# List of concert arias, songs and canons by Wolfgang Amadeus Mozart

This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

## Concert arias
### Soprano

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| 23 | | "Conservati fedele" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,1 | October 1765 |
| 70 | 61c | "A Berenice ... Sol nascente" (Score/Crit. report) Recitative and aria (Licenza) for soprano and orchestra | unknown | 28 February 1767 or 1769 |
| | 74b | "Non curo l'affetto" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Demofoonte I,7 | early 1771 |
| 77 | 73e | "Misero me! ... Misero pargoletto" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio, Demofoonte III, 4&5 | 12 March 1770 |
| 78 | 73b | "Per pietà, bell'idol mio" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,5 | 1766, or Count Firmian's audition party, Milan, 12 March 1770 |
| 79 | 73d | "O temerario Arbace! ... Per quel paterno amplesso" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio, Artaserse II,11 | 1766, or Count Firmian's audition party, Milan, 12 March 1770 |
| deest KV$^9$ 646 | | "Cara, se le mie pene" (Score/Crit. report) Aria for soprano and orchestra | unknown | 1769 |
| 82 | 73o | "Se ardire, e speranza" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Demofoonte, I, 13 | 25 April 1770 |
| 83 | 73p | "Se tutti i mali miei" (Score/Crit. report) Aria for soprano and orchestra | Metastasio Demofoonte, II, 6 | 1770 |
| 88 | 73c | "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra | Metastasio, Artaserse I,2 | 1770 |
| 119 | 382h | "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl Marchand from K. deest | unknown | 1782 |
| 146 | 317b | "Kommet her, ihr frechen Sünder" Aria for soprano and strings | unknown | between March and April 1779 |
| 152 | 210a | "Ridente la calma" (Score/Crit. report) Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782). The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779). | Cesare Olivieri, Il trionfo della pace | between 1772 and 1775 |
| 178 | 417e | "Ah, spiegarti, oh Dio" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) | unknown | June 1783 |
| 217 | | "Voi avete un cor fedele" (Score/Crit. report) Aria for soprano and orchestra | Carlo Goldoni Le nozze di Dorina I,4 | 26 October 1775 |
| 272 | | "Ah, lo previdi! ... Ah, t'invola ... Misera! ... Deh, non varcar" (Score/Crit. report) Recitative, aria, recitative and cavatina for soprano and orchestra | Vittorio Amedeo Cigna-Santi [it] Andromeda III,10 | August 1777 |
| 294 | | "Alcandro, Io confesso ... Non sò d'onde viene" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio L'Olimpiade III,6 | 24 February 1778 |
| 316 | 300b | "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra | Ranieri de' Calzabigi Alceste I,2 | 8 January 1779 |
| | 365a | "Zittre, töricht Herz" Aria for soprano and orchestra (lost) | Friedrich August Clemens Werthes | November 1780 |
| 368 | | "Ma che vi fece, o stelle ... Sperai vicino il lido" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio Demofoonte, I,4 | January 1781 |
