OpenLLM-France/wikimedia huggingface dataset:
# Delphine Ugalde

Gabrielle Delphine Ugalde, née Beaucé (3 December 1829 – 19 July 1910), was a French soprano and composer. She was the mother of Marguerite Ugalde.

## Biography

Delphine Ugalde was born in Paris. After studies with her mother and the tenor Théodore-François Moreau-Sainti in Paris, she made her debut at the Opéra Comique in 1848 as Angèle in Auber’s Le Domino noir, followed by L'Ambassadrice. She went on to create roles in several popular operas of the time including the title role in Galathée by Victor Massé on 14 April 1852, Virginie in Le Caïd by Thomas on 3 January 1849 and Coraline in Le Toréador on 18 May 1849. After a break, she returned for Psyché (Eros) by Thomas on 26 January 1857.
She sang in Auber's L’Enfant prodigue in London in 1851. At the Paris Opéra she sang Alice in Robert le diable in 1851 and Leonora in Il Trovatore (1858).
In 1858, she made her debut at the Théâtre Lyrique, where she sang Suzanne in Les Noces de Figaro, Carabosse Mélodine in La Fée Carabosse by Massé (28 February 1859), Blondine in L'Enlèvement au Sérail (1859), Martine in Ma tante dort (21 Jan 1860), and the title role in Gil Blas (24 March 1860). Her final benefit performance on 14 May 1860 was a lavish affair with, as well as many popular singers, contributions from Massé, Sarasate and Gounod. She returned briefly in 1865 to sing Papagena.
In February 1861, Ugalde escaped a serious stage accident while singing in a performance of Le Caïd in Caen. From 1863, she sang at the Théâtre des Bouffes-Parisiens (Orphée aux enfers, Les Bavards), including her own operetta La Halte au moulin (1867), retired from the stage in 1871, but performed again in the sole role of her comic opera Seule in 1873.
Ugalde took over the direction of the Bouffes-Parisiens in 1885 and for her first production – La Béarnaise by Messager – brought Jeanne Granier out of semi-retirement for the double part of Jacquette/Jacquet.
Among her pupils were her daughter Marguerite Ugalde and Marie Sass. Ugalde died in Paris.

## Compositions

Operas
* La Halte au moulin. Opéra comique en 1 acte (Constant Jardry), Paris: E. Gérard et Cie., 1868. See vocal score at Gallica.
* Seule. Opéra comique à un seul personnage, chanté par Mme Ugalde (Francis Tourte), Paris: A. O'Kelly, 1873.
Vocal music
* Vingt Mélodies (Adrien Dézamy), Paris: Louis Gregh, 1878.
* L'Elève de St Cyr (Eugène Leterrier, Albert Vanloo), Paris: Enoch frères et Costallat, 1882.
* Le Bal des roses. Rondeau (M. Klanko), Paris: Choudens fils, 1889.
* Tantum ergo (bibl.), Paris: Choudens fils, 1889.
* Les Sabots. Chansonnette (A. Robbé, A. Larsonneur), Paris: E. Benoit, 1892.
Piano music
* Deux Polkas brillantes, Paris: Au Ménestrel, Henri Heugel, 1851.
# Eduard Rozovsky

Eduard Aleksanrovich Rozovsky (Russian: Эдуард Александрович Розовский; 14 December 1926 – 26 July 2011) was a Soviet cinematographer and cameraman, whose film credits include Amphibian Man and White Sun of the Desert.
Rozovsky was an alumna of Russian State Institute of Cinematography (VGIK), which is now called the Gerasimov Institute of Cinematography. His father was Alexander Evseevich Rozovsky, and his mother was Nonna (Anna) Naumovna (née Poliak).He began his career at the Lennauchfilm film studio, where he started as a cameraman. He then joined Lenfilm studio, where he worked as a cinematographer.
Rozovsky is credited as the cinematographer on more than eighty films, spanning several decades. His best known films include White Sun of the Desert, Amphibian Man, The Seventh Companion, Kain XVIII, and Chief of Chukotka. He later became the film department chairman at the St. Petersburg State University of Cinema and Television. He was named People's Artist of Russia in 1997 for his work.
Rozovsky died in a car accident when he lost control of his Opel Astra while driving on the highway from the city of St. Petersburg to his country home in Priozersk. It is unknown if he died from the car accident or his heart stopping. He was 84 years old.

