OpenLLM-France/wikimedia huggingface dataset:
# Transrating

Transrating is the process by which video files and audio files are converted to a reduced bit rate while still maintaining the original media format. This enables users to fit particular media into a much smaller storage space or to deliver the media files more efficiently using reduced bandwidth. This process can include conversion of the sample rate, but may also use the original sampling rate combined with more compression.
The increased popularity of mobile video viewing, on sites such as YouTube, has led to an increased demand for translating. Using this video optimization technology is important for being able to deliver high resolution content quickly and smoothly. The widespread availability of high definition screens on smartphones like iPhone and Android devices, combined with high-speed 4G networks have brought high-resolution mobile video into the mainstream, leading to an explosion of video traffic.
# Newlyn Art Gallery

50°06′07″N 5°33′04″W﻿ / ﻿50.102°N 5.551°W﻿ / 50.102; -5.551
Newlyn Art Gallery is a contemporary art gallery located in Newlyn, Cornwall, UK. Opened in 1895, designed by James Hicks of Redruth and financed by John Passmore Edwards the gallery was conceived as a home and exhibition venue for the Newlyn School of Art the works of which are now largely located at Penlee House Gallery and Museum in nearby Penzance.
Following an architectural design competition managed by RIBA Competitions, the gallery was redeveloped and a second venue The Exchange in Penzance, was opened in 2007. With two venues it offers a wide and varied programme across two sites. The focus at Newlyn Art Gallery is on painting and drawing. Artists working in other media continue to be a part of the programme on occasions, but two-dimensional work is the clear focus. Recent shows have included major retrospectives by Roger Hilton and Breon O'Casey. As a dog-friendly venue, dogs on leads are allowed to visit the gallery.
At Newlyn Art Gallery, the pavilion on the seaward side of the gallery is a glass structure on the ground-floor level, which supports a first floor clad in wet-laid Cornish slate, a building method specific to the region, but rarely seen in modern buildings. The glass curtain wall allows panoramic views of Newlyn Green and the sea while sliding doors lead to a secluded garden and outdoor seating area. The versatile Lower Gallery presents small exhibitions, projects and events. The Education Room and Studio Cafe on the first floor of the pavilion has a large window offering panoramic views across Mount's Bay, as well as a skylight the length of the gabled ceiling.

## The Exchange

The Exchange was converted from a telephone exchange. It has a large T-shaped gallery, double the size of Newlyn's gallery, which is regularly used as a project space in which artists and curators test new ideas. The Exchange enables audiences to see large-scale work not previously accessible in the region. It is also used as a venue for live performances, film screenings and community events.
The Exchange has an undulating glass façade which runs the entire length of the building, which is a former telephone exchange. A dramatic, changing light display, designed by Penwith-based artist Peter Freeman illuminates the glass panels according to the exhibitions and time of day and year.
# Shaun McDowell

Shaun McDowell (born 1981, Sussex) is a British painter and curator working in the Sabine Hills region of Lazio, Italy.
Known for making colourful abstract paintings, he has occasionally displayed sculpture. His work has been compared to Willem de Kooning, Frank Auerbach and Cy Twombly in terms of its gesture, colouration and visceral quality.

## Career

A founding member of Lyndhurst Way, McDowell first gained recognition as proponent of the emerging art scene in Peckham and has been represented by Hannah Barry London since 2008.
In 2007 and 2008 McDowell displayed large sculpture for the first two years of what has become a major annual sculpture show in London - 'Bold Tendencies'.
In 2009 McDowell showed painting in the "Peckham Pavilion" during Venice Biennale.
In 2017 McDowell showed a large series of works for a solo exhibition 'Islands of Ours' at Titanic Belfast Museum, Northern Ireland.
As a curator McDowell has invited young artists to show alongside older established ones including - Howard Hodgkin, Robert Crumb, Varda Caivano, Rose Wylie, (E-E) Evgenij Kozlov, Pavel Pepperstein, Lara Viana and Raoul De Keyser.

## Critical reception

A Financial Times article in 2012 noted the influence of Jean-Honoré Fragonard and called McDowell “the most exciting abstract painter of his generation” while a 2013 Prospect Magazine article titled 'British Painting is back' speaks about the physical, visceral quality of his work and a resurgence in British painting. Barnaby Wright of the Courtauld Institute has spoken of him in connection with Frank Auerbach as a keeper of the Auerbach flame - "His work, like Auerbach’s, occupies a space between figurative and pure abstraction”.

