# Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue/ADR

The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue/ADR is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of automated dialogue replacement, or ADR in long form broadcast media. The "long form" of the title refers to television episodes that have a runtime of more than one hour. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television – Dialogue & ADR, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing – Television Movies and Specials – Dialogue & ADR, or some moniker of it, since 1997. The award has been given with its current title since 2022.

## Winners and nominees
### 1990s

| Year | Program | Nominees | Network |
| 1996 | Television Movies of the Week, Pilots and Specials: ADR Editing | Television Movies of the Week, Pilots and Specials: ADR Editing | Television Movies of the Week, Pilots and Specials: ADR Editing |
| 1996 | Rebound: The Legend of Earl "The Goat" Manigault | Keith Burhans (dialog editor) | HBO |
| 1997 | Best Sound Editing – Television Movies of the Week – Dialogue & ADR | Best Sound Editing – Television Movies of the Week – Dialogue & ADR | Best Sound Editing – Television Movies of the Week – Dialogue & ADR |
| 1997 | The Ripper | Peter Austin (supervising dialogue/adr editor); Ron Evans (dialogue/adr editor); Dennis Gray, Barbara Issak, Gary Lewis, Ralph Osborn (dialogue editors); James Hebenstreit, Paul Longstaffe (adr editors); Tami Treadwell (adr recordist) | Starz |
| 1997 | Don King: Only in America | | HBO |
| 1997 | Elvis Meets Nixon | | Showtime |
| 1997 | Five Desperate Hours | Ray Spiess (adr editor) | NBC |
| 1997 | The Hunchback | | TNT |
| 1997 | Steel Chariots | | Fox |
| 1997 | Vanishing Point | | Fox |
| 1998 | A Soldier's Sweetheart | Rick Hinson (supervising sound editor); William H. Angarola (supervising dialogue/adr editor); Robert Guastini, Jason Lezama, Anna MacKenzie, Ray Spiess (dialogue/adr editors); Tami Treadwell (adr recordist) | Showtime |
| 1998 | Always Outnumbered | | HBO |
| 1998 | When Trumpets Fade | | HBO |
| 1998 | Escape: Human Cargo | | Showtime |
| 1998 | The Fixer | | Showtime |
| 1998 | The Planet of Junior Brown | | Showtime |
| 1998 | Max Q | Ray Spiess (adr editor) | ABC |
| 1998 | My Own Country | Robert Jackson (supervising adr editor), Michael Hertlein (dialogue editor) | |
| 1999 | Best Sound Editing – Television Movies and Specials – Dialogue & ADR | Best Sound Editing – Television Movies and Specials – Dialogue & ADR | Best Sound Editing – Television Movies and Specials – Dialogue & ADR |
| 1999 | Introducing Dorothy Dandridge | David Hankins, Doug Kent (supervising sound/adr/dialogue editors); David Beadle, Larry Goeb, Helen Luttrell (dialogue/adr editors); Erik Aadahl, Patrick Hogan (assistant adr editors); David MacMillan (production mixer); Larry Stensvold (re-recording mixer); Stacey Michaels (adr mixer) | HBO |
| 1999 | The Devil's Arithmetic | William H. Angarola (supervising sound/adr editor); Rick Hinson (supervising sound editor); Anna MacKenzie (supervising dialogue editor); Robert Guastini, Mike Marchain, Warren Smith (editors); Tami Treadwell (adr recordist) | Showtime |
| 1999 | Having Our Say: The Delany Sisters' First 100 Years | Albert Edmund Lord III (supervising sound/dialogue editor); Lee Lemont (supervising sound editor/adr editor); David M. Cowan, Devin Joseph, Kirsten Reed (dialogue editor); Denise Brady (adr editor) | CBS |
| 1999 | Lansky | Stephen Grubbs (supervising sound/adr editor); Dennis Gray, Barbara Issak, Gary Lewis, Ralph Osborn, Warren Smith (dialogue editors); David Melhase, James A. Williams (adr editors) | HBO |
| 1999 | Witness Protection | Peter Austin (supervising sound/adr editor); Dennis Gray, Paul Longstaffe (dialogue editors); David Melhase, James A. Williams (adr editors) | HBO |
| 1999 | Purgatory | Mark Friedgen (supervising sound/dialogue editor); G. Michael Graham (supervising sound editor); Suzanne Angel (supervising adr editor); Anton Holden, Mark Steele (dialogue editors); Michael Lyle, Tim Terusa (dialogue editors); William C. Carruth (adr editor) | TNT |
| 1999 | The Simple Life of Noah Dearborn | Mark Linden (supervising sound/adr editor); Al Decker (supervising sound editor); David Bondelevitch (supervising dialogue editor); Michael Marion (dialogue editor); Jay Keiser, Tara A. Paul, Kerri Wilson (adr editors) | CBS |