## Selected Cinematography

| Film name | Year |
| Iriston's Son | 1959 |
| Amphibian Man | 1961 |
| Cain XVIII | 1963 |
| Friends and Years | 1965 |
| Chief of Chukotka | 1966 |
| The Seventh Companion | 1967 |
| White Sun of the Desert | 1969 |
| Tsarevich Prosha | 1974 |
| How Ivanushka the Fool Travelled in Search of Wonder | 1977 |
| Wrong Connection | 1977 |
| My Father Is an Idealist | 1980 |
| The Donkey's Hide | 1982 |
| Highway | 1982 |
| And Then Came Bumbo... | 1984 |
| The Tale about the Painter in Love | 1987 |
| White Nights | 1992 |
# Louise Filliaux-Tiger

Louise Filliaux-Tiger (22 May 1848 – 28 November 1916) was a French pianist, composer and teacher of the late Romantic period. Born into an artistic family, Filliaux-Tiger attended the Conservatoire de Paris, spending her subsequent career in the city. As a successful performer and composer for piano, most of her works were for the instrument, although she wrote vocal and chamber music as well.

## Life and career

Louise Sophie Tiger was born on 22 May 1848 in the 8th arrondissement [fr] of Paris, France. Her father was the architect Alexandre-Joseph-Jean-Baptiste Tiger, while her mother was the painter Félicie Tiger [fr]. She entered the Conservatoire de Paris sometime before 1868. Tiger's Conservatoire awards included 2nd runner-up (accessit) for harmony and accompaniment in 1868 and 2nd prize in the same category for 1869. At some point she married Charles-Émile Filliaux, and combined their surnames.
Filliaux-Tiger became an Officier d'Académie on 24 December 1885. A member of both the Société nationale de musique and the International Society of Music, she was vice president of the Union of Women Music Teachers and Composers for a time. She founded the Soirées confraternelles in 1897, annual concerts at the Salle Pleyel which featured the work of women composers. She died suddenly on 28 November 1916 in Nice, France. Her will included a bequest of 120,000 F to the French government, granted that it be used for performances of orchestral music by French woman composers.
She was active as a pianist, composer and teacher. Teaching from Paris, the Dictionnaire national des contemporains describes her as a "renowned" pianist. The latter source insists she was best known as a composer; her compositions include mainly piano works, but also songs and chamber music. Many of her works were distributed by the Société Coopérative des Compositeurs de Musique, but often published "at her own expense". Among her best known works is a Ballade (1914), simultaneously published in both vocal and solo piano variants; a third version, with two additional voices, was published in 1915. The vocal ensemble Para l'Elles noted the work's detailed instructions, and likened the atmospheric choral writing to that of Debussy and Ravel.
After a period of neglect, Filliaux-Tiger was rediscovered by the research of composer Adélaïde Legras, in the Bibliothèque nationale de France archives, where many of her works are held.

## List of compositions

Source:
    Piano
* Deux Pièces Pastorales pour piano, 1890
* Dans les brandes, 1900
# Myeik District

Myeik District (Burmese: မြိတ်ခရိုင်) is a district in the Tanintharyi Region of Burma (Myanmar). The district covers an area of 18,121 km$^2$, and had a population of 693,087 at the 2014 Census.

