OpenLLM-France/wikimedia huggingface dataset:
# 1986 NCAA Division I Men's Tennis Championships

The 1986 NCAA Division I Men's Tennis Championships were the 40th annual championships to determine the national champions of NCAA Division I men's singles, doubles, and team collegiate tennis in the United States. This year's tournaments were played in Athens, Georgia, hosted by the University of Georgia.
The men's team championship was won by Stanford, their eighth team national title. The Cardinal defeated Pepperdine in the final round, 5–2.
The men's singles title was won by Dan Goldie from Stanford.
The men's doubles title was won by Rick Leach and Tom Pawsat from USC.

## Host site

The tournaments were played at the Dan Magill Tennis Complex at the University of Georgia in Athens, Georgia. The men's and women's tournaments would not be held at the same venue until 2006.

## Brackets
### Team championship

| First round | First round | Quarterfinals | Quarterfinals | Semifinals | Semifinals | | Championship | Championship |
| Stanford | 5 | | | | | | | |
| Harvard | 2 | | | | | | | |
| Harvard | 2 | Stanford | 5 | | | | | |
| | | Clemson | 3 | | | | | |
| Clemson | 5 | Clemson | 3 | | | | | |
| Oklahoma State | 2 | | | | | | | |
| Oklahoma State | 2 | | | Stanford | 5 | | | |
| | | | | UCLA | 1 | | | |
| Texas | 5 | | | | | UCLA | 1 | | | |
| Miami (FL) | 3 | | | | | | | |
| Miami (FL) | 3 | Texas | 2 | | | | | |
| | | UCLA | 5 | | | | | |
| UCLA | 5 | UCLA | 5 | | | | | |
| Minnesota | 0 | | | | | | | |
| Minnesota | 0 | | | | | | Stanford | 5 |
| | | | | | | | Pepperdine | 2 |
| SMU | 5 | | | | | | | | Pepperdine | 2 |
| LSU | 2 | | | | | | | |
| LSU | 2 | SMU | 5 | | | | | |
| | | Arkansas | 1 | | | | | |
| Arkansas | 5 | Arkansas | 1 | | | | | |
| California | 2 | | | | | | | |
| California | 2 | | | SMU | 1 | | | |
| | | | | Pepperdine | 5 | | | |
| USC | 5 | | | | | Pepperdine | 5 | | | |
| Utah | 1 | | | | | | | |
| Utah | 1 | USC | 2 | | | | | |
| | | Pepperdine | 5 | | | | | |
| Pepperdine | 7 | Pepperdine | 5 | | | | | |
| Georgia | 2 | | | | | | | |
# Intrinsic muscles of the hand

Muscles of the hand#Intrinsic
# Morioh Town

Morioh Town is the name of several fictional towns in the JoJo's Bizarre Adventure franchise.
* Morioh Town, from Diamond Is Unbreakable
* Morioh Town, from JoJolion
# Joshua McCarter Simpson

Joshua McCarter Simpson (ca. 1820 - April 20, 1877) was a store proprietor, herbalist, poet and lyricist in the United States. He lamented the enslavement of African Americans, called out the hypocrisy of white Christian abusers, and denounced the brutal treatment and discrimination African Americans received. His songs were published in 1854 as The Emancipation Car: Being an Original Composition of Anti-Slavery Ballads, Composed Exclusively for the Underground Railroad. His work was well known and widely circulated during his lifetime. Alternative first (John) and last names (McCarty) have been noted.
He was fostered before being leased out as an orphan. He was indentured until age 21. He attended an Abolitionist school in Big Bottom, Ohio and Oberlin Collegiate Institute in Oberlin, Ohio. He wrote anti-slavery verses and set them to popular tunes.
He had a store and medical practice in Zanesville, Ohio. Vicki L. Eakler wrote a master's thesis on him in 1982 at Washington University in St. Louis.
The Zanesville Courier reported his death April 20, 1877 and ran an obituary for him the following day.

