OpenLLM-France/wikimedia huggingface dataset:
# First Parish Church (Dover, New Hampshire)

The First Parish Church is a historic church at 218 Central Avenue in Dover, New Hampshire. The church was designed and built by Captain James Davis in 1825, inspired by the Federal style designs of Charles Bulfinch, Asher Benjamin, and Alexander Parris. It is the fifth home to a parish that was first gathered in 1633 at Dover Point. The church was added to the National Register of Historic Places in 1982. The congregation is affiliated with the United Church of Christ.

## Description and history

Dover's First Parish Church is located at the southern end of Dover's commercial downtown area, on the west side of Central Avenue (New Hampshire Route 9) at its junction with Church Street. It is a tall single-story masonry structure, built with load-bearing brick walls and a gabled roof with a stepped gable end at the front. A broad three-bay section projects from the front facade, with a fully pedimented gable and stepped gable parapet with a heavy baroque volute ornament adjacent to the tower base. The tower rises, its front face flush with the projection, to include a square clock stage and an open octagonal belfry topped by a lantern stage and steeple. Window bays are tall and topped by rounded arches. The front facade has three entrances, each topped by a stone lintel. The interior has a mid-to-late 19th-century appearance, with slip pews.
The church was built in 1825 by James Davis, a local master joiner. Its design is based on the original appearance of St. John's Church in Portsmouth, which was a design of Alexander Parris and also originally featured the volutes found here. The Portsmouth church's design is in turn based on the works of Charles Bulfinch. This church's steeple is based on another church, located in Newburyport, Massachusetts.
The church congregation, founded in 1633 at Dover Point, is the oldest in the state of New Hampshire. The site of its second church, built in 1654, is also listed on the National Register.
# Mistassibi River

The Mistassibi River is a river in central Quebec, Canada. It is 298 kilometres (185 mi) long and has a drainage basin of 9,325 square kilometres (3,600 sq mi). Its source is an area with unnamed lakes about 50 kilometres (31 mi) east of Canso Bay of Lake Albanel, eastern neighbor of Lake Mistassini.
The name Mistassibi, only in use since the late 19th century, comes from the Innu-aimun language, meaning "large river". Its alternate name used to be Rivière aux Foins (Hay River).
Just like the nearby Mistassini River, the Mistassibi River runs in a north–south direction. It passes through Lac au Foin (Hay Lake) and among its tributaries are the aux Oiseaux, du Dépôt, and North-East Mistassibi Rivers. It drains into the Mistassini River at Dolbeau-Mistassini.
The company Minashtuk Inc. operates a 12 MW run-of-the-river hydroelectric power station on the Mistassibi River since 2000.
# Tom Cavanagh (disambiguation)

Tom Cavanagh (born 1963) is a Canadian actor.
Tom Cavanagh may also refer to:
* Tom Cavanagh (ice hockey) (1982–2011), hockey player
* Tommy Cavanagh (1928–2007), English footballer and coach
* Thomas Patrick Cavanagh (born 1945), American aerospace engineer who attempted to sell stealth bomber secrets to the Soviet Union
# Marion Purcell

Marion Purcell is a Welsh international lawn and indoor bowler.

## Bowls career

In 2015, she won the mixed pairs title at the 2015 World Indoor Bowls Championship with Robert Paxton. She won a second title partnering Nick Brett in the mixed pairs at the 2020 World Indoor Bowls Championship.
# Masters M85 100 metres world record progression

This is the progression of world record improvements of the 100 metres M85 division of Masters athletics.

