OpenLLM-France/wikimedia huggingface dataset:
# TV Tupi Ribeirão Preto

TV Tupi Ribeirão Preto was a short-lived affiliate of TV Tupi set up by its parent company Diários Associados. It signed on in 1959 as the first television station built by the conglomerate outside of a state capital and shut down in 1963 due to a flood that damaged its transmitter. Since the station tried resuming its services after the flood, but wasn't broadcasting signals for a considerable amount of time, its license was declared peremptory.

## History

In 1957, president Juscelino Kubitschek visited Ribeirão Preto. Accompanying him on his visit was Assis Chateaubriand. In a speech, Kubitschek announced that a television license was granted for the city, which was later revealed to be set up by Chateaubriand, who stood up to the microphone, saying that he was going to build the station. The first technical and commercial meetings happened in October 1958, and on December 2, 1959, the experimental broadcasts of the station started, with two nightly hours of local programming as well as relays from the parent station in São Paulo, who had built a microwave network since 1956.$^{:318}$ In an initial phase it shared the same frequency with the São Paulo station, which was on the verge of moving to channel 4 in August 1960.$^{:363}$
Tupi had set up a company to exploit television signals in inland São Paulo in March 1959 (Rede de Televisão Associada do Interior).$^{:365}$ The São Paulo and Ribeirão Preto stations were connected by six static microwave stations out of the new TV Tupi building in São Paulo to that of the new station in Ribeirão Preto.$^{:366}$ Test broadcasts started in July 1959, with a first experiment conducted on July 30. It wasn't until February 1960 that broadcasts became regular.$^{:366–367}$
Ribeirão Preto was a strategic location for the development of Associadas' plan to form a national network, and among those priorities, was the link from Ribeirão Preto to Brasília, the new federal capital. The task was very hard, as some of the microwave stations were placed in disparate geographical areas.$^{:368}$
The station went off air in March 1963, after heavy rain damaged its transmitter. Since the station was operating at a shoestring, the São Paulo station decided to stop producing content for the area. A new tower was built to relay the São Paulo service, but the structure was never activated. Since the station was unable to generate programming for years on end, it lost its license. In the late 1960s, plans to reactivate the local station were enacted by locals, but the effort turned out to be futile, as it coincided with the beginning of the downfall of the Diários Associados conglomerate.$^{:514}$
Despite the closure and the failed attempts at its revival, the station was still referenced in international directories as late as 1976.
The channel 3 allocation hasn't been given to Ribeirão Preto since its closure. One of Tupi's successors, who took over the frequency of the former TV Tupi São Paulo, has an owned-and-operated station in the city.
A book chronicling the station's history was released in 2015.
# Recoupment (Music Industry)

Recoupment, in the music industry, is when a record label pays for a musical artist's expenses, such as for recording and marketing, and later deducts an equal amount from the artist's royalties, which are between 15 and 20 percent of sales revenue. The practice is common, and most new artists have little choice but to accept it since they lack the negotiating power to obtain a better contract.

## Examples

Suppose that a music label gives a band a $250,000 advance to record an album. The label agrees to do so in return for 90% of the sales. In addition, the label will specify certain standards for production of the album, for example, which studios the band will engage. The label may even hold the advance and make all disbursements on the band's behalf, ensuring the funds are used exactly as agreed. In other words, the $250,000 advance is not simply pocketed by the band -- it is to be spent on album production and the band's reasonable expenses during production. The album is recorded, and sells 301,000* copies at $10 each, yielding $3.01m. The record company takes 90% of this as agreed, leaving the band with $301,000 of their own. This is the situation without recoupment.
With recoupment, the label advances the band $250,000 as before. As before, the band (or the label, on the band's behalf) spends substantially all of the advance to produce an album meeting the label's specifications. The album again sells 301,000 copies at $10 each, yielding $3.01m. The record company recoups $250,000 off the artistes' royalties from sales (artistes royalties are $301,000), and then the label takes 90% of all further sales, as agreed. The band's net is effectively $51,000 while the label's net is $2,709,000.
*Recoupment deals primarily involve new artists, or those without a proven sales history, so selling 301,000 copies would be fairly unusual. More typically, 10,000 or fewer copies are sold by a new artist. In this more typical case, the label recoups only $100,000 of the $250,000 advance, along with other non-recoupable expenses incurred in getting the album out into the world.
# Microjazz

