OpenLLM-France/wikimedia huggingface dataset:
# Taiko Hirabayashi

Taiko Hirabayashi (平林 たい子, Hirabayashi Taiko, 3 October 1905 – 17 February 1972) was the pen-name of a Japanese writer. Her real name was Hirabayashi Tai.

## Biography

Hirabayashi resolved at the age of 12 to become a writer and also developed an interest in socialism at a young age. After graduating from the Suwa Women’s Higher School in 1922, she moved to Tokyo and began living with an anarchist named Torazo Yamamoto. They went to Korea together but returned after only one month. They were both arrested in the confusion and clampdowns following the 1923 Great Kantō earthquake and released on condition of leaving Tokyo. She eventually moved to Manchuria and was to give birth in a hospital in Dalian but the child lived for only twenty-four days, dying of malnutrition. Based on this personal experience, she wrote the short story In the Charity Hospital, which established her as a writer of proletarian literature.
She married the novelist and critic Jinji Kobori [ja] in 1927, but divorced him in 1955 after discovering that he had an illegitimate child. In 1946, she won the inaugural Women's Literature Prize [ja] with Kou iu onna.
After the war, she became a writer of "Tenko Bungaku" ("Conversion Literature", a controversial genre dealing with the renunciation of leftist beliefs) and showed conservative, anti-communist tendencies. Later, she was known to be a member of the Democratic Socialist Party.
Her writings were often modelled on her own life or contemporary authors but she also produced various social commentaries and essays. During the war, after receiving help from a gambler named Seiichi Ishiguro, she became interested in the world of the yakuza and also wrote novels with a chivalrous spirit such as Kokusatsu, Chitei no Uta and Nagurareru Aitsu. In 1967, she won the 7th Women's Literature Prize with Himitsu.

## Legacy

She was posthumously awarded the Japan Art Institute Prize [ja] and the Hirabayashi Taiko Prize was created in her honour.
There is a Hirabayashi Taiko Memorial Museum in Suwa City, Fukushima prefecture.

## Literary works

* Azakeru (嘲る, 1927) - Self-Mockery
* Seryoushitsu ni te (施療室にて, 1928) - In the Charity Hospital
* Shussen ni te (1946) - Diary of the End of the War
* Hitori yuku (一人行く, 1946) - I Walk Alone
* Mou chugoku hei (1946) - Blind Chinese Soldiers
* Kishi mojin (1946) - The Goddess of Children or Demon Goddess
* Kau iu onna (かういふ女, 1946) - This Kind of Woman
* Watashi ha ikiru (私は生きる, 1947) - I Mean to Live
* Kokusatsu (黒札) - Black Notes
* Chitei no uta (地底の歌, 1948) - Song from the Underworld
* Jinsei jikken (1948) - A Life Experiment
* Hito no inochi (1950) - A Man's Life
* Nagurareru aitsu (殴られるあいつ) - The Beaten Man
* Onigo bojin (鬼子母神) -
* Sabaku no hana (砂漠の花, 1957) - Flowers in a Desert
* Sono hito to tsuma (その人と妻) - The Man and His Wife
* Erudorado Akarushi (エルドラド明るし)
* Fumou (1962) - Sterility
* Kuroi Nenrei (1963) - The Black Age
* Haha to iu onna (1966) - A Woman to Call Mother
* Himitsu (秘密, 1967) - Secret -- won the Women's Literature Prize in 1968.
# Religio Laici

Religio Laici, Or A Layman's Faith (1682) is a poem written in heroic couplets by John Dryden. It was written in response to the publication of an English translation of the Histoire critique due vieux testament by the French cleric Father Richard Simon. Simon's book applied detailed criticism to the textual history of the Bible and argued that, given the compromised nature of much of the Bible, Christians would do better to base their faith on the history and traditions of the Roman Catholic Church.
The tendency of Simon's book was to undermine Protestantism, which prioritises the authority of the Bible over the traditions and rituals of the Catholic Church, and so Dryden set out in Religio Laici to address the issues raised by Simon's book, along with other religious issues of his times such as Deism, in order to assert the validity of the teachings of the Church of England.

