# Louis Armstrong/Diskografie

Diese Diskografie ist eine Übersicht über die Tonaufnahmen und veröffentlichten Tonträger des US-amerikanischen Jazztrompeters, Komponisten, Sängers und Schauspielers Louis Armstrong. Den Schallplattenauszeichnungen zufolge hat er bisher mehr als 11,5 Millionen Tonträger verkauft, davon alleine in seiner Heimat über 7,5 Millionen. Seine erfolgreichste Veröffentlichung ist die Single What a Wonderful World mit über 7,4 Millionen verkauften Einheiten.

## Gliederung

Die Diskografie gibt zunächst einen Überblick über die Aufnahmen und Aufnahmesessions des Künstlers. Aufgrund der unten beschriebenen besonderen Bedeutung der Louis Armstrong Hot Five bzw. Hot Seven für die Jazzgeschichte, sind deren Aufnahmen in einem eigenen Unterkapitel dargestellt. Die Zusammenstellung der Aufnahmenübersicht beruht dabei auf folgenden Quellen:
* Quelle 1: der Louis Armstrong Discography von Michael Minn
* Quelle 2: dem Buch All About Me: The Complete Discography of Louis Armstrong von Jos Willems
Andere verwendete Quellen sind in der jeweiligen Tabellenspalte vermerkt.
Im Anschluss an die Aufnahmen und Aufnahmesessions listet die Übersicht der Lieder — als Zusammenfassung der Aufnahmen – alle von Louis Armstrong eingespielten Lieder (ohne Doppelnennungen) auf. Die wesentlichen Quellen sind identisch mit denen der Aufnahmen.
Die Übersicht der Musiker nennt den Namen der Musiker, mit denen Armstrong im Laufe seiner Karriere Lieder aufgenommen hat. Quellen sind die Online-Datenbanken Discogs und Allmusic sowie die Louis Armstrong Discography von Michael Minn.
Im Anschluss an die Übersicht der Lieder listet die Diskografie eine Auswahl der Plattenveröffentlichungen des Künstlers nach den Gliederungsebenen Musikalben und Kompilationen, Singles & EPs sowie Musikvideos auf. Die Zusammenstellung der diskografischen Übersicht beruht dabei auf folgenden Quellen:
* Quelle 1: den Einträgen der Tonträger von Louis Armstrong bei der Online-Datenbank Discogs
* Quelle 2: den Einträgen der Tonträger von Louis Armstrong bei der Online-Datenbank Allmusic
In zwei weiteren Kapiteln werden – für Deutschland, Österreich, die Schweiz, Großbritannien und die USA – Armstrongs Chartplatzierungen, unterschieden nach Musikalben und Kompilationen sowie seine Ehrungen aufgelistet. Die Quellen der Zusammenstellungen sind im jeweiligen Kapitel genannt.
Bei Armstrongs Aufnahmen und Aufnahmesessions kann die vorliegende Übersicht aufgrund der zur Verfügung stehenden Literatur und Weblinks, insbesondere der sehr detaillierten Zusammenstellungen von Jos Willems und Michael Minn, eine große Vollständigkeit gewährleisten. Bei der Vielzahl von veröffentlichten Tonträgern – Discogs allein listet unter dem Stichwort „Louis Armstrong“ mehr als 2100 Tondokumente – kann die Diskografie für die nach Armstrongs Tod erschienenen Alben nur eine Auswahl der Tonträger darstellen.

## Würdigung

Armstrong wurde Anfang der 1920er Jahre als einfallsreicher Trompeter und Kornett-Spieler bekannt und hatte mit der King Oliver’s Creole Jazz Band seine ersten Schallplattenaufnahmen.
Mit seiner unverkennbaren rauen Stimme war Armstrong auch ein einflussreicher Sänger, der großes Geschick als Improvisator zeigte. Außerdem war er ein begabter Scat-Sänger. Er war ebenso bekannt für seine charismatische Bühnenpräsenz und für sein Trompetenspiel. Auch als Komponist und Texter zahlreicher Lieder war er sehr erfolgreich. Sein Können als Musiker und Komponist ebnete ihm den Weg ins Filmgeschäft. In zahlreichen Filmen sind seine Soundtracks bis heute zu hören, und in vielen Filmen stand er selbst vor der Kamera. Seine musikalische Karriere umfasste fünf Jahrzehnte, von den 1920er bis zu den 1960er Jahren, mit Plattenaufnahmen in den zu dieser Zeit gängigen Stilrichtungen des Jazz sowie der populären Musik. Schon zu seinen Lebzeiten sind unzählige Schallplattenaufnahmen entstanden und veröffentlicht worden, und bis heute kommen immer wieder neue Kompilationen und Wiederveröffentlichungen seiner Musik auf den Markt.
   „Ich möchte die Menschen glücklich machen mit meiner Trompete! … Sie ist meine Geliebte, und sie liebt mich … Ich bin glücklich, wenn ich meine Trompete spielen kann, und fühle mich stark. Es ist das Leben selbst, das ich ausdrücken möchte, das Leben und die einfachen schönen Dinge des Lebens … Für mich ist die Musik so notwendig wie die Luft, die ich einatme. Wenn ich singe oder meine Trompete spiele, so ist es für mich nicht anders, als wenn ich eine Rede hielte, die Zeitung läse oder eine Liebeserklärung machte …“
   „Louis Armstrongs Position in der Jazzgeschichte ist ohne Vergleich. Wenn es ihn nicht gäbe, gäbe es uns nicht. Ich möchte deshalb Louis Armstrong buchstäblich für mein Leben danken.“
Besonders bedeutsam in seinem Schaffen sind die Louis Armstrong Hot Five and Hot Seven Sessions, Schallplattenaufnahmen, die Armstrong als Bandleader zwischen 1925 und 1928 mit seinen Bands Hot Five und Hot Seven in Chicago für OKeh Records aufgenommen hat. In diesen Sessions entstanden wichtige Aufnahmen des frühen Hot Jazz, die zunächst als Single auf Schellackplatte und ab den 1950er Jahren auf Langspielplatte erschienen. Die Aufnahmen wurden im Jahr 2002 aufgrund ihrer kulturellen, historischen und ästhetischen Bedeutung dem US-amerikanischen National Recording Registry hinzugefügt.
   “Louis Armstrong was jazz’s first great soloist and is among American music’s most important and influential figures. These sessions, his solos in particular, set a standard musicians still strive to equal in their beauty and innovation.”
   „Louis Armstrong war der erste große Solist des Jazz und gehört zu den bedeutendsten und einflussreichsten Figuren der amerikanischen Musik. Seine Hot Five and Hot Seven Sessions, insbesondere seine Soli, setzen in ihrer Schönheit und ihrer Innovation einen Standard, nach dem Musiker immer noch streben.“
Louis Armstrongs Einfluss reicht weit über die Jazz-Musik hinaus, und am Ende seiner Karriere in den 1960er Jahren wurde auch sein großer Einfluss auf die populäre Musik im Allgemeinen gewürdigt.

## Aufnahmen

Diese Übersicht listet den Titel der Aufnahme, die Band bzw. den Künstler der Aufnahme, das Datum der Aufnahme, die Aufnahmesession und den Aufnahmeort auf. In weiteren Spalten wird – zukünftig – der Komponist, das Musiklabel der Erstveröffentlichung, die Katalognummer der Erstveröffentlichung sowie die Matrix-/Masternummer der Aufnahme genannt. Sofern die Aufnahme eine eigene Matrix-/Masternummer hat, wird in der Übersicht eine eigene Zeile angelegt. Mehrere Takes einer Aufnahme werden ebenfalls in der Zeile gelistet. Steht keine eigene Matrix-/Masternummer zur Verfügung, werden mehrere Titel in einer Zeile gelistet.

### Frühe Jahre (April 1923 – November 1925)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 5. April 1923 | Just Gone | King Oliver’s Creole Jazz Band | Joe King Oliver, Bill Johnson | Gennett | 5133 | 11383 B | Gennett Recording Session – Richmond, Indiana |
| 5. April 1923 | Canal Street Blues | King Oliver’s Creole Jazz Band | Joe King Oliver, Bill Johnson | Gennett | 5133 | 11384 B | Gennett Recording Session – Richmond, Indiana |
| 5. April 1923 | Mandy Lee Blues | King Oliver’s Creole Jazz Band | Melrose Bloom | Gennett | 5134 | 11385 C | Gennett Recording Session – Richmond, Indiana |
| 5. April 1923 | I’m Going Away to Wear You Off My Mind | King Oliver’s Creole Jazz Band | Johnson Smith | Gennett | 5134 | 11386 C | Gennett Recording Session – Richmond, Indiana |
| 5. April 1923 | Chimes Blues | King Oliver’s Creole Jazz Band | Joe King Oliver | Gennett | 5135 | 11387 a | Gennett Recording Session – Richmond, Indiana |
| 6. April 1923 | Weather Bird Rag | King Oliver’s Creole Jazz Band | Louis Armstrong | Gennett | 5132 | 11388 | Gennett Recording Session – Richmond, Indiana |
| 6. April 1923 | Dipper Mouth Blues (Dippermouth Blues) | King Oliver’s Creole Jazz Band | Joe King Oliver, Louis Armstrong | Gennett | 5132 | 11389 B | Gennett Recording Session – Richmond, Indiana |
| 6. April 1923 | Froggie Moore | King Oliver’s Creole Jazz Band | Spikes, Moore | Gennett | 5135 | 11390 B | Gennett Recording Session – Richmond, Indiana |
| 6. April 1923 | Snake Rag | King Oliver’s Creole Jazz Band | Joe King Oliver | Gennett | 5184 | 11391 | Gennett Recording Session – Richmond, Indiana |
| 22.–29. Juni 1923 | Snake Rag | King Oliver’s Jazz Band | Joe King Oliver | Okeh | | 8391-a | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | Sweet Lovin’ Man | King Oliver’s Jazz Band | Melrose, Lil Hardin | Okeh | | 8392-B | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | High Society Rag | King Oliver’s Jazz Band | | Okeh | | 8393-B | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | Sobbin’ Blues | King Oliver’s Jazz Band | Kassell, Burton | Okeh | | 8394-B | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | Where Did You Stay Last Night? | King Oliver’s Jazz Band | Louis Armstrong, Lil Hardin | Okeh | | 8401-a | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | Dipper Mouth Blues | King Oliver’s Jazz Band | Louis Armstrong, King Oliver | Okeh | | 8402-a | Okeh Recording Session – Chicago, Illinois |
| 22.–29. Juni 1923 | Jazzin’ Babies’ Blues | King Oliver’s Jazz Band | R. M. Jones | Okeh | | 8403-a | Okeh Recording Session – Chicago, Illinois |
| Anfang September 1923 | Mabel’s Dream | King Oliver’s Jazz Band | I. Smith | Paramount | 12088 | 1622-1 1622-2 | Paramount Recording Session – Chicago, Illinois |
| Anfang September 1923 | The Southern Stomps | King Oliver’s Jazz Band | J. M. Jones | Paramount | 12088 | 1623-1 1623-2 | Paramount Recording Session – Chicago, Illinois |
| Anfang September 1923 | Riverside Blues | King Oliver’s Jazz Band | Dorsey, Jones | Paramount | 20292 | 1624-2 | Paramount Recording Session – Chicago, Illinois |
| 5. Oktober 1923 | Alligator Hop | King Oliver’s Creole Jazz Band | King Oliver, Picou | Gennett | 5274 | 11633 B | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | That Sweet Something, Dear | King Oliver’s Creole Jazz Band | | Gennett | 5276 | 11634-C | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | Zulus Ball | King Oliver’s Creole Jazz Band | King Oliver, Robinson | Gennett | 5275 | 11635 A | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | Workingman Blues | King Oliver’s Creole Jazz Band | King Oliver, Lil Hardin | Gennett | 5275 | 11636 B | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | Someday Sweetheart | King Oliver’s Creole Jazz Band | | unveröffentlicht | unveröffentlicht | 11637-ABC rejected | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | Krooked Blues | King Oliver’s Creole Jazz Band | Spikes, Johnson | Gennett | 5274 | 11638 | Gennett Recording Session – Richmond, Indiana |
| 5. Oktober 1923 | If You Want My Heart (You’ve Got To ’low It, Babe) | King Oliver’s Creole Jazz Band | | unveröffentlicht | unveröffentlicht | 11639-B | Gennett Recording Session – Richmond, Indiana |
| 5.–15. Oktober 1923 | Buddy’s Habit | King Oliver’s Jazz Band | A. Nelson, C. Straight | Okeh | 40000 | 8475-B | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Tears | King Oliver’s Jazz Band | Louis Armstrong, Lil Hardin | Okeh | 40000 | 8476-B | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | I Ain’t Gonna Tell Nobody | King Oliver’s Jazz Band | Jones, R.M. | Okeh | 8148 | 8477-B | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Room Rent Blues | King Oliver’s Jazz Band | I. Newton | Okeh | 8148 | 8478-a | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Riverside Blues | King Oliver’s Jazz Band | T. Dorsey, R.M. Jones | Okeh | 40034 | 8484-a | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Sweet Baby Doll | King Oliver’s Jazz Band | G. W. Thomas, W. LeRoy | Okeh | 8235 | 8485-a | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Workin’ Man Blues | King Oliver’s Jazz Band | Joe Oliver | Okeh | 40034 | 8486-B | Okeh Recording Session – Chicago, Illinois |
| 5.–15. Oktober 1923 | Mabel’s Dream | King Oliver’s Jazz Band | Ike Smith | Okeh | 8235 | 8487-a | Okeh Recording Session – Chicago, Illinois |
| 15. Oktober 1923 | Chattanooga Stomp | King Oliver’s Jazz Band | Joe Oliver, A. Picou. | Columbia | 13003-D | 81300-3 | Columbia Recording Session – Chicago, Illinois |
| 15. Oktober 1923 | Junkman Blues | King Oliver’s Jazz Band | | aussortiert | aussortiert | 81301-1 81301-2 81301-3 | Columbia Recording Session – Chicago, Illinois |
| 15. Oktober 1923 | London (Cafe) Blues | King Oliver’s Jazz Band | | aussortiert | aussortiert | 81302-1 81302-2 81302-3 | Columbia Recording Session – Chicago, Illinois |
| 16. Oktober 1923 | London (Cafe) Blues | King Oliver’s Jazz Band | F. Morton | Columbia | 14003-D | 81302-5 | Columbia Recording Session – Chicago, Illinois |
| 16. Oktober 1923 | Camp Meeting Blues | King Oliver’s Jazz Band | Joe Oliver | Columbia | 14003-D | 81303-2 | Columbia Recording Session – Chicago, Illinois |
| 16. Oktober 1923 | New Orleans Stomp | King Oliver’s Jazz Band | Lil Hardin, Louis Armstrong | Columbia | 13003-D | 81304-2 | Columbia Recording Session – Chicago, Illinois |
| 7. Oktober 1924 | Manda | Fletcher Henderson and His Orchestra | Eubie Blake, Noble Sissle | Columbia | | 140092-3 | Columbia Recording Session – New York City, New York |
| 7. Oktober 1924 | Go ’Long, Mule | Fletcher Henderson and His Orchestra | H. Creamer, R. King | Columbia | 228-D | 140093-2 | Columbia Recording Session – New York City, New York |
| 10.–13. Oktober 1924 | Tell Me Dreamy Eyes | Fletcher Henderson and His Orchestra | Kahn, Spitalny, Gordon | Pathé | 036157 | 105604-1 | Pathé Recording Session – New York City, New York |
| 10.–13. Oktober 1924 | My Rose Marie | Fletcher Henderson and His Orchestra | R. Henderson, B. DeSylva, King | Pathé | 036156 | 105605-1 | Pathé Recording Session – New York City, New York |
| 10.–13. Oktober 1924 | Don’t Forget You’ll Regret Day by Day | Fletcher Henderson and His Orchestra | Dowell | Pathé | 036266 | 105606-2 | Pathé Recording Session – New York City, New York |
| 10.–13. Oktober 1924 | Shanghai Shuffle | Fletcher Henderson and His Orchestra | Rodemich, G., Conley, L. | Pathé | 036157 | 105607-1 oder -A | Pathé Recording Session – New York City, New York |
| ca. 16. Oktober 1924 | See See Rider Blues | Ma Rainey begleitet von ihrer Georgia Jazz Band | Gertrude Rainey, L. Arant | Paramount | 12252 | 1925-1 | Paramount Recording Session – New York City, New York |
| ca. 16. Oktober 1924 | See See Rider Blues | Ma Rainey begleitet von ihrer Georgia Jazz Band | Gertrude Rainey, L. Arant | Paramount | 12252 | 1925-2 | Paramount Recording Session – New York City, New York |
| ca. 16. Oktober 1924 | Jelly Bean Blues | Ma Rainey begleitet von ihrer Georgia Jazz Band | Gertrude Rainey, L. Arant | Paramount | 12238 | 1926-2 | Paramount Recording Session – New York City, New York |
| ca. 16. Oktober 1924 | Countin’ the Blues | Ma Rainey begleitet von ihrer Georgia Jazz Band | Gertrude Rainey | Paramount | 12238 | 1927-2 | Paramount Recording Session – New York City, New York |
| ca. 16. Oktober 1924 | Countin’ the Blues | Ma Rainey begleitet von ihrer Georgia Jazz Band | Gertrude Rainey | Paramount | 12238 | 1927-2 | Paramount Recording Session – New York City, New York |
| 17. Oktober 1924 | Texas Mooner Blues | Clarence Williams’ Blue Five | C. Williams, F. Barnes | Okey | 8171 | S-72-914-B | Okey Recording Session – New York City, New York |
| 17. Oktober 1924 | Early in the Morning | Virginia Liston begleitet von Clarence Williams’ Blue Five | Higgins, Overstreet | Okey | 8187 | S-72-915-B | Okey Recording Session – New York City, New York |
| 17. Oktober 1924 | You’ve Got the Right Key, But The Wrong Keyhole | Virginia Liston begleitet von Clarence Williams’ Blue Five | Clarence Williams | Okey | 8187 | S-72-916-B | Okey Recording Session – New York City, New York |
| 30. Oktober 1924 | Words | Fletcher Henderson and His Orchestra | Otis Spencer, Al Dubin, Al Tucker | Vocalion | 14926 | 13925 13926 | Vocalion Recording Session – New York City, New York |
| 30. Oktober 1924 | Copenhagen | Fletcher Henderson and His Orchestra | C. Davis, W. Melrose | Vocalion | 14926 | 13928 13929 | Vocalion Recording Session – New York City, New York |
| 6. November 1924 | Of All the Wrongs You Done To Me | Clarence Williams’ Blue Five | Patton, Smith | Okey | 8181 | S-72-958-B | Okey Recording Session – New York City, New York |
| 6. November 1924 | Everybody Loves My Baby (but My Baby Don't Love Nobody But Me) | Clarence Williams’ Blue Five | Jack Palmer, Spencer Williams | Okey | 8181 | S-72-959-B | Okey Recording Session – New York City, New York |
| ca. 6. November 1924 | Everybody Loves My Baby (but My Baby Don't Love Nobody But Me) | Josephine Beatty begleitet von den Red Onion Jazz Babies | Jack Palmer, Spencer Williams | Gennett | 5594 | 9167 | Gennett Recording Session – New York City, New York |
| 7. November 1924 | Shanghai Shuffle | Fletcher Henderson and His Orchestra | G. Rodemich, L. Conley | Vocalion | 14935 | 13950 | Vocalion Recording Session – New York City, New York |
| 7. November 1924 | Naughty Man | Fletcher Henderson and His Orchestra | Don Redmon, Charlie Dixon | Vocalion | 14935 | 13953 | Vocalion Recording Session – New York City, New York |
| ca. 8. November 1924 | Texas Mooner Blues | Josephine Beatty begleitet von den Red Onion Jazz Babies | Clarence Williams, F. Barnes | Gennett | 5594 | 9176a | Gennett Recording Session – New York City, New York |
| ca. 8. November 1924 | Of All the Wrongs You’ve Done To Me | Red Onion Jazz Babies | L. Payton, C. Smith, E. Dowell | Gennett | 5627 | 9177 | Gennett Recording Session – New York City, New York |
| 10. oder 11. November 1924 | One of These Days | Fletcher Henderson’s Orchestra | D. A. Hoffman | Regal | 9753 | 5712-1 | Regal Recording Session – New York City, New York |
| 10. oder 11. November 1924 | My Dream Man | Fletcher Henderson’s Orchestra | F. Dale | Regal | 9767 | 5713-1 5713-2 | Regal Recording Session – New York City, New York |
| 14. November 1924 | The Meanest Kind of Blues | Fletcher Henderson and His Orchestra | L. Katzman | Columbia | 249-D | 140138 | Columbia Recording Session – New York City, New York |
| 14. November 1924 | Naughty Man | Fletcher Henderson and His Orchestra | Don Redmon, Charlie Dixon | Columbia | 249-D | 140139 | Columbia Recording Session – New York City, New York |
| 17.–22. November 1924 | How Come You Do Me Like You Do | Fletcher Henderson and His Orchestra | G. Austin, R. Bergere | Regal | 9739 | 5728-1 5728-2 5728-3 | Regal Recording Session – New York City, New York |
| 17.–22. November 1924 | Araby (The Sheik of Araby) | Fletcher Henderson and His Orchestra | | | | 5731-1 | Regal Recording Session – New York City, New York |
| 22.–25. November 1924 | Everybody Loves My Baby | Fletcher Henderson and His Orchestra | Spencer Williams, J. Palmer | Ajax | 17109 | 5748-1 5748-3 | Regal Recording Session – New York City, New York |
| 22.–25. November 1924 | Naughty Man | Fletcher Henderson and His Orchestra | Don Redmon, Charlie Dixon | Regal | 9774 | 5749-2 5749-3 | Regal Recording Session – New York City, New York |
| 25. November 1924 | Papa, Mama’s All Alone Blues | Margaret Johnson begleitet von Clarence Williams’ Blue Five | Clarence Williams, W. Higgins | Okey | 8185 | 72996a | Okey Recording Session – New York City, New York |
| 25. November 1924 | Changeable Daddy of Mine | Margaret Johnson begleitet von Clarence Williams’ Blue Five | S. Wooding, B. Schifer | Okey | 8185 | 72997a | Okey Recording Session – New York City, New York |
| 26. November 1924 | Terrible Blues | Red Onion Jazz Babies | Clarence William | Gennett | 5607 | 9206 | Gennett Recording Session – New York City, New York |
| 26. November 1924 | Santa Claus Blues | Red Onion Jazz Babies | Straight, Kahn | Gennett | 5607 | 9207 | Gennett Recording Session – New York City, New York |
| 28. November 1924 | Baby I Can’t Use You No More | Sippie Wallace begleitet von Clarence Williams’ Blue Five | M. Wallace, S. Wallace | Okey | 8212 | 73007 B | Okey Recording Session – New York City, New York |
| 28. November 1924 | Trouble Everywhere I Roam | Sippie Wallace begleitet von Clarence Williams’ Blue Five | M. Wallace, S. Wallace | Okey | 8212 | 73008 B | Okey Recording Session – New York City, New York |
| Anfang Dezember 1924 | Prince of Wails | Fletcher Henderson and His Orchestra | Schoebel | Puritan Paramount Puritan | 11367 20367 11367 | 1973-1 1973-2 1973-3 | Paramount Recording Session – New York City, New York |
| Anfang Dezember 1924 | Mandy Make Up Your Mind | Fletcher Henderson and His Orchestra | G. W. Meyer, A. Johnston, G. Clarke, R. Turk | Puritan Puritan | 11367 11367 | 1974-1 1974-2 | Paramount Recording Session – New York City, New York |
| 9. Dezember 1924 | Poor House Blues | Maggie Jones | Williams, Spencer | Columbia | 14050-D | 140171 | Columbia Recording Session – New York City, New York |
| 10. Dezember 1924 | Anybody Here Want to Try My Cabbage? | Maggie Jones | Andy Razaf, Thomas Waller, E. Dowell | Columbia | 14063-D | 140174 | Columbia Recording Session – New York City, New York |
| 10. Dezember 1924 | Thunderstorm Blues | Maggie Jones | S. Williams, A. Ray | Columbia | 14050-D | 140175 | Columbia Recording Session – New York City, New York |
| 17. Dezember 1924 | If I Lose, Let Me Lose (Mama Don’t Mind) | Maggie Jones | T. Delaney | Columbia | 14059-D | 140187 | Columbia Recording Session – New York City, New York |
| 17. Dezember 1924 | Screamin’ the Blues | Maggie Jones | M. Jones, F. Henderson | Columbia | 14055-D | 140188 | Columbia Recording Session – New York City, New York |
| 17. Dezember 1924 | Good Time Flat Blues | Maggie Jones | S. Williams | Columbia | 14055-D | 140191 | Columbia Recording Session – New York City, New York |
| 17. Dezember 1924 | Mandy, Make Up Your Mind | Clarence Williams’ Blue Five | G. W. Meyer, A. Johnston, G. Clarke, R. Turk | Okey | 40260 | S-73-026-B | Okey Recording Session – New York City, New York |
| 17. Dezember 1924 | I’m a Little Blackbird Looking for a Bluebird | Clarence Williams’ Blue Five | G. W. Meyer, A. Johnston, G. Clarke, R. Turk | Okey | 40260 | S-73-027-B | Okey Recording Session – New York City, New York |
| 22. Dezember 1924 | Nobody Knows the Way I Feel Dis Mornin’ | Josephine Beatty begleitet von den Red Onion Jazz Babies | T. Delaney, P. Delaney | Gennett | 5626 | 9246 | Gennett Recording Session – New York City, New York |
| 22. Dezember 1924 | Early Every Morn | Josephine Beatty begleitet von den Red Onion Jazz Babies | B. Higgins, W. B. Overstreet | Gennett | 5626 | 9247 a | Gennett Recording Session – New York City, New York |
| 22. Dezember 1924 | Cake Walking Babies (From Home) | Red Onion Jazz Babies | C. Williams, C. Smith, H. Troy | Gennett | 5627 | 9248 a | Gennett Recording Session – New York City, New York |
| 7. Januar 1925 | Nobody Knows The Way I Feel Dis Mornin’ | Clara Smith | T. Delaney, P. Delaney | Columbia | 14058-D | 140226 | Columbia Recording Session – New York City, New York |
| 7. Januar 1925 | Broken Busted Blues | Clara Smith | E. Dowell | Columbia | 14062-D | 140227 | Columbia Recording Session – New York City, New York |
| 8. Januar 1925 | Cake Walking Babies From Home | Eva Taylor begleitet von Clarence Williams’ Blue Five | C. Williams, C. Smith, H. Troy | Okey | 40321 | S-73-083-A | Okey Recording Session – New York City, New York |
| 8. Januar 1925 | Pickin’ On Your Baby | Eva Taylor begleitet von Clarence Williams’ Blue Five | B. James, P. V. Reynolds | Okey | 40330 | S-73-084-B | Okey Recording Session – New York City, New York |
| 14. Januar 1925 | The St. Louis Blues | Bessie Smith | W. C. Handy | Columbia | 14064-D | 140241 | Columbia Recording Session – New York City, New York |
| 14. Januar 1925 | Reckless Blues | Bessie Smith | F. Longshaw, J. Gee | Columbia | 14056-D | 140242 | Columbia Recording Session – New York City, New York |
| 14. Januar 1925 | Sobbin’ Hearted Blues | Bessie Smith | P. Bradford, Davis Layer | Columbia | 14056-D | 140249 | Columbia Recording Session – New York City, New York |
| 14. Januar 1925 | Cold In Hand Blues | Bessie Smith | F. Longshaw, J. Gee | Columbia | 14064-D | 140250 | Columbia Recording Session – New York City, New York |
| 14. Januar 1925 | You’ve Been a Good Ole Wagon | Bessie Smith | Bessie Smith, Balcom | Columbia | 14079-D | 140251 | Columbia Recording Session – New York City, New York |
| Mitte und Ende Januar 1925 | Everybody Loves My Baby (but My Baby Don't Love Nobody But Me) | Fletcher Henderson’s Orchestra | Spencer Williams, J. Palmer | aussortiert | aussortiert | 1995 | Paramount Recording Session – New York City, New York |
| Mitte und Ende Januar 1925 | How Come You Do Me Like You Do | Fletcher Henderson’s Orchestra | G. Austin, R. Bergere | aussortiert | aussortiert | 1996 | Paramount Recording Session – New York City, New York |
| Mitte und Ende Januar 1925 | I’ll See You in My Dreams | Fletcher Henderson’s Orchestra | I. Jones, G. Kahn | Regal Regal Regal | 9775 9775 9775 | 5810-1 5810-5 5810-6 | Regal Recording Session – New York City, New York |
| Mitte und Ende Januar 1925 | Why Couldn’t It Be Poor Little Me? | Fletcher Henderson’s Orchestra | I. Jones, G. Kahn | Regal Banner Regal Regal | 9770 1476 9770 9770 | 5811-2 5811-4 5811-5 5811-6 | Regal Recording Session – New York City, New York |
| 17 Januar 1925 | My John Blues | Clara Smith | E. Dowell | aussortiert | aussortiert | 140266-1-2 | Columbia Recording Session – New York City, New York |
| 17. Januar 1925 | Shipwrecked Blues | Clara Smith | Williams, Spencer | aussortiert | aussortiert | 140267-1-2 | Columbia Recording Session – New York City, New York |
| 23. Januar 1925 | Bye and Bye | Fletcher Henderson and His Orchestra | Pease, Nelson, Vincent | Columbia | 292-D | 140356-2 | Columbia Recording Session – New York City, New York |
| 23. Januar 1925 | Play Me Slow | Fletcher Henderson and His Orchestra | Hagen, O’Flynn | Columbia | 292-D | 140357-2 140357-3 | Columbia Recording Session – New York City, New York |
| Anfang Februar 1925 | Alabamy Bound | Fletcher Henderson’s Orchestra | B. DeSylva, B. Green, R. Henderson | Domino Regal Regal | 3458 9789 9789 | 5835-2 5835-3 5835-4 | Regal Recording Session – New York City, New York |
| Anfang Februar 1925 | Swanee Butterfly | Fletcher Henderson’s Orchestra | Rose Donaldson | Apex Regal Regal | 8317 9803 9803 | 5836-1 5836-2 5836-3 | Regal Recording Session – New York City, New York |
| 4. Februar 1925 | Poplar Street Blues | Fletcher Henderson’s Orchestra | Mont Short | Pathé | 036214 | n-105829-1 | Pathé Recording Session – New York City, New York |
| 4. Februar 1925 | 12th Street Blues | Fletcher Henderson’s Orchestra | B. Heagney | Pathé | 036214 | n-105830-1 | Pathé Recording Session – New York City, New York |
| 4. Februar 1925 | Me Neenyah (My Little One) | Fletcher Henderson’s Orchestra | Spencer, Brown | Pathé | 06213 | n-105831-1 | Pathé Recording Session – New York City, New York |
| Mitte Februar 1925 | You’ve Got To Beat Me To Keep Me | Trixie Smith and Her Down Home Syncopators | P. Grainger | Paramount | 12256 | 2015-2 | Paramount Recording Session – New York City, New York |
| Mitte Februar 1925 | Mining Camp Blues | Trixie Smith and Her Down Home Syncopators | Trixie Smith | Paramount | 12256 | 2016-1 2016-2 | Paramount Recording Session – New York City, New York |
| 20. Februar 1925 | King Porter Stomp | Fletcher Henderson and His Orchestra | Morton, Henderson | unveröffentlicht | unveröffentlicht | 399 400 401 | Vocalion Recording Session |
| 20. Februar 1925 | She’s My Sheba, I’m Her Sheik | Fletcher Henderson and His Orchestra | | unveröffentlicht | unveröffentlicht | 402 403 404 | Vocalion Recording Session |
| 4. März 1925 | Cast Away | Eva Taylor begleitet von Clarence Williams’ Blue Five | J. Brown, S. Easton, J. Stewart | Okey | 40330 | S-73-204-a | Okey Recording Session – New York City, New York |
| 4. März 1925 | Papa De-Da-Da | Eva Taylor begleitet von Clarence Williams’ Blue Five | S. Williams, C. Todd, C. Williams | Okey | 8215 | S-73-205-a | Okey Recording Session – New York City, New York |
| 16.–23. März 1925 | The World’s Jazz Crazy and So Am I | Trixie Smith | W. H. Huff, J. Blythe | Paramount | 12262 | 2063-1 2063-2 | Paramount Recording Session – New York City, New York |
| 16.–23. März 1925 | Railroad Blues | Trixie Smith | Trixie Smith | Paramount | 12262 | 2064-1 2064-2 | Paramount Recording Session – New York City, New York |
| 2. April 1925 | Shipwrecked Blues | Clara Smith | Williams, Spencer | Columbia | 14077-D | 140491-1 | Columbia Recording Session – New York City, New York |
| 2. April 1925 | Court House Blues | Clara Smith | Clara Smith | Columbia | 14073-D | 140492-1 140492-2 | Columbia Recording Session – New York City, New York |
| 2. April 1925 | My John Blues | Clara Smith | E. Dowell | Columbia | 14077-D | 140493 | Columbia Recording Session – New York City, New York |
| 18. April 1925 | Memphis Bound | Fletcher Henderson and His Orchestra | Banta, DeRose | Vocalion | 15030 | 729 w | Vocalion Recording Session – New York City, New York |
| 18. April 1925 | When Do You Do What You Do | Fletcher Henderson and His Orchestra | Mitchell Parish, George Johnsen | Vocalion | 15030 | 732 w | Vocalion Recording Session – New York City, New York |
| 19. Mai 1925 | I’ll Take Her Back If She Wants to Come Back | Fletcher Henderson and His Orchestra | J. V. Monaco, E. Leslie | Columbia | 383-D | W 140616 | Columbia Recording Session – New York City, New York |
| 19. Mai 1925 | Money Blues | Fletcher Henderson and His Orchestra | Leader, Coleman, Eller | Columbia | 383-D | W 140617-1 W 140617-2 | Columbia Recording Session – New York City, New York |
| 26. Mai 1925 | Nashville Women’s Blues | Bessie Smith | F. W. Longshaw | Columbia | 14090-D | W 140625-2 W 140625-3 | Columbia Recording Session – New York City, New York |
| 26. Mai 1925 | Careless Love Blues | Bessie Smith | W. C. Handy | Columbia | 14083-D | W 140626-1 W 140626-2 | Columbia Recording Session – New York City, New York |
| 27. Mai 1925 | J.C. Holmes Blues | Bessie Smith | G. Horsley | Columbia | 14095-D | W 140629-2 | Columbia Recording Session – New York City, New York |
| 27. Mai 1925 | I Ain’t Goin’ to Play Second Fiddle (If I Can’t Play The Lead) | Bessie Smith | P. Bradford | Columbia | 14083-D | W 140630-1 | Columbia Recording Session – New York City, New York |
| 29. Mai 1925 | Sugar Foot Stomp | Fletcher Henderson and His Orchestra | Joe Oliver, Louis Armstrong | Columbia | 395-D | W 140639 | Columbia Recording Session – New York City, New York |
| 29. Mai 1925 | What-Cha-Call-’Em Blues | Fletcher Henderson and His Orchestra | S. L. Roberts | Columbia | 395-D | W 1406340 | Columbia Recording Session – New York City, New York |
| 6. August 1925 | Red Hot Henry Brown | Fletcher Henderson and His Orchestra | | aussortiert | aussortiert | W-140812 | Columbia Recording Session – New York City, New York |
| 6. August 1925 | Loud Speakin’ Papa | Fletcher Henderson and His Orchestra | | aussortiert | aussortiert | W-140813 | Columbia Recording Session – New York City, New York |
| 7. August 1925 | I Miss My Swiss | The Southern Serenaders | A. Baer, L. W. Gilbert | Harmony | 4H | 140819-2 | Columbia Recording Session – New York City, New York |
| 7. August 1925 | Alone at Last | The Southern Serenaders | T. Fio Rito, G. Kahn | Harmony | 5H | 140820-2 | Columbia Recording Session – New York City, New York |
| Ca. Oktober 1925 | You Dirty Mistreater | „Coot“ Grant und „Kid“ Wilson mit dem Fletcher Henderson’s Orchestra | Wesley Wilson | Paramount | 12324 | 2279-1 | Paramount Recording Session – New York City, New York |
| Ca. Oktober 1925 | Come On Coot Do That Thing | „Coot“ Grant und „Kid“ Wilson mit dem Fletcher Henderson’s Orchestra | Coot Grant | Paramount | 12317 | 2280-2 | Paramount Recording Session – New York City, New York |
| Ca. Oktober 1925 | Have Your Chill, I’ll Be Here When Your Fever Rises | „Coot“ Grant und „Kid“ Wilson mit dem Fletcher Henderson’s Orchestra | Wesley Wilson | Paramount | 12317 | 2281-2 | Paramount Recording Session – New York City, New York |
| Ca. Oktober 1925 | Find Me At The Greasy Spoon (if You Miss Me Here) | „Coot“ Grant und „Kid“ Wilson mit dem Fletcher Henderson’s Orchestra | Wesley Wilson | Paramount | 12337 | 2282-1 2282-2 | Paramount Recording Session – New York City, New York |
| Ca. Oktober 1925 | Speak Now or Hereafter Hold Your Peace | „Coot“ Grant, Leola B. „Coot“ Grant, Louis Armstrong und/oder Joe Smith, Fletcher Henderson | Wesley Wilson | Paramount | | 2283-1 | Paramount Recording Session – New York City, New York |
| Ca. Oktober 1925 | When Your Man Is Going to Put You Down (You Never Can Tell) | „Coot“ Grant, Leola B. „Coot“ Grant, Louis Armstrong und/oder Joe Smith, Fletcher Henderson | Coot Grant | Paramount | | 2284-1 | Paramount Recording Session – New York City, New York |
| 6. Oktober 1925 | Just Wait ’til You See My Baby Do The Charleston | Clarence Williams’ Blue Five | C. Todd, R. Simmons, C. Williams | Okey | 8272 | 73-686-B | Okey Recording Session – New York City, New York |
| 6. Oktober 1925 | Livin’ High Sometimes | Clarence Williams’ Blue Five | M. Pinkard, A. Belledna | Okey | 8272 | 73-687-B | Okey Recording Session – New York City, New York |
| 7. Oktober 1925 | Lucy Long | Perry Bradford’s Jazz Phools | Perry Bradford | unveröffentlicht | unveröffentlicht | E-1434 E-1435 E-1436 | Vocalion Recording Session – New York City, New York |
| 7. Oktober 1925 | I Ain’t Gonna Play No Second Fiddle (if I Can’t Play The Lead) | Perry Bradford’s Jazz Phools | Perry Bradford | unveröffentlicht | unveröffentlicht | E-1437 E-1438 E-1439 | Vocalion Recording Session – New York City, New York |
| 8. Oktober 1925 | Coal Cart Blues | Clarence Williams’ Blue Five | Louis Armstrong, Lil Hardin | Okey | 8245 | 73-694-B | Okey Recording Session – New York City, New York |
| 8. Oktober 1925 | Santa Claus Blues | Clarence Williams’ Blue Five | C. Straight, G. Kahn | Okey | 8245 | 73-695-B | Okey Recording Session – New York City, New York |
| 16. Oktober 1925 | Santa Claus Blues | Clarence Williams’ Trio | C. Straight, G. Kahn | Okey | 8254 | 73-721-a | Okey Recording Session – New York City, New York |
| 21. Oktober 1925 | T. N. T. | Fletcher Henderson and His Orchestra | E. Schnebel | Columbia | 509-D | W 141170-1 | Columbia Recording Session – New York City, New York |
| 21. Oktober 1925 | Carolina Stomp | Fletcher Henderson and His Orchestra | Costello Bloom | Columbia | 509-D | W 141171-4 | Columbia Recording Session – New York City, New York |
| 26. Oktober 1925 | Squeeze Me | Clarence Williams’ Blue Five | Clarence Williams, Thomas Waller | Okey | 8254 | 73-738-a | Okey Recording Session – New York City, New York |
| 26. Oktober 1925 | You Can’t Shush Katie (the Gabbiest Girl in Town) | Clarence Williams’ Blue Five | H. White, Harry Creamer, H. Warren | Okey | 8342 | 73-739-B | Okey Recording Session – New York City, New York |
| 2. November 1925 | Lucy Long | Perry Bradford’s Jazz Phools | Perry Bradford | Vocalion | 15165 | E 1580 w | Vocalion Recording Session – New York City, New York |
| 2. November 1925 | I Ain’t Gonna Play No Second Fiddle (if I Can’t Play The Lead) | Perry Bradford’s Jazz Phools | | Vocalion | 15165 | E 1583 w | Vocalion Recording Session – New York City, New York |
| 9. November 1925 | Low Land Blues | Bertha Hill | Richard M. Jones | Okey | 8273 | 9456-a | Okey Recording Session – Chicago, Illinois |
| 9. November 1925 | Kid Man Blues | Bertha Hill | Richard M. Jones | Okey | 8273 | 9457-a | Okey Recording Session – Chicago, Illinois |
| 9. November 1925 | Lazy Woman’s Blues | Blanche Calloway | Richard M. Jones | Okey | 8279 | 9458-a | Okey Recording Session – Chicago, Illinois |
| 9. November 1925 | Lonesome Lovesick | Blanche Calloway | Richard M. Jones | Okey | 8279 | 9459-a | Okey Recording Session – Chicago, Illinois |

### Louis Armstrong Hot Five and Hot Seven Sessions (November 1925 – März 1929)
#### Die Sessions

| Aufnahme-datum | Titel | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-ort |
| 11. November 1925 | Gambler’s Dream | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas | Okeh | 8289 | 9471-A | Okeh Recording Session – Chicago, Illinois |
| 11. November 1925 | Sunshine Baby | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas | Okeh | 8326 | 9472-A | Okeh Recording Session – Chicago, Illinois |
| 11. November 1925 | Adam And Eve Had The Blues | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas | Okeh | 8358 | 9473-A | Okeh Recording Session – Chicago, Illinois |
| 11. November 1925 | Put It Where I Can Get It | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas | Okeh | 8358 | 9474-A | Okeh Recording Session – Chicago, Illinois |
| 11. November 1925 | Wash Woman Blues | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas, Bollinger | Okeh | 8289 | 9475-A | Okeh Recording Session – Chicago, Illinois |
| 11. November 1925 | I’ve Stopped My Man | Hociel Thomas begleitet von Louis Armstrong’s Jazz Four | Hociel Thomas | Okeh | 8326 | 9476-A | Okeh Recording Session – Chicago, Illinois |
| 12. November 1925 | My Heart | Louis Armstrong and His Hot Five | Lil Armstrong | Okeh | 8320 | 9484-A | Okeh Recording Session – Chicago, Illinois |
| 12. November 1925 | Yes! I’m In The Barrel | Louis Armstrong and His Hot Five | Louis Armstrong | Okeh | 8261 | 9485-A | Okeh Recording Session – Chicago, Illinois |
| 12. November 1925 | Gut Bucket Blues | Louis Armstrong and His Hot Five | Louis Armstrong | Okeh | 8261 | 9486-A | Okeh Recording Session – Chicago, Illinois |
| 22. Februar 1926 | Come Back, Sweet Papa | Louis Armstrong and His Hot Five | Paul Barbarin, Luis Russell | Okeh | 8318 | 9503-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Georgia Grind | Louis Armstrong and His Hot Five | Spencer Williams | Okeh | 8318 | 9533-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Heebie Jeebies | Louis Armstrong and His Hot Five | Boyd Atkins | Okeh | 8300 | 9534-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Cornet Chop Suey | Louis Armstrong and His Hot Five | Louis Armstrong | Okeh | 8320 | 9535-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Cornet Chop Suey (In Eb) | Louis Armstrong and His Hot Five | Louis Armstrong | Okeh | 8320 | 9535-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Oriental Strut | Louis Armstrong and His Hot Five | Johnny St. Cyr | Okeh | 8299 | 9536-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | You’re Next | Louis Armstrong and His Hot Five | Louis Armstrong | Okeh | 8299 | 9537-A | Okeh Recording Session – Chicago, Illinois |
| 26. Februar 1926 | Muskrat Ramble | Louis Armstrong and His Hot Five | Roy Gilbert, Edward ‚Kid‘ Ory | Okeh | 8300 | 9538-A | Okeh Recording Session – Chicago, Illinois |
| 16. Juni 1926 | Don’t Forget To Mess Around | Louis Armstrong and His Hot Five | Paul Barbarin, Louis Armstrong | Okeh | 8343 | 9729-A | Okeh Recording Session – Chicago, Illinois |
| 16. Juni 1926 | I’m Gonna Gitcha | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8343 | 9730-A | Okeh Recording Session – Chicago, Illinois |
| 16. Juni 1926 | Droppin’ Shucks | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8357 | 9731-A | Okeh Recording Session – Chicago, Illinois |
| 16. Juni 1926 | Who’sit | Louis Armstrong and His Hot Five | Jones | Okeh | 8357 | 9732-A | Okeh Recording Session – Chicago, Illinois |
| 18. Juni 1926 | He Likes It Slow | Butterbeans and Susie begleitet von Louis Armstrong and His Hot Five | J. Edwards | Okeh | 8355 | 9750-A | Okeh Recording Session – Chicago, Illinois |
| 23. Juni 1926 | The King of the Zulus | Louis Armstrong and His Hot Five | Lil Armstrong | Okeh | 8396 | 9776-A | Okeh Recording Session – Chicago, Illinois |
| 23. Juni 1926 | Big Fat Ma and Skinny Pa | Louis Armstrong and His Hot Five | Richard M. Jones | Okeh | 8379 | 9777-A | Okeh Recording Session – Chicago, Illinois |
| 23. Juni 1926 | Lonesome Blues | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8396 | 9778-A | Okeh Recording Session – Chicago, Illinois |
| 23. Juni 1926 | Sweet Little Papa | Louis Armstrong and His Hot Five | Edward ’Kid’ Ory | Okeh | 8379 | 9779-A | Okeh Recording Session – Chicago, Illinois |
| 16. November 1926 | Jazz Lips | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8436 | 9890-A | Okeh Recording Session – Chicago, Illinois |
| 16. November 1926 | Skid-Dat-De-Dat | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8436 | 9891-A | Okeh Recording Session – Chicago, Illinois |
| 16. November 1926 | Big Butter and Egg Man | May Alix mit Louis Armstrong and His Hot Five | Louis Armstrong, Percy Venable | Okeh | 8423 | 9892-A | Okeh Recording Session – Chicago, Illinois |
| 16. November 1926 | Sunset Cafe Stomp | May Alix mit Louis Armstrong and His Hot Five | Louis Armstrong, Percy Venable | Okeh | 8423 | 9893-A | Okeh Recording Session – Chicago, Illinois |
| 27. November 1926 | You Made Me Love You | Louis Armstrong and His Hot Five | Louis Armstrong, Percy Venable | Okeh | 8447 | 9980-A | Okeh Recording Session – Chicago, Illinois |
| 27. November 1926 | Irish Black Bottom | Louis Armstrong and His Hot Five | Louis Armstrong, Percy Venable | Okeh | 8447 | 9981-A | Okeh Recording Session – Chicago, Illinois |
| 27. November 1926 | Leave Mine Alone | Louis Armstrong and His Hot Five | Louis Armstrong, Percy Venable | Aussortiert | Aussortiert | 9982-A | Okeh Recording Session – Chicago, Illinois |
| 7. Mai 1927 | Willie the Weeper | Louis Armstrong and His Hot Seven | Marty Bloom, Walter Melrose, Grant Rymal | Okeh | 8482 | W.80847-C | Okeh Recording Session – Chicago, Illinois |
| 7. Mai 1927 | Wild Man Blues | Louis Armstrong and His Hot Seven | Louis Armstrong, Fred „Jelly Roll“ Morton | Okeh | 8474 | W.80848-C | Okeh Recording Session – Chicago, Illinois |
| 9. Mai 1927 | Chicago Breakdown | Louis Armstrong and His Stompers | Fred Jelly Roll Morton | Columbia | 36376 | W.80851-C | Okeh Recording Session – Chicago, Illinois |
| 10. Mai 1927 | Alligator Crawl | Louis Armstrong and His Hot Seven | Andy Razaf, Thomas Waller | Okeh | 8482 | W.80854-B | Okeh Recording Session – Chicago, Illinois |
| 10. Mai 1927 | Potato Head Blues | Louis Armstrong and His Hot Seven | Louis Armstrong | Okeh | 8503 | W.80855-C | Okeh Recording Session – Chicago, Illinois |
| 11. Mai 1927 | Melancholy Blues | Louis Armstrong and His Hot Seven | Marty Bloom, Walter Melrose | Okeh | 8496 | W.80862-A | Okeh Recording Session – Chicago, Illinois |
| 11. Mai 1927 | Weary Blues | Louis Armstrong and His Hot Seven | Artie Matthews | Okeh | 8519 | W.80863-A | Okeh Recording Session – Chicago, Illinois |
| 11. Mai 1927 | Twelfth Street Rag | Louis Armstrong and His Hot Seven | Euday Bowman | Columbia | 35663 | W.80864-A | Okeh Recording Session – Chicago, Illinois |
| 13. Mai 1927 | Keyhole Blues | Louis Armstrong and His Hot Seven | Wesley Wilson | Okeh | 8496 | W.80876-A | Okeh Recording Session – Chicago, Illinois |
| 13. Mai 1927 | S.O.L. Blues | Louis Armstrong and His Hot Seven | Louis Armstrong | Columbia | 35661 | W.81126-B | Okeh Recording Session – Chicago, Illinois |
| 14. Mai 1927 | Gully Low Blues | Louis Armstrong and His Hot Seven | Louis Armstrong | Okeh | 8474 | W.80877-D | Okeh Recording Session – Chicago, Illinois |
| 14. Mai 1927 | That’s When I’ll Come Back To You | Louis Armstrong and His Hot Seven | F. Biggs | Okeh | 8519 | W.80884-B | Okeh Recording Session – Chicago, Illinois |
| 2. September 1927 | Put ’Em Down Blues | Louis Armstrong and His Hot Five | EJ Bennett | Okeh | 8503 | W.81302-B | Okeh Recording Session – Chicago, Illinois |
| 2. September 1927 | Ory’s Creole Trombone | Louis Armstrong and His Hot Five | Edward ’Kid’ Ory | Columbia | 35838 | W.81310-D | Okeh Recording Session – Chicago, Illinois |
| 6. September 1927 | The Last Time | Louis Armstrong and His Hot Five | Martin Ewing | Columbia | 35838 | W.81317-A | Okeh Recording Session – Chicago, Illinois |
| 9. September 1927 | Struttin’ with Some Barbecue | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8566 | W.82037-B | Okeh Recording Session – Chicago, Illinois |
| 9. September 1927 | Got No Blues | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8551 | W.82038-B | Okeh Recording Session – Chicago, Illinois |
| 10. Dezember 1927 | Once in a While | Louis Armstrong and His Hot Five | William Butler | Okeh | 8566 | W.82039-B | Okeh Recording Session – Chicago, Illinois |
| 10. Dezember 1927 | I'm Not Rough | Louis Armstrong and His Hot Five | Louis Armstrong, Lil Hardin | Okeh | 8551 | W.82040-B | Okeh Recording Session – Chicago, Illinois |
| 13. Dezember 1927 | Hotter Than That | Louis Armstrong and His Hot Five | Louis Armstrong, Lil Hardin | Okeh | 8535 | W.82055-B | Okeh Recording Session – Chicago, Illinois |
| 13. Dezember 1927 | Savoy Blues | Louis Armstrong and His Hot Five | Edward ’Kid’ Ory | Okeh | 8535 | W.82056-A | Okeh Recording Session – Chicago, Illinois |
| 26. Juni 1928 | You’re A Real Sweetheart | Lillie Delk Christian mit Louis Armstrong and His Hot Four | Friend Caesar | Okeh | 8607 | 400954-B | Okeh Recording Session – Chicago, Illinois |
| 26. Juni 1928 | Too Busy! | Lillie Delk Christian mit Louis Armstrong and His Hot Four | Spier Coslow | Okeh | 8596 | 400956-A | Okeh Recording Session – Chicago, Illinois |
| 26. Juni 1928 | Was It A Dream? | Lillie Delk Christian mit Louis Armstrong and His Hot Four | Cohn Miller | Okeh | 8596 | 400955-B | Okeh Recording Session – Chicago, Illinois |
| 26. Juni 1928 | Last Night I Dreamed You Kissed Me | Lillie Delk Christian mit Louis Armstrong and His Hot Four | Lombardo Kahn | Okeh | 8607 | 400957-A | Okeh Recording Session – Chicago, Illinois |
| 27. Juni 1928 | Fireworks | Louis Armstrong and His Hot Five | Spencer Williams | Okeh | 8597 | W.400960-B | Okeh Recording Session – Chicago, Illinois |
| 27. Juni 1928 | Skip The Gutter | Louis Armstrong and His Hot Five | Spencer Williams | Okeh | 8631 | W.400961-A | Okeh Recording Session – Chicago, Illinois |
| 27. Juni 1928 | A Monday Date | Louis Armstrong and His Hot Five | Earl Hines | Okeh | 8609 | W.400962-B | Okeh Recording Session – Chicago, Illinois |
| 28. Juni 1928 | Don’t Jive Me | Louis Armstrong and His Hot Five | Lil Hardin | Columbia | 36376 | W.400966-C | Okeh Recording Session – Chicago, Illinois |
| 28. Juni 1928 | West End Blues | Louis Armstrong and His Hot Five | King Oliver, C Williams | Okeh | 8597 | W.400967-B | Okeh Recording Session – Chicago, Illinois |
| 28. Juni 1928 | Sugar Foot Strut | Louis Armstrong and His Hot Five | Pierce | Okeh | 8609 | W.400968-B | Okeh Recording Session – Chicago, Illinois |
| 29. Juni 1928 | Two Deuces | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8641 | W.400973-B | Okeh Recording Session – Chicago, Illinois |
| 29. Juni 1928 | Squeeze Me | Louis Armstrong and His Hot Five | Waller, C Williams | Okeh | 8641 | W.400974-B | Okeh Recording Session – Chicago, Illinois |
| 5. Juli 1928 | Knee Drops | Louis Armstrong and His Hot Five | Lil Hardin | Okeh | 8631 | W.400991-B | Okeh Recording Session – Chicago, Illinois |
| 4. Dezember 1928 | No, Papa, No | Louis Armstrong and His Orchestra | Victoria Spivey | Okeh | 8690 | W.402153-A | Okeh Recording Session – Chicago, Illinois |
| 4. Dezember 1928 | Basin Street Blues | Louis Armstrong and His Orchestra | Spencer Williams | Okeh | 8690 | W.402514-A | Okeh Recording Session – Chicago, Illinois |
| 5. Dezember 1928 | No One Else But You | Louis Armstrong and His Savoy Ballroom Five | Don Redman | Okeh | 8669 | W.402168-B | Okeh Recording Session – Chicago, Illinois |
| 5. Dezember 1928 | Save It, Pretty Mama | Louis Armstrong and His Savoy Ballroom Five | Don Redman, J. Davis, P. Dennicker | Okeh | 8657 | W.402170-C | Okeh Recording Session – Chicago, Illinois |
| 5. Dezember 1928 | Beau Koo Jack | Louis Armstrong and His Savoy Ballroom Five | Alex Hill, Armstrong, Walter Melrose | Okeh | 8680 | W.402169-C | Okeh Recording Session – Chicago, Illinois |
| 5. Dezember 1928 | Weather Bird | Louis Armstrong & Earl Hines (Duo) | King Oliver | Okeh | 41454 | W.402199-A | Okeh Recording Session – Chicago, Illinois |
| 7. Dezember 1928 | Muggles | Louis Armstrong and His Orchestra | Louis Armstrong | Okeh | 8703 | W.402200-B | Okeh Recording Session – Chicago, Illinois |
| 12. Dezember 1928 | Hear Me Talkin’ To Ya | Louis Armstrong and His Savoy Ballroom Five | Louis Armstrong | Okeh | 8649 | W.402224-A | Okeh Recording Session – Chicago, Illinois |
| 12. Dezember 1928 | St. James Infirmary | Louis Armstrong and His Savoy Ballroom Five | Joe Primrose | Okeh | 8657 | W.402225-A | Okeh Recording Session – Chicago, Illinois |
| 12. Dezember 1928 | Tight Like This | Louis Armstrong and His Savoy Ballroom Five | Curl | Okeh | 8649 | W.402226-C | Okeh Recording Session – Chicago, Illinois |
| 5. März 1929 | I'm Gonna Stomp, Mr. Henry Lee | Louis Armstrong and His Orchestra | | Aussortiert | Aussortiert | W.401688-A W.401688-B | Okeh Recording Session – New York City, New York |
| 5. März 1929 | Knockin’ A Jug | Louis Armstrong and His Orchestra | Louis Armstrong, Eddie Condon | Okeh | 8703 | W.401689-B | Okeh Recording Session – New York City, New York |
| 5. März 1929 | I Can’t Give You Anything But Love (common take) | Louis Armstrong and His Savoy Ballroom Five | Dorothy Fields, Jimmy McHugh | Okeh | 8669 | W.401690-C | Okeh Recording Session – New York City, New York |
| 5. März 1929 | I Can’t Give You Anything But Love (alternate take) | Louis Armstrong and His Savoy Ballroom Five | Dorothy Fields, Jimmy McHugh | Okeh | 8669 | W.401690-C | Okeh Recording Session – New York City, New York |
| 5. März 1929 | Mahogany Hall Stomp | Louis Armstrong and His Savoy Ballroom Five | Spencer Williams | Okeh | 8680 | W.401691-B | Okeh Recording Session – New York City, New York |

