OpenLLM-France/wikimedia huggingface dataset:
# Heinrich Escher

Heinrich Escher (26 July 1626 – 20 April 1710) was mayor of the City and Republic of Zürich at the turn of the 18th century. He is credited with introducing chocolate to Switzerland after learning about it in Brussels.
At the beginning of his political career in 1652 he became a representative of a guild, the Meisen, to the large council of Zurich (Zwölfer) and between 1663 and 1668 to the small council. In 1669 he became bailiff (Vogt) of Kyburg, and from 1678 until his death he was mayor of Zürich.
He was active as a merchant in the textile trade. As a representative of the buyers he was a member of the delegation for the renewal of the alliance of Zürich with Louis XIV. After the Threat of Geneva and the Waldenser taken up there and Huguenot by France, Escher in 1687 together with a representative of Bern came to the court of Louis XIV. He was sent to represent the interests of the Evangelist conditions in Zürich and Bern and the conditions Geneva allied with them.
# French ship Pélican (1702)

Pélican was a ship in French service for colonial duty in the transport of colonists to French North America.

## History

In January 1704, the ship left Loire, France, for La Mobile, La Louisiane, New France. The ship that brought additional pioneers and yellow fever to the French colony of the original Mobile site, arriving in August 1704. The ship brought filles à la casquette to help found the colony with womenfolk for the menfolk; also called Pelican Girls, after the ship they were transported on; and Casket Girls or Cassettes, for the boxes, called casquettes, used to carry their belongings. The yellow fever had been acquired in a stopover in Cuba on the way to Mobile.
# Qeshlaq Pol

Qeshlaq Pol (Persian: قشلاق پل, also Romanized as Qeshlāq Pol) is a village in Zu ol Faqr Rural District, Sarshiv District, Saqqez County, Kurdistan Province, Iran. At the 2006 census, its population was 161, in 40 families. The village is populated by Kurds.
# Khadamabad-e Mokhtar

Khadamabad-e Mokhtar (Persian: خادم ابادمختار, also Romanized as Khādamābād-e Mokhtār; also known as Khādamābād) is a village in Sarrud-e Jonubi Rural District, in the Central District of Boyer-Ahmad County, Kohgiluyeh and Boyer-Ahmad Province, Iran. At the 2006 census, its population was 46, in 10 families.
# Bury Hill, Arundel

Bury Hill is an area of West Sussex, England, north of Arundel and south-west of Bury. In the 18th century, its name may have sometimes been spelled Berry or Bery Hill, and it was used as a venue for cricket matches.
Its earliest known definite use for cricket was in June 1730 for a match between the 2nd Duke of Richmond's XI and Sir William Gage's XI. In August 1745, it was used for a match between a Sussex side and a Surrey team, the third in a series of matches between the two sides. The area appears to have remained in use for cricket matches until the 1770s, with references to matches which were scheduled to be played on the hill in 1771 and 1774.
# Grand Music Award

Great Music Award (Latvian: Lielā mūzikas balva), is the highest prize awarded by the Latvian state in the field of music. Award winners receive a monetary prize, and a silver statuette, created by Armands Jēkabsons.
# Latvian horse

The Latvian Horse (Latvian: Latvijas šķirne or Latvijas zirgi) is a purpose-bred warmblood horse breed from Latvia. Breeding began in Latvia in the early twentieth century,$^{:316}$ and a herd book was established in 1927. The breed was officially recognised in 1952. There are two types, sometimes called the Latvian Harness Horse and the Latvian Riding Horse.$^{:276}$ The harness type was predominant until about 1960, when demand for sport horses increased and more of the saddle type were bred.$^{:316}$

## History

The origins of the Latvian breed go back to 1856, when western European horses were cross-bred with native Latvian horses. In 1890 planned breeding was begun from ten different breeds, principally Hanoverian and Oldenburger, with some Holsteiner influence. More than 100 Oldenburgers (65 stallions and 42 mares) were imported from Germany and the Netherlands between 1920 and 1941, and these were the basis of the breed, which was officially recognised in 1952.$^{:316}$ From about 1960$^{:316}$ or 1970,$^{:276}$ Hanoverian, Arab and some Thoroughbred blood was used to create a lighter sport horse type, the Latvian Riding Horse.$^{:316}$$^{:276}$
# Barbara Firth

Barbara Firth (1928-2013) was a British illustrator of children's books, best known for her work on Martin Waddell's Little Bear books. She won the 1988 Kate Greenaway Medal.

## Early life

Firth was born in Cheshire on 20 September 1928. She enjoyed drawing as a child but had no formal art education. She qualified in pattern cutting at the London College of Fashion.

