OpenLLM-France/wikimedia huggingface dataset:
# WRDW

WRDW may refer to:
* WCHZ (AM), a former radio station (1480 AM) licensed to serve Augusta, Georgia, United States, which held WRDW call sign from 1930 until October 2003
* WRDW (AM), a former radio station (1630 AM) licensed to serve Augusta, which held the WRDW call sign from 2003 until its deletion in 2020
* WRDW-TV, a television station (channel 12) licensed to serve Augusta
* WAGT-CD, a low-power television station (channel 16) licensed to serve Augusta, which held the call sign WRDW-CD from 2015 to 2016
* WTDY-FM, a radio station (96.5 FM) licensed to serve Philadelphia, Pennsylvania, United States, which held the call sign WRDW-FM from February 2004 until April 2015
# Lieurac

Lieurac (French pronunciation:; Occitan: Liurac) is a commune in the Ariège department in southwestern France.
# Rivière-aux-Brochets Ecological Reserve

Rivière-aux-Brochets Ecological Reserve is an ecological reserve in Quebec, Canada. It was established on December 15, 1999. It is situated near the mouth of the Pike River (French: Rivière aux Brochets) in the Brome-Missisquoi Regional County Municipality of the Montérégie region of Quebec, Canada. It is partially located in the municipality of Pike River and partially in Saint-Armand.
# Bang Saphan Yai railway station

Bang Saphan Yai station (Thai: สถานีบางสะพานใหญ่) is a railway station located in Kamnoet Nopphakhun Subdistrict, Bang Saphan District, Prachuap Khiri Khan, Thailand. It is a class 1 railway station, located 376.525 km (234.0 mi) from Thon Buri railway station.
The station opened in March 1915 as part of the Ban Krut-Bang Saphan Yai Southern Line Section. The line continued in September 1916 to Chumphon.

## Train services

* Special Express 43/44 Bangkok-Surat Thani-Bangkok
* Special Express 35/36 Bangkok-Padang Besar-Bangkok
* Special Express 37/38 Bangkok-Sungai Kolok-Bangkok
* Rapid 171/172 Bangkok-Sungai Kolok-Bangkok
* Rapid 169/170 Bangkok-Yala-Bangkok
* Express 83/84 Bangkok-Trang-Bangkok
* Rapid 173/174 Bangkok-Nakhon Si Thammarat-Bangkok
* Rapid 167/168 Bangkok-Kantang-Bangkok
* Express 85/86 Bangkok-Nakhon Si Thammarat-Bangkok
* Special Express 39/40 Bangkok-Surat Thani-Bangkok
* Special Express 41/42 Bangkok-Yala-Bangkok
* Ordinary 254/255 Lang Suan-Thon Buri-Lang Suan
# Šaranović

Šaranović is a family name most common in Bosnia, Montenegro and Serbia. It is derived from ancient Slavic word Šar which is also the basis for other family names like Šarančić, Šaranac, Šaran, and Šare.
Notable people with Šaranović surname include:
* Edin Šaranović
* Anja Šaranović
* Slobodan Šaranović
* Nikola Šaranović (sport shooter)
* Nikola Šaranović (basketball)
# Marmyzhi, Fatezhsky District, Kursk Oblast

Marmyzhi (Russian: Мармыжи) is a rural locality (Russian: деревня, lit. 'village') in Bolshezhirovsky Selsoviet Rural Settlement, Fatezhsky District, Kursk Oblast, Russia. The population as of 2010 is 24.

## Geography

The village is located on the Gryaznaya Rudka Brook (a right tributary of the Ruda in the basin of the Svapa), 86 km from the Russia–Ukraine border, 35 km north-west of Kursk, 22 km south-west of the district center – the town Fatezh, 16 km from the selsoviet center – Bolshoye Zhirovo.

### Climate

Marmyzhi has a warm-summer humid continental climate (Dfb in the Köppen climate classification).

