OpenLLM-France/wikimedia huggingface dataset:
# The Last Act of Love

The Last Act of Love is a memoir by British memoirist Cathy Rentzenbrink, published in 2015 by Picador.
It tells the story of the author's brother's accident and resulting brain injury. He subsequently lay in a state of severe neurological impairment for the next eight years until the decision ("the last act of love") to turn off the assisted nutrition and hydration was made.
It became a Sunday Times bestseller and was shortlisted for the Wellcome Book Prize.
# The Last Blow

The Last Blow (French: Le dernier choc) is a 1932 French drama film directed by Jacques de Baroncelli and starring Jean Murat, Danièle Parola and Robert Ancelin. A separate Spanish-language version Fog was also made.

## Synopsis

The captain of a cargo ship suspects his wife of having an affair with a childhood friend of his. His wife embanks on the ship with this friend, and her sister, during a heavy mist. Confusion and tragedy follow.

## Cast

* Jean Murat as Captain Colbec
* Danièle Parola as Marie
* Robert Ancelin as Lucien
* Nicolas Redelsperger as Guénot
* Vanah Yami as Arlette
* Henry Trévoux as Frémiet
* Raymond Narlay as Ménard
* Alexandre Arnaudy as Vachot
# Nicky Marker

Nicholas Robert Thomas Marker (born 3 May 1965) is an English football coach and former professional footballer.
As a player he was defender who made more than 500 appearances during his career, notably in the Premier League with Blackburn Rovers where he won the title in 1995. He spent the rest of his professional career in the Football League playing with Exeter City, Plymouth Argyle, Sheffield United and Cheltenham Town before retiring with Non-league side Tiverton Town.
Following his retirement he moved into coaching and had spells with Plymouth based youth club Tamarside before a five year spell in charge of Ivybridge Town, who in 2011 he briefly played for again whilst serving as assistant manager.

## Playing career

As a player, he was a defender or midfielder starting his career at Exeter City before a controversial transfer to local rivals Plymouth Argyle with Darran Rowbotham joining Exeter City in part exchange. For this reason, the Plymouth fans took time to accept Marker but his whole hearted performances in a green shirt soon made him a fans' favourite. Marker was awarded the club's Player of the Year award in 1990.
His performances for Argyle also caught the eye of then Blackburn Rovers manager Kenny Dalglish who paid £500,000 to bring Marker to Ewood Park, with both Keith Hill and Craig Skinner moving in the opposite direction. Marker's first team involvement at Blackburn was limited as he was largely used as backup for regular centre-backs Colin Hendry and Henning Berg, or holding midfielder David Batty. He played no games in Blackburn's Premiership 1994/95 title-winning season primarily due to a snapped cruciate knee ligament.
He moved on to Sheffield United in 1997 and made regular appearances over two seasons. However, by this time hip and back injuries were beginning to take their toll and Marker returned to Plymouth Argyle for a short loan period, before spells at Cheltenham Town and Tiverton Town where injuries eventually forced him into premature retirement.
In 2011, eleven years after his retirement, two hip replacements, and at the age of 46, Marker made a single appearance for Ivybridge Town, coming on as a late substitute in a South West Peninsula League match at home to Dartmouth. He was cautioned for a late tackle just 2 minutes after stepping into the pitch.

## Coaching career

After retiring from the professional game Marker was involved with Plymouth amateur and youth club Tamarside FC from 2003 to 2009. He joined the club in 2003 to initially help coach his son's team, later getting involved in the club's senior team and was appointed club Chairman in 2006. He combined the role of Reserve Team manager and Youth Manager until leaving the club at the end of the 2008–09 season.
In October 2010 it was announced that Marker had been appointed first team coach of Ivybridge Town, who play in the Premier Division of the South West Peninsula League.
In June 2013 Marker was appointed First Team Manager after the resignation of Graeme Kirkup.
# Nicolas M. Mondejar

Nicolas Mollenedo Mondejar (15 September 1924 – 10 February 2019) was a Filipino Catholic bishop. He was the first bishop of the newly created Diocese of Romblon from 1974 to 1987 after his appointment to the Bishop of San Carlos, Negros Occidental. He later became its bishop-emeritus.

## Life and career

Nicolas Mollenedo Mondejar was born on 15 September 1924 in the municipality of Cabatuan in Iloilo in the Philippines. He was ordained a priest on 4 April 1953 in San Miguel, Mandaluyong, Metro Manila. Seventeen years later he was ordained as a bishop, on 30 August 1970 in Jaro, Iloilo.
Mondejar died on 10 February 2019, age 94.

