# List of vocal compositions by Robert Schumann

The following is a list of the complete vocal output of Robert Schumann (8 June 1810 – 29 July 1856). Schumann was one of the most prolific composers of the nineteenth century. After producing almost only piano music during the early part of his career, he turned with such vigour in 1839–40 to vocal music that it made up the majority of his published work afterwards. His songs, part-songs and larger-scale vocal works were well-known and lucrative in his lifetime, and they have remained some of his most popular compositions.
This list is based upon the Thematisch-Bibliographisches Werkverzeichnis, a comprehensive catalogue of Schumann's works compiled by Margit L. McCorkle and published in 2003. Since Schumann's death scholars have made several separate attempts to catalogue his works not published with Opus number. The result is that one work may bear several separate tags, as designated by the various cataloguers. The list gives as a lemma any WoO (Werke ohne Opuszahl) number assigned traditionally to works published, or prepared for publication, by Schumann himself. Posthumous publication of a work prepared for the press by Schumann is indicated in brackets.
For works neither published nor prepared for publication by Schumann, RSW (Robert-Schumann-Werkverzeichnis) numbers, as assigned by McCorkle, are used. Hofmann-Keil (H/K) WoO numberings are given for some items in brackets; the catalogue Hofman and Keil prepared, though incomplete, was the most popular before the publication of McCorkle's, and the numbers they assigned are still occasionally used.
For a list of all Schumann's compositions, see List of compositions by Robert Schumann.