#### Weitere Aufnahmen im Zeitraum

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 23. Februar 1926 | Lonesome, All Alone and Blue | Berta „Chippie“ Hill | Richard M. Jones | Okey | 8339 | 9509-a | Okey Recording Session – Chicago, Illinois |
| 23. Februar 1926 | Trouble in Mind | Berta „Chippie“ Hill | Richard M. Jones | Okey | 8312 | 9510-B | Okey Recording Session – Chicago, Illinois |
| 23. Februar 1926 | A Georgia Man | Berta „Chippie“ Hill | Richard M. Jones | Okey | 8312 | 9511-a | Okey Recording Session – Chicago, Illinois |
| 23. Februar 1926 | You’ve Got To Get Home On Time | Baby Mack | Richard M. Jones | Okey | 8313 | 9512-A | Okey Recording Session – Chicago, Illinois |
| 23. Februar 1926 | What Kind O’ Man Is That | Baby Mack | Richard M. Jones | Okey | 8313 | 9513-A | Okey Recording Session – Chicago, Illinois |
| 24. Februar 1926 | Deep Water Blues | Hociel Thomas | Hociel Thomas | Okey | 8297 | 9519-a | Okey Recording Session – Chicago, Illinois |
| 24. Februar 1926 | G’Wan I Told You (She Just Won’t Have) | Hociel Thomas | Blair, Lethwick | Okey | 8346 | 9520-a | Okey Recording Session – Chicago, Illinois |
| 24. Februar 1926 | Listen To Me | Hociel Thomas | Hociel Thomas | Okey | 8346 | 9521-a | Okey Recording Session – Chicago, Illinois |
| 24. Februar 1926 | Lonesome Hours | Hociel Thomas | Hociel Thomas | Okey | 8297 | 9522-a | Okey Recording Session – Chicago, Illinois |
| März 1926 | A Jealous Woman Like Me | Sippie Wallace | Heral Thomas | Okey | 8301 | 9546-a | Okey Recording Session – Chicago, Illinois |
| März 1926 | Special Delivery Blues | Sippie Wallace | Sippie Wallace | Okey | 8328 | 9547-a | Okey Recording Session – Chicago, Illinois |
| März 1926 | Jack O’Diamond Blues | Sippie Wallace | Sippie Wallace | Okey | 8328 | 9548-a | Okey Recording Session – Chicago, Illinois |
| 3. März 1926 | The Mail Train Blues | Sippie Wallace | Blair, Lethwick | Okey | 8345 | 9559-a | Okey Recording Session – Chicago, Illinois |
| 3. März 1926 | I Feel Good | Sippie Wallace | Heral Thomas | Okey | 8345 | 9560-a | Okey Recording Session – Chicago, Illinois |
| 3. März 1926 | A Man For Every Day In The Week | Sippie Wallace | Heral Thomas | Okey | 8301 | 9561-a | Okey Recording Session – Chicago, Illinois |
| 20. April 1926 | After I Say I’m Sorry | Lillian Armstrong’s Serenaders | Lil Armstrong | unveröffentlicht | unveröffentlicht | C-168 C-169 | Vocalion Recording Session – Chicago, Illinois |
| 20. April 1926 | Georgia Bo Bo | Lillian Armstrong’s Serenaders | Jo Trent, Thomas Waller | unveröffentlicht | unveröffentlicht | C-170 C-171 | Vocalion Recording Session – Chicago, Illinois |
| 28. Mai 1926 | Static Strut | Erskine Tate’s Vendome Orchestra | Jack Yellen, Phil Wall | Vocalion | 1027 | C-336 E 3140 W | Vocalion Recording Session – Chicago, Illinois |
| 28. Mai 1926 | Stomp Off, Let’s Go | Erskine Tate’s Vendome Orchestra | Elmer Schoebel | Vocalion | 1027 | C-337 E 3141 W C-338 E 3142 W | Vocalion Recording Session – Chicago, Illinois |
| 28. Mai 1926 | Georgia Bo-Bo | Lil’s Hot Shots | Jo Trent, Thomas Waller | Vocalion | 1037 | C-340 E 3156 W | Vocalion Recording Session – Chicago, Illinois |
| 28. Mai 1926 | Drop That Sack | Lil’s Hot Shots | Louis Armstrong | Vocalion | 1037 | C-341 E 3157 W C-342 E 3158 W | Vocalion Recording Session – Chicago, Illinois |
| 16. Juni 1926 | The Bridwell Blues | Nolan Welsh | Nolan Welsh, Richard M. Jones | Okey | 8372 | 9727-a | Okey Recording Session – Chicago, Illinois |
| 16. Juni 1926 | St. Peter Blues | Nolan Welsh | Nolan Welsh, Richard M. Jones | Okey | 8372 | 9728-a | Okey Recording Session – Chicago, Illinois |
| 23. November 1926 | Pleadin’ For The Blues | Berta „Chippie“ Hill | Berta Hill, Richard M. Jones | Okey | 8420 | 9949-a | Okey Recording Session – Chicago, Illinois |
| 23. November 1926 | Pratt City Blues | Berta „Chippie“ Hill | Berta Hill, Richard M. Jones | Okey | 8420 | 9950-a | Okey Recording Session – Chicago, Illinois |
| 23. November 1926 | Mess, Katie, Mess | Berta „Chippie“ Hill | Eller Kapp | Okey | 8437 | 9951-a | Okey Recording Session – Chicago, Illinois |
| 26. November 1926 | Lovesick Blues | Berta „Chippie“ Hill | Friend Mills | Okey | 8453 | 9971-a | Okey Recording Session – Chicago, Illinois |
| 26. November 1926 | Lonesome Weary Blues | Berta „Chippie“ Hill | Richard M. Jones | Okey | 8453 | 9972-a | Okey Recording Session – Chicago, Illinois |
| 21. April 1927 | Easy Come Easy Go Blues | Jimmy Bertrand’s Washboard Wizards | Roy Bergere | Vocalion | 1100 | C-783 E 5102 W E 22712 | Vocalion Recording Session – Chicago, Illinois |
| 21. April 1927 | Blues Stampede | Jimmy Bertrand’s Washboard Wizards | Irving Mills | Vocalion | 1100 | C-785 E 5104 W E 22714 | Vocalion Recording Session – Chicago, Illinois |
| 21. April 1927 | I’m Goin’ Huntin’ | Jimmy Bertrand’s Washboard Wizards | J. C. Johnson, Thomas Waller | Vocalion | 1099 | C-787 E 5106 W E 22716 | Vocalion Recording Session – Chicago, Illinois |
| 21. April 1927 | If You Want to Be My Sugar Papa (You Gotta Be Sweet To Me) | Jimmy Bertrand’s Washboard Wizards | A. Wayne, Irving Mills, Bob Schaffer | Vocalion | 1099 | C-789 E 5108 W E 22718 | Vocalion Recording Session – Chicago, Illinois |
| 22. April 1927 | Weary Blues | Johnny Dodd’s Black Bottom Stompers | Artie Matthews | Vocalion | 15632 | C 792 E 6672 W E 22721 | Vocalion Recording Session – Chicago, Illinois |
| 22. April 1927 | New Orleans Stomp | Johnny Dodd’s Black Bottom Stompers | Lil Hardin, Louis Armstrong | Vocalion | 15632 | C 794 E 6674 W E 22723 | Vocalion Recording Session – Chicago, Illinois |
| 22. April 1927 | Wild Man Blues | Johnny Dodd’s Black Bottom Stompers | Louis Armstrong, Ferd „Jelly Roll“ Morton | Brunswick | 3567 | C 796 E 22725 und C 797 E 22726 | Vocalion Recording Session – Chicago, Illinois |
| 22. April 1927 | Melancholy | Johnny Dodd’s Black Bottom Stompers | Marty Bloom, Walter Melrose | Brunswick | 3567 | C 798 E 22727 und C 799 E 22728 | Vocalion Recording Session – Chicago, Illinois |
| 6. Mai 1927 | Dead Drunk Blues | Sippie Wallace | Hersal Thomas | Okey | 8499 | 80837 A | Okey Recording Session – Chicago, Illinois |
| 6. Mai 1927 | Have You Ever Been Down? | Sippie Wallace | Hersal Thomas | Okey | 8499 | 80838 B | Okey Recording Session – Chicago, Illinois |
| 6. Mai 1927 | Lazy Man Blues | Sippie Wallace | Hersal Thomas | Okey | 8470 | 80839 B | Okey Recording Session – Chicago, Illinois |
| 6. Mai 1927 | The Flood Blues | Sippie Wallace | Grainger | Okey | 8470 | 80840 B | Okey Recording Session – Chicago, Illinois |
| 5. Juli 1928 | Symphonic Raps | Carroll Dickerson’s Savoyagers | B. Steven, I. Abrams | Arg. Odeon | 193329 | W 400992-B | Okey Recording Session – Chicago, Illinois |
| 5. Juli 1928 | Savoyager’s Stomp | Carroll Dickerson’s Savoyagers | Louis Armstrong, Earl Hines | Arg. Odeon | 193329 | W 400993-B | Okey Recording Session – Chicago, Illinois |
| 11. Dezember 1928 | I Can’t Give You Anything But Love | Lillie Delk Christian mit Louis Armstrong & His Hot Four | Dorothy Fields, Jimmy McHugh | Okey | 8650 | W 402206-A | Okey Recording Session – Chicago, Illinois |
| 11. Dezember 1928 | Baby! | Lillie Delk Christian mit Louis Armstrong & His Hot Four | Dorothy Fields, Jimmy McHugh | Okey | 8660 | W 402207-B | Okey Recording Session – Chicago, Illinois |
| 11. Dezember 1928 | Sweethearts On Parade | Lillie Delk Christian mit Louis Armstrong & His Hot Four | Lombardo Newman | Okey | 8650 | W 402208-A | Okey Recording Session – Chicago, Illinois |
| 11. Dezember 1928 | I Must Have That Man! | Lillie Delk Christian mit Louis Armstrong & His Hot Four | Dorothy Fields, Jimmy McHugh | Okey | 8660 | W 402209-B | Okey Recording Session – Chicago, Illinois |

### National erfolgreich (April 1929 – Mitte 1932)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 4. Juni 1929 | S’Posin’ | Seger Ellis | Andy Razaf, P. Denniker | Okey | 41255 | W 402416-B | Okey Recording Session – New York City, New York |
| 4. Juni 1929 | To Be in Love (Espesh’lly With You) | Seger Ellis | R. E. Ahlert, R. Turk | Okey | 41255 | W 402417-B | Okey Recording Session – New York City, New York |
| 10. Juli 1929 | Funny Feathers | Victoria Spivey | Victoria Spivey, R. Floyd | Okey | 8713 | W 402525-C | Okey Recording Session – New York City, New York |
| 10. Juli 1929 | How Do You Do It That Way? | Victoria Spivey | Victoria Spivey, R. Floyd | Okey | 8713 | W 402526-A | Okey Recording Session – New York City, New York |
| 19. Juli 1929 | Ain’t Misbehavin’ | Louis Armstrong and His Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Okey | 8714 | W 402534-B | Okey Recording Session – New York City, New York |
| 22. Juli 1929 | (What Did I Do To Be So) Black and Blue | Louis Armstrong and His Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Okey | 8714 | W 402535-B | Okey Recording Session – New York City, New York |
| 22. Juli 1929 | That Rhythm Man | Louis Armstrong and His Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Okey | 8717 | W 402540-C | Okey Recording Session – New York City, New York |
| 22. Juli 1929 | Sweet Savannah Sue | Louis Armstrong and His Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Okey | 8717 | W 402541-B | Okey Recording Session – New York City, New York |
| 23. Juli 1929 | Ain’t Misbehavin’ | Seger Ellis | Thomas Waller, Andy Razaf, H. Brooks | Okey | 41291 | W 402881-B | Okey Recording Session – New York City, New York |
| 10. September 1929 | Some of These Days | Louis Armstrong and His Orchestra | S. Brooks | Okey | 41298 | W 402943-A | Okey Recording Session – New York City, New York |
| 10. September 1929 | Some of These Days (Non-Vocal) | Louis Armstrong and His Orchestra | S. Brooks | Okey | 8729 | W 402923-C | Okey Recording Session – New York City, New York |
| 11. September 1929 | When You’re Smiling (The Whole World Smiles With You) | Louis Armstrong and His Orchestra | M. Fisher, J. Goodwin, L. Shay | Okey | 41298 | W 402947-A | Okey Recording Session – New York City, New York |
| 11. September 1929 | When You’re Smiling (The Whole World Smiles With You) (Non-Vocal) | Louis Armstrong and His Orchestra | M. Fisher, J. Goodwin, L. Shay | Okey | 8729 | W 402924-B | Okey Recording Session – New York City, New York |
| 19. September 1929 | Little By Little | Louis Armstrong and His Orchestra | | Aussortiert | Aussortiert | W.403282-A W.403282-B | Okey Recording Session – New York City, New York |
| 19. September 1929 | Look What You’ve Done To Me | Louis Armstrong and His Orchestra | | Aussortiert | Aussortiert | W.403282-A W.403282-B | Okey Recording Session – New York City, New York |
| 26. November 1929 | After You’ve Gone | Louis Armstrong and His Orchestra | H. Creamer, P. Layton | Okey | 41350 | W 403454-B | Okey Recording Session – New York City, New York |
| 26. November 1929 | After You’ve Gone (Non-Vocal) | Louis Armstrong and His Orchestra | H. Creamer, P. Layton | Columbia | CK46148 | W 490005-B W 490005-C | Okey Recording Session – New York City, New York |
| 10. Dezember 1929 | I Ain’t Got Nobody (And Nobody Cares for Me) | Louis Armstrong and His Orchestra | R. Graham, S. Williams | Okey | 8756 | W 403493-A | Okey Recording Session – New York City, New York |
| 10. Dezember 1929 | I Ain’t Got Nobody (And Nobody Cares for Me) (Non-Vocal) | Louis Armstrong and His Orchestra | R. Graham, S. Williams | Columbia | CK46996 | W 490014-A | Okey Recording Session – New York City, New York |
| 10. Dezember 1929 | Dallas Blues | Louis Armstrong and His Orchestra | L. Garrett, H. A. Wand | Okey | 8774 | W 403494-C | Okey Recording Session – New York City, New York |
| 10. Dezember 1929 | Dallas Blues (Non-Vocal) | Louis Armstrong and His Orchestra | L. Garrett, H. A. Wand | Columbia | CK46996 | W 490015-A | Okey Recording Session – New York City, New York |
| 13. Dezember 1929 | St. Louis Blues | Louis Armstrong and His Orchestra | W. C. Handy | Okey | 41350 | W 403495-B | Okey Recording Session – New York City, New York |
| 13. Dezember 1929 | St. Louis Blues (Non-Vocal) | Louis Armstrong and His Orchestra | W. C. Handy | Columbia | CK46996 | W 490016-A W 490016-B | Okey Recording Session – New York City, New York |
| 13. Dezember 1929 | Rockin’ Chair | Louis Armstrong and His Orchestra | Hoagy Carmichael | Okey | 8756 | W 403495-A W 403495-C | Okey Recording Session – New York City, New York |
| 24. Januar 1930 | Song Of The Islands | Louis Armstrong and His Orchestra | C. King | Okey | 41375 | W 403681-A | Okey Recording Session – New York City, New York |
| Februar 1930 | What It Takes To Bring You Back | Butterbeans and Susie | | | | W 403711-B | Okey Recording Session – New York City, New York |
| Februar 1930 | Bessie Couldn’t Help It | Louis Armstrong and His Orchestra | Warner, B., Richmond, J., Bayha, C. | Okey | 8774 | W 403714-B | Okey Recording Session – New York City, New York |
| Februar 1930 | Blue, Turning Grey Over You | Louis Armstrong and His Orchestra | Razaf, Andy, Waller, Thomas | Okey | 41375 | W 403715-B | Okey Recording Session – New York City, New York |
| 5. April 1930 | Dear Old Southland | Louis Armstrong | H. Creamer, T. Leyton | Okey | 41454 | W 403895-A | Okey Recording Session – New York City, New York |
| 5. April 1930 | My Sweet | Louis Armstrong and His Orchestra | Hoagy Carmichael, S. Gorrell | Okey | 41415 | W 403896-D | Okey Recording Session – New York City, New York |
| 5. April 1930 | I Can’t Believe That You’re in Love With Me | Louis Armstrong and His Orchestra | Jimmy McHugh, C. Gaskill | Okey | 41415 | W 403897-A | Okey Recording Session – New York City, New York |
| 4. Mai 1930 | Indian Cradle Song | Louis Armstrong and His Orchestra | M. Wayne, G. Kahn | Okey | 41423 | W 403999-A | Okey Recording Session – New York City, New York |
| 4. Mai 1930 | Exactly Like You | Louis Armstrong and His Orchestra | Jimmy McHugh, Dorothy Fields | Okey | 41423 | W 404000-B | Okey Recording Session – New York City, New York |
| 4. Mai 1930 | Dinah | Louis Armstrong and His Orchestra | S. Lewis, J. Young, H. Akst | Okey | 8800 | W 404001-C | Okey Recording Session – New York City, New York |
| 4. Mai 1930 | Tiger Rag | Louis Armstrong and His Orchestra | Rocca | Okey | 8800 | W 404002-B | Okey Recording Session – New York City, New York |
| 16. Juli 1930 | Blue Yodel Number 9 (Standin’ On The Corner) | Jimmie Rodgers | Jimmie Rodgers | Victor | 23580 | 54867-2 | Victor Recording Session – Los Angeles, Kalifornien |
| 21. Juli 1930 | I’m A Ding Dong Daddy (From Dumas) | Louis Armstrong and His Sebastian New Cotton Club Orchestra | P. Baxter | Okey | 41442 | W 404403-A | Okey Recording Session – Los Angeles, Kalifornien |
| 21. Juli 1930 | I’m In The Market For You | Louis Armstrong and His Sebastian New Cotton Club Orchestra | J. Hanley, J. McCarthy | Okey | 41442 | W 404404-C | Okey Recording Session – Los Angeles, Kalifornien |
| 19. August 1930 | I’m Confessin’ (That I Love You) | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Al Neiburg, Doc Daugherty, Ellis Reynolds | Okey | 41448 | W 404405-A | Okey Recording Session – Los Angeles, Kalifornien |
| 19. August 1930 | If I Could Be With You (One Hour Tonight) | Louis Armstrong and His Sebastian New Cotton Club Orchestra | H. Creamer, J. Johnson | Okey | 41448 | W 404406-A | Okey Recording Session – Los Angeles, Kalifornien |
| September 1930 | Unbekannte Titel | „Ex-Flame“ | | Kopie des Films nicht mehr auffindbar | Kopie des Films nicht mehr auffindbar | | Film Soundtrack (Liberty Films) – Los Angeles, Kalifornien |
| 9. Oktober 1930 | Body And Soul | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Edward Heyman, Robert Sour, Frank Eyeton, Johnny Green | Okey | 41468 | W 404411-D | Okey Recording Session – Los Angeles, Kalifornien |
| 16. Oktober 1930 | Memories Of You | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Eubie Blake, Andy Razaf | Okey | 41463 | W 404412-D | Okey Recording Session – Los Angeles, Kalifornien |
| 16. Oktober 1930 | You’re Lucky To Me | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Eubie Blake, Andy Razaf | Okey | 41463 | W 404413-C | Okey Recording Session – Los Angeles, Kalifornien |
| 23. Dezember 1930 | Sweethearts on Parade | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Lombardo Newman | Columbia | 2688-D | W 404417-A | Okey Recording Session – Los Angeles, Kalifornien |
| 23. Dezember 1930 | You’re Driving Me Crazy (What Did I Do?) | Louis Armstrong and His Sebastian New Cotton Club Orchestra | W. Donaldson | Okey | 41478 | W 404418-B W 404418-C | Okey Recording Session – Los Angeles, Kalifornien |
| 23. Dezember 1930 | The Peanut Vendor | Louis Armstrong and His Sebastian New Cotton Club Orchestra | M. Simons | Okey | 41478 | W 404419-B | Okey Recording Session – Los Angeles, Kalifornien |
| 9. März 1931 | Just a Gigolo | Louis Armstrong and His Sebastian New Cotton Club Orchestra | Irving Caesar, L. Casucci | Okey | 41486 | W 404420-A | Okey Recording Session – Los Angeles, Kalifornien |
| 9. März 1931 | Shine | Louis Armstrong and His Sebastian New Cotton Club Orchestra | F. Dabney, L. Brown, C. Mack | Okey | 41486 | W 404421-C | Okey Recording Session – Los Angeles, Kalifornien |
| Anfang 1931 | Unbekannte Titel | „Mixed Doubles“ | | Kopie des Films nicht mehr auffindbar | Kopie des Films nicht mehr auffindbar | | Film Soundtrack (Tiffany Films) – Los Angeles, Kalifornien |
| 20. April 1931 | Walkin’ My Baby Back Home | Louis Armstrong and His Orchestra | R. Turk, F. Ahlert | Okey | 41497 | W 404422-B | Okey Recording Session – Chicago, Illinois |
| 20. April 1931 | I Surrender Dear | Louis Armstrong and His Orchestra | H. Barris, G. Clifford | Okey | 41497 | W 404423-B | Okey Recording Session – Chicago, Illinois |
| 20. April 1931 | When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | O. Rene, L. Rene, C. Muse | Okey | 41504 | W 404424-B | Okey Recording Session – Chicago, Illinois |
| 28. April 1931 | Blue Again | Louis Armstrong and His Orchestra | Dorothy Fields, Jimmy McHugh | Okey | 41498 | W 404425-A | Okey Recording Session – Chicago, Illinois |
| 28. April 1931 | Little Joe | Louis Armstrong and His Orchestra | N. Miller, Jule Styne | Okey | 41501 | W 404870-C | Okey Recording Session – Chicago, Illinois |
| 28. April 1931 | I’ll Be Glad When You're Dead You Rascal You | Louis Armstrong and His Orchestra | Sam Theard | Okey | 41504 | W 404871-A | Okey Recording Session – Chicago, Illinois |
| 29. April 1931 | Them There Eyes | Louis Armstrong and His Orchestra | M. Pinkard, D. Tauber, W. Tracey | Okey | 41501 | W 404872-C | Okey Recording Session – Chicago, Illinois |
| 29. April 1931 | When Your Lover Has Gone | Louis Armstrong and His Orchestra | Swan | Okey | 41498 | W 404873-A | Okey Recording Session – Chicago, Illinois |
| 3. November 1931 | Lazy River | Louis Armstrong and His Orchestra | Hoagy Carmichael, S. Arodin | Okey | 41541 | W 405058-4 | Okey Recording Session – Chicago, Illinois |
| 3. November 1931 | Chinatown, My Chinatown | Louis Armstrong and His Orchestra | W. Jerome, J. Schwartz | Okey | 41534 | W 405059-4 | Okey Recording Session – Chicago, Illinois |
| 4. November 1931 | Wrap Your Troubles in Dreams (And Dream Your Troubles Away) | Louis Armstrong and His Orchestra | Moll, Koehler, Barris | Okey | 41530 | W 405060-1 W 405060-2 | Okey Recording Session – Chicago, Illinois |
| 4. November 1931 | Star Dust | Louis Armstrong and His Orchestra | Mitchell Parish, Hoagy Carmichael | Okey | 41530 | W 405061-1 W 405061-3 W 405061-4 | Okey Recording Session – Chicago, Illinois |
| 5. November 1931 | You Can Depend On Me | Louis Armstrong and His Orchestra | Dunlap, Hines, Carpenter | Okey | 41538 | W 405062-2 | Okey Recording Session – Chicago, Illinois |
| 5. November 1931 | Georgia on My Mind | Louis Armstrong and His Orchestra | Stuart Gorrell, Hoagy Carmichael | Okey | 41541 | W 405063-3 | Okey Recording Session – Chicago, Illinois |
| 6. November 1931 | The Lonesome Road | Louis Armstrong and His Orchestra | Shilkret Austin | Okey | 41538 | W 405064-5 | Okey Recording Session – Chicago, Illinois |
| 6. November 1931 | I Got Rhythm | Louis Armstrong and His Orchestra | George Gershwin, Ira Gershwin | Okey | 41534 | W 405065-3 | Okey Recording Session – Chicago, Illinois |
| 25. Januar 1932 | Between The Devil And The Deep Blue Sea | Louis Armstrong and His Orchestra | Harold Arlen, Ted Koehler | Okey | 41550 | 152086-3 152086-4 | Columbia (Okey) Recording Session – Chicago, Illinois |
| 25. Januar 1932 | Kickin’ the Gong Around | Louis Armstrong and His Orchestra | Harold Arlen, Ted Koehler | Okey | 41550 | 152087-3 | Columbia (Okey) Recording Session – Chicago, Illinois |
| 27. Januar 1932 | All of Me | Louis Armstrong and His Orchestra | Marks Simons | Okey | 41552 | 152092-4 | Columbia (Okey) Recording Session – Chicago, Illinois |
| 27. Januar 1932 | Home | Louis Armstrong and His Orchestra | Clarkson Steeden | Okey | 41552 | 152093-3 | Columbia (Okey) Recording Session – Chicago, Illinois |
| 2. März 1932 | Love, You Funny Thing! | Louis Armstrong and His Orchestra | Turk Ahlert | Okey | 41557 | W 405154-B | Columbia (Okey) Recording Session – Chicago, Illinois |
| 11. März 1932 | New Tiger Rag | Louis Armstrong and His Orchestra | Rocca | Okey | 41557 | W 405155-C | Columbia (Okey) Recording Session – Chicago, Illinois |
| 11. März 1932 | Keepin’ Out Of Mischief Now | Louis Armstrong and His Orchestra | Andy Razaf, Thomas Waller | Okey | 41560 | W 405166-B | Columbia (Okey) Recording Session – Chicago, Illinois |
| 11. März 1932 | Lawd, You Made The Night To Long | Louis Armstrong and His Orchestra | Lewis, Young | Okey | 41560 | W 405167-B | Columbia (Okey) Recording Session – Chicago, Illinois |
| Anfang 1932 | -You Rascal You -Filmdialog -You Rascal You -Filmdialog -Shine -Filmdialog -You Rascal You | „Rhapsody in Black and Blue“ | | | | | Film Soundtrack (Paramount) – Astoria, Long Island, New York |
| Anfang 1932 | -High Society -You Rascal You -Chinatown, My Chinatown -You Rascal You | „I’ll Be Glad When You’re Dead, You Rascal You“ | | | | | Film Soundtrack (Paramount) – Astoria, Long Island, New York |

### National und international erfolgreich (Mitte 1932 – April 1942)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 8. Dezember 1932 | That’s My Home | Louis Armstrong and His Orchestra | Leon Rene, Otis Rene, Ben Ellison | Victor Bluebird | 24200 B-10236 | BS 74820-1 BS 74820-2 | Victor Recording Session – Camden, New York |
| 8. Dezember 1932 | Hobo, You Can’t Ride This Train | Louis Armstrong and His Orchestra | Louis Armstrong | Victor RCA | 24200 SP DMM4 0456 | BS 74821-1 BS 74821-2 | Victor Recording Session – Camden, New York |
| 8. Dezember 1932 | I Hate To Leave You Now | Louis Armstrong and His Orchestra | Dorothy Dick, Harry Link, Thomas Waller | Victor Victor | 24204 40-0102 | BS 74822-1 BS 74822-2 | Victor Recording Session – Camden, New York |
| 8. Dezember 1932 | You’ll Wish You’d Never Been Born | Louis Armstrong and His Orchestra | Louis Armstrong | RCA Victor | 09026-68682 24204 | BS 74823-1 BS 74823-2 | Victor Recording Session – Camden, New York |
| 21. Dezember 1932 | Medley Of Armstrong Hits-Part 2 - When You’re Smiling - St. James Infirmary - Dinah | Louis Armstrong and His Orchestra | | Victor RCA | 36084 09026-68682 | CS 74877-3 CS 74877-4 | Victor Recording Session – Camden, New York |
| 21. Dezember 1932 | Medley Of Armstrong Hits-Part 1 - You Rascal You -When It’s Sleepy Time Down South Nobody’s Sweetheart | Louis Armstrong and His Orchestra | | Victor | 36084 | CS 74878-2 | Victor Recording Session – Camden, New York |
| 21. Dezember 1932 | When It’s Sleepy Time Down South (Wiederaufnahme) | Louis Armstrong and His Orchestra | | | | 047360 | Victor Recording Session – Camden, New York |
| 26. Januar 1933 | I've Got The World On A String | Louis Armstrong and His Orchestra | Ted Koehler, Harold Arlen | Victor | 24245 | BS 74891-1 | Victor Recording Session – Chicago, Illinois |
| 26. Januar 1933 | I Gotta Right To Sing The Blues | Louis Armstrong and His Orchestra | Ted Koehler, Harold Arlen | Victor | 24233 | BS 74892-1 | Victor Recording Session – Chicago, Illinois |
| 26. Januar 1933 | Hustlin’ And Bustlin’ For Baby | Louis Armstrong and His Orchestra | Harry Woods | Victor | 24233 | BS 74893-1 | Victor Recording Session – Chicago, Illinois |
| 26. Januar 1933 | Sittin’ In The Dark | Louis Armstrong and His Orchestra | Harold Adamson, Jesse Greer | Victor | 24245 | BS 74894-1 | Victor Recording Session – Chicago, Illinois |
| 26. Januar 1933 | High Society | Louis Armstrong and His Orchestra | A.J. Piron, Clarence Williams | Victor | 24232 | BS 74895-1 | Victor Recording Session – Chicago, Illinois |
| 26. Januar 1933 | He’s A Son Of The South | Louis Armstrong and His Orchestra | Andy Razaf, Joe Davis, Reginald Forsythe | Victor | 24257 | BS 74896-1 | Victor Recording Session – Chicago, Illinois |
| 27. Januar 1933 | Some Sweet Day | Louis Armstrong and His Orchestra | Ed Rose, T. Jackson, Abe Olman | Victor | 24257 | BS 75102-1 | Victor Recording Session – Chicago, Illinois |
| 27. Januar 1933 | Basin Street Blues | Louis Armstrong and His Orchestra | Spencer Williams | Victor | 24351 | BS 75103-1 | Victor Recording Session – Chicago, Illinois |
| 27. Januar 1933 | Honey, Do! | Louis Armstrong and His Orchestra | Andy Razaf, J. C. Johnson | Victor | 24369 | BS 75104-1 | Victor Recording Session – Chicago, Illinois |
| 28. Januar 1933 | Snow Ball | Louis Armstrong and His Orchestra | Hoagy Carmichael | Victor | 24369 | BS 75105-1 | Victor Recording Session – Chicago, Illinois |
| 28. Januar 1933 | Mahagoni Hall Stomp | Louis Armstrong and His Orchestra | Spencer Williams | Victor | 24363 | BS 75106-1 | Victor Recording Session – Chicago, Illinois |
| 28. Januar 1933 | Swing You Cats | Louis Armstrong and His Orchestra | Zilmer T. Randolph | Bluebird | B-10225 | BS 75107-1 | Victor Recording Session – Chicago, Illinois |
| 24. April 1933 | Honey, Don’t You Love Me Anymore? | Louis Armstrong and His Orchestra | Fred Meadows, Terry Shand | Victor | 24335 | BS 75420-1 | Victor Recording Session – Chicago, Illinois |
| 24. April 1933 | Mississippi Basin | Louis Armstrong and His Orchestra | Andy Razaf, Reginald Foresythe | Victor RCA | 24321 09026-68682 | BS 75421-1 BS 75421-2 | Victor Recording Session – Chicago, Illinois |
| 24. April 1933 | Laughin’ Louie | Louis Armstrong and His Orchestra | Clarence Gaskill | Bluebird Victor | 9759-2 24363 | BS 75422-1 BS 75422-2 | Victor Recording Session – Chicago, Illinois |
| 24. April 1933 | Tomorrow Night (after Tonight) | Louis Armstrong and His Orchestra | Ralph Mathews, Lil Armstrong, Clarence Williams | Victor RCA | 68-0774 09026-68682 | BS 75423-1 BS 75423-2 | Victor Recording Session – Chicago, Illinois |
| 24. April 1933 | Dusky Stevedore | Louis Armstrong and His Orchestra | Andy Razaf, J.C. Johnson, | Victor | 24320 | BS 75424-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | There’s A Cabin In The Pines | Louis Armstrong and His Orchestra | Billy Hill | Victor | 24335 | BS 75476-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | Mighty River | Louis Armstrong and His Orchestra | Billy Baskette | Victor | 24351 | BS 75477-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | Sweet Sue, Just You | Louis Armstrong and His Orchestra | Will J. Harris, Victor Young | Victor | 24321 | BS 75478-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | I Wonder Who | Louis Armstrong and His Orchestra | Sid Barbarin | Victor | 24425 | BS 75479-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | St. Louis Blues | Louis Armstrong and His Orchestra | W.C. Handy | Victor | 24320 | BS 75480-1 | Victor Recording Session – Chicago, Illinois |
| 26. April 1933 | Don’t Play Me Cheap | Louis Armstrong and His Orchestra | Milner Randolph, Harry Dial | Victor | 24320 | BS 75481-1 | Victor Recording Session – Chicago, Illinois |
| 21. Oktober 1933 | -I Cover the Waterfront -Dinah -Tiger Rag | Louis Armstrong and His Hot Harlem Band „Kobenhaven, Kalundborg OG“ | | | | | Film-Soundtrack (Palladium) – Kopenhagen, Dänemark |
| 28. Oktober 1933 | -On The Sunny Side Of The Street -Chinatown, My Chinatown -You Rascal You | Louis Armstrong and His Hot Harlem Band | | | | | Radio-Aufzeichnung – Auditorium, Stockholm, Schweden |
| 12. November 1933 | -You Rascal You -Dinah | Louis Armstrong and His Hot Harlem Band | | | | | Radio-Aufzeichnung – Dierentuin, Den Haag, Niederlande |
| 7. November 1934 | St. Louis Blues | Louis Armstrong and His Orchestra | W. C. Handy | Brunswick | 500490 | 1478 wpp | Polydor Recording Session – Paris, Frankreich |
| 7. November 1934 | Tiger Rag | Louis Armstrong and His Orchestra | Rocca | Brunswick | 500490 | 1479 wpp | Polydor Recording Session – Paris, Frankreich |
| 7. November 1934 | Will You, Won’t You Be My Baby | Louis Armstrong and His Orchestra | Nesbitt Quickell | Brunswick | 500492 | 1480 1/2 wpp | Polydor Recording Session – Paris, Frankreich |
| 7. November 1934 | On the Sunny Side Of The Street Part 1 & 2 | Louis Armstrong and His Orchestra | Jimmy McHugh, Dorothy Fields | Brunswick | 500491 | 1481 1/2 wpp 1482 1/2 wpp | Polydor Recording Session – Paris, Frankreich |
| 7. November 1934 | St. Louis Blues | Louis Armstrong and His Orchestra | W. C. Handy | Brunswick | 500490 | 1483 wpp | Polydor Recording Session – Paris, Frankreich |
| 7. November 1934 | Song of the Vipers | Louis Armstrong and His Orchestra | Louis Armstrong | Brunswick | 500492 | 1484 wpp | Polydor Recording Session – Paris, Frankreich |
| 3. Oktober 1935 | I’m In The Mood For Love | Louis Armstrong and His Orchestra | Dorothy Fields, Jimmy McHugh | Decca | F-5785 | 60021 | Decca Recording Session – New York City, New York |
| 3. Oktober 1935 | You Are My Lucky Star | Louis Armstrong and His Orchestra | Nacio H. Brown, Arthur Freed | Decca | 580 | 60022 | Decca Recording Session – New York City, New York |
| 3. Oktober 1935 | La Cucaracha | Louis Armstrong and His Orchestra | Dominico Savion, Ned Washington | Decca | 580 | 60023 | Decca Recording Session – New York City, New York |
| 3. Oktober 1935 | Got A Bran’ New Suit | Louis Armstrong and His Orchestra | Howard Dietz, Arthur Schwartz | Ambassador Decca | CLA 1901 F-5836/579 | 60024-A 60024 | Decca Recording Session – New York City, New York |
| 5. Oktober 1935 | -On The Sunny Side Of The Street -Ain’t Misbehavin’ | Shell Chateau Radio Show | | Ambassador | CLA 1901 | | WEAF Radio-Aufzeichnung – New York City, New York |
| 21. November 1935 | I’ve Got My Fingers Crossed | Louis Armstrong and His Orchestra | Ted Koehler, Jimmy McHugh | Decca | 623 | 60155-A | Decca Recording Session – New York City, New York |
| 21. November 1935 | Old Man Moze | Louis Armstrong and His Orchestra | Louis Armstrong, Randolph | Decca | G-5895 | 60156-A | Decca Recording Session – New York City, New York |
| 22. November 1935 | I’ve Got My Fingers Crossed | Louis Armstrong and His Orchestra | Ted Koehler, Jimmy McHugh | Decca | 623 | 60155-D | Decca Recording Session – New York City, New York |
| 22. November 1935 | Old Man Moze | Louis Armstrong and His Orchestra | Louis Armstrong, Randolph | Decca | 622 | 60156-D 60156-E | Decca Recording Session – New York City, New York |
| 22. November 1935 | I’m Shooting High | Louis Armstrong and His Orchestra | Ted Koehler, Jimmy McHugh | Decca | 623 | 60157-C | Decca Recording Session – New York City, New York |
| 22. November 1935 | (Was I To Blame For) Falling In Love With You | Louis Armstrong and His Orchestra | Young, Newman, Kahn | Decca | 622 | 60158-D | Decca Recording Session – New York City, New York |
| 13. Dezember 1935 | Red Sails In The Sunset | Louis Armstrong and His Orchestra | Wilhelm Grosz, James B. Kennedy, Williams | Decca | 648 | 60227-A | Decca Recording Session – New York City, New York |
| 13. Dezember 1935 | On Treasure Island | Louis Armstrong and His Orchestra | Joseph A. Burke, Edgar Leslie | Decca | 648 | 60228-A | Decca Recording Session – New York City, New York |
| 19. Dezember 1935 | Thanks a Million | Louis Armstrong and His Orchestra | Arthur Johnston, Gus Kahn | Decca | 666 | 60249-A 60249-B | Decca Recording Session – New York City, New York |
| 19. Dezember 1935 | Shoe Shine Boy | Louis Armstrong and His Orchestra | Sammy Cahn, Saul Chaplin, | Decca | 672 | 60250-A | Decca Recording Session – New York City, New York |
| 19. Dezember 1935 | Solitude | Louis Armstrong And His Orchestra | Edgar DeLange, Edward K.Ellington, Irving Mills | Decca | 666 | 60251-A 60251-B 60251-C | Decca Recording Session – New York City, New York |
| 19. Dezember 1935 | I Hope Gabriel Likes My Music | Louis Armstrong And His Orchestra | Dave Franklin | Decca | 672 | 60252-C | Decca Recording Session – New York City, New York |
| 18. Januar 1936 | The Music Goes Round And Around | Louis Armstrong And His Orchestra | Edward J. Farley | Decca | 685 | 60362-A | Decca Recording Session – New York City, New York |
| 18. Januar 1936 | Rhythm Saved The World | Louis Armstrong And His Orchestra | Sammy Cahn, Saul Chaplin | Decca | 685 | 60363-A 60363-B | Decca Recording Session – New York City, New York |
| 4. Februar 1936 | I’m Puttin’ All My Eggs In One Basket | Louis Armstrong And His Orchestra | Irving Berlin | Decca | 698 | 60438-A | Decca Recording Session – New York City, New York |
| 4. Februar 1936 | Yes-Yes! My-My! (She’s Mine) | Louis Armstrong And His Orchestra | Sammy Cahn, Saul Chaplin | Decca | 698 | 60439-A | Decca Recording Session – New York City, New York |
| 28. April 1936 | Somebody Stole My Break | Louis Armstrong And His Orchestra | Dave Franklin | Decca | 797 | 61075-A | Decca Recording Session – New York City, New York |
| 28. April 1936 | I Come From A Musical Family | Louis Armstrong And His Orchestra | Dave Franklin | Decca | 797 | 61058-A | Decca Recording Session – New York City, New York |
| 29. April 1936 | If We Never Meet Again | Louis Armstrong And His Orchestra | Horace Gerlach, Louis Armstrong | Decca | 906 | 61059-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Lyin’ To Myself | Louis Armstrong And His Orchestra | Hoagy Carmichael | Decca | 835 | 61106-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Ev’ntide | Louis Armstrong And His Orchestra | Hoagy Carmichael | Decca | 835 | 61107-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Swing That Music | Louis Armstrong And His Orchestra | Horace Gerlach, Louis Armstrong, | Decca | 866 | 61108-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Thankful | Louis Armstrong And His Orchestra | Saul Chaplin, Sammy Cahn | Decca | 866 | 61108-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Red Nose | Louis Armstrong And His Orchestra | Marion Lake, Bonnie Lake | Decca | 1049 | 61110-A | Decca Recording Session – New York City, New York |
| 18. Mai 1936 | Mahogany Hall Stomp | Louis Armstrong And His Orchestra | Spencer Williams | Decca | 824 | 61111-A | Decca Recording Session – New York City, New York |
| August 1936 | The Skeleton In The Closet | „Pennies From Heaven“ | Johnny Burke, Arthur Johnson | | | | Film Soundtrack (Columbia Pictures Corp.) – Los Angeles, Kalifornien |
| 7. August 1936 | The Skeleton In The Closet | Louis Armstrong mit Jimmy Dorsey and His Orchestra | Johnny Burke, Arthur Johnson | Decca | 949 | DLA 539-A | Decca Recording Session – Los Angeles, Kalifornien |
| 7. August 1936 | When Ruben Swings The Cuban | Louis Armstrong mit Jimmy Dorsey and His Orchestra | Ted White, Leon Flatow, Jack Meskill | Decca | 1049 | DLA 540-A | Decca Recording Session – Los Angeles, Kalifornien |
| 7. August 1936 | Hurdy Gurdy Man | Louis Armstrong mit Jimmy Dorsey and His Orchestra | Saul Chaplin, Sammy Cahn | Decca | 949 | DLA 541-A | Decca Recording Session – Los Angeles, Kalifornien |
| 7. August 1936 | Dipper Mouth | Louis Armstrong mit Jimmy Dorsey and His Orchestra | Louis Armstrong, Joe Oliver | Decca | 906 | DLA 542-A | Decca Recording Session – Los Angeles, Kalifornien |
| 7. August 1936 | Swing That Music | Louis Armstrong mit Jimmy Dorsey and His Orchestra | Horace Gerlach, Louis Armstrong | Decca | 866 | DLA 543-A | Decca Recording Session – Los Angeles, Kalifornien |
| 17. August 1936 | Pennies From Heaven Medley: -Let’s Call A Heart A Heart -So Do I -The Skeleton In The Closet | Louis Armstrong and Frances Langford and Bing Crosby | | Decca | 15027 | DLA 579-A DLA 579-B | Decca Recording Session – Los Angeles, Kalifornien |
| 17. August 1936 | Pennies From Heaven | Louis Armstrong and Frances Langford and Bing Crosby | Johnny Burke, Arthur Johnson | Decca | 15027 | DLA 580-A | Decca Recording Session – Los Angeles, Kalifornien |
| 18. August 1936 | To You, Sweetheart Aloha | Louis Armstrong mit The Polynesians | Owens | Decca | 914 | DLA 581-A | Decca Recording Session – Los Angeles, Kalifornien |
| 18. August 1936 | On A Coconut Island | Louis Armstrong mit The Polynesians | Anderson | Decca | 914 | DLA 582-A | Decca Recording Session – Los Angeles, Kalifornien |
| Sommer 1936 | Dinah | Louis Armstrong mit dem New York Orchestra | | Ambassador | CLA 1902 | | Norge Appliances Radio Show – New York City, New York |
| Sommer 1936 | Swing That Music | Louis Armstrong mit dem New York Orchestra | | Ambassador | CLA 1902 | | Norge Appliances Radio Show – New York City, New York |
| Anfang Januar 1937 | -When It’s Sleepy Time Down South -St. Louis Blues -The Skeleton In The Closet | „Norge Kitchen Commitee #21“ | | – Ambassador Ambassador | – CLA 1903 CLA 1903 | 753700-A | Decca-Aufzeichnung – Cedar Rapids, Iowa |
| Anfang Januar 1937 | -When It’s Sleepy Time Down South -Dinah -Miss Modern. Louis and Tess (Gespräch) -Swing That Music | „Norge Kitchen Commitee #34“ | | | | 753969-A | Decca-Aufzeichnung – Cedar Rapids, Iowa |
| 24. März 1937 | On A Little Bamboo Bridge | Louis Armstrong mit Andy Iona and His Islanders | Fletcher Sherman | Decca | 1216 | 62070-A | Decca Recording Session – New York City, New York |
| 24. März 1937 | Hawaiian Hospitality | Louis Armstrong mit Andy Iona and His Islanders | Owens Kinney | Decca | 1216 | 62071-A | Decca Recording Session – New York City, New York |
| 7. April 1937 | Carry Me Back To Old Virginny | Louis Armstrong and The Mills Brothers | C. Bland | Decca | 1245 | 62116-A | Decca Recording Session – New York City, New York |
| 7. April 1937 | My Darling Nelly Gray | Louis Armstrong and The Mills Brothers | B. R. Hanby | Decca Decca | 1245 1245 | 62117-A 62117-B | Decca Recording Session – New York City, New York |
| 9. April 1937 | -When It’s Sleepy Time Down South -Pennies From Heaven -Them There Eyes -Tiger Rag -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 16. April 1937 | -When It’s Sleepy Time Down South -Dinah -The Skeleton In The Closet | „Fleischmann Yeast Show“ | | –Ambassador – | – CLA 1903 – | | NBC Radio-Übertragung – New York City, New York |
| 30. April 1937 | -When It’s Sleepy Time Down South -I’ve Got A Heart Full Of Rhythm -You Rascal You -On The Sunny Side Of The Street -After You’ve Gone -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 7. Mai 1937 | -When It’s Sleepy Time Down South -Rhythm Jam -That’s What I Like -Memories Of You -Chinatown -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 14. Mai 1937 | -When It’s Sleepy Time Down South -Ida -Darling Nelly Gray -The Love Bug Will Bite You -Lazy River -Washington And Lee Swing -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 21. Mai 1937 | -When It’s Sleepy Time Down South -I Got Rhythm -I Know That You Know - Rockin’ Chair -Sugar Foot Stomp -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 22. Mai 1937 | Public Melody Number One | „Artists and Models“ | | | | | Film Soundtrack (Paramount Pictures Inc.) – Los Angeles, Kalifornien |
| 28. Mai 1937 | -When It’s Sleepy Time Down South -Bugle Blues -Hustlin’ And Bustlin’ For Baby -Shoe Shine -Will You Do A Stomp -When It’s Sleepy Time Down South | „Fleischmann Yeast Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| 29. Juni 1937 | In The Shade Of The Apple Tree | Louis Armstrong and The Mills Brothers | Harry H. Williams, Egbert Van Alstyne | Decca | 1495 | 62322-A 62322-B | Decca Recording Session – New York City, New York |
| 29. Juni 1937 | The Old Folks At Home | Louis Armstrong and The Mills Brothers | Harry H. Williams, Egbert Van Alstyne | Decca | 1495 | 62323-A 62323-B | Decca Recording Session – New York City, New York |
| 2. Juli 1937 | Public Melody Number One | Louis Armstrong and His Orchestra | Ted Koehler, Harold Arlen | Decca | 1347 | 62328-A | Decca Recording Session – New York City, New York |
| 2. Juli 1937 | Yours And Mine | Louis Armstrong and His Orchestra | Arthur Freed, Nacio Herb Brown | Decca | 1369 | 62329-A | Decca Recording Session – New York City, New York |
| 2. Juli 1937 | Red Cap | Louis Armstrong and His Orchestra | Hecht, Louis Armstrong | Decca | 1347 | 62330-A | Decca Recording Session – New York City, New York |
| 7. Juli 1937 | She’s The Daughter Of A Planter From Havana | Louis Armstrong and His Orchestra | Saul Chaplin, Gus Kahn | Decca | 1353 | 62335-A | Decca Recording Session – New York City, New York |
| 7. Juli 1937 | Alexander’s Ragtime Band | Louis Armstrong and His Orchestra | Irving Berlin | Decca | 1408 | 62336-A | Decca Recording Session – New York City, New York |
| 7. Juli 1937 | Cuban Pete | Louis Armstrong and His Orchestra | Norman | Decca | 1353 | 62337-A | Decca Recording Session – New York City, New York |
| 7. Juli 1937 | I’ve Got A Heart Full Of Rhythm | Louis Armstrong and His Orchestra | Louis Armstrong, Horace Gerlach | Decca | 1408 | 62338-A | Decca Recording Session – New York City, New York |
| 7. Juli 1937 | Sun Showers | Louis Armstrong and His Orchestra | Nacio Herb Brown, Arthur Freed | Decca | 1369 | 62339-A | Decca Recording Session – New York City, New York |
| 8. Juli 1937 | (Unbekannte Titel) | „The Rudy Valley Show“ | | | | | NBC Radio-Übertragung – New York City, New York |
| Mitte 1937 | Swing That Music | „Aunt Jemima Pancake Flour Show“ | | | | | Radio-Übertragung – New York City, New York |
| Oktober 1937 | Public Melody Number One | „Artists and Models“ | Koehler, Ted, Lane, Burton | Avid | 870 | | Film Soundtrack – Los Angeles, Kalifornien |
| Oktober 1937 | -Every Day’s A Holiday -Jubilee | „Every Day’s A Holiday“ | | | | | Film Soundtrack (Paramount Pictures Inc.) – Los Angeles, Kalifornien |
| 30. Oktober 1937 | -I Can’t Give You Anything But Love -Muskrat Ramble | „Saturday Night Swing Club #69“ | | | | | CBS Radio-Übertragung – Hollywood, Kalifornien |
| 4. November 1937 | -The Trumpet Player’s Lament (unveröffentlicht) | „Doctor Rhythm“ | | | | | Film Soundtrack (Paramount Pictures Inc.) – Los Angeles, Kalifornien |
| 15. November 1937 | Once In A While | Louis Armstrong and His Orchestra | W. Butler | Decca | 1560 | DLA 1084-A | Decca Recording Session – Los Angeles, Kalifornien |
| 15. November 1937 | On The Sunny Side Of The Street | Louis Armstrong and His Orchestra | Dorothy Fields, Jimmy McHugh | Decca | 1560 | DLA 1085-A | Decca Recording Session – Los Angeles, Kalifornien |
| 12. Januar 1938 | Satchel Mouth Swing | Louis Armstrong and His Orchestra | Louis Armstrong, Lil Armstrong, Clarence Williams | Decca | 1636 | DLA 1132-A | Decca Recording Session – Los Angeles, Kalifornien |
| 12. Januar 1938 | Jubilee | Louis Armstrong and His Orchestra | Stanley Adams, Hoagy Carmichael | Decca | 1635 | DLA 1133-A | Decca Recording Session – Los Angeles, Kalifornien |
| 12. Januar 1938 | Struttin’ With Some Barbecue | Louis Armstrong and His Orchestra | Lil Hardin | Decca | 1661 | DLA 1134-A | Decca Recording Session – Los Angeles, Kalifornien |
| 12. Januar 1938 | The Trumpet Player’s Lament | Louis Armstrong and His Orchestra | Johnny Burke, James V. Monaco | Decca | 1653 | DLA 1135-A DLA 1135-C | Decca Recording Session – Los Angeles, Kalifornien |
| 13. Januar 1938 | I Double Dare You | Louis Armstrong and His Orchestra | Terry Shand, Jimmy Eaton | Decca | 1636 | DLA 1136-A DLA 1136-B | Decca Recording Session – Los Angeles, Kalifornien |
| 13. Januar 1938 | True Confession | Louis Armstrong and His Orchestra | Sam Coslow, Fredrick Hollander | Decca | 1635 | DLA 1137-A DLA 1137-B | Decca Recording Session – Los Angeles, Kalifornien |
| 13. Januar 1938 | Let That Be A Lesson To You | Louis Armstrong and His Orchestra | Johnny Mercer, Richard Whiting | Decca | 1661 | DLA 1138-A DLA 1138-B | Decca Recording Session – Los Angeles, Kalifornien |
| 13. Januar 1938 | Sweet As A Song | Louis Armstrong and His Orchestra | Gordon, Mack, Revel, Harry | Decca | 1653 | DLA 1139-A | Decca Recording Session – Los Angeles, Kalifornien |
| 15. Januar 1938 | Jubilee | „Saturday Night Swing Club“ | | unveröffentlicht | unveröffentlicht | | CBS-Rundfunk-Übertragung – Hollywood, Kalifornien |
| 13. Mai 1938 | So Little Time (So Much To Do) | Louis Armstrong and His Orchestra | William Hill, Peter DeRose | Decca | 1822 | 63775-A | Decca Recording Session – New York City, New York |
| 13. Mai 1938 | Mexican Swing | Louis Armstrong and His Orchestra | Terry Shand, Marvin Lee | Decca | 1822 | 63776-A | Decca Recording Session – New York City, New York |
| 13. Mai 1938 | As Long As You Live You’ll Be Dead If You Die | Louis Armstrong and His Orchestra | Bernie Hanighen, Johnny Mercer | Decca | 2230 | 63777-A | Decca Recording Session – New York City, New York |
| 13. Mai 1938 | When the Saints Go Marching In | Louis Armstrong and His Orchestra | Traditional | Decca | 2230 | 63778-A | Decca Recording Session – New York City, New York |
| 18. Mai 1938 | On The Sentimental Side | Louis Armstrong and His Orchestra | Johnny Burke, James V. Monaco | Decca | 1841 | 63809-A | Decca Recording Session – New York City, New York |
| 18. Mai 1938 | It’s Wonderful | Louis Armstrong and His Orchestra | Cameron S. Wells, Stuff Smith, Mitchell Parish | Decca | 1841 | 63810-A | Decca Recording Session – New York City, New York |
| 18. Mai 1938 | Something Tells Me | Louis Armstrong and His Orchestra | Johnny Mercer, Harry Warren | Decca | 1842 | 63811-A | Decca Recording Session – New York City, New York |
| 18. Mai 1938 | Love Walked In | Louis Armstrong and His Orchestra | George Gershwin, Ira Gershwin | Decca | 1842 | 63812-A | Decca Recording Session – New York City, New York |
| 10. Juni 1938 | The Flat Foot Floogee | Louis Armstrong and Mills Brothers | B. Green, S. Gaillard, S. Stewart | Decca | 1876 | 63950-A | Decca Recording Session – New York City, New York |
| 10. Juni 1938 | The Song Is Ended | Louis Armstrong and Mills Brothers | Irving Berlin | Decca | 1892 | 63967-A | Decca Recording Session – New York City, New York |
| 10. Juni 1938 | My Walking Stick | Louis Armstrong and Mills Brothers | Irving Berlin | Decca | 1892 | 63968-A | Decca Recording Session – New York City, New York |
| 14. Juni 1938 | Shadrack | Louis Armstrong mit The Decca Mixed Chorus | McGlimsey | Decca | 1913 | 63982-A | Decca Recording Session – New York City, New York |
| 14. Juni 1938 | Going To Shout All Over God’s Heaven | Louis Armstrong mit The Decca Mixed Chorus | Traditional | Decca | 2085 | 63983-A 63983-(Alt) | Decca Recording Session – New York City, New York |
| 14. Juni 1938 | Nobody Knows The Trouble I’ve Seen | Louis Armstrong mit The Decca Mixed Chorus | Traditional | Decca | 2085 | 63984-A | Decca Recording Session – New York City, New York |
| 14. Juni 1938 | Jonah And The Whale | Louis Armstrong mit The Decca Mixed Chorus | McGlimsey | Decca | 1913 | 63985-C | Decca Recording Session – New York City, New York |
| 24. Juni 1938 | Naturally | Louis Armstrong and His Orchestra | Harry Barris, Joe McCarthy | Decca | 1937 | 64227-A | Decca Recording Session – New York City, New York |
| 24. Juni 1938 | I’ve Got A Pocketful Of Dreams | Louis Armstrong and His Orchestra | Johnny Burke, James V. Monaco | Decca | 1937 | 64228-A | Decca Recording Session – New York City, New York |
| 24. Juni 1938 | I Can’t Give You Anything But Love | Louis Armstrong and His Orchestra | Dorothy Fields, Jimmy McHugh | Decca | 2042 | 64229-A | Decca Recording Session – New York City, New York |
| 24. Juni 1938 | Ain’t Misbehavin’ | Louis Armstrong and His Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Decca | 2042 | 64230-B | Decca Recording Session – New York City, New York |
| 25. Juni 1938 | -Swing That Music -The Flat Foot Floogie -Twelfth Street Rag | „Saturday Night Swing Club #103“ | | Ambassador | CLA 1905 | | CBS-Rundfunk-Übertragung (Second Anniversary Show) – New York City, New York |
| 11. August 1938 | Elder Eatmore’s Sermon On Throwing Stones | Louis Armstrong | Rogers | Decca | 5043 | 64436-D | Decca Recording Session – New York City, New York |
| 11. August 1938 | Elder Eatmore’s Sermon On Generosity | Louis Armstrong | Rogers | Decca | 5043 | 64437-C | Decca Recording Session – New York City, New York |
| September 1938 | -Jeepers Creepers -Mutiny In The Nursery -Say It With A Kiss | „Going Places“ | | | | | Film Soundtrack (Warner Brothers Pictures Inc.) – Los Angeles, Kalifornien |
| Oktober 1938 | -The Skeleton In The Closet -Swing That Music -I’m Confessin’ (that I Love You) | „Hearst Metrotone – News Of The Day“ | Al Neiburg, Doc Daugherty, Ellis Reynolds | | | | Film Soundtrack – New Orleans, Louisiana |
| 14. Dezember 1938 | -On The Sunny Side Of The Street -The Blues (The Old Time Blues) -I Got Rhythm -Jeepers Creepers -Tiger Rag -Honeysuckle Rose | „Martin Block Swing Show“ | | Ambassador | CLA 1905 | | WNEW Radio-Übertragung – New York City, New York |
| 24. Dezember 1938 | -Shadrack -Nobody Knows The Trouble I’ve Seen | „Paul Whiteman’s Christmas Eve Concert“ | | Ambassador | CLA 1905 | | Radioübertragung – Carnegie Hall, New York City, New York |
| 18. Januar 1939 | Jeepers Creepers | Louis Armstrong and His Orchestra | Harry Warren, John H. Mercer | Decca | 2267 | 64907-A | Decca Recording Session – New York City, New York |
| 18. Januar 1939 | What Is This Thing Called Swing? | Louis Armstrong and His Orchestra | Gerlach, Louis Armstrong | Decca | 2267 | 64908-A | Decca Recording Session – New York City, New York |
| 20. Februar 1939 | Rockin’ Chair | Glen Gray and The Casa Loma Orchestra mit Louis Armstrong and Pee Wee Hunt | Hoagy Carmichael | Decca | 2395 | 65045-A | Decca Recording Session – New York City, New York |
| 20. Februar 1939 | Lazy Bones | Glen Gray and The Casa Loma Orchestra mit Louis Armstrong and Pee Wee Hunt | Johnny Mercer, Hoagy Carmichael | Decca | 2395 | 65046-A | Decca Recording Session – New York City, New York |
| 5. April 1939 | Hear Me Talkin’ To Ya | Louis Armstrong and His Orchestra | Louis Armstrong | Decca | 2405 | 65344-A | Decca Recording Session – New York City, New York |
| 5. April 1939 | Save It Pretty Mama | Louis Armstrong and His Orchestra | Don Redman, J. Davis, P. Dennicker | Decca | 2405 | 65345-A | Decca Recording Session – New York City, New York |
| 5. April 1939 | West End Blues | Louis Armstrong and His Orchestra | Joe Oliver | Decca | 2480 | 65346-A | Decca Recording Session – New York City, New York |
| 5. April 1939 | Savoy Blues | Louis Armstrong and His Orchestra | Edward Ory | Decca | 2538 | 65347-A | Decca Recording Session – New York City, New York |
| 25. April 1939 | I’m Confessin’ (That I Love You) | Louis Armstrong and His Orchestra | Al Neiburg, Doc Daugherty, Ellis Reynolds | Decca | 2615 | 65460-A | Decca Recording Session – New York City, New York |
| 25. April 1939 | Our Monday Date | Louis Armstrong and His Orchestra | Louis Armstrong, Hines | Decca | 2615 | 65461-A | Decca Recording Session – New York City, New York |
| 25. April 1939 | If It’s Good (Then I Want It) | Louis Armstrong and His Orchestra | Marks, Hirsch | Decca | 2480 | 65462-A | Decca Recording Session – New York City, New York |
| 25. April 1939 | Me And Brother Bill | Louis Armstrong and His Orchestra | Sweet, Louis Armstrong | Decca | 2538 | 65463-A | Decca Recording Session – New York City, New York |
| 25. April 1939 | Happy Birthday To Bing | Louis Armstrong and His Orchestra | Traditional | Ambassador | CLA 1906 | TNY 755 | Decca Recording Session – New York City, New York |
| 15. Juni 1939 | Baby Won’t You Please Come Home? | Louis Armstrong and His Orchestra | C. Warfield, C. Williams | Decca | 2729 | 65824-A | Decca Recording Session – New York City, New York |
| 15. Juni 1939 | Poor Old Joe | Louis Armstrong and His Orchestra | Hoagy Carmichael | Odeon Argentina | 284649 | 65825-A | Decca Recording Session – New York City, New York |
| 15. Juni 1939 | Shanty Boat On The Mississippi | Louis Armstrong and His Orchestra | Eaton Shand | Decca | 2729 | 65826-A | Decca Recording Session – New York City, New York |
| 2. Oktober 1939 | -When It’s Sleepy Time Down South -Old Man Mose -What Is This Thing Called Swing? | „Ascap 25 Year Festival“ | | Ambassador | CLA 1906 | | Radio-Übertragung – Carnegie Hall, New York City, New York |
| 14. Oktober 1939 | -West End Blues -Ain’t Misbehavin’ -Shadrack | „The Saturday Night Camel Caravan“ | | _ Ambassador _ | – CLA 1906 – | | CBS-Rundfunk-Übertragung – Waldorf Astoria Hotel, New York City, New York |
| 18. Dezember 1939 | Poor Old Joe | Louis Armstrong and His Orchestra | Hoagy Carmichael | Decca | 3011 | 66984-A | Decca Recording Session – New York City, New York |
| 18. Dezember 1939 | You’re A Lucky Guy | Louis Armstrong and His Orchestra | Sammy Cahn, Saul Chaplin | Decca | 2934 | 66985-A | Decca Recording Session – New York City, New York |
| 18. Dezember 1939 | You’re Just A No Account | Louis Armstrong and His Orchestra | Sammy Cahn, Saul Chaplin | Decca | 2934 | 66986-A | Decca Recording Session – New York City, New York |
| 18. Dezember 1939 | Bye And Bye | Louis Armstrong and His Orchestra | Traditional | Decca | 3011 | 66987-A | Decca Recording Session – New York City, New York |
| 18. Dezember 1939 | -When It’s Sleepy Time Down South -Harlem Stomp | Louis Armstrong and His Orchestra | | Ambassador | CLA 1906 | | Radio-Übertragung – Cotton Club, New York City, New York |
| 14. März 1940 | Hep Cats’ Ball | Louis Armstrong and His Orchestra | Palmer, Armstrong, Robinson | Decca | 3283 | 67321-A | Decca Recording Session – New York City, New York |
| 14. März 1940 | You’ve Got Me Voodoo’d | Louis Armstrong and His Orchestra | Louis Armstrong, Lawrence Russell | Decca | 3092 | 67322-A | Decca Recording Session – New York City, New York |
| 14. März 1940 | Harlem Stomp | Louis Armstrong and His Orchestra | Higgenbotham | Decca | 3092 | 67323-A | Decca Recording Session – New York City, New York |
| 14. März 1940 | Wolverine Blues | Louis Armstrong and His Orchestra | Morton | Decca | 3105 | 67324-A | Decca Recording Session – New York City, New York |
| 14. März 1940 | Lazy ’Sippi Steamer | Louis Armstrong and His Orchestra | Louis Armstrong, Russell Selman | Decca | 3283 | 67325-A | Decca Recording Session – New York City, New York |
| 22. März 1940 | Keep The Rhythm Going | Louis Armstrong and His Orchestra | | Ambassador | CLA 1907 | | Radio-Übertragung – Cotton Club, New York City, New York |
| 24. März 1940 | I’m Confessin’ (that I Love You) | Louis Armstrong and His Orchestra | Al Neiburg, Doc Daugherty, Ellis Reynolds | Ambassador | CLA 1910 | | Radio-Übertragung – Cotton Club, New York City, New York |
| 9. April 1940 | Darling Nelly Gray | Louis Armstrong and His Orchestra | | Ambassador | CLA 1910 | | Radio-Übertragung – Cotton Club, New York City, New York |
| 10. April 1940 | W.P.A. | Louis Armstrong and Mills Brothers | J. Jones | Decca | 3151 | 67519-A | Decca Recording Session – New York City, New York |
| 10. April 1940 | Boog-It | Louis Armstrong and Mills Brothers | J. Palmer, C. Calloway, R. Ram | Decca | 3180 | 67520-A | Decca Recording Session – New York City, New York |
| 11. April 1940 | Cherry | Louis Armstrong and Mills Brothers | D. Redman | Decca | 3180 | 67530-A | Decca Recording Session – New York City, New York |
| 11. April 1940 | Marie | Louis Armstrong and Mills Brothers | Irving Berlin | Decca | 3151 | 67531-A | Decca Recording Session – New York City, New York |
| 15. April 1940 | -Lazy River -Struttin’ With Some Barbecue -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | Ambassador | CLA 1907 | | Radio-Übertragung – Cotton Club, New York City, New York |
| April 1940 | Song Of The Islands | Louis Armstrong and His Orchestra | | | | | Radio-Übertragung – Cotton Club, New York City, New York |
| Mai 1940 | Sweethearts On Parade | Louis Armstrong and His Orchestra | Lombardo Newman | Decca | 3235 | 67648-A | Decca Recording Session – New York City, New York |
| Mai 1940 | You Run Your Mouth, I’ll Run My Business | Louis Armstrong and His Orchestra | Louis Armstrong | Decca | 3204 | 67649-A | Decca Recording Session – New York City, New York |
| Mai 1940 | Cut Off My Legs And Call Me Shorty | Louis Armstrong and His Orchestra | Alexander Raye | Decca | 3235 | 67650-A | Decca Recording Session – New York City, New York |
| Mai 1940 | Cain And Abel | Louis Armstrong and His Orchestra | Loman Fensteck | Decca | 3204 | 67651-A | Decca Recording Session – New York City, New York |
| 27. Mai 1940 | Perdido Street Blues | Louis Armstrong and His Orchestra | Lil Armstrong | Decca | 18090 | 67817-A | Decca Recording Session – New York City, New York |
| 27. Mai 1940 | 2:19 Blues (Mamie’s Blues) | Louis Armstrong and His Orchestra | Mamie Desdume | Decca | 18090 | 67818-A | Decca Recording Session – New York City, New York |
| 27. Mai 1940 | Down In Honky Tonk Town | Louis Armstrong and His Orchestra | Smith, McCarron | Decca | 18091 | 67819-A 67819-B | Decca Recording Session – New York City, New York |
| 27. Mai 1940 | Coal Cart Blues | Louis Armstrong and His Orchestra | Louis Armstrong, Lil Hardin | Decca | 18092 | 67820-A | Decca Recording Session – New York City, New York |
| 10. März 1941 | Ev’rything’s Been Done Before | Louis Armstrong and His Hot Seven | Adamson, Knopf, King | Decca | 3825 | 68796-A | Decca Recording Session – New York City, New York |
| 10. März 1941 | I Cover The Waterfront | Louis Armstrong and His Hot Seven | Johnny Green, Edward Heyman | Decca | 3700 | 68797-A | Decca Recording Session – New York City, New York |
| 10. März 1941 | In The Gloaming | Louis Armstrong and His Hot Seven | Orred Harrison | Decca | 3825 | 68798-B | Decca Recording Session – New York City, New York |
| 10. März 1941 | Long, Long Ago | Louis Armstrong and His Hot Seven | Bayley | Decca | 3700 | 68799-A | Decca Recording Session – New York City, New York |
| 11. April 1941 | Hey Lawdy Mama | Louis Armstrong and His Hot Seven | Easton | Decca | 3756 | 68997-A | Decca Recording Session – New York City, New York |
| 11. April 1941 | I’ll Get Mine Bye And Bye | Louis Armstrong and His Hot Seven | Davis | Decca | 3900 | 68998-A | Decca Recording Session – New York City, New York |
| 11. April 1941 | Now Do You Call That A Buddy | Louis Armstrong and His Hot Seven | Wilson | Decca | 3796 | 68999-A | Decca Recording Session – New York City, New York |
| 11. April 1941 | Yes Suh! | Louis Armstrong and His Hot Seven | Dowell, Andy Razaf | Decca | 3900 | 69000-C | Decca Recording Session – New York City, New York |
| 16. November 1941 | When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | L. Rene, O. Muse | Decca | 4140 | 93787-A | Decca Recording Session – Chicago, Illinois |
| 16. November 1941 | Leap Frog | Louis Armstrong and His Orchestra | Garland | Decca | 4106 | 93788-A | Decca Recording Session – Chicago, Illinois |
| 16. November 1941 | I Used To Love You (But It’s All Over Now) | Louis Armstrong and His Orchestra | Tilzer, Brown | Ambassador Decca | CLA 1908 4106 | 93789-A 93789-B | Decca Recording Session – Chicago, Illinois |
| 16. November 1941 | (I’ll Be Glad When You’re Dead) You Rascal You | Louis Armstrong and His Orchestra | Theard | Decca | 4140 | 93790-A | Decca Recording Session – Chicago, Illinois |
| 17. November 1941 | -Basin Street Blues - Leap Frog -Concerto For Two -Exactly Like You -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | Ambassador – – Ambassador Ambassador | CLA 1908 – – CLA 1908 CLA 1908 | | WBBM Radio-Übertragung – Grand Terrace, Chicago, Illinois |
| 27. November 1941 | -When It’s Sleepy Time Down South -Swing That Music -Blues For The Second Line -Song Of The Islands -Harlem Stomp -Panama Rag -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | – Ambassador – Ambassador –Ambassador Ambassador | – CLA 1908 – CLA 1908 - CLA 1908 CLA 1908 | | WBBM Radio-Übertragung – Grand Terrace, Chicago, Illinois |
| April 1942 | -When It’s Sleepy Time Down South -Shine -Shoe Shine Boy -Zoot Suit -Basin Street Blues -I Surrender Dear -You Don’t Know What Love Is | Louis Armstrong and His Orchestra | | Ambassador | CLA 1910 | | MBS Radio-Übertragung – Manana, Culver City, Kalifornien |
| 4. April 1942 | -Leap Frog -Coquette -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | –Ambassador Ambassador | – CLA 1910 CLA 1910 | | MBS Radio-Übertragung – Manana, Culver City, Kalifornien |
| 10. April 1942 | -(Get Some) Cash For Your Trash | Louis Armstrong and His Orchestra | Waller, Thomas, Kirkeby | Ambassador | CLA 1910 | | MBS Radio-Übertragung – Manana, Culver City, Kalifornien |
| 15. April 1942 | -I Never Know -Leap Frog | Louis Armstrong and His Orchestra | | Ambassador – | CLA 1910 – | | MBS Radio-Übertragung – Manana, Culver City, Kalifornien |
| 17. April 1942 | (Get Some) Cash For Your Trash | Louis Armstrong and His Orchestra | Waller, Thomas, Kirkeby | Decca | 4229 | DLA-2974-A | Decca Recording Session – Los Angeles, Kalifornien |
| 17. April 1942 | Among My Souvenirs | Louis Armstrong and His Orchestra | Leslie Nicholls | Decca Vocalion | 4327 VL3851 | DLA-2975-A DLA-2975-B | Decca Recording Session – Los Angeles, Kalifornien |
| 17. April 1942 | Coquette | Louis Armstrong and His Orchestra | Irving Berlin | Decca | 4327 | DLA-2976-A | Decca Recording Session – Los Angeles, Kalifornien |
| 17. April 1942 | I Never Knew | Louis Armstrong and His Orchestra | Rito, Kahn | Decca | 4229 | DLA-2977-A | Decca Recording Session – Los Angeles, Kalifornien |
| 20. April 1942 | -Swingin’ On Nothing -I’ll Be Glad When You’re Dead You Rascal You -When It’s Sleepy Time Down South -Shine | Louis Armstrong and His Orchestra | | Ambassador | CLA 1908 | | Film Soundtrack (R.C.M. Productions Inc.) – Hollywood, Kalifornien |
| 22. April 1942 | -Blues In The Night -Harlem Stomp -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | Ambassador | CLA 1910 | | MBS Radio-Übertragung – Manana, Culver City, Kalifornien |
| 28. August 1942 | -Trumpet Break -Ain’t It The Truth | „Cabin In The Sky“ | | Ambassador | CLA 1908 | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |

### Kriegsjahre (Dezember 1942 – April 1945)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 15. Dezember 1942 | Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #74 Radioübertragung – Unbekannter Ort |
| 25. Dezember 1942 | -When It’s Sleepy Time Down South -Darling Nelly Gray -Me And Brother Bill -Mr. Five By Five -Ain’t It The Truth -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #83 Radioübertragung – Fort Benning, Columbus, Georgia |
| 3. Februar 1943 | Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #117 Radioübertragung |
| März - April 1943 | -I’ve Got A Gal In Kalamazoo -Me And Brother Bill -Unbekannte Titel -Coquette -Shine -Lazy River -One O’ Clock Jump -On The Sunny Side Of The Street -Leap Frog -Intro (Blues In The Night) -Comedy Skit -Dear Old Southland -Old Man Mose -If I Could Be With You -Confessin’ -In The Mood -Comedy Skit -I Can’t Give You Anything But Love -Baby Don’t You Cry -Barrelhouse Bessie From Basin Street -Harlem Stomp -Trumpet Ad-lib by Louis Armstrong -Ain’t Misbehavin’ -Comedy Skit -Ain’t That Just Like A Man -The Peanut Vendor -Lazy River -Slender, Tender And Tall -Coquette | Louis Armstrong and His Orchestra | | | | | AFRS „Jubilee“ Program Pre-Recording Sessions – NBC Studios, Los Angeles, Kalifornien |
| Anfang 1943 | -Theme And Intro -When It’s Sleepy Time Down South -Coquette -Louis Armstrong Interviewed By Dick Joy -I’ve Got A Gal In Kalamazoo -Slender, Tender And Tall -Dear Old Southland -Lazy River -You Can’t Get Stuff In Your Cuff -Me And Brother Bill -On The Sunny Side Of The Street -Theme And Closing | Louis Armstrong and His Orchestra | | | | H7-38-P1 H7-38-P2 | AFRS „Downbeat“ Program #16 und #38 Übertragung – Los Angeles, Kalifornien |
| Anfang 1943 | -Me And Brother Bill -As Time Goes By | Louis Armstrong and His Orchestra | | | | | Private Rundfunk-Aufnahme – Unbekannter Ort |
| Anfang 1943 | -On The Sunny Side Of The Street -Back O’ Town Blues | Louis Armstrong and His Orchestra | | | | | Unbekannte Quelle, wahrscheinlich Radio-Übertragung – unbekannter Ort |
| 23. April 1943 | I Can’t Give You Anything But Love | „Jam Session“ | | | | | Film Soundtrack (Columbia) – Los Angeles, Kalifornien |
| 8. Juli 1943 | Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #250 Rundfunk-Übertragung |
| August 1943 | -Baby Don’t You Cry -BT Mama | Louis Armstrong and His Orchestra | | | | | Private Aufnahme – Val Air Ballroom, Des Moines, Iowa |
| 17. August 1943 | -Broadcast Opening Announcement -I Never Knew -What’s The Good Word, Mr. Bluebird -Coca Cola Fanfare -I Lost My Sugar In Salt Lake City -You’ll Never Know -Lazy River -On The Sunny Side Of The Street -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #284 Rundfunk-Übertragung – Naval Air Station, Dallas, Texas |
| 21. August 1943 | -Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | Blue Network „Victory Parade Of Spotlight Bands“ #288 Rundfunk-Übertragung – New Orleans, Louisiana |
| 7. November 1943 | -I Can’t Give You Anything But Love -Pistol Packin’ Mama | „Chamber Music Society Of Lower Basin Street“ | | | | | NBC Rundfunk-Übertragung, New York City, New York |
| 8. Dezember 1943 | -Spotlight Bands Theme -Exactly Like You -People Will Say We’re In Love -Pistol Packin’ Mama -Harlem Stomp -Don’t Cry Baby -I Can’t Give You Anything But Love -When It’s Sleepy Time Down South -Spotlight Bands Theme | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #380 Rundfunk-Übertragung – Coliseum, Houston, Texas |
| 16. Januar 1944 | -Basin Street Blues -Esquire Blues -Honeysuckle Rose | „Chamber Music Society Of Lower Basin Street“ | | Ambassador | CLA 1909 | | ABC Rundfunk-Übertragung – New York City, New York |
| 18. Januar 1944 | -I Can’t Give You Anything But Love -I Gotta Right To Sing The Blues -I Got Rhythm -Introduction of Musicians -Basin Street Blues -Back ’O Town Blues -Muskrat Ramble -Stompin’ at the Savoy -My Ideal -Flying Home -Star-Spangled Banner | „Esquire All American Jazz Concert“ | | | | VP-665 (Basin Street Blues) VP-1025 (Back ’O Town Blues) JDB 91 (My Ideal) JDB 102/ 103 (Flying Home) | Konzert – Metropolitan Opera House, New York City, New York |
| 5. Februar 1944 | -Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #432 Rundfunk-Übertragung – Unbekannter Ort |
| 18. März 1944 | -Unbekannte Titel (unveröffentlicht) | „The Million Dollar Band“ | | | | | NBC Rundfunk-Übertragung – Rockefeller Center, New York City, New York |
| 25. März 1944 | -Roll ’Em -No Love No Nothing - Go South, Young Man -Oh, Lady Be Good -The Shuffle | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #474 Rundfunk-Übertragung – Milwaukee, Wisconsin |
| April 1944 | -Lazy River -Louis and Jimmy Durante Comedy Skit | Louis Armstrong and His Orchestra | | | | | AFRS „Command Performance“ #120 Aufnahme – Los Angeles, Kalifornien |
| Mai 1944 | -Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | AFRS „Jubilee“ Program #80 Aufnahme – Los Angeles, Kalifornien |
| 19. Mai – 5. Juni 1944 | -Ain’t Misbehavin’ -Besame Mucho -Swanee River -Groovin’ -Easy As You Go -Baby Don’t You Cry -Don’t Sweetheart Me -I Couldn’t Sleep A Wink Last Night -A Pretty Girl Is Like A Melody -I Lost My Sugar In Salt Lake City -I’ll Be Around -Keep On Jumpin’ | Louis Armstrong and His Orchestra | | | | | Rundfunk-Übertragung – Trianon Ballroom, South Gate, Kalifornien |
| 23. Mai 1944 | -Unbekannte Titel (unveröffentlicht) | Louis Armstrong and His Orchestra | | | | | Unbekannter Sender – Los Angeles, Kalifornien |
| 26. Mai 1944 | -No Love No Nothing -Is My Baby Blue Tonight -Blues In The Night -Keep On Jumpin’ | Louis Armstrong and His Orchestra | | | | | Rundfunk-Übertragung – Trianon Ballroom, South Gate, Kalifornien |
| Mai–Juni 1944 | -Harlem On Parade -Ain’t Misbehavin’ | „Atlantic City“ | | | | | Film Soundtrack (Republic) – Los Angeles, Kalifornien |
| 7. Juni 1944 | -Unbekannte Titel -King Porter Stomp -It’s Love, Love, Love -Ain’t Misbehavin’ -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #537 Rundfunk-Übertragung – Stockton Fields, Kalifornien |
| August 1944 | Whatcha Say | „Pillow To Post“ | | | | | Fil Soundtrack (Warner Bros. Pictures Inc.) – Los Angeles, Kalifornien |
| 9. August 1944 | Groovin’ | Louis Armstrong and His Orchestra | McRae, Brown, O’Nan | Decca | DL9225 | DLA-3500-A | Decca Recording Session – Los Angeles, Kalifornien |
| 9. August 1944 | Baby Don’t You Cry | Louis Armstrong and His Orchestra | | unveröffentlicht | unveröffentlicht | DLA-3501-A | Decca Recording Session – Los Angeles, Kalifornien |
| 9. August 1944 | Whatcha Say | Louis Armstrong and His Orchestra | | unveröffentlicht | unveröffentlicht | DLA-3502-A? DLA-3502-B | Decca Recording Session – Los Angeles, Kalifornien |
| 18. August 1944 | -Louise -Goin’ My Way? -Sweet And Lovely -Groovin’ -Is You Is Or Is You Ain’t My Baby? | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #599 Rundfunk-Übertragung – Fort Huachuca, Arizona |
| 12. September 1944 | -Perdido -Me And Brother Bill -Time Alone Will Tell -Is You Is Or Is You Ain’t My Baby? -Ain’t Misbehavin’ -King Porter Stomp | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #620 Rundfunk-Übertragung – Camp Reynolds, Pennsylvania |
| 5. Oktober 1944 | -Keep On Jumpin’ -Swingin’ On A Star -Sweet And Lovely -Confessin’ -It Had To Be You | Louis Armstrong and His Orchestra | | | | SS-10-6-4 (Keep On Jumpin’) | ABC „Victory Parade Of Spotlight Bands“ #641 Rundfunk-Übertragung – Tuskegee Air Base, Alabama |
| 15. Oktober 1944 | -Solid Sam | Louis Armstrong and His Orchestra | | | | | AFRS „Yank Swing Session“ #94 Rundfunk-Übertragung – Unbekannter Ort |
| 26. Oktober 1944 | -Louise -Dance With The Dolly -I’ll Walk Alone -Lazy River -Is You Is Or Is You Ain’t My Baby? | Louis Armstrong and His Orchestra | | | | | ABC „Victory Parade Of Spotlight Bands“ #658 Rundfunk-Übertragung – Texas |
| 7. Dezember 1944 | Jack-Armstrong Blues | V-Disc All Star Jam Session | Jack Teagarden, Louis Armstrong | V-Disc | 384-A | VP-1054 | V-Disc Recording Session – NBC Studios, Rockefeller Center, New York City, New York |
| 7. Dezember 1944 | -I’m Confessin’ That I Love You | Louis Armstrong and The V-Disc All Stars | Al Neiburg, Doc Daugherty, Ellis Reynolds | – V-Disc | – 491-B | VP-1079-1 VP-1079-2 | V-Disc Recording Session – NBC Studios, Rockefeller Center, New York City, New York |
| 14. Januar 1945 | Jodie Man | Louis Armstrong and His Orchestra | Roberts, Fisher | Decca | 18652 | 72692-A | Decca Recording Session – New York City, New York |
| 14. Januar 1945 | I Wonder | Louis Armstrong and His Orchestra | Gant, Leven | Decca | 18652 | 72693-A | Decca Recording Session – New York City, New York |
| 17. Januar 1945 | -Back O’Town Blues -Confessin’ -Esquire Award für Louis Armstrong und J.C. Higginbotham (Gespräch) -Dear Old Southland -Basin Street Blues -Things Ain’t What They Used To Be | „Second Esquire All American Jazz Concert“ | | Avid | 870 | | ABC Rundfunk-Übertragung – Municipal Auditorium, New Orleans, Louisiana |
| 11. Februar 1945 | -When It’s Sleepy Time Down South -Louis and Ed Kirkeby (Gespräch) -On The Sunny Side Of The Street -I Got Rhythm | „The Second Annual American Swing Festival – A Tribute To Fats Waller“ | | | | | WNEW Rundfunk-Übertragung – New York City, New York |
| 13. Februar 1945 | -When It’s Sleepy Time Down South -On The Sunny Side Of The Street -A Little On The Lonely Side -Accentuate The Positive -Saturday Night Is The Loneliest Night | Louis Armstrong and His Orchestra | | | | SSC3-18-1 | Unbekannter Rundfunksender – The New Zanzibar, New York City, New York |
| 20. Februar 1945 | -I Can’t Give You Anything But Love -Always -It Ain’t Me -Confessin’ -Blame It On Me | Louis Armstrong and His Orchestra | | | | SSC3-18-1 | Unbekannter Rundfunksender – The New Zanzibar, New York City, New York |