## Transport

Marmyzhi is located 16 km from the federal route M-2 Crimea Highway as part of the European route E105, 25.5 km from the road of regional importance 38K-017 (Kursk – Lgov – Rylsk – border with Ukraine) as part of the European route E38, 2.5 km from the road of intermunicipal significance 38H-221 (M2 "Crimea Highway" – Kromskaya), 27 km from the nearest railway halt 433 km (railway line Lgov I — Kursk).
The rural locality is situated 39.5 km from Kursk Vostochny Airport, 149 km from Belgorod International Airport and 239 km from Voronezh Peter the Great Airport.
# NPO Klassiek

NPO Klassiek is a public-service radio channel in the Netherlands, broadcasting chiefly classical music. It is part of the Netherlands Public Broadcasting system, NPO.

## History

The channel began broadcasting on 28 December 1975 under the name Hilversum 4, changed to Radio 4 on 1 December 1985. Its first programme was produced by the Veronica broadcasting association (VOO).
On 19 August 2014, the station's name and logo were amended to include mention of its parent broadcasting organization, NPO.
On 1 January 2023, the stations name changed to NPO Klassiek, a hub for all classical music of NPO with the radio at the center, but now with all media related to classical music.

## Content contributors

The following broadcasting associations and organisations currently provide programming on NPO Klassiek: AVROTROS, BNNVARA, EO, KRO-NCRV, MAX, NTR and VPRO.

## Broadcasting

Initially, the channel broadcast only during the evenings, with a segment produced by Teleac, but it now operates around the clock, providing surround sound transmissions via the internet and satellite.

## Programming

The emphasis during the day was once all-complete works from both well- and lesser-known tracks; however, the station now focuses more on short segments from better-known classical repertoire. In the evening (around 8-11pm), a live concert is broadcast, on Saturday evening a regular live recording of an opera concert. Since 2015, live shows can be watched in the studio via a webcam.
# Sueng

The sueng (Thai: ซึง, Burmese: ၄ကြိုးထပ်ပို (ဆီုင်), pronounced, also spelled seung or süng) Lanna(ᨪᩧ᩠ᨦ)is a plucked fretted lute from the northern (Lanna) region of Thailand. The instrument is made from hardwood and its strings (numbering either four or six and arranged in courses of two) are most often made of steel wire. It has nine bamboo frets.
The sueng is part of a northern Thai traditional ensemble called the salo-so (saw)-sueng ensemble, along with the salo (3-string spike fiddle) and pi so (free reed pipe).
The sueng is similar to the grajabpi (กระจับปี่), an ancient Thai instrument that is used in the classical music of central Thailand.

## Construction

Most suengs are made from a single piece of Jackfruit wood, carved into shape by the artisan. Once carved, a round sound board of the same wood is glued to the instrument. Trapezoid shaped sticks are cut form a bamboo stem and installed as frets. The tuning pegs are then installed: this pegs only have an aesthetic function nowadays, as many modern suengs rely on guitar machine heads for tuning. Eventually the instrument is painted and sometimes decorated with Lai Thai motifs. The bridge can be made from either bone or hardwood. Other woods used for the construction of the sueng are Rosewood and Teak.

## Sound

The frets on the sueng are spaced differently than western fretted instruments. In fact, with such arrangement of frets, the instrument plays in the 7-TET temperament, meaning that in one octave the instrument plays seven tones, as opposed to the twelve tones of western music. This temperament is found in traditional Thai music and in other instruments like Ranat.
The playing technique resembles the one of the oud where the two strings in the course are tuned to unison and played together as one, with a long soft pick most often made of plastic.
# Cyrano and d'Artagnan

Cyrano and d'Artagnan (French: Cyrano et d'Artagnan) is a 1964 French adventure film directed by Abel Gance, starring José Ferrer and Jean-Pierre Cassel. It is set in 1642 and tells the story of how the poet and duelist Cyrano de Bergerac teams up with the musketeer d'Artagnan in order to stop a plot against king Louis XIII. The film draws from Edmond Rostand's 1897 play Cyrano de Bergerac and Alexandre Dumas' three-volume novel d'Artagnan Romances. Ferrer repeated his role from the 1950 film Cyrano de Bergerac. Cyrano and d'Artagnan had 651,213 admissions in France.
It was the last cinema film directed by Gance, his final works the television films Marie Tudor and Valmy.

