OpenLLM-France/wikimedia huggingface dataset:
# Social localisation

Social localisation (or localization) (from Latin locus (place) and the English term locale, "a place where something happens or is set") is, like language localization the second phase of a larger process of product and service translation and cultural adaptation (for specific countries, regions or groups) to account for differences in distinct markets and societies, a process known as internationalization and localization.

## Objectives

The main objective of social localisation is the promotion of a demand, rather than a supply-driven approach to localization. It is based on the recognition that it is no longer exclusively the corporations who control the global conversation, but the communities. Social localization supports user-driven and needs-based localisation scenarios - in contrast to mainstream localization, driven primarily by short-term financial return-on-investment (ROI) considerations.
Social localization has been connected to the nonmarket activities of the translation and localisation services sector by researchers reporting to the LINDWEB Conference, organized by the European Commission's DGT as the Language Industry Platform, allowing its stakeholders to meet in Brussels on 24 May 2012. The concept of a 'nonmarket' approach to economics and to societal activities is a well-known concept and has been reported on in the context of the economics of development, education and poverty reduction, for example.
# Social mania

Social manias are mass movements which periodically sweep through societies. They are characterized by an outpouring of enthusiasm, mass involvement and millenarian goals. They are contagious social epidemics, and as such they should be differentiated from mania in individuals.
Social manias come in different sizes and strengths. Some fail to 'catch fire', while others persist for centuries (although sometimes in severely attenuated form). Common to all is a vision of salvation, a new way of life, which if realized would radically change everyday life, ushering in a new world of freedom and justice.

## Examples

The Taiping Rebellion is an excellent illustration, as it was both widespread and destructive and has no modern adherents to whom its use as an example would be a distraction. The Ghost dance which was briefly embraced by Native Americans of the Great Plains in 1890 is another excellent example which may be viewed in some historical perspective, as may The Crusades. Almost any form of religion could be argued to be a long-standing social mania, many of which have persisted through thousands of years.
# Solar Observatory Tower Meudon

Solar Observatory Tower Meudon is a 36.47 metre tall tower built of reinforced concrete on the area of Meudon Observatory in Meudon, France, which has in its interior a spectrograph for examination of the sun. Solar Observatory Tower Meudon was built in 1964-65, and is a solar tower, a type of solar telescope. It has a shaft diameter of 6.6 metres. In a height of 30.57 metres it has an observatory floor with 18.4 metre diameter. The shaft of the tower consists of two concrete tubes which are separated by a 10 centimetre wide air spelt, in order to avoid wind induced vibrations.
The telescope has a 60 cm aperture.

## Sources

* Turmbauwerke, Bauverlag GmbH, Wiesbaden (Deutschland), 1966
* ↑ Bhatnagar, A.; Livingston, William Charles (2005). Fundamentals of Solar Astronomy. World Scientific. ISBN 9789812567871.
# Sofia Finér

Sofia Tillström (born 15 May 1976) is a former professional tennis player from Sweden. She competed during her career as Sofia Finér.

## Career

Finér played on the professional tour in the 1990s, reaching a best singles ranking of 289 in the world, with two ITF titles. As a doubles player she had a top ranking of 254 and won three doubles titles on the ITF circuit.
In 1997 she featured as a doubles player in three Fed Cup ties. Partnering Annica Lindstedt, the pair won two of their three matches together for Sweden.
Now known as Sofia Tillström, she is a coach at the Ekerö Tennisklubb in the Stockholm region. Her husband is former ATP Tour player Mikael Tillström.

