# Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes

The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 35 Minutes is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work on episodes with run times 35 or less. The "short form" of the title refers to television episodes that have a runtime of less than one hour, though more than 35 minutes, as those episodes now have their own category. The award has been given with its current title since 2019. Previously, series eligible for this award could be nominated for the short form dialogue & ADR and sound effects & Foley categories.

## Winners and nominees
### 2010s

| Year | Program | Episode(s) | Nominees | Network |
| 2018 | Star Trek: Short Treks | "The Brightest Star" | Matthew E. Taylor (supervising sound editor); Tim Farrell (sound designer); Michael Schapiro (sound effects editor); John Sanacore (Foley editor); Sean Heissinger (dialogue editor); Matt Decker (music editor); Christopher Moriana, Nancy Parker (Foley artists) | CBS All Access |
| 2018 | Ballers | "This Is Not Our World" | Mark Relyea (supervising sound editor); David Barbee (sound designer); Julie Altus (supervising ADR editor); Russell Topal (sound effects editor); Chris Kahwaty (dialogue editor); Bruno Roussel (music editor); Joseph T. Sabella, Jesi Ruppel, Damien Smith (Foley artists) | HBO |
| 2018 | Barry | "Chapter Seven: Loud, Fast, and Keep Going" | Matthew E. Taylor (supervising sound editor); Rickley W. Dumm (sound designer); Sean Heissinger (supervising dialogue editor); Candice Brunello (sound effects editor); John Sanacore, Clayton Weber (Foley editors); Michael Brake (music editor); Hilda Hodges, Rick Owens (Foley artists) | HBO |
| 2018 | Everything Sucks! | "We Were Merely Freshman" | Christopher Gomez (supervising sound editor, sound designer), Kent Militzer (sound designer/effects editor), Mason Kopeikin (dialogue editor), Jennifer Barak (music editor), Habib Tannous (Foley artist) | Netflix |
| 2018 | One Day at a Time | "Homecoming" | Tim Terusa (supervising sound editor, sound effects/dialogue editor), Kevin Meltcher (assistant sound editor) | Netflix |
| 2018 | The Good Place | "Janet(s)" | Brent Findley (supervising sound editor); Kevin McCullough (sound effects editor); Terry Boyd Jr. (Foley editor); G.W. Brown (dialogue editor); Bryant J. Fuhrmann, Jason Tregoe Newman (music editors); Elizabeth Rainey, Jody Thomas (Foley artists) | NBC |
| 2018 | Kidding | "The Cookie" | Susan Cahill (supervising sound editor); Jonathan Golodner (sound effects editor); Randall Guth, Derek McGinley (Foley editors); Jane Boegel (dialogue editor); Sara Bencivenga (ADR editor); Michael Brake, Jason Tregoe Newman (music editors); Dominique Decaudain, Pamela Kahn (Foley artists) | Showtime |
| 2018 | Sweetbitter | "Now Your Tongue Is Coded" | Glenfield Payne (supervising sound editor); Damian Volpe (sound effects editor); Heather Gross, Matthew Haasch (Foley editors); Ian Cymore (dialogue editor); Ruth Hernandez (ADR editor); Chad Birmingham (music editor); Jay Peck (Foley artist) | Starz |
| 2018 | Young Sheldon | "An 8-Bit Princess and a Flat Tire Genius" | Michael Ferdie (supervising sound editor); Adam Parrish King (sound effects editor); Arno Stephanian, Lucy Wolf (Foley editors); Lee Dragu (dialogue editor); Joe Deveau (music editor); Sanaa Kelley, Matt Salib (Foley artists) | CBS |
| 2019 | Barry | "ronny/lily" | Sean Heissinger, Matthew E. Taylor (supervising sound editors); Rickley W. Dumm (sound designer); Mark Allen (sound effects editor); John Sanacore, Clayton Weber (Foley editors); John Creed, Harrison Meyle (dialogue editors); Michael Brake (music editor); Alyson Dee Moore, Christopher Moriana (Foley artists) | HBO |
| 2019 | Battle at Big Rock | Battle at Big Rock | Oliver Tarney (supervising sound editor); Michael Fentum, Oriol Tarragó (sound designers); Gwendolyn Yates Whittle (supervising ADR editor); Dawn Gough (sound editor); Hugo Adams (Foley editor); Rachael Tate (dialogue editor); Sue Harding, Andrea King (Foley artists) | FX |
| 2019 | Fleabag | "Episode 1" | Jack Gillies (sound effects editor); Clare Mahoney (Foley editor); Harry Platford, Michael Williams (dialogue editors) | Amazon |
| 2019 | Ballers | "Players Only" | Mark Relyea (supervising sound editor); Julie Altus (supervising ADR editor); Daisuke Sawa (sound effects editor); Damien Smith (Foley editor); Robert Guastini, Chris Kahwaty (dialogue editors); Bruno Roussel (music editor); Jesi Ruppel, Joseph T. Sabella (Foley artists) | HBO |
| 2019 | The Good Place | "The Answer" | Brent Findley (supervising sound editor); Kevin McCullough (sound effects editor); Terry Boyd Jr. (Foley editor); Michael Jesmer (dialogue editor); Bryant J. Fuhrmann, Jason Tregoe Newman, Jason Ryterband (music editors); Elizabeth Rainey, Jody Thomas (Foley artists) | NBC |
| 2019 | Servant | "Reborn" | Sean Garnhart (supervising sound editor), Alexa Zimmerman (supervising ADR editor), Mark Filip (sound effects editor), Julien Pirrie (Foley editor), Fred Rosenberg (dialogue editor), Lesley Langs (music editor), Gareth Rhys Jones (Foley artist) | Apple TV+ |
| 2019 | Star Trek: Short Treks | "The Trouble with Edward" | Matthew E. Taylor (supervising sound editor); Tim Farrell (sound designer); Trevor Sperry (Foley editor); Sean Heissinger (dialogue editor); Matt Decker (music editor); Ginger Geary, Doug Madick (Foley artists) | CBS All Access |
| 2019 | Stucco | Stucco | Csaba Wagner (supervising sound editor, sound designer); David Farmer (supervising sound editor); Samuel Justice (sound designer); Graham Donnelly, Michael Orlowski (sound effects editors); Karina Rezhevska (Foley editor); Frank Scheuring (dialogue editor); Nataliia Syaryakova (Foley artist) | Safe Haven Productions |