## Education

Mondejar attended the University of Santo Tomas with a degree in philosophy and obtained a licentiate of philosophy. In 1947, he earned a licentiate in theology in the University of Santo Tomas Central Seminary. He also went to Fordham University in New York in 1959 and earned a master's degree in social services.
# The Last Time (Johnny Cash song)

"The Last Time" is a song written by Kris Kristofferson and recorded by Johnny Cash for his 1980 album Rockabilly Blues.
Released in 1980 as a single (Columbia 11-11399, with "Rockabilly Blues (Texas 1955)" on the B-side) from that album, the song reached number 85 on U.S. Billboard's country chart for the week of December 6.
   "The Last Time" was the first Kris Kristofferson Cash had recorded in six years. The way his voice slips into it, like a body into a comfortable chair, suggests he shouldn't have waited so long. (In fact, a few years prior, the two had discussed recording an album together, where Cash would sing Kristofferson songs, and Kristofferson Cash's, but the album never came to be.)
Kristofferson also recorded the song himself, his version appears on the 1981 album To the Bone.

## Charts

| Chart (1980) | Peak position |
| US Hot Country Songs (Billboard) | 85 |
# Nicolas Robert

Nicolas Robert (18 April 1614 – 25 March 1685) was a French miniaturist and engraver. He was born in Langres and died in Paris.
In 1664 he was appointed as "peintre ordinaire de Sa Majesté pur la miniature" (Painter of Miniatures) to Louis XIV.

## Works

Blunt highlights Robert's main works as follows:
* Illustrations within the book - Guirlande de Julie - which was produced by Nicolas Jarry as a gift for Julie Lucine d'Angennes from her future husband the Duke of Montausier. It was this work that made Robert famous and drew the attention of Gaston, Duke of Orléans.
* Paintings of flowers on vellum for Gaston and latterly for Louis XIV that form the nucleus of the Recueil des vélins currently held in the Muséum national d'histoire naturelle within the Jardin des Plantes.
* Contributions to the Recueil des Plantes - a collection of engravings of flowers. Prints from these were published in the two-volume work - Estampes de Plantes and in Mémoires pour servir á l'Histoire des Plantes
Other works include:
* Fiori Diversi - a small book of etchings of flowers published in Rome on 1640.
* Diverses Fleurs c 1660
* Sketchbooks A & B, in the Austrian National Library, detailed in H.Walter Lack's Garden of Eden (Taschen: 2008)
* Livre des Tulipes, in the Austrian National Library, detailed in H.Walter Lack's Garden of Eden (Taschen: 2008)

## Colleagues

Robert worked with the following people:
* Robert Morison a Scottish botanist by whom it is believed that Robert was first prompted to take an interest in scientific botanic illustration.
* Denis Dodart
* Abraham Bosse
* Louis de Chastillon
# The Last Wolf

The Last Wolf is a 2002 children's book written by Michael Morpurgo and illustrated by Michael Foreman. It won the Nestlé Smarties Book Prize Bronze Award.

## Plot

Miya helps her grandfather, Michael McLeod, become interested in computers. Michael comes up with the idea to trace their ancestors back to the 18th century; while working to do that, they discover a story written by their great-great-great-great-great grandfather.
In the story, their great-great-great-great-great grandfather, Robbie McLeod, talks about his childhood. After being orphaned, his cruel uncle had looked after him; to escape the abuse, Robbie ran away into the woods. He found a male wolf pup who, similarly, had also been orphaned, and looked after him, naming it Charlie. A few days later, Robbie and Charlie made their way to America in hopes of a better life, but they were disillusioned; in America, there had been a war between the redcoats and the rebels. They encountered life-threatening situations.
As the years passed, Charlie's temperament naturally became wilder and more animalistic. Robbie noticed the change in Charlie and, reluctantly, let him go. He built a farm next to a lake where he occasionally saw Charlie. A couple years later, Robbie got married and had a son named Alan. The last time Robbie saw Charlie, Charlie had also started a family of his own.
After reading the story, Miya and her grandfather decide to travel to America to see where Robbie and Charlie lived.
# Night aulonocara

The night aulonocara (Aulonocara hueseri) is a species of freshwater fish in the family Cichlidae. It is endemic to Lake Malawi and known from the Malawian part of the lake. It grows to 7.9 cm (3.1 in) SL. The specific name honours the cichlid aquarist Eberhard Hüser of Hildesheim in Germany.
# Night attack formation

