# List of compositions by Karlheinz Stockhausen

A list of compositions by Karlheinz Stockhausen (alphabetical by title—a link to a chronological list is given at the end).
* Top
* A
* B
* C
* D
* E
* F
* G
* H
* I
* J
* K
* L
* M
* N
* O
* P
* Q
* R
* S
* T
* U
* V
* W
* X
* Y
* Z
* See also
* External links

## A

* Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
* Alphabet für Liège ("Alphabet for Liège"), Nr. 36 (1972)
** Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. 361⁄2 (1972)
* Amour, 5 pieces for clarinet, Nr. 44 (1976)
** Amour, for flute, Nr. 441⁄2 (1976/81)
** "Vier Sterne" ("Four Stars") from Amour, for cello, Nr. 442⁄3 (1976/98)
** Amour, for saxophone, Nr. 443⁄4 (1976/2003)
* Atmen gibt das Leben ("Breathing Gives Life"), choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/77)
* Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
* Richtige Dauern ("Right Durations"), for circa 4 players
* Unbegrenzt ("Unlimited"), for ensemble
* Verbindung ("Connection"), for ensemble
* Treffpunkt ("Meeting Point"), for ensemble
* Nachtmusik ("Night Music"), for ensemble
* Abwärts ("Downward"), for ensemble
* Aufwärts ("Upward"), for ensemble
* Oben und Unten ("Above and Below"), theatre piece for a man, a woman, and a child, with 4 instrumentalists
* Intensität ("Intensity"), for ensemble
* Setz die Segel zur Sonne ("Set Sail for the Sun"), for ensemble
* Kommunion ("Communion"), for ensemble
* Litanei ("Litany"), for speaker or speaking choir [Cf. Litanei 97, below]
* Es ("It"), for ensemble
* Goldstaub ("Gold Dust"), for ensemble
* Ankunft ("Arrival"), for speaker or speaking choir
* Ave, for basset horn and alto flute (1984–85)

## B

* Balance, for flute, English horn, and bass clarinet (2006–07). See: Klang: Seventh Hour
* Bassetsu, for basset-horn, 2. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion, Nr. 70
* Bassetsu-Trio, for basset horn, trumpet, and trombone, 3. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion

## C

* Carré ("Square"), for 4 choirs and orchestras, Nr. 10 (1959–60)
* Choral ("Wer uns trug mit Schmerzen in dies Leben" ["Who bore us with pain into this life"]), for a cappella choir, Nr. 1/9 (1950)
* Chöre für Doris ("Choruses for Doris"), for a cappella choir, Nr. $^1$/$_{11}$ (1950)
* Cosmic Pulses, electronic music. See: Klang: Thirteenth Hour

## D

* Dienstag aus Licht (see: Licht, below)
* Dr K–Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
* Donnerstag aus Licht (see: Licht, below)
* Drachenkampf ("Dragon Fight"), for trumpet, trombone, percussion and synthesizer player, 1. ex 501⁄2, from Festival, scene 1 of act 3 (Michaels Heimkehr) of Donnerstag aus Licht (1980/87)
* Drei Lieder ("Three Songs"), for alto voice and chamber orchestra, Nr. $^1$/$_{10}$ (1950)

## E

* Entführung ("Abduction"), for piccolo solo, or for soprano saxophone and electronic and concrete music, 1. ex Nr. 582⁄3, from Montag aus Licht (1986)
* Erwachen ("Awakening"), for soprano saxophone, trumpet, and cello (2007). See: Klang: Twelfth Hour
* Elufa for basset-horn, flute / electronic music ad lib., 9. ex Nr. 64 (1991)
* Ensemble, group-composition project, with twelve other composers, not assigned a work number (1967)
* Etude, musique concrète, Nr. 1⁄5 (1952)
* Europa-Gruss ("Europe Greeting"), for winds and synthesizers, Nr. 72 (1992/2002)
* Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
* Electronic Music with Sound Scenes of Friday from Light, (1991–94)