### 2020s

| Year | Program | Episode(s) | Nominees | Network |
| 2020 | Servant | "2:00" | Sean Garnhart (supervising sound editor), Mark Filip (sound effects editor), Julien Pirrie (Foley editor), Michael Feuser (dialogue editor), Lesley Langs (music editor), Gareth Rhys Jones (Foley artist) | Apple TV+ |
| 2020 | Brooklyn Nine-Nine | "Lights Out" | Danika Wikke (supervising sound editor); Mark Cookson (sound effects editor); Amy Barber, Julia Huberman (Foley editors); Joe Schiff (dialogue editor); Tessa Phillips (music editor); Jonathan Bruce, Ben Parker (Foley artists) | NBC |
| 2020 | A Parks and Recreation Special | A Parks and Recreation Special | Brent Findley (supervising sound editor); Michael Jesmer (dialogue editor); Bryant J. Fuhrmann, Jason Tregoe Newman (music editors) | NBC |
| 2020 | Homecoming | "Giant" | Kevin Buchholz, Brett Hinton (supervising sound editors); Daniel Colman (sound designer); Dan Kremer (sound effects editor); Randy Guth (Foley editor); Helen Luttrell, Polly McKinnon (dialogue editors); Ben Zales (music editor); Dominique Decaudain, Pamela Kahn, Mike Marino, Nancy Parker (Foley artists) | Amazon |
| 2020 | I May Destroy You | "Eyes Eyes Eyes Eyes" | Jim Goddard (supervising sound editor), Joe Beal (sound designer), Alex Sidiropoulos (Foley editor), Tom Deane (dialogue editor), Anna Wright (Foley artist) | HBO |
| 2020 | Dead to Me | "If You Only Knew" | Walter Newman (supervising sound editor); Darleen Stoker (supervising ADR editor); Ron Salalses (sound effects editor); Peter Reynolds, Arno Stephanian (Foley editors); Amber Funk (music editor); Sanaa Kelley, Matt Salib (Foley artists) | Netflix |
| 2020 | Space Force | "The Launch" | Paul Hammond, Bobby Mackston (supervising sound editors); Sean Garnhart (sound effects editor); Alfredo Douglas, Aran Tanchum (Foley editors); Jason Tregoe Newman, Tessa Philips (music editors); Vincent Guisetti (Foley artist) | Netflix |
| 2020 | Ted Lasso | "The Hope That Kills You" | Brent Findley (supervising sound editor); Kip Smedley (sound effects editors); Jordan McClain (Foley editor); Bernard Weiser (dialogue editor); Richard Brown, Sharyn Gersh (music editors); Sanaa Kelley, Matt Salib (Foley artists) | Apple TV+ |
| 2021 | Outstanding Achievement in Sound Editing – 1/2 Hour – Comedy or Drama | Outstanding Achievement in Sound Editing – 1/2 Hour – Comedy or Drama | Outstanding Achievement in Sound Editing – 1/2 Hour – Comedy or Drama | Outstanding Achievement in Sound Editing – 1/2 Hour – Comedy or Drama |
| 2021 | Only Murders in the Building | "The Boy From 6B" | Mathew Waters (supervising sound editor); Danika Wikke (dialogue editor); Meredith Stacy (sound effects editor); Micha Liberman (music editor) | Hulu |
| 2021 | Hacks | "There Is No Line" | Brett Hinton (supervising sound editor); Marc Glassman (sound effects editor); Ryne Gierke (dialogue editor); Samuel Munoz (Foley editor); Noel Vought (Foley artist); Jason Tregoe Newman (music editor) | HBO Max |