## Sections

Religio Laici consists of 462 lines of consecutive rhyming couplets. Although it is not divided by breaks or headings into parts or sections, Dryden added notes in the margins to indicate the topics and issues addressed in each section of the poem. These are (in the original spelling):
* Opinions of the several sects of Philosophers concerning the Summum Bonum
* System of Deism
* Of Reveal'd Religion
* Objection of the Deist
* The Objection answer'd
* Digression to the Translator of Father Simon's Critical History of the Old Testament
* Of the infallibility of Tradition, in General
* Objection in behalf of Tradition; urg'd by Father Simon
* The Second Objection
* Answer to the Objection

## Excerpt

Dryden concludes the poem with a plea for moderation in all things including religious debate. On this subject, more than all others, it behoves each citizen to 'curb' their 'private reason' (or opinions) rather than disturb 'the public peace'. It is notable that the climax of this long series of complex religious arguments is social rather than religious: 'Common quiet is Mankind's concern'.
   And after hearing what our Church can say, If still our Reason runs another way,
   That private Reason ’tis more Just to curb,
   Than by Disputes the publick Peace disturb.
   For points obscure are of small use to learn:
   But Common quiet is Mankind’s concern.

## The Hind and the Panther

Five years after publishing Religio Laici Dryden drastically changed his position and converted to Roman Catholicism. He published a long and complex allegorical poem in three parts, The Hind and the Panther (1687) to explain his conversion. The fact that he converted a few years into the rule of the Catholic king, James II, prompted much scorn and derision from contemporaries.
# Xiaolong

Xiaolong is a Chinese given name and may refer to:
* Chen Xiaolong (born 1988), Ashton Chen, stage name Shi Xiaolong, Chinese actor and martial artist
* Li Xiaolong (1940–1973), known as Bruce Lee, Hong Kong-American actor, director, martial artist, martial arts instructor and philosopher
* Liang Xiaolong (born 1948), Hong Kong actor who has appeared in many martial arts movies
* Liu Xiaolong (born 1988), male Chinese badminton player who is a doubles specialist
* Liu Xiaolong (footballer) (born 1989), Chinese football player
* Qiu Xiaolong (born 1953), English-language poet, literary translator, crime novelist, critic, and academic
* Wang Xiaolong (born 1986), Chinese footballer
* Wang Xiaolong (artist) (born 1965), contemporary Chinese painter and designer
* Wang Xiaolong (handballer) (born 1989), Chinese handball player who competed in the 2008 Summer Olympics
* Xu Xiaolong (born 1992), Chinese triple jumper
* Xu Xiaolong (footballer) (born 1989), Chinese footballer
* Yin Xiaolong (born 1985), Chinese football player
* Zhang Xiaolong, also known as Allen Zhang, Chinese programmer known for creating WeChat and Foxmail
* Zheng Xiaolong (born 1953), Chinese TV and film director and screenwriter
# That Day After Everyday

That Day After Everyday is a Hindi short film directed by Anurag Kashyap, written by Nitin Bhardwaj, and produced by Sankalp Acharekar & Omer Haidar. Starring Sandhya Mridul, Radhika Apte, Geetanjali Thapa and Aranya Kaur. The film takes the audience on an emotional ride ending at an action filled crescendo.

## Plot

The film deals with eve teasing, a social issue. The film revolves around three women who overcome their helplessness in a bad situation.

## Cast

* Sandhya Mridul
* Radhika Apte
* Arannya Kaur
* Geetanjali Thapa
* Mahesh Balraj
* Akash Sinha
* Alok Pandey as Road side romio
* Ravi Choudhary
# Oñate (surname)

Oñate is a Basque surname. Notable people with this surname include:
* Cristóbal de Oñate (1504–1567), Spanish conquistador, father of Juan de Oñate
* Eugenio Oñate Ibañez de Navarra (born 1953), Spanish engineer
* Juan de Oñate (1550–1626), New Spanish explorer and colonial governor
* Jorge Oñate (1949–2021), Colombian singer and composer
* Santiago Oñate Laborde (born 1949), Mexican lawyer and politician
# Warid (Sufism)

The wārid (plural: wāridāt) is the divine effect of dhikr and wirds practice on the qalb of murid and salik and wasil in Islamic sufism.

## Presentation

The warid is a result of dhikr in the Sufi tradition, and while the wird can be seen as an offering from the murid to Allah above the seven heavens, the warid can be seen as a retribution from the Angelic host [ar] to the qalb of the salik or wasil.
The murid access with his awrades to transcendent knowledge and spiritual status.

## Blessings

The waridates have impacts on murids and saliks depending upon their ability to receive them.
This litany can cause absence with the flow of these waridates on the murid's qalb.

