# List of compositions by Camille Saint-Saëns

Below is a sortable list of compositions by Camille Saint-Saëns. The works are categorised by genre, opus number, Ratner catalogue number, date of composition and titles. R numbers are from Camille Saint-Saëns 1835–1921: A Thematic Catalogue of His Complete Works by Sabina Teller Ratner (Oxford University Press).
| Genre | Opus | R | Date | French title (original title) | English title | Scoring | Notes |
| Opera | — | 289 | 1864–1865 | Le timbre d'argent | The Silver Bell | | Drame lyrique in 4 acts; libretto by Jules Barbier and Michel Carré; first performance in 1877 |
| Opera | 30 | 287 | 1872 | La princesse jaune | The Yellow Princess | | Opéra comique in 1 act; libretto by Louis Gallet |
| Opera | 47 | 288 | 1877 | Samson et Dalila | Samson and Dalila | | Opera in 3 acts; libretto by Ferdinand Lemaire |
| Opera | — | 290 | 1879 | Étienne Marcel | Étienne Marcel | | Opera in 4 acts; libretto by Louis Gallet |
| Opera | — | 291 | 1881–1882 | Henry VIII | Henry VIII | | Opera in 4 acts; libretto by Léonce Détroyat and Armand Silvestre |
| Opera | — | 292 | 1887 | Proserpine | Proserpine | | Drame lyrique in 4 acts; libretto by Louis Gallet after Auguste Vacquerie |
| Opera | — | 293 | 1887–1888 | Ascanio | Ascanio | | Opera in 5 acts; libretto by Louis Gallet after the play Benvenuto Cellini by Paul Meurice |
| Opera | — | 294 | 1893 | Phryné | Phryné | | Opéra comique in 2 acts; libretto by Lucien Augé de Lassus |
| Opera | — | | 1895 | Frédégonde | Frédégonde | | Drame lyrique in 5 acts; libretto by Louis Gallet |
| Opera | — | 295 | 1900–1901 | Les barbares | | | Tragédie lyrique in 3 acts; libretto by Victorien Sardou and Pierre-Barthélemy Gheusi |
| Opera | — | 296 | 1902–1903 | Hélène | Hélène | | Poème lyrique in 1 act; libretto by the composer |
| Opera | — | 297 | 1905 | L'ancêtre | L'ancêtre | | Drame lyrique in 3 acts; libretto by Lucien Augé de Lassus |
| Opera | — | 298 | 1909–1910 | Déjanire | Déjanire | | Drame lyrique in 4 acts; libretto by the composer after the play by Louis Gallet; original version: 1892 incidental music for the play by Gallet |
| Ballet | — | 306 | 1896 | Javotte | Javotte | | Ballet in 1 act; libretto by Jean-Louis Croze |
| Film | 128 | 331 | 1908 | L'assassinat du duc de Guise | The Assassination of the Duke of Guise | | produced Paris, Salle Charras, 16 November 1908 |
| Incidental | — | | 1892 | Déjanire | Déjanire | | Incidental music for the play by Louis Gallet; revised as an opera in 1911 |
| Incidental | — | 317 | 1893 | Antigone | Antigone | | Incidental music for the play by Sophocles in French adaptation by Paul Meurice and Auguste Vacquerie |
| Incidental | — | 312 | 1902 | Parysatis | Parysatis | | Incidental music for the play by Jane Dieulafoy |
| Incidental | — | 320 | 1902 | Andromaque | Andromaque | | Incidental music for the play by Jean Racine |
| Incidental | 130 | 321 | 1908 | La foi | La foi | | Incidental music for the play by Eugène Brieux; also adapted for the concert stage as 3 Symphonic Pictures after "La Foi" |
| Incidental | — | | 1917 | On ne badine pas avec l'amour | | | Incidental music for the play by Alfred de Musset |
| Orchestral | — | | c. 1850 | Ouverture d'un opéra comique | Comic Opera Overture in e minor | for orchestra | |
| Orchestral | — | | c. 1850 | Scherzo en la majeur | Scherzo in A major | for chamber orchestra | |
| Orchestral | — | 159 | c. 1850 | Symphonie en la majeur | Symphony in A major | for orchestra | |
| Orchestral | 2 | | 1853 | Symphonie nº 1 en mi bémol majeur | Symphony No. 1 in E♭ major | for orchestra | |
| Orchestral | — | 162 | 1854 | Ouverture d'un opéra comique inachevé en sol majeur | Overture to an Unfinished Comic Opera in G major | for orchestra | |
| Orchestral | — | 163 | 1856 | Symphonie en fa majeur "Urbs Roma" | Symphony in F major "Urbs Roma" | for orchestra | |
| Orchestral | 55 | | 1859 | Symphonie nº 2 en la mineur | Symphony No. 2 in A minor | for orchestra | |
| Orchestral | 49 | 165 | 1863 | Suite en ré majeur PréludeSarabandeGavotteRomanceFinale | Suite in D major PréludeSarabandeGavotteRomanceFinale | for orchestra | |
| Orchestral | — | 166 | 1863 | Spartacus, Ouverture en mi bémol majeur | Spartacus, Overture in E♭ major | for orchestra | after the tragedy by Alphonse Pagès |
| Orchestral | 7b | 177 | 1866, 1891 | Rhapsodie bretonne | Rhapsodie bretonne | for orchestra | 1891 orchestration of 3 Rhapsodies sur des cantiques bretons for organ |
| Orchestral | 25 | | 1869 | Orient et occident | | for orchestra | original for military band |
| Orchestral | 34 | 168 | 1871 | Marche héroïque en mi bémol majeur | Heroic March in E♭ major | for orchestra | also exists in versions for piano 4-hands (1870), and 2-piano 8-hands |
| Orchestral | — | | 1872 | Chant du soir (Abendlied) | Evening Song | for orchestra | transcription of Abendlied (for piano 4-hands), Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for piano 2-hands |
| Orchestral | 31 | 169 | 1872 | Le rouet d'Omphale en la majeur | The Spinning Wheel of Omphale in A major | for orchestra | |
| Orchestral | 39 | 170 | 1873 | Phaéton en ut majeur | Phaéton in C major | for orchestra | |
| Orchestral | 40 | 171 | 1874 | Danse macabre, Poème symphonique en sol mineur | Danse macabre, Symphonic Poem in G minor | for orchestra | |
| Orchestral | 50 | 172 | 1877 | La jeunesse d'Hercule en mi bémol majeur | | for orchestra | |
| Orchestral | 60 | 173 | 1880 | Suite algérienne en ut majeur PréludeRhapsodie mauresqueRêverie du soirMarche militaire française | | for orchestra | recorded by the composer in piano reduction in 1919 |
| Orchestral | 63 | 175 | 1880 | Une nuit à Lisbonne en mi bémol majeur | | for orchestra | |
| Orchestral | 64 | 174 | 1880 | La jota aragonese en la majeur | | for orchestra | |
| Orchestral | 69 | | 1881 | Hymne à Victor Hugo | Hymn to Victor Hugo | for orchestra (with chorus ad libitum) | |
| Orchestral | 78 | 176 | 1886 | Symphonie nº 3 ("avec orgue") en ut mineur | Symphony No. 3 "Organ Symphony" in C minor | for orchestra | |
| Orchestral | 93 | | 1892 | Sarabande et rigaudon en mi majeur | Sarabande and Rigaudon in E major | for orchestra | |
| Orchestral | 117 | 180 | 1902 | Marche du couronnement | Coronation March in E♭ major | for orchestra | written for the Coronation of Edward VII of the United Kingdom |
| Orchestral | 130 | | 1908 | Trois tableaux symphoniques d'après La foi | 3 Symphonic Pictures after "La Foi" | for orchestra | adapted from the incidental music for the play by Eugène Brieux |