## Works for solo voice and piano
### Lieder
#### Lieder published with Opus number

* Op. 24, Liederkreis (1840)
       Texts by Heine.
       1. Morgens steh' ich auf
       2. Es treibt mich hin
       3. Ich wandelte unter den Bäumen
       4. Lieb' Liebchen
       5. Schöne Wiege meine Leiden
       6. Warte, warte, wilder Schiffsmann
       7. Berg und Burgen schau'n herunter
       8. Anfangs wollt' ich fast verzagen
       9. Mit Myrthen und Rosen
* Op. 25, Myrthen, (published in 4 books) (1840)
       1. Widmung; text by Friedrich Rückert
             This song, whose title means 'dedication', is famous for its lyrical expression of Schumann's love for Clara. It has been arranged several times, most famously by Liszt for solo piano, and it appears thematically in the biographical film Song of Love.
       2. Freisinn; text by Goethe
       3. Der Nussbaum; text by Julius Mosen
       4. Jemand; text by Wilhelm Gerhard (1780-1858), after Burns
       5. Sitz' ich allein; text by Goethe
       6. Setze mir nicht; text by Goethe
       7. Die Lotosblume; text by Heine
       8. Talismane; text by Goethe
       9. Lied der Suleika; text by Marianne von Willemer and Goethe
       10. Die Hochländer-Witwe; text by Wilhelm Gerhard, after Burns
       11. Lied der Braut I (Mutter! Mutter!); text by Friedrich Rückert
       12. Lied der Braut II (Lass mich ihm am Busen hangen); text by Friedrich Rückert
       13. Hochländers Abschied; text by Wilhelm Gerhard, after Burns
       14. Hochländers Wiegenlied; text by Wilhelm Gerhard, after Burns
       15. Aus den hebräischen Gesängen (Mein Herz ist schwer); text by Karl Julius Körner (1793-1873), after Byron
       16. Rätsel; text by Kannegiesser, after Catherine Maria Fanshawe
       17. Zwei Venetianische Lieder I (Leis' rudern hier); text by Freiligrath, after Thomas Moore
       18. Zwei Venetianische Lieder II (Wenn durch die Piazza); text by Freiligrath, after Thomas Moore
       19. Hauptmanns Weib; text by Wilhelm Gerhard, after Burns
       20. Weit, weit; text by Wilhelm Gerhard, after Burns
       21. Was will die einsame Träne; text by Heine
       22. Niemand; text by Wilhelm Gerhard, after Burns
       23. Im Westen; text by Wilhelm Gerhard, after Burns
       24. Du bist wie eine Blume; text by Heine
       25. Aus den östlichen Rosen; text by Friedrich Rückert
       26. Zum Schluss; text by Friedrich Rückert
* Op. 27, Lieder und Gesänge, Vol. I (1840)
       1. Sag' an, o lieber Vogel mein; text by Friedrich Hebbel
       2. Dem roten Röslein gleicht mein Lieb; text by Wilhelm Gerhard, after Burns
       3. Was soll ich sagen?; text by Chamisso
       4. Jasminenstrauch; text by Friedrich Rückert
       5. Nur ein lächelnder Blick; text by Georg Wilhelm Zimmermann
* Op. 30, 3 Gedichte (1840)
       Texts by Emanuel Geibel.
       1. Der Knabe mit dem Wunderhorn
       2. Der Page
       3. Der Hidalgo
* Op. 31, 3 Gesänge (1840)
       Texts by Chamisso.
       1. Die Löwenbraut
       2. Die Kartenlegerin
       3. Die rote Hanne
             Chorus ad libitum in this song, doubling piano and singer at various times.
* Op. 35, 12 Gedichte (1840)
       Texts by Justinus Kerner.
       1. Lust der Sturmnacht
       2. Stirb, Lieb' und Freud'
       3.Wanderlied
       4. Erstes Grün
       5. Sehnsucht nach der Waldgegend
       6. Auf das Trinkglas eines verstorbenen Freundes
       7. Wanderung
       8. Stille Liebe
       9. Frage
       10. Stille Tränen
       11. Wer machte dich so krank?
       12. Alte Laute
* Op. 36, 6 Gedichte (1840)
       Texts by Robert Reinick.
       1. Sonntags am Rhein
       2. Ständchen
       3. Nichts Schöneres
       4. An den Sonnenschein
       5. Dichters Genesung
       6. Liebesbotschaft
* Op. 39, Liederkreis (1840)
       Texts by Eichendorff.
       1. In der Fremde
       2. Intermezzo
       3. Waldesgespräch
       4. Die Stille
       5. Mondnacht
       6. Schöne Fremde
       7. Auf einer Burg
       8. In der Fremde
       9. Wehmut
       10. Zwielicht
       11. Im Walde
       12. Frühlingsnacht
* Op. 40, 5 Lieder (1840)
       Texts all by Chamisso, after Andersen's Danish, except No. 5, adapted from a French poem by Claude Charles Fauriel.
       1. Märzveilchen
       2. Muttertraum
       3. Der Soldat
       4. Der Spielmann
       5. Verratene Liebe
* Op. 42, Frauenliebe und -leben (1840)
       Texts by Chamisso.
       1. Seit ich ihn gesehen
       2. Er, der Herrlichste von allen
       3. Ich kann's nicht fassen
       4. Du Ring an meinem Finger
       5. Helft mir, ihr Schwestern
       6. Süsser Freund, du blickest
       7. An meinem Herzen
       8. Nun hast du mir der ersten Schmerz getan
* Op. 45, Romanzen und Balladen, Vol. I (1840)
       1. Der Schatzgräber; text by Eichendorff