Microjazz is a long-running series of sheet music publications by New Zealand-born British-Canadian pianist and composer Christopher Norton. The series is published by Boosey & Hawkes. Based on classical technique, yet using popular contemporary styles such as jazz, blues, rock 'n' roll and funk, Microjazz aims to "develop musicianship and technique through the familiar sounds and styles of popular music". The series has established itself as a leading educational music series around the world, and has expanded over 20 years to include music for all of the major instruments with piano, ensemble books and midi file backings. It is now the biggest selling music series for Boosey & Hawkes, with over a million sales to date.
# Tribute of the Year: A Tribute to Faith No More

Tribute of the Year: A Tribute to Faith No More is a compilation tribute of Faith No More covers, released in 2002. Thirty independent North American and European bands perform a song from all of Faith No More's studio albums in this 2-CD compilation only released in the North American market.

## Track listing
### Disc 1

* "Stripsearch" covered by VooDou
* "Midlife Crisis" covered by Bile
* "We Care a Lot" covered by Parallax 1
* "Mouth To Mouth" covered by Tub Ring
* "The Gentle Art of Making Enemies" covered by Imbue
* "The World Is Yours" covered by The Donkey Punch
* "Everything's Ruined" covered by Daiquiri
* "Kindergarten" covered by Drowning Season
* "Malpractice" covered by The Rib
* "Absolute Zero" covered by Ichabod
* "Be Aggressive" covered by Sump Pumps
* "As The Worm Turns" covered by Yellow No. 5
* "Stripsearch" covered by Victims In Ecstasy
* "King For A Day" covered by Medulla Nocte
* "We Care a Lot" covered by Esper's Obession

### Disc 2

* "Jizzlobber" covered by Grim Faeries
* "Edge of the World" covered by Hate Dept.
* "A Small Victory" covered by Germ Theory
* "We Care a Lot" covered by Die:schon
* "Blood" covered by New Low
* "Naked In Front of the Computer" covered by Fountainhead (Detroit based band. Curry, Miller, Kaye, Connelly)
* "Stripsearch" covered by Basement Love Underground
* "Midlife Crisis" covered by Sickend
* "Another Body Murdered" covered by Sounds of Mass Production
* "Why Do You Bother" covered by New Grenada
* "Surprise! You're Dead!" covered by Humans Being
* "Spirit" covered by Window Pane
* "Digging the Grave" covered by Son Of Indra
* "The Real Thing" covered by Mukrak
* "Edge of the World" covered by Combine Heathen
# 2024 Russia Air Force Tupolev Tu-22M crash

On April 19, 2024, a Tupolev Tu-22M3 strategic supersonic bomber belonging to the Russian Air Force crashed in southern Russia's Stavropol Krai. The incident occurred after the bomber completed a combat mission.

## Aircraft

The aircraft was a Soviet-Era Tupolev Tu-22M3, owned and operated by the Russian Air Force.

## Accident

On April 19, 2024, a Tupolev Tu-22M3 strategic supersonic bomber belonging to the Russian Air Force crashed in southern Russia's Stavropol Krai. The incident occurred after the bomber completed a combat mission, occurring in the Krasnogvardeysky district, approximately 300 kilometers (185 miles) from the Ukrainian border. The crew members managed to eject from the aircraft. Of the four Russian Air Force crew on board, Two were rescued, one killed, and one missing as of April 28.
According to Ukrainian reports, the Tu-22M3 was returning from an air strike on Ukraine when it was shot down. The Ukrainian Air Force and the Main Directorate of Intelligence (HUR) of the Ministry of Defense of Ukraine allegedly cooperated in bringing down the bomber. The HUR claimed that the Tu-22M3 was shot down at a distance of about 300 kilometers from Ukraine using the same means previously used to shoot down the Russian A-50U long-range radar detection and control aircraft. If confirmed as a “kill” by the Ukrainian Air Defense, this would be the first successful downing of a Russian strategic bomber since the beginning of the war in Ukraine.

## Cause

There are conflicting reports about the cause of the crash. According to the Russian Ministry of Defense, the Tu-22M3 experienced an engine fire that eventually led to the crash. However, Ukrainian sources asserted that the bomber was shot down in cooperation by the Ukrainian Air Force and the Main Directorate of Intelligence of the Ministry of Defense of Ukraine.
# Steel Gauntlet

Steel Gauntlet is the third novel of the military science fiction StarFist Saga by American writers David Sherman and Dan Cragg.