## Administrative divisions
### Townships

The district contains the following townships:
* Myeik Township (population 284,489; area 1,217 km$^2$)
* Kyunsu Township (population 171,753; area 3,137 km$^2$)
* Palaw Township (population 129,992; area 2,404 km$^2$)
* Taninthayi Township (population 106,853; area 11,363 km$^2$)

### Subtownships

* Palauk Subtownship
# Stefano Gobatti

Stefano Gobatti (Bergantino, 5 July 1852 – Bologna, 17 December 1913) was an Italian opera composer.
Gobatti was born in 1852 in the Province of Rovigo in a poor and humble peasant family. He passionately studied music and immediately had results, and was taught under Giuseppe Busi and Lauro Rossi. At just eighteen, he composed the opera I goti which was staged on 30 November 1873 at the Teatro Comunale di Bologna. The work was an unprecedented success. Within a short period he was the "Freeman of the City of Bologna" and appointed Member of Honor of the Accademia Filarmonica in Bologna and appointed Knight of the Crown of Italy granted by King Vittorio Emanuele II. Under pressure from music publishers and their purely economic interests, his later works such as Luce (1875) and Cordelia (1881), were inevitably marked by conflicting adversity. Gobatti, disappointed and embittered, increasingly sought refuge in a Franciscan convent in the hills of Bologna, and lived there as a monk in extreme poverty. He died on 17 December 1913 and was buried at the Cimitero Monumentale Della Certosa.
# Seyang

Seyang (Persian: سينگ, also Romanized as Sey Ang) is a village in Qohab-e Rastaq Rural District, Amirabad District, Damghan County, Semnan Province, Iran. At the 2006 census, its population was 65, in 17 families.
# Adolf Bernhard Marx

Friedrich Heinrich Adolf Bernhard Marx [A. B. Marx] (15 May 1795, Halle – 17 May 1866, Berlin) was a German music theorist, critic, and musicologist.

## Life

Marx was the son of a Jewish doctor in Halle who, though a member of the congregation, was according to his son a convinced atheist. Marx was given the names Samuel Moses at birth, but changed these at his baptism in 1819.
He began his career studying law at Halle, but also learned musical composition there—a fellow student was the composer Carl Loewe. After rejecting an offer for legal appointment at Naumburg, in 1821 he went to Berlin, where in 1825 Adolf Martin Schlesinger appointed him editor of the music journal he had founded, the Berliner allgemeine musikalische Zeitung. Marx's intellectual critiques were appreciated by, amongst others, Beethoven, although they often offended the Berlin establishment, including Carl Friedrich Zelter.
Marx became an intimate of the family of Felix Mendelssohn, who was greatly influenced by Marx's ideas about the representational qualities of music—Marx's influence in the revision of Mendelssohn's overture to 'A Midsummer Night's Dream' (1826) was noted by their mutual friend Eduard Devrient in his memoirs. After Mendelssohn's revival of J. S. Bach's St. Matthew Passion in 1829, Marx persuaded Schlesinger to undertake the publication of this work, making Bach's masterpiece accessible to scholars for the first time. As Mendelssohn matured however the two drifted apart. At one time each agreed to write the libretto for an oratorio to be composed by the other. Mendelssohn wrote a text on the subject of Moses, while Marx wrote one on the subject of St. Paul. However Mendelssohn's later oratorio on St. Paul used an extensively revised text; and when Marx asked Mendelssohn to perform his Moses in 1841 in Leipzig, Mendelssohn refused because of its poor quality. The enraged Marx thereupon threw his extensive correspondence with Mendelssohn into the river, and it has therefore been lost forever. Moses was to be performed by Liszt at Weimar in 1853.
In 1830, with Mendelssohn's recommendation, Marx was appointed to the new post of professor of music at Berlin University and, from this time until his death, Marx's main influence was as a writer and teacher. In 1832, he also became music director at the University. In 1850 he was one of the founders of the Berlin Stern conservatory. His four-volume textbook on compositional theory, Die Lehre von der musikalischen Komposition, was one of the most influential of the nineteenth century. It demonstrated a new approach to musical pedagogics, and presented a logically ordered system of the musical forms then in use, concluding with sonata form, which Marx exemplified using Beethoven's piano sonatas. Toward the end of his life Marx completed a biography of the composer. He wrote extensively about the music of his time and also published a two-volume autobiography.
# Aloÿs Claussmann

Aloÿs Claussmann (5 July 1850 – 7 November 1926) was a French organist, pianist and composer.