       2. Frühlingsfahrt; text by Eichendorff
       3. Abends am Strand; text by Heine
* Op. 48, Dichterliebe, (1840)
       Texts by Heine.
       1. Im wunderschönen Monat Mai
       2. Aus meinen Tränen sprießen
       3. Die Rose, die Lilie
       4. Wenn ich in deine Augen seh'
       5. Ich will meine Seele tauchen
       6. Im Rhein, im heiligen Strome
       7. Ich grolle nicht
       8. Und wüssten's die Blumen
       9. Das ist ein Flöten und Geigen
       10. Hör' ich das Liedchen klingen
       11. Ein Jüngling liebt ein Mädchen
       12. Am leuchtenden Sommermorgen
       13. Ich hab' im Traum geweinet
       14. Allnächtlich im Traume
       15. Aus alten Märchen winkt es
       16. Die alten, bösen Lieder
* Op. 49, Romanzen und Balladen, Vol. II (1840)
       1. Die beiden Grenadiere; text [de] by Heine
       2. Die feindlichen Brüder; text by Heine
       3. Die Nonne; text by Abraham Emanuel Fröhlich
* Op. 51, Lieder und Gesänge, Vol. II (1842)
       1. Sehnsucht; text by Emanuel Geibel
       2. Volksliedchen; text by Friedrich Rückert
       3. Ich wandre nicht; text by Carl Christern
       4. Auf dem Rhein; text by Karl Immermann
       5. Liebeslied; text by Goethe
* Op. 53, Romanzen und Balladen, Vol. III (1840)
       1. Blondels Lied; text by Johann Gabriel Seidl
       2. Loreley; text by Wilhelmine Lorenz [de]
       3. Der arme Peter; text by Heine
             This song, like the poem it sets, is in three sections.
* Op. 57, Ballad 'Belsazar' (1840); text by Heine
* Op. 64, Romanzen und Balladen, Vol. IV (1841-1847)
       1. Die Soldatenbraut; text by Eduard Mörike
       2. Das verlassene Mägdelein; text by Mörike
       3. Tragödie; text by Heine
             This song, like the poem it sets, is in three sections.
* Op. 77, Lieder und Gesänge, Vol. III (1841-1850)
       1. Der frohe Wandersmann; text by Eichendorff
       2. Mein Garten; text by Fallersleben
       3. Geisternähe; text by Friedrich Halm
       4. Stiller Vorwurf; text by Oscar Ludwig Bernhard Wolff (1799-1851)
       5. Aufträge; text by Christian L'Egru
* Op. 83, 3 Gesänge (1850)
       1. Resignation
       2. Die Blume der Ergebung; text by Friedrich Rückert
       3. Der Einsiedler; text by Eichendorff
* Op. 87, Ballad 'Der Handschuh' (1850); text by Schiller
* Op. 89, 6 Gesänge (1850)
       Texts by Wilfried von der Neun (1826-1916)
       1. Es stürmet am Abendhimmel
       2. Heimliches Verschwinden
       3. Herbstlied
       4. Abschied vom Walde
       5. Ins Freie
       6. Röselein, Röselein!
* Op. 90, 6 Gedichte und Requiem (1850)
       All texts by Nikolaus Lenau, except No. 7, a translation from an anonymous Latin poem by Lebrecht Blücher Dreves.
       1. Lied eines Schmiedes
       2. Meine Rose
       3. Kommen und Scheiden
       4. Die Sennin
       5. Einsamkeit
       6. Der schwere Abend
       7. Requiem
* Op. 95, 3 Gesänge (1849)
       Texts by Karl Julius Körner (1793-1873), after Byron. Dedicated to Constanze Jacobi [de]. Accompaniment may be played by either piano or harp.
       1. Die Tochter Jephtas
       2. An den Mond
       3. Dem Helden
* Op. 96, Lieder und Gesänge, Vol. IV (1850)
       1. Nachtlied; text by Goethe
       2. Schneeglöckchen
       3. Ihre Stimme; text by August von Platen-Hallermünde
       4. Gesungen!; text by Wilfried von der Neun
       5. Himmel und Erde; text by Wilfried von der Neun
* Op. 98a, Lieder und Gesänge aus 'Wilhelm Meister' (1849)
       This work sets poems by Goethe from the novel Wilhelm Meister's Apprenticeship. It was published as a companion to the choral work with orchestra Requiem für Mignon, Op. 98b, composed immediately afterwards and based upon the same novel. Each song is for solo voice, but this is a dramatic work, a complete performance of which typically requires at least two voices and often three. No. 1 identical to Op. 79, No. 28.
       1. Mignon (Kennst du das Land)
       2. Ballade des Harfners
       3. Nur wer die Sehnsucht kennt
       4. Wie nie sein Brot mit Tränen aß
       5. Heiss' mich nicht reden
       6. Wer sich der Einsamkeit ergibt
       7. Singet nicht in Trauertönen
       8. An die Thüren will ich schleichen
       9. So lasst mich scheinen, bis ich werde
* Op. 104, 7 Lieder (1851)
Texts by Elisabeth Kulmann.
       1. Mond, meiner Seele Liebling
       2. Viel Glück zur Reise
       3. Du nennst mich armes Mädchen
       4. Der Zeisig
       5. Reich' mir die Hand
       6. Die letzten Blumen starben
       7. Gekämpft hat meine Barke
* Op. 107, 6 Gesänge (1851-1852)
* Op. 117, 4 Husarenlieder (1851)
* Op. 119, 3 Gedichte (1851)
* Op. 125, 5 heitere Gesänge (1851)
* Op. 127, 5 Lieder und Gesänge (1850-1851)
* Op. 135, Gedichte der Königin Maria Stuart (1852)
* Op. 142 (posthumous), 4 Gesänge (1852)

