OpenLLM-France/wikimedia huggingface dataset:
# Păpușa Peak (Parâng Mountains)

Vârful Păpuşa (Păpuşa peak) is a 2,135-metre (7,005 ft) mountain in the Parâng Mountains of Romania, part of the Parâng Mountains group.

## Mountains

* Parâng Mountains (Munţii Parâng)
* Şureanu Mountains (Munţii Şureanu/M. Sebeşului)
* Cindrel Mountains (Munţii Cindrel/M. Cibinului)
* Lotru Mountains (Munţii Lotrului; literally: Mountains of the Thief)
* Căpăţâna Mountains (Munţii Căpăţânii; literally: Mountains of the Head or Mountains of the Skull)
# Luaspis

Luaspis is an extinct genus from a well-known class of fossil marine arthropods, the trilobites. It lived during the Botomian stage, which lasted from approximately 524 to 518.5 million years ago. This faunal stage was part of the Cambrian Period.
# Marudanallur

Marudanallur is a village in the Kumbakonam taluk of Thanjavur district, Tamil Nadu, India.

## Demographics

As per the 2001 census, Marudanallur had a total population of 2605 with 1333 males and 1272 females. The sex ratio was 954. The literacy rate was 78.07
# MPEG-4 Structured Audio

MPEG-4 Structured Audio is an ISO/IEC standard for describing sound. It was published as subpart 5 of MPEG-4 Part 3 (ISO/IEC 14496-3:1999) in 1999.
It allows the transmission of synthetic music and sound effects at very low bit rates (from 0.01 to 10 kbit/s), and the description of parametric sound post-production for mixing multiple streams and adding effects to audio scenes. It does not standardize a particular set of synthesis methods, but a method for describing synthesis methods.
The sound descriptions generate audio when compiled (or interpreted) by a compliant decoder. MPEG-4 Structured Audio consists of the following major elements:
* Structured Audio Orchestra Language (SAOL), an audio programming language. SAOL is historically related to Csound and other so-called Music-N languages. It was created by MIT Media Lab grad student Eric Scheirer while he was studying under Barry Vercoe during the 1990s.
* Structured Audio Score Language (SASL) - is used to describe the manner in which algorithms described in SAOL are used to produce sound.
* Structured Audio Sample Bank Format (SASBF) - allows for the transmission of banks of audio samples to be used in 'wavetable' sample-based synthesis (based on SoundFont and DownLoadable Sounds)
* A normative Structured Audio scheduler description - it is the supervisory run-time element of the Structured Audio decoding process.
* MIDI support - provides important backward-compatibility with existing content and authoring tools.
MPEG-4 Structured Audio was cited by CNN as one of the top-25 innovations to arise at the Media Laboratory.
# John 1:13

John 1:13 is the thirteenth verse in the first chapter of the Gospel of John in the New Testament of the Christian Bible.

## Content

In the original Greek according to Westcott-Hort, this verse is:
    οἳ οὐκ ἐξ αἱμάτων, οὐδὲ ἐκ θελήματος σαρκός, οὐδὲ ἐκ θελήματος ἀνδρός, ἀλλ᾿ ἐκ Θεοῦ ἐγεννήθησαν.
In the King James Version of the Bible the text reads:
    Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God.
The New International Version translates the passage as:
    children born not of natural descent, nor of human decision or a husband's will, but born of God.

## Analysis

According to Lapide, "John here gives an antithesis between human generation and Divine, and demonstrates the superiority of the latter. For he says that the former is of bloods (αἱμάτων), which is a Hebraism for blood, meaning the blood of man, produced by food." In terms of the phrase "of God", Lapide says it refers to the Spirit and grace of God, "by which the mind of man, beforetime carnal, is regenerated and justified, and so a man becomes spiritual, just, and holy, a friend, yea, a son of God."

