OpenLLM-France/wikimedia huggingface dataset:
# Stockcross

Stockcross is a village in Berkshire, England. The village lies to the west of Newbury in the civil parish of Speen and the district of West Berkshire. Close to the cross-road in the middle of the village were the stocks hence the name Stock-Cross, which were removed in the early 1980s.

## Facilities

Stockcross has a small combined shop/post office/café. Sutton Hall is the busy village hall, hosting jumble sales, Christmas pantos and other village events. It has a small Christian school.

## Transport

The nearest railway station is Newbury. The bus service is Heyfordian Travel route 4 to Newbury and Lambourn.

## Places of worship

It is the site of a brick-built church, St John's, erected and endowed by the vicar, the Rev. H. W. Majendie in 1839.

## Hotel and pubs

'The Vineyard' is a 5 star hotel on the edge of the village that has a spa and restaurant. The restaurant previously held two Michelin stars, although these were removed when Executive Chef John Campbell left for Dorchester's Coworth Park. Robby Jenks is now Head Chef. The Vineyard was described as "a palace of naffness" by the late restaurant critic Michael Winner. The village has a pub The Rising Sun, a free house serving ales from the region. It is in the CAMRA Good Beer Guide 2017. A second pub was originally called the Nags Head but the name was changed to the Lord Lyon after a racehorse, leased by local landowner Richard Sutton that in 1866 won both the 2000 Guineas and Epsom Derby. The pub is tied to Arkell's Brewery who put the building up for sale in late 2015 and closed the pub in January 2016.

## Nearby places

Towns: Newbury, Hungerford
Villages: Bagnor, Marsh Benham, Halfway, Wickham, Welford
# Voyenne

Voyenne is a commune in the Aisne department in Hauts-de-France in northern France.
# William Poole House

The William Poole House, also known as the William Cade Thompson House, is a historic plantation house and historic district in Dayton, Alabama. The Greek Revival style house was completed in 1848. It and the surrounding grounds were added to the National Register of Historic Places on July 7, 1994, as a part of the Plantation Houses of the Alabama Canebrake and Their Associated Outbuildings Multiple Property Submission.

## History

The house was built by John D. Catlin for his ward, Sarah Altona Terrell, and her husband, William Cade Thompson. He had it built as a wedding gift and to serve as their residence following their marriage on August 10, 1847. Catlin was one of Alabama's first millionaires, owning three plantations, a townhouse, and 179 slaves in 1850. The house remained in the Thompson family for less than a decade, with William Thompson dying on May 25, 1854, and Sarah following him on July 6, 1856. The house was then purchased by the Browning family, who held it until it was sold to the Watlington family in September 1882. They, in turn, sold it to David Miller Prowell on July 14, 1917. It remained in that family until 1959. The house was then acquired by Robert and Sarah Billings of Birmingham, wno called it "Magnolia Mound" and used it as a country retreat. It was purchased by Mr. and Mrs. William Poole in 1978. The Pooles completed an extensive restoration of the home. In overall form the house is a typical two-story "I" house of the Deep South, bisected by high-ceilinged hallways above and below. A single-story, two-room ell extends to the rear, separated from the main block by a breezeway-like hallway terminated at each end by wide double doors opening onto flanking rear galleries. This original arrangement has been modified by later renovations. An unusual architectural feature of the house is the striking height of the windows above and below. Second-floor windows, reaching nearly to the floor, are fitted inside with curved "baby-catcher" railings to prevent a fatal fall from one of the two upstairs bedrooms.
# Tempeln

Tempeln, also known as Meine Tante – Deine Tante, and its 32-card version, known as Naschi Waschi, German Pharaoh, Stoß or Süßmilch, are very simple historical, German, gambling card games played with French or German playing cards. They differ from the more complex Basset and Faro in that they omit aspects such as lappé, paroli, etc.

## Names

The names Tempeln and Meine Tante – Deine Tante refer to the 52-card game, the latter name being more prevalent today.
In Austria-Hungary, where the game was played with a 32-card Piquet pack or William Tell pack, it was called Naschi Waschi, a name derived from the Czech, naši – vaši, i.e. "Ours - Yours". The 32-card game played with German-suited cards in the rest of the German Empire was referred to as Süßmilch ("Sweet Milk") or Deutsches Pharao ("German Pharaoh").