### Louis Armstrong and His All Stars (Mai 1945 – August 1956)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| August 1945 | -When It’s Sleepy Time Down South -It Ain’t Me -Stardust -Caldonia -When It’s Sleepy Time Down South | Louis Armstrong and His Orchestra | | | | | Unbekannter Rundfunksender – Trianon Ballroom, South Gate, Kalifornien |
| September 1945 | -Accentuate The Positive -On The Sunny Side Of The Street -I Wonder -Blue Skies | Louis Armstrong and His Orchestra | | | | | AFRS „Jubilee“ Program Prerecording Session – NBC Studios Los Angeles, Kalifornien |
| 31. Oktober 1945 | -Theme and Intro -When It’s Sleepy Time Down South -Perdido -Back O’ Town Blues -Gotta Be This Or That -Me And Brother Bill -Perdido and Closing | Louis Armstrong and His Orchestra | | | | | MBS „Victory Parade Of Spotlight Bands“ #915 Rundfunk-Übertragung, Geiger Field, Spokane, Washington |
| 10. Januar 1946 | Long, Long Journey | Esquire All-American 1946 Award Winners | Leonard Feather | Victor | 40-4001 | PD6-VC-5020-1 | Victor Recording Session – New York City, New York |
| 10. Januar 1946 | Snafu | Esquire All-American 1946 Award Winners | Leonard Feather | Victor | 40-4001 | PD6-VC-5021-1 | Victor Recording Session – New York City, New York |
| 18. Januar 1946 | You Won’t Be Satisfied (Until You Break My Heart) | Ella Fitzgerald and Louis Armstrong mit Bob Haggart’s Orchestra | James, Stock | Decca | 23496 | 73285-A | Decca Recording Session – New York City, New York |
| 18. Januar 1946 | The Frim Fram Sauce | Ella Fitzgerald and Louis Armstrong mit Bob Haggart’s Orchestra | Evans, Ricardel | Decca | 23496 | 73286-A | Decca Recording Session – New York City, New York |
| 27. April 1946 | Linger In My Arms A Little Longer, Baby | Louis Armstrong and His Orchestra | Herb Madigon | Victor | 20-1912 | D6-VB-1736-1 | Victor Recording Session – New York City, New York |
| 27. April 1946 | Whatta Ya Gonna Do | Louis Armstrong and His Orchestra | Sunny Skylar, Patrick Lewis | Victor | 20-1891 | D6-VB-1737-1 | Victor Recording Session – New York City, New York |
| 27. April 1946 | No Variety Blues | Louis Armstrong and His Orchestra | Louis Armstrong, Herman Fairbanks | Victor | 20-1891 | D6-VB-1738-1 | Victor Recording Session – New York City, New York |
| 27. April 1946 | Joseph ’N His Brudders | Louis Armstrong and His Orchestra | Louis Armstrong, Barbara Belle, Bobby Kroll | Victor | 20-2612 | D6-VB-1739-1 | Victor Recording Session – New York City, New York |
| 27. April 1946 | Back O’ Town Blues | Louis Armstrong and His Orchestra | Louis Armstrong, Luis Russell | Victor | 20-1912 | D6-VB-1740-1 | Victor Recording Session – New York City, New York |
| 4. August 1946 | Unbekannte Titel | Louis Armstrong | | | | | Rundfunk-Übertragung – Chicago, Illinois |
| 6. September 1946 | I Want A Little Girl | Louis Armstrong and His Hot Seven | Billy Moll, Murray Mencher | Victor | 20-2612 | D6-VB-2149-1 | Swing (French) Recording Session – Victor Studios, Los Angeles, Kalifornien |
| 6. September 1946 | Sugar | Louis Armstrong and His Hot Seven | Maceo Pinkard, Edna Alexander, Sidney Mitchell | Victor | 40-0136 | D6-VB-2150-1 | Swing (French) Recording Session – Victor Studios, Los Angeles, Kalifornien |
| 6. September 1946 | Blues For Yesterday | Louis Armstrong and His Hot Seven | Les Carr | Victor | 20-2456 | D6-VB-2151-1 | Swing (French) Recording Session – Victor Studios, Los Angeles, Kalifornien |
| 6. September 1946 | Blues In The South | Louis Armstrong and His Hot Seven | William Johnstone, Les Carr | Victor | 20-2456 | D6-VB-2152-1 | Swing (French) Recording Session – Victor Studios, Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | When The Saints Go Marchin’ In | „New Orleans“ | | | | TMX 3A-1#1 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | West End Blues | „New Orleans“ | | Giants of Jazz | 1025 | TMX 7-3 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Tiger Rag | „New Orleans“ | | Giants of Jazz | 1025 | TMX 33-3 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Basin Street Blues | „New Orleans“ | | Giants of Jazz | 1025 | TMX 53 S41/42 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Buddy Bolden Blues | „New Orleans“ | | Giants of Jazz | 1025 | TMX 53 G1-3 TMX 53 G1-4 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Milenberg Joys | „New Orleans“ | | Giants of Jazz | 1025 | TMX 62-4 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Where The Blues Were Born In New Orleans | „New Orleans“ | Bob Carleton, Cliff Dixon | Giants of Jazz | 1025 | TMX 42 S63/64 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Mahogany Hall Stomp | „New Orleans“ | | Giants of Jazz | 1025 | TMX 183-3#1 TMX 183-3#2 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Maryland, My Maryland | „New Orleans“ | | Ambassador | CLA 1915 | TMX ... | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Farewell To Storyville | „New Orleans“ | | Giants of Jazz | 1025 | TMX 84 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Do You Know What It Means To Miss New Orleans | „New Orleans“ | Eddie DeLange, Louis Alter | Giants of Jazz | 1025 | TMX ... | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Raymond Street Blues | „New Orleans“ | | Giants of Jazz | 1025 | TMX 53 G2-1#1 TMX 53 G2-1#2 TMX 53 G2-1#3 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Flee As A Bird | „New Orleans“ | | Giants of Jazz | 1025 | TMX 1-3 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | When The Saints Go Marchin’ In | „New Orleans“ | | Giants of Jazz | 1025 | TMX 3A-1#2 TMX 3A-5 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Dippermouth Blues | „New Orleans“ | | Giants of Jazz | 1025 | TMX 120-1#1 TMX 120-1#2 TMX 120-1#3 TMX 120-1#4 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Shim-Me-Sha-Wabble | „New Orleans“ | | Giants of Jazz | 1025 | TMX 130-1 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Ballin’ The Jack | „New Orleans“ | | Giants of Jazz | 1025 | TMX 131-2 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | King Porter Stomp | „New Orleans“ | | Giants of Jazz | 1025 | TMX 149-2 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Mahogany Hall Stomp | „New Orleans“ | | Giants of Jazz | 1025 | TMX 182-5 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Mahogany Hall Stomp | „New Orleans“ | | | | TMX 30A-1#1 TMX 30A-1#2 TMX 30A-1#3 TMX 30-2 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Brahms’ Lullaby | „New Orleans“ | | Giants of Jazz | 1025 | TMX 30 B-1 TMX 30 B-2 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | The Blues Are Brewin’ | „New Orleans“ | | Giants of Jazz | 1025 | TMX ... | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 5. September – 8. Oktober 1946 | Endie | „New Orleans“ | Eddie DeLange, Louis Alter | Giants of Jazz | 1025 | TMX 141-A4 | Film Soundtrack (United Artists) — Los Angeles, Kalifornien |
| 17. Oktober 1946 | Endie | Louis Armstrong and His Orchestra | Eddie DeLange, Louis Alter | Victor | 20-2087 | D6-VB-2190-1 | Victor Recording Session – Los Angeles, Kalifornien |
| 17. Oktober 1946 | The Blues Are Brewin’ | Louis Armstrong and His Orchestra | Eddie DeLange, Louis Alter | Victor | LP LJM-1005 | D6-VB-2191-1 | Victor Recording Session – Los Angeles, Kalifornien |
| 17. Oktober 1946 | Do You Know What It Means to Miss New Orleans? | Louis Armstrong and His Dixieland Seven | Eddie DeLange, Louis Alter | Victor | 20-2087 | D6-VB-2192-1 | Victor Recording Session – Los Angeles, Kalifornien |
| 17. Oktober 1946 | Where The Blues Were Born In New Orleans | Louis Armstrong and His Dixieland Seven | Cliff Dixon, Bob Carleton | Victor | 20-2088 | D6-VB-2193-1 | Victor Recording Session – Los Angeles, Kalifornien |
| 17. Oktober 1946 | Mahogany Hall Stomp | Louis Armstrong and His Dixieland Seven | Spencer Williams | Victor | 20-2088 | D6-VB-2194-1 | Victor Recording Session – Los Angeles, Kalifornien |
| 17. Oktober 1946 | Farewell To Storyville | Louis Armstrong and His Dixieland Seven | Clarence Williams | unveröffentlicht | unveröffentlicht | D6-VB-2195 | Victor Recording Session – Los Angeles, Kalifornien |
| 8. Februar 1947 | Flee As A Bird To The Mountain / Didn’t He Ramble | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Traditional | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Dippermouth Blues | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Mahogany Hall Stomp | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Muskrat Ramble | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Kid Ory | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | St. Louis Blues | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | W. C. Handy | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Rockin’ Chair | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Hoagy Carmichael | Ambassador | CLA 1919 | JB-360 | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Tiger Rag | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | N. LaRocca | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | West End Blues | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | | | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | (What Did I Do To Be So) Black And Blue | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Ambassador | CLA 1919 | JB-358 | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | I’m Confessin’ (that I Love You) | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Al Neiburg, Doc Daugherty, Ellis Reynolds | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Struttin’ With Some Barbecue | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Lazy River | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | You Rascal You (I’ll Be Glad When You’re Dead) | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Save It Pretty Mama | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Redman | Ambassador | CLA 1919 | JB-371 | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Ain’t Misbehavin’ | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | When It’s Sleepy Time Down South | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Stompin’ At The Savoy | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | I Can’t Give You Anything But Love | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | If I Loved You | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | | | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Mop Mop | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Back O’ Town Blues | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | You Won’t Be Satisfied | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Do You Know What It Means To Miss New Orleans | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Eddie DeLange, Louis Alter | Ambassador | CLA 1919 | 2 Takes | Konzert – Carnegie Hall, New York City, New York |
| 8. Februar 1947 | Roll ’Em | Louis Armstrong mit Edmond Hall and His Cafe Society Uptown Orchestra | Thomas Waller, Andy Razaf, H. Brooks | Ambassador | CLA 1919 | | Konzert – Carnegie Hall, New York City, New York |
| 12. März 1947 | I Wonder, I Wonder, I Wonder | Louis Armstrong and His Orchestra | Daryl Hutchinson | Victor | 20-2228 | D7-VB 647-1 | Victor Recording Session – New York City, New York |
| 12. März 1947 | I Believe | Louis Armstrong and His Orchestra | Sammy Cahn, Jule Styne | Victor | 20-2240 | D7-VB 648-1 | Victor Recording Session – New York City, New York |
| 12. März 1947 | Why Doubt My Love? | Louis Armstrong and His Orchestra | Helen Mercer, Louis Armstrong | Victor | LP VPM 6044 | D7-VB 649-1 | Victor Recording Session – New York City, New York |
| 12. März 1947 | It Takes Time | Louis Armstrong and His Orchestra | Arthur Korb | Victor | 20-2228 | D7-VB 650-1 | Victor Recording Session – New York City, New York |
| 12. März 1947 | You Don’t Learn That In School | Louis Armstrong and His Orchestra | Roy Alfred, Marvin Fisher | Victor | 20-2240 | D7-VB 651-1 | Victor Recording Session – New York City, New York |
| 26. April 1947 | Do You Know What It Means To Miss New Orleans | „Saturday Night Swing Show“ | Eddie DeLange, Louis Alter | V-Disc | | JB-359 | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Ain’t Misbehavin’ | „Saturday Night Swing Show“ | Thomas Waller, Andy Razaf, H. Brooks | V-Disc | | JB-455 | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | High Society | „Saturday Night Swing Show“ | A. J. Piron, Clarence Williams | V-Disc | | JB-468 | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Reminiscin’ mit Louis | „Saturday Night Swing Show“ | | V-Disc | | JB-468 | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Basin Street Blues | „Saturday Night Swing Show“ | Spencer Williams | Collector’s Choice | 4510 | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Muskrat Ramble | „Saturday Night Swing Show“ | Edward Ory | unveröffentlicht | unveröffentlicht | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Back O’ Town Blues | „Saturday Night Swing Show“ | Spencer Williams | Collector’s Choice | 4510 | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Black and Blue, (What Did I Do To Be So) | „Saturday Night Swing Show“ | Spencer Williams | Collector's Choice | 4510 | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Mop! Mop! | „Saturday Night Swing Show“ | Spencer Williams | Collector's Choice | 4510 | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | Blueberry Hill | „Saturday Night Swing Show“ | Spencer Williams | Collector's Choice | 4510 | | WNEW Rundfunk-Übertragung – New York City, New York |
| 26. April 1947 | -’Way Down Yonder In New Orleans and Intro -When The Saints Go Marchin’ In -2:19 Blues -Do You Know What It Means To Miss New Orleans -Dippermouth Blues -Basin Street Blues -High Society -You Rascal You -’Way Down Yonder in New Orleans | „This Is Jazz“ | | | | | WOR Rundfunk-Übertragung – New York City, New York |
| 17. Mai 1947 | Ain’t Misbehavin’ | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 73 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Rockin’ Chair | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 74 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Back O’ Time Blues | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 75 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Pennies From Heaven | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 76 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Save It, Pretty Mama | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 77 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Saint James Infirmary | Louis Armstrong and His All Stars | | RCA France | 66541-2 | D8-VC 78 | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Introduction by Fred Robbins | Louis Armstrong and His All Stars | | | | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Cornet Chop Suey | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Our Monday Date | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Dear Old Southland | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Big Butter And Egg Man | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Tiger Rag | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Struttin’ With Some Barbecue | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Sweethearts On Parade | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | St. Louis Blues | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | On The Sunny Side Of The Street | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | I Can˚t Give You Anything But Love | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Muskrat Ramble | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Royal Garden Blues | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Do You Know What It Means To Miss New Orleans | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 17. Mai 1947 | Jack-Armstrong Blues | Louis Armstrong and His All Stars | | RCA France | 66541-2 | | Konzert, Town Hall, New York City, New York |
| 21. Mai 1947 | -Panama -When The Saints Go Marchin’ In | „Henry Morgan Show“ | | | | | Unbekannter Rundfunksender – New York City, New York |
| 10. Juni 1947 | Jack-Armstrong Blues | Louis Armstrong and His All Stars | Jack Teagarden, Louis Armstrong | Victor | 20-2348 | D7-VB 952-1 | Victor Recording Session – New York City, New York |
| 10. Juni 1947 | Rockin’ Chair | Louis Armstrong and His All Stars | Hoagy Carmichael | Victor | 20-2348 | D7-VB 953-1 | Victor Recording Session – New York City, New York |
| 10. Juni 1947 | Someday You’ll Be Sorry | Louis Armstrong and His All Stars | Louis Armstrong | Victor | 20-2530 | D7-VB 954-1 | Victor Recording Session – New York City, New York |
| 10. Juni 1947 | Fifty-Fifty Blues | Louis Armstrong and His All Stars | Billy Moore | Victor | 20-2530 | D7-VB 955-1 | Victor Recording Session – New York City, New York |
| 19. Juni 1947 | ’Way Down Yonder In New Orleans | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Basin Street Blues | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Muskrat Ramble | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Dear Old Southland | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Do You Know What It Means To Miss New Orleans | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Someday You’ll Be Sorry | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 19. Juni 1947 | Tiger Rag | Louis Armstrong and His All Stars | | Definitive | 11291 | | NBC Rundfunk-Übertragung – Konzert, Winter Garden Theater, New York City, New York |
| 9. Juli 1947 | -I Believe -I Gotta Right To Sing The Blues -St. James Infirmary | Louis Armstrong | | | | | Private Aufnahme – Apollo Theater, New York City, New York |
| 6. August 1947 | A Song Was Born | „A Song Is Born“ | | Definitive | 11291 | M-233 M-233 (Alt.) | Film Soundtrack (Samuel Goldwyn) – Los Angeles, Kalifornien |
| 6. August 1947 | Goldwyn Stomp | „A Song Is Born“ | | | | 3426-ID 3427-A | Film Soundtrack (Samuel Goldwyn) – Los Angeles, Kalifornien |
| 6. August 1947 | Flying Home | „A Song Is Born“ | | | | | Film Soundtrack (Samuel Goldwyn) – Los Angeles, Kalifornien |
| 9. September 1947 | unveröffentlichte Aufnahmen einer Live-Performance | Louis Armstrong and His All Stars | | | | | Pasadena, Kalifornien |
| 16. Oktober 1947 | A Song Was Born | Louis Armstrong and His All Stars | Don Raye, Gene DePaul | Victor | 20-3064 | D7-VB 1082-1 | Victor Recording Session – Chicago, Illinois |
| 16. Oktober 1947 | Please Stop Playing Those Blues, Boys | Louis Armstrong and His All Stars | Claude Demetrius, Fleecie Moore | Victor | 20-2648 | D7-VB 1083-1 | Victor Recording Session – Chicago, Illinois |
| 16. Oktober 1947 | Before Long | Louis Armstrong and His All Stars | Sid Catlett, Carl Sigman | Victor | 20-3064 | D7-VB 1084-1 | Victor Recording Session – Chicago, Illinois |
| 16. Oktober 1947 | Lovely Weather We’re Having | Louis Armstrong and His All Stars | John Devries, Joe Bushkin | Victor | 20-2648 | D7-VB 1085-1 | Victor Recording Session – Chicago, Illinois |
| 15. November 1947 | -Concert Opening -Louis Introduces the Musicians -Muskrat Ramble -Black And Blue -Royal Garden Blues -Stars Fell On Alabama -Lover -I Cried For You -Buzz Me Baby -Tea For Two -Body And Soul -Back O’ Town Blues -Steak Face -I Gotta Right To Sing The Blues -Mahogany Hall Stomp -Dear Old Southland -When The Saints Go Marchin’ In -High Society -Basin Street Blues -Baby Won’t You Please Come Home -Rockin’ Chair -Velma’s Blues -Velma’s Dance -C-Jam Blues -How High The Moon -St. Louis Blues -That’s My Desire -Mop Mop -St. James Infirmary -Panama -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | unveröffentlicht | unveröffentlicht | | Konzert – Carnegie Hall, New York City, New York |
| 30. November 1947 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | 80352 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Louis Introduces the Musicians | Louis Armstrong and The All Stars | | | | | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Muskrat Ramble | Louis Armstrong and The All Stars | | Definitive | 11291 | 80353 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | (What Did I Do To Be So) Black And Blue | Louis Armstrong and The All Stars | | Definitive | 11291 | 80355 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Royal Garden Blues | Louis Armstrong and The All Stars | | Definitive | 11291 | 80356 80357 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Lover | Louis Armstrong and The All Stars | | Definitive | 11291 | 80358 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Stars Fell On Alabama | Louis Armstrong and The All Stars | | Definitive | 11291 | 80359 80360 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | I Cried For You | Louis Armstrong and The All Stars | | Definitive | 11291 | 80361 80362 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Since I Fell For You | Louis Armstrong and The All Stars | | Definitive | 11291 | 80364 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Tea For Two | Louis Armstrong and The All Stars | | Definitive | 11291 | 80365 80366 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Body And Soul | Louis Armstrong and The All Stars | | Definitive | 11291 | 80367 80368 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Back ’O Town Blues | Louis Armstrong and The All Stars | | | | 80369 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Steak Face | Louis Armstrong and The All Stars | | Definitive | 11291 | 80370 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | 80371 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | 80371 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Mahogany Hall Stomp | Louis Armstrong and The All Stars | | Definitive | 11291 | 80371 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | On The Sunny Side Of The Street | Louis Armstrong and The All Stars | | Definitive | 11291 | 80372 80373 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | High Society | Louis Armstrong and The All Stars | | Definitive | 11291 | 80374 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | St. James Infirmary | Louis Armstrong and The All Stars | | | | 80375 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Baby Won’t You Please Come Home | Louis Armstrong and The All Stars | | Definitive | 11291 | 80375 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Velma’s Blues | Louis Armstrong and The All Stars | | | | 80376 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | That’s My Desire | Louis Armstrong and The All Stars | | Definitive | 11291 | 80377 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | C-Jam Blues | Louis Armstrong and The All Stars | | Definitive | 11291 | 80378 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | How High The Moon | Louis Armstrong and The All Stars | | Definitive | 11291 | 80379 80380 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Boff Boff | Louis Armstrong and The All Stars | | Definitive | 11291 | 80382 | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | Jack-Armstrong Blues | Louis Armstrong and The All Stars | | | | | Konzert – Symphony Hall, Boston, Massachusetts |
| 30. November 1947 | I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | Konzert – Symphony Hall, Boston, Massachusetts |
| 20. Februar 1948 | Blues From The Sky | Louis Armstrong | | | | | Radio-Übertragung aus einem Flugzeug auf dem Weg von den USA nach Frankreich |
| 20. Februar 1948 | -The Flat Foot Floogie -I Ain’t Gonna Give Nobody None Of My Jelly Roll -Blue Skies | Louis Armstrong | | | | | Radio Diffusion Française Radio-Übertragung von der Ankunft Armstrongs am Orly Flughafen, Paris, Frankreich |
| 22. Februar 1948 | -When It’s Sleepy Time Down South -Muskrat Ramble -Rockin’ Chair -Boogie Woogie On St. Louis Blues -Rose Room -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | Programme National Rundfunk-Übertragung – Konzert „Constellation 48“ Opéra de Nice, Jazz Festival, Nizza, Frankreich |
| 23. Februar 1948 | -When It’s Sleepy Time Down South -Panama -On The Sunny Side Of The Street -Mahogany Hall Stomp -Black And Blue -Them There Eyes | Louis Armstrong and The All Stars | | | | | Programme National Rundfunk-Übertragung – Konzert Opéra de Nice, Jazz Festival, Nizza, Frankreich |
| 25.–26. Februar 1948 | -My Monday Date -Black And Blue -Dear Old Southland -Me And Brother Bill -Royal Garden Blues -That’s My Desire -Velma’s Blues -I Cried Last Night | Louis Armstrong and The All Stars | | | | | Radio Diffusion Française Radio-Übertragung – Konzert Opéra de Nice und Studio, Jazz Festival, Nizza, Frankreich |
| 28. Februar 1948 | -When It’s Sleepy Time Down South -When The Saints Go Marchin’ In -Steak Face -Ain’t Misbehavin’ -I Cried For You -Boogie Woogie On St. Louis Blues | Louis Armstrong and The All Stars | | | | | Radio Diffusion Française Radio-Übertragung – Konzert, Hotel Negresco, Jazz Festival, Nizza, Frankreich |
| 2. März 1948 | -When It’s Sleepy Time Down South -Where The Blues Were Born In New Orleans -Dear Old Southland -Black And Blue -Royal Garden Blues -Stars Fell On Alabama -Lover -I Cried For You -Buzz Me Baby -You Rascal You -Tea For Two -How High The Moon -Someday You’ll Be Sorry -Boogie Woogie On St. Louis Blues -Someone To Wacht Over Me -Honeysuckle Rose -Back ’O Town Blues -Steak Face -When It’s Sleepy Time Down South -Mahogany Hall Stomp -On The Sunny Side Of The Street -High Society -Basin Street Blues -Baby Won’t You Please Come Home -Velma’s Blues -That’s My Desire -C-Jam Blues -Body And Soul -Muskrat Ramble | Louis Armstrong and The All Stars | | | | | Radio Diffusion Française Radio-Übertragung – Konzert, Salle Pleyel, Paris, Frankreich |
| 4. April 1948 | -Muskrat Ramble -Do You Know What It Means To Miss New Orleans | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Unbekannter Ort, Chicago, Illinois |
| 2. Juni 1948 | -I Cried For You -Do You Know What It Means To Miss New Orleans -Just You, Just Me -Boogie Woogie On St. Louis Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 3. Juni 1948 | -I’m Confessin’ (that I Love You) -Milenberg Joys | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 4. Juni 1948 | -Struttin’ With Some Barbecue -Me And Brother Bill -Whispering -St. Louis Blues -Blue Skies | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 5. Juni 1948 | -Basin Street Blues -High Society -Someday You’ll Be Sorry -The One I Love Belongs To Somebody Else -Together -I Gotta Right To Sing The Blues -(Mid-broadcast announcement) -Lover -Jack-Armstrong Blues -Don’t Fence Me In -Mop Mop -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | WIP Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 11. Juni 1948 | -Muskrat Ramble -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 12. Juni 1948 | -That’s A Plenty -Don’t Fence Me In -East Of The Sun -St. Louis Blues -I Got Rhythm -I Surrender Dear | Louis Armstrong and The All Stars | | | | | Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| Juni 1948 | -Basin Street Blues -C-Jam Blues -Mop Mop -Tin Roof Blues -I Gotta Right To Sing The Blues and closing | Louis Armstrong and The All Stars | | | | | Rundfunk-Übertragung – Ciros’s, Philadelphia, Pennsylvania |
| 6. September 1948 | -St. James Infirmary -C-Jam Blues | Louis Armstrong and The All Stars | | | | | WCAU Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 9. September 1948 | -Louis, Morgan and Robbins -Do You Know What It Means To Miss New Orleans -Louis and Robbins -Boogie Woogie On St. Louis Blues -Struttin’ With Some Barbecue -I Gotta Right To Sing The Blues | „America Dances“ | | | | | CBS Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 10. September 1948 | -Do You Know What It Means To Miss New Orleans -Boogie Woogie On St. Louis Blues -C-Jam Blues -Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | | | | WCAU Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 11. September 1948 | -Little White Lies -Black And Blue -Shadrack / When The Saints Go Marchin’ In -C-Jam Blues -Baby Won’t You Please Come Home -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 18. September 1948 | -High Society -Muskrat Ramble -Panama -Maybe You’ll Be There -The One I Love Belongs To Somebody Else -S’Posin’ -Royal Garden Blues -Lazy River -High Society | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 29. Oktober 1948 | -King Porter Stomp -Black And Blue -Royal Garden Blues -Basin Street Blues -How High The Moon -Velma’s Blues -I Love That Man -That’s My Desire -Boogie Woogie On St. Louis Blues -Body And Soul -Steak Face | „Dixieland Jubilee“ | | | | | Konzert – Civic Auditorium, Pasadena, Kalifornien |
| 21. November 1948 | -Introduction -Where The Blues Were Born In New Orleans -A Song Was Born | „Toast Of The Town“ (Ed Sullivan Show) | | | | | CBS TV-Show – New York City, New York |
| 23. November 1948 | -Lover -Mop Mop -Rockin’ Chair -King Porter Stomp -A Song Was Born -Muskrat Ramble -Don’t Worry ’Bout Me -Small Fry -Where The Blues Were Born In New Orleans | „Eddie Condon Floor Show“ | | | | | WPIX TV-Show – New York City, New York |
| 11. Dezember 1948 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | Muskrat Ramble | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | A Song Was Born | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | Basin Street Blues | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | Boogie Woogie On St. Louis Blues | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | High Society | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | Royal Garden Blues | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| 11. Dezember 1948 | I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | Storyville | STCD 8242 | | ABC Rundfunk-Übertragung – Damon Runyon Fund, Blue Note, Chicago, Illinois |
| Dezember 1948 | I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | WBBM Rundfunk-Übertragung – Blue Note, Chicago, Illinois |
| Ende 1948 oder Anfang 1949 | -Rosetta -Louis and Earl Hines interviewed -She’s Funny That Way | „Personal Autograph Show“ | | | | | Unbekannte Rundfunk-Übertragung – Unbekannter Ort |
| 9. Januar 1949 | -Muskrat Ramble -Back ’O Town Blues -Basin Street Blues -Baby Won’t You Please Come Home -Don’t Worry ’Bout Me -Ill Buy That Dream -Nola -Fine And Dandy -I Surrender Dear -Whispering -Caldonia -I Gotta Right To Sing The Blues -My Monday Date -Jeepers Creepers -A Little Bird Told Me | Louis Armstrong and The All Stars | | | | | Konzert – Blue Note, Chicago, Illinois |
| 21. Februar 1949 | -Theme and Introduction -Panama -Lazy River -Lazy Bones -Rockin’ Chair | „Philco Radio Time“ | | | | | ABC Rundfunk-Übertragung – NBC Studios, Hollywood, Kalifornien |
| 27. Februar 1949 | -When It’s Sleepy Time Down South -Where The Blues Were Born In New Orleans -Shoe Shine Boy -Royal Garden Blues -Louis and Roger Wolfe (Interview) | Louis Armstrong and The All Stars | | | | | WDSU Rundfunk-Übertragung – Konzert, Booker T. Washington Auditorium, New Orleans, Louisiana |
| Ende März 1949 | -Rockin’ Chair -Lover -Pale Moon -Don’t Fence Me In -Body And Soul -The Sheik Of Araby -Confessin’ | Louis Armstrong and The All Stars | | | | D-40528 D-40529 | ARFS „Jubilee“ Program #337 Rundfunk-Übertragung – Hollywood Empire, Los Angeles, Kalifornien |
| Ende März 1949 | -When It’s Sleepy Time Down South -Panama -Back O’ Town Blues -Pale Moon -Don’t Fence Me In -Lover -Body And Soul | Louis Armstrong and The All Stars | | | | D-41220 D-41221 | ARFS „Jubilee“ Program #339 Rundfunk-Übertragung – Hollywood Empire, Los Angeles, Kalifornien |
| Ende März 1949 | -Mahogany Hall Stomp -Me And Brother Bill -C-Jam Blues -A Hundred Years From Today -Boogie Woogie On St. Louis Blues -Blue Skies | Louis Armstrong and The All Stars | | | | D-42407 D-42408 | ARFS „Jubilee“ Program #344 Rundfunk-Übertragung – Hollywood Empire, Los Angeles, Kalifornien |
| Ende März 1949 | -A Song Was Born -Whispering | Louis Armstrong and The All Stars | | | | D-43357 | ARFS „Jubilee“ Program #347 Rundfunk-Übertragung – Hollywood Empire, Los Angeles, Kalifornien |
| 21. April 1949 | -Back O’ Town Blues -That’s A Plenty -St. James Infirmary -Baby Won’t You Please Come Home -Boogie Woogie On St. Louis Blues -I Don’t Know Why I Love You Like I Do -Rockin’ Chair -Tea For Two -How High The Moon -Unknown tune -Velma’s Blues -That’s My Desire -Mop Mop -Honeysuckle Rose | Louis Armstrong and The All Stars | | | | | Konzert – State Theater, Cincinnati, Ohio |
| 22. April 1949 | -Struttin’ With Some Barbecue -Ain’t Misbehavin’ -Mahogany Hall Stomp -St. James Infirmary -Baby Won’t You Please Come Home -Boogie Woogie On St. Louis Blues -Tea For Two -How High The Moon -Rose Room -When It’s Sleepy Time Down South -Where The Blues Were Born In New Orleans -Back O’ Town Blues -Mop Mop -Muskrat Ramble -Unknown tune accompanying stage act -King Porter Stomp -Velma’s Blues -That’s My Desire | Louis Armstrong and The All Stars | | | | | Konzert – State Theater, Cincinnati, Ohio |
| 26. April 1949 | -These Foolish Things -Velma’s Blues -That’s My Desire -Mop Mop -I Gotta Right To Sing The Blues -When It’s Sleepy Time Down South -Stardust -Shine -Do You Know What It Means To Miss New Orleans -Muskrat Ramble -Back O’ Town Blues -Twelfth Street Rag -Royal Garden Blues | Louis Armstrong and The All Stars | | | | | Konzert – State Theater, Cincinnati, Ohio |
| 27. April 1949 | -Struttin‘ With Some Barbecue -Ain’t Misbehavin’ -Muskrat Ramble -Stardust -Lover -Honeysuckle Rose -Boogie Woogie On St. Louis Blues -High Society -As Long As I Have You -Velma’s Blues -Don’t Fence Me In -Mop Mop -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | Konzert – State Theater, Cincinnati, Ohio |
| 11. Juni 1949 | -When It’s Sleepy Time Down South -Bushkin, Louis and Jack sending their best wishes to Eddie Condon -Them There Eyes -St. James Infirmary -Sweethearts On Parade -Do You Know What It Means To Miss New Orleans -Louis and Clarence Armstrong --Struttin’ With Some Barbecue -When It’s Sleepy Time Down South | „Eddie Condon Floor Show“ | | | | | NBC TV-Show – New York City, New York |
| 30. Juli 1949 | -Introduction -Shadrack / When The Saints Go Marchin’ In -Velma’s Blues | „Eddie Condon Floor Show“ | | | | | NBC TV-Show – New York City, New York |
| 2. August 1949 | -Muskrat Ramble -A Song Was Born -Tea For Two -Blue Skies -Pale Moon -Body And Soul -Me And Brother Bill -Whispering -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | WCAU Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 4. August 1949 | -Twelfth Street Rag -You Rascal You -Lover Come Back To Me -Basin Street Blues -C-Jam Blues -Mahogany Hall Stomp -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | WCAU Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 5. August 1949 | -Struttin’ With Some Barbecue -Rockin’ Chair -Fine And Dandy -Ain’t Misbehavin’ -King Porter Stomp -Old Man Mose -Jack-Armstrong Blues -How High The Moon -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 7. August 1949 | -Steak Face -That’s For Me -Honeysuckle Rose -A Little Bird Told Me -Rose Room -The Sheik Of Araby -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 9. August 1949 | -Jeepers Creepers -These Foolish Things -Bugle Call Rag/Ole Miss -Since I Fell For You -Tea For Two -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 12. August 1949 | -Stompin’ At The Savoy -Jack-Armstrong Blues -Honeysuckle Rose Baby, It’s Cold Outside -Stars Fell On Alabama -I Gotta Right To Sing The Blues | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 13. August 1949 | -Struttin’ With Some Barbecue -Rockin’ Chair -How It Lies -I Got Rhythm -Baby Won’t You Please Come Home -Just You, Just Me | Louis Armstrong and The All Stars | | | | | KYW Rundfunk-Übertragung – The Click, Philadelphia, Pennsylvania |
| 24. August 1949 | -I Can’t Give You Anything But Love -That’s My Desire | „Arthur Godfrey and His Friends“ | | | | | CBS TV-Show – New York City, New York |
| 27. August 1949 | -We Called It Music -Someday You'll Be Sorry -Three Little Bears -Chinatown | „Eddie Condon Floor Show“ | | | | | NBC TV-Show – New York City, New York |
| September 1949 | -Maybe It’s Because | Louis Armstrong mit Sy Oliver and His Orchestra | | Decca | 24751 | 75221 | Decca Recording Session — New York City, New York |
| September 1949 | -I’ll Keep The Lovelight Burning (In My Heart) | Louis Armstrong mit Sy Oliver and His Orchestra | | Decca | 24751 | 75222 | Decca Recording Session — New York City, New York |
| 3. September 1949 | -Swing That Music -Heebie Jeebies -Going Back To Storyville -I Can’t Give You Anything But Love -Stompin’ At The Savoy -Rockin’ Chair | „Eddie Condon Floor Show“ | | | | | NBC TV-Show – New York City, New York |
| 6. September 1949 | That Lucky Old Sun | Louis Armstrong mit Gordon Jenkins and His Orchestra | Beasley Smith, Haven Gillespie | Decca | 24752 | 75227 | Decca Recording Session — New York City, New York |
| 6. September 1949 | Blueberry Hill | Louis Armstrong mit Gordon Jenkins and His Orchestra | Al Lewis, Larry Stock, Vincent Rose | Decca | 24752 | 75228 | Decca Recording Session — New York City, New York |
| 10. September 1949 | -Our Monday Date -Royal Garden Blues -Back O’ Town Blues -Me And Brother Bill -Blues in B Flat | „Eddie Condon Floor Show“ | | | | | NBC TV-Show – New York City, New York |
| 13. September 1949 | -Swing That Music -On The Sunny Side Of The Street -Shadrack -When The Saints Go Marchin’ In | „Harlem Jubilee (The Willie Bryant Show)“ | | | | | CBS TV-Show – New York City, New York |
| 23.–29. September 1949 | -Louis interviewed -When It’s Sleepy Time Down South -Earl an Jack interviewed -Basin Street Blues | Louis Armstrong | | | | | VOA Rundfunk-Übertragung – Voice of America Studio, Washington D.C. |
| 30. September 1949 | You Can’t Lose A Broken Heart | Billie Holiday and Louis Armstrong | James Johnson, Flourney Miller | Decca | 24785 | 75342 | Decca Recording Session – New York City, New York |
| 30. September 1949 | My Sweet Hunk O’ Trash | Billie Holiday and Louis Armstrong | James Johnson, Flourney Miller | Decca | 24752 | 75343 | Decca Recording Session – New York City, New York |
| September 1949 | -Back O’ Town Blues -Them There Eyes | Louis Armstrong | | | | | Unbekannte Rundfunk-Übertragung – wahrscheinlich Apollo Theater, New York City, New York |
| 7. Oktober 1949 | -Interview | Louis Armstrong | | | | | SR Rundfunk-Übertragung – Kungliga Tennishallen, Stockholm, Schweden |
| 15. Oktober 1949 | -Introduction -Struttin’ With Some Barbecue -Black And Blue -Royal Garden Blues -Basin Street Blues -Do You Know What It Means To Miss New Orleans -Velma’s Blues -Honeysuckle Rose -Body And Soul -Russian Lullaby -Steak Face -When It’s Sleepy Time Down South -That’s A Plenty -Rockin’ Chair -The Hucklebuck -Boogie Woogie On St. Louis Blues -C-Jam Blues -Bugle Call Rag -Closing | Louis Armstrong and The All Stars | | | | | Konzert – Genf, Schweiz |
| 18. Oktober 1949 | -When It’s Sleepy Time Down South -That’s A Plenty -Black And Blue -Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | | | | Konzert – Zürich, Schweiz |
| 20. Oktober 1949 | -West End Blues -Louis Armstrong interviewed by Netty Rosenfeld | Louis Armstrong and The All Stars | | | | | AVRO Rundfunk-Übertragung – AVRO Studio, Hilversum, Niederlande |
| 24. Oktober 1949 | Introduction | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Royal Garden Blues | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Black And Blue | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Twelfth Street Rag | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Nobody Knows The Trouble I’ve Seen | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Baby Won’t You Please Come Home | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Don’t Worry ’Bout Me | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | That’s My Desire | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | I Got Rhythm | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Boogie Woogie On St. Louis Blues | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Body And Soul | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | High Society | Louis Armstrong and The All Stars | | Musica Jazz | MJCD 1087 | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Russian Lullaby | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 24. Oktober 1949 | Steak Face | Louis Armstrong and The All Stars | | | | | Konzert Teatro Politeama Rossetti – Triest, Italien |
| 27. Oktober 1949 | -That’s A Plenty -Someday You’ll Be Sorry -A Song Was Born -High Society -Lover Come Back To Me | Louis Armstrong and The All Stars | | | | | RAI Rundfunk-Übertragung – Adriano Theater, Rom, Italien |
| 27. – 31. Oktober 1949 | -Struttin’ With Some Barbecue -That’s My Desire -Boogie Woogie On St. Louis Blues | „La Botta E Risposta“ | | | | | Film Soundtrack – Rom, Italien |
| 8. November 1949 | -Back ’O Town Blues -Baby Won’t You Please Come Home -Velma’s Blues -Royal Garden Blues -Basin Street Blues -I Got Rhythm -Honeysuckle Rose -I Surrender Dear -C-Jam Blues Mop Mop -Do You Know What It Means To Miss New Orleans -High Society -Russian Lullaby -Big Noise From Winnetka -West End Blues -Boogie Woogie On St. Louis Blues -The Hucklebuck -Muskrat Ramble -On The Sunny Side Of The Street -Steak Face | Louis Armstrong and The All Stars | | | | | Konzert – Cinema Rex, Marseille, Frankreich |
| 18. November 1949 | -When It’s Sleepy Time Down South -Where The Blues Were Born In New Orleans -That Lucky Old Sun | Louis Armstrong | | | | | Unbekannter Rundfunksender – Apollo Theater, New York City, New York |
| 22. Dezember 1949 - 4. Januar 1950 | -When It’s Sleepy Time Down South -That’s A Plenty -About Savings Bonds -Fine And Dandy -You Rascal You -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Treasury Department, U.S. Saving Bonds Division, „Guest Star“ #163 – Blue Mirror, Washington, DC |
| 18. Januar 1950 | -Bing and Louis Talking -Royal Garden Blues -Baby Won’t You Please Come Home -Blueberry Hill -Lazy Bones | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – Marine Memorial Theater, San Francisco, Kalifornien |
| 20. Januar 1950 | -Do You Know What It Means To Miss New Orleans -Muskrat Ramble -Basin Street Blues -’Way Down Yonder In New Orleans -Royal Garden Blues -Boogie Woogie On St. Louis Blues -Struttin’ With Some Barbecue -Lazy River -Back O’ Town Blues | „Standard School Program #19“ | | | | | Standard Oil Company of California Recording Session, San Francisco, Kalifornien |
| Anfang 1950 | -My Monday Date -The Sheik Of Araby -Wabash Blues -Avalon -When The Saints Go Marchin’ In -’Way Down Yonder In New Orleans -Limehouse Blues -Royal Garden Blues -Flee As A Bird / When The Saints Go Marchin’ In -China Boy -Tea For Two -The Sheik Of Araby -High Society | Louis Armstrong and The All Stars | | | | | Standard Oil Company of California Recording Session, San Francisco, Kalifornien |
| 26.–27. April 1950 | Panama | Louis Armstrong and The All Stars | William H. Tyers, Carl Sigman | Decca | 9-27191/2 | 76337 76338 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | New Orleans Function: Flee As A Bird To The Mountain / Oh, Didn’t He Ramble | Louis Armstrong and The All Stars | Public Domain, W. C. Handy | Decca | 27059 | 76339 76340 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | Twelfth Street Blues | Louis Armstrong and The All Stars | E. Bowman, Andy Razaf | Decca | DL (7)4227 | 76341 76342 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | That’s For Me | Louis Armstrong and The All Stars | Rodgers, Hammerstein | Decca | 9-27187/8 | 76343 76344 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | Medley: Bugle Call Rag, Ole Miss | Louis Armstrong and The All Stars | Pettis, Meyers, Schoebel, Public Domain | Decca | 9-27191/2/3 | 76345 76346 76347 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | I Surrender Dear | Louis Armstrong and The All Stars | H. Barris, G. Clifford | Decca | 9-27189/90 | 76348 76349 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | Russian Lullaby | Louis Armstrong and The All Stars | Irving Berlin | Decca | 9-27187/88 | 76350 76351 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | Baby Won’t You Please Come Home | Louis Armstrong and The All Stars | Clarence Williams | Decca | 9-27190 | 76352 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | Fine and Dandy | Louis Armstrong and The All Stars | K. Swift, P. James | Decca | 9-27189 | 76353 | Decca Recording Session – New York City, New York |
| 26.–27. April 1950 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | Clarence Williams | Decca | 9-27194 | 76354 | Decca Recording Session – New York City, New York |
| 13. Mai 1950 | -Basin Street Blues -Jeepers Creepers -Louis and Ken Murray (Gespräch) -When You And I Were Young, Maggie -Louis and Ken Murray (Gespräch) -Lazy River | „Ken Murray Show“ | | | | | CBS TV-Show – New York City, New York |
| 26. Juni 1950 | La Vie en Rose | Louis Armstrong mit Sy Oliver’s Orchestra | Al Davis, Edith Piaf, E. Louiguy | Decca | 27113 | 76528 | Decca Recording Session – New York City, New York |
| 26. Juni 1950 | C’est Si Bon (It’s So Good) | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 27113 | 76529 | Decca Recording Session – New York City, New York |
| Ende Juni 1950 | -When It’s Sleepy Time Down South -Royal Garden Blues -Someday You’ll Be Sorry -New Orleans Function -Velma’s Blues -That’s My Desire -Blue Room -My Monday Date -La Vie en Rose -I Got Rhythm -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Voice of America Rundfunk-Übertragung – Bop City, New York City, New York |
| 23. August 1950 | Life Is So Peculiar | Louis Armstrong mit Louis Jordan and His Tympany Five | Johnny Burke, James Van Heusen | Decca | 27212 | 76744 | Decca Recording Session – New York City, New York |
| 23. August 1950 | You Rascal You (I’ll Be Glad When You’re Dead) | Louis Armstrong mit Louis Jordan and His Tympany Five | Sam Thread | Decca | 27212 | 76745 | Decca Recording Session – New York City, New York |
| 25. August 1950 | Dream A Little Dream Of Me | Louis Armstrong and Ella Fitzgerald mit Sy Oliver and His Orchestra | Wilbur Schwant, Fabian Andre, Gus Kahn | Decca | 27209 | 76750 | Decca Recording Session – New York City, New York |
| 25. August 1950 | Can Anyone Explain (No, No, No!) | Louis Armstrong and Ella Fitzgerald mit Sy Oliver and His Orchestra | | Decca | 27209 | 76751 | Decca Recording Session – New York City, New York |
| 31. August 1950 | Sit Down, You’re Rocking The Boat | Louis Armstrong mit Sy Oliver Chorus | Frank Loesser | Decca | 27254 | 76789 | Decca Recording Session – New York City, New York |
| 31. August 1950 | That’s What The Man Said | Louis Armstrong mit Sy Oliver Chorus | Robison | Decca | 27254 | 76790 | Decca Recording Session – New York City, New York |
| 10. Oktober 1950 | -When It’s Sleepy Time Down South -King Porter Stomp -Louis and Ted Steele (Gespräch) -Twelfth Street Rag -Louis and Ted Steele (Gespräch) -Solid Sam -When It’s Sleepy Time Down South -That’s My Desire -C’est Si Bon -Stompin’ At The Savoy | „Cavalcade Of Bands“ | | | | | Dumont TV-Show – New York City, New York |
| wahrscheinlich 13. Oktober 1950 | -When You’re Smiling -La Vie en Rose | „Kay Kyser Kollege of Musical Knowledge“ | | | | | NBC TV-Show – New York City, New York |
| 1.–13. Dezember 1950 | -Misto Cristofo Colombo | „Here Comes the Groom“ | | | | | Film Soundtrack (Paramount) – Los Angeles, Kalifornien |
| 14. Dezember 1950 | -Blueberry Hill -Rockin’ Chair | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – Marine Memorial Theater, San Francisco, Kalifornien |
| 17. Dezember 1950 | -Broadcast intro -The Thing -Louis, Bankhead, Bob Hope -Ain’t Misbehavin’ -Louis, Bankhead, Bob Hope -My Melancholy Baby | „The Big Show“ | | | | | NBC Rundfunk-Übertragung – Hollywood, Kalifornien |
| 26. Dezember 1950 | -Ain’t Misbehavin’ -Ole Miss Blues (2 Versionen) -Basin Street Blues (2 Versionen) -I’m Coming, Virginia -That’s A Plenty -Hines’ Retreat (Tap Dance) -Fatha’s Time | „The Strip“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 28. und 29. Dezember 1950 | -Shadrack / When The Saints Go Marchin’ In -Introduction of Musicians -Shadrack / When The Saints Go Marchin’ In -Steak Face -A Kiss To Build A Dream On -J.T. Jive -J.T. Jive (Cozy Jump) | „The Strip“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 30. Dezember 1950 | -La Vie en Rose -Lazy Bones -Baby Won’t You Please Come Home -My Honey’s Login’ Arms | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – Hollywood, Kalifornien |
| 26. Januar 1951 | -Rose Room -Back O’ Town Blues -C’est Si Bon -’Way Down Yonder In New Orleans -Stardust -The Hucklebuck -Can Anyone Explain -Rockin’ Chair -Where Did You Stay Last Night -Baby, It’s Cold Outside -C-Jam Blues -Stompin’ At The Savoy -I Used To Love You -La Vie en Rose -Lover -I Love the Guy -That’s My Desire -High Society -Ain’t Misbehavin’ -Love Me or Leave Me -How High the Moon -Tea for Two | Louis Armstrong and The All Stars | | Jazz Crusade | JCCD-3120 | | Konzert, Exhibition Gardens, Vancouver, Kanada |
| 30. Januar 1951 | When It’s Sleepy Time Down South | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | (Back Home Again In) Indiana | „Just Jazz“ | James F. Hanley, Ballard MacDonald | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Some Day | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Back o’ Town Blues | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | ’Way Down Yonder in New Orleans | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Stardust | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | The Hucklebuck | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Honeysuckle Rose | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | How High the Moon | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Just You, Just Me | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Bugle Blues | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | My Monday Date | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | You Can Depend on Me | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | That’s a Plenty | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Body and Soul | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Big Daddy Blues | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Baby, It’s Cold Outside | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 30. Januar 1951 | Muskrat Ramble | „Just Jazz“ | | Decca | GRD-4-613 | | Konzert, Civic Auditorium, Pasadena, Kalifornien |
| 6. Februar 1951 | (I Wonder Why) You’re Just in Love | Louis Armstrong and His Orchestra | | Decca | 27481 | L 6046 | Decca Recording Session – New York City, New York |
| 6. Februar 1951 | If | Louis Armstrong and His Orchestra | | Decca | 27481 | L 6047 | Decca Recording Session – New York City, New York |
| 6. Februar 1951 | Big Butter and Egg Man | Louis Armstrong and His Orchestra | P. Venable, Louis Armstrong | Decca | 27931 | L 6048 | Decca Recording Session – New York City, New York |
| Februar 1951 | -Louis und Bing Crosby (Comedy Routine) -You’re Just in Love -Lazy River | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – Palm Springs, Kalifornien |
| 19. April 1951 | On the Sunny Side of the Street | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – Los Angeles, Kalifornien |
| 19. April 1951 | Gone Fishin’ | „Bing Crosby Show“ | Nick Kenny, Charles Kenny | Decca | 27623 | L 6262 | CBS Rundfunk-Übertragung – Los Angeles, Kalifornien |
| 23. April 1951 | Unless | Louis Armstrong and The All Stars | Evans, Hargeaves, Damerell | Decca | 27626 | L 6247 | Decca Recording Session – Los Angeles, Kalifornien |
| 23. April 1951 | A Kiss To Build A Dream On | Louis Armstrong and The All Stars | Kalmar, Ruby, Hammerstein | unveröffentlicht | unveröffentlicht | L 6248 | Decca Recording Session – Los Angeles, Kalifornien |
| 23. April 1951 | You’re the Apple of My Eye | Louis Armstrong and The All Stars | Louis Armstrong, Trace Fox | Decca | 27931 | L 6249 | Decca Recording Session – Los Angeles, Kalifornien |
| Ende April 1951 | -A Song Was Born -Gone Fishin’ | „Bing Crosby Show“ | | | | | CBS Rundfunk-Übertragung – San Francisco, Kalifornien |
| April - Mai 1951 | Unbekannte Titel | „Standard School Program #19“ | | | | | Unbekannter Rundfunksendung – San Francisco, Kalifornien |
| 17. Juni 1951 | -Louis and Dave Garroway -Sit Down, You’re Rocking the Boat -Basin Street Blues | „Garroway at Large“ | | | | | NBC TV-Show – Chicago, Illinois |
| 5. Juli 1951 | -Jazz Me Blues -Lover -Together -Big Butter and Egg Man -Love Me or Leave Me -Shadrack / When the Saints Go Marchin’ In -Way Down Yonder In New Orleans | Louis Armstrong and The All Stars | | | | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Jazz Me Blues | Louis Armstrong and The All Stars | | Ambassador | CLA 1915 | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Lover | Louis Armstrong and The All Stars | | | | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Together | Louis Armstrong and The All Stars | | Ambassador | CLA 1915 | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Big Butter and Egg Man | Louis Armstrong and The All Stars | | Ambassador | CLA 1915 | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Love Me or Leave Me | Louis Armstrong and The All Stars | | | | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Shadrack / When the Saints Go Marchin’ In | Louis Armstrong and The All Stars | | Ambassador | CLA 1915 | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 5. Juli 1951 | Way Down Yonder in New Orleans | Louis Armstrong and The All Stars | | Ambassador | CLA 1915 | | Voice of America „Jazz“ Series-Aufnahme – Chicago, Illinois |
| 1951(?) | -Shadrack / When the Saints Go Marchin’ In -Baby, It’s Cold Outside | Louis Armstrong | | | | | Unbekannter Rundfunksender – unbekannter Ort |
| 24. Juli 1951 | A Kiss to Build a Dream On | Louis Armstrong mit Sy Oliver’s Orchestra | Kalmar, Ruby, Hammerstein | Decca | 27720 | 81307 | Decca Recording Session – New York City, New York |
| 24. Juli 1951 | (When We Are Dancing) I Get Ideas | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 27720 | 81308 | Decca Recording Session – New York City, New York |
| 17. September 1951 | Cold, Cold Heart | Louis Armstrong | Hank Williams | Decca | 27816 | 81634 | Decca Recording Session – New York City, New York |
| 17. September 1951 | Because of You | Louis Armstrong | | Decca | 27816 | 81635 | Decca Recording Session – New York City, New York |
| 25. September 1951 | -Them There Eyes -Comedy Skit -Jeepers Creepers -On the Sunny Side of the Street -Gone Fishin’ -Life Is Just a Bowl of Cherries | „Texaco Star Theater – The Milton Berle Show“ | | | | | NBC TV-Show – New York City, New York |
| 14. November 1951 | -Flee As a Bird -Oh, Didn’t He Ramble -South Rampart Street Parade | „Glory Alley“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 15. November 1951 | -That’s What the Man Said | „Glory Alley“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 17. November 1951 | -Glory Alley | „Glory Alley“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 23. November 1951 | Necessary Evil | Louis Armstrong and Ella Fitzgerald mit Dave Bravour and His Orchestra | | Decca | 27901 | L 6526 | Decca Recording Session – Los Angeles, Kalifornien |
| 23. November 1951 | Oops! | Louis Armstrong and Ella Fitzgerald mit Dave Bravour and His Orchestra | | Decca | 27901 | L 6527 | Decca Recording Session – Los Angeles, Kalifornien |
| 23. November 1951 | Would You Like To Take A Walk (Sump’n Good’ll Come From That) | Louis Armstrong and Ella Fitzgerald mit Dave Bravour and His Orchestra | | Decca | 28552 | L 6528 | Decca Recording Session – Los Angeles, Kalifornien |
| 23. November 1951 | Who Walks In When I Walk Out | Louis Armstrong and Ella Fitzgerald mit Dave Bravour and His Orchestra | | Decca | 28552 | L 6529 | Decca Recording Session – Los Angeles, Kalifornien |
| 27. November 1951 | -It’s a Most Unusual Day | „Glory Alley“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 28. November 1951 | It’s All in the Game | Louis Armstrong and Gordon Jenkins and His Orchestra | Carl Sigman, General Charles G. Dawes, | Decca | 27899 | L 6550 | Decca Recording Session – Los Angeles, Kalifornien |
| 28. November 1951 | When It’s Sleepy Time Down South | Louis Armstrong and Gordon Jenkins and His Orchestra | Leon Rene, Otis Rene, Clarence Muse | Decca | 27899 | L 6551 | Decca Recording Session – Los Angeles, Kalifornien |
| 28. November 1951 | Jeannine (I Dream Of Lilac Time) | Louis Armstrong and Gordon Jenkins and His Orchestra | Gilbert Shilkret | Decca | 28076 | L 6552 | Decca Recording Session – Los Angeles, Kalifornien |
| 28. November 1951 | Indian Love Call | Louis Armstrong and Gordon Jenkins and His Orchestra | Friml, Harbach, Hammerstein | Decca | 28076 | L 6553 | Decca Recording Session – Los Angeles, Kalifornien |
| November 1951 | -I Get Ideas -Memphis Blues -Chesterfield Jingle -A Kiss to Build a Dream On | „Bing Crosby Chesterfield Show“ | | | | | CBS Rundfunk-Übertragung – Los Angeles, Kalifornien |
| 7. Dezember 1951 | -When It’s Sleepy Time Down South -Royal Garden Blues -Blueberry Hill -’Way Down Yonder in New Orleans -Basin Street Blues -Baby Won’t You Please Come Home -Rockin’ Chair -How High the Moon -High Society -Back o’ Town Blues -Steak Face -I Gotta Right to Sing the Blues -I Get Ideas -Because of You -Lover Leap | Louis Armstrong and The All Stars | | | | | Konzert – Civic Auditorium, Pasadena, Kalifornien |
| Januar 1952 | -Confessin’ -Lonesome Man Blues | „Frank Sinatra Show“ | | | | | CBS TV-Show – Los Angeles, Kalifornien |
| Februar 1952 | -Shanghai -A Kiss To Build A Dream On -Lover Come Back To Me -You’re Just In Love -Baby Won’t You Please Come Home -Take The „A“ Train -Nobody -September In The Rain -Little Rock Getaway -Blueberry Hill -Steak Face -Direktur der High School, Louis und Lucille Armstrong (Gespräch) -When It’s Sleepy Time Down South -God Save The Queen | Louis Armstrong and The All Stars | | | | | Konzert – Kitsilano High School, Vancouver, Kanada |
| 2. Februar 1952 | -Perdido -Nobody -Mop Mop -’Way Down Yonder In New Orleans -Blueberry Hill -Tin Roof Blues | Louis Armstrong and The All Stars | | | | | Konzert – Palomar Supper Club, Vancouver, Kanada |
| 22. Februar 1952 | -When It’s Sleepy Time Down South -’Way Down Yonder In New Orleans -Back O’ Town Blues -Velma’s Blues -You’re Just In Love -C-Jam Blues -Rockin’ Chair -I Found A New Baby -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | KDSH Rundfunk-Übertragung – Konzert – Miramar Ballroom, Boise, Idaho |
| 19. April 1952 | I’ll Walk Alone | Louis Armstrong and His Orchestra | Jule Styne, Sammy Cahn | Decca | 28177 | 82702 | Decca Recording Session – Denver, Colorado |
| 19. April 1952 | Kiss Of Fire | Louis Armstrong and His Orchestra | L. Allen, R. Hill | Decca | 28177 | 82703 | Decca Recording Session – Denver, Colorado |
| 13. Mai 1952 | -When It’s Sleepy Time Down South -Indiana -Blueberry Hill -C’est Si Bon -’Way Down Yonder In New Orleans -Coquette -Lover Come Back To Me -St. Louis Blues -Tea For Two -A Kiss To Build A Dream On -Bugle Blues / Ole Miss -When It’s Sleepy Time Down South -Louis erhält die Schlüssel der Stadt New Orleans -Struttin’ With Some Barbecue -Back O’ Town Blues -Muskrat Ramble -Velma’s Blues -You’re Just In Love -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Municipal Auditorium, New Orleans, Louisiana |
| Unbekanntes Datum | -You’re Just In Love -That’s My Desire | Louis Armstrong | | | | | Gotham Recording Company Recording Session – New York City, New York |
| 8. Juni 1952 | -Louis and Gordon Jenkins (Gespräch) -Jeannine -The Music Goes’ Round And Around -Indian Love Call | „The U.S. Royal Showcase“ | | | | | NBC TV-Show – New York City, New York |
| 28. Juni 1952 | -Vocal Quartet and Louis (Gespräch) -Basin Street Blues -Bugle Call Rag | „Colgate Comedy Hour“ | | | | | NBC TV-Show – New York City, New York |
| 25. August 1952 | I Laughed At Love | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 28394 | 83301 | Decca Recording Session – New York City, New York |
| 25. August 1952 | Takes Two To Tango | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 28394 | 83302 | Decca Recording Session – New York City, New York |
| 20. September 1952 | -A Kiss To Build A Dream On -That’s A Plenty | „Jackie Gleason Show“ | | | | | CBS TV-Show – New York City, New York |
| 22. September 1952 | White Christmas | Louis Armstrong and Gordon Jenkins and His Orchestra | Irving Berlin | Decca | 28443 | 83439 | Decca Recording Session – New York City, New York |
| 22. September 1952 | Winter Wonderland | Louis Armstrong and Gordon Jenkins and His Orchestra | Bernard, Smith | Decca | 28443 | 83440 | Decca Recording Session – New York City, New York |
| 22. September 1952 | Cho-e (Song Of The Swamp) | Louis Armstrong and Gordon Jenkins and His Orchestra | Moret, Kahn | Decca | 28524 | 83441 | Decca Recording Session – New York City, New York |
| 22. September 1952 | Listen To The Mocking Bird | Louis Armstrong and Gordon Jenkins and His Orchestra | | Decca | 28524 | 83442 | Decca Recording Session – New York City, New York |
| 29. September 1952 | -Velma’s Blues -Basin Street Blues -Velmas’s Blues -Can Anyone Explain -On The Sunny Side Of The Street -High Society | Louis Armstrong and The All Stars | | | | | Konzert – Kopenhagen, Dänemark |
| 4. Oktober 1952 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -’Way Down Yonder In New Orleans -Coquette -Lover Come Back To Me -Can Anyone Explain -Limehouse Blues -After You’ve Gone -Tin Roof Blues -Russian Lullaby -Bugle Blues / Ole Miss -When It’s Sleepy Time Down South -New Orleans Function -Pennies From Heaven -Muskrat Ramble -Basin Street Blues -Velma’s Blues -You’re Just In Love -Stompin’ At The Savoy -Interview | Louis Armstrong and The All Stars | | | | | Konzert – Kungliga Tennishallen, Stockholm, Schweden |
| 8. Oktober 1952 | -Flee As A Bird / Oh, Didn’t He Ramble -Back O’ Town Blues -High Society -Bassin’ The Blues -Stompin’ At The Savoy | Louis Armstrong and The All Stars | | | | | Konzert – Paleis voor Schone Kunsten, Brüssel, Belgien |
| 12. Oktober 1952 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -’Way Down Yonder In New Orleans -Coquette -Lover Come Back To Me -Can Anyone Explain -St. Louis Blues -On The Alamo -Tin Roof Blues -How High The Moon -A Kiss To Build A Dream On | Louis Armstrong and The All Stars | | | | | RIAS — Titania-Palast, Berlin, Deutschland |
| 15. Oktober 1952 | -Confessin’ -I Found A New Baby -St. James Infirmary -Muskrat Ramble | Louis Armstrong and The All Stars | | | | | Konzert – Ernst-Merck-Halle, Hamburg, Deutschland |
| 15. Oktober 1952 | Interview | Louis Armstrong | | | | | NDR Rundfunk, Hamburg, Deutschland |
| 25. Oktober 1952 | -On The Sunny Side Of The Street -Coquette -That’s My Desire -St. Louis Blues -On The Alamo -How High The Moon -Bugle Call Rag / Ole Miss -Basin Street Blues -Velma’s Blues -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Teatro Metastasio, Prato, Italien |
| 26. oder 28. Oktober 1952 | -Struttin’ With Some Barbecue | „Salutie Baci“ / „La Route Du Bonheur“ | | | | | Film Soundtrack (Court & Long Métrages, Paris) – Rom, Italien |
| zwischen 22. und 31. Oktober 1952 | -Indiana -Blueberry Hill -My Bucket’s Got A Hole In It -Coquette -Lover Come Back To Me -Can Anyone Explain -Black And Blue -Bugle Call Rag / Ole Miss -When It’s Sleepy Time Down South -Twelfth Street Rag -Velma’s Blues | Louis Armstrong and The All Stars | | | | | Konzert – Unbekannter Ort und Datum, wahrscheinlich Italien |
| 2. November 1952 | -A Kiss To Build A Dream On -’Way Down Yonder In New Orleans -Margie -Lover Come Back To Me -Can Anyone Explain -St. Louis Blues -Tin Roof Blues -Royal Garden Blues -On The Alamo | Louis Armstrong and The All Stars | | | | | AVRO Rundfunk-Übertragung – Concertgebouw, Amsterdam, Niederlande |
| 8. November 1952 | -When It’s Sleepy Time Down South -Indiana -Coquette -Can Anyone Explain -St. Louis Blues -The Man I Love -Muskrat Ramble -Lover Come Back To Me -A Kiss To Build A Dream On -I Found A New Baby -Tin Roof Blues | Louis Armstrong and The All Stars | | | | | Konzert – Cinéma Métropole, Lausanne, Schweiz |
| 20. Dezember 1952 | -Who Needs What Moonlight | „All Star Revue“ | | | | | NBC TV-Show – New York City, New York |
| 23. Februar 1953 | Your Cheatin’ Heart | Louis Armstrong | Hank Williams | Decca | 28628 | 83986 | Decca Recording Session – Detroit, Michigan |
| 23. Februar 1953 | Congratulations To Someone | Louis Armstrong | | Decca | 28628 | 83987 | Decca Recording Session – Detroit, Michigan |
| 19. April 1953 | -When It’s Sleepy Time Down South -Indiana -C’est Si Bon -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Muskrat Ramble -Tin Roof Blues -High Society -Margie -That’s My Desire -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Symphony Hall, Boston, Massachusetts |
| 21. April 1953 | April In Portugal | Louis Armstrong | R. Ferrao, J. Kennedy | Decca | 28704 | 84356 | Decca Recording Session – New York City, New York |
| 21. April 1953 | Ramona | Louis Armstrong | M. Wayne, L. W. Gilbert | Decca | 28704 | 84357 | Decca Recording Session – New York City, New York |
| Juni 1953 | Basin Street Blues | „The Glenn Miller Story“ | | | | 85604/5 | Film Soundtrack (Universal) – Decca Recording Session – Los Angeles, Kalifornien |
| Juni 1953 | Otchi-tchor-ni-ya | „The Glenn Miller Story“ | | | | 85606/7 | Film Soundtrack (Universal) – Decca Recording Session – Los Angeles, Kalifornien |
| 7. Juli 1953 | -I’ve Got A Pocketful Of Dreams -Small Fry -On The Sunny Side Of The Street | „Nothing But The Best“ | | | | | NBC TV-Show – New York City, New York |
| 16. Juli 1953 | Sittin’ In The Sun | Louis Armstrong and His Orchestra | | Decca | 28803 | 84879 | Decca Recording Session – New York City, New York |
| 16. Juli 1953 | Dummy Song | Louis Armstrong and His Orchestra | | Decca | 28803 | 84880 | Decca Recording Session – New York City, New York |
| Juli 1953 | -Stompin’ At The Savoy -Tin Roof Blues -How High The Moon -Big Butter And Egg Man -Struttin’ With Some Barbecue -Someday You’ll Be Sorry -Shadrack / When The Saints Go Marchin’ In -A Kiss To Build A Dream On -C-Jam Blues -I Cried For You -Tea For Two -Lover Come Back To Me -Margie | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Blue Note, Chicago, Illinois |
| wahrscheinlich 22. Juli 1953 | -When It’s Sleepy Time Down South -Tea For Two -I Get Ideas -Muskrat Ramble -Since I Fell For You -Russian Lullaby -When It’s Sleepy Time Down South | „All Star Parade Of Bands“ | | | | | NBC Rundfunk-Übertragung – Blue Note, Chicago, Illinois |
| 29. Juli 1953 | -When It’s Sleepy Time Down South -Royal Garden Blues -Confessin’ -Undecided -You’re Just In Love -Tea For Two -Muskrat Ramble | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Blue Note, Chicago, Illinois |
| 31. Juli 1953 | -When It’s Sleepy Time Down South -Royal Garden Blues -Me And Brother Bill -You’re Just In Love -Limehouse Blues -Confessin’ -’Way Down Yonder In New Orleans -When It’s Sleepy Time Down South | „All Star Parade Of Bands“ | | | | | NBC Rundfunk-Übertragung – Blue Note, Chicago, Illinois |
| August - November 1953 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Muskrat Ramble -Tin Roof Blues -Flee As A Bird / Oh, Didn’t He Ramble -C’est Si Bon -Lover Come Back To Me -High Society -My Bucket’s Got A Hole In It -Basin Street Blues -Alligator Story -Limehouse Blues -These Foolish Things -Blueberry Hill -Margie -Rockin’ Chair -’Way Down Yonder In New Orleans -C-Jam Blues -St. Louis Blues -Pick And Pat -Big Mama’s Back In Town -That’s My Desire -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Unbekannter Ort |
| 22. Oktober 1953 | ’Zat You, Santa Claus? | Louis Armstrong and The Commanders | James Fox | Decca | 28943 | 85419 | Decca Recording Session – New York City, New York |
| 22. Oktober 1953 | Cool Yule | Louis Armstrong and The Commanders | Allen | Decca | 28943 | 85420 | Decca Recording Session – New York City, New York |
| 22. Oktober 1953 | Someday You’ll Be Sorry | Louis Armstrong and The Commanders | Armstrong, Louis | Decca | 29280 | 85421 | Decca Recording Session – New York City, New York |
| 22. Oktober 1953 | The Gypsy | Louis Armstrong and The Commanders | Billy Reid | Decca | 28995 | 85422 | Decca Recording Session – New York City, New York |
| 22. Oktober 1953 | I Can’t Afford To Miss This Dream | Louis Armstrong and The Commanders | | Decca | 28995 | 85423 | Decca Recording Session – New York City, New York |
| 23. Oktober 1953 | -Interview -I’m Confessin’ (that I Love You) -When The Saints Go Marchin’ In | „Life Begins At Eighty“ | | | | | Dumont TV-Show – New York City, New York |
| 31. Dezember 1953 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Tea For Two -My Bucket’s Got A Hole In It -Margie -Velma’s Blues That’s My Desire C’est Si Bon -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Yokohama, Japan |
| wahrscheinlich 10.–16. Januar 1954 | -On The Sunny Side Of The Street | Louis Armstrong | | | | | wahrscheinlich Rundfunk-Übertragung – Club Hangover, San Francisco, Kalifornien |
| wahrscheinlich 10.–16. Januar 1954 | -Struttin’ With Some Barbecue -Back O’ Town Blues -Twelfth Street Rag -Over The Rainbow -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | wahrscheinlich Rundfunk-Übertragung – Club Hangover, San Francisco, Kalifornien |
| 16. Januar 1954 | -When It’s Sleepy Time Down South -Shadrack / When The Saints Go Marchin’ In -West End Blues -The Dummy Song -My Bucket’s Got A Hole In It -Tin Roof Blues -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | CBS Rundfunk-Übertragung – Club Hangover, San Francisco, Kalifornien |
| 20. Januar 1954 | In-Depth Interview | Louis Armstrong | | | | | CKNW Rundfunk-Übertragung – Vancouver, Kanada |
| 14. März 1954 | Auftritt als „Mystery Guest“ | „What's My Line?“ | | | | | Fernsehübertragung – Unbekannter Ort |
| 19. März 1954 | Basin Street Blues | Louis Armstrong and The All Stars | Spencer Williams | Decca | 29102 | 86061 | Decca Recording Session – New York City, New York |
| 19. März 1954 | Otchi-tchor-ni-ya | Louis Armstrong and The All Stars | Traditional | Decca | DL 8329 | 86062 | Decca Recording Session – New York City, New York |
| 19. März 1954 | Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | Lil Hardin | Decca | DL 8329 | 86063 | Decca Recording Session – New York City, New York |
| 19. März 1954 | Margie | Louis Armstrong and The All Stars | Davis, Conrad, Robinson | Decca | DL 5532 | 86064 | Decca Recording Session – New York City, New York |
| 13. April 1954 | Bye And Bye | Louis Armstrong and Gordon Jenkins and His Chorus and Orchestra | | Decca | 29153 | 86145 | Decca Recording Session – New York City, New York |
| 13. April 1954 | Trees | Louis Armstrong and Gordon Jenkins and His Chorus and Orchestra | | Decca | 29352 | 86146 | Decca Recording Session – New York City, New York |
| 13. April 1954 | Spooks! | Louis Armstrong and Gordon Jenkins and His Chorus and Orchestra | | Decca | 29352 | 86147 | Decca Recording Session – New York City, New York |
| 13. April 1954 | The Whiffenpoof Song | Louis Armstrong and Gordon Jenkins and His Chorus and Orchestra | Meade Minnigerode, George S. Pomeroy, Tod Galloway, Rudy Vallee | Decca | 29153 | 86148 | Decca Recording Session – New York City, New York |
| 8. Mai 1954 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Blueberry Hill -Tin Roof Blues -Struttin’ With Some Barbecue -’S Wonderful -All The Things You Are -The Man I Love -Margie -Velma’s Blues Baby, It’s Cold Outside -Stompin’ At The Savoy -When It’s Sleepy Time Down South -New Orleans Function -C’est Si Bon -Lazy River -Shadrack / When The Saints Go Marchin’ In -High Society -Pennies From Heaven -The Dummy Song -Interview mit Louis Armstrong | Louis Armstrong and The All Stars | | | | | Konzert – Memorial Hall, University of North Carolina, Chapel Hill, North Carolina |
| 12. Juli 1954 | Aunt Hagar’s Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | J. T. Bryan, W. C. Handy | Columbia | CL 591 | CCO 5521 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Ole Miss Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy, W. Hirsch | Columbia | CL 591 | CCO 5523 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Ole Miss Blues (Alternate Take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy, W. Hirsch | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Hesitating Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5522 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Hesitating Blues (Rehearsal) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Beale Street Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5524 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Loveless Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5525 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Loveless Blues (teilweise alternate take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Loveless Blues (Rehearsal) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Long Gone (from The Bowling Green) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | C. Smith, W. C. Handy | Columbia | CL 591 | CCO 5526 | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Long Gone (from The Bowling Green) (teilweise alternate take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | C. Smith, W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 12. Juli 1954 | Long Gone (from The Bowling Green) (Rehearsal) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | C. Smith, W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | The Memphis Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | G. A. Norton, W. C. Handy | Columbia | CL 591 | CCO 5527 | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | St. Louis Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5528 | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | St. Louis Blues (teilweise alternate take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | Atlanta Blues (make Me One Pallet On Your Floor) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5529 | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | Atlanta Blues (make Me One Pallet On Your Floor) (teilweise alternate take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 13. Juli 1954 | Alligator Story | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 14. Juli 1954 | Chantez Les Bas (sing ’em Low) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5530 | Columbia Recording Session – Chicago, Illinois |
| 14. Juli 1954 | Chantez Les Bas (sing ’em Low) (alternate take) | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CK 64925 | | Columbia Recording Session – Chicago, Illinois |
| 14. Juli 1954 | Yellow Dog Blues | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | W. C. Handy | Columbia | CL 591 | CCO 5531 | Columbia Recording Session – Chicago, Illinois |
| 14. Juli 1954 | ’Taint What You Do | „Louis Armstrong Plays W.C. Handy“ – Louis Armstrong and The All Stars | Sy Oliver, James „Trummy“ Young, | Philips CBS | 429219 BE 88669 | CCO 5532 CCO 5532-5 | Columbia Recording Session – Chicago, Illinois |
| 13. August 1954 | Skokiaan Part 1 | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 29256 | 86652 | Decca Recording Session – New York City, New York |
| 13. August 1954 | Skokiaan Part 2 | Louis Armstrong mit Sy Oliver’s Orchestra | | Decca | 29256 | 86653 | Decca Recording Session – New York City, New York |
| 13. August 1954 | Skokiaan (Single) | Louis Armstrong mit Sy Oliver’s Orchestra | | | | 111409 | Decca Recording Session – New York City, New York |
| 13. August 1954 | -When It’s Sleepy Time Down South -Indiana -The Gypsy -Lover Come Back To Me | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung, „Near America Swing“ – Basin Street, New York City, New York |
| 19. August 1954 | -When It’s Sleepy Time Down South -Tin Roof Blues -My Bucket’s Got A Hole In It -’S Wonderful -Perdido -Velma’s Blues -Dummy Song -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | WNEW Rundfunk-Übertragung – American Legion Park, Ephrata, Pennsylvania |
| 20. August 1954 | -When It’s Sleepy Time Down South -Someday You’ll Be Sorry -Big Butter And Egg Man -Muskrat Ramble | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 21. August 1954 | -Theme song medley including When It’s Sleepy Time Down South -South Rampart Street Parade | „Stage Show“ | | | | | CBS TV-Show – New York City, New York |
| 27. August 1954 | -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -Big Butter And Egg Man -Tea For Two | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| September 1954 | Muskrat Ramble | Louis Armstrong and The All Stars | Edward Ory | Decca | 29280 | 86738 | Decca Recording Session – New York City, New York |
| September 1954 | Medley: Tenderly / You’ll Never Walk Alone | Louis Armstrong and The All Stars | | Decca | (7)4227 | 86739/40 | Decca Recording Session – New York City, New York |
| 2. September 1954 | -When It’s Sleepy Time Down South -Tea For Two -Dummy Song -Perdido | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 3. September 1954 | -My Bucket’s Got A Hole In It -’S Wonderful -Lover Come Back To Me -Perdido -How High The Moon -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 5. September 1954 | -Back O’ Town Blues -Interview Louis Armstrong -When The Saints Go Marchin’ In | „You Are There – The Emergence Of Jazz“ | | | | | CBS TV-Show – New York City, New York |
| 19. September 1954 | -The Whiffenpoof Song -Birth Of The Blues -Back O’ Town Blues | „Colgate Comedy Hour“ | | | | | NBC TV-Show – Hollywood Bowl, Los Angeles, Kalifornien |
| wahrscheinlich 6. Oktober 1954 | -When It’s Sleepy Time Down South -Indiana You’re Just In Love -About Saving Bonds (Gespräch Louis und John Conte) -Basin Street Blues | Louis Armstrong | | | | | Treasury Department, U.S. Saving Bonds Division, „Guest Star“ #403 – Unbekannter Ort |
| 31. Dezember 1954 | -When It’s Sleepy Time Down South -Indiana -Big Butter And Egg Man -High Society -Auld Lang Syne | Louis Armstrong and The All Stars | | | | | CBS Rundfunk-Übertragung – Down Beat, San Francisco, Kalifornien |
| Ende 1954 | -Ad Lib Blues | „Finians Rainbow“ | | | | | Film Soundtrack (Distributors Corp. of America) – Unbekannter Ort |
| 18. Januar 1955 | Struttin’ With Some Barbecue | Louis Armstrong mit Sonny Burke’s Orchestra | Lil Hardin | Decca | 29420 | L 8107 | Decca Recording Session – Los Angeles, Kalifornien |
| 18. Januar 1955 | Ko Ko Mo | Louis Armstrong mit Sonny Burke’s Orchestra | | Decca | 29420 | L 8108 | Decca Recording Session – Los Angeles, Kalifornien |
| 18. Januar 1955 | Sincerely | Louis Armstrong mit Sonny Burke’s Orchestra | | Decca | 29421 | L 8109 | Decca Recording Session – Los Angeles, Kalifornien |
| 18. Januar 1955 | Pledging My Love | Louis Armstrong mit Sonny Burke’s Orchestra | | Decca | 29421 | L8110 | Decca Recording Session – Los Angeles, Kalifornien |
| 21. Januar 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88050 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | (Back Home Again In) Indiana | Louis Armstrong and The All Stars | James F. Hanley, Ballard MacDonald | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | The Gypsy | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Some Day | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88068 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Tin Roof Blues | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88052 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88053 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Rose Room | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88054 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Perdido | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88058 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Blues For Bass | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88059 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Me And Brother Bill | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88055 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | When You’re Smiling (The Whole World Smiles With You) | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88066 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | ’Taint What You Do | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88057 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Lover Come Back To Me | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Don’t Fence Me In | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88060 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Basin Street Blues | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Shadrack | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88067 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | C’est Si Bon | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88064 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | The Whiffenpoof Song | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88065 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Rockin’ Chair | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88063 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Twelfth Street Rag | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Muskrat Ramble | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | St. Louis Blues | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88069 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | The Man I Love | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Back O’ Town Blues | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88070 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Old Man Mose (First Take) | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Jeepers Creepers | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88051 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Margie | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Big Mama’s Back In Town | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88071 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Big Butter And Egg Man | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Stompin’ At The Savoy | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88061 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Lazy River | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88056 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Old Man Mose (Second Take) | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 2 Takes | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | ’S Wonderful | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Big Mama’s Back In Town (Second Take) | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Since I Fell For You | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Mop Mop | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88072 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Decca | GRD-4-613 | 88073 2 Takes | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 21. Januar 1955 | Old Man Mose | Louis Armstrong and The All Stars | | | | 88062 | Konzert – Crescendo Club, Los Angeles, Kalifornien |
| 20. Februar 1955 | -When The Saints Go Marchin’ In -Louis announcing dancers Skeet and Pete -Pretty Little Missy -My Bucket’s Got A Hole In It -Basin Street Blues -Birth Of The Blues | „Colgate Comedy Hour“ | | | | | NBC TV-Show – New Orleans, Louisiana |
| 26. Februar 1955 | -’Way Down Yonder In New Orleans -She’s Adorable / A Pretty Girl Is Like A Melody / Sophisticated Lady -The World Is Waiting For The Sunrise -Muskrat Ramble | „Horace Heidt Show“ | | | | | NBC TV-Show – New Orleans, Louisiana |
| 3. März 1955 | -When The Saints Go Marchin’ In -C’est Si Bon -The Whiffenpoof Song -Muskrat Ramble -St. Louis Blues -Over The Rainbow -Baby, It’s Cold Outside -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert, Nashville Jazz Club, Nashville, Tennessee |
| 17. April 1955 | -Vesti La Giubba (2 Takes) -Honeysuckle Rose (2 Takes) | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 25. April 1955 | Yeh! | Louis Armstrong and The All Stars | Bill Norvas | unveröffentlicht | unveröffentlicht | 87839-1 87839-2 87839-3 | Decca Recording Session – New York City, New York |
| 25. April 1955 | Mm-Mm | Louis Armstrong and The All Stars | M. Napoleon, G. Sitto, J. Roy | unveröffentlicht | unveröffentlicht | 87840-1 87840-2 87840-3 | Decca Recording Session – New York City, New York |
| 25. April 1955 | Baby, Your Sleep Is Showing | Louis Armstrong and The All Stars | N. Simon, C. Tobias | Decca | 29546 | 87841 | Decca Recording Session – New York City, New York |
| 25. April 1955 | Tin Roof Blues | Louis Armstrong and The All Stars | Mares, Melrose, Pollack, Stitzel | Decca | DL 8330 | 87842 | Decca Recording Session – New York City, New York |
| 25. April 1955 | Pretty Little Missy | Louis Armstrong and The All Stars | Louis Armstrong, B. Kyle | Decca | 29546 | 87843 | Decca Recording Session – New York City, New York |
| 26. April 1955 | I’ve Got A Feeling I’m Falling | „Satch Plays Fats“ – Louis Armstrong and The All Stars | B. Rose, Link, Thomas Waller | Sony | 64927 | CO 53251 (3 Takes) | Columbia Recording Session – New York City, New York |
| 26. April 1955 | (What Did I Do To Be So) Black And Blue | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Andy Razaf, Thomas Waller, H. Brooks | Sony | 64927 | CO 53252 (2 Takes) | Columbia Recording Session – New York City, New York |
| 26. April 1955 | Honeysuckle Rose | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Andy Razaf, Thomas Waller | Sony | 64927 | CO 53253 (3 Takes) | Columbia Recording Session – New York City, New York |
| 27. April 1955 | I’m Crazy ’Bout My Baby And My Baby’s Crazy ’Bout Me | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Waller, Thomas, Hill, A. | Sony | 64927 | CO 53258 (3 Takes) | Columbia Recording Session – New York City, New York |
| 27. April 1955 | Blue Turning Grey Over You | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Andy Razaf, Thomas Waller | Sony | 64927 | CO 53259 (3 Takes) | Columbia Recording Session – New York City, New York |
| 27. April 1955 | All That Meat And No Potatoes | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Thomas Waller, Kirkeby | Sony | 64927 | CO 53260 | Columbia Recording Session – New York City, New York |
| 3. Mai 1955 | Ain’t Misbehavin’ | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Thomas Waller, Andy Razaf, H. Brooks | Sony | 64927 | CO 53254 (2 Takes) | Columbia Recording Session – New York City, New York |
| 3. Mai 1955 | Keepin’ Out Of Mischief Now | „Satch Plays Fats“ – Louis Armstrong and The All Stars | Andy Razaf, Thomas Waller | Sony | 64927 | CO 53272 (2 Takes) | Columbia Recording Session – New York City, New York |
| 3. Mai 1955 | Squeeze Me | „Satch Plays Fats“ – Louis Armstrong and The All Stars | C. Williams, Thomas Waller | Sony | 64927 | CO 53273 (2 Takes) | Columbia Recording Session – New York City, New York |
| 7. Mai 1955 | -When It’s Sleepy Time Down South -Shadrack -When The Saints Go Marchin’ In -The Whiffenpoof Song -You’re Just In Love -Muskrat Ramble -’S Wonderful -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 14. Mai 1955 | -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -Blue Moon -The Man I Love -Rockin’ Chair -Mop Mop -Basin Street Blues -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 15. Mai 1955 | -Struttin’ With Some Barbecue | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 21. Mai 1955 | -When It’s Sleepy Time Down South -Stompin’ At The Savoy -A Kiss To Build A Dream On -Rose Room -All The Things You Are -S’Posin -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 28. Mai 1955 | -When It’s Sleepy Time Down South -Royal Garden Blues -Someday You’ll Be Sorry -Blues For Bass | Louis Armstrong and The All Stars | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| Mai 1955 | Honeysuckle Rose | Louis Armstrong and The All Stars | | Columbia House Party | | | Unbekannter Ort |
| 4. Juni 1955 | -When It’s Sleepy Time Down South -Royal Garden Blues -Someday You’ll Be Sorry | „All Star Parade Of Bands“ | | | | | NBC Rundfunk-Übertragung – Basin Street, New York City, New York |
| 27. Juni 1955 | -Pretty Little Missy -That’s My Desire -When The Saints Go Marchin’ In | „Producers’ Showcase – Wide Wide World“ | | | | | NBC TV-Show – Washington, DC |
| 2. Juli 1955 | -When It’s Sleepy Time Down South -Pretty Little Missy -Struttin’ With Some Barbecue -Indiana | „America’s Greatest Bands“ | | | | | CBS TV-Show – New York City, New York |
| 2. Juli 1955 | -When It’s Sleepy Time Down South -Muskrat Ramble -Pretty Little Missy -Sweet Lorraine -Ko Ko Mo | Louis Armstrong and The All Stars | | | | | NBC „Monitor“ Rundfunk-Übertragung – Basin Street, New York City, New York |
| 3. Juli 1955 | -When It’s Sleepy Time Down South -Indiana -The Whiffenpoof Song -Pretty Little Missy -Perdido | Louis Armstrong and The All Stars | | | | | NBC „Monitor“ Rundfunk-Übertragung – Basin Street, New York City, New York |
| 15. Juli 1955 | -When It’s Sleepy Time Down South -Indiana -The Gypsy -My Bucket’s Got A Hole In It -Big Mama’s Back In Town -Ko Ko Mo -Mop Mop -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – „Newport Jazz Festival“, Newport, Rhode Island |
| 8. September 1955 | Only You (And You Alone) | Louis Armstrong and The All Stars | | Decca | 29694 | L 8660 | Decca Recording Session – Los Angeles, Kalifornien |
| 8. September 1955 | Christmas In New Orleans | Louis Armstrong and The All Stars | Sherman, Van Winkle | Decca | 29710 | L 8661 | Decca Recording Session – Los Angeles, Kalifornien |
| 8. September 1955 | Moments To Remember | Louis Armstrong and The All Stars | | Decca | 29694 | L 8662 | Decca Recording Session – Los Angeles, Kalifornien |
| 8. September 1955 | Christmas Night In Harlem | Louis Armstrong and The All Stars | Raymond Scott, Maxwell Parish | Decca | 29710 | L 8663 | Decca Recording Session – Los Angeles, Kalifornien |
| 9. September 1955 | Easy Street | Louis Armstrong and Gary Crosby | Harold Arlen, Johnny Mercer | Decca | 29921 | L 8668 | Decca Recording Session – Los Angeles, Kalifornien |
| 9. September 1955 | Lazy Bones | Louis Armstrong and Gary Crosby | Johnny Mercer, Hoagy Carmichael | Decca | 29921 | L 8669 | Decca Recording Session – Los Angeles, Kalifornien |
| 28. September 1955 | Back O’ Town Blues | Louis Armstrong and His All Stars | Louis Armstrong, Luis Russell | Aussortiert | Aussortiert | CO 53817-1 | Columbia Recording Session – New York City, New York |
| 28. September 1955 | Back O’ Town Blues | Louis Armstrong and His All Stars | Louis Armstrong, Luis Russell | Columbia | 40587 | CO 53817-2 | Columbia Recording Session – New York City, New York |
| 28. September 1955 | A Theme From The Threepenny Opera (Mack The Knife) | Louis Armstrong and His All Stars | Kurt Weill, Bertolt Brecht, M. Blitzstein | Columbia | 40587 | CO 53818 | Columbia Recording Session – New York City, New York |
| 28. September 1955 | A Theme From The Threepenny Opera (Mack The Knife) | Louis Armstrong and His All Stars | Kurt Weill, Bertolt Brecht, M. Blitzstein | | | CO 53818-5 CO 53818-7 CO 53818-misc takes | Columbia Recording Session – New York City, New York |
| 2. Oktober 1955 | -When It’s Sleepy Time Down South -Indiana -Tin Roof Blues -Basin Street Blues -Sweet Georgia Brown -Struttin’ With Some Barbecue -The Gypsy -Pretty Little Missy -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Queen | Q-053 | | Konzert – Konserthuset, Stockholm, Schweden |
| 6. Oktober 1955 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Pretty Little Missy -Tin Roof Blues -My Bucket’s Got A Hole In It -All The Things You Are -Dardanella -The Man I Love -Twelfth Street Rag -Margie -Velma’s Blues -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South -When The Saints Go Marchin’ In -Basin Street Blues -Royal Garden Blues -Undedicated -All Of Me St. Louis Blues -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Akademisch Föreningen, Lund, Schweden |
| 6. Oktober 1955 | -When It’s Sleepy Time Down South -Indiana -Back O’ Town Blues -Pretty Little Missy -Tin Roof Blues -My Bucket’s Got A Hole In It -Pennies From Heaven -High Society -The Man I Love -Twelfth Street Rag -’Taint What You Do -Velma’s Blues -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South -When The Saints Go Marchin’ In -Basin Street Blues -Royal Garden Blues -Dardanella -That’s My Desire -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | 2. Konzert – Akademisch Föhnigen, Lund, Schweden |
| 7. Oktober 1955 | -When It’s Sleepy Time Down South -Indiana -Someday You’ll Be Sorry -Tin Roof Blues -My Bucket’s Got A Hole In It -Pennies From Heaven -Dardanella -The Man I Love -Twelfth Street Rag -Margie -Velma’s Blues -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South -When The Saints Go Marchin’ In -Basin Street Blues -Royal Garden Blues -St. James Infirmary St. Louis Blues -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Läroverkets Aula, Boras, Schweden |
| 13. Oktober 1955 | -Vorstellung der Musiker durch Lucille -When It’s Sleepy Time Down South -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Stompin’ At The Savoy -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Rundfunk-Übertragung – Universität Kopenhagen, Dänemark |
| 29. oder 30. Oktober 1955 | -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | CO 55568 | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Indiana | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Blueberry Hill | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Pretty Little Missy | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Tin Roof Blues | Louis Armstrong and The All Stars | | | | CO 55571 | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Perdido | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Dardanella | Louis Armstrong and The All Stars | | | | CO 55570 | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | The Man I Love | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Back O’ Town Blues | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Undedicated | Louis Armstrong and The All Stars | | | | CO 55569 | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Velma’s Blues | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Ko Ko Mo | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Mop Mop | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | C’est Si Bon | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Basin Street Blues | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Rockin’ Chair | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | Muskrat Ramble | Louis Armstrong and The All Stars | | | | RHCO 33681 | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | St. James Infirmary | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | All Of Me | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | St. Louis Blues | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| 29. oder 30. Oktober 1955 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Concertgebouw, Amsterdam. Niederlande |
| November - Dezember 1955 | Paris Interview | Louis Armstrong | | | | | Columbia Recording Session – Vieux Colombier Club, Paris, Frankreich |
| November - Dezember 1955 | -Ad-lib Trumpet -Paris Interview Teil 1 -Indiana -When It’s Sleepy Time Down South -Unidentified (Swiss?) Song -When The Saints Go Marchin’ In -Back O’ Town Blues -Mop Mop -C’est Si Bon -Struttin’ With Some Barbecue -Ad-lib Trumpet -Paris Interview Teil 2 -Twelfth Street Rag -On The Sunny Side Of The Street -That’s My Desire -Blueberry Hill -Ko Ko Mo -Ole Miss | „See It Now – Two American Originals“ | | | | | CBS TV-Show – New York City, New York |
| 8. Dezember 1955 | -Indiana -Mahogany Hall Stomp -Sweet Georgia Brown -Lazy River -Stompin’ At The Savoy | Louis Armstrong and The All Stars | | | | | Konzert – wahrscheinlich Teatro Alfieri, Turin, Italien |
| 17. Dezember 1955 | -When It’s Sleepy Time Down South -Indiana -Someday You’ll Be Sorry -Ole Miss -Tin Roof Blues -My Bucket’s Got A Hole In It -Perdido -Sweet Georgia Brown -A Kiss To Build A Dream On -How High The Moon -Undecided -Velma’s Blues -That’s My Desire -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Teatro Sistina, Rom, Italien |
| 19. oder 20. Dezember 1955 | Indiana | Louis Armstrong and The All Stars | James F. Hanley, MacDonald, Ballard | | | | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | West End Blues | Louis Armstrong and The All Stars | Joe Oliver | Columbia | CL 840 | CO 55572 | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | The Faithful Hussar | Louis Armstrong and The All Stars | H. Frantzen | Columbia | CL 840 | CO 55573 CO 55573-? | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | Tiger Rag | Louis Armstrong and The All Stars | Rocca | Columbia | CL 840 | CO 55576-R1 CO 55576-R2 CO 55576-1 CO 55576-2 | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | Royal Garden Blues | Louis Armstrong and The All Stars | | | | RHCO 33679 | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | Clarinet Marmalade | Louis Armstrong and The All Stars | H. Ragas, E. Edwards, N. LaRocca, T. Sparbaro, L. Shields | Columbia | CK 64926 | CO 55577 | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | Someday You’ll Be Sorry | Louis Armstrong and The All Stars | Louis Armstrong | Columbia | CK 64926 | CO 56149-2 | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | You Can Depend On Me | Louis Armstrong and The All Stars | | | | 2 Takes | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | The Lonesome Road | Louis Armstrong and The All Stars | | | | 2 Takes | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | That’s A Plenty | Louis Armstrong and The All Stars | | | | 4 Takes | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 19. oder 20. Dezember 1955 | Dardanella | Louis Armstrong and The All Stars | | | | 3 Takes | Philips / Columbia Recording Session – Unbekanntes Filmtheater, Mailand, Italien |
| 23. Dezember 1955 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tin Roof Blues -My Bucket’s Got A Hole In It -All The Things You Are -Dardanella -The Gypsy -On The Sunny Side Of The Street -How High The Moon -Undecided -Velma’s Blues -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South (2 Takes) -When The Saints Go Marchin’ In -Black And Blue -Ole Miss -All Of Me -St. Louis Blues -Struttin’ With Some Barbecue -Someday You’ll Be Sorry -Perdido -Sweet Georgia Brown -Margie -That’s My Desire -C’est Si Bon -La Vie en Rose -Royal Garden Blues -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Windsor Palace, Barcelona, Spanien |
| Anfang 1956 | Blueberry Hill | Louis Armstrong and The All Stars | Al Lewis, Larry Stock, Vincent Rose | Columbia | 429268 | CO 57171 | Unbekannte Recording Session – Unbekannter Ort |
| Anfang 1956 | Way Down Yonder In New Orleans | Louis Armstrong and The All Stars | Creamer, Layton | Columbia | 429268 | | Unbekannte Recording Session – Unbekannter Ort |
| Anfang 1956 | Mack The Knife | Louis Armstrong and The All Stars | | | | | Unbekannte Recording Session – Unbekannter Ort |
| 6. Januar 1956 | Little One | „High Society“ | Cole Porter | | | 15408 | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 6. Januar 1956 | I Love You, Samantha | „High Society“ | Cole Porter | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 10., 12. und 18. Januar 1956 | High Society Calypso | „High Society“ | Cole Porter | | | 15404 | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 10., 12. und 18. Januar 1956 | Now You Has Jazz | „High Society“ | Cole Porter | | | 15720 | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 10., 12. und 18. Januar 1956 | Here Comes The Bride | „High Society“ | | | | | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 20. Januar 1956 | -Einführung von Gene Norman -When It’s Sleepy Time Down South -Indiana -Some Day -Ole Miss -Tin Roof Blues -My Bucket’s Got A Hole In It -Perdido -Dardanella -How High The Moon -The Gypsy -Undecided -Big Mama’s Back In Town -That’s My Desire -Ko Ko Mo -Mop Mop -When It’s Sleepy Time Down South -Oh, Didn’t He Ramble | Louis Armstrong and The All Stars | | | | | Konzert – Civic Auditorium, Pasadena, Kalifornien |
| 24. Januar 1956 | All Of Me | Louis Armstrong and The All Stars | Simons, Marks | Columbia | CL 840 | RHCO 55574 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Twelfth Street Rag | Louis Armstrong and The All Stars | E. Bowman, Andy Razaf | Columbia | CL 840 | RHCO 55575 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Royal Garden Blues | Louis Armstrong and The All Stars | C. Williams, S. Williams | Columbia | CL 840 | RHCO 33679 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Six Foot Four | Louis Armstrong and The All Stars | | Columbia | 40662 | RHCO 33680 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Muskrat Ramble | Louis Armstrong and The All Stars | Edward Ory | Columbia | CL 840 | RHCO 33681 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | When The Red, Red Robin Comes Bob, Bob Bobbin’ Along | Louis Armstrong and The All Stars | | Columbia | 40662 | RHCO 33682-2 | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Dardanella | Louis Armstrong and The All Stars | Bernard, Black, Fisher | Sony | 64926 | | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Undecided | Louis Armstrong and The All Stars | | Sony | 64926 | | Columbia Recording Session – Los Angeles, Kalifornien |
| 24. Januar 1956 | Tin Roof Blues | Louis Armstrong and The All Stars | Mares, Melrose, Pollack, Stitzel | Sony | 64926 | | Columbia Recording Session – Los Angeles, Kalifornien |
| 17. März 1956 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Indiana | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | The Gypsy | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Tin Roof Blues | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Perdido | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Dardanella | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | How High The Moon | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Mack The Knife | Louis Armstrong and The All Stars | | | | CO 59813 | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Big Mama’s Back In Town | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | Ko Ko Mo | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 17. März 1956 | When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Carnegie Hall, New York City, New York |
| 23. März 1956 | -Mack The Knife -Louis and Perry Como -Ko Ko Mo | „Perry Como Show“ | | | | | NBC TV-Show – New York City, New York |
| 26. März 1956 | -When It’s Sleepy Time Down South -Indiana -The Gypsy -Ole Miss -Tin Roof Blues -My Bucket’s Got A Hole In It -Perdido -Dardanella -How High The Moon -Mack The Knife -Margie -Big Mama’s Back In Town -That’s My Desire -Ko Ko Mo -Mop Mop -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Civic Auditorium, Grand Rapids, Michigan |
| 5. und 9. April 1956 | | Louis Armstrong and The All Stars | | | | | Konzert im Palais Theatre – Melbourne, Australia |
| 13. oder 14. April 1956 | -When It’s Sleepy Time Down South -Indiana -Someday You’ll Be Sorry -Sweet Sue, Just You -Ole Miss -Mack The Knife -My Bucket’s Got A Hole In It -Perdido -Dardanella -Rockin’ Chair -Royal Garden Blues -When It’s Sleepy Time Down South | „The Ampol Show“ | | | | | Rundfunk-Übertragung – Sydney, Australien |
| 19. April 1956 | -When It’s Sleepy Time Down South -Ole Miss -A Kiss To Build A Dream On -Mack The Knife -When It’s Sleepy Time Down South | „The Ford Show“ | | | | | Rundfunk-Übertragung – Sydney, Australien |
| 24. Mai 1956 | All For You, Louis | Louis Armstrong and The All Stars | | | | CO 59101 | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | When It's Sleepy Time Down South | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Indiana, (Back Home Again In) | Louis Armstrong and The All Stars | James F. Hanley, Ballard MacDonald, | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Flee As A Bird To The Mountain | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Oh, Didn't He Ramble | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Mack The Knife | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Mahogany Hall Stomp | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Sly Mongoose | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Black And Blue, (What Did I Do To Be So) | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | Royal Garden Blues | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| 24. Mai 1956 | My Bucket's Got A Hole In It | Louis Armstrong and The All Stars | | Columbia | CK 53580 | | Columbia Recording Session – Accra, Ghana |
| Juni 1956 | Medley: Flee As A Bird To The Mountain / Oh, Didn’t He Ramble | Louis Armstrong and The All Stars | | Columbia | CK 65119 | CO 57173 | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Memphis Blues / Frankie And Johnny | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Tiger Rag | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Do You Know What It Means To Miss New Orleans | Louis Armstrong and The All Stars | | Columbia | CK 65119 | CO 57172 | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Basin Street Blues | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Black And Blue | Louis Armstrong and The All Stars | | Columbia | CK 65119 | CO 57175 | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | West End Blues | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | On The Sunny Side Of The Street | Louis Armstrong and The All Stars | | Columbia | CK 65119 | CO 57170 | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Manhattan | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Indiana | Louis Armstrong and The All Stars | | Columbia | CK 65119 | CO 56406 | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | The Gypsy | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | The Faithful Hussar | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Rockin’ Chair | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Perdido | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Clarinet Marmalade | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Mack The Knife | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Tenderly / You’ll Never Walk Alone | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Stompin’ At The Savoy | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Margie | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Big Mama’s Back In Town | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | That’s My Desire | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Ko Ko Mo | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | When The Saints’ Go Marchin’ In | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| Juni 1956 | Star-Spangled Banner | Louis Armstrong and The All Stars | | Columbia | CK 65119 | | Konzert – Medina Temple, Chicago. Illinois |
| 23. Juni 1956 | -When It’s Sleepy Time Down South -Indiana -Someday You’ll Be Sorry -Ole Miss -Dardanella -A Kiss To Build A Dream On -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | CBS Rundfunk-Übertragung – Basin Street, New York City, New York |
| 24. Juni 1956 | Unbekannte Titel | „The Ed Sullivan Show (Episode 9.40)“ | | | | | Fernsehsendung – New York City, New York |
| 25. oder 26. Juni 1956 | -When It’s Sleepy Time Down South -You Can Depend On Me -Baby, It’s Cold Outside | Louis Armstrong and The All Stars | | | | | NBC „Monitor“ Rundfunk-Übertragung – Basin Street, New York City, New York |
| 6. Juli 1956 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Indiana | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | The Gypsy | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Bugle Blues / Ole Miss | Louis Armstrong and The All Stars | | | | CO 56409 | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Tin Roof Blues | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | My Bucket’s Got A Hole In It | Louis Armstrong and The All Stars | | | | 2 Takes | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Perdido | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | You Made Me Love You | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Whispering | Louis Armstrong and The All Stars | | | | CO 56408 | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Mack The Knife | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Stompin’ At the Savoy | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Undecided | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Big Mama’s Back In Town | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Ko Ko Mo | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | Mop Mop | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6. Juli 1956 | When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | Avid | 870 | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 14. Juli 1956 | St. Louis Blues | „Satchmo The Great“ | | Columbia | CK 53580 | CO 59814 | Film Soundtrack (CBS, veröffentlicht durch United Artists) – Konzert, Lewisohn Stadium, New York City, New York |
| Juli 1956 (?) | Mack The Knife | Louis Armstrong and The All Stars | | | | CO 56407 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | Blueberry Hill | Louis Armstrong and The All Stars | | | | CO 57171 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | Mahogany Hall Stomp | Louis Armstrong and The All Stars | | | | CO 57174 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | ’Way Down Yonder In New Orleans | Louis Armstrong and The All Stars | | | | CO 57176 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | Indiana | Louis Armstrong and The All Stars | | | | CO 57177 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | Basin Street Blues | Louis Armstrong and The All Stars | | | | CO 57171 | Columbia Recording Session – New York City, New York |
| Juli 1956 (?) | St. Louis Blues | Louis Armstrong and The All Stars | | | | CO 59814 | Columbia Recording Session – New York City, New York |
| 15. Juli 1956 | -Muskrat Ramble -Now You Has Jazz -The Faithful Hussar -Stompin’ At The Savoy -Basin Street Blues | „Ed Sullivan Show“ | | TVT | 9427-2 | | CBS TV-Show – New York City, New York |
| August 1956 | Rain, Rain | Louis Armstrong and Hal Mooney’s Orchestra | Hal Stanley, Irving Taylor | Victor | 20-6630 | G2PB-553-8 | Victor Recording Session – Los Angeles, Kalifornien |
| August 1956 | I Never Saw A Better Day | Louis Armstrong and Hal Mooney’s Orchestra | Hal Stanley, Irving Taylor | Victor | 20-6630 | G2PB-554-5 | Victor Recording Session – Los Angeles, Kalifornien |