## F

* Flautina, for flute with piccolo and alto flute, ex Nr. 561⁄2 (1989)
* Freia, for flute ex 91⁄2 Nr. 64 (1991)
* Formel ("Formula"), for small orchestra, Nr. 1⁄6 (1951)
* Fresco, for 4 orchestral groups, Nr. 29 (1969)
* Freitag aus Licht (see: Licht, below)
* Freude ("Joy"), for two harps. See: Klang: Second Hour
* Für kommende Zeiten ("For Times to Come"), 17 texts for intuitive music, Nr. 33 (1968–70)
* Übereinstimmung ("Unanimity"), for ensemble
* Verlängerung ("Elongation")
* Verkürzung ("Shortening")
* Über die Grenze ("Across the Boundary"), for small ensemble
* Kommunikation ("Communication"), for small ensemble
* Intervall ("Interval"), for piano four-hands
* Außerhalb ("Outside'), for small ensemble
* Innerhalb ("Inside"), for small ensemble
* Anhalt ("Halt"), for small ensemble
* Schwingung ("Vibration"), for ensemble
* Spektren ("Spectra"), for small ensemble
* Wellen ("Waves"), for ensemble
* Zugvogel ("Bird of Passage"), for ensemble
* Vorahnung ("Presentiment"), for 4–7 interpreters
* Japan, for ensemble
* Wach ("Awake"), for ensemble
* Ceylon, for small ensemble

## G

* Gesang der Jünglinge ("Song of the Youths"), electronic and concrete music, Nr. 8 (1955–56)
* Geburts-Fest ("Festival of Birth"), choir music with sound scenes for choir a cappella and tape, ex Nr. 56, from act 1 of Montag aus Licht (1987)
* Glück ("Bliss"), for oboe, English horn, and bassoon (2007). See: Klang: Eighth Hour
* Gruppen ("Groups"), for 3 orchestras, Nr. 6 (1955–57)

## H

* Halt, for trumpet in B-flat and double-bass (1978/83), from Michaels Reise um die Erde
* Harlekin ("Harlequin"), for clarinet, Nr. 42 (1975)
** Der kleine Harlekin ("The Little Harlequin"), for clarinet, Nr. 421⁄2 (1975)
* Harmonien ("Harmonies"), see: Klang: Fifth Hour
* Helikopter-Streichquartett ("Helicopter String Quartet"), for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
* Herbstmusik ("Autumn Music"), musical theatre for 4 performers, Nr. 40 (1974)
** Laub und Regen ("Leaves and Rain"), duet for clarinet and viola, Nr. 401⁄2
* Himmelfahrt ("Ascension"), see: Klang: First Hour
* Himmels-Tür ("Heaven's Door"), see: Klang: Fourth Hour
* Hoffnung ("Hope"), for violin, viola, and cello (2007). See: Klang: Ninth Hour
* Hymnen ("Anthems"), 4-channel electronic and concrete music, Nr. 22 (1966–67)
** Hymnen, electronic and concrete music with soloists, Nr. 221⁄2 (1966–67)
** Hymnen, (Third Region) with orchestra, Nr. 222⁄3 (1969)

## I

* In Freundschaft ("In Friendship"), for clarinet, Nr. 46 (1977)
** In Freundschaft, for flute, Nr. 461⁄2
** In Freundschaft, for oboe, Nr. 462⁄3
** In Freundschaft, for bassoon, Nr. 463⁄4
** In Freundschaft, for bassett-horn or bass clarinet, Nr. 46$^4$/$_5$
** In Freundschaft, for violin, Nr. 46$^5$/$_6$
** In Freundschaft, for viola, Nr. 46$^6$/$_7$
** In Freundschaft, for violoncello or double bass, Nr. 46$^7$/$_8$
** In Freundschaft, for saxophone, Nr. 46$^9$/$_{10}$
** In Freundschaft, for trumpet in E-flat (with fourth-attachment), Nr. 46$^{10}$/$_{11}$
** In Freundschaft, for horn, Nr. 46$^{11}$/$_{12}$
** In Freundschaft, for trombone, Nr. 46$^{12}$/$_{13}$
** In Freundschaft, for tuba, Nr. 46$^{13}$/$_{14}$
** In Freundschaft, for recorder, Nr. 46$^{14}$/$_{15}$
* Inori: Adorations for One or Two Soloists with Orchestra, Nr. 38 (1973–74)
** Vortrag über HU ("Lecture on HU"), musical analysis of Inori, for a singer, Nr. 381⁄2 (1974)

