form of the deity that incinerated Kama with his third eye. |
| Kalantaka | Kalantaka is depicted as the form of the deity that rescued his devotee, Markandeya, from Yama, the god of death. |
| Kalyanasundara | Kalyanasundara is depicted as the form of the deity during his wedding ceremony with Parvati. |
| Vrisharudha | Vrisharudha is depicted as the form of the deity who is accompanied by Parvati and seated on his bull mount, Nandi. |
| Chandrashekara | Chandrashekara is depicted as the form of the deity who wears the crescent moon on his matted hair. |
| Umamaheshvara | Umamaheshvara is depicted as the divine couple of Shiva and Parvati following their wedding. |
| Nataraja | Nataraja is depicted as the form of the deity who is regarded to be the king of the dance. |
| Tripurantaka | Tripurantaka is depicted as the form of the deity that destroyed the three asura cities of Tripura. |
| Jalandharari | Jalandharari is depicted as the form of the deity who slew the asura Jalandhara. |
| Gajasurasamhara | Gajasurasamhara is depicted as the form of the deity who slew the asura Gajasura, who had assumed the form of an elephant. |
| Virabhadra | Virabhadra is depicted as the form of the deity who destroyed the Daksha yajna. |
| Harihara | Harihara is depicted as the syncretic form of the deities Shiva and Vishnu. |
| Ardhanarishvara | Ardhanarishvara is depicted as the syncretic form of Shiva and Parvati. |
| Kirata | Kirata is depicted as the form of the deity who assumed the form of a hunter, bestowing the Pashupatastra on Arjuna. |
| Kankalamurti | Kankalamurti is depicted as the form of the deity who is regarded to have slain Vishvaksena. |
| Chandeshanugraha | Chandeshanugraha is depicted as the form of the deity who blessed Chandeshvara Nayanar. |
| Chakraprada | Chakrapada is depicted as the form of the deity who granted the Sudarshana Chakra to Vishnu. |
| Somaskanda | Somaskanda is depicted as the form of the deity accompanied by Parvati and Skanda. |
| Ekapada | Ekapada is depicted as the form of the deity who only has one foot, with Brahma and Vishnu emerging from his form. |
| Vigneshanugraha | Vigneshanugraha is depicted as the form of the deity portrayed with Parvati and Vignesha. |
| Dakshinamurti | Dakshinamurti is depicted as the form of the deity who is associated with the south and wisdom. |
| Nilakantha | Nilakantha is depicted as the form of the deity who bears a blue throat, having consumed the halahala poison during the churning of the ocean. |
| Lingodbhava | Lingodbhava is depicted as the form of the deity emerging from a pillar of light amidst Brahma and Vishnu. |
| Sukhasana | Sukhasana is depicted as the form of the deity sitting in ease. |