## Layout

A temple-like shape (hence the name) is usually chalked on the table to form a betting layout with as many 'fields' as there are different cards. For example, if Whist cards are used, thirteen fields are needed (for the Two to Ace); if Piquet cards are used, only 8 fields are needed, laid out in two rows of four.
Instead of chalking the layout on the table, one of the four suits of cards from a second pack of cards may be used; these may be mounted on a sheet of card to prevent them sliding about.

## Playing

The following rules are based on Hoffmann. The punter lay stakes on the fields representing the cards they hope will come up. They may place their stakes in the middle of a field, on the line dividing two fields if they want to bet on either, or at the intersection of four fields.
The banker then draws two cards as in Faro placing the first to the left and the second to the right. The bank wins stakes corresponding to the left-hand card; the punters win the equivalent of their stake on cards from the right-hand side. If the two cards are of the same rank, the banker wins half the money staked on the corresponding field.
After the payments are settled, the banker pauses before drawing two more cards in order to allow players to increase or decrease their bets or to remove or add further bets to the table.
The lowest card does not score for the punters; the advantage to the banker is thus greater in the 32-card game (German Pharaoh or Süßmilch) than in the 52-card game (Tempeln or Meine Tante…).
Alternative betting layout for the 32-card game using e.g. beer mats.
# Raccoo-oo-oon

Raccoo-oo-oon was an experimental noise rock/psychedelic rock quartet from Iowa.
Their first release was a self-issued cassette entitled Is Night People, which was reissued by Swedish label Release the Bats, (see Allmusic).
The members of the group were Andy Spore (vocals, electronics, percussion and saxophone), Daren Ho (vocals, guitar and electronics), Ryan Garbes (percussion and electronics) and Shawn Reed (vocals, guitar, electronics and percussion).
In 2012 guitarist Daren Ho opened Control Synthesizers and Electronic Devices in Brooklyn, NY with Jonas Asher.

## Style

Their style of music has been described as "tribal-like percussions", "raw and impetuous – characterised by seemingly-improvised saxophone freak-outs and crashing percussion with an emphasis on chaos".

## Discography

* 2005 - Is Night People Cassette
* 2005 - Mythos Folkways No. 1 LP
* 2006 - Mythos Folkways Vol. No. 2: Pre-American Lands (Raccoo-oo-oon & Woods Split) LP
* 2006 - Bored Fortress (Raccoo-oo-oon & Sword Heaven Split) LP
* 2006 - The Cave of Spirits Forever
* 2006 - Death at Prospect Peak Cassette
* 2006 - Mythos Folkways Vol. 3: Divination Night Cassette
* 2007 - Behold Secret Kingdom LP
* 2007 - "Raccoo-oo-oon" 7"
* 2008 - Mythos Folkways Vol. IV: Future Vision Cassette
* 2008 - Mythos Folkways Vol. V: Future Vision Cassette
* 2008 - Raccoo-oo-oon 2 LP
# Renée Gilly

Renée Gilly (19 April 1906 – 31 March 1977) was a French operatic mezzo-soprano. She was a long-time principal member of the Opéra-Comique, where she performed leading roles such as Massenet's Charlotte, Mascagni's Santuzza, and Bizet's Carmen. She appeared in world premieres and sang as a guest at major opera houses in Europe.