## Cast

* José Ferrer as Cyrano de Bergerac
* Jean-Pierre Cassel as d'Artagnan
* Sylva Koscina as Ninon de l'Eclos
* Daliah Lavi as Marion de l'Orme
* Rafael Rivelles as Cardinal Duc de Richelieu
* Laura Valenzuela as queen Anne of Austria
* Julián Mateos as Marquis de Cinq-Mars
* Michel Simon as the old guard
* Philippe Noiret as king Louis XIII
* Gabrielle Dorziat as Mme de Mauvières
* Ivo Garrani as Laubardemont

## Reception

Eugene Archer of The New York Times reviewed the film: "Judging strictly by the title, Cyrano and D'Artagnan does not sound a bit more promising than Samson Meets Hercules. Strange to say, despite the auspices of the New York Film Festival and the reputation of the 75-year-old director, Abel Gance, there is really not much difference between the Cyrano epic and the kind of dubbed Italian spectacle usually inflicted on us by Joseph E. Levine." The critic continued: "José Ferrer, repeating his Oscar-winning Cyrano role 14 years later, gives a flat and clumsy performance, while Jean-Pierre Cassel's D'Artagnan is swaggering and singularly lacking in charm. ... Let it be said for the director, known mainly for a silent triple-screen Napoleon in the nineteen-twenties, that he displays a nice eye for color. Otherwise, his handling of a routine commercial assignment is just that—routine."
# Louisiana Naval Militia

The Louisiana Naval Militia (French: Milice navale de Louisiane; Spanish: Milicia Naval de Luisiana) is the currently unorganized naval militia of Louisiana, United States. It was organized as a naval military reserve force, serving as naval parallel to the Louisiana National Guard.

## History

By 1898, the Louisiana Naval Militia consisted of 500 men all recruited from New Orleans. During a yellow fever epidemic in 1905, the Louisiana Naval Militia was activated during a series of quarantines enacted across the region. In one incident, two ships from Mississippi, Grace and Tipsy, attempted to cross into Louisiana from a quarantine zone. The Louisiana Naval Militia boarded the ships and arrested the officers and crew. The naval militia remained stationed on the Mississippi River to guard against possible incursions by Mississippi state troops crossing into Louisiana waters in their attempts to quarantine their own state from Louisiana fishermen; the naval militia remained on active duty until the federal government took over control of managing the quarantine response.
In 1909, the Louisiana Naval Militia sailed USS Isla de Luzon on a training cruise. By 1913, the Louisiana Naval Militia consisted of two battalions of four divisions each, 461 members, and two ships: USS Stranger and USS Isla de Luzon. In 1916, sailors from the Louisiana Naval Militia practiced firing 3-inch and 12-inch guns.

## Personnel

Naval militias are partially regulated and equipped by the federal government, and membership requirements are set according to federal standards. Under 10 U.S. Code § 7854, in order to be eligible for access to "vessels, material, armament, equipment, and other facilities of the Navy and the Marine Corps available to the Navy Reserve and the Marine Corps Reserve", at least 95% of members of the naval militia must also be members of the United States Navy Reserve or the United States Marine Corps Reserve.

## Legal status

The naval militia is recognized as a component of the organized militia of the United States under 10 U.S. Code §7851. Therefore, its restart of operations depends on either executive action by the state governor or by act of the state legislature.
# Kosmos 149