## ITF finals
### Singles (2–3)

* Legend
* $25,000 tournaments
* $10,000 / $15,000 tournaments
| Result | No. | Date | Tournament | Surface | Opponent | Score |
| Loss | 1. | 16 January 1995 | Turku, Finland | Hard (i) | Sandra Kleinová | 4–6, 6–7 |
| Loss | 2. | 21 January 1996 | Turku, Finland | Hard (i) | Maria Wolfbrandt | 6–4, 2–6, 1–6 |
| Loss | 3. | 24 June 1996 | Bastad, Sweden | Clay | Gabriela Chmelinová | 3–6, 3–6 |
| Win | 4. | 6 October 1996 | Nottingham, United Kingdom | Hard (i) | Lorna Woodroffe | 6–3, 6–2 |
| Win | 5. | 9 June 1997 | Camucia, Italy | Hard | Federica Fortuni | 6–3, 6–1 |

### Doubles (3–6)

| Result | No. | Date | Tournament | Surface | Partner | Opponents | Score |
| Win | 1. | 3 July 1995 | Lohja, Finland | Clay | Annica Lindstedt | Maria-Farnes Capistrano Maria Wolfbrandt | 7–5, 6–4 |
| Win | 2. | 2 October 1995 | Nottingham, United Kingdom | Hard | Annica Lindstedt | Samantha Smith Jane Wood | 7–6$^{(9–7)}$, 7–5 |
| Loss | 3. | 30 October 1995 | Stockholm, Sweden | Hard | Annica Lindstedt | Karin Ptaszek Anna-Karin Svensson | 1–6, 3–6 |
| Loss | 4. | 21 January 1996 | Turku, Finland | Carpet (i) | Annica Lindstedt | Karin Ptaszek Anna-Karin Svensson | 2–6, 4–6 |
| Loss | 5. | 27 January 1996 | Bastad, Sweden | Hard (i) | Annica Lindstedt | Karin Ptaszek Anna-Karin Svensson | 3–6, 4–6 |
| Loss | 6. | 4 February 1996 | Rungsted, Denmark | Carpet (i) | Annica Lindstedt | Sofie Albinus Maiken Pape | 6–3, 3–6, 4–6 |
| Loss | 7. | 29 June 1997 | Bastad, Sweden | Clay | Linda Jansson | Annica Lindstedt Anna-Karin Svensson | W/O |
| Loss | 8. | 7 July 1997 | Fiumicino, Italy | Clay | Anna Linkova | Zuzana Hejdová Jana Macurová | 1–6, 1–6 |
| Win | 9. | 21 July 1997 | Valladolid, Spain | Hard | Anna-Karin Svensson | Petra Rampre Daphne van de Zande | 6–4, 6–3 |
# Something to Say (Joey Pearson album)

Something To Say is the debut album from pop singer Joey Pearson. The album includes his debut single, "Don't Give Up", as well as a duet with actor and friend Logan O'Brien.

## Track listing

* "You're Worth the Time"
* "My Dream"
* "Looked My Way"
* "Good Like Anything"
* "Don't Give Up"
* "Younger Generation" (featuring Logan O'Brien)
* "Candle Light the Way"
* "I'll Be Your Friend"
* "I Know What Love Is"
* "Once in a Lifetime"
* This 2000s pop album–related article is a stub. You can help Wikipedia by expanding it.
* v
* t
* e
* This 2000s R&B/soul album–related article is a stub. You can help Wikipedia by expanding it.
* v
* t
* e
# Sonadih

Sonadih is a village situated on NH-29 in Mau District.
* This Mau district location article is a stub. You can help Wikipedia by expanding it.
* v
* t
* e
# Socorro Díaz Palacios

Socorro Díaz Palacios (born 16 February 1949) is a Mexican journalist and politician affiliated with the Party of the Democratic Revolution (formerly to the Institutional Revolutionary Party). As of 2014 she served as Deputy of the LIV and the LIX Legislaturez of the Mexican Congress as a plurinominal representative and as Senator of the LIII Legislature.
# Solitude (film)

Solitude (Svenska: Vännerna) is a 2014 Swedish drama film directed by Beata Gårdeler [sv], who also co-wrote the screenplay with Christian Augrell [sv]. It stars Anna Bjelkerud [da; sv].

## Plot

Karen, 55, lies dead in her place after some months of missing. While two investigators, Annika and Samir finds any of her relatives, the film follows the journey of Karen's corpse from police officers and social workers, to the resting place.