### Goldene Jahre (August 1956 – Juli 1963)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 15. August 1956 | -When It’s Sleepy Time Down South -Indiana -The Gypsy -My Bucket’s Got A Hole In It -Perdido -You Made Me Love You -You Won’t Be Satisfied -Undecided -When The Saints Go Marchin’ In | „Jazz At The Hollywood Bowl“ | | | | | Konzert – Hollywood Bowl, Los Angeles, Kalifornien |
| 16. August 1956 | They Can’t Take That Away From Me | „Ella and Louis“ | George Gershwin, Ira Gershwin | Verve | MGV 4003 | 20207-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Isn’t This A Lovely Day | „Ella and Louis“ | Irving Berlin | Verve | MGV 4003 | 20208-8 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Tenderly | „Ella and Louis“ | Walter Gross, Jack Lawrence | Verve | MGV 4003 | 20209-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Stars Fell On Alabama | „Ella and Louis“ | Parish, Perkins | Verve | MGV 4003 | 20210-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Cheek to Cheek | „Ella and Louis“ | Irving Berlin | Verve | MGV 4003 | 20211-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Under A Blanket Of Blue | „Ella and Louis“ | Neiburg, Symes, Livingston | Verve | MGV 4003 | 20212-10 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Moonlight In Vermont | „Ella and Louis“ | Suessdorf, Blackburn | Verve | MGV 4003 | 20213-7 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | A Foggy Day | „Ella and Louis“ | George Gershwin, Ira Gershwin | Verve | MGV 4003 | 20214-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | April In Paris | „Ella and Louis“ | E.Y. "Yip" Harburg, Vernon Duke | Verve | MGV 4003 | 20215-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | The Nearness Of You | „Ella and Louis“ | Hoagy Carmichael, Washington | Verve | MGV 4003 | 20216-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1956 | Can’t We Be Friends? | „Ella and Louis“ | Paul James, Kay Swift | Verve | MGV 4003 | 20222-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 17. September 1956 | -I Never Saw A Better Day -Soft She --That’s What The Good Book Says -Cry, Oh Sky / Rain, Rain | „Producers’ Showcase – The Lord Don’t Play Favorites“ | | | | | NBC TV-Show – New York City, New York |
| 6. Oktober 1956 | -Another Op’nin’, Another Show -Ad lib trumpet -Blow Gabriel, Blow -High Society Calypso -Now You Has Jazz | „Ford Star Jubilee – You’re The Top“ | | | | | CBS TV-Show – Hollywood, Kalifornien |
| 8. Oktober 1956 | Ain’t Misbehavin’ | „Rheingold Beer“ | | | | | Reeves Sound Studios Recording Session – New York City, New York |
| 11. November 1956 | -Mahogany Hall Stomp -Blueberry Hill | „Ed Sullivan Show“ | | | | | CBS TV-Show – Chicago, Illinois |
| 11. Dezember 1956 | If I Could Be With You | „Satchmo: A Musical Autobiography“ | James P., Johnson, Harry Creamer | Decca | DL 8605 | 101148 | Decca Recording Session – New York City, New York |
| 11. Dezember 1956 | Lazy River | „Satchmo: A Musical Autobiography“ | Hoagy Carmichael, S. Arodin | Decca | LP 4331 | 101149 | Decca Recording Session – New York City, New York |
| 11. Dezember 1956 | I Can’t Give You Anything But Love | „Satchmo: A Musical Autobiography“ | Dorothy Fields, Jimmy McHugh | Decca | LP 4331 | 101150 | Decca Recording Session – New York City, New York |
| 11. Dezember 1956 | On The Sunny Side Of The Street | „Satchmo: A Musical Autobiography“ | Dorothy Fields, Jimmy McHugh | Decca | LP 4331 | 101151 | Decca Recording Session – New York City, New York |
| 11. Dezember 1956 | I Can’t Believe That You’re In Love With Me | „Satchmo: A Musical Autobiography“ | Jimmy, McHugh, C. Gaskill | Decca | LP 4331 | 101152 | Decca Recording Session – New York City, New York |
| 11. Dezember 1956 | Body And Soul | „Satchmo: A Musical Autobiography“ | Edward Heyman, Robert Sour, Frank Eyton, Johnny Green | Decca | LP 4331 | 101153 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | Mahogany Hall Stomp | „Satchmo: A Musical Autobiography“ | Spencer Williams | Decca | DL 8605 | 101154 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | When You’re Smiling | „Satchmo: A Musical Autobiography“ | M. Fisher, J. Goodwin, L. Shay | Decca | LP 4331 | 101155 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | Some Of These Days | „Satchmo: A Musical Autobiography“ | S. Brooks | Decca | LP 4331 | 101156 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | I Surrender Dear | „Satchmo: A Musical Autobiography“ | H. Barris, G. Clifford | Decca | LP 4331 | 101157 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | Georgia On My Mind | „Satchmo: A Musical Autobiography“ | Stuart Gorrell, Hoagy Carmichael | Decca | LP 4331 | 101158 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | Exactly Like You | „Satchmo: A Musical Autobiography“ | Stuart Gorrell, Hoagy Carmichael | Decca | LP 4331 | 101159 | Decca Recording Session – New York City, New York |
| 12. Dezember 1956 | High Society | „Satchmo: A Musical Autobiography“ | Jimmy McHugh, Dorothy Fields | Decca | LP 4331 | 101168 | Decca Recording Session – New York City, New York |
| 13. Dezember 1956 | Song Of The Islands | „Satchmo: A Musical Autobiography“ | C. King | Decca | DL 8605 | 101169 | Decca Recording Session – New York City, New York |
| 13. Dezember 1956 | That’s My Home | „Satchmo: A Musical Autobiography“ | Leon Rene, Otis Rene, Ben Ellison | Decca | LP 4331 | 101170 | Decca Recording Session – New York City, New York |
| 13. Dezember 1956 | Memories Of You | „Satchmo: A Musical Autobiography“ | Eubie Blake, Andy Razaf | Decca | LP 4331 | 101171 | Decca Recording Session – New York City, New York |
| 13. Dezember 1956 | Them There Eyes | „Satchmo: A Musical Autobiography“ | M. Pinkard, D. Tauber, W. Tracey | Decca | LP 4331 | 101172 | Decca Recording Session – New York City, New York |
| 14. Dezember 1956 | This Younger Generation | Louis Armstrong and His Orchestra | B. Merrill, E. Merrill | Decca | 30188 | 101173 | Decca Recording Session – New York City, New York |
| 14. Dezember 1956 | In Pursuit Of Happiness | Louis Armstrong and His Orchestra | C. Leigh, C. Coleman | Decca | 30188 | 101174 | Decca Recording Session – New York City, New York |
| 18. Dezember 1956 | -St. Louis Blues -When It’s Sleepy Time Down South -Nobody Knows The Trouble I’ve Seen -The Lonesome Road -Shadrack -When The Saints Go Marchin’ In -West End Blues -Mahogany Hall Stomp -Struttin’ With Some Barbecue -Mack The Knife -Royal Garden Blues | „An Evening For Hungary“ | | | | | Konzert – Royal Festival Hall, London, Großbritannien |
| 29. Dezember 1956 | -This Younger Generation -Medley of Most Popular Songs of 1956 -Introduction -Memories Are Made Of This -Love Me Tender -Rock ‘n‘ Roll Waltz -Ivory Tower -Walking In The Rain -Moonglow -Blue Suede Shoes -Great Pretender -Que Sera, Sera -No Not Much -Standing On The Corner -Blueberry Hill -Once I Was Alone -Don’t Be Cruel -Hound Dog -Hot Diggity | „Perry Como Show“ | | | | | NBC TV-Show – New York City (?) |
| 23. Januar 1957 | Hotter Than That | „Satchmo: A Musical Autobiography“ | Lil Hardin | Decca | LP 4331 | 101175 | Decca Recording Session – New York City, New York |
| 23. Januar 1957 | Gut Bucket Blues | „Satchmo: A Musical Autobiography“ | Louis Armstrong | Decca | LP 4331 | 101176 | Decca Recording Session – New York City, New York |
| 23. Januar 1957 | Weary Blues | „Satchmo: A Musical Autobiography“ | Artie Matthews | Decca | LP 4331 | 101177 | Decca Recording Session – New York City, New York |
| 23. Januar 1957 | Potato Head Blues | „Satchmo: A Musical Autobiography“ | Louis Armstrong | Decca | LP 4331 | 101178 | Decca Recording Session – New York City, New York |
| 23. Januar 1957 | Cornet Chop Suey | „Satchmo: A Musical Autobiography“ | Louis Armstrong | Decca | LP 4331 | 101179 | Decca Recording Session – New York City, New York |
| 23. Januar 1957 | Of All The Wrongs You've Done To Me | „Satchmo: A Musical Autobiography“ | Smith, Dowell, Burris | Decca | LP 4331 | 101468 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Two Deuces | „Satchmo: A Musical Autobiography“ | Lil Hardin | Decca | LP 4331 | 101469 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Mandy Make Up Your Mind | „Satchmo: A Musical Autobiography“ | Johnston, Meyer, Turk, Clarke | Decca | LP 4331 | 101470 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Wild Man Blues | „Satchmo: A Musical Autobiography“ | Louis Armstrong, Ferd "Jelly Roll" Morton | Decca | LP 4331 | 101476 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Gully Low Blues | „Satchmo: A Musical Autobiography“ | Louis Armstrong | Decca | LP 4331 | 101477 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Everybody Loves My Baby | „Satchmo: A Musical Autobiography“ | S. Williams, J. Palmer | Decca | LP 4331 | 101478 | Decca Recording Session – New York City, New York |
| 24. Januar 1957 | Heebie Jeebies | „Satchmo: A Musical Autobiography“ | Atkins, Boyd | Decca | LP 4331 | 101479 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | King Of The Zulus | „Satchmo: A Musical Autobiography“ | Lil Armstrong | Decca | LP 4331 | 101485 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | Frog-i-more Rag | „Satchmo: A Musical Autobiography“ | Jelly Roll Morton | Decca | LP 4331 | 101486 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | Georgia Grind | „Satchmo: A Musical Autobiography“ | Spencer Williams | Decca | LP 4331 | 101487 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | Snag It | „Satchmo: A Musical Autobiography“ | Joe "King" Oliver | Decca | LP 4331 | 101488 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | Dippermouth Blues | „Satchmo: A Musical Autobiography“ | Joe "King" Oliver, Louis Armstrong | Decca | LP 4331 | 101489 | Decca Recording Session – New York City, New York |
| 25. Januar 1957 | Canal Street Blues | „Satchmo: A Musical Autobiography“ | Joe "King" Oliver | Decca | LP 4331 | 101490 | Decca Recording Session – New York City, New York |
| 27. Januar 1957 | -When It’s Sleepy Time Down South -Indiana -Nobody Knows The Trouble I’ve Seen -Struttin’ With Some Barbecue -On The Sunny Side Of The Street | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 28. Januar 1957 | You Rascal You | „Satchmo: A Musical Autobiography“ | Sam Theard | Decca | LP 4331 | 101491 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Hobo, You Can’t Ride This Train | „Satchmo: A Musical Autobiography“ | Louis Armstrong | Decca | LP 4331 | 101492 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Knocken’ A Jug | „Satchmo: A Musical Autobiography“ | Louis Armstrong, Eddie Condon | Decca | LP 4331 | 101493 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Dear Old Southland (2 Takes) | „Satchmo: A Musical Autobiography“ | H. Creamer, T. Leyton | Decca | LP 4331 | 101494 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | See See Rider | „Satchmo: A Musical Autobiography“ | Ma Rainey | Decca | LP 4331 | 101495 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Reckless Blues | „Satchmo: A Musical Autobiography“ | Bessie Smith | Decca | LP 4331 | 101496 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Trouble In Mind | „Satchmo: A Musical Autobiography“ | Richard M. Jones | Decca | LP 4331 | 101497 | Decca Recording Session – New York City, New York |
| 28. Januar 1957 | Court House Blues | „Satchmo: A Musical Autobiography“ | Clara Smith | Decca | LP 4331 | 101498 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | When Did You Leave Heaven? | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Whiting, Bullock | Decca | LP 8488 | 101499 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | Fools Rush In | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Bloom, Mercer | Decca | LP 8488 | 101500 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | A Sinner Kissed An Angel | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Joseph, David | Decca | LP 8488 | 101501 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | I Married An Angel | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Rodgers, Hart | Decca | LP 8488 | 101502 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | You’re A Heavenly Thing | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Little, Young | Decca | LP 8488 | 101503 | Decca Recording Session – New York City, New York |
| 29. Januar 1957 | Angel Child | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Silver, Davis, Price | Decca | LP 8488 | 101504 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | Good Night, Angel | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Wrubel, Magidson | Decca | LP 8488 | 101505 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | Angel | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | DeRose, Parish | Decca | LP 8488 | 101506 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | Angela Mia | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Pollack, Rapee | Decca | LP 8488 | 101507 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | The Prisoner’s Song | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Massay | Decca | LP 8488 | 101508 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | I’ll String Along With You | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Warren, Dubin | Decca | LP 8488 | 101509 | Decca Recording Session – New York City, New York |
| 30. Januar 1957 | And The Angels Sing | „Louis and the Angels“ – Louis Armstrong mit Sy Oliver’s Orchestra | Elman, Mercer | Decca | LP 8488 | 101510 | Decca Recording Session – New York City, New York |
| 31. März 1957 | Gespräch Armstrong | Louis Armstrong | | | | | US Treasure Department, Guest Star 524 – New York City, New York |
| 4. Juli 1957 | -When It’s Sleepy Time Down South -Indiana -Now You Has Jazz -High Society Calypso -Mahogany Hall Stomp -Blue Moon -Sweet Georgia Brown -Riff Blues -Mack The Knife -Lazy River -Stompin’ At The Savoy -Ko Ko Mo -Happy Birthday | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 7. Juli 1957 | -Beautiful Dreamer -Sweet Adeline | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 17. Juli 1957 | Basin Street Parody | „Rheingold Beer“ | | | | | Reeves Sound Studios Recording Session – New York City, New York |
| 23. Juli 1957 | Love Is Here To Stay | „Ella and Louis Again“ | George Gershwin, Ira Gershwin | Verve | MGV 4018 | 21132-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | Learning’ The Blues | „Ella and Louis Again“ | Dolores Silvers | Verve | MGV 4018 | 21133-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | Autumn in New York | „Ella and Louis Again“ | Duke, Vernon | Verve | MGV 4018 | 21134-8 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | Let’s Call The Whole Thing Off | „Ella and Louis Again“ | George Gershwin, Ira Gershwin | Verve | MGV 4018 | 21135-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | They All Laughed | „Ella and Louis Again“ | George Gershwin, Ira Gershwin | Verve | MGV 4018 | 21136-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | Gee Baby Ain’t I Good To You | „Ella and Louis Again“ | Don Redman, Andy Razaf | Verve | MGV 4018 | 21137-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 23. Juli 1957 | Stompin’ At The Savoy | „Ella and Louis Again“ | Edgar Sampson, Chick Webb, Andy Razaf, Benny Goodman | Verve | MGV 4018 | 21138-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 31. Juli 1957 oder 1. August 1957 | Indiana | „Louis Armstrong Meets Oscar Peterson“ | | Verve | MGV 8322 | | Verve Recording Session – Los Angeles, Kalifornien |
| 31. Juli 1957 oder 1. August 1957 | Makin’ Whoopee | „Louis Armstrong Meets Oscar Peterson“ | Walter Donaldson, Gus Kahn | Verve | MGV 8322 | 21211-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 31. Juli 1957 oder 1. August 1957 | I Get A Kick Out Of You | „Louis Armstrong Meets Oscar Peterson“ | Cole Porter | Verve | MGV 8322 | 21212-8 21212-? | Verve Recording Session – Los Angeles, Kalifornien |
| 31. Juli 1957 oder 1. August 1957 | Let’s Do It (let's Fall In Love) | „Louis Armstrong Meets Oscar Peterson“ | Cole Porter | Verve | MGV 8322 | 21213-7 21213-? | Verve Recording Session – Los Angeles, Kalifornien |
| 31. Juli 1957 oder 1. August 1957 | Willow Weep for Me | „Louis Armstrong Meets Oscar Peterson“ | Ann Ronell | Verve | MGV 8322 | 21214-1 21214-2 21214-3 21214-4 21214-5 21214-6 21214-7 | Verve Recording Session – Los Angeles, Kalifornien |
| 13. August 1957 | I Won’t Dance | „Ella and Louis Again“ | Jerome Kern, Jimmy McHugh, Oscar Hammerstein II, Otto Harbach, Dorothy Fields, | Verve | MGV 4018 | 21267-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 13. August 1957 | A Fine Romance | „Ella and Louis Again“ | Jerome Kern, Dorothy Fields | Verve | MGV 4018 | 21268-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 13. August 1957 | Don’t Be That Way | „Ella and Louis Again“ | Edgar Sampson, Benny Goodman, Mitchell Parish | Verve | MGV 4018 | 21269-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 13. August 1957 | I’m Putting’ All My Eggs In One Basket | „Ella and Louis Again“ | Irving Berlin | Verve | MGV 4018 | 21270-7 | Verve Recording Session – Los Angeles, Kalifornien |
| 13. August 1957 | I’ve Got My Love To Keep Me Warm | „Ella and Louis Again“ | Irving Berlin | Verve | MGV 4018 | 21271-12 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. August 1957 | When Your Lover Has Gone | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Swan | Verve | MGVS-6101 (LP) | 21272-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. August 1957 | We’ll Be Together Again | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Carl Fischer, Frankie Laine | Verve | MGVS-6101 (LP) | 21273-3 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. August 1957 | Stormy Weather | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Harold Arlen, Ted Koehler | Verve Verve | 314 559 831-2 MGVS-6044 (LP) | 21274-1 21274-2 21274-3 21274-4 21274-5 21274-4/5 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. August 1957 | I Gotta Right To Sing The Blues | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Harold Arlen, Ted Koehler | Verve Verve | 314 559 831-2 MGVS-6044 (LP) | 21275-1 21275-2 21275-3 21275-4 21275-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | Top Hat, White Tie And Tails | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Harold Arlen, Ted Koehler | Verve | MGVS-6044 (LP) | 21276-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | You’re The Top | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Cole Porter | Verve | MGVS-6101 (LP) | 21277-3 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | You Turned The Table On Me | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Louis Alter, Sydney Mitchell | Verve Verve | 314 559 831-2 MGVS-6044 (LP) | 21278-1 21278-2 21278-3 21278- 21278-3/4 21278-3/4/insert4 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | Ive Got The World On A String | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Harold Arlen, Ted Koehler | Verve Verve | 314 559 831-2 MGVS-6044 (LP) | 21279-1 21279-2 21279-3 21279-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | Don’t Get Around Much Anymore | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Duke Ellington, Bob Russell | Verve | MGVS-6101 (LP) | 21280-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 15. August 1957 | Do Nothin’ Till You Hear From Me | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Duke Ellington, Bob Russell | Verve | MGVS-6101 (LP) | 21281-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | Nobody Knows The Trouble I’ve Seen | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Traditional | Verve | MGVS-6101 (LP) | 21282-3 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | Little Girl Blue | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Richard Rodgers, Lorenz Hart | Verve | 314 559 831-2 | 21283-5 21283-7 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | Have You Met Miss Jones? | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Richard Rodgers, Lorenz Hart | Verve | MGVS-6044 (LP) | 21284-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | Body And Soul | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Edward Heyman, Robert Sour, Frank Eyton, Johnny Green | Verve | 314 559 831-2 | 21285-5 21285-5/? | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | Home | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Harry Clarkson, Jeff Clarkson, Peter Van Stooden | Verve | MGVS-6044 (LP) | 21286-3 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | I Only Have Eyes For You | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Al Dubin, Harry Warren, | Verve | MGVS-6044 (LP) | 21287-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | East Of The Sun | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Bowman, Brooks | Verve | 314 559 831-2 | 21288-2 21288-? | Verve Recording Session – Los Angeles, Kalifornien |
| 16. August 1957 | You’re Blasé | „Louis Under The Stars“ and „I’ve Got The World On A String“ | Hamilton, Ord, Sievier, Bruce | Verve | MGVS-6044 (LP) | 21289-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 18. August 1957 | Summertime | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21290-3 | Verve Recording Session – Los Angeles, Kalifornien |
| 18. August 1957 | Bess, You Is My Woman Now | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21291-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 18. August 1957 | I Got Plenty O’ Nuttin’ | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21292-10 21292-? | Verve Recording Session – Los Angeles, Kalifornien |
| 18. August 1957 | It Ain’t Necessarily So | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21293-2 | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | There’s A Boat Dat’s Leaving’ Soon For New York | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21294-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | A Woman Is A Sometime Thing | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21295-9 21295-? | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | Oh Lawd, I’m On My Way | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21296-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | They Pass By | „Porgy and Bess“ | | unveröffentlicht | unveröffentlicht | 21297-9 | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | Bess, Oh Where’s My Bess | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21298-(eines von elf Takes) | Verve Recording Session – Los Angeles, Kalifornien |
| 19. August 1957 | Lush Life | „Porgy and Bess“ | | unveröffentlicht | unveröffentlicht | 21299 | Verve Recording Session – Los Angeles, Kalifornien |
| 5. September 1957 | -Ad lib Trumpet -Unbekannter Titel -The Memphis Blues -When The Saints Go Marchin’ In -Indiana -When It’s Sleepy Time Down South -Unidentified (Swiss) Waltz -When The Saints Go Marchin’ In -St. Louis Blues -Jumping With Symphony Sid -That’s My Desire -Blueberry Hill -Ko Ko Mo -Mop Mop C’est Si Bon -Basin Street Blues -Struttin’ With Some Barbecue -Ad-lib Trumpet (Back O’ Town Blues) -Paris Interview -Flee As A Bird / Oh, Didn’t He Ramble -Mack The Knife -Mahogany Hall Stomp -My Bucket’s Got A Hole In It -All For You, Louis -Royal Garden Blues -Black And Blue -Ole Miss -St. Louis Blues -On The Sunny Side Of The Street | „Satchmo The Great“ | | | | | Film Soundtrack (United Artists) – Premiere in New York City, New York |
| 7. September 1957 | -When It’s Sleepy Time Down South -Mahogany Hall Stomp -Rockin’ Chair -Now You Has Jazz -High Society Calypso -Ole Miss -Blue Moon -Mack The Knife -Blues -Sweet Georgia Brown -Medley: Tenderly / You’ll Never Walk Alone -All Of Me -St. Louis Blues -C’est Si Bon -La Vie En Rose -Baby, It’s Cold Outside -Ko Ko Mo | Louis Armstrong and The All Stars | | | | | Konzert – Orpheum Theater, Seattle, Washington |
| 29. September 1957 | -Ad-lib trumpet (Hesitating Blues) -Now You Has Jazz -Nobody Knows The Trouble I’ve Seen | „Du Pont Show Of The Month – Crescendo“ | | | | | CBS TV-Show – New York City, New York |
| 13. Oktober 1957 | -Now You Has Jazz -Birth Of The Blues -On The Sunny Side Of The Street | „The Edsel Show“ | | | | | CBS TV-Show – New York City, New York |
| 14. Oktober 1957 | Bess, Oh Where’s My Bess | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21298-? | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Medley: Here Come De Honey Man, Crab Man, Oh, Dey's So Fresh And Fine | „Porgy and Bess“ | George Gershwin, DuBose Heyward, Ira Gershwin | Verve | MGV 4011 | 21714-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | (Back Home Again In) Indiana | „Louis Armstrong Meets Oscar Peterson“ | James F. Hanley Ballard MacDonald, | Verve | CD 517169-2 | | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Red Headed Woman | „Louis Armstrong Meets Oscar Peterson“ | | | | | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Blues In The Night | „Louis Armstrong Meets Oscar Peterson“ | Harold Arlen, Johnny Mercer | Verve | CD 517169-2 | 21716-1 21716-2 21716-3 21716-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | That Old Feeling | „Louis Armstrong Meets Oscar Peterson“ | Sammy Fain, Lew Brown | Verve | CD 517169-2 | 21717-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Let’s Fall In Love | „Louis Armstrong Meets Oscar Peterson“ | Harold Arlen, Ted Koehler | Verve Verve Verve | CD 517169-2 CD 517169-2 MGV 8322 | 21718-1 21718-2 21718-5 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | I’ll Never Be The Same | „Louis Armstrong Meets Oscar Peterson“ | Matty Malneck, Frank Signorelli, Gus Kahn | Verve | MGV 8322 | 21719-12 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | How Long Has This Been Going On | „Louis Armstrong Meets Oscar Peterson“ | George Gershwin, Ira Gershwin | Verve | MGV 8322 | 21720-8 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | I Was Doing All Right | „Louis Armstrong Meets Oscar Peterson“ | George Gershwin, Ira Gershwin | Verve | MGV 8322 | 21721-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | What’s New | „Louis Armstrong Meets Oscar Peterson“ | Bob Haggart, Johnny Burke | Verve | MGV 8322 | 21722-6 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Moon Song | „Louis Armstrong Meets Oscar Peterson“ | Arthur Johnston, Sam Coslow | Verve | MGV 8322 | 21723-7 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Just One Of Those Things | „Louis Armstrong Meets Oscar Peterson“ | Cole Porter | Verve | MGV 8322 | 21724-10 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | There’s No You | „Louis Armstrong Meets Oscar Peterson“ | Hal Hopper, Tom Adair | Verve | MGV 8322 | 21725-8 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | You Go To My Head | „Louis Armstrong Meets Oscar Peterson“ | J. Fred Coots, Haven Gillespie | Verve | MGV 8322 | 21726-4 | Verve Recording Session – Los Angeles, Kalifornien |
| 14. Oktober 1957 | Sweet Lorraine | „Louis Armstrong Meets Oscar Peterson“ | Cliff Burwell, Mitchell Parish | Verve | MGV 8322 | 21727-1 | Verve Recording Session – Los Angeles, Kalifornien |
| 16. Oktober 1957 | Unbekannte Titel | Louis Armstrong and The All Stars | | | | | Konzert – Orpheum Theatre, Los Angeles, Kalifornien |
| 12. November 1957 | -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -Ain’t Misbehavin’ -Tiger Rag -St. Louis Blues -Ko Ko Mo -I Get Ideas -When The Saints Go Marchin’ In -Twelfth Street Rag Mack The Knife | Louis Armstrong and The All Stars | | | | | Radio Belgrano Rundfunk-Übertragung – Teatro Opera, Buenos Aires, Argentinien |
| 13. November 1957 | -When It’s Sleepy Time Down South -Mahogany Hall Stomp -On The Sunny Side Of The Street -Undecided -Mack The Knife -St. Louis Blues -Ko Ko Mo -I Get Ideas -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Radio El Mundo Rundfunk-Übertragung – Teatro Opera, Buenos Aires, Argentinien |
| wahrscheinlich 19. November 1957 | -I Get Ideas -When It’s Sleepy Time Down South -Indiana -High Society Calypso -Sweet Georgia Brown -Mack The Knife | Louis Armstrong and The All Stars | | | | | Radio Carve CX 16 Rundfunk-Übertragung – Montevideo, Uruguay |
| 30. Dezember 1957 | -Mahogany Hall Stomp -Blueberry Hill -Rockin’ Chair -Lazy River -When The Saints Go Marchin’ In | „Timex All Star Show #1“ | | | | | NBC TV-Show – New York City, New York |
| 23. Januar 1958 | -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -Lazy River -That’s My Desire -Someday You’ll Be Sorry -Tin Roof Blues -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | CBC Rundfunk-Übertragung – Brant Inn, Burlington, Ontario, Kanada |
| 4. Februar 1958 | Nobody Knows The Trouble I’ve Seen | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104258 | Decca Recording Session – New York City, New York |
| 4. Februar 1958 | Down By The Riverside | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104259 | Decca Recording Session – New York City, New York |
| 4. Februar 1958 | Jonah And The Whale | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | McGlimsey | Decca | LP 8741 | 104260 | Decca Recording Session – New York City, New York |
| 4. Februar 1958 | This Train | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | R. Tharpe | Decca | LP 8741 | 104261 | Decca Recording Session – New York City, New York |
| 6. Februar 1958 | Shadrack | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | McGlimsey | Decca | LP 8741 | 104262 | Decca Recording Session – New York City, New York |
| 6. Februar 1958 | Didn’t It Rain | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104263 | Decca Recording Session – New York City, New York |
| 6. Februar 1958 | On My Way (got On My Travelin’ Shoes) | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | R. Carroll, Columbus C. Chapman | Decca | LP 8741 | 104264 | Decca Recording Session – New York City, New York |
| 6. Februar 1958 | Rock My Soul (in The Bosom Of Abraham) | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | R. Huey | Decca | LP 8741 | 104265 | Decca Recording Session – New York City, New York |
| 7. Februar 1958 | Swing Low, Sweet Chariot | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104266 | Decca Recording Session – New York City, New York |
| 7. Februar 1958 | Go Down Moses | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104267 | Decca Recording Session – New York City, New York |
| 7. Februar 1958 | Ezekiel Saw The Wheel | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104268 | Decca Recording Session – New York City, New York |
| 7. Februar 1958 | Sometimes I Feel Like A Motherless Child | „Louis and the Good Book“ – Louis Armstrong mit Sy Oliver’s Orchestra | Traditional | Decca | LP 8741 | 104269 | Decca Recording Session – New York City, New York |
| 30. April 1958 | -Ad lib trumpet -Muskrat Ramble -On The Sunny Side Of The Street -Timex Commercial -Jeepers Creepers -St. Louis Blues | „Timex All Star Show #2“ | | | | | CBS TV-Show – Studio 50, New York City, New York |
| 8. Mai 1958 | When It's Sleepy Time Down South | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | (Back Home Again In) Indiana | Louis Armstrong and The All Stars | James F. Hanley, Ballard MacDonald | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | A Kiss To Build A Dream On | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | The Bucket's Got A Hole In It | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Blueberry Hill | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Tin Roof Blues | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | S Wonderful | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | All The Things You Are | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | The Man I Love | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Margie | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Big Mama’s Back In Town | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Baby, It’s Cold Outside | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Stompin’ At The Savoy | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | New Orleans Function: Flee As A Bird / Didn’t He Ramble | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | C’est Si Bon | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Lazy River | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Medley: Shadrack / When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | High Society | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | Pennies From Heaven | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 8. Mai 1958 | The Dummy Song | Louis Armstrong and The All Stars | | Avid | 870 | | Memorial Hall, University of North Carolina, Chapel Hill, New York |
| 25. Mai 1958 | -Mack The Knife -Confessin’ -Louis Armstrong liest ein Gedicht: My Love is Like a Red, Red Rose von Robert Burns | „Steve Allen Show“ | | | | | NBC TV-Show – New York City, New York |
| 6. Juli 1958 | On The Sunny Side Of The Street | Louis Armstrong and The International Youth Band | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 6 oder 7. Juli 1958 | -Interview mit Louis Armstrong durch Willis Connover -When It’s Sleepy Time Down South -Pretty Little Missy -Lazy River -Tiger Rag -Now You Has Jazz -High Society Calypso -Girl Of My Dreams -After You’ve Gone -These Foolish Things -Mack The Knife -Tenderly / You’ll Never Walk Alone -Stompin’ At The Savoy -Undecided -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Rockin’ Chair -Baby Won’t You Please Come Home -Pennies From Heaven -When The Saints Go Marchin’ In -Star-Spangled Banner | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| September – Oktober 1958 | -The Five Pennies Saints -Silent Night, Holy Night | „USO Christmas Show“ | | | | | USO TV-Show – Unbekannter Ort, wahrscheinlich Los Angeles, Kalifornien |
| 3. Oktober 1958 | -Vorstellung der Band durch Dizzy Gillespie -When It’s Sleepy Time Down South -Indiana -Blueberry Hill -Tiger Rag -Now you Has Jazz -High Society Calypso -Alligator Story -My Bucket’s Got A Hole In It -Perdido -Autumn Leaves -After You’ve Gone -These Foolish Things -Mack The Knife -Stompin’ At The Savoy -Undecided -St. Louis Blues -That’s My Desire -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Monterey Jazz Festival, Monterey, Kalifornien |
| 8. Oktober 1958 | I Love Jazz (Outtake) | Louis Armstrong and The All Stars | Sydney Shaw | Decca | | L 11192-8 | Decca Recording Session, Los Angeles, Kalifornien |
| 8. Oktober 1958 | I Love Jazz | Louis Armstrong and The All Stars | Sydney Shaw | Decca | 30771 | L 11192 | Decca Recording Session, Los Angeles, Kalifornien |
| 8. Oktober 1958 | I Love Jazz | Louis Armstrong and The All Stars | Sydney Shaw | Decca | | L 11410 | Decca Recording Session, Los Angeles, Kalifornien |
| 8. Oktober 1958 | The Mardi-Gras March | Louis Armstrong and The All Stars | P. F. Webster, S. Fain | Decca | 30771 | L 11193 17 Takes | Decca Recording Session, Los Angeles, Kalifornien |
| 8. Oktober 1958 | Basin Street Blues | Louis Armstrong and The All Stars | Spencer Williams | Decca | DL (7)4227 | L 11194-2-4-5 5 Takes | Decca Recording Session, Los Angeles, Kalifornien |
| 8. Oktober 1958 | Otchi-tchor-ni-ya | Louis Armstrong and The All Stars | Traditional | Decca | DL (7)4227 | L 11195-2 | Decca Recording Session, Los Angeles, Kalifornien |
| Oktober 1958 | -After You’ve Gone -Bill Bailey -Battle Hymn Of The Republic -The Five Pennies Saints -Just The Blues -Medley: Goodnight, Sleep Tight, Lullaby In Ragtime / Goodnight, Sleep Tight, The Five Pennies / Lullaby In Ragtime / Goodnight Sleep Tight | „The Five Pennies“ | | MSI | 388058 | | Film Soundtrack (Paramount) – Los Angeles, Kalifornien |
| Oktober 1958 | The Beat Generation | „The Beat Generation“ | | | | 59 XY 11 | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| Oktober 1958 | Some Day | „The Beat Generation“ | | | | 59 XY 12 | Film Soundtrack (MGM) – Los Angeles, Kalifornien |
| 10. November 1958 | -One O’Clock Jump -I Love Jazz -The Day The Rains Came -South Rampart Street Parade -Bob Crosby, Louis Armstrong (Gespräch) -Hoagy Carmichael Medley: Doctor, Lawyer, Indian Chief, Two Sleepy People, Stardust, Ole Buttermilk Sky, The Nearness Of You, Small Fry, Georgia On My Mind, In The Cool, Cool Cool Of The Evening, Lazy Bones, Rocken’ Chair, Lazy River -Timex Commercial -One O’Clock Jump | „Timex All Star Show #3“ | | | | | CBS TV-Show – Americana Hotel, Miami, Florida |
| Ende 1958 | -Interview mit Louis Armstrong -Baby, It’s Cold Outside | Louis Armstrong and The All Stars | | | | | WPDR Konzert Rundfunk-Übertragung – Orpheum Theater, Madison, Wisconsin |
| 7. Januar 1959 | -Now You Has Jazz -Tiger Rag -Umbrella Man -Ole Miss / Old Fashioned Love -Perdido | „Timex All Star Show #4 – The Golden Age Of Jazz“ | | | | | CBS TV-Show – Studio 50, New York City, New York |
| 16. Januar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -All The Things You Are -Autumn Leaves -After You’ve Gone -I Cover The Waterfront -Ol’ Man River -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -Royal Garden Blues -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Sweet Georgia Brown -I Get Ideas -These Foolish Things -Tenderly / You’ll Never Walk Alone -The Faithful Hussar -Undecided | Louis Armstrong and The All Stars | | | | | und 2. Konzert – Konserthuset, Stockholm, Schweden |
| 20. Januar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -Perdido -Autumn Leaves -I Get Ideas -It’s Only A Paper Moon -Mack The Knife -Tenderly / You’ll Never Walk Alone -Stompin’ At The Savoy -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | | | | Erstes Konzert – Sporthallen, Umeå, Schweden |
| 21. Januar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -All The Things You Are -Autumn Leaves -Stealin’ Apples -I Cover The Waterfront -Ol’ Man River -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -My Bucket’s Got A Hole In It -St. Louis Blues -Ko Ko Mo -Struttin’ With Some Barbecue -When The Saints Go Marchin’ In -I’m Gonna Sit Right Down And Write Myself A Letter -Royal Garden Blues | Louis Armstrong and The All Stars | | | | | Erstes Konzert – Falkoner Centret, Kopenhagen, Dänemark |
| 21. Januar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -Perdido -Autumn Leaves -After You’ve Gone -Christopher Columbus -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -My Bucket’s Got A Hole In It -St. Louis Blues -Ko Ko Mo -Struttin’ With Some Barbecue -When The Saints Go Marchin’ In -I’m Gonna Sit Right Down And Write Myself A Letter -Royal Garden Blues | Louis Armstrong and The All Stars | | | | | Zweites Konzert – Falkoner Centret, Kopenhagen, Dänemark |
| 25. Januar 1959 | -La Vie En Rose -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Royal Garden Blues | Louis Armstrong and The All Stars | | | | | Nachmittagskonzert – Falkoner Centret, Kopenhagen, Dänemark |
| 25. Januar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -Perdido -Autumn Leaves -Stealin’ Apples -I Cover The Waterfront -Ol’ Man River -Mack The Knife -Tenderly / You’ll Never Walk Alone -Stompin’ At The Savoy -When It’s Sleepy Time Down South -Medley: Black And Blue, Do You Know What It Means To Miss New Orleans -St. Louis Blues -Ko Ko Mo -Struttin’ With Some Barbecue -When The Saints Go Marchin’ In -Royal Garden Blues | Louis Armstrong and The All Stars | | | | | Abendkonzert – Falkoner Centret, Kopenhagen, Dänemark |
| 26. Januar 1959 | The Formula For Love | „Kaerlighedens Melodi“ | | | | K 544 | Film Soundtrack (ASA Films) – Kopenhagen, Dänemark |
| 26. Januar 1959 | Struttin’ With Some Barbecue | „Kaerlighedens Melodi“ | | | | K 545 K 545 (alt) | Film Soundtrack (ASA Films) – Kopenhagen, Dänemark |
| 7. Februar 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -Girl Of My Dreams -Sweet Georgia Brown -Autumn Leaves -The World Is Waiting For The Sunrise -I Get Ideas -I Cover The Waterfront -Ol’ Man River -Mack The Knife -Tenderly -Stompin’ At The Savoy -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -La Vie En Rose -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | VARA Rundfunk-Übertragung – Konzert, Concertgebouw, Amsterdam, Niederlande |
| 15. Februar 1959 | -Basin Street Blues -I Get Ideas -Mack The Knife -Stompin’ At The Savoy -When The Saints Go Marchin’ In -The Faithful Hussar | Louis Armstrong and The All Stars | | | | | SDR TV-Show – Konzert, Liederhalle, Stuttgart, Bundesrepublik Deutschland |
| 23. Februar 1959 | Kisses in der Nacht | „Die Nacht vor der Premiere“ | | | | | Film Soundtrack (Real Film GmbH) – Philips Recording Session, Hamburg, Bundesrepublik Deutschland |
| 25. Februar 1959 | -Back O’ Town Blues -Pretty Little Missy -Dippermouth Blues -The Faithful Hussar | „Auf Wiedersehen“ | | | | | Film Soundtrack (Alfa Film) – Berlin, Bundesrepublik Deutschland |
| März 1959 | -When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Now You Has Jazz -Love Is Just Around The Corner -C’est Si Bon -Mack The Knife -Stompin’ At The Savoy -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -La Vie En Rose | Louis Armstrong and The All Stars | | | | | Konzert – Ancienne Belgique, Antwerpen, Belgien |
| Frühjahr 1959 | -On The Sunny Side Of The Street -Love Is Just Around The Corner -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -C’est Si Bon -La Vie En Rose -Muskrat Ramble | Louis Armstrong and The All Stars | | | | | Konzert – Unbekannter Ort, wahrscheinlich Europa |
| Frühjahr 1959 | -Mack The Knife | Louis Armstrong and The All Stars | | | | | Konzert – Unbekannter Ort, wahrscheinlich Europa |
| 25. April 1959 | -C’est Si Bon / Some Of These Days -When The Saints Go Marchin’ In | „Louis Armstrong – Il Musichiere“ | | | | | RAI TV-Show – Rom, Italien |
| 26. April 1959 | -Now You Has Jazz Ol’ Man River | Louis Armstrong and The All Stars | | | | | Konzert – Supercinema, Rom, Italien |
| 7. Mai 1959 | -Basin Street Blues -Einführung von Humphrey Lyttelton und Johnny Dankworth -Oh, Didn’t He Ramble -Italienische Einführung -When It’s Sleepy Time Down South -Indiana -Blueberry Hill -Twelfth Street Rag -Tiger Rag -Now You Has Jazz -St. Louis Blues -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Eurovision TV-Show – La Bussola, Viareggio, Italien |
| 17. Mai 1959 | -Intro und When It’s Sleepy Time Down South -Indiana -Basin Street Blues -Tiger Rag -Perdido -Autumn Leaves -Running Wild -I Get Ideas -Love Is Just Around The Corner -Mack The Knife -Struttin’ With Some Barbecue -C’est Si Bon -The Faithful Hussar -I’m Gonna Sit Right Down And Write -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Muskrat Ramble -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Ljubljana, Jugoslawien |
| 20. Mai 1959 | Onkel Satchmos Lullaby | „La Paloma“ | | | | 24034-A | Film Soundtrack (Alfa Film) – Polydor Recording Session – Berlin, Bundesrepublik Deutschland |
| 22. Juni 1959 oder 19. Juli 1959 | -On The Sunny Side Of The Street | „Ed Sullivan Show“ | | | | | Konzert – Spoleto, Italien |
| 3. August 1959 | Back O’ Town Blues | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong, Luis Russell | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Back O’ Town Blues (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong, Luis Russell | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Sweethearts On Parade | Louis Armstrong and The Dukes Of Dixieland | Newman, Lombardo | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Sweethearts On Parade (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Newman, Lombardo | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Dippermouth Blues | Louis Armstrong and The Dukes Of Dixieland | Joe "King" Oliver, Louis Armstrong | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Dippermouth Blues (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Joe "King" Oliver, Louis Armstrong | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Riverside Blues | Louis Armstrong and The Dukes Of Dixieland | T. Dorsey, R. M. Jones | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Riverside Blues (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | T. Dorsey, R. M. Jones | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Bill Bailey | Louis Armstrong and The Dukes Of Dixieland | Traditional | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Bill Bailey (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Traditional | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Someday You'll Be Sorry | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Someday You'll Be Sorry (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Struttin' With Some Barbecue | Louis Armstrong and The Dukes Of Dixieland | Lil Hardin | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | I Ain't Gonna Give Nobody None Of My Jelly Roll | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | I Ain't Gonna Give Nobody None Of My Jelly Roll (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Cornet Chop Suey | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Cornet Chop Suey (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Louis Armstrong | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | My Bucket's Got A Hole In It | Louis Armstrong and The Dukes Of Dixieland | Clarence Williams | Audio Fidelity | AFSD 6241 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | My Bucket's Got A Hole In It (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Clarence Williams | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Muskrat Ramble | Louis Armstrong and The Dukes Of Dixieland | Edward Ory | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Bye And Bye | Louis Armstrong and The Dukes Of Dixieland | Traditional | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 3. August 1959 | Nobody Knows The Trouble I’ve Seen | Louis Armstrong and The Dukes Of Dixieland | Traditional | Chiaroscuro | CR 2006 | | Audio Fidelity Recording Session – Oriental Theater, Chicago, Illinois |
| 9. August 1959 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Perdido -Autumn Leaves -I’m Beginning To See The Light -Mack The Knife -Stompin’ At The Savoy -St. Louis Blues | Louis Armstrong and The All Stars | | | | | Konzert – „Playboy Jazz Festival“, Chicago Stadium, Chicago, Illinois |
| 20. September 1959 | -When It’s Sleepy Time Down South -Indiana -Now You Has Jazz -When The Saints Go Marchin’ In -’S Wonderful | „Ed Sullivan Show“ | | | | | CBS TV-Show – Stardust Hotel, Las Vegas, Nevada |
| 29. September 1959 | -We’re Glad We’re Not Young Anymore -Mack The Knife -Basin Street Blues -Bing Crosby und Louis Armstrong (Gespräch) -Lazy Bones -Them There Eyes -When It’s Sleepy Time Down South -Now You Has Jazz | „Bing Crosby Show - Oldsmobile Special“ | | | | | ABC TV-Show – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | St. James Infirmary | Louis Armstrong and The All Stars | Joe Primrose | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | St. James Infirmary (Alternate Take) | Louis Armstrong and The All Stars | Joe Primrose | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Big Butter And Egg Man | Louis Armstrong and The All Stars | P. Venable, Louis Armstrong | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Big Butter And Egg Man (Alternate Take) | Louis Armstrong and The All Stars | P. Venable, Louis Armstrong | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | I Ain’t Got Nobody | Louis Armstrong and The All Stars | R. Graham, S. Williams | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | I Ain’t Got Nobody (Alternate Take) | Louis Armstrong and The All Stars | R. Graham, S. Williams | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Panama Rag | Louis Armstrong and The All Stars | William H. Tyers, Carl Sigman | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Panama Rag (Alternate Take) | Louis Armstrong and The All Stars | William H. Tyers, Carl Sigman | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Doctor Jazz | Louis Armstrong and The All Stars | Joe "King" Oliver, Walter Melrose | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Doctor Jazz (Alternate Take) | Louis Armstrong and The All Stars | Joe "King" Oliver, Walter Melrose | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Hot Time In The Old Town Tonight | Louis Armstrong and The All Stars | T. Metz | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Hot Time In The Old Town Tonight (Alternate Take) | Louis Armstrong and The All Stars | T. Metz | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Frankie And Johnny | Louis Armstrong and The All Stars | Traditional | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | I Ain’t Gonna Give Nobody None Of My Jelly Roll | Louis Armstrong and The All Stars | C. Williams, S. Williams | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Drop That Sack | Louis Armstrong and The All Stars | Louis Armstrong, M. Holley | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Drop That Sack (AlternateTake) | Louis Armstrong and The All Stars | Louis Armstrong, M. Holley | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Jelly Roll Blues | Louis Armstrong and The All Stars | Jelly Roll Morton | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Jelly Roll Blues (Alternate Take) | Louis Armstrong and The All Stars | Jelly Roll Morton | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Old Kentucky Home | Louis Armstrong and The All Stars | Traditional | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Old Kentucky Home (Alternate Take) | Louis Armstrong and The All Stars | Traditional | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Chimes Blues | Louis Armstrong and The All Stars | Joe "King" Oliver | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Chimes Blues (Alternate Take) | Louis Armstrong and The All Stars | Joe "King" Oliver | Chiaroscuro | CR2002 (LP) | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | Snake Rag | Louis Armstrong and The All Stars | Joe "King" Oliver | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| 30. September 1959 1.–2. Oktober 1959 | New Orleans Stomp | Louis Armstrong and The All Stars | Lil Hardin, Louis Armstrong | Audio Fidelity | AFSD 1930 | | Audio Fidelity Recording Session – Los Angeles, Kalifornien |
| Oktober 1959 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Alligator Story -Ole Miss -Perdido -After You’ve Gone -Blueberry Hill -Love Is Just Around The Corner -Mack The Knife -Stompin’ At The Savoy -Nobody Loves A Fat Girl -That’s My Desire -Ko Ko Mo -When The Saints Go Marchin’ In -Mop Mop -Struttin’ With Some Barbecue -C’est Si Bon -La Vie En Rose -The Faithful Hussar -Undecided -Rockin’ Chair -Girl Of My Dreams -Stealin’ Apples -Christopher Columbus -Mack The Knife -St. Louis Blues -Don’t Fence Me In -Muskrat Ramble -Black And Blue -Do You Know What It Means To Miss New Orleans -Ol’ Man River -Big Butter And Egg Man -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Keesler Air Force Base, Biloxi, Mississippi |
| 8. Dezember 1959 | Ain’t Misbehavin’ | „Music To Shave By“ | Andy Razaf, Thomas Waller, Harry Brooks | Look Magazine | 1959 Christmas Edition | | Columbia Recording Session – veröffentlicht in Look Magazine |
| 8. Dezember 1959 | When You’re Smiling | „Music To Shave By“ | M. Fisher, J. Goodwin, L. Shay | Look Magazine | 1959 Christmas Edition | | Columbia Recording Session – veröffentlicht in Look Magazine |
| Januar 1960 | -On The Sunny Side Of The Street -Lazy River -Sometimes I Feel Like A Motherless Child -Muskrat Ramble | „Bell Telephone Hour“ | | | | | NBC TV-Show – New York City, New York |
| 4. Mai 1960 | -On The Sunny Side Of The Street -Mack The Knife -Confessin’ | „Dateline Boston – The Jazz Scene“ | | | | | WHDH TV-Show – Boston, Massachusetts |
| 24. Mai 1960 | Bourbon Street Parade | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Bourbon Street Parade (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | South | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | South (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Avalon | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Avalon (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Dixie | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Dixie (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Wolverine Blues | Louis Armstrong and The Dukes Of Dixieland | Jelly Roll Morton | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 24. Mai 1960 | Wolverine Blues (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Jelly Roll Morton | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Washington And Lee Swing | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Just A Closer Walk With Thee | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Just A Closer Walk With Thee (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | New Orleans | Louis Armstrong and The Dukes Of Dixieland | | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | New Orleans (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | That’s A Plenty | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | That’s A Plenty (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Sheik Of Araby | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Sheik Of Araby (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Sweet Georgia Brown | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Audio Fidelity | AFSD 1924 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 25. Mai 1960 | Sweet Georgia Brown (Alternate Take) | Louis Armstrong and The Dukes Of Dixieland | Lou Pollack | Chiaroscuro | CR 2003 (LP) | | Audio Fidelity Recording Session – Webster Hall, New York City, New York |
| 3. Juni 1960 | -When It’s Sleepy Time Down South -Indiana -Ole Miss -Bill Bailey Won’t You Please Come Home -Back O’ Town Blues -Tiger Rag -Now You Has Jazz -High Society Calypso -Perdido -Pretty Little Missy -St. Louis Blues -Ko Ko Mo | Louis Armstrong and The All Stars | | | | | Konzert – Madison Square Garden, New York City, New York |
| 28. Juni 1960 | Sugar | „Bing & Satchmo“ | Maceo Pinkard, Edna Alexander, Sidney Mitchell | MGM | E3882P (LP) | 60 XY 100 | Project Records Recording Session – Hollywood, Kalifornien |
| 28. Juni 1960 | ’Way Down Yonder In New Orleans | „Bing & Satchmo“ | Creamer, Layton | MGM | E3882P (LP) | 60 XY 101 | Project Records Recording Session – Hollywood, Kalifornien |
| 28. Juni 1960 | Let’s Sing Like A Dixieland Band | „Bing & Satchmo“ | Bergman | MGM | E3882P (LP) | 60 XY 102 | Project Records Recording Session – Hollywood, Kalifornien |
| 28. Juni 1960 | Me And Brother Bill | „Bing & Satchmo“ | Sweet, Louis Armstrong | MGM | E3882P (LP) | 60 XY 103 | Project Records Recording Session – Hollywood, Kalifornien |
| 29. Juni 1960 | Muskrat Ramble | „Bing & Satchmo“ | Edward Ory | MGM | E3882P (LP) | 60 XY 104 | Project Records Recording Session – Hollywood, Kalifornien |
| 29. Juni 1960 | Dardanella | „Bing & Satchmo“ | Bernard, Black, Fisher | MGM | E3882P (LP) | 60 XY 105 | Project Records Recording Session – Hollywood, Kalifornien |
| 29. Juni 1960 | Bye Bye Blues | „Bing & Satchmo“ | Hamm, Bennett, Lown, Gray | MGM | E3882P (LP) | 60 XY 106 | Project Records Recording Session – Hollywood, Kalifornien |
| 29. Juni 1960 | Lazy River | „Bing & Satchmo“ | Hoagy Carmichael, S. Arodin | unveröffentlicht | unveröffentlicht | 60 XY 107 | Project Records Recording Session – Hollywood, Kalifornien |
| 30. Juni 1960 | The Preacher | „Bing & Satchmo“ | Silver | MGM | E3882P (LP) | 60 XY 107 | Project Records Recording Session – Hollywood, Kalifornien |
| 30. Juni 1960 | Rocky Mountain Moon | „Bing & Satchmo“ | Johnny Mercer | MGM | E3882P (LP) | 60 XY 107 | Project Records Recording Session – Hollywood, Kalifornien |
| 30. Juni 1960 | Little Ol’ Tune | „Bing & Satchmo“ | Johnny Mercer | MGM | E3882P (LP) | 60 XY 107 | Project Records Recording Session – Hollywood, Kalifornien |
| 30. Juni 1960 | At The Jazz Band Ball | „Bing & Satchmo“ | LaRocca, Shields, Mercer | MGM | E3882P (LP) | 60 XY 107 | Project Records Recording Session – Hollywood, Kalifornien |
| Juli 1960 | -Einführung von Willis Conover -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -Girl Of My Dreams -C-Jam Blues -Blueberry Hill -Undecided -I’m Beginning To See The Light -Mack The Knife -Stompin’ At The Savoy -St. Louis Blues -Ko Ko Mo -After You’ve Gone -When The Saints Go Marchin’ In -Star-Spangled Banner -Happy Birthday, Louis | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 2. oder 3. September 1960 | -When It’s Sleepy Time Down South -Indiana -Back O’ Town Blues -Now You Has Jazz -High Society Calypso -Ole Miss -Pennies From Heaven -China Boy -Blueberry Hill -Undecided -It’s Only A Paper Moon -Mack The Knife -Stompin’ At The Savoy -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Oregon State Fair, Salem, Oregon |
| September - Oktober 1960 | -Interview und Diskussion | Louis Armstrong | | | | | Interview – The Knickerbocker Hotel, Los Angeles, Kalifornien |
| September - Oktober 1960 | -The Five Pennies Saints | „An Hour With Danny Kaye“ | | | | | CBS TV-Show – Hollywood, Kalifornien |
| Oktober oder November 1960 | -La Vie En Rose -St. Louis Blues -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Lusaka Racecourse, Rhodesien (Zimbabwe) |
| November 1960 | -When It’s Sleepy Time Down South -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -Perdido -I Surrender Dear -Blueberry Hill -Rockin’ Chair -Stompin’ At The Savoy -St. Louis Blues -Ko Ko Mo -When The Saints Go Marchin’ In -Mop Mop -C’est Si Bon -La Vie En Rose -Undecided -Big Mama’s Back In Town -That’s My Desire -I Can’t Give You Anything But Love -Bill Bailey | Louis Armstrong and The All Stars | | Milan | 35686-2 | | Konzert – Elisabethstad, Katanga, Belgisch Kongo |
| November 1960 | -Indiana -All The Things You Are -Tea For Two -Body And Soul -How High The Moon -Mack The Knife -Struttin’ With Some Barbecue -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Elisabethstad, Katanga, Belgisch Kongo |
| 14. Dezember 1960 | -Battle Royal -Wild Man Moore | „Paris Blues“ | | | | | Film Soundtrack (United Artists) – Paris, Frankreich |
| In 1961 | Unbekannte Titel | „What About Linda?“ | | | | | Fernsehen-Übertragung – unbekannter Ort |
| 19. Januar 1961 | -Give Me The Music Maker -Ad lib trumpet -Mack The Knife -Blueberry Hill -Chevrolet Ad -Comedy Skit -I Only Want A Buddy -That’s What The Good Book Says -„Ecole de Jazz“ -C’est Si Bon -The Man Upstairs -„Swinging At The Summit“ | „Swinging At The Summit“ | | | | | NBC TV-Show – New York City, New York |
| 16. Februar 1961 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -When I Grow Too Old To Dream -Perdido -C-Jam Blues -I Surrender -Struttin’ With Some Barbecue -Blueberry Hill I’m Gonna Sit Right Down And Write -Myself A Letter -Ol’ Man River -After You’ve Gone -Mack The Knife -Stompin’ At The Savoy -When The Saints Go Marchin’ In -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Kungliga Tennishallen, Stockholm, Schweden |
| 5. März 1961 | -Einführung von Ed Sullivan -That’s My Home -Indiana -Blueberry Hill -Tiger Rag -Now You Has Jazz -Bill Bailey | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 3. April 1961 | I Don’t Mean A Thing (if It Ain’t Got That Swing) | „Louis Armstrong and Duke Ellington“ | Mills, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Solitude | „Louis Armstrong and Duke Ellington“ | Delange, Mills, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | In A Mellotone | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | In A Mellotone (Warm-up, Take 1) | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | I’m Beginning To See The Light | „Louis Armstrong and Duke Ellington“ | James, George Hodges, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | I’m Beginning To See The Light (Take 1, 4-7) | „Louis Armstrong and Duke Ellington“ | James, George Hodges, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Do Nothin’ Till You Hear From Me | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Bob Russell | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Do Nothin’ Till You Hear From Me (Take 1-3) | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Bob Russell | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Don’t Get Around Much Anymore | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Bob Russell | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Don’t Get Around Much Anymore (Take 2-5) | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Bob Russell | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Duke’s Place | „Louis Armstrong and Duke Ellington“ | Roberts, Katz, Thiele, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Duke’s Place (Take 5) | „Louis Armstrong and Duke Ellington“ | Roberts, Katz, Thiele, Duke Ellington | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | I Got It Bad And That Ain’t Good | „Louis Armstrong and Duke Ellington“ | Webster, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Just Squeeze Me | „Louis Armstrong and Duke Ellington“ | Gaines, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | The Beautiful American | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Drop Me Off At Harlem | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Kenny | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Drop Me Off At Harlem (Take 2) | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Kenny | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Mood Indigo | „Louis Armstrong and Duke Ellington“ | Duke Ellington, Irving Mills, A. Bigard | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | I’m Just A Lucky So And So | „Louis Armstrong and Duke Ellington“ | Duke Ellington, David | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | I’m Just A Lucky So And So (Take 1-2) | „Louis Armstrong and Duke Ellington“ | Duke Ellington, David | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Azalea | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Azalea (Take 8-10) | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Black And Tan Fantasy | „Louis Armstrong and Duke Ellington“ | Miley, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Black And Tan Fantasy (Take 3-6) | „Louis Armstrong and Duke Ellington“ | Miley, Duke Ellington | Blue Note | 24546 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | The Mooche | „Louis Armstrong and Duke Ellington“ | Mills, Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 3. April 1961 | Cotton Tail | „Louis Armstrong and Duke Ellington“ | Duke Ellington | Roulette | RE108 | | Roulette Recording Session – New York City, New York |
| 12. April 1961 | Unbekannte Titel | „Discorama“ | | | | | Fernsehen-Übertragung – unbekannter Ort |
| 30. Juni 1961 | -When It’s Sleepy Time Down South -Indiana -That’s My Home -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -My Man -Georgia On My Mind -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – „Music at Newport“, Newport, Rhode Island |
| 2. Juli 1961 | -Einführung -When It’s Sleepy Time Down South -Lazy River -Ole Miss -Bill Bailey | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 12. September 1961 | They Say I Look Like God | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 67987 | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Everybody’s Comin’ | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 67988 | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Intro For Cultural Exchange | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Blow Satchmo | „The Real Ambassadors“ | | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Swing Bells | „The Real Ambassadors“ | | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Blow Satchmo | „The Real Ambassadors“ | | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 12. September 1961 | Finale | „The Real Ambassadors“ | | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 12. September 1961 | The Real Ambassadors | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68176 | Columbia Recording Session – New York City, New York |
| 13. September 1961 | I Didn’t Know Until You Told Me | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 67989 | Columbia Recording Session – New York City, New York |
| 13. September 1961 | You Swing Baby | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68177 | Columbia Recording Session – New York City, New York |
| 13. September 1961 | One Moment Worth Years | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68178 | Columbia Recording Session – New York City, New York |
| 13. September 1961 | Summer Song | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 67991 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Since Love Had Its Way | „The Real Ambassadors“ | | | | CO 68006 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Cultural Exchange | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68008 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Remember Who You Are | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68009 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Nomad | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68007 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Lonesome | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 68010 | Columbia Recording Session – New York City, New York |
| 19. September 1961 | King For A Day | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | | Columbia Recording Session – New York City, New York |
| 19. September 1961 | Good Reviews | „The Real Ambassadors“ | Dave Brubeck, Iola Brubeck | Columbia | OL 5850 (LP) | CO 67990 | Columbia Recording Session – New York City, New York |
| 30. September 1961 | -Lazy River -Muskrat Ramble -Bourbon Street Parade | „Disneyland After Dark“ | | | | | Film Soundtrack (Walt Disney Productions) – Anaheim, Kalifornien |
| September 1961 | -Struttin’ With Some Barbecue -Confessin’ -Pretty Little Missy -Lover Come Back To Me -Basin Street Blues -Perdido -Mack The Knofe -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | WRCV Rundfunk-Übertragung – Sunnybrook Ballroom, Pottstown, Pennsylvania |
| 30. September 1961 | Unbekannte Titel | „Disneyland After Dark“ | | | | | Fernsehen-Übertragung – Anaheim, Kalifornien |
| Anfang Oktober 1961 | -When It’s Sleepy Time Down South -Royal Garden Blues -The Faithful Hussar -When The Saints Go Marchin’ In -After You’ve Gone -Blueberry Hill -Muskrat Ramble | „Ed Sullivan Show“ | | | | | CBS TV-Show – Sportpalast, Berlin |
| 17. Dezember 1961 | -Duke’s Place -In A Mellotone -Nobody Knows The Trouble I’ve Seen | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| Anfang Januar 1962 | -Struttin’ With Some Barbecue -Lazy River -On The Sunny Side Of The Street -When It’s Sleepy Time Down South | „Winter Carnival At Sun Valley“ | | | | | ABC TV-Show – New York City, New York |
| 2. April 1962 | -When It’s Sleepy Time Down South -C’est Si Bon -Jerry -Someday You’ll Be Sorry -Nobody Knows The Trouble I’ve Seen -When The Saints Go Marchin’ In | „Goodyear Jazz Concert“ | | | | | Film Soundtrack (Television Graphics Production) – Pathé Studio, New York City, New York |
| 12. April 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tin Roof Blues -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -When I Grow Too Old To Dream -I Get Ideas -Yellow Dog Blues -When It’s Sleepy Time Down South -Lover Come Back To Me -Can’t Help Lovin’ Dat Man -Bill Bailey -Nobody Knows The Trouble I’ve Seen -Blueberry Hill -The Faithful Hussar -’S Wonderful -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -St. Louis Blues -When The Saints Go Marchin’ In -After You’ve Gone -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Sporthalle, Hildesheim, Bundesrepublik Deutschland |
| 14. April 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Mack The Knife -When It’s Sleepy Time Down South -Lover Come Back To Me -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Medley -Nobody Knows The Trouble I’ve Seen -Blueberry Hill -The Faithful Hussar -When It’s Sleepy Time Down South -St. Louis Blues -Jerry -After You’ve Gone -Stompin’ At The Savoy -Now You Has Jazz -High Society Calypso -Ole Miss -When It’s Sleepy Time Down South -All Of Me -Bill Bailey -Tin Roof Blues -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | NDR Rundfunk-Übertragung – Konzert, Musikhalle Hamburg, Deutschland |
| 15. April 1962 | -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -Undecided -Yellow Dog Blues -Mack The Knife -Lover Come Back To Me -Can’t Help Lovin’ Dat Man -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Sportpalast, Berlin, Deutschland |
| 18. April 1962 | -Back O’ Town Blues -Some Of These Days -Ohi Mari -When It’s Sleepy Time Down South -Indiana -New Orleans Function -’Way Down Yonder In New Orleans -Someday You’ll Be Sorry -C’est Si Bon -When It’s Sleepy Time Down South -Jerry -Nobody Knows The Trouble I’ve Seen | „Il Signore Delle 21“ | | | | | Konzert RAI TV-Show – Rom, Italien |
| 24. April 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -When I Grow Too Old To Dream -Tin Roof Blues -Yellow Dog Blues -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Nobody Knows The Trouble I’ve Seen -Blueberry Hill -The Faithful Hussar -When It’s Sleepy Time Down South -St. Louis Blues -After You’ve Gone -Mack The Knife | Louis Armstrong and The All Stars | | | | | Europe 1 Rundfunk-Übertragung – Olympia, Paris, Frankreich |
| 15. Mai 1962 | -When It’s Sleepy Time Down South -Interview Louis Armstrong durch Werner Götze -Dippermouth Blues -Canal Street Blues -Muskrat Ramble -I Can’t Give You Anything But Love -Tiger Rag -You Rascal You -Struttin’ With Some Barbecue -When It’s Sleepy Time Down South | „The Satchmo Story Vol. 1“ | | | | | BR TV-Show – München, Deutschland |
| 16. Mai 1962 | -When It’s Sleepy Time Down South -Tin Roof Blues -Basin Street Blues -Mahogany Hall Stomp -Blueberry Hill -Indiana -Mack The Knife -High Society | „The Satchmo Story Vol. 2“ | | | | | BR TV-Show – München, Deutschland |
| 17. Mai 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Now You Hass Jazz -High Society Calypso -Ole Miss -Perdido -Tin Roof Blues -Yellow Dog Blues -All of Me -Georgia On My Mind -Bill Bailey -Struttin’ With Some Barbecue -C’est Si Bon -Jazz Me Blues -Basin Street Blues -Blueberry Hill -Margie -The Man I Love -Mack The Knife -Stompin’ At The Savoy -Lover Come Back To Me -St. Louis Blues -After You’ve Gone | Louis Armstrong and The All Stars | | | | | France 1 Rundfunk-Übertragung – Palais des Expositions, Nizza, Frankreich |
| wahrscheinlich Mai 1962 | -That’s My Home -Georgia On My Mind | Louis Armstrong and The All Stars | | | | | Konzert – Unbekannter Ort, wahrscheinlich Frankreich |
| Mai 1962 | -Yellow Dog Blues -Ole Miss -When I Grow Too Old To Dream -Tin Roof Blues | Louis Armstrong and The All Stars | | | | | Konzert – Free Trade Hall, Manchester, Großbritannien |
| 25. Mai 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -Ole Miss -Blueberry Hill -Mack The Knife -All Of Me -St. Louis Blues -When The Saints Go Marchin’ In -My Man -After You’ve Gone -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Nordvision TV-Show – Cirkus, Stockholm, Schweden |
| 7. Juli 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Stompin’ At The Savoy -Blueberry Hill -Canal Street Blues -Dippermouth Blues -Dear Old Southland -St. Louis Blues -Can’t Help Lovin’ Dat Man -All Of Me -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| August 1962 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Blueberry Hill -Now You Has Jazz -High Society Calypso -When I Grow Too Old To Dream -Basin Street Blues -Yellow Dog Blues -All Of Me -Can’t Help Lovin’ Dat Man -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South -Flee As A Bird / Oh, Didn’t He Ramble -C’est Si Bon -Ole Miss -La Vie En Rose -The Faithful Hussar -Undecided -Mack The Knife -Stompin’ At The Savoy -Bill Bailey -Jerry -After You’ve Gone -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Chicago, Illinois |
| 23. Dezember 1962 | -When It’s Sleepy Time Down South -Indiana | „Ed Sullivan Show“ | | | | | CBS TV-Show – Guantanamo Navy Base, Kuba |
| 23. Dezember 1962 | -Blueberry Hill -Mack The Knife | „Ed Sullivan Show“ | | TVT | 9427-2 | | CBS TV-Show – Guantanamo Navy Base, Kuba |
| Januar 1963 | -When It’s Sleepy Time Down South -Blueberry Hill -Struttin’ With Some Barbecue -Mack The Knife -Jerry -When The Saints Go Marchin’ In -When It’s Sleepy Time Down South | „All Star Parade Of Bands“ | | | | | NBC Rundfunk-Übertragung – Coconut Grove, Hotel Ambassador, Hollywood, Kalifornien |
| Januar 1963 | Louis discusses his life and work | „Jazz Casual“ | | | | | KQED TV-Programm – San Francisco, Kalifornien |
| Ende März 1963 | -When It’s Sleepy Time Down South -Now You Has Jazz -High Society Calypso -Basin Street Blues -Perdido -Blueberry Hill -How High The Moon -Mack The Knife -Sweet Georgia Brown -Jerry -I Left My Heart In San Francisco -When The Saints Go Marchin’ In | „The BP Show“ | | | | | TV-Show – Sydney, Australien |
| 23. Juni 1963 | -When It’s Sleepy Time Down South -When The Saints Go Marchin’ In | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 23. Juni 1963 | -Royal Garden Blues -The Faithful Hussar | „Ed Sullivan Show“ | | TVT | 9427-2 | | CBS TV-Show – New York City, New York |
| 25. Juli 1963 | I’m Confessin’ (that I Love You) | „The Lively Ones“ | Al Neiburg, Doc Daugherty, Ellis Reynolds | | | | NBC TV-Show – New York City, New York |