Kosmos 149 (Russian: Космос 149 meaning Cosmos 149), also known as DS-MO No.1 was a technology demonstration satellite which was launched by the Soviet Union in 1967 as part of the Dnepropetrovsk Sputnik programme. Its primary mission was to demonstrate orientation control by means of an aerodynamic skirt stabiliser. It also carried an optical research payload for the Soviet Armed Forces and had a mass of 375 kilograms (827 lb).
It was launched aboard a Kosmos-2I 63SM rocket from Site 86/1 at Kapustin Yar. The launch occurred at 10:07 GMT on 21 March 1967.
Kosmos 149 was placed into a low Earth orbit with a perigee of 243 kilometres (151 mi), an apogee of 285 kilometres (177 mi), an inclination of 48.4°, and an orbital period of 89.76 minutes. It decayed from orbit on 7 April 1967. Kosmos 149 was the first of two DS-MO satellites to be launched. It was succeeded by Kosmos 320, which was launched in January 1970.
# Dan Guterman

Dan Guterman (born February 23, 1978) is a Brazilian-born television writer and producer who has lived in Canada and the United States. He was a writer for the satirical website The Onion between 1999 and 2010. He has also worked on The Colbert Report, Community, and Rick and Morty. Guterman has won two Emmy Awards: one in 2013 for his work on The Colbert Report and one in 2018 for his work on season three of Rick and Morty. He also won an Annie Award in 2018 for co-writing the Rick and Morty episode "The Ricklantis Mixup".

## Life and career

Born in Brazil on February 23, 1978, Guterman became interested in comedy after watching Saturday Night Live and The Kids in the Hall when he moved to Montreal at age 7—shows that, he said, "genuinely frightened me", as comedy in Brazil was mostly lighthearted in tone.
Having become a writer himself, Guterman later described his profession in writing comedy by saying, "You’re doing this very creative, often very personal thing, but you’re expected to produce it in this totally noncreative way. My job is to churn out comedy, which is this intangible and temperamental thing, but at the rate and consistency of an assembly-line worker." After establishing his television writing presence as a writer on The Colbert Report and receiving an Emmy, Guterman began work with Dan Harmon on Community for its fifth season. This relationship continued, and in 2015 Guterman went on to write for both the sixth and second seasons of Community and Rick and Morty, respectively. He then continued work writing for Rick and Morty's third season, writing the episode "The Ricklantis Mixup" and assisting on several others. Guterman co-wrote "Morty's Mind Blowers", which is referenced within the episode as the replacement to "Interdimensional Cable".
In 2018, Guterman was brought in as a consultant to work on Inside Job, an animated show for Netflix.
Guterman has also worked on At Home With Amy Sedaris and Another Period, as well as various films.
In addition to his television writing career, Guterman has penned short pieces of writing called "New Optical Illusions" for The New Yorker.

## Credits
### Print

* The Onion (1999–2010) – writer, head writer
* Our Dumb World: The Onion's Atlas of the Planet Earth, 73rd Edition (2007)
* America Again: Re-Becoming the Greatness We Never Weren't (2012)
* The Onion Book of Known Knowledge: A Definitive Encyclopaedia Of Existing Information (2013)

### Television

* The Colbert Report (2011–14) – writer
* Community (2014–15) – executive story editor, writer
** "Bondage and Beta Male Sexuality"
** "Basic RV Repair and Palmistry"
* Rick and Morty (2015–17) – producer, co-executive producer, writer
** "The Ricks Must Be Crazy"
** "Interdimensional Cable 2: Tempting Fate" (with Ryan Ridley & Justin Roiland)
** "The Ricklantis Mixup" (with Ryan Ridley)
** "Morty's Mind Blowers" (with Mike McMahan, James Siciliano, Ryan Ridley, Justin Roiland, & Dan Harmon)
* Carol & The End of The World (2023) – creator, writer
# Georg von der Gabelentz

Georg von der Gabelentz (16 March 1840 – 11 December 1893) was a German general linguist and sinologist. His Chinesische Grammatik (1881), according to a critic, "remains until today recognized as probably the finest overall grammatical survey of the Classical Chinese language to date." (Harbsmeier 1995:333)