## Career

She worked for 15 years for Vogue as production director on books on crochet, knitting and dressmaking. She moved to Marshall Cavendish and worked on their partworks, and there met Amelia Edwards who commissioned her to illustrate some non-fiction work including Margaret Lane's The Spider. This led to work on David Lloyd's Great Escapes books and subsequently to her work with Waddell.
She won the 1988 Kate Greenaway Medal, awarded by the then Library Association (now CILIP) for "distinguished illustration in a book for children", for her work on Martin Waddell's Can't You Sleep Little Bear? (Walker, ISBN 1844284913), which has been called "as perfect a picture-book as anyone could hope to make". The book was also the overall winner of the 1988 Nestlé Smarties Book Prize.
She illustrated four further Little Bear books by Waddell, and his The Park in the Dark which won the 1989 Kurt Maschler Award.
She also illustrated books by other authors, including Sarah Hayes (The Grumpalump), and books by Charles Causley and Jonathan London.

## Personal life and death

Barbara Firth lived much of her life in Harrow, with her sister Betty. She had a household full of pets including Waldo the tortoise, who featured in Lloyd's Waldo the Tortoise, which she illustrated.
She died on 18 February 2013 and was survived by her sister Betty and the centenarian Waldo.
# Judith Ten Bosch

Judith Maria Ten Bosch (born 26 April 1957, Dordrecht) is a Dutch painter and illustrator.

## Biography

Ten Bosch was born in 1957, and is one of a twins of Lou Ten Bosch and Ank Stumpel. She has four other siblings. Between 1976 and 1980, she studied at the Academie voor Beeldende Kunsten Sint-Joost in Breda.
For a decade, she illustrated recipes in the children's page of NRC Handelsblad together with Philip Mechanicus. These illustrations and recipes were bundled in the publications De vrolijke keuken (1997), Het kleine fornuis (1997), and Een warm pannetje (2004). The book De vrolijke keuken was awarded the Zilveren Griffel in 1998. The book was one of the books donated by the State Secretary for Culture and Media Rick van der Ploeg to 500 disadvantaged schools in Amsterdam, Rotterdam, Utrecht, and The Hague.
Ten Bosch also illustrated Hai die koe (1998), written by Mara Otten; Meis en Manneke en de stastoel (2002), written by Patricia Kuiper; and Een boek vol beesten - Neushoorn (2005), written by Marjolijn Hof.
Since 2002, she has collaborated with Titus Nolte.
In 2005, she illustrated the book Onder de kerstboom - Het denneboompje by Hans Christian Andersen.
In 2006, she illustrated the book Sprookjes van de planeet aarde by Anne Vegter together with her sister Geerten Ten Bosch . Both sisters participated in the Biennial of Illustration Bratislava in 2007 to exhibit their illustrations for this book.
In 2011, she illustrated the book Mijn opa en ik en het varken oma by Marjolijn Hof. Hof won a Vlag en Wimpel award for this book the following year.
Several of her paintings are part of the collection of the Centraal Museum in Utrecht, Netherlands. One of her paintings is part of the collection of the Dordrechts Museum.
# Jean Woods

Jean Joseph Emond Woods (1850 – 1928) was a Canadian physician and public servant. He served as mayor of Aylmer from 1898 to 1900.

## Early life

The son of John Robert Woods and Zoé Desautels, Woods studied medicine at McGill University, graduating in 1875.

## Personal life

Woods married Corrine Bourgeois and moved into their new Aylmer, Quebec Main Street home office in 1883.

## Public office

In 1885, Woods was named a public vaccinator and medical officer by the Aylmer Board of Health. In 1918, he became Quebec's inspector of prisons and asylums, so moved to Lachine.

## Death

Woods died in Lachine in 1928.
# HMAS Phillip

HMAS Phillip was a depot tender of the Royal Australian Navy (RAN) between 1916 until 1921.
Built in 1905 by Frederick Moore at Launceston, Tasmania and launched as Togo and used for passenger service by Broomby and Dent, Launceston. She was bought by the RAN on 14 August 1916 for £7,500 and commissioned as HMAS Togo. Initially purchased for use as a tug, she was used as a depot tender for Flinders Naval Depot. She was used from October 1917 as a minesweeping training ship for the Naval Brigade. Togo was renamed HMAS Phillip in 1918 and was sold in 1921 and renamed Togo.
She was broken up in 1946.

