# High Flight (film)

High Flight is a 1957 CinemaScope British Cold War film, directed by John Gilling and starring Ray Milland, Bernard Lee and Leslie Phillips.
The title of the film was derived from the 1941 poem of the same title by Pilot Officer John Gillespie Magee Jr., an Anglo-American aviator who flew for the Royal Canadian Air Force (RCAF) and lost his life in 1941 over RAF Cranwell, where much of the film was shot.

## Plot

A group of flight cadets arrive at RAF Cranwell to begin a three-year training course to become RAF pilots. Amongst the group is Tony Winchester who makes a memorable entrance by landing his civilian Taylorcraft Auster aircraft with his girlfriend aboard on the RAF runway just ahead of a de Havilland Vampire jet trainer piloted by Wing Commander Rudge.
During the Second World War, Winchester's father had been Rudge's commanding officer and was killed protecting Rudge, who had disobeyed orders. Winchester is a difficult individual who harbours animosity towards Rudge over his father's death. Another of the aspiring pilots is the scientific minded Roger Endicott who is also determined to create a working flying saucer. Endicott's flying radio-controlled model develops difficulties and crashes into the middle of a Bishop's tea party.
Winchester doesn't learn the meaning of teamwork and is nearly killed when he disobeys orders, flying into a storm. Rudge demands his resignation but reconsiders, remembering his own rash behaviour had been the cause of the death of Winchester's father. Rudge ultimately selects Winchester to fly in a precision aerial team training for the Farnborough Airshow. When the squadron is temporarily posted to a forward base in West Germany, Winchester flies close to hostile territory near the inner-German border and is nearly shot down by East German anti-aircraft guns firing across the border. The wounded airman and his stricken aircraft are rescued by Rudge, who brings him back safely to a crash landing at his home base. Finally, Winchester comes to understand his role in the RAF and that he is part of a team effort.

## Cast

As appearing in screen credits (main roles identified):
| Actor | Role |
| Ray Milland | Wing Commander Granite Rudge |
| Bernard Lee | Flight Sergeant Harris |
| Kenneth Haigh | Anthony "Tony" Winchester |
| Anthony Newley | Cadet Roger Endicott |
| Kenneth Fortescue | John Fletcher |
| Sean Kelly | Cadet Day |
| Helen Cherry | Louise Dawson |
| Leslie Phillips | Squadron Leader Blake |
| Duncan Lamont | Weapons Corporal |
| M. E. Clifton James | Field Marshal Montgomery |
| Kynaston Reeves | Air Minister |
| John Le Mesurier | Commandant |
| Jan Brooks | Diana |
| Jan Holden | Jackie |
| Frank Atkinson | Parker |
| Ian Fleming | Bishop |
| Nancy Nevinson | Bishop's wife |
| Grace Arnold | Commandant's wife |
| Hal Osmond | barman |
| Bernard Horsfall | radar operator |
| George Woodbridge (actor) | farmer |

## Production

Irving Allen and Albert Broccoli commissioned Jack Davies to write a screenplay about the present day Royal Air Force. Davies visited various RAF stations in Britain and Germany as well as the RAF College at Cranwell. "To say that I was impressed with what I saw and learnt was an understatement", said Davies. "These young men who fly daily at supersonic speeds are the flower of our youth. They work hard and they play hard." Ken Hughes worked on the script
Photography was originally scheduled around No. 111 Squadron RAF, nicknamed "Treble One" or "Tremblers", stationed at RAF Wattisham. The squadron was in the process of, or had been recently selected as the Royal Air Force Fighter Command Aerobatics Display Team, which became known as the Black Arrows. Film of the team at the 1956 Farnborough Airshow was featured. When inclement weather interrupted filming at their home base, the production moved to RAF Leuchars in Fife. Scotland, base of No. 43 Squadron RAF. RAF Leuchars later stood in for RAF Wunsdorf in West Germany. Principal photography which began on 10 April 1957, also took place at RAF Cranwell, Lincolnshire, using not only the facility but also film of the graduating ceremony of a training course, as well as RAF Chivenor, Devon, United Kingdom.
The use of RAF Percival Provost piston and de Havilland Vampire T.11 jet training aircraft and operational Hawker Hunter fighter aircraft heightened the authenticity of the film. During the course of production at RAF Leuchars, a Hunter "wheeled up" which allowed the film crew to use the wreck to simulate a Hunter crash. When the RAF did not allow the film crew to use an operational airframe as a camera aircraft, one Hunter was converted into a "PR" version, specially modified at great cost, to carry a forward-facing Cinemascope camera. A screen was drawn on the front windscreen of the camera Hunter with a chinagraph crayon. The pilot was instructed to fill the windscreen with aircraft. Additional air-to-air shots were taken from an Avro Lincoln bomber. Other aircraft visible in the film include Handley Page Hastings transport aircraft and Bristol Sycamore helicopters.
The casting of Ray Milland was typical of the Warwick Films productions, in using the star power of a Hollywood actor but in the case of Milland, he was also well suited to the film and its subject matter. During the 1930s and into the 1940s, the Welsh-born actor had moved to Hollywood and during the Second World War, had served as a civilian instructor for the United States Army Air Forces.

## Release

The film had a Gala World Premiere on 12 September 1957 at the Empire, Leicester Square. Released in England during Battle of Britain Week, High Flight did not fare well with critics. The film was a commercial success, leading to a studio re-release in 1961.

## Reception

The Monthly Film Bulletin wrote:
   Saddled with an absurd story concerning an irascible air cadet and a Wing Commander with a guilt complex, High Flight never really recovers from its banal central situation; also its emphasis on the glamour and high jinks of R.A.F. life sometimes gives it the appearance of a gaudy recruiting poster. Neither is the playing especially convincing: Ray Milland gives a tired and curiously strained performance, while Kenneth Haigh is made to repeat the more tiresome characteristics of his stage Jimmy Porter. The flying scenes, however, are entirely praiseworthy, being expertly shot and, in the concluding scenes, notably well composed for the wide screen.
Flight magazine noted that the aviation theme dominated, with 40 minutes of film time devoted to flying sequences.
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Superb flying scenes fail to compensate for ridiculous plot."
Later reviewers commented that the film was "... well written and acted. Lots of authentic jet flying sequences".
Leonard Maltin wrote: " (a) stale British drama of recruits in training for the RAF ... Last reel, in the air, (was the) only exciting part."

## Home video release

Although rarely seen on television and at times the US version, only in black and white, is broadcast, a DVD in colour is now available.