| 369 | | "Misera, dove son! ... Ah! non son io che parlo" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio Ezio, III, 12 | 8 March 1781 |
| 374 | | "A questo seno deh vieni ... Or che il cielo a me ti rende" (Score/Crit. report) Recitative and aria for soprano and orchestra | Giovanni de Gamerra Sismano nel Mogol III,7 | April 1781 |
| 383 | | "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report) Aria for soprano and orchestra | unknown | 10 April 1782 |
| 416 | | "Mia speranza adorata! ... Ah, non sai qual pena" (Score/Crit. report) Recitavo and aria (rondo) for soprano and orchestra | Gaetano Sertor Zemira II,5 | 8 January 1783 |
| 418 | | "Vorrei spiegarvi, oh Dio!" (Score/Crit. report) Aria for soprano and orchestra | unknown | 20 June 1783 |
| 419 | | "No, che non sei capace" (Score/Crit. report) Aria for soprano and orchestra | unknown | June 1783 |
| 440 | 383h | "In te spero, oh sposo amato" (Score/Crit. report) Aria for soprano and orchestra (sketch) | Metastasio Demofoonte, I,2 | February 1782 |
| 486a | 295a | "Basta, vincesti ... Ah, non lasciarmi, no" (Score/Crit. report) Recitative and aria for soprano and orchestra | Metastasio Didone abbandonata, II, 4 | 28 February 1778 |
| 505 | | "Ch'io mi scordi di te? ... Non temer, amato bene" (Score/Crit. report) Recitative and aria (rondo) for soprano, piano obbligato and orchestra | Giambattista Varesco | 26 December 1786 |
| 528 | | "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report) Recitative and aria for soprano and orchestra | Michele Sarcone [it] Cerere placata II,5 | 3 November 1787 |
| 538 | | "Ah se in ciel, benigne stelle" (Score/Crit. report) Aria for soprano and orchestra | Metastasio L'eroe cinese, I,2 | 4 March 1788 |
| | 540c | "In quali eccessi ... Mi tradì quell'alma ingrata" Replacement recitative and aria for the character Donna Elvira (soprano) and orchestra in Don Giovanni | Lorenzo Da Ponte | 1788 |
| 569 | | "Ohne Zwang aus eignem Triebe" Aria for soprano and orchestra (lost) | Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber | January 1789 |
| 577 | | "Al desio di chi t'adora" (Score) Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of Figaro | Lorenzo Da Ponte | 1789 |
| 578 | | "Alma grande e nobil core" (Score/Crit. report) Aria for soprano and orchestra | Giuseppe Palomba [it] I due baroni di Rocca Azzurra I,4 | August 1789 |
| 579 | | "Un moto di gioia mi sento" (Score) Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of Figaro | Lorenzo Da Ponte | 1789 |
| 580 | | "Schon lacht der holde Frühling" (Score/Crit. report) Aria for soprano and orchestra (fragment) | unknown | 17 September 1789 |
| 582 | | "Chi sà, chi sà, qual sia" (Score/Crit. report) Aria for soprano and orchestra | Lorenzo Da Ponte Il burbero di buon cuore I,14 | October 1789 |
| 583 | | "Vado, ma dove? oh Dei!" (Score/Crit. report) Aria for soprano and orchestra | Lorenzo Da Ponte Il burbero di buon cuore II,4 | October 1789 |