| 1999 | Tuesdays with Morrie | Bob Newlan (supervising sound/dialogue/adr editor); David Hankins (supervising sound editor); John Green, Sonya Henry (dialogue editors); Larry Goeb (adr editor) | ABC |

### 2000s

| Year | Program | Episode(s) | Nominees | Network |
| 2000 | Noriega: God's Favorite | Noriega: God's Favorite | William H. Angarola (supervising sound/adr editor); Anna MacKenzie (supervising sound/dialogue editor); Rick Hinson, Maciek Malish, Mike Marchain, Ray Spiess (sound editors); Barbara Issak (dialogue editor); Tami Treadwell (adr recordist) | Showtime |
| 2000 | Dark Angel | "Pilot" | Jerry Edemann (supervising sound/dialogue/adr editor); Tiffany S. Griffith, Barbara Issak, David Melhase, Ray Spiess, Marty Stein (sound editors) | Fox |
| 2000 | The Darkling | The Darkling | Kyle Wright (supervising sound/dialogue/adr editor), Steve Burger (sound editor), Tom Jaeger (adr editor) | USA |
| 2000 | The Huntress | "Pilot" | Kyle Wright (supervising sound/dialogue/adr editor); Peter Myles, Stacey Nakasone, Robb Navrides (sound editors) | USA |
| 2000 | Frankie & Hazel | Frankie & Hazel | Tony Gort (supervising sound/dialogue editor) | Hallmark |
| 2000 | The Miracle Worker | The Miracle Worker | John Benson (supervising sound/adr editor), Sonya Henry (supervising dialogue editor), John Green (sound editor) | ABC |
| 2000 | The Ultimate Christmas Present | The Ultimate Christmas Present | Stephen Grubbs (supervising sound/dialogue/adr editor); John Green, Sonya Henry, Patrick Hogan (sound editors) | Disney |
| 2000 | The Virginian | The Virginian | William H. Angarola (supervising sound/dialogue/adr editor), Anna MacKenzie (sound editor) | TNT |
| 2000 | Witchblade | Witchblade | Michael E. Lawshe (supervising sound/adr editor), Jennifer Mertens (supervising sound editor), Virginia Cook-McGowan (supervising dialogue editor), Jessica Goodwin (adr editor), Bruce M. Honda (dialogue editor) | TNT |
| 2001 | Best Sound Editing in Television – Dialogue & ADR, Long Form | Best Sound Editing in Television – Dialogue & ADR, Long Form | Best Sound Editing in Television – Dialogue & ADR, Long Form | Best Sound Editing in Television – Dialogue & ADR, Long Form |
| 2001 | Uprising | Uprising | G. Michael Graham (supervising sound/dialogue editor); Devon Heffley Curry (supervising adr editor); Troy Allen, Anton Holden, Mark Steele, Tim Terusa, Randal S. Thomas, Scott A. Tinsley, Rusty Tinsley (sound editors); Bob Goold (adr editor) | NBC |
| 2001 | Attila | Attila | Mark Friedgen, Joe Melody (supervising sound editors); Kristi Johns (supervising adr editor); Rick Crampton, Joy Ealy, David C. Eichhorn, Anton Holden, Michael Lyle, Mark Steele, Tim Terusa, Randal S. Thomas, Rusty Tinsley (sound editors) | USA |
| 2001 | Jane Doe | Jane Doe | Bernard Weiser (supervising sound editor); Lee Lemont (supervising adr editor); Frank A. Fuller Jr., Kevin Hamilton, Nancy Nugent, Lance Wiseman (sound editors) | USA |
| 2001 | Bojangles | Bojangles | Doug Kent, Anthony Mazzei (supervising sound editors); Ian Morgan (supervising adr editor); David Beadle, Sonya Henry, Ralph Osborn (sound editors) | HBO |
| 2001 | Life with Judy Garland: Me and My Shadows | Life with Judy Garland: Me and My Shadows | Brandon Walker (supervising sound/dialogue/supervising adr editor); Janice Ierulli, Angie Pajek, Phong Tran (sound editors) | ABC |
| 2001 | When Billie Beat Bobby | When Billie Beat Bobby | Brandon Walker (supervising sound/dialogue editor), Angie Pajek (supervising adr editor) | ABC |
| 2001 | The Lost Battalion | The Lost Battalion | David C. Eichhorn (supervising sound/dialogue editor); William C. Carruth (supervising adr editor); Rick Crampton, Joy Ealy, Michael Lyle, Tim Terusa, Rusty Tinsley (dialogue editors) | A&E |
| 2001 | Ruby's Bucket of Blood | Ruby's Bucket of Blood | Doug Kent, Anthony Mazzei (supervising sound editors); Ian Morgan (supervising adr editor); Jane Boegel, John Green, Todd Niesen (sound editors) | Showtime |
| 2001 | They Call Me Sirr | They Call Me Sirr | Brandon Walker (supervising sound/dialogue editor); Fred Brennan (supervising sound editor); Michele Cook (supervising adr editor); Sue Conley (sound editor) | |