## Citations

* 1 2 3 Wilson, p.59.
* ↑ "Llyods Register" (PDF). Plimsoll ShipData. Retrieved 10 September 2010.
* ↑ "The Mercury (Hobart, Tas), Monday 5 September 1938, p.6". Retrieved 10 September 2010.
* ↑ "The Mercury (Hobart, Tas), Thursday 31 October 1946, p.5". Retrieved 10 September 2010.
# Blood on the Floor (painting)

Blood on the Floor (Painting, 1986) is a 1986 oil-on-canvas panel painting by the British artist Francis Bacon. The panel shows a violent splash of blood, formed from drips of paint, on a bare canvas-coloured floor, which may be a wooden plank or diving board, against a harsh, flat, orange background. The foreground contains two suspended light bulbs, one white, one molten yellow, and a light switch.
Painting, 1986 is considered a high point of Bacon's late period and reflective of his deepening pessimism later in life, expressed through the austere, thin brushwork; the panel has been described as "strikingly simple". It is related to his Blood on Pavement 1988, completed two years later in much cooler brown and pale green tones.

## Description

The large scale of the painting emphasises the pool of blood and gives it prime importance in the work. The light switch and bulbs serve only to illuminate the splash, but notably absent from the scene is the owner of the blood or any explanation as to how it got to be there. According to Joseph Harris, the blood itself becomes the subject of a portrait.
The painting is extremely reductive. Any sense of perspective is diminished. There are few elements to give the impression of a realistic three-dimensional space; the hanging lights excepted, but even their positioning is illogical against the floor; their starting point is deep in the pictorial space, but the bulbs seem to overhang in front of the floor. According to art critic Denis Farr, this deductive flat quality "increases one's sense of disorientation". Its intensity and narrowness of focus is reminiscent of monumental sculpture and imparts an immediate shock, along with deeper undercurrents of foreboding and despair.

## Motifs

Many of Bacon's most regarded late works are re-examinations of motifs from his earlier masterpieces. The background colours of Blood on the Floor reference the heavy and thickly painted foreground figures of his early to mid-40s works, notably Three Studies for Figures at the Base of a Crucifixion, while the mix of deep red colours forming the blood splash returns to his early use of imagery from medical textbooks, especially his interest in interiors of the mouth.
Light bulbs were a reoccurring motif throughout his career, appearing most notably in the centre panel of Triptych, May–June 1973.
Of the painting, Bacon said, "things are not as shocking if they have not been put into memorable form. Otherwise, it's just spattered against a wall. In the end, if you see that more than two or three times, it's no longer shocking. It must be of a form that's more than just blood splattered against a wall. It's when it has much wider implications. It's something that reverberates within your psyche...it disturbs the whole atmosphere in which you live. Most of what is called art, your eye just flows over. It may be charming or nice, but it doesn't change you."
# Qomshan

Qomshan (Persian: قمشان, also Romanized as Qomshān and Qamshān; also known as Qamīshan and Qomīshān) is a village in Emamzadeh Abdol Aziz Rural District, Jolgeh District, Isfahan County, Isfahan Province, Iran. At the 2006 census, its population was 356, in 91 families.
# Arvid Johanson (painter)

Arvid Claes William Johanson (29 May 1862 – 25 March 1923) was a Swedish-French marine artist.
Johanson was born on Södermalm in Stockholm. His father was a painter employed by the Swedish Navy. Arvid Johanson began studying art at the Royal Swedish Academy of Fine Arts, but moved to Düsseldorf to continue his studies in 1882. He also studied for some time under Hendrik Willem Mesdag in The Hague, before settling in Paris. He would remain in Paris for most of his life. From 1907 onwards he spent many of his summers on the west coast of Sweden, where he found further inspiration for his art. He spent World War I in Sweden, as he was unable to go back to France. After the end of the war, he moved back to Paris. He died there in 1923.
After settling in France, Johanson soon established himself as an illustrator, contributing to French periodicals such as Le Monde illustré, Le Journal and L'Illustration. He also contributed to English periodicals. In his capacity as an illustrator for L'Illustration Johanson was allowed to accompany the French Navy on several journeys. He also began producing marine paintings through official commissions, and in 1897 Johanson was named Peintre de la Marine, or Painter of the Fleet.
Johanson exhibited his paintings in France, Valand Academy in Gothenburg, and in Stockholm; one of his paintings was rewarded with a medal at the 1900 Paris Exposition. Stylistically, he was a realist with impressionist influences. Paintings by Johanson are in the collections of Nationalmuseum (Stockholm), Gothenburg Museum of Art (Gothenburg), Musée national de la Marine de Paris [fr] (Paris), Marinmuseum (Karlskrona) and the Maritime Museum (Stockholm).
# Drake Circus Shopping Centre