## J

* Jubiläum ("Jubilee"), for orchestra, Nr. 45 (1977)

## K

* Katikati, for flute, Nr. 85.2 extra (2006)
* Der Kinderfänger (The Pied Piper) with Entführung (Abduction), scenes 2 and 3 from Evas Zauber (act 3 of Montag aus Licht) (1986), two versions:
** Nr. 58 2⁄3, for alto flute with piccolo, children's choir, modern orchestra (3 synthesizer players, percussionist, and tape), with basset-horn ad lib.
** Nr. 58 2⁄3 ossia, as either a solo for alto flute with piccolo, two synthesizer players, one percussionist, and tape, or a solo for alto flute with piccolo and tape
* Kinntanz ("Chin Dance"), 10. ex Nr. 53, from Luzifers Tanz, scene 3 from Samstag aus Licht (1983), 2 versions:
** for euphonium, one percussionist, one synthesizer player (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or
** euphonium, one percussionist, alto trombone, tenor horns (or baritones), and tubas (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist)
* Klang ("Sound", the 24 Hours of the Day), Nr. 81–101 (2004–2007)
** First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
** Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
** Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
** Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
** Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
*** bass clarinet, Nr. 85.1 (2006)
*** flute, Nr. 85.2 (2006)
*** trumpet, Nr. 85.3 (2006)
** Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
** Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
** Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
** Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
** Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
** Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
** Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
** Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
** Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
** Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
** Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
** Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
** Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
** Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
** Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
** Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
* Klavierstücke ("Piano Pieces")
** Klavierstücke I–IV, Nr. 2 (1952)
** Klavierstücke V–X, Nr. 4 (1954–55/61)
** Klavierstück XI, Nr. 7 (1956)
** Klavierstück XII, ex Nr. 493⁄4 (1979/83)
** Klavierstück XIII, Nr. 511⁄2 (1981)
** Klavierstück XIV, ex Nr. 572⁄3 (1984)
** Synthi-Fou (Klavierstück XV), ex Nr. 612⁄3
** Klavierstück XVI, Nr. 631⁄2 (1995)
** Klavierstück XVII, 71⁄2 ex Nr. 64 (1994/99)
** Klavierstück XVIII, Nr. 732⁄3 (2004)
** Klavierstück XIX, Nr. 80 (2001/2003)
* Knabenduett ("Boys' Duet"), for 2 soprano saxophones, 2. ex Nr. 501⁄2, from Festival, scene 1 of act 3 of Donnerstag aus Licht (1980)
* Komet ("Comet"), version for a percussionist, electronic and concrete music, sound projectionist, 72⁄3 ex Nr. 64 (1994/99)
* Komet als Klavierstück XVII, for electronic piano (synthesizer), electronic and concrete music, sound projectionist, 71⁄2 ex Nr. 64 (1994/99) (see: Klavierstücke)
* Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60)
** Kontakte, for electronic sounds, piano, and percussion, Nr. 121⁄2 (1958–60)
** Originale ("Originals"), musical theatre with Kontakte, Nr. 122⁄3 (1961)
* Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
* Kreuzspiel ("Crossplay"), for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
* Kurzwellen ("Short Waves"), for 6 players with live electronics, plus sound director, Nr. 25 (1968)