### Späte Jahre (Dezember 1963 – März 1971)

| Datum Aufnahme | Titel der Aufnahme | Band / Künstler | Komposition / Songtext | Musiklabel ErstVÖ | Katalog-Nr. ErstVÖ | Matrix- / Master-Nummer | Aufnahme-Session und -ort |
| 3. Dezember 1963 | Hello, Dolly! | „Hello Dolly“ | Jerry Herman | Kapp | 573 | K 7424 | Kapp Recording Session – New York City, New York |
| 3. Dezember 1963 | A Lot Of Living’ To Do | „Hello Dolly“ | Lee Adams, Charles Shouse | Kapp | 573 | K 7452 | Kapp Recording Session – New York City, New York |
| 13. Januar 1964 | -Rockin’ Chair -Lazy Bones -Gone Fishin’ -When It’s Sleepy Time Down South -My Bucket’s Got A Hole In It -Struttin’ With Some Barbecue -When The Saints Go Marchin’ In | „Mike Douglas Show“ | | | | | KYW TV-Show – Cleveland, Ohio |
| 14. Januar 1964 | -Blueberry Hill -Now You Has Jazz -High Society Calypso -Indiana -St. Louis Blues | „Mike Douglas Show“ | | | | | KYW TV-Show – Cleveland, Ohio |
| 15. Januar 1964 | -Ain’t Misbehavin’ -Wabash Blues -Yellow Dog Blues -Someday You’ll Be Sorry | „Mike Douglas Show“ | | | | | KYW TV-Show – Cleveland, Ohio |
| 16. Januar 1964 | -Basin Street Blues -Old Man Mose | „Mike Douglas Show“ | | | | | KYW TV-Show – Cleveland, Ohio |
| 17. Januar 1964 | -You Rascal You -I Cover The Waterfront -Muskrat Ramble -I Can’t Give You Anything But Love | „Mike Douglas Show“ | | | | | KYW TV-Show – Cleveland, Ohio |
| 22. März 1964 | Teilnahme in der Fernsehsendung als "Mystery Guest" | „What's My Line?“ | | | | | Fernsehen-Übertragung – Unbekannter Ort |
| 7. April 1964 | Hey, Look Me Over | „Hello Dolly“ | | | | K 8104 | Kapp Recording Session – Las Vegas, Nevada |
| 7. April 1964 | I Still Get Jealous | „Hello Dolly“ | | | | K 8105-14 | Kapp Recording Session – Las Vegas, Nevada |
| 7. April 1964 | Some Day | „Hello Dolly“ | | | | K 8106-5 | Kapp Recording Session – Las Vegas, Nevada |
| 7. April 1964 | You Are Woman, I Am Man | „Hello Dolly“ | | | | K 8142-12 | Kapp Recording Session – Las Vegas, Nevada |
| 7. April 1964 | Be My Life’s Companion | „Hello Dolly“ | | | | K 8144-11 | Kapp Recording Session – Las Vegas, Nevada |
| 9. April 1964 | Jeepers Creepers | „Hello Dolly“ | | | | K 8137-2 | Kapp Recording Session – Las Vegas, Nevada |
| 9. April 1964 | Blueberry Hill | „Hello Dolly“ | | | | K 8138-2 | Kapp Recording Session – Las Vegas, Nevada |
| 9. April 1964 | Moon River | „Hello Dolly“ | | | | K 8139-5 | Kapp Recording Session – Las Vegas, Nevada |
| 11. April 1964 | It’s Been A Long, Long Time | „Hello Dolly“ | | | | K 8141-7 | Kapp Recording Session – Las Vegas, Nevada |
| 11. April 1964 | A Kiss To Build A Dream On | „Hello Dolly“ | | | | K 8143-2 | Kapp Recording Session – Las Vegas, Nevada |
| 18. April 1964 | Jeepers Creepers | Louis Armstrong and The All Stars | Harry Warren, John H. Mercer | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | Hey, Look Me Over | Louis Armstrong and The All Stars | Cy Coleman, Carolyn Leigh | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | I Still Get Jealous | Louis Armstrong and The All Stars | Jule Styne, Sammy Cahn | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | Someday | Louis Armstrong and The All Stars | Louis Armstrong | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | A Kiss To Build A Dream On | Louis Armstrong and The All Stars | Kalmar, Ruby, Hammerstein | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | Blueberry Hill | Louis Armstrong and The All Stars | Al Lewis, Larry Stock, Vincent Rose | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | Be My Life's Companion | Louis Armstrong and The All Stars | Bob Hilliard, Milton Delugg | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | It's Been A Long Long Time | Louis Armstrong and The All Stars | Jule Styne, Sammy Cahn | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | You Are Woman, I Am Man | Louis Armstrong and The All Stars | Bob Merrill, Jule Styne | Kapp | KL1364 | | Recording Session – New York City, New York |
| 18. April 1964 | Moon River | Louis Armstrong and The All Stars | Johnny Mercer, Henry Mancini | Kapp | KL1364 | | Recording Session – New York City, New York |
| April 1964 | -A Lot Of Living’ To Do -Louis Armstrong interviewt durch Phil Harris -Hello, Dolly -Muskrat Ramble | „The Hollywood Palace“ | | | | | ABC TV-Show – ABC Palace Theater, Los Angeles, Kalifornien |
| 4. Mai 1964 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -Now You Has Jazz -High Society Calypso -Ole Miss -Perdido -Hello, Dolly -Yellow Dog Blues -When It’s Sleepy Time Down South -Lover Come Back to Me -Can’t Help Lovin’ Dat Man -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Back O’ Town Blues -A Lot Of Living’ To Do -Royal Garden Blues -Blueberry Hill -Ugly Chile -How High The Moon -Mack The Knife -Stompin’ At The Savoy -When It’s Sleepy Time Down South -All Of Me -I Left My Heart In San Francisco -Jerry -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Houston, Texas |
| 30. Mai 1964 | Unbekannte Titel | „The Hollywood Palace“ | | | | | Fernseh-Übertragung – Hollywood, Kalifornien |
| 2. Juli 1964 | -When It’s Sleepy Time Down South -Indiana -Tiger Rag -Hello, Dolly -You’ll Never Walk Alone -C-Jam Blues -Ja-da -Mack The Knife -How High The Moon | Louis Armstrong and The All Stars | | | | | Konzert – Newport Jazz Festival, Newport, Rhode Island |
| 3. September 1964 | So Long Dearie | Louis Armstrong and The All Stars | Jerry Herman | Mercury | 72338 | 33848-1 33848-2 33848-3 33848-4 33848-5 33848-6 33848-7 | Mercury Recording Session – New York City, New York |
| 3. September 1964 | Pretty Little Missy | Louis Armstrong and The All Stars | Louis Armstrong, Billy Kyle | Mercury | 72338 | 33849-1 33849-2 33849-3 33849-4 | Mercury Recording Session – New York City, New York |
| 4. Oktober 1964 | Hello, Dolly | „Ed Sullivan Show“ | | TVT | 9427-2 | | CBS TV-Show – New York City, New York |
| 4. Oktober 1964 | So Long Dearie | „Ed Sullivan Show“ | | | | | CBS TV-Show – New York City, New York |
| 3. November 1964 | Bye ’N’ Bye | Louis Armstrong and The All Stars | Louis Armstrong | Mercury | 72371 | 34066-1 34066-2 | Mercury Recording Session – New York City, New York |
| 3. November 1964 | Faith | Louis Armstrong and The All Stars | | Mercury | 72371 | 34067-1 34067-2 34067-3 34067-4 34067-5 34067-6 34067-7 | Mercury Recording Session – New York City, New York |
| 24. November 1964 | -Introduction and When The Saints Go Marchin’ In -When It’s Sleepy Time Down South -Indiana -So Long Dearie -Mack The Knife -A Kiss To Build A Dream On -When I Grow Too Old To Dream -On The Alamo -Blueberry Hill -When It’s Sleepy Time Down South -Lover Come Back To Me -Can’t Help Lovin’ Dat Man -Bill Bailey -Ugly Chile -How High The Moon | Louis Armstrong and The All Stars | | | | | TV-Show – Festival Hall, Melbourne, Australien |
| 19. Dezember 1964 | Unbekannte Titel | „The Hollywood Palace“ | | | | | Fernseh-Übertragung – Hollywood, Kalifornien |
| 2. Februar 1965 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Blueberry Hill -Basin Street Blues -Hello, Dolly | „The Bell Telephone Hour: The American Song“ | | | | | NBC TV-Show – New York City, New York |
| 13. Februar 1965 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -My Bucket’s Got A Hole In It -Tiger Rag -It’s Easy To Remember -Perdido -Hello, Dolly -Memories Of You -La Vie En Rose -When It’s Sleepy Time Down South -Lover Come Back to Me -Can’t Help Lovin’ Dat Man -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Ole Miss -Back O’ Town Blues -The Faithful Hussar -Blueberry Hill -Ugly Chile -How High The Moon -Mack The Knife -Stompin’ At The Savoy -All Of Me -I Left My Heart In San Francisco -My Man -Jeepers Creepers -Mop Mop -When It’s Sleepy Time Down South Hello, Dolly | Louis Armstrong and The All Stars | | | | | Concert-Dade – County Auditorium, Miami, Florida |
| März 1965 | -When It’s Sleepy Time Down South -My Bucket’s Got A Hole In It -Tiger Rag -Indiana -Hello, Dolly -When The Saints Go Marchin’ In -Royal Garden Blues -The Faithful Hussar -Mack The Knife -Struttin’ With Some Barbecue -Blueberry Hill | „Hello Satchmo“ | | | | | Dokumentarfilm – Lucerna Hall, Prag, Tschechische Republik |
| 12.–17. März 1965 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -Hello, Dolly -When The Saints Go Marchin’ In -Royal Garden Blues -The Faithful Hussar -Mack The Knife -Struttin’ With Some Barbecue -Blueberry Hill -When It’s Sleepy Time Down South Hello, Dolly | Louis Armstrong and The All Stars | | | | | Konzert – Lucerna Hall, Prag, Tschechische Republik |
| 12.–17. März 1965 | -When It’s Sleepy Time Down South -Indiana -Black And Blue -My Bucket’s Got A Hole In It -Tiger Rag -It’s Easy To Remember -Perdido -Hello, Dolly -Memories Of You -When It’s Sleepy Time Down South -Lover Come Back To Me Can’t Help Lovin’ Dat Man -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Basin Street Blues -Royal Garden Blues -Blueberry Hill -Volare | Louis Armstrong and The All Stars | | | | | Konzert – Lucerna Hall, Prag, Tschechische Republik |
| März 1965 | Interview | Louis Armstrong | | | | | Supraphon Recording Session – Prag, Tschechische Republik |
| 18. März 1965 | -When It’s Sleepy Time Down South -Indiana -Black And Blue -Pennies From Heaven -Hello, Dolly -Memories Of You -Lover Come Back To Me Can’t Help Lovin’ Dat Man -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -The Faithful Husar -Blueberry Hill -Without A Song -How High The Moon -Mack The Knife -Stompin’ At The Savoy -All Of Me -My Man -I Left My Heart In San Francisco -Mop Mop -When It’s Sleepy Time Down South -Hello, Dolly | Louis Armstrong and The All Stars | | | | | Konzert – Lucerna Hall, Prag, Tschechische Republik |
| 22. März 1965 | -When It’s Sleepy Time Down South -Indiana -Black And Blue -Tiger Rag -When I Grow Too Old To Dream -Hello, Dolly -Memories Of You -Lover Come Back To Me -Can’t Help Lovin’ Dat Man -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -The Faithful Hussar -Royal Garden Blues -Blueberry Hill -Without A Song -How High The Moon -Mack The Knife -Stompin’ At The Savoy -I Left My Heart In San Francisco -My Man -Mop Mop -When It’s Sleepy Time Down South -Hello, Dolly | Louis Armstrong and The All Stars | | Jazzpoint Records | JP 1062 JP 1063 | | Konzert – Friedrichsstadt Palast, Ost-Berlin, Deutsche Demokratische Republik |
| 25. März 1965 | -When It’s Sleepy Time Down South -Basin Street Blues -The Faithful Hussar -Blueberry Hill -When The Saints Go Marchin’ In -Uncle Satchmo’s Lullaby -Hello, Dolly | „Der Goldene Schuss“ | | | | | ZDF TV-Show – Hoechst, Bundesrepublik Deutschland |
| 11. April 1965 | -Hello, Dolly -When The Saints Go Marchin’ In -Mack The Knife -Blueberry Hill -Old Man Time -’Way Down Yonder In New Orleans -Dardanella -South Rampart Street Parade | „The Hollywood Palace“ | | | | | ABC TV-Show – ABC Palace Theater, Los Angeles, Kalifornien |
| 3. Juni 1965 | -When It’s Sleepy Time Down South -Indiana -Perdido -Hello, Dolly -On The Alamo -My Man -I Left My Heart In San Francisco -Struttin’ With Some Barbecue -Blueberry Hill -Teach Me Tonight -Mack The Knife -When It’s Sleepy Time Down South -Hello, Dolly -When It’s Sleepy Time Down South -My Bucket’ Got A Hole In It -Schilderung des früheren Lebens in New Orleans durch Louis Armstrong -Royal Garden Blues -Louis Armstrong spricht über seine Zeit in Chicago -Back O’ Town Blues -Louis Armstrong spricht über seine Fahrten durch den Süden und über Jack Teagarden -Black And Blue -Gespräch Louis Armstrong -Struttin’ With Some Barbecue -Gespräch Louis Armstrong -Muskrat Ramble | „The Show Of The Week“ | | | | | BBC TV-Show – London, Großbritannien |
| 4. Juni 1965 | -When It’s Sleepy Time Down South -Indiana -Tiger Rag -When I Grow Too Old To Dream -Perdido -Hello, Dolly -On The Alamo -Cabaret -A Kiss To Build A Dream On -Lover Come Back To Me -Can’t Help Lovin’ Dat Man -Mop Mop / Blueberry Hill -Muskrat Ramble -Volare -Cocktails For Two -Stompin’ At The Savoy -It’s Easy To Remember -Teach Me Tonight -Thats My Desire -Ole Miss -Mack The Knife - Medley: Tenderly / You’ll Never Walk Alone / Mop Mop -I Left My Heart In San Francisco -My Man -Bill Bailey -When The Saints Go Marchin‘ In | Louis Armstrong and The All Stars | | Vanguard | VSD-91/92 | | Konzert – Palais Des Sports, Paris, Frankreich |
| Juli 1965 | -When It’s Sleepy Time Down South -Struttin’ With Some Barbecue -Avalon -I’ve Got A Lot Of Living’ To Do -My Man -Mack The Knife -Ole Miss | „Solo“ | | | | | Film Soundtrack (ABC) – Hollywood, Kalifornien |
| Juli 1965 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -I Left My Heart In San Francisco -Tiger Rag -Blueberry Hill -Hello, Dolly -When The Saints Go Marchin’ In | „Shindig“ | | | | | ABC TV-Show – Hollywood, Kalifornien |
| 26. Juli 1965 | -I Got Rhythm (2 Takes) -Throw It Out Of Your Mind | „When The Boys Meet The Girls“ | | MCA | 25013 | | Film Soundtrack (MGM) – Hollywood, Kalifornien |
| 10. September 1965 | Short But Sweet | Louis Armstrong and The All Stars | S. Rosen, T. Puglisi, Louis Armstrong | Mercury | 21081 | 36834-1 36834-2 36834-3 36834-4 36834-5 36834-6/ insert1-2 36834-insert1-1 36834-insert1-2 | Mercury Recording Session – New York City, New York |
| 10. September 1965 | The Circle Of Your Arms | Louis Armstrong and The All Stars | C. Leigh, J. Segal | Mercury | 21081 | 36857-1 36857-2 36857-3 36857-4 36857-5 36857-insert1-1 | Mercury Recording Session – New York City, New York |
| 10. September 1965 | I Like This Kind Of Party | Louis Armstrong and The All Stars | | Fontana | 683.283 JCL | 36858-1 36858-2 36858-3 36858-4 36858-5 36858-6 36858-7 36858-8 36858-9 36858-insert1-1 | Mercury Recording Session – New York City, New York |
| 10. September 1965 | The Three Of Us | Louis Armstrong and The All Stars | | Fontana | 683.283 JCL | 36859-1 36859-2 36859-3 | Mercury Recording Session – New York City, New York |
| 17.–18. September 1965 | -When It’s Sleepy Time Down South -Indiana -My Bucket’s Got A Hole In It -Tiger Rag -When I Grow Too Old To Dream -Hello, Dolly -Memphis Blues -Night Train -There’ll Be Sone Changes Made -Georgia On My Mind -Bill Bailey -Bugle Call Rag -Blueberry Hill -Mack The Knife -Volare -Mood Indigo -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Monterey Jazz Festival, Monterey, Kalifornien |
| 26. September 1965 | -A Lot Of Living’ To Do -Medley: --She Walks, Like An Angel Walks --Sweet Sue, Just You --Smile For Me, My Diane --Sweet Georgia Brown --Hello, Dolly | „Dean Martin Show“ | | | | | NBC TV-Show (Erste Show) – Los Angeles, Kalifornien |
| 26. September 1965 | -Someday You’ll Be Sorry -So Long Dearie -Gespräch Louis Armstrong und Dean Martin -Medley: --Rock-A-Bye Your Baby --When It’s Sleepy Time Down South -Mississippi Mud / Down By The Riverside -Swanee / Bill Bailey -I’ve Got To Travel On -A Hot Time In The Old Town Tonight -When The Saints Go Marchin’ In | „Dean Martin Show“ | | | | | NBC TV-Show (Zweite Show) – Los Angeles, Kalifornien |
| 24. Oktober 1965 | -When It’s Sleepy Time Down South -Indiana -Black And Blue -My Bucket’s Got A Hole In It -Tiger Rag -When I Grow Too Old To Dream -Perdido -Hello, Dolly -Memphis Blues -St. Louis Blues -Avalon -Misty -Lover Come Back To Me -Georgia On My Mind -There’ll Be Some Changes Made -Ole Miss -Struttin’ With Some Barbecue -Tin Roof Blues -Volare -Mood Indigo -Unknown Blues -Mack The Knife -Don’t Be That Way -My Man -I Left My Heart In San Francisco -Bill Bailey -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – The Music Hall, Houston, Texas |
| November 1965 | -Someday, Sweetheart -Back O’ Town Blues -Muskrat Ramble -Ole Miss | „A Man Called Adam“ | | | | | Film Soundtrack (Embassy Pictures) – Reprise Record Session – Boston, Massachusetts |
| 27. Dezember 1965 | -Gespräch Louis Armstrong und Peter Davis -When The Saints Go Marchin’ In | „I’ve Got A Secret“ | | | | | NBC TV-Show – New York City, New York |
| 5. Januar 1966 | -Schaefer Beer Promotion | „Schaefer Beer“ | | | | | BBDO Recording Session – New York City, New York |
| April 1966 | When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | Traditional | Mercury | 72574 | 38008 | Mercury Recording Session – New York City, New York |
| April 1966 | Cheesecake | Louis Armstrong and The All Stars | I. Fields, Louis Armstrong | Mercury | SG 61081 | 38009 | Mercury Recording Session – New York City, New York |
| April 1966 | Tyree’s Blues | Louis Armstrong and The All Stars | Tyree Glenn, Louis Armstrong | Mercury | SG 61081 | 38010 | Mercury Recording Session – New York City, New York |
| Mai 1966 | Mame | Louis Armstrong and The All Stars | Jerry Herman | Mercury | 72574 | 38500 | Mercury Recording Session – New York City, New York |
| Mai 1966 | Unbekannter Titel | Louis Armstrong and The All Stars | | unveröffentlicht | unveröffentlicht | 385001 | Mercury Recording Session – New York City, New York |
| Mai 1966 | Tin Roof Blues | Louis Armstrong and The All Stars | Mares, Melrose, Pollack, Stitzel | Mercury | SG 61081 | 38502 | Mercury Recording Session – New York City, New York |
| 3. Mai 1966 | -Ahead Louis Armstrong | „Ford Ahead“ | | | | | Aura Recording Session – New York City, New York |
| Juli 1966 | Mumbo Jumbo | Louis Armstrong mit Guy Lombardo’s Orchestra | | Capitol | 5716 | 45-26377 | Capitol Recording Session – New York City, New York |
| Juli 1966 | Come Along Down | Louis Armstrong mit Guy Lombardo’s Orchestra | | Capitol | 5716 | 45-26378 | Capitol Recording Session – New York City, New York |
| 25. August 1966 | Canal Street Blues | Louis Armstrong and The All Stars | Joe "King" Oliver | Columbia | 4-43819 | CO 90013 | Columbia Recording Session – New York City, New York |
| 25. August 1966 | Cabaret | Louis Armstrong and The All Stars | John Kander, Fred Ebb | Columbia | 4-43819 | CO 90014 2 Takes | Columbia Recording Session – New York City, New York |
| 11. September 1966 | Cabaret | „Ed Sullivan Show“ | | TVT | 9427-2 | | CBS TV-Show – New York City, New York |
| 23. September 1966 | Ford Ahead Armstrong | „Ford Motor Company“ | | | | | Aura Recording Session – New York City, New York |
| September 1966 | -Gespräch Bing Crosby und Louis Armstrong -Cheesecake -Let’s Sing Like A Dixieland Band -Muskrat Ramble | „The Hollywood Palace“ | | | | | ABC TV-Show – Los Angeles, Kalifornien |
| September 1966 | -Blueberry Hill -C’est Si Bon -Medley: --Louie --Rockin’ Chair --Do You Know What It Means To Miss New Orleans --Basin Street Blues --When You’re Smiling --When It’s Sleepy Time Down South --Tin Roof Blues --Back O’ Town Blues --Jeepers Creepers --Mack The Knife --Hello, Dolly | „Danny Kaye Show“ | | | | | CBS TV-Show – Los Angeles, Kalifornien |
| März 1967 | Day Dream | Louis Armstrong mit Gerald Sims’ Orchestra | | 55328 | 55318 | 118624 | Brunswick Recording Session – New York City, New York |
| März 1967 | Sept Down Brother, Next Case | Louis Armstrong mit Gerald Sims’ Orchestra | | 55328 | 55328 | 118625 | Brunswick Recording Session – New York City, New York |
| März 1967 | Louie’s Dream | Louis Armstrong mit Gerald Sims’ Orchestra | | 55328 | 55328 | 118626 | Brunswick Recording Session – New York City, New York |
| März 1967 | Northern Boulevard Blues | Louis Armstrong mit Gerald Sims’ Orchestra | | 55328 | 55318 | 118627 | Brunswick Recording Session – New York City, New York |
| 24. April 1967 | Mame | „Best On Record“ | | | | | NBC TV-Show – Grammy Award Show, New York City, New York |
| 22. Juni 1967 | -Hello, Dolly -Mame | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 24. Juni 1967 | -When It’s Sleepy Time Down South -Indiana -St. James Infirmary -Tiger Rag -Please Don’t Talk About Me When I’m Gone -This Could Be The Start Of Something Big -Muskrat Ramble -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | MBS „Bandstand USA“ Rundfunk-Übertragung – Cedar Ballroom, Sandusky, Ohio |
| 25.–27. Juni 1967 | -Trombones, Trumpets And All That Brass -Cabaret -Medley: --Now You Has Brass --Mack The Knife --Muskrat Ramble --Let’s Sing Like A Dixieland Band --South Rampart Street Parade --Mack The Knife --’Way Down Yonder In New Orleans --Interview Louis Armstrong durch Herb Alpert --Mame | „And All That Brass“ | | | | | CBS TV-Show – NBC Studios, Brooklyn, New York City, New York |
| 22. Juli 1967 | -When It’s Sleepy Time Down South -Ole Miss -Hello, Dolly -When It’s Sleepy Time Down South -More -Bill Bailey -Stompin’ At The Savoy -When It’s Sleepy Time Down South -Stompin’ At The Savoy | Louis Armstrong and The All Stars | | | | | CBS Rundfunk-Übertragung – Marine Ballroom, Steel Pier, Atlantic City, New Jersey |
| 25. Juli 1967 | -When It’s Sleepy Time Down South -Indiana -Back O’ Town Blues -Tiger Rag -Please Don’t Talk About Me When I’m Gone -Hello, Dolly -Pee Wee’s Blues -Avalon -Teach Me Tonight -Mack The Knife Medley: Tenderly / You’ll Never Walk Alone -Ole Miss -St. James Infirmary -Misty -When It’s Sleepy Time Down South -This Could Be The Start Of Something Big -Time After Time -What The World Needs Now -There’ll Be Some Changes Made -Cabaret -The Song Is Ended -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Odd Fellow Palaet, Kopenhagen, Dänemark |
| 26. Juli 1967 | -When It’s Sleepy Time Down South -Indiana -St. James Infirmary -Tiger Rag -Please Don’t Talk About Me When I’m Gone -Hello, Dolly -Medley -Just A Closer Walk With Thee Them There Eyes -I Love Paris -This Could Be The Start Of Something Big -Time After Time -Bill Bailey -Mop Mop -Cabaret -When The Saints Go Marchin’ In -A Kiss To Build A Dream On -Muskrat Ramble -Blueberry Hill -The Song Is Ended -Volare -What The World Needs Now -I Will Be Around -There’ll Be Some Changes Made -Mack The Knife -Stompin’ At The Savoy -Medley: Tenderly / You’ll Never Walk Alone -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Rundfunk- und Fernsehaufnahme – Juan-Les-Pins, Frankreich |
| 27. Juli 1967 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Tiger Rag -The Girl From Ipanema -Hello, Dolly -Pee Wee’s Blues -Avalon -Don’t Take Your Love From Me -This Could Be The Start Of Something Big -Time After Time -Bill Bailey -When The Saints Go Marchin’ In -Ole Miss -Cabaret -Muskrat Ramble -Blueberry Hill -That’s My Desire -Blues In The Closet -The Good Life -Sacha’s Blues -Mack The Knife -What The World Needs Now -What A Difference A Day Made -Everyday I Have The Blues -Stompin’ At The Savoy -Medley: Tenderly / You’ll Never Walk Alone -Medley -Mop Mop -When It’s Sleepy Time Down South | Louis Armstrong and The All Stars | | | | | Konzert – Rundfunk- und Fernsehaufnahme – Juan-Les-Pins, Frankreich |
| 3. August 1967 | -Blueberry Hill -Louis Armstrong interviewt von Johnny Carson -Cabaret | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 16. August 1967 | The Sunshine Of Love | Louis Armstrong’s Orchestra and Chorus | Leonard Whitcup, C. Gierich, G. Douglass | GRP | 656 | AMP14206 | ABC-Paramount Recording Session – New York City, New York |
| 16. August 1967 | What a Wonderful World | Louis Armstrong’s Orchestra and Chorus | George David Weiss, G. Douglass | GRP | 656 | AMP14207 | ABC-Paramount Recording Session – New York City, New York |
| 16. August 1967 | Hellzapoppin’ | Louis Armstrong and The All Stars | Marion Grudeff, Raymond Jessel | GRP | 656 | AMP14208 | ABC-Paramount Recording Session – New York City, New York |
| 16. August 1967 | Cabaret | Louis Armstrong and The All Stars | John Kander, Fred Ebb | GRP | 656 | AMP14209 | ABC-Paramount Recording Session – New York City, New York |
| 9. Oktober 1967 | Rosie | Louis Armstrong mit Dick Jacobs’ Orchestra | | Brunswick | 55350 | 119490 | Brunswick Recording Session – New York City, New York |
| 9. Oktober 1967 | You’ll Never Walk Alone | Louis Armstrong mit Dick Jacobs’ Orchestra | Richard Rogers, Oscar Hammerstein II | Brunswick | 55350 | 119491 | Brunswick Recording Session – New York City, New York |
| 9. Oktober 1967 | Willkommen | Louis Armstrong mit Dick Jacobs’ Orchestra | | Brunswick | 55360 | 119492 | Brunswick Recording Session – New York City, New York |
| 11. Oktober 1967 | What a Wonderful World | „Tonight Show“ | | Moon | MCD 066-2 | | NBC TV-Show – New York City, New York |
| 11. Oktober 1967 | -Louis Armstrong interviewt durch Johnny Carson -You’ll Never Walk Alone | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| November 1967 | The Happy Time | Louis Armstrong mit Dick Jacobs’ Orchestra | | Brunswick | 55360 | 119428 | Brunswick Recording Session – New York City, New York |
| November 1967 | I Believe | Louis Armstrong mit Dick Jacobs’ Orchestra | | Brunswick | 55395 | 119429 | Brunswick Recording Session – New York City, New York |
| November 1967 | The Gypsy In My Soul | Louis Armstrong mit Dick Jacobs’ Orchestra | | Brunswick | BL 754136 | 119430 | Brunswick Recording Session – New York City, New York |
| November 1967 | That’s My Desire | Louis Armstrong mit Dick Jacobs’ Orchestra | Helmy Kresa, Carroll Loveday | Brunswick | BL 754136 | 119431 | Brunswick Recording Session – New York City, New York |
| 13. November 1967 | -When It’s Sleepy Time Down South -Indiana -Back O’ Town Blues -What a Wonderful World -St. James Infirmary -Tiger Rag -The Song Is Ended -The Girl From Ipanema -Sunrise, Sunset -Hello, Dolly -Just A Closer Walk With Thee -Do You Know What It Means To Miss New Orleans -Avalon -Misty -This Could Be The Start Of Something Big -Time After Time -Bill Bailey -When The Saints Go Marchin’ In -Struttin’ With Some Barbecue -Cabaret -The Faithful Hussar -Blueberry Hill -Volare -That’s My Desire -What The World Needs Now -What A Difference A Day Made -Good Morning’ Blues -Mop Mop -Mack The Knife -Stompin’ At The Savoy -Tenderly / You’ll Never Walk Alone | Louis Armstrong and The All Stars | | | | | Konzert – Marine Stadium, Miami, Florida |
| 11. Dezember 1967 | Mi Va Di Cantare | Louis Armstrong E I Suoi Solisti | | Company Discografica Italiana | CDI 2017 | | Company Discografica Italiana Recording Session – Nola Studios, New York City, New York |
| 11. Dezember 1967 | Dimmi, Dimmi, Dimmi | Louis Armstrong E I Suoi Solisti | | Company Discografica Italiana | CDI 2026 | | Company Discografica Italiana Recording Session – Nola Studios, New York City, New York |
| 12. Dezember 1967 | Grassa E Bella | Louis Armstrong E I Suoi Solisti | | Company Discografica Italiana | CDI 2017 | | Company Discografica Italiana Recording Session – Nola Studios, New York City, New York |
| 12. Dezember 1967 | Farfallina | Louis Armstrong E I Suoi Solisti | | Company Discografica Italiana | CDI 2026 | | Company Discografica Italiana Recording Session – Nola Studios, New York City, New York |
| 18. Dezember 1967 | -No Time Is A Good Good-Bye Time -We’re A Home | Louis Armstrong and The All Stars | | United Artists | 50251 | | United Artists Recording Session – Bell Sound Studios, New York City, New York |
| 20. Dezember 1967 | -When It’s Sleepy Time Down South -What a Wonderful World -Hello, Dolly | „Operation: Entertainment“ | | | | | ABC TV-Show – Fort Hood Army Base, Kileen, Texas |
| 30. Dezember 1967 | -Cabaret -What a Wonderful World | „Jackie Gleason Show“ | | | | | CBS TV-Show – Miami, Florida |
| 31. Dezember 1967 | -When It’s Sleepy Time Down South -Indiana -What a Wonderful World -Tiger Rag -Wrap Your Troubles In Dreams -When It’s Sleepy Time Down South | „All Star Parade Of Bands“ | | | | | NBC Rundfunk-Übertragung – Las Vegas, Nevada |
| 11. Januar 1968 | -Medley: Hello, Dolly / Cabaret -Hello, Dolly | „The Hollywood Palace“ | | | | | ABC TV-Show – Los Angeles, Kalifornien |
| 11. Januar 1968 | Willkommen | „The Hollywood Palace“ | | Moon | MCD 080-2 | | ABC TV-Show – Los Angeles, Kalifornien |
| 11. Januar 1968 | No Time Is A Good Good-Bye Time | „The Hollywood Palace“ | | Moon | MCD 080-2 | | ABC TV-Show – Los Angeles, Kalifornien |
| 25. Januar 1968 | - Ankündigung Louis Armstrong durch Johnny Carson -Willkommen -Interview Louis Armstrong durch Johnny Carson -Mack The Knife | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 2. Februar 1968 | -Mi Va Di Cantare | „San Remo Song Festival“ | | Moon | MCD 066-2 | | RAI TV-Show – San Remo, Italien |
| 3. Februar 1968 | -When The Saints Go Marchin’ In -Mi Va Di Cantare -When The Saints Go Marchin’ In | „San Remo Song Festival“ | | | | | RAI TV-Show – San Remo, Italien |
| 20. Februar 1968 | -When It’s Sleepy Time Down South -When The Saints Go Marching’ In -Hello, Dolly -Rose -Kinda Love Song | „The Bell Telephone Hour: Jazz, The Intimate Art“ | | | | | Film Soundtrack (Drew Associates) – Kapp Studios, New York City, New York |
| 20. Februar 1968 | Life Of The Party | Louis Armstrong mit Dick Jacobs’ Orchestra | | Kapp | K 901 | 11142 | Kapp Recording Session – New York City, New York |
| 20. Februar 1968 | Kinda Love Song | Louis Armstrong mit Dick Jacobs’ Orchestra | | Kapp | K 977 | 11143 | Kapp Recording Session – New York City, New York |
| 27. Februar 1968 | ’Bout Time | „Disney Songs The Satchmo Way“ | Richard M. Sherman, Robert B. Sherman | Buena Vista | 4044 | | Buena Vista Recording Session, New York City, New York |
| 27. Februar 1968 | Bare Necessities | „Disney Songs The Satchmo Way“ | Terry Gilkyson | Buena Vista | 4044 | | Buena Vista Recording Session, New York City, New York |
| 27. Februar 1968 | Ten Feet Off The Ground | „Disney Songs The Satchmo Way“ | Richard M. Sherman, Robert B. Sherman | Buena Vista | 4044 | | Buena Vista Recording Session, New York City, New York |
| 26. März 1968 | Sunrise, Sunset | Louis Armstrong and The All Stars | | Brunswick | 55395 | | Brunswick Recording Session, New York City, New York |
| 26. März 1968 | I Will Wait For You | Louis Armstrong and The All Stars | | Brunswick | 55380 | | Brunswick Recording Session, New York City, New York |
| 26. März 1968 | Talk to the Animals | Louis Armstrong and The All Stars | | Brunswick | 55380 | | Brunswick Recording Session, New York City, New York |
| 28. März 1968 | -Cabaret -Sammy Davis junior interviewt Louis Armstrong -A Kiss To Build A Dream On | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 10. April 1968 | -Bare Necessities | „40th Annual Academy Awards“ | | | | | TV-Show – Hollywood, Kalifornien |
| 22. April 1968 | -Hello, Dolly -Bare Necessities | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 11. Mai 1968 | -Hello, Dolly -Just A Closer Walk With Thee -It’s Alright With Me -There’ll Be Some Changes Made -That’s Life -Mop Mop -Mack The Knife -Medley: Tenderly / You’ll Never Walk Alone -Life Honorary Membership presented to Louis Armstrong by New Orleans Jazz Club of California -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Monterey Jazz Festival, Monterey, Kalifornien |
| 16. Mai 1968 | The Ballad Of Davy Crockett | „Disney Songs The Satchmo Way“ | Blackburn, Tom, Bruns, George | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 16. Mai 1968 | When You Wish Upon A Star | „Disney Songs The Satchmo Way“ | Ned Washington, Leigh Harline | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 16. Mai 1968 | Bibbidi-Bobbidi-Boo | „Disney Songs The Satchmo Way“ | Jerry Livingston, Mack David, Al Hoffman | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 16. Mai 1968 | Zip-A-Dee-Doo-Dah | „Disney Songs The Satchmo Way“ | Ray Gilbert, Allie Wrubel | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 17. Mai 1968 | Chim Chim Cher-ee | „Disney Songs The Satchmo Way“ | Richard M. Sherman, Robert B. Sherman | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 17. Mai 1968 | Heigh Ho | „Disney Songs The Satchmo Way“ | Larry Morey, Frank Churchill | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| 17. Mai 1968 | -Whistle While You Work | „Disney Songs The Satchmo Way“ | Larry Morey, Frank Churchill | Buena Vista | 4044 | | Buena Vista Recording Session – Hollywood, Kalifornien |
| Mai 1968 | -Hello, Dolly | „Hello, Dolly!“ | Jerry Herman | | | | Film Soundtrack (20th Century Fox) – Hollywood, Kalifornien |
| 18. Juni 1968 | -When It’s Sleepy Time Down South -Indiana -What a Wonderful World -Tiger Rag -Wrap Your Troubles In Dreams -Please Don’t Talk About Me When I’m Gone -Hello, Dolly -Pee Wee’s Blues -Volare -That’s My Desire -When It’s Sleepy Time Down South -That’s Life -Mop Mop -Blueberry Hill -Stompin’ At The Savoy -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | Konzert – Variety Club, Batley, Yorkshire, Großbritannien |
| 19. Juni 1968 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -Tiger Rag -Hello, Dolly -Undecided -Volare -Mop Mop -Mack The Knife | Louis Armstrong and The All Stars | | | | | Konzert – Variety Club, Batley, Yorkshire, Großbritannien |
| 2. Juli 1968 | -Louis Armstrong erzählt aus seinem Leben und sagt einige seiner Schallplatten an | „Be My Guest“ | | | | | BBC TV-Show – London, Großbritannien |
| 2. Juli 1968 | -When It’s Sleepy Time Down South -Indiana -A Kiss To Build A Dream On -The Girl From Ipanema -Hello, Dolly -It’s Alright With Me -Rockin’ Chair -When It’s Sleepy Time Down South -Time After Time -That’s Life -Mop Mop -Mame -What a Wonderful World -When The Saints Go Marchin’ In | Louis Armstrong and The All Stars | | | | | BBC TV-Show (1. Show) – Sheppards Bush Studios, London, Großbritannien |
| 2. Juli 1968 | -When It’s Sleepy Time Down South -Ole Miss -Blueberry Hill -Sunrise, Sunset -Mack The Knife -Undecided -Modd Indigo -That’s My Desire -When It’s Sleepy Time Down South -There’ll Be Some Changes Made -I Left My Heart In San Francisco -Mop Mop -Bare Necessities -What a Wonderful World -Hello, Dolly | Louis Armstrong and The All Stars | | | | | BBC TV-Show (2. Show) – Sheppards Bush Studios, London, Großbritannien |
| Anfang Juli 1968 | -Louis Armstrong erzählt aus seinem Leben und über die Schallplatten, die er auf seine "Wüsteninsel" mitnehmen würde | „Desert Island Discs“ | | | | | BBC Rundfunk-Übertragung – London, Großbritannien |
| 23. Juli 1968 | Dream A Little Dream Of Me | Louis Armstrong and The All Stars | Wilbur Schwant, Fabian Andre, Gus Kahn | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 23. Juli 1968 | I Guess I’ll Get The Papers And Go Home | Louis Armstrong and The All Stars | Hughie Price, Dick Rogers, Hal Kanner | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 23. Juli 1968 | There Must Be A Way | Louis Armstrong and The All Stars | Sammy Gallop, David Saxon | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 23. Juli 1968 | Give Me Your Kisses | Louis Armstrong and The All Stars | Leonard Whitcup, Bob Thiele | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 24. Juli 1968 | Hello Brother | Louis Armstrong and The All Stars | George Weiss, Bob Thiele | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 24. Juli 1968 | The Home Fire | Louis Armstrong and The All Stars | George David Weiss, G. Douglass | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 24. Juli 1968 | Fantastic, That’s You | Louis Armstrong and The All Stars | Bob Cates, Bob Thiele, Mort Green | GRP | 656 | | ABC-Paramount Recording Session – Las Vegas, Nevada |
| 28. Oktober 1969 | We Have All The Time In The World | „On Her Majesty’s Secret Service“ | | United Artists | 50617 | | Film Soundtrack (United Artists) – New York City, New York |
| 28. Oktober 1969 | Pretty Little Missy | „On Her Majesty’s Secret Service“ | | United Artists | 50617 | | Film Soundtrack (United Artists) – New York City, New York |
| 13. Januar 1970 | Someday You’ll Be Sorry | „Today Show – From Ragtime To Rock: A History Of American Music“ | | RCA Victor Special Products | Z4RM-1089 | | NBC Rundfunk-Übertragung – New York City, New York |
| 13. Januar 1970 | -Someday You’ll Be Sorry -Pretty Little Missy | „Dick Cavett Show“ | | | | | ABC TV-Show – New York City, New York |
| 23. Januar 1970 | Unbekannte Titel | The Flip Wilson Show | | | | | Fernseh-Übertragung – unbekannter Ort |
| 11. Februar 1970 | -Hello, Dolly -David Frost interviewt Louis Armstrong -Moon River -David Frost interviewt Louis Armstrong -Blueberry Hill -David Frost interviewt Louis Armstrong und Robert Merrill | „David Frost Show“ | | | | | TV-Show – New York City, New York |
| 13. Februar 1970 | -Mack The Knife -Joan Rivers interviewt Louis Armstrong -Hello, Dolly | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| Februar 1970 | Unbekannte Titel | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| März 1970 | Unbekannte Titel | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 3. April 1970 | -We Have All The Time In The World -Someday You’ll Be Sorry | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 25. Mai 1970 | Unbekannte Titel | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 26. Mai 1970 | -St. Louis Blues -Mike Douglas interviewt Louis Armstrong -Mike Douglas interviewt Lucille und Louis Armstrong -Lucille erklärt ein Rezept für „Red Beans and Rice“ -Confessin’ | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 26. Mai 1970 | Mood Indigo | „Louis Armstrong and His Friends“ | Duke Ellington, Irving Mills, A. Bigard | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 26. Mai 1970 | What a Wonderful World | „Louis Armstrong and His Friends“ | George David Weiss, G. Douglass, G. D. Weiss, B. Thiele | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 26. Mai 1970 | My One And Only Love | „Louis Armstrong and His Friends“ | R. Mellin, Woods | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 26. Mai 1970 | Here Is My Heart For Christmas | „Louis Armstrong and His Friends“ | | Philips | 6073 701 | | Flying Dutchman Recording Session – New York City, New York |
| 27. Mai 1970 | -Chicago -Mike Douglas interviewt Louis Armstrong über seine Weltreisen -Lustiger Dialog zwischen Louis Armstrong und Lampchops (Handpuppe von Sherri Lewis) und Auszug von Whiffenpoof Song | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 27. Mai 1970 | His Father Wore Long Hair | „Louis Armstrong and His Friends“ | G. D. Weiss, Bob Thiele, P. Rivelli | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 27. Mai 1970 | Everybody’s Talkin’ | „Louis Armstrong and His Friends“ | Fred Neil | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 27. Mai 1970 | The Creator Has A Master Plan (3 Takes) | „Louis Armstrong and His Friends“ | Pharaoh Sanders, Leon Thomas | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 28. Mai 1970 | -Zip-A-Dee-Doo-Dah -Mike Douglas interviewt Louis Armstrong -I Surrender Dear | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 29. Mai 1970 | -Blueberry Hill -Mike Douglas interviewt Louis Armstrong -Hello, Dolly -Gespräch Sammy Davis junior und Louis Armstrong -Basin Street Blues -When The Saints Go Marchin’ In | „Mike Douglas Show“ | | | | | KYW TV-Show – Philadelphia, Philadelphia |
| 29. Mai 1970 | Give Peace A Chance | „Louis Armstrong and His Friends“ | John Lennon, Paul McCartney | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 29. Mai 1970 | We Shall Overcome | „Louis Armstrong and His Friends“ | Z. Horton, F. Hamilton, G. Carawan, Pete Seeger | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 29. Mai 1970 | Boy From New Orleans | „Louis Armstrong and His Friends“ | Katz Roberts, Bob Thiele | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 29. Mai 1970 | This Black Cat Has Nine Lives | „Louis Armstrong and His Friends“ | Lorenzo Pack | Flying Dutchman | AMS 12009 | | Flying Dutchman Recording Session – New York City, New York |
| 2. Juni 1970 | Unbekannte Titel | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |
| 7. Juni 1970 | -When It’s Sleepy Time Down South -Pretty Little Missy -What a Wonderful World -It’s Alright With Me -Gespräch Louis Armstrong und Father Norman O’Connor -Someday You’ll Be Sorry -Hello, Dolly (2 Takes) | „Dial M For Music – Louis Armstrong“ | | | | | Film Soundtrack (CBS) – New York City, New York |
| 9. Juni 1970 | -Cabaret -Orson Welles interviewt Louis Armstrong -Mack The Knife -Orson Welles interviewt Louis Armstrong | „David Frost Show“ | | | | | TV-Show – New York City, New York |
| 3. Juli 1970 | Feier zu Louis Armstrongs 70. Geburtstag mit Hoagy Carmichael als Moderator: -Redebeiträge -Witze -einige Songs von Louis Armstrong: --West End Blues (Aufnahme von 1928 wird gespielt) -Rockin’ Chair -Ambassador Catch Band spielt: --Mack The Knife -Auftritt Barry Martyn’s Band -Auftritt Riverboat Band -Auftritt Sarah Vaugham -Auftritt King Oliver’s Creole Jazz Band -Auftritt Hoagy Carmichael -Auftritt The Hot Five -Auftritt The All Stars | „Hello Louis“ | | | | | GHB Recording Session – Shrine Auditorium, Los Angeles, Kalifornien |
| 3. Juli 1970 | -When It’s Sleepy Time Down South -Blueberry Hill -Hello, Dolly | „Hello Louis“ | | GHB | BCD-423 | | GHB Recording Session – Shrine Auditorium, Los Angeles, Kalifornien |
| 4.–9. Juli 1970 | -Mack The Knife (2 Takes) -Them There Eyes -Heebie Jeebies -Jeepers Creepers -When The Saints Go Marching’ In -Just A Closer Walk With Thee -What a Wonderful World -Hello, Dolly (2 Takes) -Blueberry Hill -Pennies From Heaven -When It’s Sleepy Time Down South (2 Takes) | „Anatomy Of A Performance“ | | | | | Film Soundtrack (Festfilms) – Newport, Rhode Islands |
| 10. Juli 1970 | -When It’s Sleepy Time Down South -Thanks A Million -’Way Down Yonder In New Orleans -Confessin’ -Them There Eyes -Nobody Knows The Trouble I’ve Seen -I’m In The Market For You -Heebie Jeebies -Someday You’ll Be Sorry -Ain’t Misbehavin’ -When It’s Sleepy Time Down South -Pennies From Heaven -Blueberry Hill -When It’s Sleepy Time Down South | „Trumpet Player’s Tribute“ | | | | | Film Soundtrack (Festfilms) – Newport, Rhode Islands |
| 10. Juli 1970 | -Just A Closer Walk With Thee -When The Saints Go Marchin’ In -Mack The Knife | „Finale“ | | | | | Film Soundtrack (Festfilms) – Newport, Rhode Islands |
| 29. Juli 1970 | -You Rascal You -Someday You’ll Be Sorry | „Dick Cavett Show“ | | | | | ABC TV-Show – New York City, New York |
| Juli 1970 | -On The Sunny Side Of The Street -When The Saints Go Marching’ In -Hello, Dolly | „Sun City Scandals“ | | | | | NBC TV-Show – Hollywood, Kalifornien |
| 25. August 1970 | -I Surrender Dear -Mood Indigo -What a Wonderful World | „David Frost Show“ | | | | | TV-Show – New York City, New York |
| 3. August 1970 | Crystal Chandeliers | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 3. August 1970 | The Easy Part’s Over Now | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 4. August 1970 | Wolverton Mountain | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 4. August 1970 | Get Together | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 4. August 1970 | You Can Have Her | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 5. August 1970 | Why Did Mrs. Murphy Leave Town | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 5. August 1970 | Crazy Arms | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 5. August 1970 | Running Bear | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 5. August 1970 | Almost Persuaded | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 6. August 1970 | Miller’s Cave | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 6. August 1970 | Black Cloud | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 6. August 1970 | Ramblin’ Rose | „Louis ‚Country & Western‘ Armstrong“ | | Avco Embassy | AVE 33022 | | Avco Embassy Recording Session – New York City, New York und Nashville, Tennessee |
| 7. September 1970 | Unbekannte Titel | The Mike Douglas Show | | | | | Fernsehen-Übertragung – Unbekannter Ort |
| 10. Oktober 1970 | -Crystal Chandeliers -Ramblin’ Rose -Blue Yodel Number 9 | „The Johnny Cash Show – History of Country Music: Part 2“ | | | | | ABC TV-Show – wahrscheinlich Nashville, Tennessee |
| 22. Oktober 1970 | -Mack The Knife -Hello,Dolly -Sister Kate -The Whiffenpoof Song -I’m A Ding Dong Daddy From Dumas -When The Saints Go Marchin’ In | „The Flip Wilson Show“ | | | | | NBC TV-Show – Hollywood, Kalifornien |
| 29. Oktober 1970 | -When It’s Sleepy Time Down South and Introduction -When The Saints Go Marchin’ In -Ad lib trumpet -Hello, Dolly (2 Takes) -Pretty Little Missy -Warm Up and When It’s Sleepy Time Down South -Blueberry Hill -What a Wonderful World --Mack The Knife -Hello, Dolly (2 Takes) | „The Boy From New Orleans – A Tribute To Louis Armstrong“ | | | | | Film Soundtrack (CBS) – London, Großbritannien |
| 23. Januar 1971 | -Blueberry Hill -Exactly Like You -Didn’t We -Medley: --When The Blue Of The Night --Moon River --Mack The Knife --Hello, Dolly --Bill Bailey -Hello, Dolly (Zugabe) | „Pearl Bailey Show“ | | | | | ABC TV-Show – Hollywood, Kalifornien |
| 29. Januar 1971 | -When It’s Sleepy Time Down South -Hello, Dolly -Rockin’ Chair -Boy From New Orleans -Mack The Knife | Louis Armstrong and The All Stars | | N.P.C. | PR 178 | | Konzert - National Press Club, Washington DC |
| 10. Februar 1971 | -When It’s Sleepy Time Down South -Blueberry Hill -That’s My Desire -When The Saints Go Marchin’ In | „David Frost Show“ | | | | | TV-Show – New York City, New York |
| 22. Februar 1971 | -Ole Miss -When It’s Sleepy Time Down South -This Black Cat Has Nine Lives | „Dick Cavett Show“ | | | | | ABC TV-Show – New York City, New York |
| 26. Februar 1971 | The Night Before Christmas (Gedicht, gelesen von Louis Armstrong) | Louis Armstrong | Clement Moore | Continental | 45 CR 1001 | | Continental Recording Session – Haus von Louis Armstrong, Corona, New York |
| März 1971 | -Pretty Little Missy -Blueberry Hill | „Tonight Show“ | | | | | NBC TV-Show – New York City, New York |