## Peckham art scene

In a 2007 Timeout article titled 'Peckham Art Squats' McDowell cites Lyndhurst Way and Peckham as the environment that supported a new wave of creative vision in South London. In the article writer Ossian Ward speaks about the potential for a shift in the London art landscape that was to indeed later unfold -
"With the possibility of co-opting another building around the corner in Vestry Road, it seems that history might be repeating itself in Peckham and that the London art world is shifting southwards, just as it migrated east in the 1980s and ’90s”.
# Teatro Flora, Penna San Giovanni

The Flora Theater is a small 18th-century performing arts theater located in the Palazzo dei Priori in center of the town of Penna San Giovanni, province of Macerata, region of Marche, Italy.

## History

The nucleus for the theater was formed by a Società del Teatro, founded in 1780, and composed of ten condomini (owners) in the town. They utilized this space in the town palace to build this theater with a frescoed wooden roof, above ground seating and two floors of theater boxes. The decoration is an elaborate rococo décor on wood, with wooden columns painted as faux marble. The theater presently sits about 100 persons. In the twentieth century, for years the theater was abandoned and threatened with destruction. In 1985 it was designated as a historic national treasure and recently subsequently restored.
The painted decoration was completed Antonio Liozzi, who painted the central ceiling fresco of the goddess Flora, as well as the mouldings and frames. 43°03′24.7″N 13°25′31.0″E﻿ / ﻿43.056861°N 13.425278°E﻿ / 43.056861; 13.425278
# SQ (program)

SQ (squeeze) is a computer program, devised by Richard (Dick) Greenlaw circa 1981, which was used in the early 1980s on both DOS and CP/M computer systems to compress files so they use less space.
Files compressed by SQ are identified by changing the middle initial of the extension to "Q", so that text files ended with the extension .TQT, executable files ended with the extension .CQM or .EQE, documents with .DQC, batch files with .BQT, etc. SQ used static Huffman coding as the compression algorithm.
Groups of files were often combined into an archive using the LU program, which created .LBR files containing all the files needed for a particular group, such as all the files needed to install an application. Typically such files were either individually compressed (because LU did not compress files) or the LBR archive was itself compressed with SQ (similarly to the use of tar and gzip together).
With the development of the ARC program (which combined both compression and archiving into one program) and its ARC archive file format, SQ essentially became obsolete on most systems, except CP/M, which lacked an ARC port for several years. On CP/M systems, the CRUNCH compression program was written to implement the LZW algorithm (as ARC did) and plug the gap.
# The First Damned

The First Damned is the first compilation album by Polish death metal band Decapitated. It was released on 20 November 2000. It is a compilation of demos, Cemeterial Gardens and The Eye of Horus, and two additional live tracks recorded during the Thrash 'Em All Festival in 2000. The First Damned was released on one disc.

## Track listing

All music written and composed by Decapitated. All lyrics written by Sauron, except where noted.
* "Intro" – 0:16
* "The Eye of Horus" – 5:28
* "Blessed" – 5:06
* "The First Damned" – 5:48
* "Nine Steps" – 4:55
* "Dance Macabre" – 2:49
* "Mandatory Suicide" – 3:29 (Slayer cover)
* "Destiny" – 5:33
* "Way to Salvation" – 3:54
* "Ereshkigal" – 3:47
* "Cemeteral Gardens" – 6:19
* "Way to Salvation" (live) – 3:58
* "Nine Steps" (live) – 5:14

## Personnel
### Decapitated

* Wojciech "Sauron" Wąsowicz – vocals
* Wacław "Vogg" Kiełtyka – guitars
* Marcin "Martin" Rygiel – bass
* Witold "Vitek" Kiełtyka – drums

### Production

* Bartlomiej Kuźniak – mastering
* Mariusz Kurasz – engineering
* Piotr Łukaszewski – engineering
* Arkadiusz Malczewski – engineering
* Jacek Wiśniewski – cover art
# Paliga ignealis

Paliga ignealis is a moth of the family Crambidae. It was described by Francis Walker in 1866 and it is found in New Guinea and Queensland, Australia.
Adults have orange wings with brown lines.
# The Julia Fordham Collection

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
The Julia Fordham Collection is the first compilation album by English singer-songwriter Julia Fordham, released in 1998. It covers ten years of Fordham's career, from her 1988 debut album up to the release of the compilation.

## Content

The compilation includes selected singles and album tracks from Fordham's first five studio albums: Julia Fordham (1988), Porcelain (1989), Swept (1991), Falling Forward (1994) and East West (1997). Three of the album's tracks are reworked versions, including "Where Does the Time Go? ('98 Version)", which features American singer Curtis Stigers on vocals. Also included are two previously unreleased tracks: "Kid", a newly recorded song for this compilation, and "It Was Nothing That You Said", which was recorded during the East West sessions but not included on the final track listing of that album.