## Key

Incomplete information  Wind aided  Pending
| Hand | Auto | Wind | Athlete | Nationality | Birthdate | Location | Date |
| | 15.08 | 1.9 | Hiroo Tanaka | Japan | 08.12.1930 | Akita | 25.06.2017 |
| | 15.97 | 0.5 | Yoshiyuki Shimizu | Brazil | 14.07.1928 | Porto Alegre | 19.10.2013 |
| | 16.13 | | Roderick Parker | United States | 09.11.1918 | Catoosa | 17.07.2004 |
| | 16.22 | 0.0 | Roderick Parker | United States | 09.11.1918 | Decatur | 06.08.2004 |
| | 16.16 | 1.3 | Giichi Suda | Japan | 16.09.1912 | Konosu | 23.08.1998 |
| 16.0 | | | Vittorio Colo | Italy | 09.11.1911 | Santhià | 28.06.1997 |
| 16.3 | | | Duncan McLean | United Kingdom | 22.12.1884 | San Diego | 06.07.1973 |
# Margaret Atwood: Once in August

Margaret Atwood: Once in August is a 1984 documentary about Canadian writer Margaret Atwood, directed by Michael Rubbo and produced by the National Film Board of Canada (NFB). The film was made in Rubbo's style of self-conscious documentary filmmaking or metafilm.

## Story

The film follows Rubbo's efforts to uncover the secrets of Atwood's past, only to be frustrated when the author's life fails to provide any biographical clues for her work. Atwood deflects Rubbo's autobiographical questioning with relative ease, while offering no evidence that her work can be interpreted according to her personal life. In one sequence, Atwood mocks Rubbo's planned narrative trajectory when she and her family take control of the camera. Atwood puts a paper bag over her head as family members take turns asking "who is this woman?", providing humorous responses and poking fun at Rubbo's filmmaking approach.
The following year, Rubbo released a 30-minute film entitled Atwood and Family.

## Reception

The Canadian Film Encyclopedia called the film "unconvincing," stating that it "put an end to his remarkable run of personal documentaries. There is an unmistakable sense in the Atwood film that Rubbo had exhausted the form. Atwood remained distant, and Rubbo never really made contact with her as a subject."
# Fight of My Life

Professional ratings :
| Review scores ||
| Source | Rating |
| Cross Rhythms | (not rated) link |
| HM Magazine | (not rated) link |
| Jesus Freak Hideout | (not rated) link |
| Real Magazine | (not rated) link |
| CCM Magazine | (not rated) |
Fight of My Life is the third full-length album by the Christian third-wave ska band, The Insyderz, and was released in late 1998.

## Track listing

* "Jigsaw"
* "What Happened to Joe?"
* "Paradise"
* "The Hunted"
* "Game Day"
* "Trinidad"
* "Rat Race"
* "Just What I Needed"
* "Fight of My Life"
* "Forgive and Forget"

## Personnel

* Joe Yerke - Lead Vocals
* Beau McCarthy - Bass Guitar
* Kyle Wasil - Lead Guitar
* Nate Sjogren - Drums
* Bram Roberts - Trumpet
* Sang Kim - Trombone
# Santa Marta antbird

The Santa Marta antbird (Drymophila hellmayri) is a Near Threatened species of bird in subfamily Thamnophilinae of family Thamnophilidae, the "typical antbirds". It is endemic to the Sierra Nevada de Santa Marta in Colombia.

## Taxonomy and systematics

The Santa Marta antbird and two other antbird species were previously considered subspecies of what was then called the long-tailed antbird (D. caudata); the reduced D. caudata is now called the East Andean antbird.
The Santa Marta antbird is monotypic.

## Description

The Santa Marta antbird is 14.5 to 15.5 cm (5.7 to 6.1 in) long. Adult males have a black crown and back with thin white streaks except in the center of the crown. Their rump is gray with a reddish tinge. Their flight feathers are black with buff edges and their wing coverts black with two white bars. Their tail is dusky olive with white tips to the feathers and dark band above them. Their face, throat, and breast are white with bold black streaks. Their flanks and crissum are bright rufous. Females have the same pattern but different colors than males. Their upperparts have cinnamon-buff rather than white streaks and their underparts are pale buff.

## Distribution and habitat

The Santa Marta antbird is found only in the foothills of northern Colombia's isolated Sierra Nevada de Santa Marta. It inhabits the understorey to mid-storey of evergreen forest and secondary forest. It favors dense undergrowth and bamboo thickets. In elevation it ranges mostly between 500 and 1,500 m (1,600 and 4,900 ft).