## Lieder

Die Übersicht Lieder listet alle von Louis Armstrong eingespielten Lieder, das Datum und die Band der ersten Aufnahme.
| Name des Liedes | Datum Erstaufnahme | Band / Künstler / Veranstaltung |
| 12th Street Blues | 4. Februar 1925 | Fletcher Henderson and His Orchestra |
| 2:19 Blues | 27. Mai 1940 | Louis Armstrong And His Orchestra |
| A Fine Romance | 13. August 1957 | Ella Fitzgerald and Louis Armstrong |
| A Foggy Day | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| A Georgia Man | 23.–24. Februar 1926 | Bertha "Chippie" Hill |
| A Hundred Years From Today | März 1949 | AFRS "Jubilee" Programs #337, #339, #344, #347 |
| A Jealous Woman Like Me | 1.–3. März 1926 | Sippie Wallace |
| A Kiss to Build a Dream On | 26.–29. Dezember 1951 | The Strip |
| A Little on the Lonely Side | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| A Lot of Livin’ to Do | 3. Dezember 1963 | Louis Armstrong and The All Stars |
| A Man for Every Day of fhe Week | 3. März 1926 | Sippie Wallace |
| A Monday Date | 27. Juni 1928 | Louis Armstrong and His Hot Five |
| A Pretty Girl Is Like a Melody | 19. Mai - 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| A Sinner Kissed An Angel | 29. Januar 1957 | Louis Armstrong mit Sy Oliver’s Orchestra |
| A Song Is Born | 11. Dezember 1948 | ABC Broadcast |
| A Song Was Born | 6. August 1947 | A Song Is Born |
| A Woman Is A Sometime Thing | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Accentuate The Positive | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| Ad Lib Blues | Ende 1954 oder Anfang 1955 | Finian’s Rainbow |
| Adam and Eve Had the Blues | 11. November 1925 | Hociel Thomas Acc. by Louis Armstrong's Jazz Four |
| After I Say I’m Sorry | 20. April 1926 | Lillian Armstrong’s Serenaders |
| After You’ve Gone | 26. November 1929 | Louis Armstrong and His Orchestra |
| After You've Gone (non-vocal) | 26. November 1929 | Louis Armstrong and His Orchestra |
| Ain’t It The Truth | 28. August 1942 | Cabin in the Sky |
| Ain’t Misbehavin’ | 19. Juli 1929 | Louis Armstrong And His Orchestra |
| Ain’t Misbehavin’ (I’m Shaving Myself For You) | 8. Dezember 1959 | Louis Armstrong |
| Ain’t That Just Like A Man | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Alabamy Bound | 2. Februar 1925 | Fletcher Henderson and His Orchestra |
| Alexander’s Ragtime Band | 7. Juli 1937 | Louis Armstrong and His Orchestra |
| All of Me | 27. Januar 1932 | Louis Armstrong and His Orchestra |
| All That Meat and No Potatoes | 27. April 1955 | Louis Armstrong and The All Stars |
| All The Things You Are | 8. Mai 1958 | Louis Armstrong and The All Stars |
| Alligator Crawl | 10. Mai 1927 | Louis Armstrong and His Hot Seven |
| Alligator Hop | 5. Oktober 1923 | King Oliver’s Creole Jazz Band |
| Alligator Story | 12. Juli 1954 | Louis Armstrong and The All Stars |
| Almost Persuaded | 5. August 1970 | Louis "Country Western" Armstrong |
| Alone at Last | 7. August 1925 | Billy Jones mit the Southern Serenaders |
| Always | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| Among My Souvenirs | 17. April 1942 | Louis Armstrong And His Orchestra |
| And the Angels Sing | 30. Januar 1957 | Louis Armstrong |
| Angel | 30. Januar 1957 | Louis Armstrong |
| Angel Child | 29. Januar 1957 | Louis Armstrong mit Sy Oliver’s Orchestra |
| Angela Mia | 30. Januar 1957 | Louis Armstrong |
| Another Op’nin’, Another Show | 6. Oktober 1956 | Ford Star Jubilee – You’re the Top |
| Anybody Here Want to Try My Cabbage? | 10. Dezember 1924 | Maggie Jones |
| Anything Can Happen at the Hollywood Bowl Medley (Back O’ Town Blues) | 19. September 1954 | Colgate Comedy Hour (Episode 5.1) |
| April in Paris | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| April in Portugal | 21. April 1953 | Louis Armstrong and His Orchestra |
| Arkansas Blues | 17. Januar 1945 | ABC Broadcast / AFRS One Night Stand #489 |
| As Long As You Live (You’ll Be Dead If You Die) | 13. Mai 1938 | Louis Armstrong and His Orchestra |
| At The Jazz Band Ball | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| Atlanta Blues (Make Me One Pallet On Your Floor) | 13. Juli 1954 | Louis Armstrong |
| Auld Lang Syne | 31. Dezember 1954 | CBS Radio Broadcast |
| Aunt Hagar’s Blues | 12. Juli 1954 | Louis Armstrong and The All Stars |
| Autumn in New York | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| Autumn Leaves | 3. Oktober 1958 | Louis Armstrong and The All Stars |
| Avalon | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| Azalea | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Baby | 11. Dezember 1928 | Lillie Delk Christian mit Louis Armstrong & His Hot Four |
| Baby Don’t You Cry | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Baby Won’t You Please Come Home | 15. Juli 1939 | Louis Armstrong and His Orchestra |
| Baby, I Can’t Use You No More | 28. November 1924 | Sippie Wallace accompanied by Clarence Williams’ Blue Five |
| Baby, It’s Cold Outside | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Baby, Your Sleep Is Showing | 25. April 1955 | Louis Armstrong and The All Stars |
| Back Home Again in Indiana | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Back O’ Town Blues | 18. Januar 1944 | ABC Victory Parade of Spotlight Bands #416 / AFRS Spotlight Bands program #261 |
| Ballin’ the Jack | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Barrelhouse Bessie From Basin Street | März – April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Basin Street Blues | 4. Dezember 1928 | Louis Armstrong and His Orchestra |
| Bassin’ The Blues | 8. Oktober 1952 | Louis Armstrong and The All Stars |
| Battle Royal | 14. Dezember 1960 | Paris Blues |
| Be My Life’s Companion | 18. April 1964 | Louis Armstrong and The All Stars |
| Beale Street Blues | 12. Juli 1954 | Louis Armstrong and The All Stars |
| Beau Koo Jack | 5. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| Beautiful Dreamer | 7. Juli 1957 | Ed Sullivan Show (Episode 10.41) |
| Because of You | 17. September 1951 | Louis Armstrong and His Orchestra |
| Before Long | 16. Oktober 1947 | Louis Armstrong and His All Stars |
| Bess, Oh Where’s My Bess? | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Bess, You Is My Woman Now | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Bessie Couldn’t Help It | Februar 1930 | Louis Armstrong |
| Between The Devil And The Deep Blue Sea | 25. Januar 1932 | Louis Armstrong and His Orchestra |
| Bibbidy-bobbidy-boo | 16. Mai 1968 | Louis Armstrong |
| Big Butter And Egg Man | 16. November 1926 | Louis Armstrong and His Hot Five |
| Big Daddy Blues | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Big Fat Ma And Skinny Pa | 23. Juni 1926 | Louis Armstrong and His Hot Five |
| Big Mama’s Back In Town | 21. Januar 1955 | Louis Armstrong and The All Stars |
| Bill Bailey | 3. August 1959 | Louis Armstrong and The Dukes of Dixieland |
| Bill Bailey Won’t You Please Come Home | Oktober 1958 | The Five Pennies |
| Birth of the Blues | 19. September 1954 | Colgate Comedy Hour (Episode 5.1) |
| Black and Blue | 22. Juli 1929 | Louis Armstrong and His Orchestra |
| Black And Tan Fantasy | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Black Cloud | 6. August 1970 | Louis "Country Western" Armstrong |
| Blame It On Me | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| Blow Gabriel, Blow | 6. Oktober 1956 | Ford Star Jubilee – You’re the Top |
| Blue Again | 28. April 1931 | Louis Armstrong and His Orchestra |
| Blue Moon | 14. Mai 1955 | NBC Broadcast |
| Blue Skies | September 1945 | AFRS "Jubilee" Program #146 |
| Blue Turning Grey Over You | Februar 1930 | Louis Armstrong |
| Blue Yodel No. 9 (standin’ On The Corner) | 16. Juli 1930 | Jimmie Rodgers |
| Blueberry Hill | 26. April 1947 | WNEW Saturday Night Swing Show |
| Blues Are Brewin’ | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Blues For Bass | 21. Januar 1955 | Louis Armstrong and The All Stars |
| Blues For The Second Line | 27. November 1941 | WBBM Broadcast |
| Blues For Yesterday | 6. September 1946 | Louis Armstrong and His Hot Seven |
| Blues In The Night | 22. April 1942 | MBS Broadcast |
| Blues In The South | 6. September 1946 | Louis Armstrong and His Hot Seven |
| Blues Stampede | 21. April 1927 | Jimmy Bertrand’s Washboard Wizards |
| Blues in B flat | 10. September 1949 | Eddie Condon Floor Show (NBC) |
| Blues in the Night | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Blues à la Hey Bob-A-Rebob | 26. März 1956 | Louis Armstrong and The All Stars |
| Body and Soul | 9. Oktober 1930 | Louis Armstrong And His New Sebastian Cotton Club Orchestra |
| Boff Boff | 30. November 1947 | Louis Armstrong and The All Stars |
| Boog-It | 10. April 1940 | Louis Armstrong and The Mills Brothers |
| Boogie Woogie on St. Louis Blues | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Bourbon Street Parade | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| Bout Time | 27. Februar 1968 | Louis Armstrong |
| Boy From New Orleans | 29. Mai 1970 | Louis Armstrong and His Friends |
| Brahms’ Lullaby | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Broken Busted Blues | 7. Januar 1925 | Clara Smith |
| Bucket’s Got A Hole In It | 24. Mai 1956 | Louis Armstrong and The All Stars |
| Buddy Bolden’s Blues | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Buddy’s Habit | 5.–15. Oktober 1923 | King Oliver’s Creole Jazz Band |
| Bugle Blues | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Bugle Blues / Ole Miss | 4. Oktober 1952 | Louis Armstrong and The All Stars |
| Bugle Call Rag | 28. Juni 1952 | Colgate Comedy Hour (NBC – Episode 2.12) |
| Bugle Call Rag / Ole Miss | 25. Oktober 1952 | RAI Radio Broadcast |
| Buzz Me Baby | 15. November 1947 | Louis Armstrong and The All Stars |
| Bye And Bye | 23. Januar 1923 | Fletcher Henderson and His Orchestra |
| Bye Bye Blues | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| C’est si bon | 26. Juni 1950 | Louis Armstrong mit Sy Oliver’s Orchestra |
| C Jam Blues | 15. November 1947 | Louis Armstrong and The All Stars |
| Cabaret | 4. Juni 1965 | Louis Armstrong |
| Cain And Abel | Mai 1940 | Louis Armstrong and His Orchestra |
| Cake Walking Babies From Home | 22. Dezember 1924 | The Red Onion Jazz Babies |
| Caldonia | August 1945 | AFRS Magic Carpet program #101 |
| Camp Meeting Blues | 16. Oktober 1923 | King Oliver’s Creole Jazz Band |
| Can Anyone Explain? | 25. August 1950 | Louis Armstrong mit Ella Fitzgerald and Sy Oliver’s Orchestra |
| Can’t Help Lovin’ Dat Man | August 1962 | Louis Armstrong and The All Stars |
| Can't We Be Friends | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| Canal Street Blues | 5. April 1923 | King Oliver’s Creole Jazz Band |
| Careless Love Blues | 26. Mai 1925 | Bessie Smith |
| Carolina Stomp | 21. Oktober 1925 | Fletcher Henderson and His Orchestra |
| Carry Me Back To Old Virginny | 7. April 1937 | Louis Armstrong and The Mills Brothers |
| Cash For Your Trash (Get Some) | 10. April 1942 | MBS Broadcast |
| Cast Away | 4. März 1925 | Eva Taylor mit Clarence Williams’ Blue Five |
| Changeable Daddy of Mine | 25. November 1924 | Margaret Johnson mit Clarence Williams Blue Five |
| Chantez Les Bas (sing ’em Low) | 14. Juli 1954 | Louis Armstrong |
| Chattanooga Stomp | 15. Oktober 1923 | King Oliver’s Creole Jazz Band |
| Cheek to Cheek | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| Cheesecake | April 1966 | Louis Armstrong and The All Stars |
| Cherry | 11. April 1940 | Louis Armstrong and The Mills Brothers |
| Chesterfield Jingle | 28. November 1951 | Bing Crosby "Chesterfield" Show |
| Chicago | 27. Mai 1970 | Mike Douglas Show |
| Chicago Breakdown | 9. Mai 1927 | Louis Armstrong and His Stompers |
| Chim Chim Cher-ee | 17. Mai 1968 | Louis Armstrong |
| Chimes Blues | 5. April 1923 | King Oliver’s Creole Jazz Band |
| China Boy | September 1960 | Louis Armstrong and The All Stars |
| Chinatown | 27. August 1949 | Eddie Condon Floor Show (NBC) |
| Chinatown, My Chinatown | 3. November 1931 | Louis Armstrong and His Orchestra |
| Chloe | 22. September 1952 | Louis Armstrong mit Gordon Jenkins and His Orchestra |
| Christmas In New Orleans | 8. September 1955 | Louis Armstrong mit Benny Carters Orchestra |
| Christmas Night In Harlem | 8. September 1955 | Louis Armstrong mit Benny Carters Orchestra |
| Christopher Columbus | Oktober 1959 | Louis Armstrong and The All Stars |
| Clarinet Marmalade | 19. Dezember 1955 | Louis Armstrong and The All Stars |
| Coal Cart Blues | 8. Oktober 1925 | Eva Taylor mit Clarence Williams Blue Five |
| Cocktails For Two | 4. Juni 1965 | Louis Armstrong |
| Cold Cold Heart | 17. September 1951 | Louis Armstrong and His Orchestra |
| Cold In Hand Blues | 14. Januar 1925 | Bessie Smith |
| Come Along Down | Juli 1966 | Louis Armstrong mit Guy Lombardos Orchestra |
| Come Back, Sweet Papa | 22. Februar 1926 | Louis Armstrong and His Hot Five |
| Come On Coot Do That Thing | September – Oktober 1925 | Grant and Wilson mit Fletcher Hendersons Orchestra |
| Congratulations To Someone | 23. Februar 1953 | Louis Armstrong mit Sy Olivers Orchestra |
| Cool Yule | 22. Oktober 1953 | Louis Armstrong mit The Commanders |
| Copenhagen | 30. Oktober 1924 | Fletcher Henderson and His Orchestra |
| Coquette | 4. April 1942 | MBS Broadcast |
| Cornet Chop Suey | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| Cotton Tail | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Countin’ The Blues | 16. Oktober 1924 | Ma Rainey accompanied by her Georgia Jazz Band |
| Court House Blues | 2. April 1925 | Clara Smith |
| Courthouse Blues | 28. Januar 1957 | Louis Armstrong |
| Crazy Arms | 5. August 1970 | Louis "Country Western" Armstrong |
| Crystal Chandeliers | 3. August 1970 | Louis "Country Western" Armstrong |
| Cuban Pete | 7. Juli 1937 | Louis Armstrong and His Orchestra |
| Cultural Exchange | 19. September 1961 | Louis Armstrong and The All Stars |
| Cut Off My Legs and Call Me Shorty | Mai 1940 | Louis Armstrong and His Orchestra |
| Dallas Blues | 10. Dezember 1929 | Louis Armstrong and His Orchestra |
| Dance with the Dolly | 26. Oktober 1944 | ABC Victory Parade of Spotlight Bands #658 / AFRS Spotlight Bands program #503 |
| Dardanella | 24. Januar 1956 | Louis Armstrong and The All Stars |
| Darling Nelly Gray | 9. April 1940 | Radio Broadcast |
| Day Dream | März 1967 | Louis Armstrong mit Gerald Sims Orchestra |
| Dead Drunk Blues | 6. Mai 1927 | Sippie Wallace |
| Dear Old Southland | 5. April 1930 | Louis Armstrong |
| Deep Water Blues | 24. Februar 1926 | Hociel Thomas |
| Didn’t It Rain | 6. Februar 1958 | Louis Armstrong mit Sy Oliver’s Orchestra |
| Didn’t We | 23. Januar 1971 | The Pearl Bailey Show (ABC) |
| Dimi Dimi Dimi | 11. Dezember 1967 | Louis Armstrong E I Suoi Solisti |
| Dinah | 4. Mai 1930 | Louis Armstrong And His Orchestra |
| Dipper Mouth Blues (Dippermouth Blues) | 6. April 1923 | King Oliver’s Creole Jazz Band |
| Dixie | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| Do Nothin’ Till You Hear From Me | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Do You Know What It Means to Miss New Orleans? | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Doctor Jazz | 30. September – 2. Oktober 1959 | Louis Armstrong and The All Stars |
| Don’t Be That Way | 13. August 1957 | Ella Fitzgerald and Louis Armstrong |
| Don’t Cry Baby | 8. Dezember 1943 | ABC Victory Parade of Spotlight Bands #380 / AFRS Spotlight Bands program #225 |
| Don’t Fence Me In | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Don’t Forget To Mess Around | 16. Juni 1926 | Louis Armstrong and His Hot Five |
| Don’t Forget You'll Regret Day By Day | 10.–13. Dezember 1924 | Fletcher Henderson and His Orchestra |
| Don’t Get Around Much Anymore | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Don’t Jive Me | 28. Juni 1928 | Louis Armstrong and His Hot Five |
| Don’t Play Me Cheap | 26. April 1933 | Louis Armstrong And His Orchestra |
| Don’t Sweetheart Me | 19. Mai – 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| Don’t Worry ’Bout Me | 23. November 1948 | Eddie Condon Floor Show |
| Down By The Riverside | 4. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| Down In Honky Tonk Town | 27. Mai 1940 | Louis Armstrong And His Orchestra |
| Dream a Little Dream of Me | 25. August 1950 | Louis Armstrong mit Ella Fitzgerald And Sy Olivers Orchestra |
| Drop Me Off At Harlem | 3.–4. April 1961 | Louis Armstrong And Duke Ellington |
| Drop That Sack | 28. Mai 1926 | Lill’s Hot Shots |
| Droppin’ Shucks | 16. Juni 1926 | Louis Armstrong and His Hot Five |
| Duke’s Place | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Dusky Stevedore | 24. April 1933 | Louis Armstrong And His Orchestra |
| Early Every Morn | 22. Dezember 1924 | Josephine Beatty accompanied by The Red Onion Jazz Babies |
| Early In The Morning | 17. Oktober 1924 | Virginia Liston accompanied by Clarence Williams’ Blue Five |
| East of the Sun | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Easy As You Go | 19. Mai – 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| Easy Come, Easy Go Blues | 21. April 1927 | Jimmy Bertrands Washboard Wizards |
| Easy Street | 9. September 1955 | Louis Armstrong mit Gary Crosby and The All Stars |
| Elder Eatmore’s Sermon On Generosity | 11. August 1938 | Louis Armstrong |
| Elder Eatmore’s Sermon On Throwing Stones | 11. August 1938 | Louis Armstrong |
| Endie | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Esquire Blues | 16. Januar 1944 | NBC Chamber Music Society of Lower Basin Street |
| Ev’ntide | 18. Mai 1936 | Louis Armstrong and His Orchestra |
| Ev’rything’s Been Done Before | 10. März 1941 | Louis Armstrong and His Hot Seven |
| Everybody Loves My Baby (but My Baby Don’t Love Nobody But Me) | 6. November 1924 | Clarence Williams’ Blue Five |
| Everybody’s Comin’ | 12. September 1961 | Louis Armstrong and The All Stars |
| Everybody’s Talkin’ | 27. Mai 1970 | Louis Armstrong and His Friends |
| Exactly Like You | 4. Mai 1930 | Louis Armstrong and His Orchestra |
| Ezekiel Saw De Wheel | 7. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| Faith | 3. November 1964 | Louis Armstrong and The All Stars |
| Falling In Love mit You | 22. November 1935 | Louis Armstrong and His Orchestra |
| Fantastic, That’s You | 24. Juli 1968 | Louis Armstrong and The All Stars |
| Farewell To Storyville | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Farfalina | 12. Dezember 1967 | Louis Armstrong E I Suoi Solisti |
| Fatha’s Time | 26.–29. Dezember 1950 | The Strip |
| Fifty-Fifty Blues | 10. Juni 1947 | Louis Armstrong and His All Stars |
| Find Me At The Greasy Spoon (if You Miss Me Here) | September – Oktober 1925 | Grant and Wilson mit Fletcher Henderson’s Orchestra |
| Fine and Dandy | 22. Dezember 1949 – 4. Januar 1950 | U.S. Treasury Department, Guest Star #163 |
| Fireworks | 27. Juni 1928 | Louis Armstrong and His Hot Five |
| Flee As A Bird To The Mountain | 14. November 1951 | Glory Alley |
| Flee As A Bird To The Mountain / Didn’t He Ramble | 8. Februar 1947 | Louis Armstrong mit Edmond Hall And His Cafe Society Uptown Orchestra |
| Flee as a Bird / When the Saints Go Marching In | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Flying Home | 18. Januar 1944 | ABC Victory Parade of Spotlight Bands #416 / AFRS Spotlight Bands program #261 |
| Fools Rush In | 29. Januar 1957 | Louis Armstrong mit Sy Oliver’s Orchestra |
| Frankie and Johnny | 30. September – 2. Oktober 1959 | Louis Armstrong and The All Stars |
| Frog-i-more Rag | 25. Januar 1957 | Louis Armstrong |
| Froggie Moore | 6. April 1923 | King Oliver’s Creole Jazz Band |
| Funny Feathers | 10. Juli 1929 | Victoria Spivey |
| G’wan, I Told You | 24. Februar 1926 | Hociel Thomas |
| Gambler’s Dream | 11. November 1925 | Hociel Thomas Acc. By Louis Armstrong’s Jazz Four |
| Gee Baby Ain’t I Good To You | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| Georgia Bo Bo | 20. April 1926 | Lillian Armstrong’s Serenaders |
| Georgia Grind | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| Georgia On My Mind | 5. November 1931 | Louis Armstrong and His Orchestra |
| Get Together | 4. August 1970 | Louis "Country Western" Armstrong |
| Girl of My Dreams | Oktober 1959 | Louis Armstrong and The All Stars |
| Give Me Your Kisses | 23. Juli 1968 | Louis Armstrong and The All Stars |
| Give Me the Music Maker | 19. Januar 1961 | Swinging at the Summit |
| Give Peace A Chance | 29. Mai 1970 | Louis Armstrong and His Friends |
| Glory Alley | 17. November 1951 | Glory Alley |
| Go ’long, Mule | 7. Oktober 1954 | Fletcher Henderson and His Orchestra |
| Go Down Moses | 7. Februar 1958 | Louis Armstrong mit Sy Oliver’s Orchestra |
| Go South, Young Man | 25. März 1944 | ABC Victory Parade of Spotlight Bands #474 / AFRS Spotlight Bands program #319 |
| Goin’ My Way | 18. August 1944 | ABC Victory Parade of Spotlight Bands #599 / AFRS Spotlight Bands program #444 |
| Going Back to Storyville | 3. September 1949 | Eddie Condon Floor Show (NBC) |
| Going To Shout All Over God’s Heaven | 14. Juni 1938 | Louis Armstrong mit The Decca Mixed Choir |
| Goldwyn Stomp | 6. August 1947 | A Song Is Born |
| Gone Fishin’ | 19. April 1951 | Bing Crosby "Chesterfield" Show |
| Good Night, Angel | 30. Januar 1957 | Louis Armstrong |
| Good Reviews | 19. September 1961 | Louis Armstrong and The All Stars |
| Good Time Flat Blues | 17. Dezember 1924 | Maggie Jones |
| Goodnight, Sleep Tight Medley | Oktober 1958 | The Five Pennies |
| Got A Bran’ New Suit | 3. Oktober 1935 | Louis Armstrong and His Orchestra |
| Got No Blues | 9. Dezember 1927 | Louis Armstrong and His Hot Five |
| Gotta Be This or That | 31. Oktober 1945 | MBS Victory Parade of Spotlight Bands #915 / AFRS Spotlight Bands program #762 |
| Grassa E Bella | 12. Dezember 1967 | Louis Armstrong E I Suoi Solisti |
| Groovin’ | 9. August 1944 | Louis Armstrong and His Orchestra |
| Gully Low Blues | 14. Mai 1927 | Louis Armstrong and His Hot Seven |
| Gut Bucket Blues | 12. November 1925 | Louis Armstrong and His Hot Five |
| Happy Birthday To Bing | 25. April 1939 | Louis Armstrong |
| Happy Birthday, Louis | Juli 1960 | Louis Armstrong and The All Stars |
| Harlem On Parade | Mai 1944 | Atlantic City |
| Harlem Stomp | 18. Dezember 1939 | Louis Armstrong |
| Have You Ever Been Down? | 6. Mai 1927 | Sippie Wallace |
| Have You Met Miss Jones? | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Have Your Chill, I’ll Be Here When Your Fever Rises | September – Oktober 1925 | Grant and Wilson mit Fletcher Henderson’s Orchestra |
| Hawaiian Hospitality | 24. März 1937 | Louis Armstrong mit Andy Iona and His Islanders |
| He Likes It Slow | 18. Juni 1926 | Butterbeans and Susie |
| He’s a Son of the South | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| Hear Me Talkin’ to Ya | 12. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| Heebie Jeebies | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| Heigh-ho (the Dwarfs’ Marching Song) | 17. Mai 1968 | Louis Armstrong |
| Hello Brother | 24. Juli 1968 | Louis Armstrong and The All Stars |
| Hello, Dolly! | 3. Dezember 1963 | Louis Armstrong and The All Stars |
| Hellzapoppin’ | 16. August 1967 | Louis Armstrong and the All Stars |
| Hep Cats’ Ball | 14. März 1940 | Louis Armstrong and His Orchestra |
| Here Comes the Bride | 6.–18. Januar 1956 | High Society |
| Here’s My Heart For Christmas | 26. Mai 1970 | Louis Armstrong and His Friends |
| Hesitating Blues | 12. Juli 1954 | Louis Armstrong and The All Stars |
| Hey Lawdy Mama | 11. April 1941 | Louis Armstrong and His Hot Seven |
| Hey, Look Me Over | 18. April 1964 | Louis Armstrong and The All Stars |
| High Society | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| High Society Calypso | 6.–18. Januar 1956 | High Society |
| High Society Rag | 22.–29. Juni 1923 | King Oliver’s Creole Jazz Band |
| Hines’ Retreat | 26.–29. Dezember 1950 | The Strip |
| His Father Wore Long Hair | 27. Mai 1970 | Louis Armstrong and His Friends |
| History of Jazz Medley | 21. August 1954 | Stage Show (CBS-TV) |
| Hoagy Carmichael Medley | 10. November 1958 | Timex All-Star Show #3 |
| Hobo, You Can’t Ride This Train | 8. Dezember 1932 | Louis Armstrong and His Orchestra |
| Home | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Home (When Shadows Fall) | 27. Januar 1932 | Louis Armstrong and His Orchestra |
| Honey, Do! | 27. Januar 1933 | Louis Armstrong and His Orchestra |
| Honey, Don’t You Love Me Anymore | 24. April 1933 | Louis Armstrong and His Orchestra |
| Honeysuckle Rose | 14. Dezember 1938 | Martin Block’s Swing Show |
| Hot Time In The Old Town Tonight | 30. September – 2. Oktober 1959 | Louis Armstrong and The All Stars |
| Hotter Than That | 13. Dezember 1927 | Louis Armstrong and His Hot Five |
| How Come You Do Me Like You Do | 17.–22. November 1924 | Fletcher Henderson and His Orchestra |
| How Do You Do It That Way? | 10. Juli 1929 | Victoria Spivey |
| How High the Moon | 15. November 1947 | Louis Armstrong and The All Stars |
| How Long Has This Been Going On | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| Hurdy Gurdy Man | 7. August 1936 | Louis Armstrong mit Jimmy Dorsey and His Orchestra |
| Hustlin’ And Bustlin’ For Baby | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| I Ain’t Gonna Give Nobody None of My Jelly Roll | 3. August 1959 | Louis Armstrong And The Dukes Of Dixieland |
| I Ain’t Gonna Play No Second Fiddle (if I Can’t Play the Lead) | 27. Mai 1925 | Bessie Smith |
| I Ain’t Gonna Tell Nobody | 5.–15. Oktober 1923 | King Oliver’s Creole Jazz Band |
| I Ain’t Got Nobody | 10. Dezember 1929 | Louis Armstrong and His Orchestra |
| I Believe | 12. März 1947 | Louis Armstrong and His Orchestra |
| I Can’t Afford To Miss This Dream | 22. Oktober 1953 | Louis Armstrong mit The Commanders |
| I Can’t Believe That You’re in Love with Me | 5. April 1930 | Louis Armstrong and His Orchestra |
| I Can't Give You Anything but Love | 11. Dezember 1928 | Lillie Delk Christian mit Louis Armstrong & His Hot Four |
| I Come From A Musical Family | 28. April 1936 | Louis Armstrong and His Orchestra |
| I Couldn’t Sleep A Wink Last Night | 19. Mai – 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| I Cover The Waterfront | 21. Oktober 1933 | Louis Armstrong and His Harlem Hot Band |
| I Cried for You | 15. November 1947 | Louis Armstrong and The All Stars |
| I Cried Last Night | 25.–26. Februar 1948 | Louis Armstrong and The All Stars |
| I Didn’t Know Until You Told Me | 13. September 1961 | Louis Armstrong and The All Stars |
| I Double Dare You | 13. Januar 1938 | Louis Armstrong And His Orchestra |
| I Feel Good | 3. März 1926 | Sippie Wallace |
| I Get a Kick Out af You | 31. Juli 1957 | Louis Armstrong Meets Oscar Peterson |
| I Get Ideas (When We Are Dancing) | 24. Juli 1951 | Louis Armstrong mit Sy Olivers Orchestra |
| I Got A Right To Sing The Blues | 18. Januar 1944 | ABC Victory Parade of Spotlight Bands #416 / AFRS Spotlight Bands program #261 |
| I Got It Bad (and That Ain't Good) | 3.–4. April 1961 | Louis Armstrong And Duke Ellington |
| I Got Plenty O’ Nuttin’ | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| I Got Rhythm | 6. November 1931 | Louis Armstrong and His Orchestra |
| I Gotta Right To Sing The Blues | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| I Guess I’ll Get The Papers And Go Home | 23. Juli 1968 | Louis Armstrong and The All Stars |
| I Hate To Leave You Now | 8. Dezember 1932 | Louis Armstrong and His Orchestra |
| I Hope Gabriel Likes My Music | 19. Dezember 1935 | Louis Armstrong And His Orchestra |
| I Laughed At Love | 25. August 1952 | Louis Armstrong mit Sy Oliver’s Orchestra |
| I Left My Heart in San Francisco | März 1963 | Australian TV Broadcast |
| I Like This Kind of Party | 10. September 1965 | Louis Armstrong and The All Stars |
| I Lost My Sugar in Salt Lake City | 17. August 1943 | Victory Parade of Spotlight Bands #284 (Blue Network) / AFRS Spotlight Bands program #128 |
| I Love Jazz | 8. Oktober 1958 | Louis Armstrong and The All Stars |
| I Love That Man | 29. Oktober 1948 | Louis Armstrong and The All Stars |
| I Love You Samantha | 6.–18. Januar 1956 | High Society |
| I Love the Guy | 26. Januar 1951 | Louis Armstrong and The All Stars |
| I Married An Angel | 29. Januar 1957 | Louis Armstrong mit Sy Olivers Orchestra |
| I Miss My Swiss | 7. August 1925 | Billy Jones mit the Southern Serenaders |
| I Must Have That Man | 12. Dezember 1928 | Lillie Delk Christian mit Louis Armstrong & His Hot Four |
| I Never Knew | 15. April 1942 | MBS Broadcast |
| I Never Saw A Better Day | August 1956 | Producers’ Showcase: The Lord Don’t Play Favorites |
| I Only Have Eyes For You | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| I Only Want a Buddy | 19. Januar 1961 | Swinging at the Summit |
| I Still Get Jealous | 18. April 1964 | Louis Armstrong and The All Stars |
| I Surrender Dear | 20. April 1931 | Louis Armstrong and His Orchestra |
| I Used To Love You (but It’s All Over Now) | 16. November 1941 | Louis Armstrong and His Orchestra |
| I Want A Little Girl | 6. September 1946 | Louis Armstrong and His Hot Seven |
| I Was Doing All Right | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| I Will Wait For You | 26. März 1968 | Louis Armstrong and The All Stars |
| I Won’t Dance | 13. August 1957 | Ella Fitzgerald and Louis Armstrong |
| I Wonder | 14. Januar 1945 | Louis Armstrong and His Orchestra |
| I Wonder Who | 26. April 1933 | Louis Armstrong and His Orchestra |
| I Wonder, I Wonder, I Wonder | 12. März 1947 | Louis Armstrong and His Orchestra |
| I’ll Be Around | 19. Mai - 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| I’ll Be Glad When You're Dead You Rascal You | 20. April 1942 | Soundies |
| I’ll Get Mine Bye And Bye | 11. April 1941 | Louis Armstrong And His Hot Seven |
| I’ll Keep The Lovelight Burning | September 1949 | Louis Armstrong mit Sy Oliver’s Orchestra |
| I’ll Never Be The Same | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| I’ll See You In My Dreams | Mitte Januar 1925 | Fletcher Henderson and His Orchestra |
| I’ll String Along mit You | 30. Januar 1957 | Louis Armstrong |
| I’ll Take Her Back If She Wants To Come Back | 19. Mai 1925 | Fletcher Henderson and His Orchestra |
| I’ll Walk Alone | 19. April 1952 | Louis Armstrong and His Orchestra |
| I’m A Ding Dong Daddy (from Dumas) | 21. Juli 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| I’m A Little Blackbird Looking For A Bluebird | 17. Dezember 1924 | Eva Taylor mit Clarence Williams Blue Five |
| I’m Beginning To See The Light | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| I’m Coming, Virginia | 26.–29. Dezember 1950 | The Strip |
| I’m Confessin’ (that I Love You) | 19. August 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| I’m Crazy ’Bout My Baby And My Baby’s Crazy ’Bout Me | 27. April 1955 | Louis Armstrong and The All Stars |
| I’m Goin’ Huntin’ | 21. April 1927 | Jimmy Bertrand's Washboard Wizards |
| I’m Going Away to Wear You Off My Mind | 5. April 1923 | King Olivers Creole Jazz Band |
| I’m Gonna Gitcha | 16. Juni 1926 | Louis Armstrong and His Hot Five |
| I’m Gonna Stomp, Mr. Henry Lee | 5. März 1929 | Louis Armstrong and His Orchestra |
| I’m In The Market For You | 21. Juli 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| I’m In The Mood For Love | 3. Oktober 1935 | Louis Armstrong and His Orchestra |
| I’m Just A Lucky So And So | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| I’m Not Rough | 10. Dezember 1927 | Louis Armstrong and His Hot Five |
| I’m Putting All My Eggs In One Basket | 4. April 1936 | Ella Fitzgerald and Louis Armstrong |
| I’m Shooting High | 22. November 1935 | Louis Armstrong and His Orchestra |
| I’ve A Right To Sing The Blues | 11. Dezember 1948 | ABC Broadcast |
| I’ve Got A Feeling I’m Falling | 26. April 1955 | Louis Armstrong and The All Stars |
| I’ve Got A Gal In Kalamazoo | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| I’ve Got a Heart Full of Rhythm | 7. Juli 1937 | Louis Armstrong and His Orchestra |
| I’ve Got a Lot of Livin’ to Do | Juli 1965 | Shindig (ABC) |
| I’ve Got a Pocketful of Dreams | 24. Juni 1938 | Louis Armstrong and His Orchestra |
| I’ve Got My Fingers Crossed | 21. November 1935 | Louis Armstrong and His Orchestra |
| I’ve Got My Love To Keep Me Warm | 13. August 1957 | Ella Fitzgerald and Louis Armstrong |
| I’ve Got The World On A String | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| I’ve Got a Pocketful of Dreams | 7. Juli 1953 | Nothing But the Best (NBC) |
| I’ve Stopped My Man | 11. November 1925 | Hociel Thomas Acc. By Louis Armstrong’s Jazz Four |
| If | 6. Februar 1951 | Louis Armstrong mit Gordon Jenkins Orchestra |
| If I Could Be With You | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| If I Could Be With You One Hour Tonight | 19. August 1930 | Louis Armstrong And His New Sebastian Cotton Club Orchestra |
| If I Lose, Let Me Lose | 17. Dezember 1924 | Maggie Jones |
| If It's Good (Then I Want It) | 25. April 1939 | Louis Armstrong |
| If We Never Meet Again | 29. April 1936 | Louis Armstrong And His Orchestra |
| If You Wanna Be My Sugar Papa (You Gotta Be Sweet To Me) | 21. April 1927 | Jimmy Bertrand's Washboard Wizards |
| If You Want My Heart (You’ve Got To ’low It, Babe) | 5. Oktober 1923 | King Olivers Creole Jazz Band |
| Improvisations On It’s Easy To Remember | 4. Juni 1965 | Louis Armstrong |
| Improvisations On Teach Me Tonight | 4. Juni 1965 | Louis Armstrong |
| In a Mellotone | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| In Pursuit af Happiness | 14. Dezember 1956 | Louis Armstrong and His Orchestra |
| In the Gloaming | 10. März 1941 | Louis Armstrong and His Hot Seven |
| In the Mood | März - April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| In the Shade of the Old Apple Tree | 29. Juni 1937 | Louis Armstrong and The Mills Brothers |
| Indian Cradle Song | 4. Mai 1930 | Louis Armstrong and His Orchestra |
| Indian Love Call | 28. November 1951 | Louis Armstrong mit Gordon Jenkins Orchestra |
| Intro for Cultural Exchange | 12. September 1961 | Louis Armstrong and The All Stars |
| Irish Black Bottom | 27. November 1926 | Louis Armstrong and His Hot Five |
| Is My Baby Blue Tonight | 26. Mai 1944 | Louis Armstrong and His Orchestra |
| Is You Is or Is You Ain’t My Baby? | 18. August 1944 | ABC Victory Parade of Spotlight Bands #599 / AFRS Spotlight Bands program #444 |
| Isn’t It a Lovely Day | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| It Ain’t Me | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| It Ain’t Necessarily So | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| It Don’t Mean a Thing (if It Ain’t Got That Swing) | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| It Had to Be You | 5. Oktober 1944 | ABC Victory Parade of Spotlight Bands #641 / AFRS Spotlight Bands program #486 |
| It Takes Time | 12. März 1947 | Louis Armstrong and His Orchestra |
| It’s a Most Unusual Day | 27. November 1951 | Glory Alley |
| It’s All in the Game | 28. November 1951 | Louis Armstrong mit Gordon Jenkins Orchestra |
| It’s Been a Long Long Time | 18. April 1964 | Louis Armstrong and The All Stars |
| It’s Love, Love, Love | 7. Juni 1944 | ABC Victory Parade of Spotlight Bands #537 / AFRS Spotlight Bands program #382 |
| It’s Only a Paper Moon | September 1960 | Louis Armstrong and The All Stars |
| It’s Wonderful | 18. Mai 1938 | Louis Armstrong and His Orchestra |
| J.C. Holmes Blues | 27. Mai 1925 | Bessie Smith |
| J.T. Jive | 26.–29. Dezember 1950 | The Strip |
| Jack O’Diamond Blues | 1.–3. März 1926 | Sippie Wallace |
| Jack-Armstrong Blues | 7. Dezember 1944 | V-Disc All-Star Jam Session |
| Jazz Lips | 16. November 1926 | Louis Armstrong and His Hot Five |
| Jazz Me Blues | 5. Juli 1951 | Voice of America "Jazz" Series |
| Jazzin’ Babies’ Blues | 22.–29. Juni 1923 | King Olivers Creole Jazz Band |
| Jeannine | 28. November 1951 | Louis Armstrong mit Gordon Jenkins Orchestra |
| Jeepers Creepers | September 1938 | Going Places |
| Jelly Bean Blues | 16. Oktober 1924 (?) | Ma Rainey accompanied by her Georgia Jazz Band |
| Jelly Roll Blues | 30. September - 2. Oktober 1959 | Louis Armstrong and The All Stars |
| Jerry | 2. April 1962 | Goodyear Jazz Concert |
| Jodie Man | 14. Januar 1945 | Louis Armstrong and His Orchestra |
| Jonah and the Whale | 14. Juni 1938 | Louis Armstrong mit The Decca Mixed Choir |
| Joseph ’N His Brudders | 27. April 1946 | Louis Armstrong and His Orchestra |
| Jubilee | 12. Januar 1938 | Louis Armstrong And His Orchestra |
| Junkman Blues | 15. Oktober 1923 | King Olivers Creole Jazz Band |
| Just a Closer Walk with Thee | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| Just a Gigolo | 9. März 1931 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| Just Gone | 5. April 1923 | King Olivers Creole Jazz Band |
| Just One of Those Things | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| Just Squeeze Me | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Just the Blues | Oktober 1958 | The Five Pennies |
| Just Wait ’til You See My Baby Do the Charleston | 6. Oktober 1925 | Eva Taylor mit Clarence Williams Blue Five |
| Just You, Just Me | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Keep On Jumpin’ | 19. Mai - 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| Keep the Rhythm Going | 22. März 1940 | Louis Armstrong |
| Keepin’ Out Of Mischief Now | 11. März 1932 | Louis Armstrong and His Orchestra |
| Keyhole Blues | 13. Mai 1927 | Louis Armstrong and His Hot Seven |
| Kickin’ The Gong Around | 25. Januar 1932 | Louis Armstrong and His Orchestra |
| Kid Man Blues | 9. November 1925 | Bertha "Chippie" Hill |
| Kinda Love Song | 20. Februar 1968 | The Bell Telephone Hour: Jazz, The Intimate Art |
| King For A Day | 19. September 1961 | Louis Armstrong and The All Stars |
| King Of The Zulus | 23. Juni 1926 | Louis Armstrong and His Hot Five |
| King Porter Stomp | 20. Februar 1925 | Fletcher Henderson and His Orchestra |
| Kiss Of Fire | 19. April 1952 | Louis Armstrong and His Orchestra |
| Kisses in Der Nacht | 23. Februar 1959 | Die Nacht vor der Premiere |
| Knee Drops | 5. Juli 1928 | Louis Armstrong and His Hot Five |
| Knockin’ A Jug | 5. März 1929 | Louis Armstrong and His Orchestra |
| Ko Ko Mo | 18. Januar 1955 | Louis Armstrong mit Sonny Burkes Orchestra |
| Ko Ko Mo / Mop Mop | 6. Juli 1956 | Louis Armstrong and The All Stars |
| Krooked Blues | 5. Oktober 1923 | King Olivers Creole Jazz Band |
| La Cucaracha | 3. Oktober 1935 | Louis Armstrong and His Orchestra |
| La vie en rose | 26. Juni 1950 | Louis Armstrong mit Sy Olivers Orchestra |
| Last Night I Dreamed You Kissed Me | 26. Juni 1928 | Lillie Delk Christian mit Louis Armstrong and His Hot Four |
| Laughin’ Louie | 24. April 1933 | Louis Armstrong and His Orchestra |
| Lawd, You Made The Night Too Long | 11. März 1932 | Louis Armstrong and His Orchestra |
| Lazy ’Sippi Steamer | 14. März 1940 | Louis Armstrong and His Orchestra |
| Lazy Bones | 20. Februar 1939 | Louis Armstrong mit The Casa Loma Orchestra |
| Lazy Man Blues | 6. Mai 1927 | Sippie Wallace |
| Lazy River | 3. November 1931 | Louis Armstrong and His Orchestra |
| Lazy Woman’s Blues | 9. November 1925 | Blanche Calloway |
| Leap Frog | 16. November 1941 | Louis Armstrong and His Orchestra |
| Learnin’ The Blues | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| Leave Mine Alone | 27. November 1926 | Louis Armstrong and His Hot Five |
| Let That Be A Lesson To You | 13. Januar 1938 | Louis Armstrong and His Orchestra |
| Let’s Call the Whole Thing Off | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| Let’s Do It (let’s Fall In Love) | 31. Juli 1957 | Louis Armstrong Meets Oscar Peterson |
| Let’s Sing Like A Dixieland Band | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| Life Is So Peculiar | 23. August 1950 | Louis Armstrong mit Louis Jordan and His Tympany Five |
| Life Of The Party | 20. Februar 1968 | Louis Armstrong mit Dick Jacobs Orchestra |
| Life is Just A Bowl of Cherries | 25. September 1951 | Texaco Star Theater – The Milton Berle Show (NBC) |
| Limehouse Blues | 4. Oktober 1952 | Louis Armstrong and The All Stars |
| Linger In My Arms A Little Longer, Baby | 27. April 1946 | Louis Armstrong and His Orchestra |
| Listen To Ma | 24. Februar 1926 | Hociel Thomas |
| Listen To The Mockin’ Bird | 22. September 1952 | Louis Armstrong mit Gordon Jenkins and His Orchestra |
| Little By Little | 19. November 1929 | Louis Armstrong and His Orchestra |
| Little Girl Blue | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Little Joe | 28. April 1931 | Louis Armstrong and His Orchestra |
| Little Ol’ Tune | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| Little One | 6.–18. Januar 1956 | High Society |
| Little White Lies | 6.–18. September 1948 | Louis Armstrong and The All Stars |
| Livin’ High (sometimes) | 6. Oktober 1925 | Eva Taylor mit Clarence Williams’ Blue Five |
| London (Cafe) Blues | 15. Oktober 1923 | King Olivers Creole Jazz Band |
| Lonesome | 19. September 1961 | Louis Armstrong and The All Stars |
| Lonesome Blues | 23. Juni 1926 | Louis Armstrong and His Hot Five |
| Lonesome Hours | 24. Februar 1926 | Hociel Thomas |
| Lonesome Lovesick Blues | 9. November 1925 | Blanche Calloway |
| Lonesome Man Blues | Januar 1952 | Frank Sinatra Show (CBS) |
| Lonesome Weary Blues | 26. November 1926 | Bertha "Chippie" Hill |
| Lonesome, All Alone And Blue | 23.–24. Februar 1926 | Bertha "Chippie" Hill |
| Long Gone (from The Bowling Green) | 12. Juli 1954 | Louis Armstrong and The All Stars |
| Long, Long Ago | 10. März 1941 | Louis Armstrong and His Hot Seven |
| Long, Long Journey | 10. Januar 1946 | Esquire All-American 1946 Award Winners |
| Look What You’ve Done To Me | 19. November 1929 | Louis Armstrong and His Orchestra |
| Loud Speakin’ Papa | 6. August 1925 | Fletcher Henderson and His Orchestra |
| Louis Blues | 11. Dezember 1948 | ABC Broadcast |
| Louis’ Dream | März 1967 | Louis Armstrong mit Gerald Sims Orchestra |
| Louise | 18. August 1944 | ABC Victory Parade of Spotlight Bands #599 / AFRS Spotlight Bands program #444 |
| Love Is Here To Stay | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| Love Me or Leave Me | 26. Januar 1951 | Louis Armstrong and The All Stars |
| Love Walked In | 18. Mai 1938 | Louis Armstrong and His Orchestra |
| Love is Just Around the Corner | März 1959 | RTB Telecast |
| Love, You Funny Thing | 2. März 1932 | Louis Armstrong And His Orchestra |
| Loveless Love | 12. März 1954 | Louis Armstrong and The All Stars |
| Lovely Weather We’re Having | 16. Oktober 1947 | Louis Armstrong and His All Stars |
| Lover | 15. November 1947 | Louis Armstrong and The All Stars |
| Lover Come Back To Me | 27. Oktober 1949 | RAI Broadcast |
| Lover’s Leap | 7. Dezember 1951 | Louis Armstrong mit the Les Brown Big Band |
| Lovesick Blues | 26. November 1926 | Bertha "Chippie" Hill |
| Low Land Blues | 9. November 1925 | Bertha "Chippie" Hill |
| Lucy Long | 7. Oktober 1925 | Perry Bradford’s Jazz Phools |
| Lullaby In Ragtime | Oktober 1958 | The Five Pennies |
| Lush Life | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Lyin’ To Myself | 18. Mai 1936 | Louis Armstrong and His Orchestra |
| Mabels Dream | Anfang September 1923 | King Olivers Creole Jazz Band |
| Mack the Knife | 28. September 1955 | Louis Armstrong and The All Stars |
| Mahogany Hall Blues | 15. November 1947 | Louis Armstrong and The All Stars |
| Mahogany Hall Stomp | 5. März 1929 | Louis Armstrong and His Savoy Ballroom Five |
| Makin’ Whoopie | 31. Juli 1957 | Louis Armstrong Meets Oscar Peterson |
| Mame | Mai 1966 | Louis Armstrong and The All Stars |
| Manda | 7. Oktober 1924 | Fletcher Henderson and His Orchestra |
| Mandy Lee Blues | 5. April 1923 | King Oliver’s Creole Jazz Band |
| Mandy Make Up Your Mind | Dezember 1924 | Fletcher Henderson and His Orchestra |
| Margie | 19. April 1953 | Louis Armstrong and The All Stars |
| Marie | 11. April 1940 | Louis Armstrong and The Mills Brothers |
| Maryland, My Maryland | 4. September - 8. Oktober 1946 | Louis Armstrong |
| Maybe It’s Because | September 1949 | Louis Armstrong mit Sy Olivers Orchestra |
| Maybe You’ll Be There | 6.–18. September 1948 | Louis Armstrong and The All Stars |
| Me And Brother Bill | 25. April 1939 | Louis Armstrong |
| Me Neenyah (my Little One) | 4. Februar 1925 | Fletcher Henderson and His Orchestra |
| Me and Brother Bill | Anfang 1943 | AFRS "Downbeat" Programs #16 and #30 |
| Medley I | 26. September 1966 | The Dean Martin Show (NBC) |
| Medley II | 26. September 1966 | The Dean Martin Show (NBC) |
| Medley Of Armstrong Hits (part I): I’ll Be Glad When You’re Dead, You Rascal You, When It’s Sleepy Time Down South, Nobody’s Sweetheart | 21. Dezember 1932 | Louis Armstrong and His Orchestra |
| Medley Of Armstrong Hits (part II): When You’re Smiling, St. James Infirmary, Dinah | 21. Dezember 1932 | Louis Armstrong And His Orchestra |
| Medley of 12 Armstrong Hits | September 1966 | Danny Kaye Show |
| Medley of Most Popular Songs of 1956 | 29. Dezember 1956 | Perry Como Show (NBC) |
| Medley: Swing Bells, Blow Satchmo, Finale | 12. September 1961 | Louis Armstrong and The All Stars |
| Medley: Bugle Call Rag, Ole Miss | 26.–27. April 1950 | Louis Armstrong and The All Stars |
| Medley: Flee As A Bird To The Mountain/Oh, Didn’t He Ramble | Juni 1956 | Louis Armstrong and The All Stars |
| Medley: Here Come De Honey Man, Crab Man, Oh, Dey’s So Fresh And Fine (Strawberry Woman) | 14. Oktober 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Medley: Manhattan/When It’s Sleepy Time Down South | Juni 1956 | Louis Armstrong and The All Stars |
| Medley: Memphis Blues/Frankie And Johnny/Tiger Rag | Juni 1956 | Louis Armstrong and The All Stars |
| Medley: Shadrack / When The Saints Go Marchin’ In | 8. Mai 1958 | Louis Armstrong and The All Stars |
| Medley: Tenderly / You’ll Never Walk Alone / Mop Mop (Boff Boff) | 4. Juni 1965 | Louis Armstrong |
| Medley: Tenderly, You’ll Never Walk Alone | September 1954 | Louis Armstrong and The All Stars |
| Medley: When The Blue of the Night, Moon River, Mack the Knife, Hello, Dolly, Bill Bailey | 23. Januar 1971 | The Pearl Bailey Show (ABC) |
| Melancholy | 22. April 1927 | Johnny Dodds Black Bottom Stompers |
| Melancholy Blues | 11. Mai 1927 | Louis Armstrong and His Hot Seven |
| Memories Of You | 16. Oktober 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| Memphis Blues | 28. November 1951 | Bing Crosby "Chesterfield" Show |