| 2001 | The Wandering Soul Murders | The Wandering Soul Murders | Jonas Kuhnemann (supervising dialogue editor), Danielle McBride (sound editor) | Lifetime |
| 2002 | Best Sound Editing in Television Long Form – Dialogue & ADR | Best Sound Editing in Television Long Form – Dialogue & ADR | Best Sound Editing in Television Long Form – Dialogue & ADR | Best Sound Editing in Television Long Form – Dialogue & ADR |
| 2002 | Monk | "Mr. Monk and the Candidate" | Peter Austin (supervising sound/adr editor), David Melhase (dialogue/adr editor) | USA |
| 2002 | Convicted | Convicted | Mace Matiosian (supervising sound/dialogue editor); Mark Allen (supervising sound editor); Ruth Adelman (supervising adr editor); Edmund J. Lachmann, Christopher B. Reeves (dialogue/adr editors) | Showtime |
| 2002 | Gleason | Gleason | Mark Linden (supervising sound/adr editor); David Bondelevitch (supervising dialogue editor); Al Decker, Bruce Greenspan, Michael Marion, Tara A. Paul, Carlos Ramirez (dialogue/adr editors) | CBS |
| 2002 | The Junction Boys | The Junction Boys | G. Michael Graham (supervising sound/dialogue editor); Devon Heffley Curry (supervising adr editor); Rick Crampton, Anton Holden, Charlie Kolander, Michael Lyle, Scott A. Tinsley, Rusty Tinsley (dialogue/adr editors) | ESPN |
| 2002 | The Pennsylvania Miners' Story | The Pennsylvania Miners' Story | John Benson (supervising sound/dialogue/adr editor); Sonya Henry, Barbara Issak, Ralph Osborn (dialogue/adr editors) | ABC |
| 2002 | The Stork Derby | The Stork Derby | Katherine Fitzgerald (supervising dialogue editor) | Lifetime |
| 2002 | Too Young to Be a Dad | Too Young to Be a Dad | Brandon Walker (supervising sound/dialogue editor), Dale Sheldrake (supervising adr editor) | Lifetime |
| 2002 | Torso: The Evelyn Dick Story | Torso: The Evelyn Dick Story | Marvyn Dennis (supervising dialogue editor) | Lifetime |
| 2002 | Taken | Taken | David B. Cohn (supervising sound editor); Eileen Horta (supervising adr/dialogue editor); Benjamin Beardwood, Patrick Hogan, Jason Lezama, Ralph Osborn (dialogue editors) | Sci Fi |
| 2003 | And Starring Pancho Villa as Himself | And Starring Pancho Villa as Himself | Zack Davis (supervising sound/dialogue/adr editor); Geoffrey G. Rubay (supervising sound editor); Lou Kleinman, David Williams (dialogue/adr editors) | HBO |
| 2003 | Going for Broke | Going for Broke | Brandon Walker (supervising sound editor), Danielle McBride (dialogue/adr editor) | Lifetime |
| 2003 | Hitler: The Rise of Evil | Hitler: The Rise of Evil | Mark Friedgen (supervising sound/dialogue editor); Suzanne Angel (supervising adr editor); Joy Ealy, Kristi Johns, Kathryn Madsen (dialogue/adr editors) | CBS |
| 2003 | Salem Witch Trials | Salem Witch Trials | David McCallum (supervising sound editor); Janice Ierulli (supervising dialogue/adr editor); Ronayne Higginson (dialogue editor); Fred Brennan, Barry Gilmore, Garrett Kerr, Angie Pajek (adr editors) | CBS |
| 2003 | Twelve Mile Road | Twelve Mile Road | Mark Friedgen (supervising sound editor); Devon Heffley Curry (supervising adr editor); Anton Holden, Charlie KolandeR, Mark Steele, Tim Terusa (dialogue/adr editorS) | CBS |
| 2003 | Julius Caesar | Julius Caesar | Mark Friedgen (supervising sound/dialogue editor); Suzanne Angel (supervising adr editor); Joy Ealy, Kristi Johns, Kathryn Madsen (dialogue/adr editors) | TNT |
| 2003 | The Music Man | The Music Man | Mark Allen, Kelly Oxford (supervising sound editors); Craig S. Jaeger, Tim Kimmel (dialogue/adr editors) | ABC |
| 2003 | Saving Jessica Lynch | Saving Jessica Lynch | Robert Webber (supervising sound editor); Suzanne Angel (supervising adr editor); William C. Carruth, Rick Crampton, Devon Heffley Curry, Joy Ealy, Anton Holden, Kathryn Madsen, Tim Terusa, Randal S. Thomas, Rusty Tinsley (dialogue/adr editors) | NBC |
| 2003 | Unspeakable | Unspeakable | Jeremy Hoenack (supervising sound editor), Steven Erickson (supervising dialogue/adr editor) | |
| 2004 | The Life and Death of Peter Sellers | The Life and Death of Peter Sellers | Tim Hands (supervising sound editor), Victoria Brazier (supervising dialogue/adr editor), Zack Davis (dialogue editor/adr editor), Laura Lovejoy (dialogue editor), Anna MacKenzie (adr editor) | HBO |