## Commentary from the Church Fathers

Augustine: "To be made then the sons of God, and brothers of Christ, they must of course be born; for if they are not born, how can they be sons? Now the sons of men are born of flesh and blood, and the will of man, and the embrace of wedlock; but how these are born, the next words declare: Not of bloods; that is, the male’s and the female’s. Bloods is not correct Latin, but as it is plural in the Greek, the translator preferred to put it so, though it be not strictly grammatical, at the same time explaining the word in order not to offend the weakness of one’s hearers."
Bede: "It should be understood that in holy Scripture, blood in the plural number, has the signification of sin: thus in the Psalms Deliver me from blood-guiltiness. (Ps. 51:14)."
Augustine: "In that which follows, Nor of the will of the flesh, nor of the will of man, the flesh is put for the female; because, when she was made out of the rib, Adam said, This is now bone of my bone and flesh of my flesh. (Gen. 2:23) The flesh therefore is put for the wife, as the spirit sometimes is for the husband; because that the one ought to govern, the other to obey. For what is there worse than an house, where the woman hath rule over the man? But these that we speak of are born neither of the will of the flesh, nor the will of man, but of God."
Bede: " The carnal birth of men derives its origin from the embrace of wedlock, but the spiritual is dispensed by the grace of the Holy Spirit."
Chrysostom: "The Evangelist makes this declaration, that being taught the vileness and inferiority of our former birth, which is through blood, and the will of the flesh, and understanding the loftiness and nobleness of the second, which is through grace, we might hence receive great knowledge, worthy of being bestowed by him who begat us, and after this show forth much zeal."
# Large-format projection

Mostly large-format projection (or large-image projection) is used for the use of large-format slide projectors or extremely powerful video projectors for producing still-standing or dynamic images on projection areas of about 100–10,000 m$^2$ and more. Sometimes the use of slide projector and video projector is combined to reach a kind of "picture in picture" projection to enable larger projections with a dynamic part inside. But that is a speciality of projection artists which have a lot of detailed know how of the projection parameters.
# Norman MacKenzie

Norman MacKenzie or Mackenzie may refer to:
* Norman MacKenzie (academic) (1894–1986), Canadian academic and senator
* Norman Mackenzie (conductor), conductor
* Norman Mackenzie (1869–1936), Canadian lawyer and arts patron whose collection became the Norman Mackenzie Art Gallery
* Norman MacKenzie (journalist) (1921–2013), British writer, journalist and educationalist
# Pseudomiza

Pseudomiza is a genus of moths in the family Geometridae.

## Species

* Pseudomiza annulata (Warren, 1899)
* Pseudomiza argentilinea (Moore, 1868)
* Pseudomiza aurata Wileman, 1915
* Pseudomiza castanearia (Moore, 1868)
* Pseudomiza ctenogyna Prout, 1916
* Pseudomiza flavitincta (Wileman, 1915)
* Pseudomiza leucogonia (Hampson, 1895)
* Pseudomiza obliquaria (Leech, 1897)
* Pseudomiza opaca Joicey & Talbot, 1917
* Pseudomiza punctinalis Beyer, 1958
* Pseudomiza uniformis Inoue, 1992
# Listed buildings in Huxley, Cheshire

Huxley is a former civil parish, now in the parishes of Hargrave and Huxley and Tattenhall and District, in Cheshire West and Chester, England. It contains four buildings that are recorded in the National Heritage List for England as designated listed buildings. Two of these are listed at Grade II*, the middle grade, and the other two are at the lowest grade, Grade II. Apart from the village of Huxley, the parish is entirely rural. The listed buildings consist of a former manor house on a moated site, a bridge across the moat, a farm building, and a canal bridge.

## Key

Download coordinates as:
* KML
* GPX (all coordinates)
* GPX (primary coordinates)
* GPX (secondary coordinates)
| Grade | Criteria |
| II* | Particularly important buildings of more than special interest |
| II | Buildings of national importance and special interest |