## Career

Gilly was born in Paris, the daughter of baritone Dinh Gilly and mezzo-soprano Cécile Gilly. At the age of four she began piano studies with Marguerite Long. In 1922 at the age of 16 she undertook a series of piano recitals in England. She also served as an accompanist to her father, who participated in a series of conferences concerning singing. At the suggestion of Pierre-Barthélemy Gheusi (later director of the Opéra-Comique) she took up singing, studying with both her father and her mother.
She made her debut at the Opéra-Comique in the role of Charlotte in Massenet's Werther on 16 September 1933 and became one of the company's central performers. Among her roles there were Bizet's Carmen, Santuzza in Mascagni's Cavalleria rusticana, Toinette in Xavier Leroux's Le Chemineau, Dulcinée in Massenet's Don Quichotte, Jacqueline in Gounod's Le médecin malgré lui, the mother in Charpentier's Louise, the title role in Mignon by Ambroise Thomas, Geneviève in Debussy's Pelléas et Mélisande, Panttasilée in Xavier Leroux's La reine Fiammette, Rosette in Massenet's Manon, Margared in Lalo's Le roi d'Ys, the title role in Puccini's Tosca, Salud in de Falla's La vida breve, and Poppée in a French-language version of Monteverdi's L'incoronazione di Poppea.
She participated in six world premieres, among them Magdeleine in Antoine Mariotte's Gargantua, Ninon in Hector Fraggi's (1882–1944) A quoi rêvent les jeunes filles (1935), and the title role in Darius Milhaud's Esther de Carpentras.
She made her debut with the Paris Opera at the Palais Garnier on 13 October 1936 in the title role of Massenet's Hérodiade. As part of that company she also sang Ortrud in Wagner's Lohengrin, Brünhilde in Die Walküre, Marguerite in La damnation de Faust by Berlioz, Margared in Le Roi d'Ys and Marina in Mussorgsky's Boris Godunov. She appeared as a guest in Belgium, at the Royal Opera House in London, and in the Netherlands, Hungary, Monte Carlo, North Africa, Romania, and Switzerland.
She had a powerful voice with exceptional musicality and an excellent technique. Having trained as a pianist, she functioned as an accompanist for her mother's lessons with students. Richard Davis noted that Marjorie Lawrence was surprised to discover that the person accompanying her during Cécile Gilly's lessons was her daughter, who then became the teacher responsible for teaching Lawrence actual roles.
On her retirement from the stage in 1951 she became the chair of the Conservatoire de Paris. She remained with the Conservatoire until her retirement in 1976.
Gilly was married to baritone Louis Musy. She died on 31 March 1977 in Paris.
# Walnut Hills Cemetery (Cincinnati)

Walnut Hills Cemetery is located at 3117 Victory Parkway in the Walnut Hills neighborhood of Cincinnati, Ohio. The cemetery opened in 1843, under the name of "The Second German Protestant Cemetery". Other names include "German Cemetery", "German Protestant Cemetery", and "Walnut Hills Protestant Cemetery". Its original size was about 5 acres (20,000 m$^2$). In 1941, at the beginning of World War II, the name was changed to Walnut Hills Cemetery. Today, the cemetery sits on over 70 acres (280,000 m$^2$). Major League Baseball player George Rohe (1874–1957) is buried there.

## Notable burials

* Tony Hunter, professional football player
# Orbita (disambiguation)

Orbita is the cavity or socket/hole of the skull in which the eye and its appendages are situated.
Orbita may also refer to:
* Orbita (TV system), a Soviet-Russian system of broadcasting and delivering TV signals via satellites.
* Orbita, Ávila, a municipality located in the province of Ávila, Castile and León, Spain.
* Orbita, Cherkasy Oblast, closed city in Ukraine
* Orbita (collective), a Latvian art collective.
# Phaeochoraceae

Phaeochoraceae is a family of sac fungi in the order Phyllachorales.

## Genera

(with amount of species per genera)
* Cocoicola K.D. Hyde (5)
* Phaeochora Höhn. (4)
* Phaeochoropsis K.D. Hyde & P.F. Cannon (4)
* Serenomyces Petr. (4)
# Véronique Delobel

Véronique Delobel (born 17 June 1978) is a French former competitive ice dancer. With Olivier Chapuis, she is the 2000 Ondrej Nepela Memorial champion and competed on the senior Grand Prix series. She later competed briefly with Michael Zenezini.
She is the twin sister of Isabelle Delobel.