## Kinds

The warid is present in the practice of murids, saliks and wasils under different genres:
* Barakah
* Basira [ar]
* Bast [ar]
* Djadba [ar]
* Fath [ar]
* Haqiqa
* Hidayah
* Ilham
* Irfan
* Ishrak
* Karamat
* Kashf
* Khatir
* Ma'rifa
* Nūr
* Qabdh [ar]
* Rabita [ar]
* Ru'ia [ar]
* Sirr [ar]
* Tajalli
* Uns [ar]
* Walayah

## Citations

* Ahmad ibn Ajiba said:
   The word warid means the traveler and one who comes. It is said, 'So-and-so warada to us,' meaning he came to us. In the technical nomenclature (of the Sufis), the warid is what is gifted by the Real Allah upon the hearts of His saints, the gifts of gentle breezes that grant them the power to move, and perhaps startles them or removes them from their sensory perception. By its nature, it comes suddenly and does not remain for long.
* Ibn Ata Allah al-Iskandari said:
   No one belittles the litany (wird) except a man who is exceedingly ignorant. The warid is to be found in the Hereafter, while the litany vanishes with the vanishing of this world; therefore, it is more fitting to be occupied with something for which there is no substitute. The litany (wird) is what He seeks from you; the warid is what you seek from Him. What comparison is there between what He seeks from you and what you seek from Him!

## Misconducts

Hazem Abu Ghazaleh said about Sufis' misconducts about the waridates:
   Some Seekers (murids) might leave their daily litanies (wirds), arguing that they have too much work to do and too little free time. Their personal devils whisper to them and suggest that this is a legally valid excuse and an acceptable justification, and that it is perfectly fine to delay the litanies until there is free time. The esteemed Sufis have warned the spiritual wayfarers from negligence, procrastination, and waiting for free time.
   Some seekers (saliks) might leave their litanies (wirds) and suffice themselves with the warid. They are seemingly unaware that the litany (wird) is sought from them as a means of drawing near to Allah, and that the esteemed Sufis have never neglected their litanies (wirds), no matter what degree of perfection they attained.
# Wakatobi flowerpecker

The Wakatobi flowerpecker (Dicaeum celebicum kuehni) is a subspecies of the grey-sided flowerpecker that is endemic to the Wakatobi Islands of Indonesia. Some authorities consider it to be a separate species as Dicaeum kuehni.

## Taxonomy and systematics

The Wakatobi flowerpecker was originally described as a species of flowerpecker in 1903 by Ernst Hartert and was reclassified as a subspecies of the grey-sided flowerpecker shortly thereafter. The specific name commemorates Heinrich Kühn, a German bird collector who worked for Ernst Hartert in Indonesia.
New analysis published in 2014 by Seán Kelly et al. proposed re-establishing the Wakatobi flowerpecker as a distinct species, based on DNA and morphological comparisons. Using a combination of genetic, phylogenetic, and phenotypic analyses, the team determined the Wakatobi flowerpecker was a distinct species from the Grey-sided flowerpecker. Additionally, genetic evidence showed that the two species come from distinct genetic lines that have not interbred. This suggests that neither species can traverse the 27 kilometres (17 mi) between the Wakatobi islands and Sulawesi mainland.

## Description

Wakatobi flowerpeckers exhibit sexual dimorphism. Males have dark gray feathers on the back and tail, white feathers on the belly, and red feathers on the chin. Females have medium gray feathers on the back and tail and light gray to white feathers on the belly and chin. Compared to the closely related grey-sided flowerpecker, the Wakatobi flowerpecker is significantly larger: it has longer wings, a longer bill, a longer skull, and is heavier. Additionally, there are subtle color variations: compared to the grey-sided flowerpecker, male Wakatobi flowerpeckers have bluer upper feathers, lighter side feathers, and their red coloring extends further down. For females there are no major color differences between the two species. The species feeds primarily on fruit.

## Distribution and habitat

The Wakatobi flowerpecker is endemic to the Wakatobi Islands, off the SE peninsula of Sulawesi. Although the area lies within the Wakatobi National Park, there is currently no environmental protection, and scientists have expressed concern over its prospects given the rate of human development in the region.
# Phytomyza frontalis

Phytomyza frontalis is a species of fly in the family Agromyzidae.

## Distribution

Germany.
# What Do You Say (Filter song)

What Do You Say is the first single from rock band Filter's sixth studio album The Sun Comes Out Tonight. The track was first released on April 2, 2013, and peaked at no. 15 on the Billboard Active Rock charts.