## Biography

Born in Uffholtz, Haut-Rhin (Alsace), Claussmann was a pupil of organist Eugène Gigout at the École Niedermeyer de Paris, where he obtained first prizes in piano and organ, before winning the Grand Prix of the Ministry of Fine Arts in 1872. The following year, he settled in Clermont-Ferrand, where he was appointed Kapellmeister of the Clermont-Ferrand Cathedral. The new Merklin organ was inaugurated in 1877 by Edmond Lemaigre, the first holder. Claussmann succeeded him in 1888 until his death in 1926.
A virtuoso interpreter, he chose to pursue his entire career in the Puy-de-Dôme area, while a Parisian position would have been readily accessible to him. He also founded the Conservatory of Clermont-Ferrand in 1909, directing it until his death.
Although he wrote many works for piano – he was an excellent pianist – as well as chamber music and vocal music, it is to the organ that he reserved the essential and most characteristic of his production, with about 350 compositions, fully in the post-Romantic music that he celebrated with brilliance but yet with sensitivity. He fulfilled his duties as organist of the cathedral, and assumed the function of director of the Conservatory, but he also performed well-known piano concertos with the orchestra of the city, which he occasionally directed.
The Alsatian origin of Claussmann makes his music a very successful synthesis of French and German schools, in which one certainly can identify César Franck, whose influence is certain, and Robert Schumann, but which possesses an indisputable personality of his own.
His work, together with those of other composers such as Marie-Joseph Erb from Strasbourg, Émile Bourdon in Monaco, Edouard Commette in Lyon, canon Fauchard in Laval, to name but a few, contributed to forge, in a way, the missing link between a recognised and celebrated Parisian organ music and the more discreet but undeniable contribution of the provincial masters to the elaboration of a language that contributed to the reputation of the French organ school.

## Works

A total of 544 pieces have been identified: 350 organ pieces, 113 piano pieces, 62 songs (or mélodies), 22 violin or cello pieces. Henry Lemoine was his principal publisher from 1904 to 1924. Most of his organ works are still available.

## Discography

* Toccata, 2 Scherzos, Minuetto, Méditation, Fantaisie héroïque, Cavatine de Raff, Antienne, and Mass for organ, by Hervé Désarbre at the historical John Abbey organ of Renaison (Mandala).
* Claussmann, pièces pour orgue, by François Clément on the organ of the city of Clermont-Ferrand (Art & Musique).
* Cortège triomphal by Willibald Guggenmos, on the organ of Wangen im Allgäu, Stadtpfarrkirche St. Martin (Psallitte).
* Pièce pour orgue by André Isoir at Hochfelden (ARDAM).
* Toccata, Op. 64, par Aitor Olea Juaristi, at the organ of Vasconia (Aarus).
* Works for piano: Sonate, Op. 45; Six pièces, Op 60; Caprice, Op. 47, par Stéphane Poyet (piano).
# St. Nicholas Cathedral (Washington, D.C.)

38°55′30″N 77°04′07″W﻿ / ﻿38.9249°N 77.0686°W﻿ / 38.9249; -77.0686
St. Nicholas Cathedral (Russian: Свято-Николаевский собор) in Washington, D.C., is the primatial cathedral of the Orthodox Church in America and the seat of Tikhon, Archbishop of Washington, Metropolitan of All America and Canada of the Orthodox Church in America.

## General information and history

The original parish church was founded in 1930 as the Russian Orthodox Church of Saint Nicholas. In 1949 the Synod of Bishops authorized the parish to be the church's National War Memorial Shrine and a national campaign to build a monumental Orthodox church in the capital of the United States was begun. The property upon which the cathedral is built was purchased in 1951. The substructure (basement) was completed in 1954 and was used for church services until the superstructure was completed in late 1962. A bell tower commemorating the millennium of Christianity in Russia was dedicated in 1988.