## Track listing

All tracks written by Julia Fordham, except where noted.
* "Happy Ever After" (Rain Forest Mix '98) – original version from Julia Fordham
* "Where Does the Time Go?" ('98 Version, featuring Curtis Stigers) – original version from Julia Fordham
* "Manhattan Skyline" – from the US version of Porcelain
* "Lock & Key" – from Porcelain
* "Porcelain" – from Porcelain
* "Girlfriend" – from Porcelain
* "Falling Forward" (Fordham, John Watkin) – from Falling Forward
* "I Can't Help Myself" – from Falling Forward
* "I Thought It Was You" ('98 Mix) – original version from Swept
* "East West" – from East West
* "Killing Me Slowly" – from East West
* "Kid" – previously unreleased
* "It Was Nothing That You Said" – previously unreleased
* "(Love Moves in) Mysterious Ways" (Dean Pitchford, Tom Snow) – from Swept
* "Happy Ever After" (Original Mix) – from Julia Fordham
# USS Strong

Two ships of the United States Navy have borne the name USS Strong, in honor of Rear Admiral James H. Strong (1814–1882), who distinguished himself at the Battle of Mobile Bay.
* The first, USS Strong (DD-467), was a Fletcher-class destroyer, launched in 1941 and sunk in action in 1943.
* The second, USS Strong (DD-758), was an Allen M. Sumner-class destroyer, launched in 1944 and struck in 1973.
# Łasicki

Łasicki (feminine: Łasicka; plural: Łasiccy) is a Polish surname. Notable people with this surname include:
* Igor Łasicki (born 1995), Polish footballer
* Jan Łasicki (1534–1602), Polish historian and theologian
* Maciej Łasicki (born 1965), Polish rower
# × Galiasperula

× Galiasperula is a monotypic genus of flowering plants in the family Rubiaceae. The genus contains only one species, × Galiasperula ferdinandi-coburgii, which is a hybrid of Asperula purpurea and Galium degenii. It is found in south-east Europe.
# × Fatshedera

× Fatshedera /fætsˈhɛdərə/ is hybrid genus of flowering plants, common name tree ivy or aralia ivy. It has only one species, × Fatshedera lizei. The hybrid symbol × in front of the name indicates that this is an inter-generic hybrid, a cross between plants from different genera. The name may be displayed with or without a space after the × symbol.
× Fatshedera lizei was created by crossing Fatsia japonica 'Moserii' (Moser's Japanese fatsia, the seed parent) and Hedera helix (common ivy, the pollen parent) at the Lizé Frères tree nursery at Nantes in France in 1912. Its generic name is derived from the names of the two parent genera.

## Description

The plant combines the shrubby shape of Fatsia with the five-lobed leaves of Hedera. As a shrub, × F. lizei can grow up to 1.2 m tall, above which the weight of the fairly weak branches makes them tend to bend over. It can however also be tied to a support and grow into a vine up to 3–4 m tall; unlike Hedera, it does not readily climb without assistance. The leaf blades are 7–25 cm long and broad, with a 5–20 cm petiole. The flowers are 4–6 mm diameter, yellowish-white, produced in late autumn or early winter in dense umbels; they are usually sterile and do not produce any fruit. However, specimens have been reported which did produce not only flowers but also clusters of berries, one of which put forth shoots in the pot.

## Cultivation

It is grown both as a garden plant outdoors, and as a houseplant indoors, where its tolerance of shady conditions is valued. Inside it grows well in bright indirect light. Outdoors, it can tolerate winter temperatures down to −15 °C, but can also be grown successfully indoors with temperatures never falling below 20 °C. Several cultivars have been selected, with dark green to variously white- or yellow-variegated leaves.
× Fatshedera lizei, together with the cultivars 'Annemieke' and 'Variegata' have gained the Royal Horticultural Society's Award of Garden Merit.
# × Gonimara

× Gonimara is a genus of hybrid plants, from a mixture of species from the Gonialoe and Kumara genera. Only a single hybrid is recorded for this mixture however, × Gonimara corderoyi (formerly Aloe × corderoyi), an unusual and reputedly very attractive aloe hybrid, recorded as being produced by pollination between Gonialoe variegata and Kumara plicatilis (formerly Aloe plicatilis).

## Name and history

Alwin Berger recorded in 1904 (Kakteenkunde 14:61) that such a hybrid was being cultivated at Kew Gardens and another at La Mortola where he recorded that it first flowered in May 1907. He recorded that it was winter hardy, and named it after Mr Justus Corderoy who gave him the plant. He recorded that Mr Corderoy acquired it from "Didcot" in Blewbury, England, a succulent horticulturalist.