| 2021 | The Kominsky Method | "The Round Toes, of the High Shoes" | Lou Thomas (supervising sound editor); Mark Messick, TJ Jacques (sound effects editors); Clay Weber (Foley editor); Sanaa Kelley (Foley artist) | Netflix |
| 2021 | Mythic Quest | "Everlight" | Matthew E. Taylor (supervising sound editor); Pete Nichols (sound designer); Matthew Wilson (sound effects editor); Sean Heissinger (dialogue editor); David Jobe (Foley editor); Elizabeth Rainey, Jody Holwadel Thomas (Foley artists); Joe Deveau (music editor) | Apple TV+ |
| 2021 | Schmigadoon! | "Suddenly" | Cormac Funge (supervising sound editor); Peter Nichols (sound effects editor); John Green (dialogue editor) | Apple TV+ |
| 2021 | We Are Lady Parts | "Sparta" | Jay Price (supervising sound editor); Tom Foster (sound editor); Dario Swade (dialogue editor); Sam Walsh (Foley editor) | Peacock |
| 2021 | What We Do in the Shadows | "The Escape" | Steffan Falesitch (supervising sound editor); David Barbee (sound effects editor); Chris Kahwaty (dialogue editor); John Guentner, Sam Lewis (Foley editors); Ellen Heuer (Foley artist); Steve Griffen (music editor) | FX |
| 2022 | Outstanding Achievement in Sound Editing – Broadcast Short Form | Outstanding Achievement in Sound Editing – Broadcast Short Form | Outstanding Achievement in Sound Editing – Broadcast Short Form | Outstanding Achievement in Sound Editing – Broadcast Short Form |
| 2022 | The Bear | "Review" | Steve "Major" Giammaria (supervising sound editor); Jonathan Fuhrer (sound effects editor); Evan Benjamin (dialogue editor); Annie Taylor (Foley editor); Leslie Bloome (Foley artist) | Hulu |
| 2022 | Barry | "710N" | Sean Heissinger, Matthew E. Taylor (supervising sound editors); Rickley W. Dumm (sound designer); Deron Street, Candice Brunello, Charles Campagna (sound effects editor); John Creed (dialogue editor); Darrin Mann (Foley editor); Clay Weber (supervising Foley editor); Alyson Dee Moore, Chris Moriana (Foley artist) | HBO |
| 2022 | Only Murders in the Building | "Framed" | Mathew Waters, Danika Wikke (supervising sound editors); Eric Offin (sound effects editor); Borja Sau (supervising dialogue editor); Arno Stephanian (Foley editor); Sanaa Kelley, Adam DeCoster (Foley artists) | Hulu |
| 2022 | She-Hulk: Attorney at Law | "Ribbit and Rip It" | Mac Smith (supervising sound editor); Steve Bissinger (sound designer); Tim Farrell, Goeun Everett (sound effects editors); Vanessa Lapato (dialogue/ADR supervisor); Ryan Cota (dialogue editor); Ian Chase (Foley editor); Joel Raabe (Foley supervisor); Sean England, Andrea Gard (Foley artists); Kim B. Christensen (conforming editor) | Disney+ |
| 2022 | Wild Babies | "Big Families" | Matt Coster (supervising sound editor); Matt Coster, Ben Wood (sound designers); Matt Coster, Ben Wood (sound effects editors); Matt Coster, Ben Wood (Foley editors) | Netflix |