## Architecture and iconography

The cathedral architecture is based on the 12th century St. Demetrius Cathedral of Vladimir, Russia. Beginning in 1991, dedicated iconographers from Moscow led by Alexander Maskalionov painted icons throughout the nave in the traditional style. This work was completed in 1994.

## Location

The cathedral is at 3500 Massachusetts Ave NW at the corner of Edmund Street, in the District of Columbia. The 31,32,and 36 buses stop nearby, whereas the 37, N2, N3, N4, and N6 buses stop directly outside the cathedral at the Massachusetts Avenue-Edmunds St. intersection. There is no direct Metro access to the cathedral, but there are several stops within walking distance, such as Woodley Park, Cleveland Park, and Van Ness-UDC.
# Simonyan

Simonyan (Armenian: Սիմոնյան) or in Western Armenian Simonian Western Armenian: Սիմոնեան), sometimes transliterated as Simonjan is an Armenian patronymic surname meaning "son of Simon". Notable people with the name include:

## People
### Simonian

* Hovann Simonian, Armenian Swiss scholar in Armenian history
* Hrair Simonian (born 1991), Armenian chess grandmaster
* John Simonian, Kenyan field hockey player and rally driver
* Nariné Simonian (born 1965, French-Armenian organist
* Rupert Simonian (born 1991), British actor of Armenian origin
* Sebu Simonian (born 1978), member of the American band duo Capital Cities
* Simon Simonian (1914–1986), Lebanese-Armenian intellectual, writer, activist and teacher, founder of the literary Armenian periodical Spurk

### Simonyan

* Alen Simonyan (born 1980), Armenian politician, president of the National Assembly of Armenia
* Artem Simonyan (footballer) (born 1995), Armenian footballer
* Artyom Simonyan (born 1975), Armenian boxer
* Gagik Simonyan (born 1971), Armenian footballer
* Margarita Simonyan (born 1980), Russian journalist, editor-in-chief of Russia Today
* Mikhail Simonyan (born 1986), Russian-American violinist
* Nadezhda Simonyan (1922–1997), Russian film composer
* Nikita Simonyan (born 1926), Russian former footballer, coach, and sports official
* Tata Simonyan (born 1962), Armenian singer
# Qazi Jub

Qazi Jub (Persian: قاضي جوب, also Romanized as Qāẕī Jūb, and Qāzī Jūb; also known as Qāziju) is a village in Howmeh-ye Dehgolan Rural District, in the Central District of Dehgolan County, Kurdistan Province, Iran. At the 2006 census, its population was 298, in 72 families. The village is populated by Kurds.
# Danila Yashchuk

Danila Sergeyevich Yashchuk (Russian: Данила Серге́евич Ящук; born 13 March 1995) is a Russian professional football player.

## Club career

He made his debut in the Russian Premier League on 26 May 2013 for FC Zenit Saint Petersburg in a game against FC Amkar Perm.
# Andrei Bochkov

Andrei Mikhailovich Bochkov (Russian: Андрей Михайлович Бочков; born 13 January 1982) is a former Russian footballer.
# Atomic Energy (Miscellaneous Provisions) Act 1981

The Atomic Energy (Miscellaneous Provisions) Act 1981 (c. 48) is an Act of Parliament of the United Kingdom. The effect of the act was to allow the United Kingdom Atomic Energy Authority, and the secretary of state for energy, to sell, or otherwise dispose of, shares in relevant companies held by them.

## Rationale

The principal aim of the act was to enable the United Kingdom Atomic Energy Authority (UKAEA) and the secretary of state for energy to dispose of shares in companies working with radioactive substances. Under the provisions of the Atomic Energy Act 1971 the UKAEA's interest in radioactive substances used for medicine was transferred to The Radiochemical Centre (TRC). It was envisaged that TRC would eventually have a private shareholding free from government intervention. Although the UKAEA and secretary of state had powers to buy shares in relevant companies there was no power to dispose of shares. The 1971 act provided for a majority of shares in TRC to be in the public sector, however, the government now thought it expedient that the private holding may have a majority interest. The 1981 act provided for these requirements.