## Songs

* "The Proclamation Day" to the tune of The Prisoner's Hope / Tramp! Tramp!! Tramp!!! words and music by George Frederick Root published by Root & Cady
* "Let the Banner Proudly Wave" to "Nearer Our Happy Home"
* "The Fifteenth Amendment"
* "The Grand Jubilee", to the tune of "Annie of the Vale"
* "Away to Canada" to the tune of "Oh Susanna"
* "To the White People of America" to the tune "Massa's in the Cold, Cold Ground" a minstrel song composed by New York songwriter Stephen Foster in 1852
* "A Brother's Farewell (A Scene at the Slave Pen)" to the tune of Stephen Foster's "Hard Times Come Again No More"
* "No, Master, Never" to "Pop Goes the Weasel"
* "Song of the Aliened American" to the tune of "My Country, 'Tis of Thee"
# Kristian Taska

%5B%5BWikipedia%3ARedirects+for+discussion%5D%5D+debate+closed+as+delete
#REDIRECT Taska Film
# If We Hold on Together

"If We Hold on Together" is the theme song to the 1988 film The Land Before Time, and is performed by American singer Diana Ross. Played during the film's ending credits, it was released on the film's soundtrack as well on Ross' nineteenth studio album, The Force Behind the Power (1991). It was also released as the soundtrack's first and only single on November 5, 1988 by MCA. The song was written by James Horner and Will Jennings, and produced by Peter Asher. It reached the top 30 on the US adult contemporary chart, peaked at #23, as well as giving Ross her biggest hit ever in Japan (No. 1) and later reaching No. 11 in the UK. There was no music video promoted for the song.
"If We Hold on Together" was covered by Anndi McAfee and Aria Curzon, the voices of Cera and Ducky in The Land Before Time series since the fifth film, for The Land Before Time: Sing-Along Songs in 1997. The song was also covered by multi-Na Hoku Hanohano award-winning Hawaiian music artist Keali'i Reichel on his 1995 debut album Kawaipunahele. Jordin Sparks, a winner of American Idol season 6 also covered this song.

## Critical reception

Peter Fawthrop from AllMusic described the song as "a soaring, splendid ballad", noting that it "is somewhat Biblical in its message, "Valley mountain, there is a fountain that washes our tears all away"". Katherine Cusumano from Bustle preferred it to "My Heart Will Go On", writing that "it's shamelessly sappy, but it perfectly suits the dinosaur tearjerker it appears in". James Masterton declared it as Ross' "welcome return to the slushy soul ballads only she can do properly". Pan-European magazine Music & Media stated: "Ross is the boss when it comes to romantic ballads. This one will have to share the air with all those flying angels during the Christmas period". Rotoscopers said it was the "cherry on top to this great musical score" from James Horner. The site also said it brings the same "endearing" qualities as "Somewhere Out There" from An American Tail.

## Personnel

* Diana Ross – lead vocals
* Lee Sklar – bass
* Russ Kunkel – drums
* Waddy Wachtel – guitar
* Guy Moon, Randy Kerber – keyboards
* Michael Fisher – percussion
* David Campbell – BGV arrangements, orchestra arrangements and conductor
* Gavyn Wright – orchestra leader
* Isobel Griffiths – orchestra contractor
* Kate Markowitz, Valerie Carter – backing vocals

## Charts

| Chart (1988–1993) | Peak position |
| Ireland (IRMA) | 25 |
| Netherlands (Dutch Top 40) | 35 |
| Netherlands (Single Top 100) | 36 |
| UK Singles (OCC) | 11 |
| US Adult Contemporary (Billboard) | 23 |

## Certifications

| Region | Certification | Certified units/sales |
| Japan (RIAJ) 1990 physical release | 4× Platinum | 456,000 |
# Devendra Pratap Singh (UP Politician)

Devendra Pratap Singh is an Indian politician who is currently serving as a member of the 18th Uttar Pradesh Legislative Assembly. He has represented Sareni Assembly constituency seat as an MLA since March 2024.He is a member of the Samajwadi Party.