## Buildings

| Name and location | Photograph | Date | Notes | Grade |
| Bridge, archway and wall, Lower Huxley Hall 53°09′18″N 2°45′09″W﻿ / ﻿53.15498°N 2.75263°W﻿ / 53.15498; -2.75263﻿ (Bridge, archway and wall, Lower Huxley Hall) | — | Late medieval | The bridge crosses the moat around the hall, with an archway on the hall side of the bridge, and the remains of a former curtain wall. Apart from a few bricks in the wall, the structures are in sandstone. The bridge has two segmental arches, triangular cutwaters, a plain parapet, and a flagged carriageway. The archway has a rosette on its keystone, and an entablature with an open pediment flanked by finials. Only stubs of the wall remain. | II* |
| Lower Huxley Hall 53°09′19″N 2°45′09″W﻿ / ﻿53.1552°N 2.7524°W﻿ / 53.1552; -2.7524﻿ (Lower Huxley Hall) | — | Late 15th century | The former manor house stands on a moated site. Major additions and alterations were made to it in the 17th century. The house is partly timber-framed, the rest being in orange brick, with blue brick diapering. It has sandstone dressings and a Welsh slate roof. The house has an L-shaped plan, and is in two storeys with attics. The east wing has a symmetrical three-bay west front, the end bays projecting with gables. The windows are mullioned and transomed. The moated site on which the hall stands is a scheduled monument. | II* |
| Shippon, Leadgate Farm 53°09′31″N 2°44′09″W﻿ / ﻿53.15855°N 2.73583°W﻿ / 53.15855; -2.73583﻿ (Shippon, Leadgate Farm) | — | Early 17th century | Originally a barn, the building was altered and largely rebuilt in the 18th century. The upper storey is timber-framed with brick nogging, the rest being in brick. The roof is tiled. The building has a long rectangular plan. Features include entrances, some blocked, three-pane windows, and open panels in the upper storey acting as pitch holes. | II |
| Canal bridge No 111 (Williamson's Bridge) 53°08′14″N 2°43′43″W﻿ / ﻿53.13715°N 2.72849°W﻿ / 53.13715; -2.72849﻿ (Williamson's Bridge) | | c. 1775 | An accommodation bridge crossing the Shropshire Union Canal designed by Samuel Weston for the Chester Canal Company. The bridge is built in brick, and consists of a segmental arch on low piers, and has a plain parapet with stone coping. Curved wing walls end in square pilasters. | II |
# MaxiCode

MaxiCode is a public domain, machine-readable symbol system originally created by the United Parcel Service (UPS) in 1992. Suitable for tracking and managing the shipment of packages, it resembles an Aztec Code or QR code, but uses dots arranged in a hexagonal grid instead of square grid. MaxiCode has been standardised under ISO/IEC 16023.
A MaxiCode symbol (internally called "Bird's Eye", "Target", "dense code", or "UPS code") appears as a 1-inch square, with a bullseye in the middle, surrounded by a pattern of hexagonal dots. It can store about 93 characters of information, and up to 8 MaxiCode symbols can be chained together to convey more data. The centered symmetrical bullseye is useful in automatic symbol location regardless of orientation, and it allows MaxiCode symbols to be scanned even on a package traveling rapidly.

## Structured Carrier Message

MaxiCode symbols using modes 2 and 3 include a Structured Carrier Message containing key information about a package. This information is protected with a strong Reed–Solomon error correction code, allowing it to be read even if a portion of the symbol is damaged. These fields include:
* A 4-bit indication of the mode in use, currently either mode 2 or mode 3.
* A national or international postal code. MaxiCode supports both numeric postal codes (e.g. a ZIP Code), and alphanumeric postal codes.
* A 3-digit country code encoded per ISO 3166
* A 3-digit class of service code assigned by the carrier
The structured portion of the message is stored in the inner area of the symbol, near the bull's-eye pattern. (In modes that do not include a structured portion, the inner area simply stores the beginning of the message.)

## Application-specific information

Irrespective of mode, a variable amount of application-specific information can be encoded in a MaxiCode symbol. This format of this additional data is not strictly defined, and amongst other information may include:
* Purchase order number
* Customer reference
* Invoice number
* Tracking number
* Indicator of the originating carrier

## Modes

* Mode 0 – Obsolete mode superseded by modes 2 and 3. (Older printers will produce Mode 0 if the firmware is outdated. Mode 0 MaxiCodes can be visually determined by examining the two horizontal hexagons in the upper right-hand corner. They will be white if the Mode is 0. For all other modes, they are black.)
* Mode 1 – Obsolete mode superseded by mode 4.
* Mode 2 – Formatted data containing a structured Carrier Message with a numeric postal code. (Primary use is US domestic destinations.)
* Mode 3 – Formatted data containing a structured Carrier Message with an alphanumeric postal code. (Primary use is international destinations.)
* Mode 4 – Unformatted data with Standard Error Correction.
* Mode 5 – Unformatted data with Enhanced Error Correction.
* Mode 6 – Used for programming hardware devices.
UPS labels use Mode 2 or Mode 3 MaxiCodes.
# Lothar Kremershof

Lothar Kremershof was a German ice hockey player.

## Career

Born in Krefeld, Kremershof was the starting striker for the Krefeld Pinguine, with whom he won the local title in 1977. He then went to DEG Metro Stars which at the time was named Düsseldorf EC. At Düsseldorf EC he went on to score 27 goals and assisted in 57 in 42 games during the 1979–80 ice hockey Bundesliga season.
After his playing career ended he we went on to coach teams such as Grefrather EV and Neuss SC.
# Lu Xiyun

Lu Xiyun (Chinese: 陆夕云; born April 1963) is a Chinese physicist currently serving as director of the School of Engineering Science, University of Science and Technology of China.