Night attack formation refers to the arrangement of soldiers in advancing in attack at night. With the advances in arms that led to trench warfare, daytime attacks across open ground toward defensive positions became prohibitive and often futile. Night attacks may have the advantage of maintaining an element of surprise and reducing the ability of defenders to target their fire, but pose difficulties for the attacking forces. Necessities of maintaining contact from advancing groups with groups to the side and rear, maintaining protection versus the possibility of counter-attacks, maintaining order so that sufficiently many troops are in position to obtain a sustainable breach in defenses, and so on, are all more difficult at night. It may be necessary to detail more soldiers to scouting and communication roles.
# Nicotiana acaulis

Nicotania acaulis is a Nicotiana species of wild tobacco. It is native to Argentina and Chile.
# Nicotiana acuminata

Nicotiana acuminata is a species of wild tobacco known by the English common name manyflower tobacco. It is native to Argentina and Chile but it is known on other continents, including North America and Australia, as an introduced species.
It is an annual herb exceeding a meter in maximum height. The leaf blades may be 25 centimeters long and are borne on petioles. The inflorescence bears several white or green-tinged flowers with tubular throats up to 4 centimeters long, their bases enclosed in green-striped sepals.
It was first described by Robert Graham in 1828 as Petunia acuminata, but was transferred to the genus, Nicotiana in 1829 by William Jackson Hooker
In On The Origin of Species, Charles Darwin mentions that N. acuminata is not a particularly distinct species, which is failed to fertilise or to be fertilised, by no less than eight other species of Nicotiana.
# The Liars (play)

The Liars is an English play by Henry Arthur Jones that was first performed in London in 1897.

## Summary

Lady Jessica Nepean is fond of flirtation, not so much because she is dissatisfied with her husband, Gilbert, as because it flatters her vanity to keep other men dangling. At the houseparty of her sister, Lady Rosamund Tatton, her flirtation with Edward Falkner, a recently returned South African hero, is the theme of conversation. Everyone insists that Sir Christopher Deering (who had socially stood sponsor for Falkner) must reason him out of his infatuation for Lady Jessica before her husband realizes what she does. The women of the party also attempt to reason with Lady Jessica.
Both attempts, however, are foredoomed. Falkner is desperately in love with Lady Jessica. Lady Jessica is enjoying his ardor immensely, and still believes she can end it with a word. Business calls Gilbert Nepean away, so when the houseparty breaks up Lady Jessica keeps an appointment to have dinner with Falkner at the inn where he is staying. Her husband's brother, George, accidentally comes upon her there and, putting the worst possible construction on it, feels himself bound to wire Gilbert to return at once.
Lady Jessica happens to see Rosamund and Freddie rowing down the river, and manages to get her sister into the inn. In hopes to forestall George they write Gilbert a letter asking him to call at Lady Rosamund's town house the next morning for an explanation. About the time Gilbert is due, most of the other members of the houseparty turn up at Lady Rosamund's on some pretext or other. When Gilbert arrives, he is met with a most amazing barrage of lies. To complicate the situation, he has already seen a member of the houseparty on his way from the station, and by a chance remark of hers recognizes these subsequent explanations as lies. Finally when Lady Jessica sees that they are hopelessly involved, she bids Falkner tell the truth. By this time she imagines herself as much in love with him as he with her and is ready to run away with him.
Sir Christopher, however, is determined that his friend shall not sacrifice his brilliant career for a shallow woman. He manages to reconcile Lady Jessica and her husband by the simple process of blaming Gilbert for the whole affair. "In future," Sir Christopher advises, "flirt with your wife yourself if you don't want some other man to do it."

## Themes

Although the play is a sophisticated comedy that shows Jones' contact with London high society, the play displays a rigid acceptance of the Victorian moral code. After gaining prominence in melodrama, Jones contributed this play and The Case of Rebellious Susan 1894 as a Victorian "society" drama.
# The Least Worst of the Suicide Machines

The Least Worst of the Suicide Machines is a compilation album by the Detroit, Michigan punk rock band The Suicide Machines, released in 2002 by Hollywood Records. It has tracks from all of the band's albums on the Hollywood label: Destruction by Definition (1996), Battle Hymns (1998), The Suicide Machines (2000), and Steal This Record (2001). It also includes several previously unreleased bonus tracks. The album was released shortly after the band had left the Hollywood label and signed with Side One Dummy Records.