## Plot summary

The Confederation of Human Worlds comprises about two hundred semi-autonomous settled worlds. The inter and intra-world disputes are settled by the powerful Confederation military; amongst them are the Confederation Marines, led by FISTs (Fleet Initial Strike Teams). In Steel Gauntlet, St. Cyr, a maniacal sadist who has reinvented the doctrine of armored warfare, has taken control of the planet Diamunde, and 34th FIST is deployed as part of a larger force in a full-scale war to remove him from power. The Marines are to make an opposed landing, establish a "planethead" and hold for relief by the army. These Marines are going to have to fight tanks, something nobody has trained to do in several centuries. And beside the tactical and strategic problems presented by the armor, the overall commander of the Confederation force is a political admiral with a talent for making bad choices. The 34th FIST will have its hands full on this mission, and heavy casualties are certain.
# The Second Great Awakening

The Second Great Awakening is the second studio album by Fireball Ministry. The album was released on October 7, 2003.

## Track listing

* "The Second Great Awakening (Intro)" – 1:18
* "King" – 4:32
* "The Sinner" – 3:27
* "Master of None" – 3:47
* "Daughter to the Damned" – 4:19
* "Flatline" – 3:31
* "In the Mourning" – 4:00
* "He Who Kills" – 3:53
* "Rollin' On" – 3:51
* "Choker" – 5:06
* "Maidens of Venus" – 5:14
# Milo Nqoro

Milo Nqoro (born 16 December 1988) is a South African rugby union player.
He started his career playing for the Border Bulldogs in various youth competitions, before moving to the Sharks. In 2010, he moved back to the Eastern Province Kings where he made his professional debut.
He also played for the South Africa sevens team in 2008.
# Soane ʻAsi

Soane ʻAsi (born circa 1963) is a Tongan former rugby union player. He played from the second five-eights to fullback, but he played as right wing during his only international cap.

## Career

ʻAsi's only cap for Tonga was during the 1987 Rugby World Cup match against Canada on 24 May 1987, in the McLean Park, Napier.. In that same match, however, he was replaced at the 22 minute by Lemeki Vaipulu. Outside the field, he worked as a road foreman for the Ministry of Works of Tonga for between 1980 and 1987.

## After career

After his retirement as rugby player, ʻAsi migrated to Auckland, New Zealand, where he works as laboratory technician for Winstone Aggregates form 1996. As of 2022, he is a counselor of the Papakura Latter Day Saints church stake presidency.
# Entourage (topology)

In general topology, an entourage is a binary relation on a uniform space picturing "nearness" between two points.
# Zetton (Ultraman)

Zetton (Japanese: ゼットン, Hepburn: Zetton) is a fictional alien monster or kaiju that first appeared in the final episode of Tsuburaya Productions' 1966 series Ultraman.

## Overview
### Name

Zetton name comes from the Japanese word, Zetto.

### Development

When Ultraman was in production, Eiji Tsuburaya originally wanted to have Saigo to be Ultraman final opponent but due to a tight schedule Tsuburaya and his company decided to make a new monster instead. Zetton was designed by Tohl Narita, Zetton's suit bears a resemblance to western gladiator armor and insects (mainly beetles and cockroaches). Zetton's carapace design is based on that of an Asian long-horned beetle.

## Appearances
### Film

* Ultraman Mebius Gaiden: Ghost Rebirth (2009)
* Mega Monster Battle: Ultra Galaxy (2009)
* Ultraman Saga (2012)
* Ultraman Ginga Theater Special: Ultra Monster Hero Battle Royal! (2014)
* Shin Ultraman (2022)

### Television

* Ultraman (1967)
* Return of Ultraman (1972)
* Redman (1972)
* Andro Melos (1983)
* Ultraman: The Ultimate Hero (1993)
* Ultraman Max (2005)
* Ultraman Mebius (2006)
* Ultra Galaxy Mega Monster Battle (2008)
* Ultra Galaxy Mega Monster Battle: Never Ending Odyssey (2009)
* Ultraman Ginga (2013)
* Ultraman Ginga S (2014)
* Ultraman X (2015)
* Ultraman Orb (2016)
* Ultra Fight Orb (2017)
* Ultraman Taiga (2019)
* Ultra Galaxy Fight: The Absolute Conspiracy (2021)
# I Missed Flight 93

I Missed Flight 93 is a documentary about people who missed United Airlines Flight 93, one of the four hijacked flights as part of the September 11 attacks in 2001, for various reasons. It originally aired on the History Channel around early 2006. The documentary focuses on three people who, through a twist of fate, missed the flight. The first interviewee was Frank Robertazzi, a businessman, the second was Daniel Belardinelli, a painter, and the third was Heather Ogle, a flight surgeon.
# Seyid