### Contralto

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| 255 | | "Ombra felice! ... Io ti lascio" (Score/Crit. report) Recitative and aria (rondo) for contralto and orchestra | Giovanni de Gamerra Arsace II,8 | September 1776 |

### Tenor

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| 21 | 19c | "Va, dal furor portata" (Score/Crit. report) Aria for tenor and orchestra | Metastasio Ezio, II,4 | 1765 |
| 36 | 33i | "Or che il dover – Tali e cotanti sono" (Score/Crit. report) Recitative and aria for tenor and orchestra | unknown | December 1766 |
| 71 | | "Ah, più tremar non voglio" (Score/Crit. report) Aria for tenor and orchestra (fragment) | Metastasio Demofoonte, I,1 | 1769 or 1770 |
| 209 | | "Si mostra la sorte" (Score/Crit. report) Aria for tenor and orchestra | unknown | 19 May 1775 |
| 210 | | "Con ossequio, con rispetto" (Score/Crit. report) Aria for tenor and orchestra | unknown | May 1775 |
| 256 | | "Clarice cara mia sposa" (Score/Crit. report) Aria for tenor and orchestra | unknown | September 1776 |
| 295 | | "Se al labbro mio non credi" (Score/Crit. report) Aria for tenor and orchestra | Antonio Salvi Artaserse, I,14 | 28 February 1778 |
| 420 | | "Per pietà, non ricercate" (Score/Crit. report) Aria (rondo) for tenor and orchestra | unknown | 21 June 1783 |
| 431 | 425b | "Misero! O sogno ... Aura, che intorno spiri" (Score/Crit. report) Recitative and aria for tenor and orchestra | Caterino Mazzolà | December 1783 |
| 435 | 416b | "Müßt' ich auch durch tausend Drachen" (Score/Crit. report) Aria for tenor and orchestra (sketch) | unknown | 1783 |
| 490 | | "Non più, tutto ascoltai... Non temer, amato bene" Replacement recitative and aria for the character Idamante (tenor) and orchestra in Idomeneo | Giambattista Varesco | 1786 |
| | 540a | "Dalla sua pace" Replacement aria for the character Don Ottavio (tenor) and orchestra in Don Giovanni | Lorenzo Da Ponte | 1788 |