## Biography

Lu was born in Taizhou, Jiangsu in April 1963. He completed his doctor's degree from the University of Science and Technology of China in 1992.
He was a visiting scholar at Pennsylvania State University, University of Houston, University of Tennessee, University of Tokyo, Northeastern University, Hong Kong University of Science and Technology and National University of Singapore since 1992.
He is now the director of the School of Engineering Science, University of Science and Technology of China.

## Honours and awards

* "Chang Jiang Scholar" (or "Yangtze River Scholar")
* November 22, 2019 Academician of the Chinese Academy of Sciences (CAS)
# Philosophy: An Introduction to the Art of Wondering

Philosophy: An Introduction to the Art of Wondering is an undergraduate philosophy textbook, originally published in 1973, authored by James L. Christian. It takes a unique synoptic approach: the author believes that philosophy is critical thinking about the "Big Picture". The goal of the book is not merely to introduce the history of formal thinking in western culture, but also to provide students with practical approaches and tools for dealing with some of the enduring questions as they manifest in everyday life. Thus the book focuses on this "big picture" and the interdisciplinary origins of philosophical thinking. He thus addresses the concerns that most people "wonder" about: Does life have meaning? Does God exist? How do you know right from wrong? and so on. The presentation is interwoven with cartoons, quotations, and related findings from the social and physical sciences that ensure central philosophical concepts are accessible. New learning objectives in this edition further strengthen the book's reader-friendly approach. An eclectic range of topics reinforces the author's presentation of philosophy as the individual's attempt to unify disparate world views, with interspersed biographies that provide glimpses into the lives of great thinkers who have molded the Western philosophical tradition and largely influenced how society thinks today.
It has many editions published from 1973-2011.
# MPEG-4 Part 17

MPEG-4 Part 17, or MPEG-4 Timed Text (MP4TT), or MPEG-4 Streaming text format is the text-based subtitle format for MPEG-4, published as ISO/IEC 14496-17 in 2006. It was developed in response to the need for a generic method for coding of text as one of the multimedia components within audiovisual presentations.
It is also streamable, which was one of the main aspects when creating the format. It is mainly aimed for use in the .mp4 container, but can also be used in the .3gp container as 3GPP Timed Text (TTXT), which is technically almost identical with .mp4 but more used in cell phones. 3GPP Timed Text is exactly the same as MPEG-4 Timed Text when used in the .mp4 container. It can be also used in other file formats based on the ISO base media file format.
3GPP approved the Timed text format for 3G multimedia services in 3GPP TS 26.245 in 2004. MPEG-4 Part 17 (ISO/IEC 14496-17:2006) defined Text Streams that are capable of carrying 3GPP Timed Text. For 3GPP text streams, ISO/IEC 14496-17:2006 defined a generic framing structure suitable for transport of 3GPP text streams across a variety of networks (RTP and MPEG transport stream and MPEG program stream). The framing structure for text streams consists of so-called Timed Text Units (TTU).

## Supporting implementations

QuickTime Pro and MP4Box can create or produce these subtitle streams out of various subtitle input formats. MP4Box uses the FourCC tx3g for MPEG-4 Timed Text because of its inherently higher compatibility. MPEG-4 Timed Text is heavily based on XML semantics.
On October 7, 2005, VideoLAN added decoding support for MPEG-4 Timed Text subtitles in VLC.
On October 30, 2005, Gabest added decoding support for MPEG-4 Timed Text subtitles in MPC.
# Chiesa di San Giorgio e dell'Immacolata Concezione

The Church of St George and the Immaculate Conception is the Roman Catholic parish church of Carimate, province of Como, Lombardy, northern Italy.

## History

A church at the site dedicated to St George Martyr had been present since the 14th century. The church had a single nave and one chapel. It was enlarged over the next centuries, but completely rebuilt over the ruins of the earlier church in 1752 to 1755, and rededicated to San Giorgio martire and the Virgin of the Immaculate Conception, whose veneration was growing by this period. The belltower was added in 1932, to replace once erected in 1891, which itself replaced the 14th-century tower that had been razed in the 1750s enlargement of the church.
The interior now contains a number of canvases, including a major work of Stefano Maria Legnani, depicting St Joseph and the Child Jesus with attendant angels (1693). This work was originally painted for the former church of San Marcellino in Milan, but came into the possession of the Brera Academy, and was place at Carimate in 1815 upon request of the parish priest for four works to embellish the church. The church has a chapel dedicated to St Carlo Borromeo (died 1610), with an altarpiece depicting the then-recently canonized bishop of Milan by Giovanni Battista Crespi (1575-1632). Finally, up high in the choir and organ loft, near the organ, is a canvas depicting St Elizabeth in Ecstasy. This painting was moved to Carimate in 1815 from the Brera Academy, who had obtained the painting from the suppressed church of the Capuchin order of Forlì. The work is attributed to a Giuseppe Maria Galeppini.
The organ was built in 1761 by Antonio Fontana of Milan. In 1837, the instrument was refurbished by the brothers Prestinari of Magenta.
# Mother Savage