## Behavior
### Movement

The Santa Marta antbird is believed to be a year-round resident throughout its range.

### Feeding

The Santa Marta antbird's diet is not known in detail; it is thought to feed primarily on insects and probably also on spiders. It typically forages in pairs or in family groups and does not join mixed-species feeding flocks. Nothing else is known about its foraging behavior.

### Breeding

Nothing is known about the Santa Marta antbird's breeding biology.
* Songs and calls
* Listen to the Santa Marta antbird on xeno-canto

### Vocalization

The Santa Marta antbird's song has two short introductory notes followed by two or more longer raspy notes such as "cheeyt-cheeyt, wheeyz-wheeyz-wheeyz".

## Status

The IUCN has assessed the Santa Marta antbird as Near Threatened. It has a relatively small range and its estimated population of fewer than 9000 mature individuals is believed to be decreasing. "Forest within its altitudinal range is being cleared for coffee and illegal marijuana plantations. Remaining habitat is threatened by agricultural expansion, logging, burning and drought." It does occur in one protected area, the private El Dorado Bird Reserve.
# Sapsford

Sapsford is a surname. Notable people with the surname include:
* Danny Sapsford (born 1969), English tennis player
* George Sapsford (1896–1970), English footballer
* Paul Sapsford (1949–2009), New Zealand rugby player
* Roland Sapsford, New Zealand politician
* Tom Sapsford (born 1975), British ballet dancer and choreographer
# Sapru

Sapru, also spelled as Sipru or Saproo is a Kashmiri Pandit clan and surname native to the Kashmir Valley of Jammu and Kashmir, India.

## Notable people

* Tej Bahadur Sapru, lawyer, political and social leader
* Muhammad Iqbal a poet, philosopher and politician.
* D.K. Sapru (Daya Krishen Sapru), commonly referred as Sapru, noted character actor of Hindi film, in 1960s–1970s.
* Tej Sapru, Hindi film and television actor, son of D.K. Sapru.
* Jagdish Narain Sapru, prominent businessman
* Reema Sapru, Bollywood film writer, director and producer
* Rahul Sapru, first-class cricketer playing for Uttar Pradesh
* Jatin Sapru, TV sports journalist, television host, broadcaster and cricket commentator.
* Priti Sapru, actress known for her works in Punjabi and Hindi cinema
* Sheikh Abdullah and family, politicians
* Somnath Sapru, prominent journalist, editor, media consultant and historian
# Fight for Love (54-40 album)

Fight for Love is the fourth album by the Canadian band 54-40, released in 1989. The band supported the album with a Canadian tour.

## Production

The album was coproduced by Dave Ogilvie and frontman Neil Osborne. The band used a mellotron that had belonged to King Crimson, loaned to them by Bob Rock. Some of the songs were inspired by Osborne's wife's drawings of Don Quixote.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Windsor Star | A− |
The Calgary Herald deemed the album "a blend of guitar-driven rock numbers and lofty lyrics." The Globe and Mail wrote that "Osborne and co-producer David Ogilvie focus attention on the hopeful, even naive humanism of the songs and on the subtle but powerful interplay." The Windsor Star noted the "guitar-driven sound derived from late-1960s folk-rock." The Washington Post labeled the album "Vancouver's entry in the R.E.M. sweepstakes," writing: "Sweetly melodic and—it almost goes without saying—jangly, Fight for Love also has some guts."