## Background

The song was written and recorded by Filter frontman Richard Patrick, guitarist Jonathan Radke, and producer Bob Marlette in Los Angeles at Blue Room studios.
The song was first released as a single on April 2, 2013, two months before its respective album, The Sun Comes Out Tonight, was released on June 4, 2013. The song received two music videos; one a "lyrics video" on April 28, 2013, and one an actual music video, release at the same time of the album's release.

## Sound and composition

"What Do You Say" is typically classified as industrial rock, containing heavy, distorted, electric guitar, and aggressive, distorted vocals". The album's drumming consists entirely of a programmed drum machine, not a live drummer. The song maintains a verse–chorus form with an alternating quiet to loud dynamic. Lyrically, the track focuses on Patrick's perception that no one is listening to his frustrations with the world around him. He states "it’s about how everyone’s screaming at each other and not listening."

## Reception

The song has been relatively well received. Commercially, it is Filter's first song to chart since 2008's "Soldiers of Misfortune", and the highest-charting song since 2002's "Where Do We Go From Here?". Music critics praised the song. Several critics compared it favorably to their 1995 hit "Hey Man, Nice Shot". Hit the Floor praised the song for "exercising an enthusiastic stomp. When Patrick steps up to bellow the first choruses, eyebrows raise...this is actually good, head-nodding rock music, produced to a high standard. San Francisco Media praised Radke's guitar-work on the track and stated that the song "...just throws a mean right hook and reeks of awesomeness, tipping a nod to the Filter sound of old with something magical going on." Revolver stated that the track was especially effective when its energy and angst was contrasted with some of the album's slower, softer songs, such as "Surprise". Broken Records Magazine supported the track's choice as a single citing that the chorus sounds like it was "tailor-made to be sung by the audience live." Blabbermouth strongly praised the song as well, stating that "the throbbing pulse of "What Do You Say"...deserve[s] FM love" due to being "chocked full of rallying "whoa-oh" calls, cruise-minded pound rhythms and singular guitar shoves", ultimately concluding that it was "of Richard Patrick's most poised vehicles in quite some time".

## Personnel
### Band

* Richard Patrick – lead vocals, guitar
* Jonathan Radtke – guitar, backing vocals

### Other

* Bob Marlette – producer
* Chris Lord-Alge – mixing

## Chart performance

| Chart (2013) | Peak position |
| Billboard Active Rock | 15 |
| US Billboard Hot Mainstream Rock Tracks | 16 |
# Rajmond Breznik

Rajmond Breznik was a Hungarian football player and coach.
He played in the Hungarian championship with Újpest FC in the season 1913–14 and with Budapesti TC in 1918–19. He also played in Yugoslavia with Juda Makabi Novi Sad, and since summer 1924 with NTK Novi Sad.
He later worked as coach with Yugoslav clubs HNK Cibalia and FK Bačka Mol.
# Muskingum Watershed Conservancy District

The Muskingum Watershed Conservancy District (MWCD) is a political subdivision of the State of Ohio organized in 1933 to develop and implement a plan for flood reduction and water conservation in the Muskingum River watershed, the state's largest wholly contained watershed, covering more than 8,000 square miles (21,000 km$^2$). Since the original construction of fourteen reservoirs and dams in the 1930s (two more were built later), more than $7 billion worth of property damage has been saved from flooding.

## Projects

After its formation, the MWCD began planning an extensive system of flood-reduction reservoirs and dams in the Muskingum River watershed, which covers all or portion of 27 counties (about 20 percent of the state). By 1938, a network of fourteen reservoirs and dams was constructed. The ten permanent reservoirs attract more than five million visitors annually.
Two additional dams and lakes were added at a later date: Dillon Lake (1960) and North Branch Kokosing.
The operation of the lakes and dams, along with the property immediately surrounding the dam sites, was transferred to the U.S. Army Corps of Engineers, Huntington District, after the approval of the Flood Control Act of 1939 by Congress. The MWCD continues to be responsible for the management of much of the reservoir areas behind the dams, serving as a partner to the U.S. Army Corps of Engineers for flood reduction. The reservoirs also serve as sources of public water supply and the MWCD manages about 54,000 acres (220 km$^2$) of water and property, most of which is open for public access. In addition to operating a number of recreation facilities, the MWCD cooperates with the Ohio Division of Wildlife for fishing and hunting management.
# Wooroloo Regional Park

Wooroloo Regional Park, formerly Chidlow Regional Park, is a conservation park near Chidlow in the Perth Hills, 40 kilometres north-east of Perth, Western Australia, located within the Shire of Mundaring.