| Orchestral | 133 | 181 | 1910 | Ouverture de fête en fa majeur | | for orchestra | |
| Orchestral | — | | 1915 | Hail! California | Hail! California | for orchestra, band and organ | composed for the 1915 Panama–Pacific International Exposition |
| Band | 25 | | 1869 | Orient et occident | | for military band | also arranged for orchestra by the composer |
| Band | — | | 1900 | Hymne franco-espagnol | | | |
| Band | 125 | | 1908 | Sur les bords du Nil, Marche militaire | | for military band | also for piano 4-hands |
| Band | 152 | | 1918 | Vers la victoire, Pas redoublé pour musique militaire | | for military band | Two-step; also for piano 4-hands |
| Band | 155 | 153 | 1918 | Marche interalliée | | for military band | also for piano 4-hands |
| Concertante | 6 | 183 | 1857 | Tarantelle | Tarantelle in A minor | for flute, clarinet and orchestra | |
| Concertante | 17 | 185 | 1858 | Concerto pour piano nº 1 en ré majeur | Piano Concerto No. 1 in D major | for piano and orchestra | |
| Concertante | 58 | 184 | 1858 | Concerto pour violon nº 2 en ut majeur | Violin Concerto No. 2 in C major | for violin and orchestra | |
| Concertante | 20 | 186 | 1859 | Concerto pour violon nº 1 en la majeur | Violin Concerto No. 1 in A major | for violin and orchestra | |
| Concertante | 16b | 211 | 1862, 1919 | Suite PréludeSérénadeGavotteRomanceTarantelle | Suite PréludeSérénadeGavotteRomanceTarantelle | for cello and orchestra | original version for cello and piano |
| Concertante | 28 | 188 | 1863 | Introduction et rondo capriccioso en la mineur | Introduction and Rondo Capriccioso in A minor | for violin and orchestra | |
| Concertante | 22 | 190 | 1868 | Concerto pour piano nº 2 en sol mineur | Piano Concerto No. 2 in G minor | for piano and orchestra | |
| Concertante | 29 | 191 | 1869 | Concerto pour piano nº 3 en mi bémol majeur | Piano Concerto No. 3 in E♭ major | for piano and orchestra | |
| Concertante | 37 | 192 | 1871 | Romance en ré bémol majeur | Romance in D♭ major | for flute and piano or orchestra | |
| Concertante | 33 | 193 | 1872 | Concerto pour violoncelle nº 1 en la mineur | Cello Concerto No. 1 in A minor | for cello and orchestra | |
| Concertante | 36 | 195 | 1874 | Romance en fa majeur | Romance in F major | for horn (or cello) and orchestra | |
| Concertante | 48 | 196 | 1874 | Romance en ut majeur | Romance in C major | for violin and orchestra | |
| Concertante | 44 | 197 | 1875 | Concerto pour piano nº 4 en ut mineur | Piano Concerto No. 4 in C minor | for piano and orchestra | |
| Concertante | — | | c. 1878 | Cadences pour le concerto en sol de Beethoven | Cadenzas for Beethoven's Piano Concerto No. 4 | for piano | |
| Concertante | 61 | 198 | 1880 | Concerto pour violon nº 3 en si mineur | Violin Concerto No. 3 in B minor | for violin and orchestra | |
| Concertante | 62 | | 1880 | Morceau de concert en mi mineur | Concert Piece in E minor | for violin and orchestra | |
| Concertante | 67 | 189 | 1885 | Romance en mi majeur | Romance in E major | for horn (or cello) and orchestra | also for horn (or cello) and piano |
| Concertante | 70 | 37 | 1884 | Allegro appassionato en ut dièse mineur | Allegro appassionato in C♯ minor | for piano and orchestra | also for piano solo |
| Concertante | 73 | | 1884 | Rhapsodie d'Auvergne en ut majeur | Rhapsody of the Auvergne in C Major | for piano and orchestra | also for piano solo |
| Concertante | 76 | 124 | 1885 | Wedding Cake, Caprice-valse en la bémol majeur | Wedding Cake, Caprice-valse in A♭ major | for piano and orchestra | |
| Concertante | 83 | 202 | 1887 | Havanaise en mi majeur | Havanaise in E major | for violin and orchestra | |
| Concertante | 94 | | 1887 | Morceau de concert en fa mineur | Concert Piece in F minor | for horn and orchestra | |
| Concertante | 89 | 204 | 1891 | Africa en sol mineur | Africa in G minor | for piano and orchestra | Also for piano solo |
| Concertante | 103 | 205 | 1896 | Concerto pour piano nº 5 "L'Égyptien" en fa majeur | Piano Concerto No. 5 "Egyptian" in F major | for piano and orchestra | |
| Concertante | — | | 1900 | Cadences pour le concerto de violon de Beethoven | Cadenzas for Beethoven's Violin Concerto | for violin | |
| Concertante | 119 | | 1902 | Concerto pour violoncelle nº 2 en ré mineur | Cello Concerto No. 2 in D minor | for cello and orchestra | |
| Concertante | 122 | 207 | 1904 | Caprice andalou en sol majeur | Caprice andalou in G major | for violin and orchestra | |
| Concertante | — | | 1906 | Andante extrait d'un concerto pour piano | | for violin and orchestra (or piano) | transcription of movement II from Piano Concerto No. 21, K.467 by Wolfgang Amadeus Mozart |
| Concertante | 132 | 208 | 1910 | La muse et le poète en mi mineur | La muse et le poète in E minor | for violin, cello and orchestra (or piano) | |
| Concertante | — | 281 | 1911 | Cadences pour le concerto en mi bémol de Mozart | Cadenzas for Mozart's Piano Concerto No. 22, K.482 | for piano | |
| Concertante | — | 279 | 1911 | Cadences pour le concerto en ut mineur de Mozart | Cadenzas for Mozart's Piano Concerto No. 24, K.491 | for piano | |
| Concertante | 154 | | 1918 | Morceau de concert en sol majeur | Concert Piece in G major | for harp and orchestra | |
| Concertante | 156 | 210 | 1919 | Cyprès et lauriers en ré mineur | | for organ and orchestra | |
| Concertante | 162 | 212 | 1920 | Odelette en ré majeur | Odelette in D major | for flute and orchestra | |
| Chamber music | — | 107 | 1851–1853 | Quatuor en mi majeur pour piano et cordes | Piano Quartet in E major | for violin, viola, cello and piano | |
| Chamber music | 14 | | 1855 | Quintette en la mineur pour piano et cordes | Piano Quintet in A minor | for 2 violins, viola, cello and piano | |
| Chamber music | — | | 1859 | Caprice brillant en si mineur | Caprice brillant in B minor | for violin and piano | |
| Chamber music | 16 | 112 | 1862 | Suite PréludeSérénadeScherzoRomanceFinale | Suite PréludeSérénadeScherzoRomanceFinale | for cello and piano | also a version for cello and orchestra |
| Chamber music | 18 | | 1863 | Trio nº 1 en fa majeur pour piano, violon et violoncelle | Piano Trio No. 1 in F major | for violin, cello and piano | |
| Chamber music | 15 | 114 | 1865 | Sérénade en mi bémol majeur | Sérénade in E♭ major | for piano, organ, violin, and viola or cello | |
| Chamber music | 27 | | 1868 | Romance | Romance in B♭ major | for violin, piano and organ | |