## Performers

* Jason Navarro - vocals
* Dan Lukacinsky - guitar, backing vocals
* Royce Nunley - bass, backing vocals
* Derek Grant - drums, hammond organ, clavinet, piano, backing vocals (tracks 1–14, 27 & 28)
* Ryan Vandeberghe - drums (tracks 15–26, 29 & 30)
* Vinnie Nobile - trombone (tracks 1–8)
* Larry Klimas - tenor saxophone (tracks 1–8)
* Joe Bishara - loops and programming (tracks 15–20)
* Bennett Salvay - orchestral arrangements and organ (tracks 15–20)

## Album information

* Record label: Hollywood Records
* All songs written by The Suicide Machines
* Tracks 1–8 produced by Julian Raymond, Phil Kaffel, and The Suicide Machines. Tracks 9–14, 27 & 28 Produced by Julian Raymond and The Suicide Machines. Tracks 15–20, 29 & 30 produced by Julian Raymond.
* Tracks 1–8 recorded November–December 1995 at A&M Studios in Hollywood, California by Phil Kaffel with assistance by Alex Reed and Krish Sharma. Tracks 9–20 recorded at A&M Studios in Hollywood. Tracks 21–26 recorded at Hensen Recording Studio in Hollywood. Tracks 27 & 28 recorded live December 27, 1997 at St. Andrew's Hall in Detroit, Michigan by Joe Barresi. Track 29 recorded in 1999. Track 30 recorded in 2001.
* Tracks 1–8 mixed January 1996 at Conway Studios by Jerry Finn with assistance by Shawn O'Dwyer. Tracks 9–26, 29 & 30 mixed at Image Recording, Inc. by Chris Lord-Alge, with assistance by Mike Dy on tracks 9–14. Tracks 27 & 28 mixed by Joe Barresi at Pacifique Studios in North Hollywood, California with assistance by Brian Young.
* Mastered by Tim Pak
* Art direction and design by Mark A. Penxa

## Song information

* Tracks 1–8 are from the album Destruction by Definition (1996)
* Tracks 9–14 are from the album Battle Hymns (1998)
* Tracks 15–20 are from the album The Suicide Machines (2000)
* Tracks 21–26 are from the album Steal This Record (2001)
* Track 27 originally appeared on the promotional EP Live! Live! Live! (1998). Track 28 is from the same performance but was not included on the EP. Both songs were recorded live at St. Andrew's Hall in Detroit, Michigan on December 27 & 28, 1997.
* Track 29 was recorded in 1999 and originally appeared on the compilation Plea for Peace: Take Action.
* Track 30 was a track from the Steal This Record sessions that ultimately got cut from the final album. This is the first time it was widely released as previously it was only on the Japanese version of the album.
# The Life of a Trio: Saturday

The Life of a Trio: Saturday is an album reuniting the Jimmy Giuffre 3—pianist Paul Bley, saxophonist Jimmy Giuffre and bassist Steve Swallow—released on the French Owl label in 1990. The album was released in the US on Sunnyside Records in 2003.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| All About Jazz | |
| AllMusic | |
| The Penguin Guide to Jazz Recordings | |
AllMusic stated that "time seems to be stripped away, and the microtonal and pointillistic investigations in collective improvisation embarked upon nearly three decades previously are as current as the next breath ... And indeed they are, as there were no rehearsals, no extra or alternate takes, nothing but the music as it happened ... What comes out is an investigation of sound from the inside out, textually, tonally, spatially. Extraordinary". Matthew Miller on All About Jazz stated: "Older, wiser and still stunningly in tune with each other, the threesome take up where they left off and the resulting double-disc of music is every bit as riveting as the original".

## Track listing

* "Clarinet Zone" (Jimmy Giuffre) – 1:24
* "Black Ivory" (Paul Bley, Giuffre) – 4:29
* "Owl Eyes" (Bley) – 5:31
* "Endless Melody" (Bley, Steve Swallow) – 3:08
* "Turns" (Giuffre) – 5:27
* "Foreplay" (Bley) – 3:06
* "We Agree" (Giuffre, Swallow) – 2:06
* "Clusters" (Giuffre) – 7:03
* "December" (Swallow) – 1:27
* "Someone" (Giuffre) – 2:13
* "Even Steven" (Bley) – 3:52
* "By the Way:" (Swallow) – 6:14
** "Part 1" – 1:19
** "Part 2" – 4:50