## Track listing

* All songs written by 54-40 except where noted.
* "Here in My House" – 3:49
* "Kissfolk" – 3:33
* "Over My Head" – 3:25
* "Miss You" – 4:34 (Neil Osborne, Phil Comparelli)
* "Baby Have Some Faith" – 5:51 (Osborne, Comparelli)
* "Fight for Love" – 2:55 (Osborne)
* "Laughing" – 3:51 (Osborne)
* "Walk Talk Madly" – 4:42
* "Where Is My Heart" – 3:25
* "Journey" – 7:44 (Osborne)

## Personnel

* Neil Osborne: Vocals, Rhythm Guitar
* Phil Comparelli: Lead and Lap Steel Guitars, Trumpet, Vocals
* Brad Merritt: Bass
* Matt Johnson: Drums, Percussion

## Production

* Arranged by 54-40
* Executive Producer: Kevin Laffey
* Produced by Dave Ogilvie and Neil Osborne
* Recorded by Greg Reely
* Mixed by James "Jimbo" Barton (tracks 1-3 and 5) and Greg Reely (all others)
* Mastered by Stephen Marcussen
* All songs published by Fifty Four Forty Music.
# Sanjay Chauhan (cricketer)

Sanjay Chauhan (born 12 December 1966) is an Indian businessman and former first-class cricketer.
Chauhan was born at Delhi. He later studied at the University of Delhi, where he was at the time one of three people to receive the Mark of Honour, before going up to Worcester College at the University of Oxford as a Rhodes Scholar. While studying at Oxford, he made six appearances in first-class cricket for Oxford University in 1989–90. Chauhan scored 51 runs in his six matches, with a high score of 25, in addition to taking a single wicket from 16 overs bowled.
After graduating from Oxford, Chauhan moved to the United States where he became an accountant. He later served as chief financial officer (CFO) and asset management leader at Urban America, a New Jersey real estate firm, before becoming CFO of Jonathan Rose Companies in June 2015.
# Sarah Hewlett

Sarah Elizabeth Hewlett OBE is an emeritus Professor of Rheumatology Nursing at the University of the West of England and expert on rheumatoid arthritis (RA). She was appointed an Officer of the Order of the British Empire in the 2019 Birthday Honours.

## Early life and education

Hewlett studied nursing at St Bartholomew's Hospital and graduated in 1975. She spent five years as a senior sister in a neurosurgical unit before becoming a clinical researcher. She was supported by the Arthritis Research Campaign (now Versus Arthritis). She studied health care ethics at the University of Wales, investigating the ethics of informed consent. She earned a PhD at the University of Bristol in 2000, where she studied the impact of disability in rheumatoid arthritis.

## Research and career

Hewlett spent the early part of her nursing career in clinical care. She then moved into research, where worked on rheumatology care, education and research. She collaborated with the University Hospitals Bristol NHS Foundation Trust. Hewlett identified that patients suffering from rheumatoid arthritis (RA) consider fatigue as a significant and often overlooked problem. She estimated that up to 98% of people who suffer from RA experience fatigue. She noticed that whilst fatigue makes the symptoms worse for patients with multiple sclerosis, rheumatoid arthritis makes fatigue worse. She described flares of rheumatoid arthritis as "duvet and chocolate days". Hewlett evaluated the provisions nurses had for treating fatigue, and found that they had limited ways to measure and manage fatigue. Hewlett went on to develop a protocol to evaluate fatigue. She then ensured that it was evaluated in every rheumatoid arthritis trial. In 2007 she was the first person to be named a Chair in Rheumatology Nursing at the University of the West of England.
The protocol developed by Hewlett, the Bristol RA Fatigue Scales (BRAFs), can be used to evaluate the severity of disease, and have been translated into 36 languages. Once she had developed a metric to measure fatigue, Hewlett developed interventions to manage fatigue, including the use of cognitive behavioural therapy (CBT). Her research into the design and testing of CBT interventions was supported by the National Institute for Health Research. CBT was shown to reduce the impact and severity of fatigue in patients with RA, and adopted by occupational therapists in Scotland and British Columbia.
Hewlett contributed to the Oxford Textbook of Rheumatology.

### Awards and honours

Her awards and honours include:
* 2011 Fellow of the Royal College of Nursing
* 2019 Officer of the Order of the British Empire
# Fiumi di parole

"Fiumi di parole" (literally "Rivers of words") is a song recorded by Italian duo Jalisse –Alessandra Drusian and Fabio Ricci–, with music composed by Ricci and Italian lyrics written by Drusian and Carmen Di Domenico. The song won the Sanremo Music Festival 1997 and represented Italy in the Eurovision Song Contest 1997 held in Dublin.