| Chamber music | — | | 1869 | Marche religieuse de Lohengrin | | for violin, harmonium and piano | transcription from the opera Lohengrin by Richard Wagner |
| Chamber music | — | | c. 1870 | Les odeurs de Paris | | for chamber ensemble | |
| Chamber music | 38 | | 1871 | Berceuse en si bémol majeur | Berceuse in B♭ major | for violin and piano | |
| Chamber music | 32 | | 1872 | Sonate pour violoncelle nº 1 en ut mineur | Cello Sonata No. 1 in C minor | for cello and piano | |
| Chamber music | 41 | | 1875 | Quatuor en si bémol majeur pour piano et cordes | Piano Quartet in B♭ major | for violin, viola, cello and piano | |
| Chamber music | 43 | 194 | 1875 | Allegro appassionato en si mineur | Allegro appassionato in B minor | for cello and piano (or orchestra) | version with orchestra, R 119 |
| Chamber music | — | | 1875 | Orphée, Poème symphonique | | for violin, cello and piano | transcription of the symphonic poem Orpheus, S.98 (1853–1854) by Franz Liszt |
| Chamber music | 51 | | 1877 | Romance en ré majeur | Romance in D major | for cello and piano | |
| Chamber music | 65 | 122 | 1881 | Septuor en mi bémol majeur | Septet in E♭ major | for trumpet, 2 violins, viola, cello, double bass and piano | |
| Chamber music | 67 | | 1885 | Romance en mi majeur | Romance in E major | for horn (or cello) and piano | also for horn (or cello) and orchestra |
| Chamber music | 75 | 123 | 1885 | Sonate pour violon nº 1 en ré mineur | Violin Sonata No. 1 in D minor | for violin and piano | |
| Chamber music | — | 125 | 1886 | Le carnaval des animaux, grande fantaisie zoologique | The Carnival of the Animals (Le cygne) | for 2 pianos, 2 violins, viola, cello, double bass, flute (also piccolo), clarinet, glass harmonica and xylophone | |
| Chamber music | 79 | 126 | 1887 | Caprice sur des airs danois et russes | | for flute, oboe, clarinet and piano | |
| Chamber music | 91 | 127 | 1892 | Chant saphique | | for cello and piano | |
| Chamber music | 92 | 129 | 1892 | Trio nº 2 en mi mineur pour piano, violon et violoncelle | Piano Trio No. 2 in E minor | for violin, cello and piano | |
| Chamber music | 95 | | 1893 | Fantaisie | Fantaisie | for harp | in A minor |
| Chamber music | 102 | 130 | 1896 | Sonate pour violon nº 2 en mi bémol majeur | Violin Sonata No. 2 in E♭ major | for violin and piano | |
| Chamber music | 108 | | 1897 | Barcarolle en fa majeur | Barcarolle in F major | for violin, cello, harmonium and piano | |
| Chamber music | — | | 1897 | Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy | | for violin and piano | transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for piano solo |
| Chamber music | 112 | | 1899 | Quatuor à cordes nº 1 en mi mineur | String Quartet No. 1 in E minor | for 2 violins, viola and cello | |
| Chamber music | 123 | 135 | 1905 | Sonate pour violoncelle nº 2 en fa majeur | Cello Sonata No. 2 in F major | for cello and piano | |
| Chamber music | 124 | | 1907 | Fantaisie | Fantaisie | for violin and harp | |
| Chamber music | 136 | | 1912 | Triptyque PrémiceVision congolaiseJoyeuseté | Triptyque | for violin and piano | |
| Chamber music | 143 | | 1915 | Élégie | Élégie [No. 1] | for violin and piano | |
| Chamber music | 144 | 140 | 1915 | Cavatine en ré bémol majeur | Cavatine in D♭ major | for trombone and piano | |
| Chamber music | — | | c. 1918 | L'air de la pendule | | for violin and piano | |
| Chamber music | 153 | | 1918 | Quatuor à cordes nº 2 en sol majeur | String Quartet No. 2 in G major | for 2 violins, viola and cello | |
| Chamber music | 158 | 143 | 1919 | Prière | | for cello (or violin) and organ | version for violin, R 144 |
| Chamber music | 160 | 145 | 1920 | Élégie | Élégie [No. 2] | for violin and piano | |
| Chamber music | 166 | 146 | 1921 | Sonate pour hautbois en ré majeur | Oboe Sonata in D major | for oboe and piano | |
| Chamber music | 167 | 147 | 1921 | Sonate pour clarinette en mi bémol majeur | Clarinet Sonata in E♭ major | for clarinet and piano | |
| Chamber music | 168 | 148 | 1921 | Sonate pour basson en sol majeur | Bassoon Sonata in G major | for bassoon and piano | |
| Chamber music | — | 108 | 1853 | Adagio en mi bémol majeur | Adagio in E♭ major | for horn and organ | |
| Chamber music | — | | | Gavotte | Gavotte | for cello and piano or orchestra | |
| Keyboard | 1 | | 1852 | Trois morceaux | 3 Pieces | for harmonium | |
| Keyboard | 8 | 110 | 1858 | Six Duos | 6 Duets | for harmonium and piano | |
| Keyboard: organ | — | | c. 1853 | Deux pièces | 2 Pieces | for organ | |
| Keyboard: organ | — | 78 | 1857 | Fantaisie en mi bémol majeur | Fantaisie in E♭ major | for organ | |
| Keyboard: organ | 9 | 80 | 1859 | Bénédiction nuptiale | Bénédiction nuptiale in F major | for organ | |
| Keyboard: organ | — | | 1863 | La prédication aux oiseaux, St François d'Assise, Légende | | for organ | transcription of the first St. Francis Legend, S. 175 No. 1 by Franz Liszt |
| Keyboard: organ | 13 | 80 | 1865 | Élévation, ou communion | Élévation, or Communion in E major | for organ or harmonium | |
| Keyboard: organ | 7 | 87 | 1866 | 3 Rhapsodies sur des cantiques bretons, Pélérinage au pardon de Sainte Anne-la-Palud | | for organ | orchestrated in 1891 as Rhapsodie bretonne, Op. 7b |
| Keyboard: organ | 99 | | 1894 | Trois préludes et fugues Prélude et fugue en mi majeurPrélude et fugue en si majeurPrélude et fugue en mi bémol majeur | 3 Préludes and Fugues Prélude and Fugue in E majorPrélude and Fugue in B majorPrélude and Fugue in E♭ major | for organ | |
| Keyboard: organ | 101 | | 1895 | Fantaisie nº 2 en ré bémol majeur | Fantaisie No. 2 in D♭ major | for organ | |
| Keyboard: organ | 107 | 96 | 1897 | Marche religieuse en fa majeur | | for organ | |
| Keyboard: organ | 109 | | 1898 | Trois préludes et fugues Prélude et fugue en ré mineurPrélude et fugue en sol majeurPrélude et fugue en ut majeur | 3 Préludes and Fugues Prélude and Fugue in D minorPrélude and Fugue in G majorPrélude and Fugue in C major | for organ | |
| Keyboard: organ | 150 | 100 | 1916–1917 | Sept improvisations | 7 Improvisations | for organ | |
| Keyboard: organ | 157 | | 1919 | Fantaisie nº 3 en ut majeur | Fantaisie No. 3 in C major | for organ | |
| Keyboard: organ | — | | | Cinq morceaux | 5 Pieces | for organ or harmonium | |
| Keyboard: organ | — | | | Morceau | | for organ | |
| Keyboard: organ | — | | | Prélude en fa majeur | Prélude in F major | for organ | |
| Keyboard: piano | 135 | 54 | 1912 | Six Études pour la main gauche seule PréludeAlla fugaMoto perpetuoBourréeÉlégieGigue | 6 Études for the Left Hand PréludeAlla fugueMoto perpetuoBourréeÉlégieGigue | for piano left hand | |