## Personnel

* Jimmy Giuffre – soprano saxophone, clarinet (tracks 1, 2, 5, 7, 8, 10 & 12)
* Paul Bley – piano (tracks 2–6, 8, 11 & 12)
* Steve Swallow – electric bass (tracks 4, 5, 7–9, & 12)
# Nihoul

Nihoul is a surname. Notable people with the surname include:
* Jacques Nihoul (1937–2021), Belgian scientist and professor
* Michel Nihoul (1941–2019), Belgian felon and alleged pedophile
# Ninja Hero

Ninja Hero is a supplement for Hero System, published by Hero Games.

## Publication history

In 1989, Hero Game released Ninja Hero, a 176-page softcover book designed by Aaron Allston, with cover art by Jackson Guice, as a supplement for the 4th edition of Hero System.
In 2003, the revised book, written by Mike Surbrook, was released as a supplement to the 5th edition of the Hero System.

## Contents

Ninja Hero introduces rules for martial arts. In the 4th edition two dozen styles of martial arts are described, as well as 15 substyles of kung fu. This allows a player to create a character that specialized in one or more forms. Other subjects covered include:
* A system for designing new martial arts maneuvers.
* How to fight in enclosed spaces or in zero gravity.
* Lists of weapons and gadgets.
* Several scenarios.
The 5th edition book consists entirely of genre material, further subdivided by campaign style in addition to power level.

## Reception

In the October 1990 edition (Issue 162) of Dragon, Allen Varney called the 4th edition book "an exhaustive treatise on martial arts as they exist both in reality and in free-wheeling kung fu movies." He thought the included scenarios were "among the best Hero Games has published." He concluded "If the topic interests you, see this one for yourself. The quality shines through."
# The Man Whose Pharynx Was Bad

"The Man Whose Pharynx Was Bad" is a poem from Wallace Stevens's first book of poetry, Harmonium. First published in 1921, it is in the public domain in the United States.
   The time of year has grown indifferent.  Mildew of summer and the deepening snow  Are both alike in the routine I know:  I am too dumbly in my being pent.
    The wind attendant on the solstices  Blows on the shutters of the metropoles,  Stirring no poet in his sleep, and tolls  The grand ideas of the villages.
    The malady of the quotidian ...  Perhaps if summer ever came to rest  And lengthened, deepened, comforted, caressed  Through days like oceans in obsidian
    Horizons, full of night's midsummer blaze;  Perhaps, if winter once could penetrate  Through all its purples to the final slate,  Persisting bleakly in an icy haze;
    One might in turn become less diffident,  Out of such mildew plucking neater mould  And spouting new orations of the cold.  One might. One might. But time will not relent.
One point of entry into this poem is Stevens's attitude towards the weather. Is it all he cared about or does it converge with reflections on the passage of time and attendant issues such as ennui and ageing? (The difference between Helen Vendler and Harold Bloom on this matter is noted in the main Harmonium essay, the section "The musical imagist".) This poem emphatically ties 'the time of year' to the relentless flow of time.
Buttel interprets the poem as evoking urban emptiness under the influence of Jules Laforgue. Stevens, he argues, brought the monotony, emptiness and meaninglessness of city life into his poetry. However, Bates reads the poem as issuing a favorable prognosis, "for his cure is implicit in the terms of his complaint: if 'summer' is here, can 'winter' be far behind?" Although Buttel thinks that Stevens would often ask essentially Laforgue's question, "Faudra-t-il vivre monotone?", Stevens's despair is modified by exuberance. Bates though doesn't register the despair for he understands "Laforguian boredom" as temperamentally uncongenial to Stevens, mattering to him chiefly as something to overcome. With reference to "The Man Whose Pharynx Was Bad," Buttel and Bates are debating whether a change of season would allow the poet to be less diffident; this is Bates's view. Or is it rather that a season would have to break out of the cycle of seasons in order to overcome this malady of the quotidian? Would summer have to come to rest in some perfected state or winter penetrate to "the final slate"?
Harold Bloom interprets the poem as belonging to a triad in Harmonium, the other elements being "The Snow Man" and "Tea at the Palaz of Hoon." To master the triad is to reach "the center of Stevens's poetic and human anxieties and of his resources for meeting those anxieties". "The Man Whose Pharynx Was Bad" represents a moment in Harmonium's progress in which the poet proclaims diffidence about his future creativity.