## Background
### Conception

"Fiumi di parole" was composed by Fabio Ricci with Italian lyrics by Carmen Di Domenico and Alessandra Drusian. It is a dramatic ballad, in which the lead singer tells her lover that "rivers of words" have come between them. She claims not to understand what he is saying anymore, and believes that she is losing his respect. Despite this, she tells him "I'll give you my heart, if you want / if you can, speak to it now", implying that there is still some hope for the relationship.
In addition to the Italian original version, Jalisse recorded a Spanish-language version entitled "Ríos de palabras".

### Sanremo

On 18–22 February 1997, "Fiumi di parole" performed by Jalisse competed in the 47th edition of the Sanremo Music Festival, winning the "Big Artists" section competition. As the festival was used by Radiotelevisione italiana (RAI) to select its song and performer for the 42nd edition of the Eurovision Song Contest, the song became the Italian entry –and Jalisse the performers– for Eurovision.

### Eurovision

On 3 May 1997, the Eurovision Song Contest was held at the Point Theatre in Dublin hosted by Radio Telefís Éireann (RTÉ), and broadcast live throughout the continent. Jalisse performed "Fiumi di parole" ninth on the evening, following the Netherlands' "Niemand heeft nog tijd" by Mrs. Einstein and preceding Spain's "Sin rencor" by Marcos Llunas. Lucio Fabbri conducted the event's orchestra in the Italian entry performance.
At the close of voting, the song had received 114 points, placing fourth in a field of twenty-five. Following this contest, RAI withdrew for fourteen years, and did not return until the 2011 contest. Thus, the song was succeeded as Italian representative by "Madness of love" by Raphael Gualazzi.
# John 1:48

John 1:48 is a verse in the first chapter of the Gospel of John in the New Testament.

## Content

In the original Greek according to Westcott-Hort this verse is:
    Λέγει αὐτῷ Ναθαναήλ, Πόθεν με γινώσκεις; Ἀπεκρίθη ὁ Ἰησοῦς καὶ εἶπεν αὐτῷ, Πρὸ τοῦ σε Φίλιππον φωνῆσαι, ὄντα ὑπὸ τὴν συκῆν, εἶδόν σε.
In the King James Version of the Bible the text reads:
    Nathanael saith unto him, Whence knowest thou me? Jesus answered and said unto him, Before that Philip called thee, when thou wast under the fig tree, I saw thee.
The New International Version translates the passage as:
    "How do you know me?" Nathanael asked. Jesus answered, "I saw you while you were still under the fig tree before Philip called you."

## Analysis

Lapide notes that Nathanael is not puffed up with Jesus' praise, but instead, he inquires so that he might learn something about Christ. Lapide believes that he is rewarded for this in that he learns about the "fearful" omnipresence of God and Christ who sees "into the inmost chamber" of all. The "under the fig tree" statement seems to refer to the story in Genesis where God saw Adam under a fig tree eating its forbidden fruit.