## L

* Licht ("Light"), Nr. 47–80 (1977–2003)
** Jahreslauf ("Course of the Years"), Nr. 47 (1977/91)
** Donnerstag aus Licht ("Thursday from Light"), opera in three acts, a greeting, and a farewell, Nr. 48–50 (1978–80)
*** Michaels Reise um die Erde ("Michael's Journey Round the Earth"), Nr. 48 (1978)
*** Donnerstags-Gruß ("Thursday's Greeting"), Nr. 481⁄2 (1978)
*** Michaels Jugend ("Michael's Youth"), Nr. 49 (1978–79)
**** Kindheit ("Childhood"), Nr. 491⁄2 (1979)
**** Mondeva, Nr. 492⁄3 (1978–79)
**** Examen ("Examination"), Nr. 493⁄4 (1979)
*** Michaels Heimkehr ("Michael's Homecoming"), Nr. 50 (1980)
**** Festival, Nr. 501⁄2
**** Vision, Nr. 502⁄3
*** Donnerstags-Abschied ("Thursday's Farewell"), Nr. 503⁄4 (1980)
** Samstag aus Licht ("Saturday from Light"), opera in a greeting and four scenes, Nr. 51–54 (1981–84)
*** Luzifers Traum ("Lucifer's Dream"), Nr. 51 (1981)
*** Kathinkas Gesang als Luzifers Requiem ("Kathinka's Chant as Lucifer's Requiem"), Nr. 52 (1982–83)
*** Luzifers Tanz ("Lucifer's Dance"), Nr. 53 (1983)
*** Samstags-Gruss ("Saturday's Greeting"), Nr. 531⁄2 (1984)
*** Luzifers Abschied ("Lucifer's Farewell"), Nr. 54 (1982)
** Montag aus Licht ("Monday from Light"), opera in three acts, a greeting, and a farewell, Nr. 55–59 (1984–88)
*** Montags-Gruß (Evas-Gruss), for multiple basset-horns and electronic keyboard instruments, Nr. 55 (1986/88)
*** Evas Erstgeburt, Nr. 56 (1987)
*** Evas Zweitgeburt, Nr. 57 (1984–87)
*** Evas Zauber, Nr. 58 (1984–86)
*** Montags-Abschied, Nr. 59 (1986/88)
** Dienstag aus Licht, opera in a greeting and two acts (with a farewell), Nr. 47, 60–61 (1977/87–91)
*** Dienstags-Gruß, Nr. 60 (1987–88)
*** Jahreslauf vom Dienstag, Nr. 47 (1977/91)
*** Invasion-Explosion mit Abschied, Nr. 61 (1990–91)
** Freitag aus Licht, opera in a greeting, two acts, and a farewell, Nr. 62–64 (1991–94)
*** Freitags-Gruss and Freitags-Abschied (concert title: Weltraum ("Outer Space"), electronic music, Nr. 62 (1991/92/94)
*** Paare vom Freitag, Nr. 63 (1992/99)
*** Freitag-Versuchung, Nr. 64 (1991–94)
** Mittwoch aus Licht ("Wednesday from Light"), opera in a greeting, four scenes, and a farewell, Nr. 65–71 (1995–98)
*** Mittwochs-Gruss ("Wednesday's Greeting"), Nr. 65 (1998)
*** Welt-Parlament ("World Parliament"), Nr. 66 (1995)
*** Orchester-Finalisten ("Orchestra Finalists"), Nr. 68 (1995–96)
*** Helikopter-Streichquartett ("Helicopter String Quartet"), Nr. 69 (1992–93)
*** Michaelion, Nr. 70 (1997)
*** Mittwochs-Abschied ("Wednesday's Farewell"), Nr. 71 (1996)
** Sonntag aus Licht ("Sunday from Light"), Nr. 75–80 (1998–2003)
*** Lichter-Wasser ("Lights-Waters"), Nr. 75 (1998–99)
*** Engel-Prozessionen ("Angel Processions"), Nr. 76 (2000)
*** Licht-Bilder ("Light-Pictures"), Nr. 77 (2002)
*** Düfte-Zeichen ("Scents-Signs"), Nr. 78 (2002)
*** Hoch-Zeiten ("High-Times"), Nr. 79 (2001–2002)
*** Sonntags-Abschied ("Sunday's Farewell"), Nr. 80 (2001/2003)
* Licht-Ruf ("Light Call"), for trumpet, basset horn, and trombone, or other instruments, Nr. 67 (1995)
* Linker Augenbrauentanz ("Left-Eyebrow Dance"), for flutes and basset horn(s), one percussionist, and one synthesizer player, 1. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
* Linker Augentanz ("Left-Eye Dance") for saxophones, synthesizer and percussion, 3. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/90)
* Litanei 97 ("Litany 97"), for choir with conductor, Nr. 74 (1997)