## Political career

Singh previously held the first term MLA in 2002 and second term in 2012 from the Sareni Assembly.
In the following 2022 Uttar Pradesh Legislative Assembly election; Devendra Pratap Singh of the Samajwadi Party won the seat by defeating Dhirendra Bahadur Singh of the Bharatiya Janata Party with a margin of 3807 votes.
# Barre City Hall and Opera House

Barre City Hall and Opera House is a historic government building at 6 North Main Street in downtown Barre, Vermont. Built in 1899, it houses the city offices, and its upper floors have served for much of the time since its construction as a performing arts venue. The building was listed on the National Register of Historic Places in 1973.

## Description and history

Barre City Hall stands near the eastern end of the city's commercial business district, on the west side of Vermont City Park, a triangular park formed by North Main, Church, and Washington Streets. It is a four-story brick and stone building with Beaux Arts styling. The main feature of its facade is a three-story recessed arch, flanked by pilasters and topped by a gabled pediment. Within this recess, the main entrance is framed by ironwork and topped by a series of arcaded windows. Above these windows a wrought iron arched balcony spans the arch, whose interior is capped by a large half-round fanlight. The interior of the building houses city offices on the ground floor, and the facilities of the opera house on the upper three floors.
The city hall was built in 1899 to a design by George Adams, a native of Lancaster, New Hampshire. Its theater was used until World War I for all manner of performances, meetings, and lectures, and fell into decline with the advent of motion pictures. Although it was modified to show films, the decline continued, and the theater was closed in 1940. Community support led to the theater's reopening in 1982, and by the 2000s it had been fully restored with updated amenities. It is one of northern New England's best-preserved theatrical spaces of the turn of the 20th century.
# Neorxnawang

Neorxnawang (also Neorxenawang and Neorxnawong) is an Old English noun used to translate the Christian concept of paradise in Anglo-Saxon literature. Scholars propose that the noun originally derives from Germanic mythology, referring to a "heavenly meadow" or place without toil or worries.

## Etymology

While the second half of the word, -wang, is widely acknowledged to mean 'field' (and its cognate waggs appears for 'paradise' in Gothic), scholars have yet to reach an agreement regarding the first element's meaning – though at least a dozen attempts to interpret it have been made. Scholar Rudolf Simek states that it is possible to consider the term as a Proto-Germanic term for 'Asgard' or 'Other World' due to the noun's unclear meaning, that Christian authors who used it seemed to have a poor understanding of it as well, and that it corresponds with the North Germanic terms Iðavöllr (possibly 'field of activity' or 'the continually renewing, rejuvenating field') and Glæsisvellir ('the shining fields').
19th century scholar Jacob Grimm observes that etymological connections have been proposed between Norn and Neorxnawang, but says that the theory raises etymological issues and other problems: "The A. gen. pl. neorxana, which only occurs in 'neorxena wong' = paradisus, has been proposed, but the abbreviation would be something unheard of, and even the nom. sing. neorxe or neorxu at variance with norn; besides, the Parcae are nowhere found connected with paradise."
Late 19th and early 20th century philologist James Bright proposes that neorxena- derives from the phrase ne wyrcan, meaning 'no working'.
In a 1979 article, Alan K. Brown proposes that neorxena- is an artificial distortion of OE grœ̄ne (alternative form of grēne) 'green' using then in-vogue 8th century literary tricks of reverse spelling and isolated rune use, in this case the Elder Fuþark and the Anglo-Saxon Fuþorc rune ᚷ (Proto-Germanic *gebu, Old English ġifu) 'gift', to mark the end & beginning of said reversal stemming from the left-to-right-or-right-to-left freedom of runic writing, suggesting an original *Grœ̄n(e)nawang, meaning 'green field'. He then suggests an entirely Christian origin of the term rather than a pre-Christian one, stating "Cryptic names for Paradise, and its interpretation with 'green,' are found in early Insular Latin." and points to the Old Saxon Heliand using the term 'grôni uuang' as a noteworthy kenning for Paradise, and similar phrases in Genesis A and Guthlac A to suggest the term originally being created simply as a semantic loan of Latin Paradisus.
In a 1985 paper, Jane Roberts expounds her interpretation of nēo-rixena as "corpse-rushes".
In a 2012 paper, Joseph S. Hopkins and Haukur Þorgeirsson propose a connection between Old Norse Fólkvangr, an afterlife location overseen by the goddess Freyja, and a variety of other Germanic words referring to the afterlife that contain extensions of Proto-Germanic *wangaz (including Old English Neorxnawang and Gothic waggs), potentially stemming from a concept of a '*wangaz of the dead' in Proto-Germanic mythology.
# Session capping