| Keyboard: piano | — | | c. 1850 | Variations sur le chœur de Judas Macchabée | Variations on the Chorus from Judas Maccabaeus | for piano 4-hands | theme: "See, the Conqu'ring Hero Comes!", Act III chorus from the oratorio Judas Maccabaeus, HWV 63 by George Frideric Handel |
| Keyboard: piano | 11 | | 1855 | Duettino | Duettino in G major | for piano 4-hands | |
| Keyboard: piano | 59 | | 1880 | König Harald Harfagar | König Harald Harfagar | for piano 4-hands | |
| Keyboard: piano | 81 | 61 | 1887 | Feuillet d'album | | for piano 4-hands | |
| Keyboard: piano | 86 | 150 | 1887 | Pas redoublé en si bémol majeur | | for piano 4-hands | |
| Keyboard: piano | 105 | 63 | 1896 | Berceuse en mi majeur | Berceuse in E major | for piano 4-hands | |
| Keyboard: piano | 125 | | 1908 | Sur les bords du Nil, Marche militaire | | for piano 4-hands | original for military band |
| Keyboard: piano | 152 | | 1918 | Vers la victoire, Pas redoublé pour musique militaire | | for piano 4-hands | original: two-step for military band; arrangement by the composer |
| Keyboard: piano | 155 | 64 | 1918 | Marche interalliée | | for piano 4-hands | original for military band; arrangement by the composer |
| Keyboard: piano | 163 | 65 | 1921 | Marche dédiée aux étudiants d'Alger | | for piano 4-hands with chorus ad libitum | |
| Keyboard: piano | 8b | 70 | 1858, 1897 | Duo | Duo | for 2 pianos | after the 6 Duets for harmonium and piano |
| Keyboard: piano | 35 | 66 | 1874 | Variations sur un thème de Beethoven | Variations on a Theme of Beethoven in E♭ major | for 2 pianos | theme: Trio from movement III, Menuetto, of Ludwig van Beethoven's Piano Sonata No. 18, Op. 31 No. 3 (1802) |
| Keyboard: piano | 96 | 69 | 1884 | Caprice arabe | | for 2 pianos | |
| Keyboard: piano | — | | 1884 | Lenore, poème symphonique pour orchestre d'après la Ballade de Bürger | Lenore, Symphonic Poem after the Ballade de Bürger | for 2 pianos | transcription of the symphonic poem by Henri Duparc |
| Keyboard: piano | 77 | 67 | 1885 | Polonaise en fa mineur | Polonaise in F minor | for 2 pianos | |
| Keyboard: piano | 87 | 68 | 1889 | Scherzo | | for 2 pianos | |
| Keyboard: piano | 106 | 71 | 1898 | Caprice héroïque | | for 2 pianos | |
| Keyboard: piano | — | | 1907 | Sonate en si bémol mineur de Frédéric Chopin, Op. 35 | Sonata in B♭ Minor by Frédéric Chopin, Op. 35 | for 2 pianos | transcription |
| Keyboard: piano | — | | 1914 | Sonate en si mineur de Franz Liszt | Sonata in B Minor by Franz Liszt | for 2 pianos | transcription |
| Keyboard: piano | — | 7 | 1841 | Andante en sol majeur | Andante in G major | for piano | |
| Keyboard: piano | — | 15 | 1842 | Allegretto en mi bémol majeur | Allegretto in E♭ major | for piano | |
| Keyboard: piano | — | | c. 1843 | Valse | Waltz | for piano | |
| Keyboard: piano | 3 | 25 | 1855 | Six bagatelles | 6 Bagatelles | for piano | |
| Keyboard: piano | — | | 1858 | Scherzo du Songe d'une nuit d'été de Mendelssohn | Scherzo from "A Midsummer Night's Dream" by Mendelssohn | for piano | transcription from A Midsummer Night's Dream by Felix Mendelssohn |
| Keyboard: piano | — | | 1858–1859 | Trois transcriptions de quatuors de Beethoven Adagio du 6$^{me}$ quatuorScherzo du 7$^{me}$ quatuorFinale du 9$^{me}$ quatuor | 3 Transcriptions from String Quartets by BeethovenAdagio from String Quartet No. 6, Op. 18 No. 6Scherzo from String Quartet No. 7, Op. 59 No. 1Finale from String Quartet No. 9, Op. 59 No. 3 | for piano | transcription of string quartet movements by Ludwig van Beethoven |
| Keyboard: piano | — | | c. 1861 | Adagio de la 3$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Air de la 36$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Andante de la 3$^e$ Sonate de Violon | | for piano | transcription from Sonata for Violin No. 2, BWV 1003 by Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Andantino de la 8$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Bourrée de la 2$^e$ Sonate de Violon | | for piano | transcription of Tempo di Borea from Partita for Violin No. 1, BWV 1002 by Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Chœur de la 30$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Fugue de la 5$^e$ Sonate de Violon | | for piano | transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Gavotte de la 6$^e$ Sonate de Violon | | for piano | transcription of Gavotte en rondeau from Partita for Violin No. 3, BWV 1006 by Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Introduction et air de al 15$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Largo de la 5$^e$ Sonate de Violon | | for piano | transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Ouverture de la 28$^e$ cantate d'église [sic] | | for piano | transcription from Cantata No. 29, BWV 29 after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Presto de la 35$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | c. 1861 | Récitativ et air de la 30$^e$ cantate d'église | | for piano | transcription after Johann Sebastian Bach |
| Keyboard: piano | — | | 1862 | Kermesse et valse de Faust, opéra de C. Gounod | | for piano | transcription from the opera Faust by Charles Gounod |
| Keyboard: piano | 21 | | 1862 | Mazurka nº 1 en sol mineur | Mazurka No. 1 in G minor | for piano | |
| Keyboard: piano | — | | 1867 | Caprice sur les airs de ballet d'Alceste de Gluck | | for piano | transcription after the opera Alceste by Christoph Willibald Gluck |
| Keyboard: piano | — | | 1867 | Menuet d'Orphée | | for piano | transcription from the opera Orphée et Eurydice by Christoph Willibald Gluck |
| Keyboard: piano | — | | 1869 | Andante de la 36$^{me}$ symphonie d'Haydn | | for piano | transcription from Symphony No. 36 by Joseph Haydn |
| Keyboard: piano | — | | 1869 | Chœur des Derviches Tourneurs tiré des Ruines d'Athèns de Beethoven | Dervish Chorus from The Ruins of Athens | for piano | transcription of the chorus from The Ruins of Athens, Op. 113 by Ludwig van Beethoven |
| Keyboard: piano | — | | 1869 | Paraphrase sur Mandolinata de E. Paladilhe | Mandolinata | for piano | transcription of the song by Émile Paladilhe |
| Keyboard: piano | — | | 1870 | Improvisation sur la Beethoven-Cantate de F. Liszt | Improvisation on the Beethoven Cantata by Franz Liszt | for piano | transcription after Franz Liszt |
| Keyboard: piano | 23 | 31 | 1871 | Gavotte en ut mineur | Gavotte in C minor | for piano | |