## Cast

* Anna Bjelkerud – Annika / Moa
* Alexander Salzberger – Samir
* Mats Blomgren – Manfred
* Robin Keller – Conny
* Eva Melander – Ewa

## Background

Solitude was produced by Malin Idevall for Bob Film Sweden AB with Sveriges Television AB as co-producer and with production support from the Swedish Film Institute. The film was photographed by Gösta Reiland and edited by Linda Jilmalm. The music was composed by Lisa Montan [sv].
The film premiered on January 25, 2014 at the Gothenburg Film Festival and was shown the same day on SVT1.

## Reception

The film was awarded the Stora novellfilmspriset in 2014.
# Software mining

Software mining is an application of knowledge discovery in the area of software modernization which involves understanding existing software artifacts. This process is related to a concept of reverse engineering. Usually the knowledge obtained from existing software is presented in the form of models to which specific queries can be made when necessary. An entity relationship is a frequent format of representing knowledge obtained from existing software. Object Management Group (OMG) developed specification Knowledge Discovery Metamodel (KDM) which defines an ontology for software assets and their relationships for the purpose of performing knowledge discovery of existing code.

## Software mining and data mining

Software mining is closely related to data mining, since existing software artifacts contain enormous business value, key for the evolution of software systems. Knowledge discovery from software systems addresses structure, behavior as well as the data processed by the software system. Instead of mining individual data sets, software mining focuses on metadata, such as database schemas. OMG Knowledge Discovery Metamodel provides an integrated representation to capturing application metadata as part of a holistic existing system metamodel. Another OMG specification, the Common Warehouse Metamodel focuses entirely on mining enterprise metadata.

## Text-Mining Software Tools

Text mining software tools enable easy handling of text documents for the purpose of data analysis including automatic model generation and document classification, document clustering, document visualization, dealing with Web documents, and crawling the Web.

## Levels of software mining

Knowledge discovery in software is related to a concept of reverse engineering. Software mining addresses structure, behavior as well as the data processed by the software system.
Mining software systems may happen at various levels:
* program level (individual statements and variables)
* design pattern level
* call graph level (individual procedures and their relationships)
* architectural level (subsystems and their interfaces)
* data level (individual columns and attributes of data stores)
* application level (key data items and their flow through the applications)
* business level (domain concepts, business rules and their implementation in code)

## Forms of representing the results of Software Mining

* data model
* metadata
* metamodels
* ontology
* Knowledge representation
* business rule
* Knowledge Discovery Metamodel (KDM)
* Business Process Modeling Notation (BPMN)
* intermediate representation
* Resource Description Framework (RDF)
* abstract syntax tree (AST)
* software metrics
* graphical user interfaces
# Song of Moses (disambiguation)

There are two songs in the Hebrew Bible known as the Song of Moses:
* The Song of the Sea (Exodus 15), commencing with the Latin incipit Cantemus Domino: "I will sing to the Lord, for he has triumphed gloriously; the horse and his rider he has thrown into the sea." (Exodus 15:1)
* The Song of Moses (Deuteronomy 32), commencing with the Latin incipit Audite caeli: "Give ear, O heavens, and I will speak, and let the earth hear the words of my mouth." (Deuteronomy 32:1)
The song of the Saints in Revelation 15:3-4 is described as the "song of Moses, the servant of God".
The Latin name Canticum Moysis may be used for either of the songs.
The Song of Moses is also the title of an oratorio written by the English composer Thomas Linley the Younger in 1777.
# Song Ha-choon

Song Ha-choon (born September 27, 1944) is a South Korean writer, critic, and a researcher of Korean literature.

## Early life and education

He was born in Kimje, Jeollabukdo. He graduated from Namsung Middle School and Namsung High School in Iksan, Jeollabukdo. He entered Sungkyunkwan University but dropped out. Later he graduated from Korea University in Korean literature and received a doctorate from the same school. He then worked as a Korean literature professor at Korea University.
He began his literary career when he won the Chosun Ilbo New Writer's Contest in 1972 with “Han beon geureotge bonaen gaeul” (한 번 그렇게 보낸 가을One Autumn I Had Spent That Way).