| 2004 | Frankenstein | Frankenstein | Trevor Jolly (supervising sound/adr editor), Christopher B. Reeves (supervising dialogue editor), Debby Ruby-Winsberg (adr editor) | USA |
| 2004 | Spartacus | "Part 2" | Mark Friedgen (supervising sound editor); Joy Ealy (supervising dialogue editor); Kathryn Madsen (supervising adr editor); William C. Carruth, Rick Crampton, Anton Holden, Mark Steele, Tim Terusa, Randal S. Thomas (dialogue/adr editors) | USA |
| 2004 | The Grid | "Part One", "Part Two" | Mark Friedgen (supervising sound editor); Devon Heffley Curry (supervising adr editor); William C. Carruth, Joy Ealy, Charlie Kolander, Mark Steele, Burton Weinstein (dialogue/adr editors) | TNT |
| 2004 | The Winning Season | The Winning Season | Stephen Grubbs (supervising sound/dialogue/adr editor); Joy Ealy (supervising adr editor); William C. Carruth, Rick Crampton, Anton Holden, Mark Steele, Tim Terusa, Charlie Kolander, Rusty Tinsley (dialogue editors) | TNT |
| 2005 | Best Sound Editing in Television: Long Form – Dialogue and Automated Dialogue Replacement | Best Sound Editing in Television: Long Form – Dialogue and Automated Dialogue Replacement | Best Sound Editing in Television: Long Form – Dialogue and Automated Dialogue Replacement | Best Sound Editing in Television: Long Form – Dialogue and Automated Dialogue Replacement |
| 2005 | Lackawanna Blues | Lackawanna Blues | Jon Mete (supervising sound editor); Michael Hertlein, Paul Longstaffe (sound editors) | HBO |
| 2005 | Category 7: The End of the World | Category 7: The End of the World | Joe Melody (supervising sound editor); Devon Heffley Curry (supervising adr editor); Mark Steele, Tim Terusa (dialogue editors); J. Michael Hooser, Burton Weinstein (adr editors) | CBS |
| 2005 | Into the West | "Manifest Destiny" | G. Michael Graham (supervising sound editor); Kristi Johns (supervising adr editor); William C. Carruth, Anton Holden, Charlie Kolander, Tim Terusa, Rusty Tinsley, Burton Weinstein (dialogue editors) | TNT |
| 2005 | Reefer Madness: The Movie Musical | Reefer Madness: The Movie Musical | Glenn T. Morgan (supervising sound editor); Dave McMoyler, Margit Pfeiffer (sound editors) | Showtime |
| 2005 | Terry | Terry | Jonas Kuhnemann (supervising sound editor), Joe Mancuso (dialogue editor), Richard Calistan (adr editor) | CTV |
| 2006 | The Path to 9/11 | The Path to 9/11 | G. Michael Graham (supervising sound editor); J. Michael Hooser (supervising adr editor); Devon Heffley Curry, Joy Ealy, Anton Holden, Adriane Marfiak, Mark Steele (dialogue/adr editors) | ABC |
| 2006 | Broken Trail | Broken Trail | Kevin Howard (supervising sound editor), Rob Hegedus (supervising dialogue editor), Richard Calistan (supervising adr editor) | AMC |
| 2006 | Eight Days to Live | Eight Days to Live | Alastair Gray (supervising sound editor), Richard Calistan (supervising adr editor) | Lifetime |
| 2006 | Fallen | Fallen | David C. Eichhorn (supervising sound editor), Vic Radulich (dialogue/adr editor) | ABC Family |
| 2006 | The Year Without a Santa Claus | The Year Without a Santa Claus | Gregory M. Gerlich (supervising sound editor); David M. Cowan (supervising dialogue/adr editor); Ginny Cook, Jeremy J. Gordon (dialogue editors) | NBC |
| 2007 | Best Sound Editing – Dialogue and ADR for Long Form Television | Best Sound Editing – Dialogue and ADR for Long Form Television | Best Sound Editing – Dialogue and ADR for Long Form Television | Best Sound Editing – Dialogue and ADR for Long Form Television |
| 2007 | Bury My Heart at Wounded Knee | Bury My Heart at Wounded Knee | Stephen Hunter Flick, Avram D. Gold (supervising sound editors); Steffan Falesitch, Eric Hertsguaard, Patricio A. Libenson (dialogue editors) | HBO |
| 2007 | Big Shots | "Pilot" | Peter Austin (supervising sound editor); Vanessa Lapato (supervising dialogue editor); Mark Allen, Virginia Cook-McGowan, Eric Erickson, Karyn Foster, Hector C. Gika, Sonya Henry, Marc Meyer, Brian Risner, Beth Wiehe (dialogue/adr editors) | ABC |
| 2007 | Lost | "Through the Looking Glass" | Thomas DeGorter (supervising sound editor); Maciek Malish (supervising dialogue editor); Jay Keiser (supervising adr editor); Thomas A. Harris, Christopher B. Reeves, Gabrielle Gilbert Reeves (dialogue/adr editors); Scott Weber (sound effects editor) | ABC |