| Keyboard: piano | 24 | | 1871 | Mazurka nº 2 en sol mineur | Mazurka No. 2 in G minor | for piano | |
| Keyboard: piano | — | | 1871 | Paraphrase sur la Isleña (Havanaise), mélodie de Paladilhe | La Isleña (Havanaise) | for piano | transcription of the song by Émile Paladilhe |
| Keyboard: piano | — | | 1871 | Romance sans paroles en si mineur | Romance sans paroles in B minor | for piano | |
| Keyboard: piano | — | | 1872 | Chant du soir (Abendlied) | Evening Song | for piano | transcription for piano, 2-hands, of the original Abendlied for piano 4-hands, Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for orchestra |
| Keyboard: piano | 70 | 200 | 1884 | Allegro appassionato en ut dièse mineur | Allegro appassionato in C♯ minor | for piano | also for piano with orchestra ad libitum |
| Keyboard: piano | — | | 1875 | Paraphrase sur Gallia, Cantate de C. Gounod | | for piano | transcription of the 1871 oratorio by Charles Gounod |
| Keyboard: piano | 52 | 35 | 1877 | Six Études PréludePour l'indépendence des doigtsPrélude et fugue en fa mineurÉtude de rythmePrélude et fugue en la majeurEn forme de valse | 6 Études PréludePour l'indépendence des doigtsPrélude et fugue in F minorÉtude de rythmePrélude et fugue in A majorEn forme de valse | for piano | |
| Keyboard: piano | 56 | 34 | 1872 | Menuet et valse | Menuet and Waltz | for piano | |
| Keyboard: piano | — | | 1880 | Andante de la 94$^{me}$ symphonie "La surprise" d'Haydn | | for piano | transcription of movement II from Symphony No. 94 by Joseph Haydn |
| Keyboard: piano | 66 | | 1882 | Mazurka nº 3 en si mineur | Mazurka No. 3 in B minor | for piano | |
| Keyboard: piano | 72 | | 1884 | Album PréludeCarillonToccataValseChanson napolitaineFinale | Album | for piano | |
| Keyboard: piano | — | | 1884 | Andantino | Andantino | for piano | |
| Keyboard: piano | — | | 1884 | Chanson des Maucroix de J. Durand | | for piano | transcription of the song by Jacques Durand |
| Keyboard: piano | 73 | 201 | 1884 | Rhapsodie d'Auvergne en ut majeur | | for piano | also for piano and orchestra; recorded by the composer for Welte-Mignon, 13 December 1905 |
| Keyboard: piano | — | | 1885 | Improvisation | Improvisation | for piano | |
| Keyboard: piano | 80 | 40 | 1887 | Souvenir d'Italie en sol majeur | | for piano | |
| Keyboard: piano | 85 | 42 | 1889 | Les cloches du soir en la bémol majeur | | for piano | |
| Keyboard: piano | 88 | 43 | 1890 | Valse canariote en la mineur | Valse canariote in A minor | for piano | |
| Keyboard: piano | 90 | | 1891 | Suite en fa majeur Prélude et fugueMenuetGavotteGigue | Suite in F major Prélude and FugueMenuetGavotteGigue | for piano | |
| Keyboard: piano | 97 | 45 | 1894 | Thème varié | Theme and Variations | for piano | |
| Keyboard: piano | — | | 1895 | La mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet | The Death of Thaïs, Concert paraphrase | for piano | transcription after the opera Thaïs by Jules Massenet |
| Keyboard: piano | 100 | | 1895 | Souvenir d'Ismaïlia | | for piano | |
| Keyboard: piano | 104 | 47 | 1896 | Valse mignonne en mi bémol majeur | | for piano | |
| Keyboard: piano | — | | 1897 | Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy | | for piano | transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for violin and piano |
| Keyboard: piano | — | | c. 1898 | Quatre morceaux | 4 Pieces | for piano | |
| Keyboard: piano | 110 | 48 | 1898 | Valse nonchalante en ré bémol majeur | | for piano | |
| Keyboard: piano | — | | 1899 | Deux fantaisies écrites pour le luth par D. Luis Milan de Valence (Compositeur espagnol du XVI$^e$ siècle) | | for piano | transcription after Luis de Milán |
| Keyboard: piano | 111 | 49 | 1899 | Six Études Tierces majeures et mineuresTraits chromatiquesPrélude et fugue en mi bémol mineurLes cloches de Las PalmasTierces majeures chromatiquesToccata (d'après le cinquième concerto) | 6 Études | for piano | |
| Keyboard: piano | 120 | 51 | 1903 | Valse langoureuse | | for piano | |
| Keyboard: piano | — | | 1909 | Feuillet d'album | Album Leaf | for piano | |
| Keyboard: piano | 139 | 55 | 1912 | Valse gaie | | for piano | |
| Keyboard: piano | 161 | | 1920 | Six Fugues | 6 Fugues | for piano | |
| Keyboard: piano | 169 | 58 | 1921 | Feuillet d'album | Album Leaf | for piano | |
| Choral: sacred | — | | c. 1851 | Moïse sauvé des eaux | | | Oratorio; words by Victor Hugo |
| Choral: sacred | 4 | | 1855 | Messe | Mass | for 4 solo voices, chorus, orchestra and organ | |
| Choral: sacred | 5 | | 1856 | Tantum ergo | Tantum ergo | for chorus and organ | |
| Choral: sacred | 12 | | 1858 | Oratorio de Noël | | for solo voices, chorus, string quartet, harp and organ | Oratorio |
| Choral: sacred | — | | 1858 | Veni creator en ut majeur | Veni creator in C major | for chorus with organ ad libitum | |
| Choral: sacred | — | | c. 1860 | Ô Saint Autel, Cantique en ré majeur | | for 3 altos, chorus and piano | Canticle |
| Choral: sacred | — | | c. 1860 | Pour vous bénir, Signeur, Cantique en mi majeur | | for 3 altos, chorus and piano | Canticle; words by A. Cuinet |
| Choral: sacred | 42 | | 1865 | Cœli enarrant (Psaume XVIII) | Cœli enarrant (Psalm 18) | for solo voices, chorus and orchestra | |
| Choral: sacred | 45 | | 1875 | Le déluge | The Flood | for solo voices, chorus and orchestra | Oratorio; words by Louis Gallet |
| Choral: sacred | 54 | | 1878 | Requiem | Requiem | for solo voices, chorus and orchestra | |
| Choral: sacred | — | | 1904 | Offertoire pour la Toussaint en fa majeur | | for chorus, organ with cello and double bass ad libitum | first version |
| Choral: sacred | — | | 1904, 1913 | Offertoire pour la Toussaint en fa majeur | | for chorus and orchestra | second version 1913 |
| Choral: sacred | 127 | | c. 1908 | Psaume CL "Laudate Dominum" | Psalm 150 "Praise Ye the Lord" | for double mixed chorus, orchestra and organ | |
| Choral: sacred | 140 | | 1913 | La terre promise | The Promised Land | for vocal soloists, chorus and orchestra | Oratorio in 3 parts; words by Hermann Klein |
| Choral: sacred | 145 | | 1914 | Ave Maria | Ave Maria | for mixed chorus a cappella | |
| Choral: sacred | 147 | | 1914 | Tu es Petrus | Tu es Petrus | for male chorus and organ | |
| Choral: sacred | 148 | | 1915 | Quam Dilecta | Quam Dilecta, Motet | for mixed chorus and organ with harp ad libitum | |
| Choral: sacred | 149 | | 1916 | Laudate Dominum | Laudate Dominum | for mixed chorus a cappella | |
| Choral: sacred | — | | | Ave verum en ré majeur | Ave verum in D major | for female chorus, organ and horn obbligato | |