#### Lieder without Opus number published by Schumann or prepared by Schumann for publication

* WoO 5 (H/K WoO 1), Der deutsche Rhein (Patriotic Song) (1840)
* WoO 6 (H/K WoO 7), Soldatenlied (1844)

#### Lieder never published by Schumann

* RSW:op59:Anh (H/K WoO 18), Hirtenknaben-Gesang (1846)
* RSW:op79:Anh:1, Die Ammenuhr (1849)
* RSW:op79:Anh:2, Der weisse Hirsch (1848) (sketches)
* RSW:op79:Anh:3, Das Schwert (1849)
* RSW:op127:Anh (H/K WoO 26,1), Ein Gedanke (1840)
* RSW:Anh:M1,1, Verwandlung (1827)
* RSW:Anh:M1,2, Lied für XXX (1827)
* RSW:Anh:M2,1-11, 11 Songs (1827–28)
       1. Die Weinende; text by Theodor Körner, after Byron
       2. Kurzes Erwachen; text by Justinus Kerner
       3. Gesanges Erwachen; text by Kerner
       4. An Anna (I); text by Kerner
       5. Sehnsucht; text by Schumann himself
       6. Der Fischer; text by Goethe
       7. An Anna (II); text by Kerner
             This song formed the basis for the second movement of the first piano sonata in F♯ minor.
       8. Im Herbste; text by Kerner
       9. Hirtenknabe; text by Schumann himself
       10. Erinnerung; text by Johann Georg Jacobi
       11. Klage
             This song is now lost.
* RSW:Anh:M2,1-5,10 (H/K WoO 21), 6 Jugendlieder for Voice and Piano (1827–28)
* RSW:Anh:M2,7-9 (H/K WoO 10, 2–4), Drei Jugendlieder for voice and piano (1827–28)
* RSW:Anh:M2,6 (H/K WoO 19), Der Fischer (Jugendlied) (1827–28)
* RSW:Anh:M3, Die Wallfahrt nach Kevelaer (1840)
       A fragment.
* RSW:Anh:M4,1-2 (H/K WoO 11), Zwei Balladen for voice and piano (1840)
* RSW:Anh:M6 (H/K WoO 8), Albumblatt 'Auf Wiedersehn' für Niels W. Gade for Voice and Piano (1844)
* RSW:Anh:M11,1 (H/K WoO 26,2), Frühlingsgrüße (1851)

#### Arrangements of other composers' Lieder

* RSW:Anh:O7, E. Müller Sechs Lieder, revised (lost, 1837)

### Declamations for speaker and piano

* Op. 106, Schön Hedwig (1849)
* Op. 122, 2 Ballads for Declamation (1852)
       1. Ballade vom Heideknaben
       2. Die Flüchtlinge

## Works for duet and piano
### Duets published with Opus number

* Op. 34, 4 Duets for soprano and tenor (1840)
* Op. 37, Gedichte aus 'Liebesfrühling' (1840)
       Mostly solo Lieder; No. 12 only for duet.
* Op. 43, 3 Zweistimmige Lieder (1840)
* Op. 78, 4 Duets, Op.78 (1849)
* Op. 79, Liederalbum für die Jugend (1849)
       Nos. 9, 15, 18, 20 are duets; No. 24 is a trio ad libitum; No. 17 is with chorus ad libitum; No. 28 is identical to Op. 98a, No. 1.
* Op. 103, Mädchenlieder (4 duets) (1851)

### Duets without Opus number published by Schumann or prepared by Schumann for publication

* WoO 7 (H/K WoO 9), Sommerruh for two voices and Piano (1849)

### Duets never published by Schumann

* RSW:Anh:M14 (H/K WoO 26,3), Liedchen von Marie und Papa in F major for Two voices (1852)

## Part-songs
### Part-songs for soloists and piano

* Op. 74, Spanisches Liederspiel (1849) (SATB)
* Op. 101, Minnespiel (1849)
       Nos. 3 and 7 are duets; Nos. 5 and 10 are for SATB; the rest are solo songs.
* Op. 114, 3 Lieder für 3 Frauenstimmen (1853)
* Op. 138 (posthumous), Spanische Liebeslieder (1849)
       For 4 voices, accompanied by 4-hands.
* Op. 29, 3 Gedichte (1840) (2-4 voices)

### Part-songs for male chorus
#### Part-songs for male chorus published with Opus number

* Op. 33, 6 Lieder (1840)
* Op. 62, 3 Lieder für Männerchor (1847)
* Op. 65, Ritornelle in canonischen Weisen (1847)
* Op. 137 (posthumous), Jagdlieder (1849) (TTBB and 4 horns ad lib.)