Session capping is a term in online advertising that means restricting (capping) the amount of specific advertising sessions a visitor to a website is allowed to have. It greatly diminishes the amount of money the advertiser can earn.
Here, a session is defined as the total amount of time one visitor spends on a single website, regardless of how many pages he or she visits within that time. When the visitor closes his browser, or enters an entire different website, the session ends. When the visitor returns to the website, a different advertising session can be started. See also session (computer science) and
Session capping is somewhat similar to frequency capping.
Using session capping, a specific advertising scheme can be applied to a website visit. For example, advertisements can be repeated indefinitely within a single session, or a specific order can be implemented.
# Jutish

Jutish may refer to
* Jutes: the Jutish people;
* Jutlandic dialect;
* other things originating in, or associated with, Jutland – a region of modern Denmark.
# Three Musketeers (game)

Three Musketeers is an abstract strategy board game by Haar Hoolim. It was published in Sid Sackson's A Gamut of Games (2011). The game is notable in that, like the traditional fox and geese, it uses the principle of unequal forces; the two players neither use the same types of pieces nor the same rules, and their victory conditions are different.

## Equipment

* Twenty-five tokens (such as checkers or poker chips), twenty-two light and three dark.
* A board marked out as a 5 by 5 grid.

## Rules

One player takes the part of the three musketeers, the other of Cardinal Richelieu's men ("the enemy"). The musketeer player sets up their tokens in two opposite corners and in the center space; the enemy places tokens in all remaining board spaces:
The players take turns moving one piece, beginning with the musketeer player. The musketeer player must move a musketeer to any orthogonally (non-diagonal) adjacent space occupied by an enemy piece, removing that enemy piece from the game. Next, the enemy must move one enemy piece to any orthogonally adjacent empty space.
The enemy wins if it forces all three musketeers to the same row or column. The musketeers win if on their turn they cannot move due to a lack of adjacent enemy pieces.
# Peace at Home, Peace in the World

* This article is part of a series aboutMustafa Kemal Atatürk
Timeline
Personal life
Cult of personality
Atatürk International Peace Prize
Atatürk Centennial
Military career
Attempted assassination
Death and state funeral
Mausoleum
Reforms
Abolition of the sultanate
Abolition of the caliphate
Republicanism
Secularism
Educational reform
Turkish language reform
Women's rights
Westernization
Industrialization
Nation-building
Turkification
Citizen, speak Turkish!
Sun Language Theory
Turkish History Thesis
Surname Law
State Art and Sculpture Museum
Kemalism
"Peace at Home, Peace in the World"
Republican People's Party
Historiography
Nutuk :
vte :
The slogan "Peace at home, peace in the world" (Turkish: Yurtta sulh, cihanda sulh, rendered today as Yurtta barış, dünyada barış due to Atatürk's language reforms) was first pronounced by Mustafa Kemal Atatürk on 20 April 1931 to the public during his tours of Anatolia. This stance was later integrated and implemented as the foreign policy of the Republic of Turkey.
The original full sentence was "Cumhuriyet Halk Fırkası'nın müstakar umumî siyasetini şu kısa cümle açıkça ifadeye kâfidir zannederim: Yurtta sulh, cihanda sulh için çalışıyoruz." This is translated into English as "To describe the stable and general diplomatic policy of the Republican People's Party, I think this short sentence is enough: We work for peace at home, peace in the world."