## Writing

Song Ha-choon says that to him, writing fiction is a type of buffer. The world is a hopeless place, but he can use fiction to buffer the shock of such despair. As brutal and reckless as it gets, when he fights it with a clear mind, he says that it gives him strength to live on in the world. Writing gives him the strength and the abundance in mind that enables him to endure the world.
As such, his fiction also warmly looks upon those that are struggling through life. In his 1987 novel Eunjangdowa teureompet (은장도와 트럼펫 The Silver Sword and the Trumpet), he depicts the everyday enlightenments of life that happen through concrete experiences. Habaekui ttaldeul (하백의 딸들 The Daughters of Habaek), published in 1994, depicts those that struggle to live in a twisted society with a benevolent view. Literary critic Kim In-hwan has said that Song Ha-choon is “not an escapist writer who tries to oppose the world and withdraw into the inner mind, but is more of the harmonic type who trusts in the kindness of people and aims for order in the world”, adding that he is a writer that writes fiction that “contains longing for harmonic life that does not violate or hurt others“.

## Works

* Hankukgeundae soseolsajeon: 1980-1917 (한국근대 소설사전 1980-1917 The Encyclopedia of Modern Korean Fiction: 1980–1917), 2015.
* The Sphinx Does Not Know Either (스핑크스도 모른다), 2012.
* Panjeonui geulssi (판전의 글씨 The Words on the Tablet), 2006.
* Taepyeongyangeul oreuda (태평양을 오르다 Climbing the Pacific), 2004.
* Son Chang-seop (손창섭), 2003.
* Kkumkkuneun gongryong (꿈꾸는 공룡 The Dreaming Dinosaur), 1998.
* Tamguroseo-ui soseoldokbeob (탐구로서의 소설독법 Fiction Reading as Research), 1996.
* 1920 nyeondaeui hankuksoseolyeongu (1920년대 한국소설연구 Study of 1920s Korean Literature), 1995.
* Habaekui ttaldeul (하백의 딸들 The Daughters of Habaek), 1994.
* Chae Man-sik (채만식), 1994.
* 1950 nyeondaeui si-indeul (1950년대의 시인들 Poets of 1950s), 1994.
* 1950 nyeondaeui soseolgadeul (1950년대의 소설가들Fiction Writers of 1950s), 1994.
* Balgyeoneuroseo-ui soseolgibeob (발견으로서의 소설기법 Discovery as Writing Technique), 1993.
* Hobak-kkot yeoreum (호박꽃 여름 The Summer of Pumpkin Flower), 1990.
* Eunjangdowa teureompet (은장도와 트럼펫 The Silver Sword and the Trumpet), 1987.
* Hanbeon geureotge bonaen gaeul (한번 그렇게 보낸 가을 One Autumn I Had Spent That Way), 1979.

## Awards

* Chae Man-sik Literary Award, 2012.
* Oh Yeongsu Literary Award, 1995.
# Solomon Frensdorff

Solomon Frensdorff (born at Hamburg, February 24, 1803; died at Hanover, March 23, 1880) was a German Jewish Hebraist.
While pursuing his studies at the Johanneum gymnasium in Hamburg, he was introduced to Hebrew literature by Isaac Bernays, who exerted considerable influence upon his later attitude toward Judaism, and religion in general. He studied philosophy and Semitic languages at the University of Bonn. In that city he became acquainted with Abraham Geiger, who, in various letters to his friends, repeatedly expressed esteem for Frensdorff's character and learning.
In 1837 Frensdorff became head master of the Jewish religious school at Hanover, and in 1848 was appointed principal of the new Jewish seminary for teachers in that city, which position he held until his death.
Frensdorff throughout his career devoted himself chiefly to the critical examination and publication of Masoretic works. His writings on these are:
* Fragmente aus der Punktations-und Accentlehre der Hebräischen Sprache, with the Hebrew text (Darke ha-Niḳḳud weha-Neginot), ascribed to R. Moses Punctator, Hanover, 1847 (dedicated to Bernays);
* Oklah we-Oklah, ib. 1864
* Die Massora Magna part i.
* Massoretisches Wörterbuch, Leipsic and Hanover, 1876
* Aus dem Sefer ha-Zikronot des Elias Levita in "Monatsschrift," xii. 96 et seq.
* Hebrew title page of "Das Buch Ochlah W'Ochlah" by Solomon Frensdorff
* German title page of "Das Buch Ochlah W'Ochlah" by Solomon Frensdorff
* Cover of "Das Buch Ochlah W'Ochlah"
* Solomon Frensdorf Hebrew side of tombstone
# Something Happened to Me Yesterday