#### Part-songs for male chorus without Opus number published by Schumann or prepared by Schumann for publication

* WoO 4 (H/K WoO 13–15), Drei Freiheitsgesänge (1848) für Männerchor mit Harmoniemusik

#### Part-songs for male chorus never published by Schumann

* RSW:op65:Anh:1-2, 2 Partsongs for Men's voices (1847) (supplement to Op.65)
* RSW:op65:Anh:1 (H/K WoO 12), Kanon für Männerstimmen (Rückert) (1847)
* RSW:op65:Anh:2 (H/K WoO 17), Kanon für Männerstimmen (Rückert) (1847)

### Part-songs for female chorus
#### Part-songs for female chorus published with Opus number

* Op. 69, 6 Romanzen für Frauenstimmen Vol. I (1849) (piano ad libitum)
* Op. 91, 6 Romanzen für Frauenstimmen Vol. II (1849) (piano ad libitum)

#### Part-songs for female chorus never published by Schumann

* RSW:Anh:K1, Liederheft (lost, 1840)

### Part-songs for mixed chorus
#### Part-songs for mixed chorus published with Opus number

* Op. 55, 5 Lieder (1846)
       Texts by Wilhelm Gerhard (1780-1858), after Burns.
       1. Das Hochlandmädchen
       2. Zahnweh
       3. Mich zieht es nach dem Dörfchen hin
       4. Die alte gute Zeit
       5. Hochlandbursch
             This song uses SATB soloists as well as the chorus.
* Op. 59, 4 Gesänge (1846)
* Op. 67, Romanzen und Balladen, Vol. I (1849)
       1. Der König von Thule; text by Goethe
             This song uses a tenor soloist.
       2. Schön-Rohtraut; text by Eduard Mörike
       3. Heidenröslein; text by Goethe
       4. Ungewitter; text by Adelbert von Chamisso
       5. John Anderson; text by Wilhelm Gerhard after Burns
* Op. 75, Romanzen und Balladen, Vol. II (1849)
* Op. 84, Beim Abschied zu singen (1848)
       With wind orchestra accompaniment.
* Op. 141 (posthumous), 4 doppelchörige Gesänge for two choruses (1849)
* Op. 145 (posthumous), Romanzen und Balladen, Vol. III (1849-1851)
* Op. 146 (posthumous), Romanzen und Balladen, Vol. IV (1849)
       No. 5 calls for a soprano soloist, and introduces solo flute and horn parts.

#### Part-songs for mixed chorus never published by Schumann

* RSW:Anh:L3, Glockentürmers Töchterlein (1851)
* RSW:Anh:M15 (H/K WoO 26,4), Die Orange und Myrte for Choir SATB and Piano (1853)

## Canons

* Op. 68 Anh., Fest im Takt, im Tone rein (1850)
       A canon intended for performance by voices a cappella

## Choral works with orchestra
### Religious choral works
#### Religious choral works published with Opus number

* Op. 71, Adventlied (1848)
       For soprano, chorus, and orchestra.
* Op. 93, Motet 'Verzweifle nicht im Schmerzenstal' (1849-1852)
       For two TTBB choirs; organ ad libitum.
* Op. 147 (posthumous), Mass in C minor (1852) (with organ)
* Op. 148 (posthposthumous, Requiem (1852)

#### Religious choral works never published by Schumann

* RSW:Anh:I10, Psalm 150 for Choir and Orchestra (1822)
       An early work which the twelve-year-old Schumann designated his Opus 1, despite its never being published.

#### Arrangements of other composers' religious choral Works

* RSW:Anh:O1, J.S. Bach Johannespassion BWV 245 (1848/1851)
       Schumann produced an arrangement for full Romantic orchestra, with added clarinet, oboe and trumpet parts.

### Dramatic choral works
#### Dramatic choral works published with Opus number

* Op. 50, Oratorio, Das Paradies und die Peri (1841-1843)
* Op. 112, Oratorio, Der Rose Pilgerfahrt (1851)
* Op. 115, Manfred (1848)
       Overture and incidental music using the text of Byron's play; uses a speaking narrator.
* Op. 116, Der Königssohn (1851)
* Op. 140 (posthumous), Vom Pagen und der Königstochter
       Uses SATB soloists.
* Op. 143 (posthumous), Das Glück von Edenhall
       For tenor and bass soloists, TTBB choir and orchestra.

#### Dramatic choral works without Opus number published by Schumann or prepared by Schumann for publication

* WoO 3, (H/K WoO 3) Szenen aus Goethes Faust (1844–53)

### Secular choral works
#### Secular choral works published with Opus number

* Op. 98b, Requiem für Mignon (1849)
       Uses several soloists.
* Op. 108, Nachtlied (1849)
* Op. 123, Overture 'Rheinweinlied' (1853)
       Uses a tenor soloist and SATB, but also arranged by Schumann for tenor soloist with TTBB.
* Op. 139 (posthumous), Des Sängers Fluch (1852)
       Uses several soloists.
* Op. 144 (posthumous), Neujahrslied (1849)
       Uses a baritone soloist.

#### Secular choral works never published by Schumann

* RSW:op64:Anh, Tragödie for Choir and Orchestra (1841)
* RSW:Anh:I9, Chor von Landleuten, Overture & Chorus for Choir and Orchestra (1822)
       An early work.