## 2023 Super Cup Dispute

The slogan was at the heart of a dispute causing the Turkish Super Cup final between Galatasaray and Fenerbahçe in Saudi Arabia in December 2023 to be postponed. Galatasaray and Fenerbahçe were expected to arrive for the showpiece between Turkey's league champions and cup winners with banners bearing Atatürk's words "Peace at home, peace in the world", which the Saudi authorities would not allow.
The players were also not allowed on to the pitch wearing T-shirts bearing Atatürk's image.
Based on the leaked official documents of the Super Cup, which were agreed upon by both parties several months before the match, it was stipulated that no political slogans should be raised, and entry to the stadium should be in the official jerseys approved by the Turkish Football Federation.
The dispute arose from Galatasaray and Fenerbahçe's failure to adhere to the agreement made by the Turkish Football Federation. Turkish media suggests that the previous disagreements between the clubs and the federation were a major reason for their non-compliance, along with the federation unilaterally choosing the match venue without consulting the teams.
# Stampede: Vol. 1

REDIRECT Stampede (Orville Peck album)
# Toko'yoto

Chukchi people This page is a soft redirect.
# Football Madness

Football Madness is a soccer video game developed by Italian studio Naps Team and released by Phoenix Games for the PlayStation on March 28, 2003, only in Europe.

## Gameplay

The game is played in a 5-a-side indoor soccer environment where one of 16 international teams can be selected to play in a single match, league or cup. There are no rules and no referee and various power-ups can be collected during the game.

## Legacy

In April 2021, Football Madness was included on the Piko Interactive Collection 2 cartridge for the Evercade handheld console.
* This association football video game article is a stub. You can help Wikipedia by expanding it.
* v
* t
* e
# The Whole Shebang (album)

The Whole Shebang is the fourth studio album and third record label for Murfreesboro, Tennessee band Fluid Ounces.
Largely performed by Timbs himself (while still living in Los Angeles) and engineered by Murfreesboro producer Brian Carter, The Whole Shebang received typically warm critical acclaim and some of Timbs' strongest material in years. Tracks like "Fool Around," Lazy Bones," "Hung On Every Word" and "Selma Lou" showcased guitars rather than Timbs' trademark piano, while songs "Big Deal Out of Nothing" and "Make It Through" featured a more familiar Ounces sound.
Ken Coomer (formerly of Wilco) played drums on "Paperweight Machine," and Kelli Scott (formerly of Failure) played on "Destined to be Forgotten."

## Track listing

* Paperweight Machine (featuring drums by Ken Coomer) (2:10)
* Crazies (4:06)
* Fool Around (3:11)
* Lazy Bones (3:47)
* Big Deal (Out Of Nothing) (3:17)
* Nobody Loves You (Like You Do) (4:52)
* Hung On Every Word (featuring bass by Mac Burrus and drums by Jason Rawlings) (3:13)
* Make It Through (4:24)
* Selma Lou (3:34)
* Tokyo Expressway (4:17)
* Destined To Be Forgotten (featuring drums by Kelli Scott and production by Matt Mahaffey) (5:30)

## Credits

* Seth Timbs (piano, guitar, keyboards, vocals)
* Kyle Walsh (drums)
* Jason Rawlings (drums)
* Ken Coomer (drums)
* Matt Mahaffey (keyboards, backing vocals)
* Mac Burrus (bass)
* Jeff Keeran (backing vocals)
* Brian Carter (engineering, production)
* Tom Burns (artwork)
# List of villages in Jasrasar Tehsil

This is a list of villages located in Jasrasar Tehsil of Bikaner district, Rajasthan State, India.
* Anasar
* Badhnoo
* Bagseu
* Baniya
* Basi Udawatan
* Bilniyasar
* Beedasariya
* Bhagwanpura
* Bhom Beedasariya
* Dhoodawas
* Gajsukhdesar
* Jasrasar
* Jaisingh Desar Kaliyan
* Jhaerli
* Kakra
* Kuchor Aguni
* Kuchor Athuni
* Kurjadi
* Lalasar
* Lalamdesar Bara
* Lalamdesar Chhota
* Mahramsar
* Mainsar
* Masoori
* Meusar
* Moondar
* Sadhasar
* Sajanwasi
* Siniyala
* Shree Jasnath Nagar
* Shree Hanumanpura
* Thawriya
* Udsar
* Utmamdesar
# Solar eclipse of December 24, 1916

A partial solar eclipse occurred on Sunday, December 24, 1916. A solar eclipse occurs when the Moon passes between Earth and the Sun, thereby totally or partly obscuring the image of the Sun for a viewer on Earth. A partial solar eclipse occurs in the polar regions of the Earth when the center of the Moon's shadow misses the Earth. This minor eclipse was only visible off shore from Antarctica.