| Choral: sacred | — | | | Neuf chants religieux latins | 9 Sacred Latin Chants | | |
| Choral: sacred | — | | | Psaume CXXXVI "Super flumina Babylonis" | Psalm 136 "Super flumina Babylonis" | for chorus | |
| Choral: sacred | — | | | Six chœurs religieux | 6 Sacred Choruses | | |
| Choral | — | | c. 1848 | Imogine | | | Cantata |
| Choral | — | | c. 1848 | Les Israëlites sur la montagne d'Oreb | | | Oratorio; fragment |
| Choral | — | | c. 1848 | Télésille | | | Cantata; words by Amable Tastu |
| Choral | — | | c. 1849 | Cantate | Cantata | | words by Amable Tastu |
| Choral | — | | c. 1850 | La rose | | | |
| Choral | — | | 1852 | Le Retour de Virginie, Cantate | | for 3 voices and orchestra | |
| Choral | — | | 1852 | Les cloches | | | Symphonic ode |
| Choral | — | | 1852 | Fugue et chœur | Fugue and Chorus | | |
| Choral | — | | 1852 | Ode à Sainte-Cécile | | for vocal soloists, chorus and orchestra | |
| Choral | — | | 1857 | La toilette de la marquise de Présalé | | | |
| Choral | — | | 1858 | Macbeth | Macbeth | for chorus and orchestra | |
| Choral | 19 | | 1867 | Les noces de Prométhée | | for narrator, soprano, baritone, double mixed chorus and orchestra | libretto by Romain Cornut |
| Choral | — | | 1867 | Sérénade d'hiver | | for male chorus | words by Henri Cazalis |
| Choral | — | | 1875 | La nuage | | | |
| Choral | 46 | | 1876 | Les soldats de Gédéon | | for male chorus | words by Louis Gallet |
| Choral | 53 | | 1878 | L'art d'être grand-père, Deux chœurs Chanson de grand-pèreChanson d'ancêtre | | 1. for female chorus and orchestra 2. for baritone, male chorus and orchestra | words by Victor Hugo |
| Choral | 57 | | 1879 | La lyre et la harpe | | for solo voices, chorus and orchestra | words by Victor Hugo |
| Choral | 69 | | 1881 | Hymne à Victor Hugo | Hymn to Victor Hugo | for orchestra with chorus ad libitum | |
| Choral | 68 | | 1882 | Deux chœurs Calme des nuitsLes fleurs et les arbres | 2 Choruses | for mixed chorus with piano ad libitum | |
| Choral | 71 | | 1884 | Deux chœurs Les marins de KermorLes titans | 2 Choruses | for chorus a cappella | words by Théobald Saint-Félix |
| Choral | 74 | | 1885 | Saltarelle | Saltarelle | for male chorus | words by Émile Deschamps |
| Choral | 84 | | 1888 | Les guerriers | | for male chorus | words by Georges Audigier |
| Choral | 26b | | 1891 | Nuit persane La solitaireLa vallée de l'unionFleurs de sangSonge d'opium | | for tenor, alto, narrator, mixed chorus and orchestra | words by Armand Renaud (1836–1895) |
| Choral | 113 | | 1899 | Chants d'automne | | for male chorus a cappella | words by S. Sicard |
| Choral | 114 | | 1900 | La nuit | | for soprano, female chorus and orchestra | words by Georges Audigier |
| Choral | 115 | | 1900 | Le feu céleste | | for narrator, soprano, chorus, orchestra and organ | words by Armand Silvestre |
| Choral | 121 | | 1903 | À la France | | for male chorus with mixed chorus ad libitum | words by Jules Combarieu (1859–1916) |
| Choral | — | | 1905 | Ode d'Horace | | for male chorus a cappella | |
| Choral | 126 | | 1906 | La gloire de Corneille | | for soloists, chorus and orchestra | Cantata; words by Sébastien-Charles Leconte (1860–1934) and Pierre Corneille |
| Choral | 129 | | 1909 | Le matin | | for male chorus a cappella | words by Alphonse de Lamartine |
| Choral | 131 | | 1911 | La gloire | | for tenor, baritone, mixed chorus and piano | words by Lucien Augé de Lassus |
| Choral | 134 | | 1912 | Aux aviateurs | | for male chorus | words by Jean Bonnerot |
| Choral | 137 | | 1912 | Aux mineurs | | for male chorus | words by Jean Bonnerot |
| Choral | 138 | | 1912 | Hymne au printemps | | for male chorus | words by Jean Bonnerot |
| Choral | 141 | | 1913 | Deux chœurs Des pas dans l'allée: MadrigalTrinquons: Chanson à boire | 2 Choruses | for mixed chorus a cappella | 1. words by Maurice Boukay 2. words by Pierre-Jean de Béranger |
| Choral | 142 | | 1914 | Hymne au travail | | for male chorus | words by Jean Bonnerot |
| Choral | 151 | | 1917 | Trois chœurs Chansons des aiguillesSalut au chevalierLe sourire | 3 Choruses | for female chorus and piano | 1. words by Jean Bonnerot 2. words by Paul Fournier 3. words by Jean Mirval |
| Choral | — | | 1920 | Hymne à Jeanne d'Arc | | for chorus and organ | |
| Choral | 164 | | — | Aux conquérants de l'air | | for chorus of 2 equal voices and piano | |
| Choral | 165 | | — | Le printemps | | for chorus of 2 equal voices and piano | words by Jean de La Fontaine |
| Choral | — | | — | Canon | | for female chorus a cappella | |
| Vocal: sacred | — | | c. 1844 | À Saint Joseph, Cantique | | | Canticle |
| Vocal: sacred | — | | c. 1844 | Dans ce beau moi, Cantique | | | Canticle |
| Vocal: sacred | — | | c. 1844 | Nous qu'en ces lieux, Cantique | | | Canticle |
| Vocal: sacred | — | | c. 1844 | Reçois mes hommages, Cantique | | | Canticle |
| Vocal: sacred | — | | c. 1855 | La madonna col bambino, Cantique en fa majeur | | for alto and piano | Canticle; words by St. Alfonso di Liguori |
| Vocal: sacred | — | | 1858 | O salutaris en si bémol majeur | O salutaris in B♭ major | for soprano, alto, baritone and organ | |
| Vocal: sacred | — | | c. 1859 | Ave Maria en si bémol majeur | Ave Maria in B♭ major | for soprano and organ | |
| Vocal: sacred | — | | c. 1859 | Ave Maria en mi majeur | Ave Maria in E major | for baritone and organ | |
| Vocal: sacred | — | | c. 1860 | Ave Maria en la majeur | Ave Maria in A major | for 2 altos and organ | |
| Vocal: sacred | — | | c. 1860 | Ave verum en si bémol majeur | Ave verum in B♭ major | for soprano, alto, tenor, bass and organ | |
| Vocal: sacred | — | | c. 1860 | Heureux qui du cœur de Marie, Cantique en la majeur | | for alto (or chorus) and piano | Canticle |
| Vocal: sacred | — | | c. 1860 | O salutaris en la majeur | O salutaris in A major | for alto and organ | |
| Vocal: sacred | — | | c. 1860 | Reine des cieux, Cantique en la bémol majeur | | for alto (or chorus) and piano | Canticle |
| Vocal: sacred | — | | c. 1860 | Sub tuum en fa mineur | Sub tuum in F minor | for soprano, alto and organ | |
| Vocal: sacred | — | | c. 1860 | Tantum ergo en mi bémol majeur | Tantum ergo in E♭ major | for 2 sopranos, alto and organ with chorus ad libitum | |
| Vocal: sacred | — | | c. 1863 | Ave verum en si mineur | Ave verum in B minor | for soprano, alto and organ | |
| Vocal: sacred | — | | 1865 | Ave Maria en la majeur | Ave Maria in A major | for soprano or tenor and organ | |