## Description

It is not known if this hybrid still exists, in either of the botanical gardens where it was reported.
* Gonialoe variegata, one parent of the hybrid.
* Kumara plicatilis, another parent of the hybrid.
# × Festulolium

× Festulolium is a nothogenus of flowering plants in the grass family Poaceae. Naturally occurring hybrids, they are the result of crosses between species of two questionably distinct grass genera, Festuca (the fescues) and Lolium (the ryegrasses), and the hybrids show phenotypic similarities to both parents. This type of intergeneric hybridization is quite rare, and is indicated by a multiplication symbol before the name. The name Festulolium is an example of a portmanteau word, a combination of the two parents' names.

## Species

There are three accepted naturally occurring hybrid species found in Europe, where the parental ranges overlap, and a number of artificial crosses used in lawn applications.
* × Festulolium hercynicum (Wein) Banfi, Galasso, Foggi, Kopecký & Ardenghi (Festuca rubra × Lolium pratense)
* × Festulolium pseudofallax (Wein) Banfi, Galasso, Foggi, Kopecký & Ardenghi (Festuca ovina × L. pratense)
* × Festulolium wippraense (Wein) Banfi, Galasso, Foggi, Kopecký & Ardenghi (Festuca heterophylla × L. pratense)
# Émile Egger

Émile Egger (18 July 1813 – 1 September 1885) was a French scholar.

## Life

Émile Egger was born in Paris.
From 1840 to 1855, Egger was assistant professor, and from 1855 until his death he was professor of Greek literature in the Faculté des Lettres at Paris University. In 1854 Egger was elected a member of the Académie des Inscriptions and in 1873 of the Conseil supérieur de l'instruction publique.
Egger was a voluminous writer, a sound and discerning scholar, and his influence was largely responsible for the revival of the study of classical philology in France. His most important works are as follows:
* Essai sur l'histoire de la critique chez les Grecs (1849)
* Notions élémentaires de grammaire compare (1852)
* Apollonius Dyscole, essai sur l'histoire des théories grammaticales dans l'Antiquité (1854)
* Mémoires de littérature ancienne (1862)
* Mémoires d'histoire ancienne et de philologie (1863)
* Les Papyrus grecs du Musée du Louvre et de la Bibliothèque Impériale (1865)
* Études sur les traits publics chez les Grecs et les Romains (1866)
* L'Hellénisme en France (1869)
* La Littérature grecque (1890).
He was also the author of Observations et réflexions sur le développement de l'intelligence et du langage chez les enfants (1879).
Egger died in 1885, and was buried at the Cimetière Montparnasse in Paris (facing the western wall, on the far right on entering from the north).
# Đàn tính

The đàn tính, or tính tẩu (gourd lute), is a stringed musical instrument from tianqin (Chinese: 天琴; pinyin: Tiān qín of Zhuang people in China, imported to Vietnam by the Tày people of Lạng Sơn Province in Vietnam. Although "tính tẩu" originated as a Tày word, both names are used in Vietnamese. The instrument has from two to four strings in from two to four courses. The strings are made of silk, nylon or fishing wire. It is used by shamans in séances in the hope that it will be animated by spirits.
In 2007, Vietnam's Ministry of Culture, Sports and Tourism submitted a plan to promote the instrument, as well as the "Then" style of singing that it often accompanies. A seminar recommended that traditional songs be transcribed and recordings made, and that local art schools provide instruction in this type of music.

## History

It spread among the Pian and Tày people of the Zhuang nationality. It was originally used by Tianpo (witches) to cure disasters and diseases. Later, this witchcraft-like singing and dancing evolved into a mass entertainment activity, but it is still called singing, playing and dancing. The instrument used is called Tianqin. The traditional tianqin is about 120 cm long. The long vertical stick-like neck is made of wood, carved with dragon patterns. The head of the lute is carved into the shape of a phoenix, handsome seal, sun or moon, and a wooden peg is placed on the left and right. The lute tube is made of gourd or hemp bamboo tube. It is hemispherical, 10 cm thick, with 11 rubber hemp bamboo shells or thin paulownia wood boards at the front, with a surface diameter of 11 cm, and the engraved pattern at the back end is a sound window. Bamboo piano bridge, silk strings. The various parts of the lute body can be disassembled and assembled for easy portability. A modern tianqin, the shaft is 90 cm long and semi-cylindrical, with no decoration on the shaft. The headstock is flat-topped, the tube is made of Gastrodia elata bamboo or iron, round, 10 cm in diameter, with silk or nylon strings. Tuning c1, g or d1, g. The inner string sets the treble, and the outer string sets the bass. Range g-g3. In the long feudal society, the tianqin was regarded as a sacred thing, and only Tianpo could use it when "jumping to the sky". "Tiaotian" was originally a strange and superstitious performance performed by people. A woman named "Tianpo", wearing a long skirt and a beaded cap, played and sang with a lyre in her hand. side dance. She claimed to be a celestial fairy who came down to earth to have fun, solve problems and bestow blessings. Tianpo's lyre is regarded as a god in the sky, and it is not allowed to move at ordinary times. When it is used, it must be incensed before it can be taken down and played.
# İmanlar, Shusha