## Biography

Gabelentz was born in Poschwitz, near Altenburg, Saxe-Altenburg. His father was the minister and linguist Hans Conon von der Gabelentz, an authority of the Manchu language. Gabelentz taught himself Dutch, Italian and Chinese during his gymnasium years.
From 1860 to 1864, following his father's steps, he studied law, administration, and linguistics at Jena. In 1864 he entered the civil service of Saxony at Dresden. He continued his study of oriental languages at Leipzig. He married Alexandra von Rothkirch in 1872. His father Hans died at the family castle of Lemnitz in 1874.
Gabelentz earned his doctoral from Dresden in 1876 with a translation of Zhou Dunyi's Taiji Tushuo (太極圖說 "Explaining taiji"). In 1878, a Professorship of Far Eastern Languages, the first of its kind in the German-speaking world, was created at the University of Leipzig, and Gabelentz was invited to fill it. Among his students were the German sinologists Wilhelm Grube (1855–1908) and Johann Jakob Maria de Groot (1854–1921), the Austrian Sinologist Arthur von Rosthorn (1862–1945), the Japanologist Karl Florenz [de] (1865–1939), the archaeologist Max Uhle (1856–1944), the Tibetologist Heinrich Wenzel and the art historian Friedrich Wilhelm Karl Müller (1863–1930).
In 1889, he divorced, and switched to the University of Berlin. In 1891, he remarried, and published Die Sprachwissenschaft ("Linguistics"). His Handbuch zur Aufnahme fremder Sprachen followed one year later.

## Views on Chinese dialects

Gabelentz criticized the Beijing dialect which dominated the linguistic scene in China. A more suitable Chinese dialect in Gabelentz's view for science was the Nanjing dialect rather than Beijing.
   Only in recent times has the northern dialect, pek-kuān-hoá, in the form [spoken] in the capital, kīng-hoá, begun to strive for general acceptance, and the struggle seems to be decided in its favor. It is preferred by the officials and studied by the European diplomats. Scholarship must not follow this practise. The Peking dialect is phonetically the poorest of all dialects and therefore has the most homophones. This is why it is most unsuitable for scientific purposes.
          —Chinesische Grammatik (1881)
Gabelentz died in Berlin.

## Works written by Gabelentz

* Georg von der Gabelentz (1881). Chinesische Grammatik: Mit Ausschluss des niederen Stiles und der heutigen Umgangssprache (in German). Leipzig: T.O. Weigel. p. 552. Retrieved 10 February 2012.
* Georg von der Gabelentz (1883). Anfangsgründe der chinesischen grammatik, mit Übungsstücken (in German). Leipzig: T. O. Weigel. p. 150. Retrieved 10 February 2012 – via Google Books.
# Vitsi

Vitsi (Greek: Βίτσι) is a former municipality in Kastoria regional unit, West Macedonia, Greece. Since the 2011 local government reform, it has been part of the municipality of Kastoria, of which it is a municipal unit. It takes its name from Mount Vitsi which is the highest point within the municipal unit. The municipal unit has an area of 135.028 km$^2$. The population is 1,145 (2021). It includes the villages of Sidirochori (Σιδηροχώρι), Foteini (Φωτεινή), Metamorfosi (Μεταμόρφωση), Toichio (Τοιχιό), Vyssinia (Βυσσινιά), Oxya (Οξυά), Polykerasos (Πολυκέρασος) and Poimeniko (Ποιμενικό). The village of Poimeniko has no permanent residents anymore. The seat of the municipality was in Toichio.
# Kosmos 1481

Kosmos 1481 (Russian: Космос 1481 meaning Cosmos 1481) was a Soviet US-K missile early warning satellite which was launched in 1983 as part of the Soviet military's Oko programme. The satellite was designed to identify missile launches using optical telescopes and infrared sensors.
Kosmos 1481 was launched from Site 43/3 at Plesetsk Cosmodrome in the Russian SSR. A Molniya-M carrier rocket with a 2BL upper stage was used to perform the launch, which took place at 19:21 UTC on 8 July 1983. The launch successfully placed the satellite into a molniya orbit. It subsequently received its Kosmos designation, and the international designator 1983-070A. The United States Space Command assigned it the Satellite Catalog Number 14182.
This satellite did not reach its working orbit and self-destructed. As well as its main entry this satellite has cataloged debris such as:
| COSPAR | Satcat |
| 1983-070E | 14192 |
| 1983-070F | 20412 |
| 1983-070G | 26633 |
| 1983-070H | 27906 |
| 1983-070J | 27907 |
| 1983-070K | 33531 |
Kosmos 1481 was the 12th US-K satellite like Kosmos 862 to self-destruct, NASA believes intentionally. The event occurred within a day of launch. An expected orbital maneuver by Kosmos 1481 to move from its transfer orbit to an operational orbit about three days after launch was never performed. All of its trackable debris is still in orbit.
# Tomos (Eastern Orthodox Church)