### Bass

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| | 209a | "Un dente guasto e gelato" (Score/Crit. report) Aria for bass and orchestra (fragment) | unknown | 1775 |
| 432 | 421a | "Così dunque tradisci ... Aspri rimorsi atroci" (Score/Crit. report) Recitative and aria for bass and orchestra | Metastasio Temistocle, III,8 | 1783 |
| 433 | 416c | "Männer suchen stets zu naschen" (Score/Crit. report) Aria for bass and orchestra (sketch) | unknown | 1783 |
| 512 | | "Alcandro, Io confesso ... Non sò d'onde viene" (Score/Crit. report) Recitative and aria for bass and orchestra | Metastasio L'Olimpiade III,6 | 18 or 19 March 1787 |
| 513 | | "Mentre ti lascio, oh figlia" (Score/Crit. report) Aria for bass and orchestra | Duca Sant'Angioli-Morbilli La disfatta di Dario II,9 | 23 March 1787 |
| 539 | | "Ich möchte wohl der Kaiser sein" (Score/Crit. report) Aria for bass and orchestra | Johann Wilhelm Ludwig Gleim | 5 March 1788 |
| 541 | | "Un bacio di mano" (Score/Crit. report) Arietta for bass and orchestra | Lorenzo Da Ponte Le gelosie fortunate II,4 | June 1788 |
| 584 | | "Rivolgete a lui lo sguardo" Aria for bass and orchestra, intended for Così fan tutte, but discarded at the first performance | Lorenzo Da Ponte | December 1789 |
| 612 | | "Per questa bella mano" (Score/Crit. report) Aria for bass, contrabass obbligato, and orchestra | unknown | 8 March 1791 |
| Anh. 245 | 621a | "Io ti lascio, oh cara, addio" (Score/Crit. report) Aria for bass and orchestra | unknown | 1788 |

### Group

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| Anh. 24a | 43a | "Ach, was müssen wir erfahren!" (Score) Duet for two sopranos (fragment) | unknown | 15 October 1767 |
| 346 | 439a | "Luci care, luci belle" (Score) Notturno (terzet) for two sopranos, bass and three basset horns | Angelo Lungi, La Pupilla (some sources attribute libretto to Metastasio) | possibly 1783 |
| 389 | 384A | "Welch ängstliches Beben" Duet for two tenors and orchestra, intended for Die Entführung aus dem Serail, but discarded at the first performance (fragment) | Christoph Friedrich Bretzner | between April and May 1782 |
| 434 | 480b | "Del gran regno delle amazzoni" (Score/Crit. report) Aria for tenor, two basses and orchestra (fragment) | Giuseppe Petrosellini Il regno delle amazzoni I,1 | end of 1785 |
| 436 | | "Ecco quel fiero istante" (Score) Notturno (terzet) for two sopranos and bass and three basset horns | Metastasio La partenza | possibly 1783 |
| 437 | | "Mi lagnerò tacendo" (Score) Notturno (terzet) for two sopranos, bass, two clarinets and basset horn | Metastasio Siroe, II, 1 | possibly 1783 |
| 438 | | "Se lontan, ben mio, tu sei" (Score) Notturno (terzet) for two sopranos, bass, two clarinets and basset horn (fragment) | Metastasio Strofe per musica | possibly 1783 |
| 439 | | "Due pupille amabili" (Score) Notturno (terzet) for two sopranos, bass and three basset horns | Giuseppe Petrosellini, L'incognita perseguitata | possibly 1783 |
| 441 | | "Liebes Manndel, wo ist's Bandel?" (Score) Terzet for soprano, tenor, bass and strings | Wolfgang Amadeus Mozart | possibly 1783 |
| 479 | | "Dite almeno, in che mancai" (Score/Crit. report) Aria for soprano, tenor, two basses and orchestra | unknown | 5 November 1785 |
| 480 | | "Mandina amabile" (Score/Crit. report) Aria for soprano, tenor, bass and orchestra | unknown | 21 November 1785 |
| 483 | | "Zerfließet heut', geliebte Brüder" (Score) Song with voice, 3-part male choir and organ | Augustin Veith Edler von Schittlersberg | December 1785 |
| 484 | | "Ihr unsre neuen Leiter" (Score) Song with voice, 3-part male choir and organ | Augustin Veith Edler von Schittlersberg | December 1785 |
| 489 | | "Spiegarti non poss'io" Duet for soprano and tenor Replacement duet for the characters Ilia (soprano), Idamante (tenor) and orchestra in Idomeneo | Giambattista Varesco | 1786 |
| 532 | | "Grazie agl'inganni tuoi" (Score) Terzet for soprano, tenor, bass and orchestra (fragment) | Metastasio La Libertà a Nice | possibly 1787 |
| | 540b | "Per queste tue manine" Duet for soprano and bass Replacement duet for the characters Zerlina (soprano), Leporello (bass) and orchestra in Don Giovanni | Lorenzo Da Ponte | 1788 |
| 549 | | "Più non si trovano" (Score) Notturno (terzet) for two sopranos, bass and three basset horns | Metastasio L'Olimpiade, I, 7 | 16 July 1788 |
| Anh. 5 | 571a | "Caro mio Druck und Schluck" (Score) Quartet for soprano, two tenors, bass and piano (fragment) | Wolfgang Amadeus Mozart | beginning of 1789 |
| 615 | | "Viviamo felici in dolce contento" Choir of amateurs and strings (fragment) | Tommaso Grandi | 1791 |
| 625 | 592a | "Nun, liebes Weibchen" Duet for soprano, bass and orchestra | Emanuel Schikaneder | August 1790 |