## Overview

Wooroloo, historically also spelled Worrilow and Warriloo, is an Aboriginal word of the Nyungar language, first recorded in 1841. A Noongar elder who was consulted during the renaming process translated Wooroloo as "come back again" or "you will return".
The regional park was renamed in 2008, alongside two other regional parks and three national parks in the area. Prior to 2008 Wooroloo, along with three other regional parks had, been part of the larger Darling Range Regional Park which had been formed in the 1990s.
Wooroloo is one of eleven regional parks in the Perth region of Western Australia. The purpose of these regional parks is to serve as urban havens to preserve and restore cultural heritage and valuable ecosystems as well as to encourage sustainable nature-based recreation activities.

## Area

Download coordinates as:
* KML
* GPX (all coordinates)
* GPX (primary coordinates)
* GPX (secondary coordinates)
Wooroloo Regional Park consists of the following reserves:
| Name | Location | Co-ordinates |
| Beechina Nature Reserve | Beechina | 31°51′22″S 116°19′02″E﻿ / ﻿31.856247°S 116.317172°E﻿ / -31.856247; 116.317172﻿ (Beechina Nature Reserve) |
| Beechina North Nature Reserve | Beechina | 31°50′42″S 116°18′48″E﻿ / ﻿31.844947°S 116.313396°E﻿ / -31.844947; 116.313396﻿ (Beechina North Nature Reserve) |
| Brookside Park | Parkerville | 31°52′46″S 116°08′06″E﻿ / ﻿31.879427°S 116.135129°E﻿ / -31.879427; 116.135129﻿ (Brookside Park) |
| Falls Park | | |
| Keaginine Nature Reserve | Copley | 31°48′46″S 116°21′44″E﻿ / ﻿31.812722°S 116.362145°E﻿ / -31.812722; 116.362145﻿ (Keaginine Nature Reserve) |
| Lake Leschenaultia | Chidlow | 31°51′15″S 116°15′02″E﻿ / ﻿31.854167°S 116.250556°E﻿ / -31.854167; 116.250556﻿ (Lake Leschenaultia) |
| Leschenaultia Conservation Park | Chidlow | 31°52′03″S 116°14′01″E﻿ / ﻿31.867383°S 116.233732°E﻿ / -31.867383; 116.233732﻿ (Leschenaultia Conservation Park) |
| Milligan Park | Stoneville | 31°52′53″S 116°10′08″E﻿ / ﻿31.881331°S 116.168919°E﻿ / -31.881331; 116.168919﻿ (Milligan Park) |
| Yennerdin Park | Parkerville | 31°52′53″S 116°08′15″E﻿ / ﻿31.881406°S 116.137523°E﻿ / -31.881406; 116.137523﻿ (Yennerdin Park) |
# Wulai Atayal Museum

The Wulai Atayal Museum (traditional Chinese: 烏來泰雅民族博物館; simplified Chinese: 乌来泰雅民族博物馆; pinyin: Wūlái Tàiyǎ Mínzú Bówùguǎn) is a museum about local aboriginal culture on Wulai Old Street in Wulai District, New Taipei, Taiwan.

## History

In the late 1990s, the Taipei County Government came forward with a plan to established the Wulai Atayal Museum and gave a subsidy of more than NT$30 million to Wulai Township Office to construct the museum. The construction of the museum began on 18 July 2001. The construction for the structure of the main building was completed in February 2003. On 29 October 2003, Taipei County Magistrate Su Tseng-chang named the museum as Taipei County Wulai Atayal Museum. The first phase of the project was completed in June 2004. On 1 January 2005, the operations and management of the museum was transferred from Bureau of Cultural Affairs to Scenic Special Area Management Office of the Construction Bureau. The second phase of the project was completed in July 2005. The official opening of the museum was held on 1 October 2005. On 1 July 2007, the museum operation was transferred again to the Indigenous Peoples Department.

## Architecture

The museum is a three-story building house in a building surrounded by rows of checkered-shape patterns. A large aboriginal statue stands at the top of the museum building.

## Exhibition

The museum displays the history, customs, culture, rituals, religious faith and festivals of the Atayal aboriginal tribe. The ground floor displays artifacts regarding origins, migration and natural ecology of Wulai, the middle floor displays face tattoo culture and the top floor displays the daily life and traditional crafts.

## Transportation

The museum is accessible by bus from Taipei Main Station.
# Thauera aromatica

Thauera aromatica is a species of bacteria. Its type strain is K 172$^T$.
# PPP1R17

Protein phosphatase 1 regulatory subunit 17 is a protein that in humans is encoded by the PPP1R17 gene.