## Results
### With Zenezini

| Event | 2002 |
| French Championships | 4th |

### With Chapuis

International :
| Event | 1999–2000 | 2000–2001 |
| GP Skate America | | 8th |
| GP Skate Canada | 9th | |
| Golden Spin of Zagreb | | 5th |
| Karl Schäfer Memorial | 4th | |
| Ondrej Nepela Memorial | | 1st |
| Winter Universiade | | 8th |
| National |||
| French Championships | 4th | 6th |
| GP = Grand Prix |||

### With Marcel Taberlet

International :
| Event | 1996–1997 |
| Blue Swords | 6th J. |
| Trophy of the Polish FSA | 4th J. |
| J. = Junior level ||
# Nanay

Nanay may refer to:
* Nanay River, a river in Peru
* Nanay, tatay, a Filipino children's game
* Bence Nanay, philosopher
* Nanai people, Tungusic people in East Asia and the Russian Far East
** Nanai language, the native language of the Nanai people
* Nanay/Nanaya, a Mesopotamian deity
# Raccolto

Raccolto is an album by Italian pianist Stefano Battaglia recorded in September and December 2003 and released on ECM in 2005.

## Reception

The AllMusic review by Thom Jurek awarded the album 4 stars stating "Milanese pianist and composer Stefano Battaglia has walked on both sides of the classical and jazz street with ease and comfort... he performs in two different settings to illustrate his tremendous gifts as both an improviser and a composer... Disc one showcases Battaglia in a jazz trio setting... Here, lush lyricism folds into free improvisation... The second disc in this collection features Rabbia and Battaglia with violinist Dominique Pifarély, a member of Louis Sclavis' group. These 12 tunes are full of bracing improvisations and textural tension... The two discs together are all but irresistible to fans of the new European music."
Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
| The Penguin Guide to Jazz Recordings | |

## Track listing

Disc One:
    All compositions by Stefano Battaglia except as indicated
* "Raccolto" – 5:43
* "Triangolazioni" – 14:42
* "Triosonic I" (Stefano Battaglia, Giovanni Maier, Michele Rabbia) – 3:47
* "All Is Language" (Battaglia, Maier, Rabbia) – 11:01
* "Our Circular Song" (Battaglia, Maier, Rabbia) – 4:25
* "Coro" – 4:24
* "Trisonic II" (Battaglia, Maier, Rabbia) – 1:22
* "In Front of the Fourth Door" (Battaglia, Maier, Rabbia) – 4:33
* "L'Osservanza" – 4:21
Disc Two:
    All compositions by Stefano Battaglia, Dominique Pifarély and Michele Rabbia except as indicated
* "Lys" – 5:02
* "Canto I (Dell'agonia della terra)" – 4:11
* "Riconoscenza" – 4:05
* "Réminiscence pour violon et piano" (Battaglia, Pifarély) – 4:09
* "Pourquoi?" – 3:47
* "Il circo ungherese" – 3:27
* "Veritas" – 1:55
* "Velario de marzo" (Battaglia, Pifarély) – 5:04
* "Recitativo in memoria di Luciano Berio" – 5:40
* "Canto II (Dell'agonia dei cieli)" – 3:01
* "Trois brouillons" – 6:02
* "...Dulci declinant lumina somno..." – 3:53
   * Recorded at Artesuono Recording Studio in Udine, Italy in September and December 2003

## Personnel

* Stefano Battaglia – piano
* Dominique Pifarély – violin (Disc Two)
* Giovanni Maier – double bass (Disc One)
* Michele Rabbia – percussion
# Renate Radek

Renate Radek is a protistologist and an associate professor at the Freie Universität Berlin.

## Education

Radek received a Diploma in biology from the University of Bonn in 1985. She received her PhD in 1987 at the University of Bonn's Institute of Cytology, supervised by Karl-Ernst Wohlfarth-Bottermann [de].

## Career

Radek worked as a research and teaching assistant at the University of Bonn (1987–1988), Freie Universität Berlin (1989–1996), the University of Heidelberg (1996–1999), and again at the Freie Universität Berlin (2000–2008), where she worked under the protistologist Klaus Hausmann. In 2008, upon completing her Habilitation, she was promoted to associate professor.
Radek has been an editorial board member at the European Journal of Protistology and an external reviewer for Acta Protozoologica since 2005, and a member of the board of reviewers at the Journal of Eukaryotic Microbiology since 2012. She is managing director of the German Society for Protozoology and is also a member of the Berlin Microscopical Society, the German Society for Parasitology, the International Society of Protistologists, and the Society for Invertebrate Pathology.