"Mother Savage" (original title: "La Mère Sauvage") is a short story by the French realist writer Guy de Maupassant. It was first published on 3 March 1884.

## Plot

Two men are out hunting in the French countryside, the narrator and Serval. The latter tells the story of the Sauvage family: the father was killed by police with a gunshot to the head. Serval goes on to tell the story of Old Mother Sauvage and her son, who volunteered at age 33 to fight in the war. Mother Sauvage, isolated far from the village and "known to have money" was assigned to quarter four young Prussian soldiers. The men do chores around the house as if it were their own. Mother Sauvage continually asks the young men about the French 23rd Regiment of the Line, where her son is on the front, but the young Prussians know nothing.
Later, the postman gives Mother Sauvage a letter from one of her son's comrades-in-arms which informs her of her son's death. The Prussians bring home a live rabbit for a meal which they killed brutally in the eyes of Mother Sauvage. As she finishes the preparation of the meal, she asks the young men for their names and home addresses. Mother Sauvage does not partake in the meal, and as they finish dinner, she insists on providing the young soldiers with hay to make their stay in the loft more comfortable. After the soldiers fall asleep, Mother Sauvage removes the ladder from the loft and starts a fire in the fireplace, which does not rage out of control until she stokes the fire with more hay. Mother Sauvage stands outside with her son's rifle to make sure the Prussians cannot escape. She hears their "clamor of human screams" and stands guard. Then when she is sure the Prussians are dead, she throws the rifle into the fire, and one loud shot goes off.
The other villagers and soldiers rush to her home, and a German officer interrogates Mother Sauvage. She informs him that the soldiers were in the fire and that she started the fire. She hands the officer the list of names and addresses she had gathered and is immediately pushed against her home and shot "almost in two", with the letter informing her of her son's death bloody in her hand.

## Analysis of narrator

The story is written from the perspective of the narrator, who retells the Mother Savage story as told by his friend Serval. Influenced by Gustave Flaubert, Guy de Maupassant writes in the realist style which focuses on objective reality and "shows" instead of "tells".

## Setting

The story is set during the winter of 1871 midway through the Franco-Prussian War in a quaint village in the French countryside. Snow covers the fields, and the forest lurks ominously, void of life. The countryside is dotted with small cottages emitting smoke from chimneys.
# Northern Patrol (film)

Northern Patrol is a 1953 American Northern film directed by Rex Bailey and starring Kirby Grant, Marian Carr and William Phipps. The film was the ninth in a series of ten films featuring Kirby Grant as a Canadian Mountie.

## Cast

* Kirby Grant as Corporal Rod Webb, RCMP
* Marian Carr as Quebec Kid
* William Phipps as Frank Stevens
* Claudia Drake as Oweena
* Dale Van Sickel as Jason
* Gloria Talbott as Meg Stevens
* Richard Walsh as Constable Ralph Gregg
* Emmett Lynn as Dad
* Frank Lackteen as Dancing Horse
* Frank Sully as Bartender
* Chinook as Chinook, Webb's dog
# Pseudosphex sanguitarsia

Pseudosphex sanguitarsia is a moth of the subfamily Arctiinae. It was described by George Hampson in 1898. It is found in Bolivia.
# Maxi (album)

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Melody Maker | (unfavourable) |
| New Musical Express | 7/10 |
Maxi (released as Maxi Priest in the United States and Canada) is the third studio album by English reggae vocalist Maxi Priest, released in 1987. It contains the singles "Some Guys Have All the Luck", "How Can We Ease the Pain?", "Wild World" and "Goodbye to Love Again".

## Reception

Spin wrote, "Maxi shows that when left lonely by a lover, he's not too macho to shed a tear about it. He captures love's joys just as convincingly. Maxi is the sweet fruit from a branch of reggae that’s breaking barriers to top the Pops.