| Vocal: sacred | — | | 1865 | Inviolata en ré majeur | Inviolata in D major | for alto and organ | |
| Vocal: sacred | — | | 1869 | O salutaris en la bémol majeur | O salutaris in A♭ major | for soprano, alto, baritone and organ | |
| Vocal: sacred | — | | 1875 | O salutaris en mi bémol majeur | O salutaris in E♭ major | for soprano and organ | |
| Vocal: sacred | — | | 1884 | O salutaris en mi majeur | O salutaris in E major | for tenor, baritone and organ | |
| Vocal: sacred | — | | 1884 | O salutaris en mi bémol majeur | O salutaris in E♭ major | for alto and organ | |
| Vocal: sacred | — | | 1885 | Deus Abraham en fa majeur | Deus Abraham in F major | for alto and organ | |
| Vocal: sacred | — | | 1885 | Pie Jesu en ut mineur | Pie Jesu in C minor | for bass and organ | |
| Vocal: sacred | — | | 1898 | Panis angelicus en fa majeur | Panis angelicus in F major | for tenor or soprano, string quartet or organ | |
| Vocal: sacred | — | | 1917 | Litanies à la Sainte Vierge | | for voice and organ | |
| Vocal | — | | | Les heures | | for narrator and piano | |
| Vocal | — | | 1841 | Ariel | | for voice and piano | |
| Vocal | — | | 1841 | Le soir | | for voice and piano | words by Marceline Desbordes-Valmore |
| Vocal | — | | c. 1841 | La maman | | for voice and piano | words by Amable Tastu |
| Vocal | — | | 1844 | Tandis que sur vos ans | | for voice and piano | |
| Vocal | — | | c. 1847 | La Golfe de Baya | | for voice and piano | words by Alphonse de Lamartine |
| Vocal | — | | 1849 | Télésille | | for voice and piano | words by Amable Tastu |
| Vocal | — | | 1850 | Bergeronnette | | for voice and piano | words by J. Lombard |
| Vocal | — | | 1850 | Lamento | | for voice and piano | words by Théophile Gautier |
| Vocal | — | | 1850 | Le lac | | for voice and piano | words by Alphonse de Lamartine |
| Vocal | — | | 1851 | Guitare | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1851 | Le poète mourant | | for voice and piano | words by Alphonse de Lamartine |
| Vocal | — | | 1851 | Le rendezvous | | for voice and piano | words by Eugène Fiéffé |
| Vocal | — | | 1851 | Rêverie | | for voice and orchestra | words by Victor Hugo |
| Vocal | — | | 1852 | Idylle | | for voice and piano | words by Deschoulières |
| Vocal | — | | c. 1852 | L'automne | | for voice and piano | words by Alphonse de Lamartine |
| Vocal | — | | 1852 | Le pas d'armes du Roi Jean | | for voice and orchestra | words by Victor Hugo |
| Vocal | — | | 1852 | Mélodie | | for voice and orchestra | words by Alphonse de Lamartine |
| Vocal | — | | 1853 | Le feuille de peuplier | | for voice and orchestra | words by Amable Tastu |
| Vocal | — | | 1854 | Ruhethal | | for voice and piano | words by Ludwig Uhland |
| Vocal | — | | c. 1854 | La chasse du burgrave | | for voice and piano | lost |
| Vocal | — | | c. 1854 | La porta dell'inferno | | for voice and piano | words by Dante |
| Vocal | — | | c. 1855 | La cloche | | for voice and piano | words by Victor Hugo |
| Vocal | — | | c. 1855 | L'attente | | for voice and orchestra | words by Victor Hugo |
| Vocal | — | | 1855 | Le lever de la lune | | for voice and piano | words by Ossian |
| Vocal | — | | 1855 | Le sommeil des fleurs | | for voice and piano | words by G. de Penmarch |
| Vocal | — | | 1855 | Pastorale, Duettino | | for 2 voices and piano | words by Destouches |
| Vocal | — | | c. 1855 | Plainte | | for voice and orchestra | words by Amable Tastu |
| Vocal | — | | c. 1855 | Viens! | | for soprano, baritone and piano | words by Victor Hugo |
| Vocal | — | | 1856 | À la lune | | for voice and piano | |
| Vocal | — | | c. 1857 | La mort d'Ophélie, Ballade | | for voice and piano | words by Ernest Legouvé after William Shakespeare |
| Vocal | — | | 1857 | Le soir descend sur la colline, Barcarolle | | for alto, tenor and piano | |
| Vocal | — | | c. 1858 | Pourquoi t'exiler | | for voice and piano | |
| Vocal | — | | c. 1858 | Souvenances | | for voice and piano | words by Ferdinand Lemaire |
| Vocal | — | | c. 1860 | Alla riva del Tebro | | for voice and piano | |
| Vocal | — | | c. 1860 | Étoile du matin | | for soprano or tenor and piano | words by Camille Distel |
| Vocal | — | | c. 1860 | Extase | | for voice and piano | words by Victor Hugo |
| Vocal | 10 | | 1860 | Scène d'Horace | | for soprano, baritone and orchestra | words by Pierre Corneille |
| Vocal | — | | 1862 | Soirée en mer | | for voice and piano | words by Victor Hugo |
| Vocal | — | | c. 1863 | Canzonetta toscana | | for voice and piano | |
| Vocal | — | | c. 1864 | Le matin | | for voice and piano | words by Victor Hugo |
| Vocal | — | | c. 1865 | Claire de lune | | for voice and piano | words by Catulle Mendès |
| Vocal | — | | 1865 | Heures passées | | for voice and piano | words by A. Lenfaut |
| Vocal | — | | 1865 | L'enlèvement | | for voice and orchestra | words by Victor Hugo |
| Vocal | — | | 1868 | Le chant de ceux qui s'en vont sur la mer | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1868 | La coccinelle | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1868 | Maria-Lucrezia | | for voice and piano | words by Ernest Legouvé |
| Vocal | — | | c. 1868 | Tristesse | | for voice and piano | words by Ferdinand Lemaire |
| Vocal | — | | c. 1869 | À quoi bon attendre | | for voice and piano | words by Victor Hugo |
| Vocal | — | | c. 1869 | Marquise, vous souvenez-vous?, Menuet | | for mezzo-soprano or baritone and piano | words by François Coppée |
| Vocal | 26 | | 1870 | Mélodies persanes La briseLa splendeur videLa solitaireSabre en mainAu cimetièreTournoiement (Songe d'opium) | | for voice and piano | words by Armand Renaud (1836–1895) |
| Vocal | — | | 1870 | Si vous n'avez rien à me dire | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1871 | A Voice by the Cedar Tree | A Voice by the Cedar Tree | for voice and piano | words by Alfred, Lord Tennyson |
| Vocal | — | | 1871 | Désir de l'Orient | | for voice and piano | words by the composer |
| Vocal | — | | 1871 | El desdichado, Bolero | | for 2 voices and orchestra | words by Jules Barbier |
| Vocal | — | | 1871 | My Land | My Land | for voice and piano | words by T. Davis |
| Vocal | — | | 1872 | Dans ton cœur | | for voice and piano | words by Henri Cazalis |
| Vocal | — | | 1872 | Danse macabre | | for voice and piano | words by Henri Cazalis |
| Vocal | — | | c. 1877 | Vogue, vogue la galère, Barcarolle | | for voice and harmonium ad libitum | words by Jean Aicard |
| Vocal | — | | 1879 | Night Song of Preciosa | Night Song of Preciosa | for voice and piano | words by Isaac Ginner |