"Something Happened to Me Yesterday" is the closing track of the Rolling Stones' 1967 album Between the Buttons.
Written by Mick Jagger and Keith Richards and recorded in August and November 1966, "Something Happened to Me Yesterday" is the first officially released Rolling Stones track to feature Richards on separate lead vocal. Jagger sings the verses, while Richards sings the chorus. Richards plays electric and acoustic guitars; Charlie Watts is on drums and Bill Wyman on bass; Brian Jones whistles and plays trumpet, trombone and tuba; Jack Nitzsche plays piano; and the Mike Leander Orchestra performs the brass section.
At the time of the song's release, Jagger said: "I leave it to the individual imagination as to what happened." Matthew Greenwald calls it "one [of] the most accurate songs about LSD".
The song ends with a spoken passage by Jagger: "Well, thank you very much, and now I think it's time for us all to go. So, from all of us to all of you, not forgetting the boys in the band and our producer Reg Thorpe, we'd like to say 'God bless.' So, if you're out tonight, don't forget: if you're on your bike, wear white. Evening, all." Jagger has said (plainly facetiously) that this passage is "something I remember hearing on the BBC as the bombs dropped". However, this sort of homily was typically rendered at the end of an episode of the early police procedural Dixon of Dock Green by PC Dixon, an old school bobby.

## Personnel

According to authors Philippe Margotin and Jean-Michel Guesdon:
The Rolling Stones
* Mick Jagger – vocals (verses)
* Keith Richards – vocals (chorus), acoustic guitar, electric rhythm guitar, bass
* Brian Jones – saxophone
* Bill Wyman – bass guitar
* Charlie Watts – drums
Additional musicians
* Jack Nitzsche – piano
* Unidentified session musicians – tuba, clarinet, trumpet, trombone, violin
# Sonny Rollins, Vol. 2

Sonny Rollins, Vol. 2 is an album by American jazz saxophonist Sonny Rollins, recorded on April 14, 1957, and released on Blue Note later that year.

## Background

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Jazz Recordings | |
| The Rolling Stone Jazz Record Guide | |

### Recording

It is noted for the appearance of pianists Thelonious Monk and Horace Silver, both playing on the Monk composition "Misterioso". Monk also plays on his composition "Reflections", while Silver handles the piano duties on all the other tracks.

### Release history

It was reissued in 1999 as part of the Rudy Van Gelder series, remastering done by the audio engineer, also present on the original recording sessions.

### Legacy

British singer-songwriter Joe Jackson paid homage to the album when he mimicked the sleeve for his 1984 album Body and Soul.

## Track listing
### Side 1

* "Why Don't I?" (Sonny Rollins) – 5:44
* "Wail March" (Rollins) – 6:11
* "Misterioso" (Thelonious Monk, Denzil Best) – 9:24

### Side 2

* "Reflections" (Monk) – 7:03
* "You Stepped Out of a Dream" (Nacio Herb Brown, Gus Kahn) – 6:24
* "Poor Butterfly" (Raymond Hubbell, John Golden) – 6:06

## Personnel
### Musicians

* Sonny Rollins – tenor saxophone
* Jay Jay Johnson – trombone (except "Reflections")
* Horace Silver (except "Reflections"), Thelonious Monk ("Misterioso", "Reflections") – piano
* Paul Chambers – bass
* Art Blakey – drums

### Technical personnel

* Alfred Lion – producer
* Rudy Van Gelder – recording engineer, mastering
* Harold Feinstein – design
* Francis Wolff – photography
* Robert Levin – liner notes
# Sonny Red (album)

Sonny Red is an album by American saxophonist Sonny Red recorded in 1971 and released on the Mainstream label.