## M

* Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
* Menschen, hört ("Mankind, Hear"), for vocal sextet (SSATBB, with 6 microphones, 6 or 2 × 2 loudspeakers, mixing desk and sound projectionist), 4. ex Nr. 70, from Michaelion, scene 4 from Mittwoch aus Licht (1997)
* Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
* Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
* Mittwoch aus Licht (see: Licht, above)
* Mittwoch-Formel ("Wednesday Formula"), Nr. 731⁄2, for percussion trio (2004)
* Mixtur ("Mixture"), for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
** Mixtur, version for small orchestra, Nr. 161⁄2 (1964/67)
** Mixtur 2003, for 5 instrumental groups, 4 sinewave-generator players, 4 sound mixers with 4 ring modulators, and sound director, Nr. 162⁄3 (1964/67/2003)
* Momente ("Moments"), for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
* Montag aus Licht (see: Licht, above)
* Musik für ein Haus, group-composition project, with fourteen other composers, not assigned a work number (1968)
* Musik im Bauch ("Music in the Belly"), for 6 percussionists and music boxes, Nr. 41 (1975)

## N

* Nasenflügeltanz ("Wing-of-the-Nose Dance"), for solo percussionist, or for percussionist with a synthesizer player, 7. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
* Natürliche Dauern ("Natural Durations"), for piano. See: Klang: Third Hour

## O

* Oberlippentanz ("Upper-Lip Dance"), for piccolo trumpet, trombone or euphonium, 4 or 8 horns, 2 percussionists (with 2 transmitters, 10 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or as solo for piccolo trumpet 8. ex Nr. 53, cadenza from Luzifers Tanz, scene 3 from Samstag aus Licht (1983)
* Oktophonie ("Octophony"), electronic music of Dienstag aus Licht, 1. ex Nr. 61 (1990/91)
* Originale ("Originals"), musical theatre, Nr. 122⁄3 (1961) [Cf. Kontakte, above]

## P

* Paare vom Freitag ("Couples of Friday") with soprano, bass, electronic instruments (tape) Nr. 63 (1992/99)
* Pietà, for flugelhorn and electronic music, or for flugelhorn, soprano, and electronic music, Nr. 611⁄2, from act 2 of Dienstag aus Licht (1990/91)
* Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
* Pole ("Poles"), for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
* Prozession ("Procession"), for 6 players with live electronics, Nr. 23 (1967)
* Punkte ("Points"), for orchestra, Nr. 1⁄2 (1952/62/66/93)

## Q

* Quitt ("Even"), for alto flute, clarinet, and trumpet, 1. ex Nr. 59 (1989)

## R

* Rechter Augenbrauentanz ("Right-Eyebrow Dance"), for clarinets, bass clarinet(s), one percussionist, and one synthesizer player (with c. 8 microphones, 2 × 2 loudspeakers, mixing desk, and sound projectionist), 2. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/2003)
* Rechter Augentanz ("Right-Eye Dance"), for oboes, cor anglais, bassoons, one percussionist, and one synthesizer player, 4. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
* Rechter Backentanz ("Right-Cheek Dance"), for trumpets, trombones, one percussionist, and one synthesizer player, 6. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
* Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
** 3 x Refrain 2000, for sampler-celesta (+ 3 antique cymbals), piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and sound director, Nr. 111⁄2 (2000)
* Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. 701⁄2 (1997)

## S

* Samstag aus Licht (see: Licht, above)
* Saxophon (aus Jahreslauf), for soprano saxophone and bongo, or soprano saxophone alone, 2. ex Nr. 47, (1977) from Dienstag aus Licht
* Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. 1⁄3 (1952)
* Schönheit ("Beauty"), for flute, bass clarinet, and trumpet (2006–2007). See: Klang: Sixth Hour
* Signale zur Invasion ("Signals to Invasion"), for trombone and electronic music or for trombone alone, 2. ex Nr. 61, from Dienstag aus Licht (1992)
* Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
** Sirius, electronic music alone, four versions:
*** Spring version, 1. ex Nr. 43
*** Summer version, 2. ex Nr. 43
*** Fall version, 3. ex Nr. 43
*** Winter version, 4. ex Nr. 43
** Aries, for trumpet and electronic music, Nr. 431⁄2 (1977/80)
** Libra, for bass clarinet and electronic music, Nr. 432⁄3 (1977)
** Capricorn, for bass and electronic music, Nr. 433⁄4 (1977)
* Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
* Sonatine, for violin and piano, Nr. 1⁄8 (1951)
* Sonntag aus Licht (see: Licht, above)
* Spiel ("Play"), for orchestra, Nr. 1⁄4 (1952)
* Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
* Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
* Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
** Stimmung "Paris Version", for 6 vocalists, 6 microphones, 6 loudspeakers, and sound director, Nr. 241⁄2 (1968)
* Stop, for small orchestra in 6 groups, Nr. 18 (1965)
** Stop, "Paris Version", Nr. 181⁄2 (1969)
** Stop und Start, for 6 instrumental groups, Nr. 182⁄3 (2001)
* Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. 801⁄2 (2002)
* Studie I ("Study I"), electronic music, Nr. 3/I (1953)
* Studie II ("Study II"), electronic music, Nr. 3/II (1954)
* Sukat, for alto flute and basset-horn, 2. ex Nr. 60 (1989)