## Related eclipses
### Solar eclipses 1916–1920

This eclipse is a member of a semester series. An eclipse in a semester series of solar eclipses repeats approximately every 177 days and 4 hours (a semester) at alternating nodes of the Moon's orbit.
Solar eclipse series sets from 1916 to 1920 :
| Ascending node | Ascending node | Descending node | Descending node |
| 111 | December 24, 1916 Partial | 116 | June 19, 1917 Partial |
| 121 | December 14, 1917 Annular | 126 | June 8, 1918 Total |
| 131 | December 3, 1918 Annular | 136 | May 29, 1919 Total |
| 141 | November 22, 1919 Annular | 146 | May 18, 1920 Partial |
| 151 | November 10, 1920 Partial |

### Metonic series

The metonic series repeats eclipses every 19 years (6939.69 days), lasting about 5 cycles. Eclipses occur in nearly the same calendar date. In addition, the octon subseries repeats 1/5 of that or every 3.8 years (1387.94 days). All eclipses in this table occur at the Moon's ascending node.
22 eclipse events between December 24, 1916 and July 31, 2000 :
| December 24–25 | October 12–13 | July 31-Aug 1 | May 18–20 | March 7–8 |
| 91 | 93 | 95 | 97 | 99 |
| December 23, 1878 | October 12, 1882 | July 31, 1886 | May 18, 1890 | March 7, 1894 |
| 101 | 103 | 105 | 107 | 109 |
| December 23, 1897 | October 12, 1901 | August 1, 1905 | May 19, 1909 | March 8, 1913 |
| 111 | 113 | 115 | 117 | 119 |
| December 24, 1916 | October 12, 1920 | July 31, 1924 | May 19, 1928 | March 7, 1932 |
| 121 | 123 | 125 | 127 | 129 |
| December 25, 1935 | October 12, 1939 | August 1, 1943 | May 20, 1947 | March 7, 1951 |
| 131 | 133 | 135 | 137 | 139 |
| December 25, 1954 | October 12, 1958 | July 31, 1962 | May 20, 1966 | March 7, 1970 |
| 141 | 143 | 145 | 147 | 149 |
| December 24, 1973 | October 12, 1977 | July 31, 1981 | May 19, 1985 | March 7, 1989 |
| 151 | 153 | 155 | 157 | 159 |
| December 24, 1992 | October 12, 1996 | July 31, 2000 | May 19, 2004 | March 7, 2008 |
| 161 | 163 | 165 | 167 | 169 |
| December 24, 2011 | October 13, 2015 | August 1, 2019 | May 19, 2023 | March 8, 2027 |
# Prime contractor (US Government)

Prime contractor is a term defined in the US law. Statutory definitions of prime contract, prime contractor, subcontract, and subcontractor are in 41 U.S.C. § 8701.

## History

The prime contractor term was already defined before the 8 March 1946 passage of An Act To eliminate the practice by subcontractors, under cost-plus-a-fixed-fee or cost reimbursable contacts of the United States, of paying fees or kick-backs, or of granting gifts or gratuities to employees of a cost-plus-a-fixed-fee or cost reimbursable prime contractors or of higher tier subcontractors for the purpose of securing the award of subcontracts or orders. (Pub. L.Tooltip Public Law (United States) 79–319, 60 Stat. 37)
# Didier Martin

Didier Martin is a French politician representing Renaissance(RE). He was elected to the French National Assembly on 18 June 2017, representing the 1st constituency in the department of Côte-d'Or.