Drake Circus Shopping Centre is a 425,000-square-foot (39,484 m$^2$) covered shopping mall in the centre of Plymouth, England, which opened in October 2006.
The building was designed by London-based architects Chapman Taylor and built by Bovis Lend Lease. Situated behind the ruined Charles Church, preserved as the city's civilian war memorial, the building provoked a mixed reception. Just after it opened, the shopping centre won the inaugural Carbuncle Cup "for crimes against architecture", as the worst new building in the United Kingdom. In 2007, it won two retail industry national awards, one of which was the Retail Week magazine's "Shopping Location of the Year".

## History

The term 'circus' as used here refers to an open space, usually circular, where a number of roads meet. Drake Circus was originally a large oval roundabout built in the early 20th century at the junction of four main roads and several minor ones. The roundabout consisted of Edwardian buildings housing shops, and from 1937 its south end carried the "Guinness Clock", which was visible to people travelling up Old Town Street and was a landmark in the city of the time.
The circus survived the Plymouth Blitz of World War II relatively intact, but it was demolished in 1966–7 as part of the Plan for Plymouth, and was replaced by a new open roundabout to the north. Around this time the lower section of the main road to Tavistock off this new roundabout was renamed Drake Circus. A two-level shopping centre with open malls and a large C&A store was built, partly over the site of the original circus. It opened in 1971 and was also named Drake Circus.
Initial proposals to redevelop this mall in the early 1990s failed, but the developers, P&O Estates, tried again in the early 2000s. Plans were drawn up for a much larger centre, and after Allders signed up as the first "anchor" tenant in 2001, work started in February 2004 on demolishing the old centre and the adjoining Charles Street multi-storey car park.
The scheme suffered a setback in January 2005, when Allders went into administration. New tenants Next and Primark committed in 2005 and the building opened in October 2006.
On 3 February 2005, it was announced that the shopping centre had been sold by P&O Estates to Morgan Stanley Real Estate Fund for £55m. On 20 November 2006, it was announced that Kandahar Real Estate had taken a 50 per cent stake in the centre. The centre was bought by British Land for £240 million in January 2011.
In 2007, the centre's management introduced a code of conduct which, like one the Bluewater centre introduced in 2005, banned hooded tops and baseball caps.
Clarke Nicholls Marcel (CNM London) were the civil and structural engineers for the new-build shopping centre.
In 2019, an entertainment complex named The Barcode was opened adjacent to the mall, which is operated by Drake Circus.

## Gallery

* The old Drake Circus shopping mall was demolished in 2004.
* The new centre under construction
* Part of the contentious frontage behind the ruined Charles Church
* Interior a few days after opening
* One of the entrances
# Helenów, Gmina Wodynie

Helenów is a village in the administrative district of Gmina Wodynie, within Siedlce County, Masovian Voivodeship, in east-central Poland. It lies approximately 7 kilometres (4 mi) east of Wodynie, 21 km (13 mi) south-west of Siedlce, and 76 km (47 mi) east of Warsaw.
# Monument to the Piccoli Martiri of Gorla

The Monument to the Piccoli Martiri di Gorla (Monument to the Little Martyrs of Gorla) is a monument and ossuary tomb located in piazza Piccoli Martiri, at the corner of Via Ponte Vecchio and Via Fratelli Pozzi, in the Gorla neighborhood of Zone 2 of Milan, Italy. Commissioned by a citizen subscription, designed by Remo Brioschi, it commemorates and houses the remains of the 184 children and 20 teachers and school staff who died at this site, while attending the elementary school Francesco Crispi due to an aerial bombardment of Gorla on 20 October, 1944.

## Description

The monument includes an ossuary at the base. The ossuary had been inaugurated by 1947; the monument by 1952.
The monument consists of a tall stone portal with a sans-serif inscription ECCO LA GUERRA (THIS IS WAR). Flanking the portal are images of a plane dropping a bomb on a building. It has the date 20-X-1944 (20 October 1944). In front of the portal is a statue of a hooded figure, face partially obscured, holding the lifeless body of a naked boy. On the base, the inscription reads The people/ Cries for 200 children/ Killed by the war/ here in their school/ with their teachers/20 October 1944.
The event was initially touted by the fascist authorities as evidence of the barbarity of the allies. Over time, the monument has become a depiction of the horrors of war.
# Eastern Macedonia Army Section

The Eastern Macedonia Army Section (Greek: Τμήμα Στρατιάς Ανατολικής Μακεδονίας, ΤΣΑΜ; Tmima Stratias Anatolikis Makedonias, TSAM) was a field army of the Hellenic Army in World War II. It faced the initial German attack on Greece during the Battle of the Metaxas Line, and was forced to capitulate after four days of fighting on 9 April 1941.