## Opera
### Opera published with Opus number

* Op. 81, Genoveva (1847-1850)

### Opera never published by Schumann

* RSW:Anh:H5, Der Corsar (1844)
       One chorus and one aria survive.

## Unpublished notebooks containing vocal music

* RSW:Anh:R11, Brautbuch (1837–39)
* RSW:Anh:R12, Liederbuch 1 (1840)
* RSW:Anh:R13, Liederbuch 2 (1840)
* RSW:Anh:R14, Liederbuch 3 (1840–47)
* RSW:Anh:R18, Choralsätze (1854–56)

## Sortable list of songs

| Work number | Cycle | Title | Translation | Librettist(s) | Scoring | Date of composition | Date of publication | Notes |
| Op. 24, No. 1 | Liederkreis | Morgens steh' ich auf | Each morning I get up | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 2 | Liederkreis | Es treibt mich hin | It urges me here | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 3 | Liederkreis | Ich wandelte unter den Bäumen | I strolled beneath the trees | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 4 | Liederkreis | Lieb' Liebchen | Dear Darling | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 5 | Liederkreis | Schöne Wiege meine Leiden | Lovely cradle of my sorrows | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 6 | Liederkreis | Warte, warte, wilder Schiffsmann | Wait, wait, wild seaman | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 7 | Liederkreis | Berg und Burgen schau'n herunter | Mountain and castles look down below | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 8 | Liederkreis | Anfangs wollt' ich fast verzagen | At first I almost wanted to despair | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 24, No. 9 | Liederkreis | Mit Myrthen und Rosen | With myrtles and roses | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 1 | Myrthen | Widmung | Dedication | Friedrich Rückert | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 2 | Myrthen | Freisinn | Free spirit | Goethe | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 3 | Myrthen | Der Nussbaum | The (Wal)nut Tree | Julius Mosen | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 4 | Myrthen | Jemand | Someone | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 5 | Myrthen | Sitz' ich allein | I sit alone | Goethe | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 1, No. 6 | Myrthen | Setze mir nicht | Do not set down for me | Goethe | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 7 | Myrthen | Die Lotosblume | The Lotus Flower | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 8 | Myrthen | Talismane | Talisman | Goethe | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 9 | Myrthen | Lied der Suleika | Suleika's Song | Marianne von Willemer, Goethe | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 10 | Myrthen | Die Hochländer-Witwe | The Highlander's Widow | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 11 | Myrthen | Lied der Braut I (Mutter! Mutter!) | The Bride's Song I (Mother! Mother!) | Friedrich Rückert | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 2, No. 12 | Myrthen | Lied der Braut II (Lass mich ihm am Busen hangen) | The Bride's Song II (Let me rest upon his chest) | Friedrich Rückert | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 13 | Myrthen | Hochländers Abschied | Highlander's Farewell | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 14 | Myrthen | Hochländers Wiegenlied | Highlander's Lullaby | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 15 | Myrthen | Aus den hebräischen Gesängen (Mein Herz ist schwer) | From the "Hebrew Melodies" (My heart is heavy) | Byron, trans. Karl Julius Körner (1793-1873) | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 16 | Myrthen | Rätsel | Riddle | Catherine Maria Fanshawe, trans. Kannegiesser | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 17 | Myrthen | Zwei Venetianische Lieder I (Leis' rudern hier) | Two Venetian songs I (Row softly here) | Thomas Moore, trans. Freiligrath | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 3, No. 18 | Myrthen | Zwei Venetianische Lieder II Wenn durch die Piazza | Two Venetian songs II (When through the piazza) | Thomas Moore, trans. Freiligrath | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 19 | Myrthen | Hauptmanns Weib | The Captain's Wife | Burns, trans.Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 20 | Myrthen | Weit, weit | Far, far | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 21 | Myrthen | Was will die einsame Träne | What does the lonely tear want | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 22 | Myrthen | Niemand | Nobody | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 23 | Myrthen | Im Westen | In the west | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 24 | Myrthen | Du bist wie eine Blume | You are like a flower | Heine | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 25 | Myrthen | Aus den östlichen Rosen | From the eastern roses | Friedrich Rückert | Solo voice and piano | 1840 | 1840 | |
| Op. 25, Book 4, No. 26 | Myrthen | Zum Schluss | To the last | Friedrich Rückert | Solo voice and piano | 1840 | 1840 | |
| Op. 27, No. 1 | Lieder und Gesänge, Vol. I | Sag' an, o lieber Vogel mein | Say, o dear bird of mine | Friedrich Hebbel | Solo voice and piano | 1840 | May 1849 | |
| Op. 27, No. 2 | Lieder und Gesänge, Vol. I | Dem roten Röslein gleicht mein Lieb | My love's like a red, red rose | Burns, trans. Wilhelm Gerhard | Solo voice and piano | 1840 | May 1849 | |
| Op. 27, No. 3 | Lieder und Gesänge, Vol. I | Was soll ich sagen? | What should I say? | Chamisso | Solo voice and piano | 1840 | May 1849 | |
| Op. 27, No. 4 | Lieder und Gesänge, Vol. I | Jasminenstrauch | The Jasmine Bush | Friedrich Rückert | Solo voice and piano | 1840 | May 1849 | |
| Op. 27, No. 5 | Lieder und Gesänge, Vol. I | Nur ein lächelnder Blick | Only a smiling look | Georg Wilhelm Zimmermann | Solo voice and piano | 1840 | May 1849 | |
| Op. 30, No. 1 | 3 Gedichte | Der Knabe mit dem Wunderhorn | The Boy with the Magic Horn | Emanuel Geibel | Solo voice and piano | 1840 | December 1840 | |
| Op. 30, No. 2 | 3 Gedichte | Der Page | The Page | Emanuel Geibel | Solo voice and piano | 1840 | December 1840 | |
| Op. 30, No. 3 | 3 Gedichte | Der Hidalgo | The Hidalgo | Emanuel Geibel | Solo voice and piano | 1840 | December 1840 | |
| Op. 31, No. 1 | 3 Gesänge | Die Löwenbraut | The Lion's Bride | Chamisso | Solo voice and piano | 1840 | | |
| Op. 31, No. 2 | 3 Gesänge | Die Kartenlegerin | The Tarot Woman | Chamisso | Solo voice and piano | 1840 | | |
| Op. 31, No. 3 | 3 Gesänge | Die rote Hanne | Redhead Hanne | Chamisso | Solo voice and piano | 1840 | | Chorus ad libitum |
| Op. 35, No. 1 | 12 Gedichte | Lust der Sturmnacht | Stormy Night's Pleasure | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 2 | 12 Gedichte | Stirb, Lieb' und Freud | Die, Love and Joy | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 3 | 12 Gedichte | Wanderlied | Travelling Song | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 4 | 12 Gedichte | Erstes Grün | First Green | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 5 | 12 Gedichte | Sehnsucht nach der Waldgegend | Longing for Woodland | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 6 | 12 Gedichte | Auf das Trinkglas eines verstorbenen Freundes | To the drinking-glass of a friend passed away | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 7 | 12 Gedichte | Wanderung | Wandering | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 8 | 12 Gedichte | Stille Liebe | Silent Love | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 9 | 12 Gedichte | Frage | Question | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 10 | 12 Gedichte | Stille Tränen | Silent Tears | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 11 | 12 Gedichte | Wer machte dich so krank? | Who made you so ill? | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 35, No. 12 | 12 Gedichte | Alte Laute | Olden sounds | Justinus Kerner | Solo voice and piano | 1840 | | |