## Songs

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| 53 | 47e | "An die Freude" (Score/Crit. report) Freude, Königin der Weisen Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest | Johann Peter Uz (1720–1796) | November 1768 |
| 147 | 125g | "Wie unglücklich bin ich nit" (Score/Crit. report) | unknown | 1772 |
| 148 | 125h | "Lobgesang auf die feierliche Johannisloge" (Score/Crit. report) O heiliges Band der Freundschaft treuer Brüder | Ludwig Friedrich Lenz (1717–1780) | 1772 |
| 307 | 284d | "Oiseaux, si tous les ans" (Score/Crit. report) | Antoine Houdart Ferrand (1678–1719) | 30 October 1777 |
| 308 | 295b | "Dans un bois solitaire" (Score/Crit. report) | Antoine Houdar de la Motte (1672–1731) | between 30 October 1777 and 13/14 March 1778 |
| 343 | 336c | "Zwei deutsche Kirchenlieder" (Score/Crit. report) O Gotteslamm, Als aus Ägypten Israel | unknown | Spring 1787 |
| 349 | 367a | "Die Zufriedenheit" (Score/Crit. report) Was frag' ich viel nach Geld und Gut | Johann Martin Miller (1750–1814) | between 8 November 1780 and mid-March 1781 |
| 351 | 367b | "Komm, liebe Zither, komm" (Score/Crit. report) | unknown | between 8 November 1780 and mid-March 1781 |
| 390 | 340c | "Ich würd' auf meinem Pfad" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| 391 | 340b | "Sei du mein Trost" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| 392 | 340a | "Verdankt sei es dem Glanz der Großen" (Score/Crit. report) | Johann Timotheus Hermes (1738–1821) | between August 1781 and May 1782 |
| Anh. 25 | 386d | "Bardengesang auf Gibraltar" (Score/Crit. report) O Calpe! Dir donnert's am Fusse (sketch) | Michael Denis (1729–1800) | end of December 1782 |
| 468 | | "Lied zur Gesellenreise" (Score/Crit. report) Die ihr einem neuen Grad | Joseph Franz von Ratschky (1757–1810) | 26 March 1785 |
| 472 | | "Der Zauberer" (Score/Crit. report) Ihr Mädchen, flieht Damöten [Damoetas] ja! | Christian Felix Weiße (1726–1804) | 7 May 1785 |
| 473 | | "Die Zufriedenheit" (Score/Crit. report) Wie sanft, wie ruhig | Christian Felix Weiße (1726–1804) | 7 May 1785 |
| 474 | | "Die betrogene Welt" (Score/Crit. report) Der reiche Tor | Christian Felix Weiße (1726–1804) | 7 May 1785 |
| 476 | | "Das Veilchen" (Score/Crit. report) Ein Veilchen auf der Wiese stand | Johann Wolfgang von Goethe | 8 June 1785 |
| 506 | | "Lied der Freiheit" (Score/Crit. report) Wer unter eines Mädchens Hand | Aloys Blumauer (1755–1798) | end of 1785 |
| Anh. 26 | 475a | "Einsam bin ich, meine Liebe" (Score/Crit. report) fragment | Johann Martin Miller (1750–1814) | possibly 1785 |
| 517 | | "Die Alte" (Score/Crit. report) Zu meiner Zeit, zu meiner Zeit | Friedrich von Hagedorn (1708–1754) | 18 May 1787 |
| 518 | | "Die Verschweigung" (Score/Crit. report) Sobald Damötas Chloen sieht | Christian Felix Weiße (1726–1804) | 20 May 1787 |
| 519 | | "Das Lied der Trennung" (Score/Crit. report) Die Engel Gottes weinen | Klamer Eberhard Karl Schmidt (1746–1824) | 23 May 1787 |
| 520 | | "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report) Erzeugt von heißer Phantasie | Gabriele von Baumberg (1766–1839) | 26 May 1787 |
| 523 | | "Abendempfindung" (Score/Crit. report) Abend ist's, die Sonne ist verschwunden | unknown | 24 June 1787 |
| 524 | | "An Chloe" (Score/Crit. report) Wenn die Lieb' aus deinen blauen, hellen, offnen Augen sieht | Johann Georg Jacobi (1740–1814) | 24 June 1787 |
| 529 | | "Des kleinen Friedrichs Geburtstag" (Score/Crit. report) Es war einmal, ihr Leute | Johann Eberhard Friedrich Schall (1742–1790), last verse by Joachim Heinrich Campe (1746–1818) | 6 November 1787 |
| 530 | | "Das Traumbild" (Score/Crit. report) Wo bist du, Bild | Ludwig Christoph Heinrich Hölty (1748–1776) | 6 November 1787 |
| 531 | | "Die kleine Spinnerin" (Score/Crit. report) Was spinnst du? | unknown | 11 December 1787 |
| 552 | | "Lied beim Auszug in das Feld" (Score/Crit. report) Dem hohen Kaiserworte treu | unknown | 11 August 1788 |
| 596 | | "Sehnsucht nach dem Frühlinge" (Score/Crit. report) Komm, lieber Mai, und mache | Christian Adolph Overbeck (1755–1821) | 14 January 1791 |
| 597 | | "Der Frühling" (Score/Crit. report) Erwacht zum neuen Leben | Christoph Christian Sturm (1740–1786) | 14 January 1791 |
| 598 | | "Das Kinderspiel" (Score/Crit. report) Wir Kinder, wir schmecken der Freuden recht viel! | Christian Adolph Overbeck (1755–1821) | 14 January 1791 |