| 2007 | Mitch Albom's For One More Day | Mitch Albom's For One More Day | Scott Hecker, Miguel Rivera (supervising sound editors); Terry Garcia (assistant sound editor) | ABC |
| 2007 | Booky and the Secret Santa | Booky and the Secret Santa | Janice Ierulli (supervising sound editor), Richard Calistan (supervising adr editor), Rob Hegedus (dialogue/adr editor) | CTV |
| 2008 | Best Sound Editing – Long Form Dialogue and ADR in Television | Best Sound Editing – Long Form Dialogue and ADR in Television | Best Sound Editing – Long Form Dialogue and ADR in Television | Best Sound Editing – Long Form Dialogue and ADR in Television |
| 2008 | Generation Kill | "Get Some" | Stefan Henrix (supervising sound editor); Becki Ponting, Will Ralston (supervising adr editors); Iain Eyre (supervising dialogue editor) | HBO |
| 2008 | The Andromeda Strain | "Part 1" | G. Michael Graham (supervising sound/dialogue editor); Devon Heffley Curry (supervising adr editor); Anton Holden, Tim Terusa, Daniel Tripoli (sound editors) | A&E |
| 2008 | Fringe | "Pilot" | Bruce M. Honda (supervising sound/dialogue editor); Bob Redpath (supervising sound/adr editor); Christopher B. Reeves (dialogue editor); Virginia Cook-McGowan, David M. Cowan, Mitchell Gettleman, Thomas A. Harris (adr editors) | Fox |
| 2008 | The Good Witch | The Good Witch | Sue Conley (supervising adr editor) | Hallmark |
| 2008 | The Librarian: Curse of the Judas Chalice | The Librarian: Curse of the Judas Chalice | Noah Blough (supervising sound/dialogue/adr editor), Chris Winter (dialogue editor) | TNT |
| 2009 | Battlestar Galactica | "Daybreak, Part 2" | Daniel Colman, Jack Levy (supervising sound editors); Vince Balunas (supervising dialogue/adr editor) | Sci Fi |
| 2009 | An American Girl: Chrissa Stands Strong | An American Girl: Chrissa Stands Strong | Joe Dzuban (supervising sound editor, dialogue editor), Glenn T. Morgan (supervising sound editor), Justin Dzuban (dialogue editor) | HBO |
| 2009 | Damages | "Trust Me" | Tim Kimmel (supervising sound editor), Todd Niesen (supervising dialogue editor), Ruth Adelman (supervising adr editor) | FX |
| 2009 | House | "Broken" | Brad North (supervising sound/adr editor), Jackie Rodman (supervising dialogue editor) | Fox |
| 2009 | Scooby-Doo! The Mystery Begins | Scooby-Doo! The Mystery Begins | Trip Brock (supervising sound editor), Brian S.M. Wroth (dialogue/adr editor), Bryon Speller (dialogue editor) | Cartoon Network |

### 2010s

| Year | Program | Episode(s) | Nominees | Network |
| 2010 | The Pacific | "Basilone" | Tom Bellfort (supervising sound editor); Daniel S. Irwin (supervising dialogue/adr editor); John C. Stuver (dialogue editor); Michael Hertlein, Michelle Pazer, David Williams (adr editors) | HBO |
| 2010 | The Walking Dead | "Days Gone Bye" | Walter Newman, Kenneth Young (supervising sound editors); Darleen Stoker (supervising dialogue editor); Lou Thomas (supervising adr editor); Bruce M. Honda (dialogue editor); Skip Schoolnik (adr editor) | AMC |
| 2010 | Temple Grandin | Temple Grandin | Bryan Bowen (supervising sound editor); Vanessa Lapato (supervising dialogue/adr editor); Petra Bach, Paul Curtis (dialogue editors) | HBO |
| 2011 | Homeland | "Marine One" | Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound designer); Jeff Clark, Larry Goeb, Chato Hill, Devin Joseph (dialogue editors) | Showtime |
| 2011 | Big Love | "When Men and Mountains Meet" | Susan Cahill (supervising sound editor); Michael Hertlein, Jivan Tahmizian (dialogue editors) | HBO |
| 2011 | Cinema Verite | Cinema Verite | Douglas Murray (supervising sound editor), Susan Dudeck (supervising adr editor), Kim Foscato (dialogue/adr editor) | HBO |
| 2011 | Terra Nova | "Occupation/Resistance" | Christopher Harvengt (supervising sound editor), Frank Smathers (supervising dialogue/adr editor) | Fox |
| 2011 | The Walking Dead | "What Lies Ahead" | Jerry Ross (supervising sound editor); Lou Thomas (supervising dialogue editor); Steffan Falesitch, Karyn Foster (dialogue editors) | AMC |
| 2012 | Game of Thrones | "Valar Morghulis" | Peter Brown (supervising sound editor), Vanessa Lapato (supervising dialogue editor), Kira Roessler (supervising adr editor), Tim Hands (sound editor) | HBO |
| 2012 | Coma | Coma | David B. Cohn, Bernard Weiser (supervising sound editors); Jon Wakeham (sound editor) | A&E |