| Vocal | — | | 1880 | Dans les coins bleus | | for voice and piano | words by Charles Augustin Sainte-Beuve |
| Vocal | — | | 1885 | Chanson à boire du vieux temps | | for voice and piano | words by Nicolas Boileau-Despréaux |
| Vocal | — | | 1885 | Ronde | | for voice and piano | words by François Coppée |
| Vocal | — | | 1885 | Une flûte invisible | | for voice and flute | words by Victor Hugo |
| Vocal | 82 | | 1887 | La fiancée du timbalier | | for mezzo-soprano and orchestra | words by Victor Hugo |
| Vocal | — | | 1888 | Suzette et Suzon | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1890 | Guitares et mandolines | | for voice and piano | words by the composer |
| Vocal | — | | 1890 | Présage de la croix | | for voice and piano | words by Stéphan Bordèse |
| Vocal | — | | 1891 | Aimons-nous | | for voice and orchestra | words by Théodore de Banville |
| Vocal | — | | 1891 | Amour viril | | for voice and piano | words by Georges Boyer |
| Vocal | — | | 1892 | Là-bas | | for voice and piano | words by Jean-Louis Croze |
| Vocal | — | | 1892 | Les fées | | for voice and orchestra | words by Théodore de Banville |
| Vocal | — | | 1892 | Les fleurs | | for voice and piano | words by V. de Collerville |
| Vocal | — | | 1892 | Le rossignol | | for voice and piano | words by Théodore de Banville |
| Vocal | — | | 1892 | Madeleine | | for voice and piano | words by Alfred Tranchant |
| Vocal | — | | 1892 | Romance | | for voice and harp | words by Émile Bergerat |
| Vocal | — | | 1893 | Fière beauté | | for voice and orchestra | words by Augustin Mahot |
| Vocal | — | | 1893 | La sérénité | | for mezzo-soprano or baritone and piano | words by Marie-Anne Barbier |
| Vocal | — | | 1893 | Peut-être? | | for voice and piano | words by Jean-Louis Croze |
| Vocal | — | | 1893 | Primavera | | for mezzo-soprano or baritone and piano | words by Paul Stuart |
| Vocal | — | | 1893 | Vive Paris, vive la France | | for voice and piano | words by Alfred Tranchant |
| Vocal | — | | 1894 | La libellule | | for voice and orchestra | words by the composer |
| Vocal | 98 | | 1894 | Pallas Athéné | | for soprano and orchestra | words by Jean-Louis Croze |
| Vocal | — | | 1894 | Pourquoi rester seulette? | | for voice and piano | words by Jean-Louis Croze |
| Vocal | — | | 1896 | Vénus | | for 2 voices and piano | words by the composer |
| Vocal | — | | 1897 | Madrigal | | for voice and piano | words by Molière |
| Vocal | — | | 1898 | Alla riva del Tebro | | for voice and piano | arrangement of a madrigal by Giovanni Pierluigi da Palestrina |
| Vocal | — | | 1898 | Les vendanges | | for voice and orchestra | words by S. Sicard |
| Vocal | — | | 1898 | Lever de soleil sur le Nil | | for voice and orchestra | words by the composer |
| Vocal | — | | 1898 | Si je l'osais | | for voice and piano | words by Alfred Tranchant |
| Vocal | — | | 1898 | Sonnet | | for voice and piano | words by the composer |
| Vocal | — | | 1900 | Les cloches de la mer | | for voice and piano | words by the composer |
| Vocal | 116 | 329 | 1900 | Lola | Lola | for soprano and orchestra | words by Stéphan Bordèse |
| Vocal | — | | 1901 | Désir d'amour | | for baritone and piano | words from the Spanish, Deseo de amor, by Francisco Perpiñá |
| Vocal | — | | 1901 | Elle | | for voice and piano | words by Charles Lecocq |
| Vocal | 118 | | 1902 | Romance du soir | | for soprano, alto, tenor and bass | words by Jean-Louis Croze |
| Vocal | — | | 1903 | L'arbre | | for voice and piano | words by Jean Moréas |
| Vocal | — | | 1903 | Sœur Anne | | for voice and piano | words by André Pressat |
| Vocal | — | | 1906 | Le fleuve | | for voice and piano | words by Georges Audigier |
| Vocal | — | | 1907 | L'étoile | | for voice and piano | words by Prince Haïdar-Pacha |
| Vocal | — | | 1907–1921 1907 1921 1921 1920 1921 | Cinq poèmes de Ronsard L'amour oyseauL'amour blesséÀ Sainte-BlaiseGrasselette et MaigreletteL'amant malheureux | 5 Poems of Ronsard | for voice and piano | words by Pierre de Ronsard |
| Vocal | — | | 1907 | Soir romantique | | for voice and piano | words by Comtesse de Noailles |
| Vocal | — | | 1907 | Violons dans le soir | | for voice, violin and piano | words by Comtesse de Noailles |
| Vocal | — | | 1908 | Fomicacicadéide | | for voice and piano | |
| Vocal | — | | 1910? | La cigale et la fourmi | | for voice and piano | words by Jean de La Fontaine |
| Vocal | — | | 1912 | Le vent dans la plaine | | for voice and piano | words by Paul Verlaine |
| Vocal | 146 | | 1914 | La cendre rouge, Dix poèmes lyriques PréludeÂme tristeDouceurSilencePâquesJour de pluieAmorosoMaiPetite mainReviens | | for voice and piano | words by Georges Docquois (1863–1927) |
| Vocal | — | | 1914 | Les sapins | | for voice and piano | words by Paul Martin |
| Vocal | — | | 1914 | Vive la France | | for voice and piano | words by Paul Fournier |
| Vocal | — | | 1915 | La Française | | for voice and piano | words by Miguel Zamacoïs |
| Vocal | — | | c. 1915 | Ne l'oubliez pas | | for voice and piano | words by Mme. Félix Regnault |
| Vocal | — | | 1915 | S'il est un charmant gazon | | for voice and piano | words by Victor Hugo |
| Vocal | — | | 1917 | Honneur à l'Amérique | | for voice and piano | words by Paul Fournier |
| Vocal | — | | 1918 | Angélus | | for voice and piano or orchestra | words by Pierre Aguétant |
| Vocal | — | | 1918 | Où nous avons aimé | | for voice and piano or orchestra | words by Pierre Aguétant |
| Vocal | — | | 1918 | Papillons | | for voice and piano or orchestra | words by Renée de Léché |
| Vocal | — | | 1918 | Victoire! | | for voice and piano | words by Paul Fournier |
| Vocal | 159 | | 1919 | Hymne à la paix | | for high voice and piano | words by J. L. Faure |
| Vocal | — | | 1921 | Vieilles chansons Temps nouveauAvrilVillanelle | | for voice and piano | 1. words by Charles d'Orléans 2. words by Rémy Belleau 3. words by Jean Vauquelin de la Fresnaye |
| Vocal | — | | — | Antwort | | for voice and piano | words by Ludwig Uhland |
| Vocal | — | | — | Chanson de Fortunio | | for voice and piano | words by Alfred de Musset |
| Vocal | — | | — | L'echo de la harpe | | for voice and piano | |
| Vocal | — | | — | God Save the King | God Save the King | for voice and piano | words in French translation |
| Vocal | — | | — | Primavera | | for voice and piano | words by Charles d'Orléans |
| Vocal | — | | — | Sérénade | | for voice and orchestra | words by L. Mangeot |
| Vocal | — | | — | Toi | | for voice and piano | words by Édouard St. Chaffray |