* Seyid Riza
* Seyid Yusifli
* Seyid Azim Shirvani
* Seyid Shushinski
* Seyid Mirbabayev
* Seyid Abulgasim Nabat
* Ogtay Seyid Huseyn oghlu
* Seyid Imadeddin Nesimi
# Seyit

* Seyit Çabuk
* Kurt Seyit ve Şura
* Seyit Kırmızı
* Seyit Cem Ünsal
* Seyit Torun
* Onur Seyit Yaran
* Seyit Ahmet Demirci
* Seyit Mehmet Paşa
# Aleksandr Surikov (diplomat)

Aleksandr Vasliyevich Surikov (Russian: Александр Васильевич Суриков; 5 April 1956 – 11 May 2024), was a Russian diplomat who served as an ambassador to Mozambique from 2017 until his death in 2024.

## Biography

Surikov was born on 5 April 1956.
On 29 July 2017, he was appointed Ambassador of Russia to Mozambique.
On 16 February 2018, he was also appointed the part-time Ambassador of Russia to Eswatini.

## Death

Surikov was found dead in his residence in Maputo on 11 May 2024, aged 68. On 12 May, the Ministry of Foreign Affairs stated that he died from a stroke. However, the Police of the Republic of Mozambique (PRM) cite other possibilities, while Russian authorities denied an autopsy, citing that they cannot touch the body without Russian consent. Because of this, Surikov became the first diplomat in part of mysterious deaths.
# Beijing Middle Road

Beijing Middle Road(Wylie: pe cing dkyil lam, ZYPY: པེ་ཅིང་དཀྱིལ་ལམ་, Chinese: 北京中路) is a major east-west road in the Chengguan District of Lhasa, Tibet Autonomous Region, China.

## History

In July 1994, the Central Government's Third Symposium on Tibet Work determined that Beijing Municipality and Jiangsu Province would support the Lhasa City. In only six years since then, Beijing and Jiangsu Province have already assisted Lhasa City with many projects. Among them, Beijing invested RMB 2.54 million yuan in the reconstruction of the west section of Beijing Middle Road for Lhasa without compensation.
# Didier Kamanzi

Didier Kamanzi, is a Rwandan actor. One of the most popular actors in Rwandan cinema, Kamanzi is best known for the roles in the films Rwasa, Rwassibo and Catherine.
Apart from acting, he is also a player in the Rwanda national rugby union team.

## Personal life

He was born in 1994 in Burundi as the third child of a family with six siblings. After the Rwandan genocide, he returned to Rwanda in 1994 and attended high school. He worked as a bouncer for a local night club for a few months.

## Career

While he worked as a bouncer in the night club, he got an offer to audition for a film. He went to the audition and he got the role.
In 2015, he won the award for the Best actor at the Rwandan movie awards.

## Partial filmography

| Year | Film | Role | Genre | Ref. |
| 2016 | Mutoni | Rusangwa | TV series | |
| 2014 | Umurabyo | | Film | |
# Vi äro musikanter

Vi äro musikanter is a Swedish folk song typically sung when dancing around the Christmas tree and the Midsummer pole. It was written down early in Folklekar från Västergötland (1908–1934), published by Sven Lampa. It is a so-called "mimic song", where those singing it can mimic playing the different musical instruments mentioned in the song lyrics.

## Recordings

An early recording was done by Gösta Jonsson and Britt Berg, appearing in a medley of Christmas songs recorded in Berlin in September 1933, and released on a record later that year.

## Publication

* Julens önskesångbok, 1997, under the lines "Tjugondag Knut dansar julen ut", credited as "folk game"
* Barnens svenska sångbok, 1999, under the lines "Sång med lek och dans"
# This Is Just To Say

"This Is Just to Say" (1934) is an imagist poem by William Carlos Williams. The three-versed, 28-word poem is an apology about eating the reader's plums. The poem was written as if it was a note left on a kitchen table. It has been widely pastiched.