## Commentary from the Church Fathers

Theophylact of Ohrid: " Nathanael however, notwithstanding this praise, does not acquiesce immediately, but waits for further evidence, and asks, Whence knowest Thou me?"
Chrysostom: "He asks as man, Jesus answers as God: Jesus answered and said unto him, Before that Philip called thee, when thou wast under the fig tree, I saw thee: not having beheld him as man, but as God discerning him from above. I saw thee, He says, that is, the character of thy life, when thou wast under the fig tree: where the two, Philip and Nathanael, had been talking together alone, nobody seeing them; and on this account it is said, that on seeing him a long way off, He said, Behold an Israelite indeed; whence it appears that this speech was before Philip came near, so that no suspicion could attach to Christ’s testimony. Christ would not say, I am not of Nazareth, as Philip told you, but of Bethlehem; in order to avoid an argument: and because it would not have been sufficient proof, had He mentioned it, of His being the Christ. He preferred rather proving this by His having been present at their conversation."
Augustine: "Has this fig tree any meaning? We read of one fig tree which was cursed, because it had only leaves, and no fruit. Again, at the creation, Adam and Eve, after sinning, made themselves aprons of fig leaves. Fig leaves then signify sins; and Nathanael, when he was under the fig tree, was under the shadow of death: so that our Lord seemeth to say, O Israel, whoever of you is without guile, O people of the Jewish faith, before that I called thee by My Apostles, when thou wert as yet under the shadow of death, and sawest Me not, I saw thee."
Gregory the Great: "When thou wast under the fig tree, I saw thee; i. e. when thou wast yet under the shade of the law, I chose thee."
# Lok Fu (constituency)

Lok Fu is one of the 25 constituencies in the Wong Tai Sin District in Hong Kong. The constituency returns one district councillor to the Wong Tai Sin District Council, with an election every four years.
The constituency has an estimated population of 14,016.

## Councillors represented

| Election | Election | Member | Party |
| | 1982 | Wong Kan-fong | Independent |
| | 1985 | Wong Chung-chuen | Independent |
| 1991 | 1991 | Constituency abolished | Constituency abolished |
| | 1999 | Lo Chiu-fai | Frontier |
| | 2003 | Andie Chan Wai-kwan | Independent |
| | 2019 | Steve Leung Ming-hong→vacant | Independent |

## Election results
### 2010s

Wong Tai Sin District Council Election, 2019: Lok Fu :
| Party | Party | Candidate | Votes | % |
| | Independent | Leung Ming-hong | 3,451 | 55.53 |
| | Nonpartisan | Andie Chan Wai-kwan | 2,764 | 44.47 |
| Majority | Majority | Majority | 687 | 11.06 |
| Turnout | Turnout | Turnout | 6,242 | 67.82 |
| | Independent gain from Nonpartisan | Independent gain from Nonpartisan | Swing | |
# Tari, Siliguri

Tari is a census town in the Matigara CD block in the Siliguri subdivision of Darjeeling district in the state of West Bengal, India.

## Geography
### Location

Tari is located at 26°43′31″N 88°21′58″E﻿ / ﻿26.72541°N 88.36607°E﻿ / 26.72541; 88.36607.
Bairatisal, Tari, Jitu, Bara Mohansingh and Mathapari form a cluster of census towns as per map of Matigara CD block on page 265 of District Census Handbook, Darjeeling.

### Area overview

The map alongside shows the Siliguri subdivision of Darjeeling district. This area is spread across the foothills of the Himalayas and is a plain land gently sloping from north to south. While the northern part is mentioned as the Terai region, the larger southern portion forms the western part of the Dooars region. While 55.11% per cent of the population resides in the rural areas, 44.89% resides in the urban areas. On the western side the Mechi River forms a long border with Nepal. On the eastern side the Mahananda River forms a short border with Bangladesh.
Note: The map alongside presents some of the notable locations in the subdivision. All places marked in the map are linked in the larger full screen map.

## Demographics

According to the 2011 Census of India, Tari had a total population of 14,558 of which 7,335 (50%) were males and 7,223 (50%) were females. There were 2,009 persons in the age range of 0 to 6 years. The total number of literate people in Tari was 8,690 (59.69% of the population over 6 years).

## Infrastructure

According to the District Census Handbook 2011, Darjiling, Tari covered an area of 1.639 km$^2$. Among the civic amenities, it had 55 km roads with open drains, the protected water supply involved tap water from treated sources and covered well, it had 1,235 domestic electric connections and 50 road lighting points. Among the medical facilities, it had 1 dispensary/ health centre, 1 family welfare centre, 1 maternity and child welfare centre, 1 maternity home, 12 medicine shops. Among the educational facilities it had were 1 primary school, 1 middle school, the nearest secondary school, senior secondary school, general degree college at Bairatisal 1 km away.