## History

Pre-war Greek planning focused on a possible conflict with Bulgaria in Macedonia and Western Thrace. For the defence of eastern Macedonia, the plans foresaw the creation of a Kavala Army Section (Τμήμα Στρατιάς Καβάλας), headquartered at Kavala and composed of a Group of Divisions (Ομάς Μεραρχιών) in the Axios River area, comprising 6th and 17th Infantry Divisions and the Hellenic Army's sole Cavalry Division, as well as of the IV Army Corps (7th and 14th Divisions, 7th and 14th Brigades) in the area of Kavala.
Following the Italian attack on Greece on 28 October 1940, Kavala Army Section was mobilized, under the command of Lt. General Markos Drakos, but was renamed as the Eastern Macedonia Army Section in early November.

## Leadership
### Commanders

* Lt. General Markos Drakos (28 October 1940 – 7 February 1941)
* Lt. General Konstantinos Bakopoulos (7 February – 9 April 1941)

### Chiefs of staff

* Col. Kleanthis Boulalas (28 October – 19 December 1940)
* Col. Theodoros Grigoropoulos (19 December 1940 – 7 February 1941)
* Col. Panagiotis Kalogeropoulos (7 February – 9 April 1941)

### Headquarters

* Serres (28 October 1940)
* Thessaloniki (8 February 1941)
# Love Maadi Nodu

Love Maadi Nodu (transl. Try falling in love) is a 1989 Kannada-language film directed by A. Subramanyam. The film stars Kashinath as Mangaluru Manjunatha and Master Manjunath as his sidekick Gopi in main roles. Popular actor and director Upendra worked as an assistant in the film. It is a remake of the Tamil film Andha 7 Naatkal.

## Plot

The story starts off with Sandhya (Srilatha) and Dr. Anand's (Shridhar) marriage. On their wedding night, Sandhya attempts suicide and is saved by Dr. Anand. He then inquires about her past. Sandhya tells him of her failed love affair with Mangalooru Manjunath (Kashinath). Mangalooru Manjunath is a poor Brahmin, naive, honest, aspiring music director with a huge family back home to support. His assistant Gopi is a kid wise beyond his age who has the knack of surviving in a big town. They move into an upper portion of the house where Sandhya lives with her grandfather, mother, sister, and a disabled brother. Initially, Sandhya sympathizes with Manjunath's unfortunate financial situation but eventually falls for his naive innocence and integrity in spite of his difficulties. Manjunath initially refuses Sandhya's advances fearing her family and his financial inability to support her but eventually accepts her love.
While their love is blossoming, Sandhya's parents get a proposal for Sandhya from a wealthy widower who wants to marry a middle-class lady who would take care of his daughter and be a good daughter-in-law to his ailing mother. Sandhya's grandfather and mother decide to marry her to the doctor. Sandhya refuses the proposal and decides to marry Manjunath at a temple the next day. Her family and other people from her neighborhood injure Manjunath and force Sandhya into a marriage with Dr. Anand. She explains to Dr. Anand that she is unable to change her heart and accept him as her husband.
Hearing of Sandhya's past, Dr. Anand decides that she should reunite with her lover and he will help her do that. He asks her to stay in his house for a week as his terminally ill mother is counting her last days. Sandhya agrees to this while Anand is looking for Manjunath in Kerala and in Bangalore. During her seven-day stay with Dr. Anand, she starts interacting with him, his mother, his daughter. When her husband finds and brings Manjunath to take Sandhya with him, she refuses to go and decides to stay with her husband. The movie ends with a famous line "My lover can become your wife but your wife can never become my lover. That is our culture".

## Cast

* Kashinath as Mangalooru Manjunath
* Master Manjunath as Gopi
* Srilatha as Sandhya
* Shridhar as Dr. Anand
* Kaminidharan
* Upendra as doctor (cameo)

## Soundtrack

| S. No. | Song | Lyricist | Artist |
| 1 | "Bangalore Teenage Henne" | Upendra | S. P. Balasubrahmanyam, Manjula Gururaj |
| 2 | "Love Madu Madi Nodu" | Upendra | S. P. Balasubrahmanyam, Manjula Gururaj |
| 3 | "Ninna Nodo Aaseyali" | Upendra | S. P. Balasubrahmanyam, Manjula Gururaj |