## Poem

   I have eaten the plums that were in the icebox
   and which you were probably saving for breakfast
   Forgive me they were delicious so sweet and so cold

## Analysis

The poem appears to the reader like a piece of found poetry. Metrically, the poem exhibits no regularity of stress or of syllable count. Except for lines two and five (each an iamb) and lines eight and nine (each an amphibrach), no two lines have the same metrical form. The consonance of the letters "Th" in lines two, three, and four, as well the consonance of the letter "F" in lines eight and nine, and the letter 'S' in lines eleven and twelve give rise to a natural rhythm when the poem is read aloud.
A conspicuous lack of punctuation contributes to the poem's tonal ambiguity. While the second stanza begins with a conjunction, implying a connection to the first stanza, the third stanza is separated from the first two by the capitalised "Forgive". In a 1950 interview, John W. Gerber asked the poet what it is that makes "This Is Just to Say," a poem; Williams replied, "In the first place, it's metrically absolutely regular... So, dogmatically speaking, it has to be a poem because it goes that way, don't you see!" Critic Marjorie Perloff writes, "on the page, the three little quatrains look alike; they have roughly the same physical shape. It is typography rather than any kind of phonemic recurrence that provides directions for the speaking voice (or for the eye that reads the lines silently) and that teases out the poem's meanings." Additionally, this typographical structure influences any subsequent interpretation on the part of the reader.
Florence Williams's (Williams's wife) ''reply'' to This Is Just to Say is included as a 'Detail' in the partially published Detail & Parody for the poem Paterson (a manuscript at SUNY Buffalo) first appearing in 1982. Since Williams chose to include the ''reply'' in his own sequence it seems likely that he took a note left by his wife and turned it into a ''poem''.
# Small form factor

Small form factor may refer to:
* Small form factor, as such a form factor in hardware design in general
* Small form factor (desktop and motherboard), as such a form factor of computer cases and motherboards
# Maurice Estève

Maurice Estève, (2 May 1904, Culan (Cher) – 29 June 2001), was a French painter.

## Biography

Maurice Estève was born in the French town of Culan (Département Cher) on 2 May 1904. In 1913 he moved to Paris with his parents, where he soon began his education as an artist. Estève worked for a year as designer in a textile factory in Barcelona 1923. During his visits to the Louvre in the 1920s, Estève was particularly impressed by the painters Jean Fouquet and Paolo Uccello. Among the modern artists, Paul Cézanne had the greatest influence on Estève.
Maurice Estève was largely self-educated, having only attended the free studio of the Académie Colarossi in 1924, where he tried to constructively implement of his motifs according to the model of Georges Braque and Fernand Léger, thus creating a kind of Cubist Fauvism.
Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse and Bonnard. His first one-man exhibition was given at the Galerie Yvangot, Paris, 1930. He worked as assistant to Robert Delaunay on huge decorative panels for the 1937 Paris International Exhibition. In the 1940s his stylized figure, still-life and landscape compositions with strong colors gradually became completely abstract, with tight-knit interlocking shapes in rich, bold colors. Has made a number of watercolors and collages, and designed stained glass in 1957 for a church at Berlincourt in the Bernese Jura.
Estève's extensive work was not limited to the genre of painting. He was also active in collage, textile design and murals. Estève avoided the extrovert circles of Avant-garde but still belonged to the core of the artists who brought about the breakthrough of École de Paris after 1945.
Maurice Estève took part in the Venice Biennale in 1954. His œuvre, just like the works of his art colleagues Riopelle and Bazaine, established a new pictorial language: Lyrical abstractions with the aim of depicting form and color with an almost poetic attitude. His works have established themselves in many well-known museums and collections around the world.
Maurice Estève died on 29 June 2001 at the age of 97 in his home town of Culan.
# IDFA DocLab Competition for Digital Storytelling

The IDFA DocLab Competition for Digital Storytelling is part of the International Documentary Film Festival Amsterdam's awards and juries.

## Description of the Competition

The IDFA DocLab Competition for Digital Storytelling aims at illustrating all the different ways to create and share stories in new ways. The focus is on innovative, imaginative and interactive storytelling at the crossroads of digital and physical experiences.

## The Jury

The jury is composed of an international committee, with three jurors, selecting the best project and a special jury award.
The IDFA DocLab Competition for Digital Storytelling award and the Special Jury Award for Creative Technology awards are accompanied by a cash prize.

## IDFA DocLab Award for Digital Storytelling

| Year | Film | Director | Nationality of director (at time of film or website's release) |
| 2010 | Out My Window | Katerina Cizek | Canada |
| 2011 | In Situ | Antoine Viviani | France |
| 2018 | 1 the Road | Ross Goodwin | United States |
| 2019 | The Waiting Room VR | Victoria Mapplebeck | United Kingdom |
| 2021 | Un(re)solved | Tamara Shogaolu | United States |
| 2022 | He Fucked The Girl Out of Me | Taylor McCue | United States |
| 2023 | Anouschka | Tamara Shogaolu | The Netherlands, United-States, Switzerland |