A tomos (Greek: τόμος, romanized: tomos, lit. 'section', 'part of', 'part which is cut') in the Eastern Orthodox Church is a decree of the head of a particular Eastern Orthodox church on certain matters (such as the level of dependence of an autonomous church from its mother church).
Tomos is a Greek word; it can be literally translated as 'a section'. "In the narrower meaning in Orthodox church terminology, a tomos is [...] a scroll or a small book, but one with a very specific purpose — it codifies a decision by a Holy Synod, or council of Orthodox bishops." The translation of the word tomos in English is document.
# Tugulymsky District

Tugulymsky District (Russian: Тугулы́мский райо́н) is an administrative district (raion), one of the thirty in Sverdlovsk Oblast, Russia. As a municipal division, it is incorporated as Tugulymsky Urban Okrug. The area of the district is 3,333 square kilometers (1,287 sq mi). Its administrative center is the urban locality (a work settlement) of Tugulym. Population: 22,581 (2010 Census); 25,455 (2002 Census); 31,435 (1989 Soviet census). The population of Tugulym accounts for 26.6% of the district's total population.
# Movements for Piano and Orchestra

Movements is a 1959 five-movement work for piano and orchestra by Igor Stravinsky lasting about ten minutes. It was written during his serial period and shows his dedication to that idiom as well as the influence of Anton Webern.

## Commission and Premiere

Stravinsky wrote Movements for pianist Margrit Weber [fr], who premiered it at a Stravinsky Festival in New York's Town Hall on January 10, 1960, with the composer conducting. It was commissioned for $15,000 by Swiss industrialist Karl Weber, Margrit Weber's husband. Weber had asked for a work of between 15 and 20 minutes in length, but Stravinsky initially produced a compressed piece lasting barely half as long. According to a diary entry by biographer/assistant Robert Craft, in response to a letter received from the Webers (17 April 1959) Stravinsky said "I think I will have to add another minute or two of music," to which Vera replied "So much for 'all-encompassing conceptions of form.' The artist simply makes it up as he goes along."

## Analysis

(orchestration: 2 flutes (2nd = piccolo), oboe, English horn, clarinet, bass clarinet, bassoon, 2 trumpets, 3 trombones, harp, celesta, strings and solo piano)
Stravinsky breaks the orchestra down into chamber-sized sections with the piano acting as a pivot between these, creating the type of subtle and gestural textures favored by Webern in his Concerto for Nine Instruments (Op. 24) and Variations for Orchestra (Op. 30), the latter a work much admired by Stravinsky.
The highly constructed nature of the twelve-tone idiom he uses draws all its thematic material from one tone-row, which the piano gives in one non-linear gesture right at the opening: E♭ F♭ B♭ A♭ A♮ D C B♮ C♯ F♯ G and F♮.
As it turns out, this tone-row will be presented complete only a couple of times. Mostly it is broken into small bits and served in slightly varied orderings. The technique of Klangfarbenmelodie can thus clearly be heard, particularly in the opening of the piece, whose gestural phrase mimics that of Webern's Op. 24.
Stravinsky himself described the harmonic structure of Movements as "anti-tonal". Traditional references to triadic harmonic structures are banished in favor of a near-total line-based idiom, and conventional ostinati and harmonic considerations are replaced by an atonal contrapuntal texture characterized by gestures, inner unity, and adherence to serial forms more pervasive than before in Stravinsky's career.