| 2012 | The Newsroom | "We Just Decided To" | Mark Relyea (supervising sound/adr editor), Robert Guastini (dialogue editor), Ruth Adelman (adr editor) | HBO |
| 2012 | Steel Magnolias | Steel Magnolias | Robert Getty (supervising sound editor); Pembrooke Andrews, Chato Hill, Pembrooke Andrews (dialogue editors) | Lifetime |
| 2012 | Titanic | "Episode 4" | Jane Tattersall (supervising sound editor), David McCallum (supervising dialogue editor), Tony Currie (supervising adr editor), Sue Conley (sound editor) | ABC |
| 2013 | The Bridge | "Pilot" | Mike Marchain (supervising sound/dialogue/adr editor); Robert Guastini, Charlie Kolander, Paul Longstaffe (dialogue editors) | FX |
| 2013 | Bonnie & Clyde | "Part 2" | Robert L. Sephton (supervising sound editor); Pembrooke Andrews (supervising dialogue/adr editor); Robert Guastini, Matthew Thomas Hall (dialogue editors) | A&E, History, Lifetime |
| 2013 | Dancing on the Edge | Dancing on the Edge | Ian Wilkinson (supervising sound/dialogue/adr editor) | PBS |
| 2013 | Mob City | "Red Light", "His Banana Majesty" | Matthew E. Taylor (supervising sound editor), Lou Thomas (supervising dialogue editor), Gregg Baxter (dialogue editor) | TNT |
| 2013 | Sons of Anarchy | "The Mad King" | Erich Gann (supervising sound/dialogue editor), Joy Ealy (supervising adr editor) | FX |
| 2014 | Klondike | "Part 1" | Lee Walpole (supervising sound editor), Jason Lawrence (supervising dialogue editor), Iain Eyre (supervising adr editor) | Discovery |
| 2014 | Deliverance Creek | Deliverance Creek | Christopher S. Aud, Gregory M. Gerlich (supervising sound editors); Stephanie Brown (supervising dialogue/adr editor); David M. Cowan (supervising dialogue editor) | Lifetime |
| 2014 | Lizzie Borden Took an Ax | Lizzie Borden Took an Ax | Bernard Weiser (supervising sound/dialogue/adr editor), Robert Getty (dialogue/adr editor) | Lifetime |
| 2014 | Petals on the Wind | Petals on the Wind | Erich Gann (supervising sound/adr editor), Joe Melody (supervising sound editor) | Lifetime |
| 2014 | The Normal Heart | The Normal Heart | Gary Megregian (supervising sound editor), Jason Krane (dialogue/adr editor) | HBO |
| 2015 | Bessie | Bessie | Damian Volpe (supervising sound editor); Tony Martinez (supervising dialogue/adr editor); Brian Bowles, Mary Ellen Porto (dialogue/adr editors) | HBO |
| 2015 | The Book of Negroes | "Episode 1" | David Rose (supervising sound editor); David McCallum (supervising dialogue/adr editor); Martin Gwynn Jones (supervising adr editor); Sue Conley, Brent Pickett (dialogue/adr editors) | BET |
| 2015 | Saints & Strangers | "Part 1" | Victor Ray Ennis, Kenneth L. Johnson (supervising sound editors); Brian Armstrong, David Grant (dialogue/adr editors); Scott Ferrara, Lauren E. Price (dialogue editors) | NatGeo |
| 2015 | Scream Queens | "Pilot", "Hell Week" | Gary Megregian (supervising sound editor); Jason Krane, Lance Wiseman (dialogue editors) | Fox |
| 2015 | Sons of Liberty | "Independence" | Louis Bertini (supervising sound/dialogue/adr editor); Ruy García (supervising sound editor); Nicholas Renbeck, Alexa Zimmerman (dialogue/adr editors) | History |
| 2015 | Texas Rising | "Vengeance is Mine" | Tom Bjelic, John Laing (supervising sound editors); Petra Bach (supervising adr editor); Mark Dejczak, Dermain Finlayson, Mark Gingras, Dale Lennon, Jill Purdy (dialogue/adr editors) | History |
| 2015 | Tut | "Part One: Power" | Michael J. Benavente (supervising sound/dialogue editor), Craig Mann (supervising sound editor), Chase Keehn (dialogue/adr editor) | Spike |
| 2016 | The Night Of | "The Beach" | Nicholas Renbeck (supervising sound editor); Odin Benitez, Sara Stern, Luciano Vignola (dialogue editors); Marissa Littlefield (adr editor) | HBO |
| 2016 | Harley and the Davidsons | "Race to the Top" | Jamie Caple (supervising sound editor); Dan Green, Michael Wabro (dialogue editors); Tim Hands (adr editor) | History |
| 2016 | Roots | "Part 2" | Gary Megregian (supervising sound editor); Stuart Martin (supervising adr editor); Christian Buenaventura, Steven Stuhr (dialogue editors); Jason Krane (adr editor) | History |
| 2016 | Sherlock | "The Abominable Bride" | Doug Sinclair (supervising sound editor, adr editor), Paul McFadden (dialogue editor) | PBS |