| Op. 36, No. 1 | 6 Gedichte | Sonntags am Rhein | Sunday on the Rhine | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 36, No. 2 | 6 Gedichte | Ständchen | Serenade | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 36, No. 3 | 6 Gedichte | Nichts Schöneres | Nothing more beautiful | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 36, No. 4 | 6 Gedichte | An den Sonnenschein | To the Sunshine | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 36, No. 5 | 6 Gedichte | Dichters Genesung | Poet's Convalescence | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 36, No. 6 | 6 Gedichte | Liebesbotschaft | News of Love | Robert Reinick | Solo voice and piano | 1840 | | |
| Op. 39, No. 1 | Liederkreis | In der Fremde | In Foreign Lands | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 2 | Liederkreis | Intermezzo | Intermezzo | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 3 | Liederkreis | Waldesgespräch | Forest Conversation | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 4 | Liederkreis | Die Stille | Silence | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 5 | Liederkreis | Mondnacht | Moon-night | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 6 | Liederkreis | Schöne Fremde | Beautiful foreign lands | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 7 | Liederkreis | Auf einer Burg | At a Castle | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 8 | Liederkreis | In der Fremde | In Foreign Lands | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 9 | Liederkreis | Wehmut | Wistfulness | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 10 | Liederkreis | Zwielicht | Twilight | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 11 | Liederkreis | Im Walde | In the Woods | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 39, No. 12 | Liederkreis | Frühlingsnacht | Spring Night | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 40, No. 1 | 5 Lieder | Märzveilchen | | Andersen, trans. Chamisso | Solo voice and piano | 1840 | | |
| Op. 40, No. 2 | 5 Lieder | Muttertraum | | Andersen, trans. Chamisso | Solo voice and piano | 1840 | | |
| Op. 40, No. 3 | 5 Lieder | Der Soldat | | Andersen, trans. Chamisso | Solo voice and piano | 1840 | | |
| Op. 40, No. 4 | 5 Lieder | Der Spielmann | | Andersen, trans. Chamisso | Solo voice and piano | 1840 | | |
| Op. 40, No. 5 | 5 Lieder | Verratene Liebe | | Fauriel, trans. Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 1 | Frauenliebe und -leben | Seit ich ihn gesehen | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 2 | Frauenliebe und -leben | Er, der Herrlichste von allen | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 3 | Frauenliebe und -leben | Ich kann's nicht fassen | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 4 | Frauenliebe und -leben | Du Ring an meinem Finger | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 5 | Frauenliebe und -leben | Helft mir, ihr Schwestern | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 6 | Frauenliebe und -leben | Süsser Freund, du blickest | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 7 | Frauenliebe und -leben | An meinem Herzen | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 8 | Frauenliebe und -leben | Nun hast du mir der ersten Schmerz getan | | Chamisso | Solo voice and piano | 1840 | | |
| Op. 42, No. 1 | Romanzen und Balladen, Vol. I | Der Schatzgräber | | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 42, No. 2 | Romanzen und Balladen, Vol. I | Frühlingsfahrt | | Eichendorff | Solo voice and piano | 1840 | | |
| Op. 42, No. 3 | Romanzen und Balladen, Vol. I | Abends am Strand | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 1 | Dichterliebe | Im wunderschönen Monat Mai | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 2 | Dichterliebe | Aus meinen Tränen sprießen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 3 | Dichterliebe | Die Rose, die Lilie | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 4 | Dichterliebe | Wenn ich in deine Augen seh | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 5 | Dichterliebe | Ich will meine Seele tauchen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 6 | Dichterliebe | Im Rhein, im heiligen Strome | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 7 | Dichterliebe | Ich grolle nicht | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 8 | Dichterliebe | Und wüssten's die Blumen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 9 | Dichterliebe | Das ist ein Flöten und Geigen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 10 | Dichterliebe | Hör' ich das Liedchen klingen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 11 | Dichterliebe | Ein Jüngling liebt ein Mädchen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 12 | Dichterliebe | Am leuchtenden Sommermorgen | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 13 | Dichterliebe | Ich hab' im Traum geweinet | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 14 | Dichterliebe | Allnächtlich im Traume | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 15 | Dichterliebe | Aus alten Märchen winkt es | | Heine | Solo voice and piano | 1840 | | |
| Op. 48, No. 16 | Dichterliebe | Die alten, bösen Lieder | | Heine | Solo voice and piano | 1840 | | |
| Op. 49, No. 1 | Romanzen und Balladen, Vol. II | Die beiden Grenadiere | | Heine | Solo voice and piano | 1840 | | |
| Op. 49, No. 2 | Romanzen und Balladen, Vol. II | Die feindlichen Brüder | | Heine | Solo voice and piano | 1840 | | |
| Op. 49, No. 3 | Romanzen und Balladen, Vol. II | Die Nonne | | Abraham Emanuel Fröhlich | Solo voice and piano | 1840 | | |
| Op. 51, No. 1 | Lieder und Gesänge, Vol. II | Sehnsucht | | Emanuel Geibel | Solo voice and piano | 1842 | | |
| Op. 51, No. 2 | Lieder und Gesänge, Vol. II | Volksliedchen | | Friedrich Rückert | Solo voice and piano | 1842 | | |
| Op. 51, No. 3 | Lieder und Gesänge, Vol. II | Ich wandre nicht | | Carl Christern | Solo voice and piano | 1842 | | |
| Op. 51, No. 4 | Lieder und Gesänge, Vol. II | Auf dem Rhein | | Karl Immermann | Solo voice and piano | 1842 | | |
| Op. 51, No. 5 | Lieder und Gesänge, Vol. II | Liebeslied | | Goethe | Solo voice and piano | 1842 | | |
| Op. 53, No. 1 | Romanzen und Balladen, Vol. III | Blondels Lied | | Johann Gabriel Seidl | Solo voice and piano | 1840 | | |
| Op. 53, No. 2 | Romanzen und Balladen, Vol. III | Loreley | | Wilhelmine Lorenz [de] | Solo voice and piano | 1840 | | |
| Op. 53, No. 3 | Romanzen und Balladen, Vol. III | Der arme Peter | | Heine | Solo voice and piano | 1840 | | In three sections |
| Op. 57 | | Ballad "Belsazar" | | Heine | Solo voice and piano | 1840 | | |
| Op. 64, No. 1 | Romanzen und Balladen, Vol. IV | Die Soldatenbraut | | Eduard Mörike | Solo voice and piano | 1847 | | |
