# Paul Phillips (conductor)

Paul Schuyler Phillips (born April 28, 1956) is an American conductor, composer and music scholar. He is the Gretchen B. Kimball Director of Orchestral Studies, and Professor of Music at Stanford University, where he directs the Stanford Symphony Orchestra, Stanford Philharmonia, and Stanford Summer Symphony. He maintains an international career as a guest conductor and composer. As a scholar, he is best known for his writings on Igor Stravinsky and Anthony Burgess.

## Conducting

In 1982, Phillips accepted Michael Gielen’s invitation to become his conducting assistant at the Frankfurt Opera, and was appointed 1st Kapellmeister and Chorus Director at Stadttheater Lüneburg the following year. Upon winning 1st Prize in the NOS International Conductors Course in the Netherlands (1983) and selection as a Finalist in the Exxon/Arts Endowment Conductors Program (1984), he left Germany and returned to the US as Associate Conductor of the Greensboro Symphony, Music Director of the Greensboro Symphony Youth Orchestra, and Assistant Conductor of the Greensboro Opera. In 1985, he began a 14-year affiliation with the Maryland Symphony Orchestra as Youth Concert Conductor, conducting the annual MSO Citibank Youth Concerts from 1986-1999. In 1986 he was appointed Associate Conductor of the Savannah Symphony, adding the post of Director of the Savannah Symphony Chorale in 1987. In 1989, he assumed his position as Director of Orchestras and Chamber Music at Brown University concurrent with an appointment as Associate Conductor of the Rhode Island Philharmonic, and in 1994 was named Music Director and Conductor of the Pioneer Valley Symphony & Chorus. In 2017, Phillips resigned from his positions at Brown and with the Pioneer Valley Symphony to accept his appointment as Director of Orchestral Studies at Stanford.
Acclaimed as a conductor “who was born to stand on a podium,” Phillips has appeared with more than 50 orchestras worldwide, including the Detroit Symphony, San Francisco Symphony, Rochester Philharmonic, Louisville Orchestra, Charlotte Symphony, Columbus Symphony, Netherlands Radio Chamber Orchestra and Iceland Symphony Orchestra, with which he recorded two compact disks. He has also conducted Regional and All-State Orchestras in Maine, Massachusetts, New Hampshire, New Jersey, Oklahoma, Rhode Island and Vermont.
With a repertoire of over 900 works performed in concert, Phillips has conducted much of the standard orchestral repertoire as well as many operas, musical theatre works and ballets.
Phillips's conducting honors include 1st Prize in the Wiener Meisterkurse Conductors Course and eight ASCAP Awards for Adventurous Programming of Contemporary Music, including 1st prize with the Brown University Orchestra in 2005 in the Collegiate Orchestra Division. He has conducted dozens of regional and world premieres, and hosted numerous composers-in-residence at Brown and with the Pioneer Valley Symphony, including Steve Reich, Steven Stucky, Joseph Schwantner, Samuel Adler, Lukas Foss, David Amram, William P. Perry, Michael Torke, Peter Boyer, George Walker and Gwyneth Walker. He has conducted concerts with Itzhak Perlman, Sergiu Luca, Christopher O'Riley, Matt Haimovitz, Carol Wincenc, Eugenia Zukerman and other noted soloists, as well as with Dave Brubeck, Dizzy Gillespie, Tony Bennett, Ray Charles, Dionne Warwick, Glen Campbell, Ferrante & Teicher, and other jazz and pop stars.
In December 2006/January 2007, he led the Brown University Orchestra on a New Year's concert tour of China that included performances in Beijing's Poly Theatre, at the Shanghai Oriental Art Center, and in Ningbo, Dalian, Suzhou and Changzhou. He premiered Elaine Bearer's "Seaselves" in 1994 composed on a poem by Lawrence Ferlinghetti performed by the Brown University Orchestra with poetry read by Salty Brine. Combined with other new pieces that Phillips conducted that year, this performance led to an ASCAP award for adventurous programming.

## Composition
### Concert works

Sweet Thunder [12 pianos], 2023 Brass Knuckles [orch], 2016 Wave [orch], 2014 Battle-Pieces (Melville) [B & piano; also B & orchestra], 2011 War Music Suite (Logue) [STB soli & orchestra], 2009 A/B: A 90th Birthday Celebration of Anthony Burgess (Phillips) [actor & chamber ensemble], 2007 Invocation (Rumi) [S, fl, pf], 2004 Black Notes and White [brass, perc, org], 2001 Three Burgess Lyrics (Burgess) [SATB chorus, vln, pf], 1999 Celestial Harmonies [ballet for string orch], 1997 Brownian Motion [orch], 1995 Come On Out and Play (Harley) [singer-narrator & orch], 1996 (based on a story by singer/songwriter Bill Harley) Miracle Songs (various) [S & piano], 1987

### Stage works

War Music (Christopher Logue), 2005, rev. 2006
* 90-minute music theatre piece based on Logue's adaptation of The Iliad. Commissioned by the RI-based performance ensemble Aurea; premiered September 2005 at the FirstWorksProv Festival in Providence, Rhode Island; revived 2006 at the Chicago Humanities Festival and 2007 at the New York Festival of the Humanities.
Mann ist Mann (Brecht), 1984 Dorothees Abenteuer im Lande des Zauberers von Ooz [Dorothy's Adventures in the Land of the Wizard of Oz] (Baum), 1983 Pericles (Shakespeare), 1978

### Opera

Weedpatch 2018
* Libretto by Bill Harley. Commissioned by North Cambridge Family Opera.

## Music scholarship

Phillips is the editor of The Devil Prefers Mozart: On Music and Musicians, 1962-1993 by Anthony Burgess (Carcanet, 2024) and author of A Clockwork Counterpoint: The Music and Literature of Anthony Burgess (Manchester University Press, 2010), the first comprehensive study of Burgess's music and its relationship to his writings. He contributed the Anthony Burgess entry in The New Grove Dictionary of Music and Musicians, several articles published in the Anthony Burgess Newsletter, the essay "The postmodernist always swings nice" in Anthony Burgess and Modernity (Manchester University Press, 2008), and the essay "That Man and Music: Ten Reasons Why Anthony Burgess’s Music Matters" in Anthony Burgess: Music in Literature and Literature in Music (Cambridge Scholars Press, 2009). His essay "Burgess and Music" will appear in the new Norton Critical Edition of A Clockwork Orange (Norton, 2010).
In his book Stravinsky and the Russian Traditions, Richard Taruskin cites Phillips's article "The Enigma of Variations: A Study of Igor Stravinsky's Final Work for Orchestra" (Music Analysis, 1984) as "the best exposition in print of Stravinsky's serial methods."

## Education

Phillips, a graduate of Cranford High School in New Jersey, attended the Eastman School of Music before transferring to Columbia University, where he received a BA cum laude in music and MA in music composition. Subsequently, he received a MM in orchestral conducting from the University of Cincinnati College-Conservatory of Music, where he studied with Gerhard Samuel. He completed additional studies at Tanglewood, Aspen Music Festival and School, Music Academy of the West, the Los Angeles Philharmonic Institute, Mozarteum in Salzburg, and other music academies, studying with Leonard Bernstein, Leonard Slatkin, Kurt Masur, Seiji Ozawa, Michael Tilson Thomas, Otmar Suitner and other conductors. He studied piano with Niels Østbye, Kyriena Siloti and Jeanne-Marie Darré, among others.

## Film and television

In 1999, Phillips was featured as a performer and commentator on Anthony Burgess's music in the BBC television documentary The Burgess Variations written and narrated by Kevin Jackson and produced and directed by David Thompson.