## Research

Over the course of her career, Radek has published almost 100 scientific papers, eleven book chapters, and two protistology textbooks. One of these textbooks, Protistology, has been translated into Chinese, Russian, and Korean. In 1991, she created a scientific film about termite flagellates with Klaus Hausmann.
Her current focus is on the biology and morphology of protists that live as symbionts and parasites in diverse insect hosts, notably termite gut flagellates and spore-forming protists (some of which, like the nephridiophagids, are now thought to be fungi) in cockroaches and beetles. She is also interested in the relationship between protists and their prokaryotic symbionts.
# Water Forest (Xinghua)

The Water Forest (Chinese: 兴化李中水上森林) is a park in the north-west part of the city of Xinghua, in Jiangsu Province, eastern China.
Tourists come to see dawn redwoods (Metasequoia glyptostroboides) trees, which are rooted in water, and give the park its name. The species is listed as critically endangered in the wild.
Various animals also live in the park, including nationally protected species, such as the Chinese pond heron (Ardeola bacchus).
# Multiplicity (album)

Multiplicity is a 2005 studio album by American drummer Dave Weckl.

## Track listing

* "Watch Your Step"
* "Elements of Surprise"
* "Vuelo"
* "Inner Vision"
* "What It Is"
* "Chain Reaction"
* "Cascade"
* "Mixed Bag"
* "Down On The Corner"

## Personnel

* Dave Weckl - Drums, Percussion
* Steve Weingart - Keyboards
* Gary Meek - Tenor and Soprano Saxophones, Alto Flute, Bass Clarinet
* Tom Kennedy - Bass on "Watch Your Step", "Vuelo", "Inner Vision", "Chain Reaction", "Mixed Bag"
* Ric Fierabracci - Bass on "Elements of Surprise", "What It Is", "Cascade", "Down on the Corner"
* Paul Pesco - Guitar on "Watch Your Step", "What It Is", "Chain Reaction", "Cascade", "Mixed Bag", "Down on the Corner"
* Richie Gajate Garcia - Percussion on "Elements of Surprise", "Vuelo", "Inner Vision", "Cascade", "Mixed Bag"
# Orthogonius solidicornis

Orthogonius solidicornis is a species of ground beetle in the subfamily Orthogoniinae. It was described by Tian & Deuve in 2003.
# Stomatoporidae

Stomatoporidae is a family of bryozoans belonging to the order Cyclostomatida.

## Genera

Genera:
* Guzhoviella Viskova, 2014
* Jullienipora Reverter-Gil & Fernandez-Pulpeiro, 2005
* Metastomatopora Moyano, 1991
* Peristomatopora Moyano, 1991
* Proboscinopora Pitt & Taylor, 1990
* Stomatopora Bronn, 1825
* Stomatoporina Balavoine, 1958
* Stomatoporopsis Illies, 1981
* Stoporatoma Viskova, 2006
* Tetrastomatopora Moyano, 1991
* Voigtopora Bassler, 1952
# Véronique Dasen

Véronique Dasen (born 1957) is a Swiss archaeologist and Professor in Classical Archaeology and Art History at the University of Fribourg. Her research is led in a multidisciplinary and anthropological perspective. Her research interests range from ancient iconography and material culture, the history of the body, of medicine and magical practices to gender studies, history of childhood, and ludic culture (games and divination, games and love, passage rites).

## Career

Dasen received her PhD in 1989 from the University of Oxford with a thesis titled "Dwarfs in Ancient Egypt and Greece", which she published as a monograph in 1993.
Since 2008, she has worked as the Professor in Classical Archaeology and Art History at the University of Fribourg. She was the fifth woman to receive her habilitation from the Faculty of Humanities at the University of Fribourg in 2000. In 2016, she gave a series of lectures at the École pratique des hautes études on 'Magic, divination, and the history of the body'. In 2017, she was a visiting lecturer at the Pantheon-Sorbonne University. Also in 2017 she was involved in the successful funding application to the European Research Council for a €2.4million grant for a five-year project titled 'Locus Ludi: The Cultural Fabric of Play and Games in Classical Antiquity'.
Dasen is the chair of the panel 'SHS-4 Social sciences and humanities' for the Fonds de la Recherche Scientifique.