## Canons

| K$^1$ | K$^6$ | Composition, score and critical report (NMA) | Librettist | Date |
| 89 | 73k | "Kyrie in G" (Score) Kyrie a cinque con diversi canoni | liturgical text | May 1770 |
| 89a II | 73r | "Four Riddle Canons" (Score) Sit trium series una: Incipe Menalios for 3 voices; Ter ternis canite vocibus: Cantate Domino for 9 voices; Canon ad duodecimam: Confitebor tibi Domine for 3 voices; Canon. Ter voce ciemus: Thebana bella for 6 voices | unknown | Summer 1770 |
| 89a | 73i | "Canon for 4 instruments" (Score) | — | April 1770 |
| 228 | 515b | "Ach! zu kurz" (Score) Double canon for 4 voices | unknown | before 24 June 1787 |
| 229 | 382a | "Sie ist dahin" (Score) Canon for 3 voices | Ludwig Heinrich Christoph Hölty (1748–1776) | 1782 |
| 230 | 382b | "Selig, selig" (Score) Canon for 2 voices | Ludwig Heinrich Christoph Hölty (1748–1776) | 1782 |
| 231 | 382c | "Leck mich im Arsch" / "Lasst uns froh sein") (Score) Canon for 6 voices | probably WA Mozart himself | 1782 |
| 232 | 509a | "Lieber Freistädtler, lieber Gaulimauli" (Score) Canon for 4 voices | probably WA Mozart himself | after 4 June 1787 |
| 233 | 382d | "Leck mir den Arsch fein recht schön sauber" (Score) / "Nichts labt mich mehr als Wein" – Canon for 3 voices | probably WA Mozart himself | 1782 |
| 234 | 382e | "Bei der Hitz im Sommer eß ich" (Score) / "Essen, Trinken" – Canon for 3 voices | probably WA Mozart himself | 1782 |
| 347 | 382f | "Wo der perlende Wein im Glase blinkt" (Score) Canon for 6 voices | unknown | 1782 |
| 348 | 382g | "V'amo di core" (Score) Quadruple canon for 12 voices (3 choirs) | unknown | 1782 |
| deest | | 1. "Canon for 6" (sketch) (Score) | — | 1781/82 or later |
| deest | | 2. "Canon for 4" (sketch) (Score) | — | 1781/82 or later |
| deest | | 3. "Canon for 4" (sketch) (Score) | — | 1781/82 or later |
| deest | | 4. "Canon for 4" (sketch) (Score) | — | end of 1785/1786 |
| 507 | | "Heiterkeit und leichtes Blut" (Score) Canon for 3 voices | | after 3 June 1786 |
| 508 | | "Auf das Wohl aller Freunde" (Score) Canon for 3 voices (sopranos) | unknown | after 3 June 1786 |
| | 508a | 2 canons for 3 sopranos / 14 Interval canons (8 movements/sections) (Score) Canons for various voices (sketches) | — | after 3 June 1786 |
| deest | | 6. "Canon for 3" (sketch) (Score) | — | after 3 June 1786 |
| deest | | 7. "Canon for 2" (sketch) (Score) | — | after 3 June 1786 |
| deest | | "Canon for 4" (Score) | — | Summer 1786 |
| 553 | | "Alleluia" (Score) Canon for 4 voices | liturgical text | 2 September 1788 |
| 554 | | "Ave Maria" (Score) Canon for 3 voices | liturgical text | 2 September 1788 |
| 555 | | "Lacrimoso son'io" (Score) Canon for 4 voices | liturgical text | 2 September 1788 |
| 556 | | "Grechtelt's enk" (Score) Canon for 4 voices | unknown | 2 September 1788 |
| 557 | | "Nascoso è il mio sol" (Score) Canon for 4 voices | unknown | 2 September 1788 |
| 558 | | "Gehn wir im Prater, gehn wir in d'Hetz" (Score) Canon for 4 voices | unknown | 2 September 1788 |
| 559 | | "Difficile lectu mihi mars" (Score) Canon for 3 voices | probably WA Mozart himself | 2 September 1788 |
| 560a | 559a | "O du eselhafter Peierl" (Score) Canon for 3 voices | probably WA Mozart himself | between 1785 and 1787 |
| 560b | 560 | "O du eselhafter Martin (Jakob)" (Score) Canon for 4 voices | probably WA Mozart himself | 2 September 1788 |
| deest | | 9. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 |
| deest | | 10. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 |
| deest | | 11. "Canon for 4" (sketch) (Score) | — | 1787 or 1788 |
| 561 | | "Bona nox! bist a rechta Ox" (Score) Canon for 4 voices | WA Mozart | 2 September 1788 |
| 562 | | "Caro bell' idol mio" (Score) Canon for 4 voices | unknown | 2 September 1788 |
| | 562a | "Canon for 4" (Score) | — | unknown |
| | 562c | "Canon for 4 Instruments" (Score) Canon for 2 violins, viola, bass | — | unknown |
| | 616b | "Canonical Study for 4" (Score) | — | Summer 1787 |