| 2016 | Westworld | "The Bicameral Mind" | Thomas DeGorter (supervising sound editor); Matt Sawelson (supervising adr editor); Brian Armstrong, Fred Paragano (dialogue editors) | HBO |
| 2017 | Outstanding Achievement in Sound Editing – Dialogue and ADR for Episodic Long Form Broadcast Media | Outstanding Achievement in Sound Editing – Dialogue and ADR for Episodic Long Form Broadcast Media | Outstanding Achievement in Sound Editing – Dialogue and ADR for Episodic Long Form Broadcast Media | Outstanding Achievement in Sound Editing – Dialogue and ADR for Episodic Long Form Broadcast Media |
| 2017 | Black Mirror | "USS Callister" | Kenny Clark (supervising sound editor); Michael Maroussas, Matthew Skelding (dialogue editors) | Netflix |
| 2017 | The Deuce | "Pilot" | Will Ralston (supervising sound editor), Alexa Zimmerman (dialogue editor), Mary Ellen Porto (adr editor) | HBO |
| 2017 | Godless | "Homecoming" | Eric Hoehn, Wylie Stateman (supervising sound editors); Harry Cohen, Hector C. Gika, Sylvain Lasseur, Gregg Swiatlowski (dialogue editors); Leo Marcil, Jackie Zhou (adr editor) | Netflix |
| 2017 | Ozark | "The Toll" | Stephen Grubbs (supervising sound/adr editor), Kurt Nicholas Forshager (supervising sound editor), Todd Niesen (dialogue editor) | Netflix |
| 2017 | The Long Road Home | "Black Sunday, Part 1" | G.W. Brown, Gregory King (supervising sound editors); Jeffrey Dyal (dialogue editor); James Matheny (adr editor) | NatGeo |
| 2018 | Westworld | "The Riddle of the Sphinx" | Thomas DeGorter (supervising sound editor); Brett Hinton (supervising adr editor); Brian Armstrong, Fred Paragano (dialogue editors) | HBO |
| 2018 | Better Call Saul | "Winner" | Kurt Nicholas Forshager (supervising sound editor), Kathryn Madsen (supervising adr editor), Jane Boegel (dialogue editor) | AMC |
| 2018 | Altered Carbon | "Out of the Past" | Brett Hinton (supervising sound editor), Brian Armstrong (dialogue editor) | Netflix |
| 2018 | Bodyguard | "Episode 2" | Dan Johnson (dialogue editor), James Gregory (adr editor) | Netflix |
| 2018 | House of Cards | "Chapter 73" | Jeremy Molod (supervising sound editor), Chris Gridley (dialogue editor) | Netflix |
| 2018 | Narcos: Mexico | "Just Say No" | Randle Akerson (supervising sound editor), Thomas Whiting (supervising adr editor), David Padilla (dialogue editor) | Netflix |
| 2018 | Ozark | "The Gold Coast" | Kurt Nicholas Forshager, Stephen Grubbs (supervising sound editors); Todd Niesen (dialogue editor) | Netflix |
| 2018 | Daredevil | "Blindsided" | Lauren Stephens (supervising sound editor), Christian Buenaventura (supervising dialogue/adr editor), Lance Wiseman (dialogue editor) (dialogue editor) | Netflix |
| 2018 | The Handmaid's Tale | "The Last Ceremony" | Jane Tattersall (supervising sound editor), David McCallum (supervising dialogue editor), Krystin Hunter (adr editor) | Hulu |
| 2019 | Chernobyl | "Please Remain Calm" | Stefan Henrix (supervising sound editor), Harry Barnes (supervising adr editor) | HBO |
| 2019 | The Crown | "Aberfan" | Lee Walpole (supervising sound editor), Tom Williams (dialogue editor), Steve Little (adr editor) | Netflix |
| 2019 | Peaky Blinders | "Mr. Jones" | Nigel Heath (supervising sound editor), Adele Fletcher (dialogue/adr editor) | Netflix |
| 2019 | The Handmaid's Tale | "Mayday" | David McCallum, Jane Tattersall (supervising sound editors); Brent Pickett (dialogue editor); Krystin Hunter (adr editor) | Hulu |
| 2019 | The Marvelous Mrs. Maisel | "A Jewish Girl Walks Into the Apollo…" | Ron Bochar (supervising sound editor), Sara Stern (dialogue editor), Ruth Hernandez (adr editor) | Amazon |
| 2019 | Succession | "This Is Not for Tears" | Nicholas Renbeck (supervising sound editor); Angela Organ (supervising adr editor); Marlena Grzaslewicz, Bill Orrico (dialogue editors); Lidia Tamplenizza (adr editor) | HBO |
| 2019 | True Detective | "The Great War and Modern Memory" | David Esparza, Mandell Winter (supervising sound editors); Micah Loken, Bernard Weiser (dialogue editors) | HBO |
| 2019 | Game of Thrones | "The Bells" | Tim Kimmel (supervising sound editor); Tim Hands (supervising adr editor); Paul Bercovitch, John Matter (dialogue editors) | HBO |

### 2020s

| Year | Program | Episode(s) | Nominees | Network |