## Publications

* 2018. "Amulets, the Body and Personal Agency", in Parker, A. and McKie, S. (eds) Material Approaches to Roman Magic: Occult Objects and Supernatural Substances (TRAC Themes in Roman Archaeology 2). Oxford, Oxbow.
* 2015. "Probaskania: Amulets and Magic in Antiquity", in Boschung, D. and Bremmer, J. The Materiality of Magic (Mophomata 20). Paderborn, Wilhelm Fink.
* 2015. Le sourire d'Omphale. Maternité et petite enfance dans l'Antiquité. Rennes.
* 2014. With Spieser, J-M., Les savoirs magiques et leur transmission de l’Antiquité à la Renaissance. Florence
* 2010. With Späth, T. Children, Memory, and Family Identity in Roman Culture. Oxford 2010.
* 2008. With King, H. La médecine dans l’Antiquité grecque et romaine. Lausanne
* 2005. Jumeaux, jumelles dans l’Antiquité grecque et romaine. Kilchberg.
* 1993. Dwarfs in Ancient Egypt and Greece (Oxford Monographs on Classical Archaeology). Oxford, Clarendon Press.
# RWJ-51204

RWJ-51204 is an anxiolytic drug used in scientific research. It has similar effects to benzodiazepine drugs, but is structurally distinct and so is classed as a nonbenzodiazepine anxiolytic.
RWJ-51204 is a nonselective partial agonist at GABA$_A$ receptors. It produces primarily anxiolytic effects at low doses, with sedative, ataxia and muscle relaxant effects only appearing at some 20x the effective anxiolytic dose. It was discovered by researchers at the pharmaceutical company Johnson & Johnson, but its development has been discontinued.
# W. Dabney Stuart

Walker Dabney Stuart III (born November 4, 1937 Richmond, Virginia) is an American poet.
He graduated from Davidson College, with a BA in English in 1960, and from Harvard University, with an MA in English in 1962.
Beginning his career at the College of William and Mary, he is professor emeritus of English at Washington and Lee University. His work appeared in Poetry, Shenandoah, Southern Review, and Yale Review.

## Awards

* 1987 Guggenheim Fellowship

## Works
### Poetry

* Tables, Pinyon Publishing, 2009, ISBN 978-0-9821561-1-7
* Family Preserve: Poems, University of Virginia Press, 2005, ISBN 978-0-8139-2328-4
* The Man Who Loves Cézanne: Poems, LSU Press, 2003, ISBN 978-0-8071-2900-5
* Settlers: Poems, Louisiana State University Press, 1999, ISBN 978-0-8071-2406-2
* Long Gone: Poems, Louisiana State University Press, 1996, ISBN 978-0-8071-2121-4
* Light Years: New and Selected Poems, Louisiana State University Press, 1994, ISBN 978-0-8071-1898-6
* Narcissus Dreaming: Poems, Louisiana State University Press, 1990, ISBN 978-0-8071-1591-6
* Don't Look Back: Poems, Louisiana State University Press, 1987, ISBN 978-0-8071-1374-5
* Common Ground: Poems, Louisiana State University Press, 1982, ISBN 978-0-8071-1023-2
* Round and Round. A Triptych: Poems, Louisiana University Press, 1977, ISBN 978-0-8071-0271-8
* The Other Hand: Poems, Louisiana State University Press, 1974, ISBN 978-0-8071-0076-9
* A Particular Place: Poems, Knopf, 1969

### Stories

* No Visible Means of Support: Stories, University of Missouri Press, 2001, ISBN 978-0-8262-1320-4
* The Way to Cobbs Creek: Stories, University of Missouri Press, 1997, ISBN 978-0-8262-1143-9

### Criticism

* Nabokov: The Dimensions of Parody, Louisiana State University Press, 1978, ISBN 978-0-8071-0384-5