| Op. 64, No. 2 | Romanzen und Balladen, Vol. IV | Das verlassene Mägdelein | | Eduard Mörike | Solo voice and piano | 1847 | | |
| Op. 64, No. 3 | Romanzen und Balladen, Vol. IV | Tragödie | | Heine | Solo voice and piano | 1841 | | In three sections |
| Op. 77, No. 1 | Lieder und Gesänge, Vol. III | Der frohe Wandersmann | | Eichendorff | Solo voice and piano | 1840 | 1851 | |
| Op. 77, No. 2 | Lieder und Gesänge, Vol. III | Mein Garten | | Fallersleben | Solo voice and piano | 1850 | 1851 | |
| Op. 77, No. 3 | Lieder und Gesänge, Vol. III | Geisternähe | | Friedrich Halm | Solo voice and piano | 1850 | 1851 | |
| Op. 77, No. 4 | Lieder und Gesänge, Vol. III | Stiller Vorwurf | | Oscar Ludwig Bernhard Wolff 1799-1851 | Solo voice and piano | 1850 | 1851 | |
| Op. 77, No. 5 | Lieder und Gesänge, Vol. III | Aufträge | | Christian L'Egru | Solo voice and piano | 1850 | 1851 | |
| Op. 83, No. 1 | 3 Gesänge | Resignation | | Julius Buddeus? | Solo voice and piano | 1850 | | |
| Op. 83, No. 2 | 3 Gesänge | Die Blume der Ergebung | | Friedrich Rückert | Solo voice and piano | 1850 | | |
| Op. 83, No. 3 | 3 Gesänge | Der Einsiedler | | Eichendorff | Solo voice and piano | 1850 | | |
| Op. 87 | | Ballad "Der Handschuh" | | Schiller | Solo voice and piano | 1850 | | |
| Op. 89, No. 1 | 6 Gesänge | Es stürmet am Abendhimmel | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 89, No. 2 | 6 Gesänge | Heimliches Verschwinden | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 89, No. 3 | 6 Gesänge | Herbstlied | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 89, No. 4 | 6 Gesänge | Abschied vom Walde | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 89, No. 5 | 6 Gesänge | Ins Freie | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 89, No. 6 | 6 Gesänge | Röselein, Röselein! | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 90, No. 1 | 6 Gedichte und Requiem | Lied eines Schmiedes | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 2 | 6 Gedichte und Requiem | Meine Rose | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 3 | 6 Gedichte und Requiem | Kommen und Scheiden | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 4 | 6 Gedichte und Requiem | Die Sennin | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 5 | 6 Gedichte und Requiem | Einsamkeit | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 6 | 6 Gedichte und Requiem | Der schwere Abend | | Nikolaus Lenau | Solo voice and piano | 1850 | | |
| Op. 90, No. 7 | 6 Gedichte und Requiem | Requiem | | Anonymous, trans. Lebrecht Blücher Dreves | Solo voice and piano | 1850 | | |
| Op. 95, No. 1 | 3 Gesänge | Die Tochter Jephtas | | Byron, trans. Karl Julius Körner (1793-1873) | Solo voice and piano or harp | 1849 | | Published with a dedication to Constanze Jacobi [de] |
| Op. 95, No. 2 | 3 Gesänge | An den Mond | | Byron, trans. Karl Julius Körner (1793-1873) | Solo voice and piano or harp | 1849 | | Published with a dedication to Constanze Jacobi [de] |
| Op. 95, No. 3 | 3 Gesänge | Dem Helden | | Byron, trans. Karl Julius Körner (1793-1873) | Solo voice and piano or harp | 1849 | | Published with a dedication to Constanze Jacobi [de] |
| Op. 96, No. 1 | Lieder und Gesänge, Vol. IV | Nachtlied | | Goethe | Solo voice and piano | 1850 | | |
| Op. 96, No. 2 | Lieder und Gesänge, Vol. IV | Schneeglöckchen | | Anonymous | Solo voice and piano | 1850 | | |
| Op. 96, No. 3 | Lieder und Gesänge, Vol. IV | Ihre Stimme | | August von Platen-Hallermünde | Solo voice and piano | 1850 | | |
| Op. 96, No. 4 | Lieder und Gesänge, Vol. IV | Gesungen! | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 96, No. 5 | Lieder und Gesänge, Vol. IV | Himmel und Erde | | Wilfried von der Neun | Solo voice and piano | 1850 | | |
| Op. 98a, No. 1 | Lieder und Gesänge aus 'Wilhelm Meister' | Mignon (Kennst du das Land) | | Goethe | Solo voice (Mignon) and piano | 1849 | | Identical to Op. 79, No. 28 |
| Op. 98a, No. 2 | Lieder und Gesänge aus 'Wilhelm Meister' | Ballade des Harfners | | Goethe | Solo voice (Harfner) and piano | 1849 | | |
| Op. 98a, No. 3 | Lieder und Gesänge aus 'Wilhelm Meister' | Nur wer die Sehnsucht kennt | | Goethe | Solo voice (Mignon) and piano | 1849 | | |
| Op. 98a, No. 4 | Lieder und Gesänge aus 'Wilhelm Meister' | Wie nie sein Brot mit Tränen aß | | Goethe | Solo voice (Harfner) and piano | 1849 | | |
| Op. 98a, No. 5 | Lieder und Gesänge aus 'Wilhelm Meister' | Heiss' mich nicht reden | | Goethe | Solo voice (Mignon) and piano | 1849 | | |
| Op. 98a, No. 6 | Lieder und Gesänge aus 'Wilhelm Meister' | Wer sich der Einsamkeit ergibt | | Goethe | Solo voice (Harfner) and piano | 1849 | | |
| Op. 98a, No. 7 | Lieder und Gesänge aus 'Wilhelm Meister' | Singet nicht in Trauertönen | | Goethe | Solo voice (Philine) and piano | 1849 | | |
| Op. 98a, No. 8 | Lieder und Gesänge aus 'Wilhelm Meister' | An die Thüren will ich schleichen | | Goethe | Solo voice (Harfner) and piano | 1849 | | |
| Op. 98a, No. 9 | Lieder und Gesänge aus 'Wilhelm Meister' | So lasst mich scheinen, bis ich werde | | Goethe | Solo voice (Mignon) and piano | 1849 | | |
| Op. 104, No. 1 | 7 Lieder | Mond, meiner Seele Liebling | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 2 | 7 Lieder | Viel Glück zur Reise | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 3 | 7 Lieder | Du nennst mich armes Mädchen | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 4 | 7 Lieder | Der Zeisig | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 5 | 7 Lieder | Reich' mir die Hand | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 6 | 7 Lieder | Die letzten Blumen starben | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| Op. 104, No. 7 | 7 Lieder | Gekämpft hat meine Barke | | Elisabeth Kulmann | Solo voice and piano | 1851 | | |
| RSW:Anh:M2,1-11, No. 1 | 11 Songs | Die Weinende | | Byron, trans. Theodor Körner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 2 | 11 Songs | Kurzes Erwachen | | Justinus Kerner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 3 | 11 Songs | Gesanges Erwachen | | Kerner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 4 | 11 Songs | An Anna I | | Kerner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 5 | 11 Songs | Sehnsucht | | Schumann himself | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 6 | 11 Songs | Der Fischer | | Goethe | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 7 | 11 Songs | An Anna II | | Kerner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 8 | 11 Songs | Im Herbste | | Kerner | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 9 | 11 Songs | Hirtenknabe | | Schumann | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 10 | 11 Songs | Erinnerung | | Johann Georg Jacobi | Solo voice and piano | 1827-28 | | |
| RSW:Anh:M2,1-11, No. 11 | 11 Songs | Klage | | | Solo voice and piano | 1827-28 | | Lost |

## Sources

* McCorkle, Margit L. (2003). Robert Schumann: thematisch-bibliographisches Werkverzeichnis. Munich: G. Henle Verlag. ISBN 9783873281103.
* Hoffman; Keil (1982). Robert Schumann: thematisches Verzeichnis sämtlicher im Druck erschienenen musikalischen Werke mit Angabe des Jahres ihres Entstehens und Erscheinens, 5th ed. Schuberth. ISBN 9783922074021.
* ↑ Eckhardt, Mária (2017). "Preface to Widmung" (PDF). G. Henle Verlag. Retrieved 2023-06-05.
* ↑ Gíslason, Donald G. (2021). "Program notes: Tristan Teo". Vancouver Recital Society. Retrieved 2023-06-05.