| 2020 | The Queen's Gambit | "End Game" | Gregg Swiatlowski (supervising sound editor); Eric Hirsch (dialogue editor); Eric Hoehn, Leo Marcel, Wylie Stateman (adr editors) | Netflix |
| 2020 | Better Call Saul | "Something Unforgivable" | Nick Forshager (supervising sound editor), Kathryn Madsen (supervising adr editor), Jane Boegel (dialogue editor) | AMC |
| 2020 | The Crown | "Fairytale" | Lee Walpole (supervising sound editor); Jeff Richardson (dialogue editor); Steve Little, Tom Williams (adr editors) | Netflix |
| 2020 | Dark | "Life and Death" | Alexander Wuertz (supervising sound editor), Thomas Kalbér (supervising dialogue editor), Benjamin Hörbe (supervising adr editor), Gaston Ibarroule (dialogue editor), Clemens Nürnberger (adr editor) | Netflix |
| 2020 | Ozark | "All In" | Nick Forshager (supervising sound editor), Todd Niesen (dialogue editor), Stephen Grubbs (adr editor) | Netflix |
| 2020 | Fargo | "The Pretend War" | Nick Forshager (supervising sound editor), Todd Niesen (supervising dialogue editor), Tim Boggs (supervising adr editor) | FX |
| 2020 | Star Trek: Picard | "The Impossible Box" | Matthew E. Taylor (supervising sound editor), Sean Heissinger (dialogue editor) | CBS All Access |
| 2020 | Westworld | "The Mother of Exiles" | Sue Gamsaragan Cahill (supervising sound editor); Jane Boegel-Koch, Tim Tuchrello (dialogue editors) | HBO |
| 2021 | Outstanding Achievement in Sound Editing – Series 1 Hour – Comedy or Drama – Dialogue and ADR | Outstanding Achievement in Sound Editing – Series 1 Hour – Comedy or Drama – Dialogue and ADR | Outstanding Achievement in Sound Editing – Series 1 Hour – Comedy or Drama – Dialogue and ADR | Outstanding Achievement in Sound Editing – Series 1 Hour – Comedy or Drama – Dialogue and ADR |
| 2021 | Succession | "Secession" | Nicholas Renbeck (supervising sound editor), Michael Feuser (dialogue editor), Angela Organ (adr editor) | HBO |
| 2021 | For All Mankind | "And Here’s to You" | Vince Balunas (supervising sound editor, dialogue/adr editor) | Apple TV+ |
| 2021 | The Morning Show | "My Least Favorite Year" | Mark Relyea (supervising sound editor), Pernell Salinas (supervising dialogue editor), Julie Altus (supervising adr editor), Robert Guastini (dialogue editor) | Apple TV+ |
| 2021 | Ted Lasso | "Rainbow" | Brent Findley (supervising sound editor), Bernard Weiser (dialogue editor), Kip Smedley (crowd editor) | Apple TV+ |
| 2021 | The Handmaid's Tale | "Vows" | David McCallum (supervising sound editor), Krystin Hunter (dialogue editor) | Hulu |
| 2021 | The Nevers | "Pilot" | Tim Kimmel (supervising sound editor), John Matter (supervising dialogue editor), Tim Hands (supervising adr editor) | HBO |
| 2021 | Squid Game | "VIPS" | Tae-Young Choi, Hye-Young Kang (supervising sound editors); Eun-Ji Ye (supervising dialogue editor); Byung-In Kim (supervising adr editor) | Netflix |
| 2021 | Star Trek: Discovery | "Kobayashi Maru" | Matthew E. Taylor (supervising sound editor), Cormac Fudge (supervising dialogue editor, adr editor), Sean Heissinger (supervising sound editor) | Paramount+ |
| 2022 | Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR | Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR | Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR | Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue and ADR |
| 2022 | The Crown | "Gunpowder" | Lee Walpole (supervising sound editor); Iain Eyre (supervising dialogue editor); Matt Mewett (supervising ADR editing) | Netflix |
| 2022 | Better Call Saul | "Saul Gone" | Nick Forshager, Kathryn Madsen (supervising sound editors); Jane Boegel (dialogue editor) | AMC |
| 2022 | Stranger Things | "Chapter Seven: The Massacre at Hawkins Lab" | William Files, Craig Henighan (supervising sound editor); Ryan Cole (dialogue/ADR editor); Korey Pereira, Jill Purdy, David Butler, Polly McKinnon, Rob Chen (dialogue editors) | Netflix |
| 2022 | The Lord of the Rings: The Rings of Power | "Udûn" | Robby Stambler, Damian Del Borrello (supervising sound editors); Stefanie Ng (dialogue/ADR supervisor); Ailene Roberts, Ray Beentjes (dialogue editors); Gareth Van Niekirk (ADR group editor) | Prime Video |
| 2022 | Severance | "The We We Are" | Jacob Ribicoff (supervising sound editor); David Briggs (ADR editor); Gregg Swiatlowski (dialogue editor) | Apple TV+ |