## T

* Telemusik, electronic and concrete music, Nr. 20 (1966)
* Thinki, for flute, 1. ex Nr. 70 (1997)
* Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 411⁄2 (1974–75)
** Tierkreis, for high soprano or high tenor, Nr. 412⁄3
** Tierkreis, for soprano or tenor, Nr. 413⁄4
** Tierkreis, for mezzo-soprano or alto or low tenor, Nr. 414⁄5
** Tierkreis, for baritone, Nr. 415⁄6
** Tierkreis, for bass, Nr. 41$^6$/$_7$
** Tierkreis, for chamber orchestra, Nr. 41 $^7$/$_8$ (1974/77)
** Tierkreis, for clarinet and piano, Nr. 41 $^8$/$_9$ (1974/81)
** Tierkreis, trio version, Nr. 41 $^9$/$_{10}$ (1974/83)
** Tierkreis, 2003 version, for tenor or soprano and chordal instrument, Nr. 41 $^{10}$/$_{11}$ (1974/2003)
** Fünf Sternzeichen, for orchestra, Nr. 41 $^{11}$/$_{12}$ (1974/2004)
** Fünf weitere Sternzeichen, for orchestra, Nr. 41 $^{12}$/$_{13}$ (1974/2007)
*** Taurus, for bassoon, 1. ex Nr. 41 $^{12}$/$_{13}$ (1974/2007)
*** Taurus-Quintett, for tuba, trumpet, bassoon, horn, and trombone, 2. ex Nr. 41 $^{12}$/$_{13}$ (1974/2007)
* Trans, for orchestra and tape, Nr. 35 (1971)
* Traum-Formel ("Dream Formula"), for basset-horn, Nr. 512⁄3 (1981)
* Treue ("Fidelity"), for E♭ clarinet, basset horn, and bass clarinet (2007). See: Klang: Eleventh Hour
* Trumpetent (or Trompetent), for 4 trumpeters, Nr. 73 (1995)
* Türin, for door (German: Tür), rin, and speaker (versions in German and English), with electronics, Nr. 84 extra (2006)
* Two Couples, electronic and concrete music, Nr. 63 2⁄3 (1992/99)

## U

* Unsichtbare Chöre ("Invisible Choirs"), 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)

## V

* Vibra-Elufa, for vibraphone, 93⁄4 ex Nr. 64 (2003)

## W

* Weltraum ("Outer Space"), electronic music, Nr. 62 (1991–92/94) see: Licht: Freitags-Gruss and Freitags-Abschied, above.
* Wochenkreis ("Cycle of the Week"), for basset-horn and electronic keyboard instruments, 2. ex Nr. 573⁄4 (1986/88)

## X

* Xi, for a melody instrument with microtones, 1. ex Nr. 55 (1986)
** Xi, version for basset horn, 2. ex Nr. 55 (1986)
** Xi, version for alto flute or flute, 3. ex Nr. 55 (1986)

## Y

* Ylem, for 19 players, Nr. 37 (1972)
* Ypsilon, for a melody instrument with microtones, 2. ex Nr. 59 (1989)
** Ypsilon, version for basset-horn, 3. ex Nr. 59 (1989)
** Ypsilon, version for flute, 4. ex Nr. 59 (1989)

## Z

* Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
* Zungenspitzentanz ("Tip-of-the-Tongue Dance") for piccolo flute, dancer (optional) 2 euphoniums or synthesizer, 1 percussionist (optional) (plus 1 transmitter, 5 microphones, 2 x 2 loudspeakers, mixing desk and sound projectionist), or as piccolo solo, 9. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
* Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)