İmanlar (Imanlar) is a village de jure in the Shusha District of Azerbaijan, de facto in the Shushi Province of the self-proclaimed Republic of Artsakh.
# İmanlı

İmanlı (also, Imanly) is a village and municipality in the Masally Rayon of Azerbaijan. It has a population of 156.
# Đức Phong

Đức Phong may refer to several places in Vietnam:
* Đức Phong, Bình Phước, a township and capital of Bù Đăng District
* Đức Phong, Quảng Ngãi [vi], a rural commune of Mộ Đức District
* Former name of Bù Đăng District
# Đức Ninh Đông

Đức Ninh Đông is an urban ward (phường) in Đồng Hới, Quảng Bình Province, in Vietnam. It covers an area of 3.13 km$^2$ and has a population of 4726.
# İmrahor, Korkuteli

İmrahor is a neighbourhood in the municipality and district of Korkuteli, Antalya Province, Turkey. Its population is 1,672 (2022).
# Şenpınar, Şenkaya

Şenpınar is a neighbourhood in the municipality and district of Şenkaya, Erzurum Province in Turkey. Its population is 142 (2022).
# Σ-Algebra of τ-past

The σ-algebra of τ-past, (also named stopped σ-algebra, stopped σ-field, or σ-field of τ-past) is a σ-algebra associated with a stopping time in the theory of stochastic processes, a branch of probability theory.

## Definition

Let $\tau$ be a stopping time on the filtered probability space $(\Omega ,{\mathcal {A}},({\mathcal {F}}_{t})_{t\in T},P)$. Then the σ-algebra
    ${\mathcal {F}}_{\tau }:=\{A\in {\mathcal {A}}\mid \forall t\in T\colon \{\tau \leq t\}\cap A\in {\mathcal {F}}_{t}\}$
is called the σ-algebra of τ-past.

## Properties
### Monotonicity

If $\sigma ,\tau$ are two stopping times and
    $\sigma \leq \tau$
almost surely, then
    ${\mathcal {F}}_{\sigma }\subset {\mathcal {F}}_{\tau }.$

### Measurability

A stopping time $\tau$ is always ${\mathcal {F}}_{\tau }$-measurable.

## Intuition

The same way ${\mathcal {F}}_{t}$ is all the information up to time $t$, ${\mathcal {F}}_{\tau }$ is all the information up time $\tau$. The only difference is that $\tau$ is random. For example, if you had a random walk, and you wanted to ask, “How many times did the random walk hit −5 before it first hit 10?”, then letting $\tau$ be the first time the random walk hit 10, ${\mathcal {F}}_{\tau }$ would give you the information to answer that question.
# Štefan Svitek (basketball)

Štefan Svitek (born 20 November 1966 in Gelnica) is a Slovak former professional basketball player and coach. During his playing career, at a height of 2.04 m (6'8 1⁄2") tall, he played at the power forward position.

## Playing career
### Club career

During his pro career, Svitek won the German Cup in 1994, the Austrian Cup in 2001, and the Slovak League championship in 2007. He was also named the Slovak Player of the Year, in 2003.

### National team career

Svitek was a member of the senior Czechoslovakian national basketball team. With Czechoslovakia, he played at the 1987 EuroBasket, and at the 1991 EuroBasket.

## Coaching career

Svitek was the head coach of the senior Hungarian women's national team, which he coached at the EuroBasket Women 2017.
# ŽKK Sloboda Novi Grad

ŽKK Sloboda Novi Grad is a women's basketball club from Novi Grad, Bosnia and Herzegovina.

## Honours
### Domestic

National Cups – 0
* Bosnian Cup
** Runners-up (1) : 2013
# Željka Ogresta

Željka Ogresta (born 28 June 1963) is a Croatian journalist and television presenter. She is married to Dubravko Merlić, with whom she has three children.