## Provisions

Long title: "An Act to extend the power of the United Kingdom Atomic Energy Authority to dispose of shares held by them in any company and the power of the Secretary of State to dispose of shares held by him in companies engaged in activities in the field of atomic energy or radioactive substances; to extend the power of the Secretary of State with respect to the application of sums received by the Authority; and for connected purposes."
The act received royal assent on 27 July 1981.
The act comprised four sections:
* Extension of power of Atomic Energy Authority and Secretary of State to dispose of shares etc.
* Application of Authority's receipts.
* Expenses.
* Interpretation, short title, and extent.
# Le Rire (film)

Le Rire English: The Laugh, is a French comedy short film from 1953, directed by Maurice Régamey, starring Louis de Funès. Louis de Funès discusses and defines "the laugh."
# Michael Bazynski

Michael Bazynski (born 12 October 1958) is a German judoka. He competed in the men's middleweight event at the 1988 Summer Olympics.
# Sela pri Otovcu

Sela pri Otovcu (pronounced) is a settlement north of Črnomelj in the White Carniola area of southeastern Slovenia. The area is part of the traditional region of Lower Carniola and is now included in the Southeast Slovenia Statistical Region.

## Church

The local church, to the south of the settlement and known as the Otovec church, although it is built on the territory of Sela, is dedicated to Saint Bartholomew (Slovene: sveti Jernej) and belongs to the Parish of Črnomelj. It is a Baroque building erected in the mid-18th century on the site of an older church mentioned in written documents dating to 1526.
# Redinha beach

Redinha beach (Portuguese: Praia da Redinha) is a beach located in the Brazilian city of Natal in the State of Rio Grande do Norte.
# List of Utah artists

The following is a list in progress of prominent Utah artists.
A
* George Edward Anderson, photographer
* Paige Crosland Anderson, painter
B
* Pat Bagley, editorial cartoonist and illustrator
* Earl W. Bascom, sculptor
* Milo Baughman, modern furniture designer
* Anna Campbell Bliss, visual artist and architect
* Solon Borglum, sculptor
* Don Busath, photographer
* Blair Buswell, sculptor
C
* Thomas Battersby Child, Jr., "outsider artist", known for the Gilgal Sculpture Garden
* C. C. A. Christensen, painter
* James C. Christensen, painter, illustrator
* John Willard Clawson, painter
* Henry Lavender Adolphus Culmer, painter
D
E
F
* Avard Fairbanks, sculptor
* John B. Fairbanks, painter
* Ortho R. Fairbanks, sculptor
* Dean Fausett, painter
* Lynn Fausett, painter
* Kathryn Jean Finlayson, painter
* Edward J. Fraughton, sculptor
* Arnold Friberg, painter
G
H
* John Hafen, painter
* James Taylor Harwood, painter
J
* Parker Jacobs, illustrator
* Franz M. Johansen, sculptor/painter
K
* Brian Kershisnik, painter
* Torleif S. Knaphus, sculptor
L
* Alfred Lambourne, painter
* Bryan Larsen, painter
M
* Kenneth C. Madsen, painter
* Jon McNaughton, painter
* Miranda Meeks, digital artist
N
O
P
* Cat Palmer, photographer
* Del Parson, painter
* Kathleen Peterson, painter
* Lorus Pratt, painter
R
* Mary Lou Romney, painter
* Lee Greene Richards, painter
S
* Charles Roscoe Savage, photographer
* Dennis Smith, sculptor
* Sril Art, mural artist
* LeConte Stewart, painter
* Liz Lemon Swindle, painter
T
* Iosua Tai Taeoalii, mixed-media artist
* Debra Teare
* Mary H. Teasdel, impressionist painter
* Minerva Teichert, painter
U
W
* William W. Ward, stone carver, architect
* Florence Ware, painter
* Kevin Wasden, illustrator
* Stanley J. Watts, sculptor
* Dan Weggeland, painter
* Don Weller, painter
Z