## Reception

The Allmusic review awarded the album 4 stars stating simply "Early-'70s recording with Cedar Walton".
Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |

## Track listing

    All compositions by Sonny Red except as indicated
* "Love Song" - 5:48
* "Tears" - 7:19
* "Mustang" - 5:49
* "And Then Again" (Elvin Jones) - 4:14
* "My Romance" (Lorenz Hart, Richard Rodgers) - 4:44
* "A Time for Love" (Johnny Mandel, Paul Francis Webster) - 5:19
* "Rodan" - 4:36

## Personnel

* Sonny Red - flute, alto saxophone, tenor saxophone
* Cedar Walton - piano
* Herbie Lewis - bass
* Billy Higgins - drums, congas
# Somerset Guardian and Standard

The Somerset Guardian and Frome Standard are two weekly local newspapers, published in Somerset, England.
The Somerset Standard & Guardian Series consists of the Frome Standard, and the Somerset Guardian.
It is owned by Bath News & Media In 2012, Local World acquired Bath News & Media owner Northcliffe Media from Daily Mail and General Trust.
# Sonia Calizaya

Sonia Calizaya Huanca (born February 20, 1976, in La Paz) is a Bolivian marathon runner. She set both a national record and a personal best time of 2:45:05 at the 2007 Buenos Aires Marathon.
Calizaya represented Bolivia at the 2008 Summer Olympics in Beijing, where she competed for the women's marathon. She successfully finished the race in fifty-ninth place by nearly a second behind Greece's Eleni Donta, with a time of 2:45:53.
# Sonia Bruno

Sonia Bruno is a retired Spanish film actress.

## Selected filmography

* Snakes and Ladders (1965)
* Mission to Caracas (1965)
* Would You Marry Me? (1967)
* The Sailor with Golden Fists (1968)
* Fruit of Temptation (1969)
# Song Spells, No. 1: Cedarsmoke

Song Spells, No. 1: Cedarsmoke, while not an official studio album, is the 4th LP by the Los Angeles-based band Sea Wolf, led by Alex Brown Church.
Song Spells is a new Sea Wolf project made up of a series of non-studio albums written and recorded within four month periods. Church has said he will 'do the albums in between official albums', while indicating that the band would begin work on the next official studio album immediately following the release of Cedarsmoke.
Unlike the band's 3 studio LP's, Leaves in the River (2007), White Water, White Bloom (2009) and Old World Romance (2012), which all saw wide releases through Dangerbird Records, Cedarsmoke began as a 'stripped down' unofficial album and was meant to explore the sonic landscape and feel of the earliest Sea Wolf songs while also providing an outlet for Church to experiment with new ideas and working methods. Geared toward existing fans of the band, the album was not intended as the next 'official' label-backed studio album, and was funded through a highly successful Kickstarter campaign. During the 4-month process of writing and recording the album, the idea of the series came about, and while it was never intended to be released on a wide scale, soon after its completion it was announced that this first entry in the series would be 'given back to fans' by releasing it exclusively through music streaming service Spotify and as a pay-what-you-wish download on the band's website.

## Personnel

* Alex Brown Church - vocals, guitar, bass, keyboard, programming, percussion
* Lisa Fendelander - keyboard, backing vocals
* Joey Ficken - drums, percussion
* Scott Leahy - guitar, bass, ukulele, percussion, backing vocals
* Vanessa Freebairn-Smith - cello
* Matthew Langston - guitar, backing vocals
* Written, Produced and Mixed by Alex Brown Church
* Mastered by Emily Lazar at The Lodge NYC, assisted by Rich Morales