| Memphis Bound | 18. April 1925 | Fletcher Henderson and His Orchestra |
| Mess, Katie, Mess | 23.–26. November 1926 | Bertha "Chippie" Hill |
| Mexican Swing | 13. Mai 1938 | Louis Armstrong and His Orchestra |
| Mi Va Di Cantare | 11. Dezember 1967 | Louis Armstrong E I Suoi Solisti |
| Mighty River | 26. April 1933 | Louis Armstrong and His Orchestra |
| Milenberg Joys | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Miller’s Cave | 6. August 1970 | Louis "Country Western" Armstrong |
| Mining Camp Blues | Mitte Februar 1925 | Trixie Smith and Her Down Home Syncopators |
| Mississippi Basin | 24. April 1933 | Louis Armstrong and His Orchestra |
| Misto Cristofo Colombo | 1.–13. Dezember 1950 | Here Comes the Groom |
| Mm-mm | 25. April 1955 | Louis Armstrong and The All Stars |
| Moments To Remember | 8. September 1955 | Louis Armstrong mit Benny Carter’s Orchestra |
| Money Blues | 19. Mai 1925 | Fletcher Henderson and His Orchestra |
| Mood Indigo | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| Moon River | 18. April 1964 | Louis Armstrong and The All Stars |
| Moon Song | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| Moonlight In Vermont | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| Mop Mop | 8. Februar 1947 | Louis Armstrong mit His Orchestra |
| Mop Mop / Blueberry Hill | 4. Juni 1965 | Louis Armstrong |
| Mr. Five By Five | 25. Dezember 1942 | Victory Parade of Spotlight Bands #83 (Blue Network) |
| Muggles | 7. Dezember 1928 | Louis Armstrong and His Orchestra |
| Mumbo Jumbo | Juli 1966 | Louis Armstrong mit Guy Lombardos Orchestra |
| Muskrat Ramble | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| My Bucket’s Got A Hole In It | 26.–27. April 1950 | Louis Armstrong and The All Stars |
| My Darling Nelly Gray | 7. April 1937 | Louis Armstrong and The Mills Brothers |
| My Dream Man | 10. oder 11. November 1924 | Fletcher Henderson and His Orchestra |
| My Heart | 12. November 1925 | Louis Armstrong And His Hot Five |
| My Honey’s Lovin’ Arms | 30. Dezember 1951 | Bing Crosby "Chesterfield" Show |
| My John Blues | 17. Januar 1925 | Clara Smith |
| My Love is Like a Red, Red Rose (Gedicht) | 25. Mai 1958 | Steve Allen Show (Episode 3.35) |
| My Man | 30. Juni 1961 | Louis Armstrong and the All Stars |
| My Melancholy Baby | 17. Dezember 1950 | The Big Show (NBC) |
| My Monday Date | 30. Januar 1951 | Louis Armstrong and The All Stars |
| My One And Only Love | 26. Mai 1970 | Louis Armstrong and His Friends |
| My Rose Marie | 10.–13. Oktober 1924 | Fletcher Henderson and His Orchestra |
| My Sweet | 5. April 1930 | Louis Armstrong and His Orchestra |
| My Sweet Hunk O’ Trash | 30. September 1949 | Louis Armstrong and Billie Holiday mit Sy Olivers Orchestra |
| My Walking Stick | 10. Juni 1938 | Louis Armstrong and The Mills Brothers |
| Nashville Woman’s Blues | 26. Mai 1925 | Bessie Smith |
| Naturally | 24. Juni 1938 | Louis Armstrong and His Orchestra |
| Naughty Man | 7. November 1924 | Fletcher Henderson and His Orchestra |
| Necessary Evil | 23. November 1951 | Louis Armstrong and Ella Fitzgerald mit Dave Barbours Orchestra |
| New Orleans | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| New Orleans Function | 4. Oktober 1972 | Louis Armstrong and The All Stars |
| New Orleans Function: Flee As A Bird / Didn’t He Ramble | 26.–27. April 1950 | Louis Armstrong and The All Stars |
| New Orleans Stomp | 16. Oktober 1923 | King Olivers Creole Jazz Band |
| No (Papa, No) | 4. Dezember 1928 | Louis Armstrong and His Orchestra |
| No Love No Nothing | 25. März 1944 | ABC Victory Parade of Spotlight Bands #474 / AFRS Spotlight Bands program #319 |
| No One Else But You | 5. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| No Time Is a Good Good-Bye Time | 18. Dezember 1967 | Louis Armstrong and The All Stars |
| No Variety Blues | 27. April 1946 | Louis Armstrong and His Orchestra |
| Nobody | 2. Februar 1952 | Louis Armstrong and the All Stars |
| Nobody Knows the Trouble I’ve Seen | 14. Juni 1938 | Louis Armstrong mit The Decca Mixed Choir |
| Nobody Knows The Way I Feel This Morning | 22. Dezember 1924 | Josephine Beatty accompanied by The Red Onion Jazz Babies |
| Nobody Loves a Fat Girl | Oktober 1959 | Louis Armstrong and The All Stars |
| Nomad | 19. September 1961 | Louis Armstrong and The All Stars |
| Northern Boulevard Blues | März 1967 | Louis Armstrong mit Gerald Sims Orchestra |
| Now Do You Call That A Buddy? | 11. April 1941 | Louis Armstrong and His Hot Seven |
| Now You Has Jazz | 6.–18. Januar 1956 | High Society |
| Of All The Wrong You’ve Done To Me | 6. November 1924 | Clarence Williams Blue Five |
| Oh Lawd, I’m On My Way | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Oh, Didn’t He Ramble | 14. November 1951 | Glory Alley |
| Oh, Lady Be Good | 25. März 1944 | ABC Victory Parade of Spotlight Bands #474 / AFRS Spotlight Bands program #319 |
| Ol’ Man Mose | März – April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Ol’ Man River | Oktober 1959 | Louis Armstrong and The All Stars |
| Old Kentucky Home | 30. September – 2. Oktober 1959 | Louis Armstrong and The All Stars |
| Old Man Mose | 6. Oktober 1939 | ASCAP Award Concert, Carnegie Hall |
| Old Man Moze | 21. November 1935 | Louis Armstrong and His Orchestra |
| Old Man Time | 11. April 1965 | The Hollywood Palace (Episode #2.30 and #3.2) |
| Old Miss | 27. Juli 1967 | Louis Armstrong and the All Stars |
| Old Rockin’ Chair | 26. Januar 1951 | Louis Armstrong and The All Stars |
| Ole Miss | 26. März 1956 | Louis Armstrong and The All Stars |
| Ole Miss / Old Fashioned Love | 7. Januar 1959 | Timex All-Star Show #4 |
| Ole Miss Blues | 26.–29. Dezember 1950 | The Strip |
| On A Cocoanut Island | 18. August 1936 | Louis Armstrong mit The Polynesians |
| On A Little Bamboo Bridge | 14. März 1937 | Louis Armstrong mit Andy Iona And His Islanders |
| On My Way (got On My Travelin’ Shoes) | 6. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| On The Alamo | 12. Oktober 1962 | Radio Broadcast (AFN?) |
| On The Sentimental Side | 18. Mai 1938 | Louis Armstrong and His Orchestra |
| On the Sunny Side of the Street | 28. Oktober 1933 | Louis Armstrong and His Hot Harlem Band |
| On Treasure Island | 13. Dezember 1935 | Louis Armstrong and His Orchestra |
| Once In A While | 10. Dezember 1927 | Louis Armstrong and His Hot Five |
| One Moment Worth Years | 13. September 1961 | Louis Armstrong and The All Stars |
| One O’ Clock Jump | März – April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| One Of These Days | 10. oder 11. November 1924 | Fletcher Henderson and His Orchestra |
| Onkel Satchmo’s Lullabu | 20. Mai 1959 | La Paloma |
| Only You | 8. September 1955 | Louis Armstrong mit Benny Carters Orchestra |
| Oops! | 23. November 1951 | Louis Armstrong and Ella Fitzgerald mit Dave Barbours Orchestra |
| Oriental Strut | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| Ory’s Creole Trombone | 2. September 1927 | Louis Armstrong and His Hot Five |
| Otchi-tcho-ni-ya | Anfang Juni 1953 | The Glenn Miller Story |
| Our Monday Date | 25. April 1939 | Louis Armstrong |
| Over the Rainbow | 10.–16. Januar 1954 | CBS Radio Broadcast |
| Pale Moon | März 1949 | AFRS "Jubilee" Programs #337, #339, #344, #347 |
| Panama | 15. November 1947 | Louis Armstrong and The All Stars |
| Panama Rag | 27. November 1941 | WBBM Broadcast |
| Papa, Mama’s All Alone Blues | 25. November 1924 | Margaret Johnson mit Clarence Williams Blue Five |
| Papa-de-da-da | 4. März 1925 | Eva Taylor mit Clarence Williams’ Blue Five |
| Pennies from Heaven | 17. August 1936 | Louis Armstrong, Frances Langford and Bing Crosby |
| Pennies From Heaven Medley: Let’s Call A Heart A Heart, So Do I, Skeleton In The Closet | 17. August 1936 | Louis Armstrong, Frances Langford and Bing Crosby |
| People Will Say We’re In Love | 8. Dezember 1943 | ABC Victory Parade of Spotlight Bands #380 / AFRS Spotlight Bands program #225 |
| Perdido | 12. September 1944 | ABC Victory Parade of Spotlight Bands #620 / AFRS Spotlight Bands program #465 |
| Perdido Street Blues | 27. Mai 1940 | Louis Armstrong and His Orchestra |
| Pickin’ On Your Baby | 8. Januar 1925 | Eva Taylor mit Clarence Williams’ Blue Five |
| Pistol Packin’ Mama | 7. November 1943 | NBC Chamber Music Society Of Lower Basin Street |
| Play Me Slow | 23. Januar 1925 | Fletcher Henderson and His Orchestra |
| Pleadin’ For The Blues | 23.–26. November 1926 | Bertha "Chippie" Hill |
| Please Stop Playing Those Blues, Boys | 16. Oktober 1947 | Louis Armstrong and His All Stars |
| Pledging My Love | 18. Januar 1955 | Louis Armstrong mit Sonny Burkes Orchestra |
| Poor House Blues | 9. Dezember 1924 | Maggie Jones |
| Poor Old Joe | 15. Juni 1939 | Louis Armstrong and His Orchestra |
| Poplar Street Blues | 4. Februar 1925 | Fletcher Henderson and His Orchestra |
| Potato Head Blues | 10. Mai 1927 | Louis Armstrong and His Hot Seven |
| Pratt City Blues | 23.–26. November 1926 | Bertha "Chippie" Hill |
| Pretty Little Missy | 20. Februar 1955 | Colgate Comedy Hour (NBC – Episode 5.18) |
| Prince Of Wails | Anfang Dezember 1924 | Fletcher Henderson and His Orchestra |
| Public Melody Number One | 2. Juli 1937 | Louis Armstrong and His Orchestra |
| Put ’em Down Blues | 2. September 1927 | Louis Armstrong and His Hot Five |
| Put It Where I Can Get It | 11. November 1925 | Hociel Thomas Acc. By Louis Armstrong’s Jazz Four |
| Rain, Rain | August 1956 | Producers Showcase: The Lord Don’t Play Favorites |
| Ramblin’ Rose | 6. August 1970 | Louis "Country Western" Armstrong |
| Ramona | 21. April 1953 | Louis Armstrong and His Orchestra |
| Raymond St. Blues | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Reckless Blues | 14. Januar 1925 | Bessie Smith |
| Red Cap | 2. Juli 1937 | Louis Armstrong and His Orchestra |
| Red Hot Henry Brown | 6. August 1925 | Fletcher Henderson and His Orchestra |
| Red Nose | 18. Mai 1936 | Louis Armstrong and His Orchestra |
| Red Sails In The Sunset | 13. Dezember 1935 | Louis Armstrong and His Orchestra |
| Remember Who You Are | 19. September 1961 | Louis Armstrong and The All Stars |
| Reminiscin’ With Louis | 26. April 1947 | WNEW Saturday Night Swing Show |
| Rhythm Saved The World | 18. Januar 1936 | Louis Armstrong and His Orchestra |
| Riverside Blues | Anfang September 1923? | King Olivers Creole Jazz Band |
| Rock My Soul (in The Bosom Of Abraham) | 6. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| Rockin’ Chair | 13. Dezember 1929 | Louis Armstrong and His Orchestra |
| Rocky Mountain Moon | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| Roll ’Em | 25. März 1944 | ABC Victory Parade of Spotlight Bands #474 / AFRS Spotlight Bands program #319 |
| Room Rent Blues | 5.–15. Oktober 1925 | King Olivers Creole Jazz Band |
| Rose | 20. Februar 1968 | The Bell Telephone Hour: Jazz, The Intimate Art |
| Rose Room | 21. Januar 1955 | Louis Armstrong and The All Stars |
| Rosie | 9. Oktober 1967 | Louis Armstrong mit Dick Jacobs Orchestra |
| Royal Garden Blues | 17. Mai 1947 | Louis Armstrong and His All Stars |
| Running Bear | 5. August 1970 | Louis "Country Western" Armstrong |
| Russian Lullaby | 24. Oktober 1949 | Louis Armstrong |
| S’ Wonderful | 19. August 1954 | WNEW Broadcast |
| S’ Posin | 4. Juni 1929 | Seger Ellis |
| S.O.L. Blues | 13. Mai 1927 | Louis Armstrong and His Hot Seven |
| Saint James Infirmary | 17. Mai 1947 | Louis Armstrong and His All Stars |
| Saint Louis Blues | 17. Mai 1947 | Louis Armstrong and His All Stars |
| Santa Claus Blues | 26. November 1924 | The Red Onion Jazz Babies |
| Satchelmouth Swing | 12. Januar 1938 | Louis Armstrong And His Orchestra |
| Saturday Night is the Lonliest Night | 13.–20. Februar 1945 | AFRS One Night Stand #540 |
| Save It Pretty Mama | 5. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| Savoy Blues | 13. Dezember 1927 | Louis Armstrong and His Hot Five |
| Savoyager’s Stomp | 5. Juli 1928 | Carroll Dickersons Savoyagers |
| Screamin’ The Blues | 17. Dezember 1924 | Maggie Jones |
| See See Rider | 28. Januar 1957 | Louis Armstrong |
| See See Rider Blues | 16. Oktober 1924? | Ma Rainey accompanied by her Georgia Jazz Band |
| Shadrack | 14. Juni 1938 | Louis Armstrong mit The Decca Mixed Choir |
| Shadrack / When The Saints Go Marchin’ In | 6.–18. September 1948 | Louis Armstrong and The All Stars |
| Shanghai Shuffle | 10.–13. Oktober 1924 | Fletcher Henderson and His Orchestra |
| Shanty Boat On The Mississippi | 15. Juni 1939 | Louis Armstrong and His Orchestra |
| She’s Adorable / A Pretty Girl is Like A Melody / Sophisticated Lady | 26. Februar 1955 | Horace Heidt Show (NBC) |
| She’s My Sheba, I’m Her Sheik | 20. Februar 1925 | Fletcher Henderson and His Orchestra |
| She’s The Daughter Of A Planter From Havana | 7. Juli 1937 | Louis Armstrong and His Orchestra |
| Shim-Me-Sha-Wabble | 5. September – 8. Oktober 1946 | Louis Armstrong |
| Shine | 9. März 1931 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| Shipwrecked Blues | 17. Januar 1925 | Clara Smith |
| Shoe Shine Boy | 19. Dezember 1935 | Louis Armstrong and His Orchestra |
| Short But Sweet | 10. September 1965 | Louis Armstrong and The All Stars |
| Since I Fell For You | 30. November 1947 | Louis Armstrong and The All Stars |
| Sincerely | 18. Januar 1955 | Louis Armstrong mit Sonny Burkes Orchestra |
| Sister Kate | 22. Oktober 1970 | The Flip Wilson Show (NBC) |
| Sit Down You’re Rockin’ The Boat | 31. August 1950 | Louis Armstrong mit Sy Olivers Chorus |
| Sittin’ In The Dark | 26. Januar 1933 | Louis Armstrong and His Orchestra |
| Sittin’ In The Sun | 16. Juli 1953 | Louis Armstrong mit Jack Pleiss Orchestra |
| Six Foot Four | 24. Januar 1956 | Louis Armstrong and The All Stars |
| Skid-Dat-De-Dat | 16. November 1926 | Louis Armstrong and His Hot Five |
| Skip The Gutter | 27. Juni 1928 | Louis Armstrong and His Hot Five |
| Skokiaan (Single) | 13. August 1954 | Louis Armstrong mit Sy Olivers Orchestra |
| Skokiaan Part 1 | 13. August 1954 | Louis Armstrong mit Sy Olivers Orchestra |
| Skokiaan Part 2 | 13. August 1954 | Louis Armstrong mit Sy Olivers Orchestra |
| Sleepy Time Down South | 26. März 1956 | Louis Armstrong and The All Stars |
| Slender, Tender and Tall | März – April 1943 | AFRS Recording Sessions for Programs #16, #19, #21, #24, #25, #26, #49 and #58 |
| Sly Mongoose | 24. Mai 1956 | Louis Armstrong and The All Stars |
| Small Fry | 23. November 1948 | Eddie Condon Floor Show |
| Snafu | 10. Januar 1946 | Esquire All-American 1946 Award Winners |
| Snag It | 25. Januar 1957 | Louis Armstrong |
| Snake Rag | 6. April 1923 | King Oliver’s Creole Jazz Band |
| Snowball | 28. Januar 1933 | Louis Armstrong and His Orchestra |
| So Little Time (So Much To Do) | 13. Mai 1938 | Louis Armstrong and His Orchestra |
| So Long Dearie | 3. September 1964 | Louis Armstrong and The All Stars |
| Sobbin’ Blues | 22. – 29. Juni 1923 | King Oliver’s Creole Jazz Band |
| Sobbin’ Hearted Blues | 14. Januar 1925 | Bessie Smith |
| Solid Sam | 10. Oktober 1950 | Ted Steeles Cavalcade of Bands (Episode 2.6) (Dumont) |
| Solitude | 19. Dezember 1935 | Louis Armstrong and His Orchestra |
| Some Day | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Some Of These Days | 10. September 1929 | Louis Armstrong and His Orchestra |
| Some Sweet Day | 27. Januar 1933 | Louis Armstrong and His Orchestra |
| Somebody Stole My Break | 28. April 1936 | Louis Armstrong and His Orchestra |
| Someday | 18. April 1964 | Louis Armstrong and The All Stars |
| Someday Sweetheart | 5. Oktober 1923 | King Olivers Creole Jazz Band |
| Someday You’ll Be Sorry | 10. Juni 1947 | Louis Armstrong and His All Stars |
| Someday, Sweetheart | November 1965 | A Man Called Adam |
| Someone to Watch Over Me | 2. März 1948 | Louis Armstrong and The All Stars |
| Something Tells Me | 18. Mai 1938 | Louis Armstrong and His Orchestra |
| Sometimes I Feel Like A Motherless Child | 7. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| Song Of The Islands | 24. Januar 1930 | Louis Armstrong and His Orchestra |
| Song Of The Vipers | Oktober 1934 | Louis Armstrong and His Orchestra |
| South | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| South Rampart Street Parade | 14. November 1951 | Glory Alley |
| Speak Now Or Hereafter Hold Your Peace | Oktober 1925 | Coot Grant |
| Special Delivery Blues | 1.–3. März 1926 | Sippie Wallace |
| Spooks | 13. April 1954 | Louis Armstrong mit The All Stars |
| Squeeze Me | 26. Oktober 1925 | Eva Taylor mit Clarence Williams Blue Five |
| St. James Infirmary (St. James Infirmary Blues) | 12. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| St. Louis Blues | 14. Januar 1925 | Bessie Smith |
| Star Dust | 30. Januar 1951 | Louis Armstrong and The All Stars |
| Star Spangled Banner | 18. Januar 1944 | ABC Victory Parade of Spotlight Bands #416 / AFRS Spotlight Bands program #261 |
| Stardust | 4. November 1931 | Louis Armstrong and His Orchestra |
| Stars Fell On Alabama | 15. November 1947 | Louis Armstrong and The All Stars |
| Static Strut | 28. Mai 1926 | Erskine Tate’s Vendome Orchestra |
| Steak Face | 15. November 1947 | Louis Armstrong and The All Stars |
| Stealin’ Apples | Oktober 1959 | Louis Armstrong and The All Stars |
| Step Down Brother, Next Case | März 1967 | Louis Armstrong mit Gerald Sims’ Orchestra |
| Stomp Off, Let’s Go | 28. Mai 1926 | Erskine Tate’s Vendome Orchestra |
| Stompin’ At The Savoy | 18. Januar 1944 | ABC Victory Parade of Spotlight Bands #416 / AFRS Spotlight Bands program #261 |
| Stormy Weather | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Struttin’ with Some Barbecue | 9. Dezember 1927 | Louis Armstrong and His Hot Five |
| Sugar | 6. September 1946 | Louis Armstrong and His Hot Seven |
| Sugar Foot Strut | 28. Juni 1928 | Louis Armstrong and His Hot Five |
| Sugarfoot Stomp | 29. Mai 1925 | Fletcher Henderson and His Orchestra |
| Summer Song | 13. September 1961 | Louis Armstrong and The All Stars |
| Summertime | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| Sun Showers | 7. Juli 1937 | Louis Armstrong and His Orchestra |
| Sunrise, Sunset | 26. März 1968 | Louis Armstrong and The All Stars |
| Sunset Cafe Stomp | 16. November 1926 | Louis Armstrong and His Hot Five |
| Sunshine Baby | 11. November 1925 | Hociel Thomas Acc. By Louis Armstrong’s Jazz Four |
| Swanee Butterfly | 2. Februar 1925 | Fletcher Henderson and His Orchestra |
| Swanee River | 19. Mai – 5. Juni 1944 | AFRS One Night Stand #240 / #253 |
| Sweet Adeline | 7. Juli 1957 | Ed Sullivan Show (Episode 10.41) |
| Sweet and Lovely | 18. August 1944 | Louis Armstrong and His Orchestra |
| Sweet As A Song | 13. Januar 1938 | Louis Armstrong and His Orchestra |
| Sweet Baby Doll | 5.–15. Oktober 1923 | King Olivers Creole Jazz Band |
| Sweet Georgia Brown | 2. Oktober 1955 | Louis Armstrong and The All Stars |
| Sweet Little Papa | 23. Juni 1926 | Louis Armstrong and His Hot Five |
| Sweet Lorraine | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| Sweet Lovin’ Man | 22. – 29. Juni 1923 | King Oliver’s Creole Jazz Band |
| Sweet Savannah Sue | 22. Juli 1929 | Louis Armstrong and His Orchestra |
| Sweet Sue, Just You | 26. April 1933 | Louis Armstrong and His Orchestra |
| Sweethearts On Parade | 12. Dezember 1928 | Lillie Delk Christian mit Louis Armstrong & His Hot Four |
| Swing Low, Sweet Chariot | 7. Februar 1958 | Louis Armstrong mit Sy Oliver’s Orchestra |
| Swing That Music | 18. Mai 1936 | Louis Armstrong and His Orchestra |
| Swing You Cats | 28. Januar 1933 | Louis Armstrong and His Orchestra |
| Swingin’ On A Star | 5. Oktober 1944 | ABC Victory Parade of Spotlight Bands #641 / AFRS Spotlight Bands program #486 |
| Swingin’ On Nothing | 20. April 1942 | Soundies |
| Swinging at the Summit | 19. Januar 1961 | Swinging at the Summit |
| Symphonic Raps | 5. Juli 1928 | Carroll Dickersons Savoyagers |
| T.N.T. | 21. Oktober 1925 | Fletcher Henderson and His Orchestra |
| Taint What You Do | 14. Juli 1954 | Louis Armstrong |
| Takes Two To Tango | 25. August 1952 | Louis Armstrong mit Sy Olivers Orchestra |
| Talk To The Animals | 26. März 1968 | Louis Armstrong and The All Stars |
| Tea for Two | 15. November 1947 | Louis Armstrong and The All Stars |
| Tears | 5.–15. Oktober 1923 | King Olivers Creole Jazz Band |
| Tell Me Dreamy Eyes | 10.–13. Oktober 1924 | Fletcher Henderson and His Orchestra |
| Ten Feet Off The Ground | 27. Februar 1968 | Louis Armstrong |
| Tenderly | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| Terrible Blues | 26. November 1924 | The Red Onion Jazz Babies |
| Texas Moaner Blues | 17. Oktober 1924 | Clarence Williams Blue Five |
| Thankful | 18. Mai 1936 | Louis Armstrong and His Orchestra |
| Thanks A Million | 19. Dezember 1935 | Louis Armstrong and His Orchestra |
| That Lucky Old Sun | 6. September 1949 | Louis Armstrong mit Gordon Jenkins Orchestra |
| That Old Feeling | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| That Rhythm Man | 22. Juli 1929 | Louis Armstrong and His Orchestra |
| That Sweet Something, Dear | 5. Oktober 1923 | King Olivers Creole Jazz Band |
| That’s a Plenty | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| That’s For Me | 26.–27. April 1950 | Louis Armstrong and The All Stars |
| That’s My Desire | 15. November 1947 | Louis Armstrong and The All Stars |
| That’s My Home | 8. Dezember 1932 | Louis Armstrong and His Orchestra |
| That’s What The Man Said | 31. August 1950 | Louis Armstrong mit Sy Olivers Chorus |
| That's What the Good Book Says | 19. Januar 1961 | Swinging at the Summit |
| That’s When I’ll Come Back To You | 14. Mai 1927 | Louis Armstrong and His Hot Seven |
| That’s a Plenty | 20. September 1952 | Jackie Gleason Show (CBS) |
| The Ballad Of Davy Crockett | 16. Januar 1951 | Louis Armstrong and The All Stars |
| The Bare Necessities | 27. Februar 1968 | Louis Armstrong |
| The Beat Generation | Oktober 1958 | The Beat Generation |
| The Beautiful American | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| The Blues | 14. Dezember 1938 | Martin Block’s Swing Show |
| The Blues Are Brewin’ | 5. September – 8. Oktober 1946 | „New Orleans“ |
| The Bridwell Blues | 16. Juni 1926 | Nolan Welsh |
| The Circle Of Your Arms | 10. September 1965 | Louis Armstrong and The All Stars |
| The Creator Has A Master Plan | 27. Mai 1970 | Louis Armstrong And His Friends |
| The Day the Rains Came | 10. November 1958 | Timex All-Star Show #3 |
| The Dummy Song | 16. Juli 1953 | Louis Armstrong mit Jack Pleiss’ Orchestra |
| The Easy Part’s Over Now | 3. August 1970 | Louis "Country Western" Armstrong |
| The Faithful Hussar | 19. Dezember 1955 | Louis Armstrong and The All Stars |
| The Five Pennies Saints | Oktober 1958 | Louis Armstrong |
| The Flat Foot Floogie | 10. Juni 1938 | Louis Armstrong and The Mills Brothers |
| The Flood Blues | 6. Mai 1927 | Sippie Wallace |
| The Frim Fram Sauce | 18. Januar 1946 | Ella Fitzgerald and Louis Armstrong mit Bob Haggart’s Orchestra |
| The Girl from Ipanema | 27. Juli 1967 | Louis Armstrong |
| The Gypsy | 22. Oktober 1953 | Louis Armstrong mit The Commanders |
| The Gypsy In My Soul | November 1967 | Louis Armstrong mit Dick Jacobs Orchestra |
| The Happy Time | November 1967 | Louis Armstrong mit Dick Jacobs Orchestra |
| The Home Fire | 24. Juli 1968 | Louis Armstrong and The All Stars |
| The Hucklebuck | 16. Januar 1951 | Louis Armstrong and The All Stars |
| The Last Time | 6. September 1927 | Louis Armstrong and His Hot Five |
| The Lonesome Road | 6. November 1931 | Louis Armstrong and His Orchestra |
| The Mail Train Blues | 3. März 1926 | Sippie Wallace |
| The Man I Love | 21. Januar 1955 | Louis Armstrong and The All Stars |
| The Man Upstairs | 19. Januar 1961 | Swinging at the Summit |
| The Mardi-gras March | 8. Oktober 1958 | Louis Armstrong and The All Stars |
| The Meanest Kind Of Blues | 14. November 1924 | Fletcher Henderson and His Orchestra |
| The Memphis Blues (or Mister Crump) | 13. Juli 1954 | Louis Armstrong |
| The Mooche | 3.–4. April 1961 | Louis Armstrong and Duke Ellington |
| The Music Goes Round And Round | 18. Januar 1936 | Louis Armstrong and His Orchestra |
| The Nearness Of You | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| The New Tiger Rag | 11. März 1932 | Louis Armstrong and His Orchestra |
| The Night Before Christmas | 26. Februar 1971 | Louis Armstrong |
| The Old Folks At Home (swanee River) | 29. Juni 1937 | Louis Armstrong and The Mills Brothers |
| The One I Love Belongs To Somebody Else | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| The Peanut Vendor | 23. Dezember 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| The Preacher | 28.–29. Juni 1960 | Bing Crosby and Louis Armstrong |
| The Prisoner’s Song | 30. Januar 1957 | Louis Armstrong |
| The Railroad Blues | 16.–22. März 1925 | Trixie Smith and Her Down Home Syncopators |
| The Real Ambassadors | 12. September 1961 | Louis Armstrong and The All Stars |
| The Sheik of Araby | März 1949 | AFRS "Jubilee" Programs #337, #339, #344, #347 |
| The Shuffle | 25. März 1944 | ABC Victory Parade of Spotlight Bands #474 / AFRS Spotlight Bands program #319 |
| The Skeleton In The Closet | Juli–August 1936 | Pennies From Heaven |
| The Song Is Ended | 10. Juni 1938 | Louis Armstrong and The Mills Brothers |
| The Southern Stomps | Anfang September 1923 | King Olivers Creole Jazz Band |
| The Sunshine of Love | 16. August 1967 | Louis Armstrongs Orchestra And Chorus |
| The Thing | 17. Dezember 1950 | The Big Show (NBC) |
| The Three Of Us | 10. September 1965 | Louis Armstrong and The All Stars |
| The Whiffenpoof Song | 13. April 1954 | Louis Armstrong mit The All Stars |
| The World is Waiting for a Sunrise | 26. Februar 1955 | Horace Heidt Show (NBC) |
| The World’s Jazz Crazy (and So Am I) | 16.–22. März 1925 | Trixie Smith and Her Down Home Syncopators |
| Them There Eyes | 29. April 1931 | Louis Armstrong and His Orchestra |
| There Must Be A Way | 23. Juli 1968 | Louis Armstrong and The All Stars |
| There’s A Boat Dat’s Leavin’ Soon For New York | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| There’s A Cabin In The Pines | 26. April 1933 | Louis Armstrong and His Orchestra |
| There’s No You | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| These Foolish Things | 3. Oktober 1958 | Louis Armstrong and The All Stars |
| They All Laughed | 23. Juli 1957 | Ella Fitzgerald and Louis Armstrong |
| They Can’t Take That Away From Me | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| They Pass By | 18.–19. August 1957 | Louis Armstrong and Ella Fitzgerald mit Russell Garcia and Orchestra |
| They Say I Look Like God | 12. September 1961 | Louis Armstrong and The All Stars |
| This Black Cat Has Nine Lives | 29. Mai 1970 | Louis Armstrong and His Friends |
| This Train | 4. Februar 1958 | Louis Armstrong mit Sy Olivers Orchestra |
| This Younger Generation | 14. Dezember 1956 | Louis Armstrong and His Orchestra |
| Three Little Bears | 27. August 1949 | Eddie Condon Floor Show (NBC) |
| Throw It Out Of Your Mind | 26. Juli 1965 | Where the Boys Meet the Girls |
| Thunderstorm Blues | 10. Dezember 1924 | Maggie Jones |
| Tiger Rag | 4. Mai 1930 | Louis Armstrong and His Orchestra |
| Tight Like This | 12. Dezember 1928 | Louis Armstrong and His Savoy Ballroom Five |
| Time After Time | 27. Juli 1967 | French Television Broadcast |
| Tin Roof Blues | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| To Be In Love | 4. Juni 1929 | Seger Ellis |
| To You, Sweetheart, Aloha | 18. August 1936 | Louis Armstrong mit The Polynesians |
| Together | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Tomorrow Night (after Tonight) | 24. April 1933 | Louis Armstrong and His Orchestra |
| Too Busy | 26. Juni 1928 | Lillie Delk Christian mit Louis Armstrong and His Hot Four |
| Top Hat, White Tie And Tails | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| Trees | 13. April 1954 | Louis Armstrong mit The All Stars |
| Trouble Everywhere I Roam | 28. November 1924 | Sippie Wallace accompanied by Clarence Williams’ Blue Five |
| Trouble In Mind | 23.–24. Februar 1926 | Bertha "Chippie" Hill |
| True Confession | 13. Januar 1938 | Louis Armstrong and His Orchestra |
| Trumpet Break | 28. August 1942 | Cabin In The Sky |
| Trumpet Player’s Lament | 12. Januar 1938 | Louis Armstrong and His Orchestra |
| Twelfth Street Rag | 11. Mai 1927 | Louis Armstrong and His Hot Seven |
| Two Deuces | 29. Juni 1928 | Louis Armstrong and His Hot Five |
| Tyree’s Blues | April 1966 | Louis Armstrong and The All Stars |
| Umbrella Man | 7. Januar 1959 | Timex All-Star Show #4 |
| Uncle Satchmo’s Lullaby | 20. Mai 1959 | „La Paloma“ |
| Undecided | Juli 1953 | NBC Radio Broadcasts |
| Under A Blanket Of Blue | 16. August 1956 | Ella Fitzgerald and Louis Armstrong |
| Unknown Title | Mai 1966 | Louis Armstrong and The All Stars |
| Unless | 23. April 1951 | Louis Armstrong and The All Stars |
| Velma’s Blues | 15. November 1947 | Louis Armstrong and The All Stars |
| Vesti La Giubba | 17. April 1955 | Ed Sullivan Show (CBS – Episode 8.32) |
| Volare | 4. Juni 1965 | Louis Armstrong |
| W.P.A. | 10. April 1940 | Louis Armstrong and The Mills Brothers |
| Wabash Blues | 15. Januar 1964 | Mike Douglas Show |
| Walkin’ My Baby Back Home | 20. April 1931 | Louis Armstrong and His Orchestra |
| Was It A Dream? | 26. Juni 1928 | Lillie Delk Christian mit Louis Armstrong and His Hot Four |
| Washington And Lee Swing | 24.–25. Mai 1960 | Louis Armstrong and the Dukes of Dixieland |
| Washwoman Blues | 11. November 1925 | Hociel Thomas Acc. By Louis Armstrong’s Jazz Four |
| Way Down Yonder in New Orleans | 26. April 1947 | This Is Jazz (WOR Radio) |
| We Called It Music | 27. August 1949 | Eddie Condon Floor Show (NBC) |
| We Have All The Time In The World | 28. Oktober 1969 | On Her Majesty’s Secret Service |
| We Shall Overcome | 29. Mai 1970 | Louis Armstrong and His Friends |
| We’ll Be Together Again | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| We’re A Home | 18. Dezember 1967 | Louis Armstrong and The All Stars |
| We’re Glad We’re Not Young Anymore | 29. September 1959 | The Bing Crosby Oldsmobile Show |
| Weary Blues | 22. April 1927 | Johnny Dodds Black Bottom Stompers |
| Weather Bird | 5. Dezember 1928 | Louis Armstrong |
| Weather Bird Rag | 6. April 1923 | King Olivers Creole Jazz Band |
| West End Blues | 28. Juni 1928 | Louis Armstrong and His Hot Five |
| What a Wonderful World | 16. August 1967 | Louis Armstrong’s Orchestra And Chorus |
| What Is This Thing Called Swing? | 18. Januar 1939 | Louis Armstrong and His Orchestra |
| What It Takes To Bring You Back | Februar 1930 | Butterbeans and Susie |
| What Kind O’ Man Is That? | 23. Februar 1926 | Baby Mack |
| What’s New | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| What’s The Good Word, Mr. Bluebird | 17. August 1943 | Victory Parade of Spotlight Bands #284 (Blue Network) / AFRS Spotlight Bands program #128 |
| What-cha-call-’em Blues | 29. Mai 1925 | Fletcher Henderson and His Orchestra |
| Whatcha Say | 9. August 1944 | Louis Armstrong and His Orchestra |
| Whatta Ya Gonna Do | 27. April 1946 | Louis Armstrong and His Orchestra |
| When Did You Leave Heaven? | 29. Januar 1957 | Louis Armstrong mit Sy Olivers Orchestra |
| When I Grow Too Old To Dream | August 1962 | Louis Armstrong and The All Stars |
| When It’s Sleepy Time Down South | 20. April 1931 | Louis Armstrong and His Orchestra |
| When Ruben Swings The Cuban | 7. August 1936 | Louis Armstrong mit Jimmy Dorsey And His Orchestra |
| When The Red, Red Robin Comes Bob, Bob, Bobbin’ Along | 24. Januar 1956 | Louis Armstrong and The All Stars |
| When the Saints Go Marching In | 13. Mai 1938 | Louis Armstrong and His Orchestra |
| When You Do What You Do | 18. April 1925 | Fletcher Henderson and His Orchestra |
| When You Leave Me Alone To Pine | 5. Oktober 1923 | King Olivers Creole Jazz Band |
| When You Wish Upon A Star | 16. Mai 1968 | Louis Armstrong |
| When You and I Were Young, Maggie | 13. Mai 1950 | Ken Murray Show (CBS) |
| When You’re Smiling | 11. September 1929 | Louis Armstrong and His Orchestra |
| When Your Lover Has Gone | 29. April 1931 | Louis Armstrong And His Orchestra |
| When Your Man Is Going To Put You Down, (You Never Can Tell) | Oktober 1925 | Coot Grant |
| Where Did You Stay Last Night? | 22. – 29. Juni 1923 | King Olivers Creole Jazz Band |
| Where The Blues Were Born In New Orleans | 5. September – 8. Oktober 1946 | Louis Armstrong and His Dixieland Seven |
| Whispering | 2.–12. Juni 1948 | Louis Armstrong and The All Stars |
| Whistle While You Work | 17. Mai 1968 | Louis Armstrong |
| White Christmas | 22. September 1952 | Louis Armstrong mit Gordon Jenkins and His Orchestra |
| Who Needs What Moonlight | 20. Dezember 1952 | All Star Revue (NBC) |
| Who Walks In When I Walk Out? | 23. November 1951 | Louis Armstrong and Ella Fitzgerald mit Dave Barbours Orchestra |
| Who’sit | 16. Juni 1926 | Louis Armstrong and His Hot Five |
| Why Couldn’t It Be Poor Little Me? | Mitte Januar 1925 | Fletcher Henderson and His Orchestra |
| Why Did Mrs. Murphy Leave Town | 5. August 1970 | Louis "Country Western" Armstrong |
| Why Doubt My Love | 12. März 1947 | Louis Armstrong and His Orchestra |
| Wild Man Blues | 22. April 1927 | Johnny Dodds Black Bottom Stompers |
| Wild Man Moore | 14. Dezember 1960 | Paris Blues |
| Will You, Won’t You Be My Baby | Oktober 1934 | Louis Armstrong and His Orchestra |
| Willie The Weeper | 7. Mai 1927 | Louis Armstrong and His Hot Seven |
| Willkommen | 9. Oktober 1967 | Louis Armstrong mit Dick Jacobs Orchestra |
| Willow Weep for Me | 31. Juli 1957 | Louis Armstrong meets Oscar Peterson |
| Winter Wonderland | 22. September 1952 | Louis Armstrong mit Gordon Jenkins and His Orchestra |
| Without a Song | 22. März 1965 | Louis Armstrong and His All Stars |
| Wolverine Blues | 14. März 1940 | Louis Armstrong and His Orchestra |
| Wolverton Mountain | 4. August 1970 | Louis "Country Western" Armstrong |
| Words | 30. Oktober 1924 | Fletcher Henderson and His Orchestra |
| Working Man Blues | 5.–15. Oktober 1923 | King Olivers Creole Jazz Band |
| Would You Like To Take A Walk? | 23. November 1951 | Louis Armstrong and Ella Fitzgerald mit Dave Barbour’s Orchestra |
| Wrap Your Troubles In Dreams | 4. November 1931 | Louis Armstrong and His Orchestra |
| Yeh! | 25. April 1955 | Louis Armstrong and The All Stars |
| Yellow Dog Blues | 14. Juli 1954 | Louis Armstrong |
| Yes Suh! | 11. April 1941 | Louis Armstrong and His Hot Seven |
| Yes! I’m In The Barrel | 12. November 1925 | Louis Armstrong and His Hot Five |
| Yes! Yes! My! My! (She’s Mine) | 4. Februar 1936 | Louis Armstrong and His Orchestra |
| You Are My Lucky Star | 3. Oktober 1935 | Louis Armstrong and His Orchestra |
| You Are Woman, I Am Man | 18. April 1964 | Louis Armstrong and The All Stars |
| You Can Depend On Me | 5. November 1931 | Louis Armstrong and His Orchestra |
| You Can Have Her | 4. August 1970 | Louis "Country Western" Armstrong |
| You Can’t Get Stuff In Your Cuff | Anfang 1943 | AFRS "Downbeat" Programs #16 and #30 |
| You Can’t Loose A Broken Heart | 30. September 1949 | Louis Armstrong and Billie Holiday mit Sy Olivers Orchestra |
| You Can’t Shush Katie (the Gabbiest Girl In Town) | 26. Oktober 1925 | Eva Taylor mit Clarence Williams Blue Five |
| You Dirty Mistreater | September – Oktober 1925 | Grant and Wilson mit Fletcher Hendersons Orchestra |
| You Don’t Know What Love Is | April 1942 | MBS Broadcast |
| You Don’t Learn That In School | 12. März 1947 | Louis Armstrong and His Orchestra |
| You Go To My Head | 14. Oktober 1957 | Louis Armstrong and The Oscar Peterson Trio Plus One |
| You Made Me Love You | 27. November 1926 | Louis Armstrong and His Hot Five |
| You Rascal You (I’ll Be Glad When You’re Dead) | 28. April 1931 | Louis Armstrong and His Orchestra |
| You Run Your Mouth, I’ll Run My Business | Mai 1940 | Louis Armstrong and His Orchestra |
| You Swing Baby (the Duke) | 13. September 1961 | Louis Armstrong and The All Stars |
| You Turned The Tables On Me | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| You Won’t Be Satisfied | 18. Januar 1946 | Ella Fitzgerald and Louis Armstrong mit Bob Haggarts Orchestra |
| You’ll Never Know | 17. August 1943 | Victory Parade of Spotlight Bands #284 (Blue Network) / AFRS Spotlight Bands program #128 |
| You’ll Never Walk Alone | 27. Juli 1967 | Louis Armstrong and the All Stars |
| You’ll Wish You’d Never Been Born | 8. Dezember 1932 | Louis Armstrong and His Orchestra |
| You’re A Heavenly Thing | 29. Januar 1957 | Louis Armstrong mit Sy Olivers Orchestra |
| You’re A Lucky Guy | 18. Dezember 1939 | Louis Armstrong and His Orchestra |
| You’re A Real Sweetheart | 26. Juni 1928 | Lillie Delk Christian mit Louis Armstrong and His Hot Four |
| You’re Blase | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| You’re Drivin’ Me Crazy | 23. Dezember 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| You’re Just A No Account | 18. Dezember 1939 | Louis Armstrong and His Orchestra |
| You’re Just In Love | 6. Februar 1951 | Louis Armstrong mit Gordon Jenkins Orchestra |
| You’re Lucky To Me | 16. Oktober 1930 | Louis Armstrong and His New Sebastian Cotton Club Orchestra |
| You’re Next | 26. Februar 1926 | Louis Armstrong and His Hot Five |
| You’re The Apple Of My Eye | 23. April 1951 | Louis Armstrong and The All Stars |
| You’re The Top | 14.–16. August 1957 | Louis Armstrong mit Russell Garcia and Orchestra |
| You’ve Been a Good Ole Wagon | 14. Januar 1925 | Bessie Smith |
| You’ve Got Me Voodoo’d | 14. März 1940 | Louis Armstrong and His Orchestra |
| You’ve Got The Right Key But The Wrong Keyhole | 17. Oktober 1924 | Virginia Liston accompanied by Clarence Williams Blue Five |
| You’ve Got To Beat Me To Keep Me | Mitte Februar 1925 | Trixie Smith and Her Down Home Syncopators |
| You’ve Got To Go Home On Time | 23. Februar 1926 | Baby Mack |
| Your Cheating Heart | 23. Februar 1953 | Louis Armstrong mit Sy Olivers Orchestra |
| Yours And Mine | 2. Juli 1937 | Louis Armstrong and His Orchestra |
| Zat You, Santa Claus? | 22. Oktober 1953 | Louis Armstrong mit The Commanders |
| Zip-a-Dee-Doo-Dah | 16. Mai 1968 | Louis Armstrong |
| Zoot Suit | April 1942 | MBS Broadcast |
| Zulu’s Ball | 5. Oktober 1923 | King Olivers Creole Jazz Band |

## Diskografie

Die Übersicht Diskografie listet in den Unterkapiteln Musikalben und Kompilationen, Singles und EPs sowie Musikvideos mindestens das Veröffentlichungsjahr des Albums/Musikvideos, den Album-/Musikvideotitel, die Band / den Künstler und das Musiklabel. Wo verfügbar wird auch die Katalognummer des Musiklabels genannt und es werden weitere Informationen ergänzt.

### Musikalben und Kompilationen
#### Zu Lebzeiten Armstrongs

| VÖ-Jahr | Album | Band / Künstler | Musiklabel | Katalog-Nummer | Weitere Informationen |
| 1940 | New Orleans Jazz | Louis Armstrong | Decca | 144 | |
| 1944 | Jazz Classics | Louis Armstrong | Brunswick | | |
| 1944 | Louis and Earl | Louis Armstrong and Earl HInes | Columbia | C-73, C 73 | |
| 1948 | Ella Fitzgerald Sings mit Mills Brothers, Louis Jordan And His Tympany Five, Louis Armstrong, Delta Rhythm Boys | Ella Fitzgerald | Decca | A-662 | |
| 1950 | Classics: New Orleans To New York | Louis Armstrong | Decca | | |
| 1950 | Satchmo Sings | Louis Armstrong | Decca | | |
| 1950 | Louis Armstrong: Volume Four | Louis Armstrong | Jolly Roger | 5009 | |
| 1950 | Louis Armstrong: Volume Six | Louis Armstrong | Jolly Roger | 7001 | |
| 1950 | Louis Armstrong Classics – New Orleans To New York | Louis Armstrong | Decca | AM 233002 | |
| 1951 | The Louis Armstrong Story, Volume III: Louis Armstrong And Earl Hines | Louis Armstrong and Earl HInes | Columbia Masterworks | | |
| 1951 | The Louis Armstrong Story, Volume IV: Louis Armstrong Favorites | Louis Armstrong | Columbia Masterworks | ML 54386 | |
| 1951 | Louis Armstrong’s Town Hall Concert | Louis Armstrong | RCA Victor | LPT-7 | |
| 1951 | Satchmo at Pasadena | Louis Armstrong | Decca | DL 8041 | |
| 1951 | The Bessie Smith Story – Volume 1 | Bessie Smith mit Louis Armstrong | Columbia | GL 503 | |
| 1952 | Jam Session mit Louis Armstrong – Louis Armstrong In Boston | Louis Armstrong | Brunswick | 86 007 LPM | |
| 1952 | Satchmo Serenades | Louis Armstrong mit Orchestra Directed By Sy Oliver | Decca | 9-321 | |
| 1952 | Ella Fitzgerald And Louis Armstrong | Ella Fitzgerald and Louis Armstrong | Brunswick | 86 006 LPB | |
| 1953 | Jazzin’ With Armstrong | Louis Armstrong | Columbia | 33 WS 1007 | |
| 1953 | Plays The Blues | Louis Armstrong | London Records | AL 3501 | |
| 1953 | Louis Armstrong with King Oliver’s Creole Jazz Band | Louis Armstrong mit King Oliver’s Creole Jazz Band | Riverside Records | RLP 1029 | |
| 1954 | Louis Armstrong Plays W.C. Handy | Louis Armstrong | Columbia Records | CL 591 | Komponist: W. C. Handy |
| 1954 | Louis Armstrong and the Mills Brothers, Volume One | Louis Armstrong & The Mills Brothers | Decca | DL 5509 | |
| 1954 | Sings the Blues | Louis Armstrong | RCA Victor | LJM-1005 | |
| 1954 | Plays W.C. Handy Vol. II | Louis Armstrong | Columbia | CL 6335 | |
| 1954 | Satchmo at Symphony Hall Vol.1 1947 | Louis Armstrong | Decca | DL 8037 | |
| 1954 | The Birth of Big Band Jazz | Fletcher Henderson, Louis Armstrong, Coleman Hawkins, Tommy Ladnier | Riverside Records | RLP 1055 | |
| 1955 | Jam Session mit Louis Armstrong | Louis Armstrong | Brunswick | 86 001 LPB | |
| 1955 | At the Crescendo Vol. 1 | Louis Armstrong | Decca | DL 8168 | |
| 1955 | At the Crescendo Vol. 2 | Louis Armstrong | Decca | DL 8169 | |
| 1955 | Concert at the Crescendo with the All-Stars | Louis Armstrong | Festival Records | FR10-856 | |
| 1955 | Satch Plays Fats: A Tribute to the Immortal Fats Waller | Louis Armstrong | Columbia | CL 708 | Kompositionen von Fats Waller |
| 1956 | The Young Louis Armstrong | Louis Armstrong | Riverside Records | RLP 12-101 | |
| 1956 | High Society (Motion Picture Soundtrack) | Bing Crosby, Grace Kelly, Frank Sinatra, Louis Armstrong | Capitol Records | W-750 | |
| 1956 | The Glenn Miller Story | The Universal-International Orchestra, Louis Armstrong | Decca | A-952 | |
| 1956 | Louis Armstrong and Gordon Jenkins | Louis Armstrong and Gordon Jenkins and his Orchestra and Chorus | Decca | DL 5538 | |
| 1956 | Louis Armstrong and Eddie Condon at Newport | Louis Armstrong & Eddie Condon | Columbia | CL-931 | |
| 1956 | Ella and Louis | Ella Fitzgerald & Louis Armstrong | Verve | MG V-4003 | |
| 1956 | Satchmo … A Musical Autobiography of Louis Armstrong | Louis Armstrong | Decca | DXM-155 | 4 LPs (aufgenommen 1947–1957) |
| 1956 | An Evening with Louis Armstrong and His All Stars – Vols 1 & 2 | Louis Armstrong | | | Konzert im Pasadena Civic Auditorium |
| 1956 | Louis Armstrong and His All Stars – Ambassador Satch | Louis Armstrong And His All Stars | Columbia | CL 840 | Tour im Dezember 1955 durch Westeuropa, Konzertaufnahmen aus Amsterdam und Mailand |
| 1956 | The Young Louis Armstrong | Louis Armstrong | Riverside Records | RLP 12-101 | |
| 1957 | Satchmo the Great | Louis Armstrong und Edward R. Murrow mit Leonard Bernstein | Columbia | CL 1077 | |
| 1957 | Ella and Louis Again | Ella Fitzgerald und Louis Armstrong | Verve | MGV 4006-1 | |
| 1957 | Louis and the Angels | Louis Armstrong | Decca | DL8488 | |
| 1957 | Town Hall Concert Plus | Louis Armstrong And His Orchestra | RCA Victor | LPM-1443 C | |
| 1957 | Louis Armstrong: 1923 | Louis Armstrong mit King Oliver’s Creole Jazz Band | Riverside Records | RLP 12-122 | |
| 1957 | Festival de Newport 1956 | Duke Ellington / Louis Armstrong / Buck Clayton | Philips | V. 2 | |
| 1958 | Ella and Louis Again Volume 2 | Ella Fitzgerald und Louis Armstrong | Verve | MG V-4018 | |
| 1958 | Swing Low Sweet Satchmo | Louis Armstrong | Brunswick | LAT 8270 | |
| 1958 | Under the Stars | Louis Armstrong | Verve | MGV 4012 | |
| 1958 | Louis and The Good Book (Swing Low Sweet Satchmo) | Louis Armstrong | Brunswick | BDV 173 259 | |
| 1958 | Louis and the Good Book | Louis Armstrong And The All Stars mit The Sy Oliver Choir | Decca | DL 8741 | |
| 1958 | Satchmo in Style | Louis Armstrong mit Gordon Jenkins And His Chorus And Orchestra | Decca | DL 8840 | |
| 1959 | Porgy and Bess | Ella Fitzgerald und Louis Armstrong | Verve, Deutscher Schallplattenclub | H-009 | |
| 1959 | Louis Armstrong Meets Oscar Peterson | Louis Armstrong & Oscar Peterson | Verve | MG V-8322 | |
| 1959 | The Five Pennies | Danny Kaye & Louis Armstrong | Dot Records | DLP 9500 | |
| 1959 | Armstrong For Ever | Louis Armstrong | Odeon | OSX 143-144 | |
| 1959 | Romantique Satchmo | Louis Armstrong | Barclay | 5.008 | |
| 1959 | Formula for Love | Nina & Frederik mit Louis Armstrong | Metronome | MLP 15025 | |
| 1959 | Classics Vol. 2: 1926–1927 | Louis Armstrong | Odeon | MOEQ 27007 | |
| 1959 | Pennies From Heaven | Louis Armstrong | RCA | EPA-5077 | |
| 1959 | A Musical Autobiography Of Louis Armstrong 1923–1925 | Louis Armstrong | Decca | DL 8963 | |
| 1960 | I’ve Got the World on a String | Louis Armstrong mit Russell Garcia and His Orchestra | Verve Records | MG VS-6101 | |
| 1960 | Bing & Satchmo | Bing Crosby And Louis Armstrong | MGM Records | SE3882P | |
| 1960 | Louie and the Dukes of Dixieland | Louis Armstrong and The Dukes of Dixieland | Audio Fidelity | AFSD 5924 | |
| 1960 | Sidney Bechet | Sidney Bechet mit Louis Armstrong, Trixie Smith, Noble Sissle’s Swingsters | Brunswick | LPBM 87 508 | |
| 1960 | Satchmo’s Golden Favourites | Louis Armstrong | Decca | DL 74137 | |
| 1960 | Louis Armstrong rencontre Oscar Peterson | Louis Armstrong, Oscar Peterson | Barclay-Verve | 3649 | |
| 1960 | Louie and the Dukes of Dixieland | Louis Armstrong and the Dukes of Dixieland | Audio Fidelity | ASK 104 | |
| 1960 | Louis Armstrong: 1923 | Louis Armstrong mit King Oliver’s Creole Jazz Band | Riverside Records | RLP 12-122 | |
| 1961 | Recording Together for the First Time | Louis Armstrong & Duke Ellington | Roulette | SR52074 | |
| 1961 | Jazz Classics | Louis Armstrong and His Orchestra | Ace Of Hearts | | |
| 1961 | Paris Blues | Duke Ellington feat. Louis Armstrong | United Artists Records | UAL 4092 | |
| 1961 | Soundtrack Of „Formula For Love“ | Nina & Frederik mit Louis Armstrong | ATCO Records | ATCO 33-128 | |
| 1961 | The Great Reunion | Louis Armstrong, Duke Ellington | Jazz Vogue | VJD506-1 + 2 | |
| 1961 | Singt und spielt Welterfolge | Louis Armstrong | Polydor, Bertelsmann Schallplattenring | M 71 508 | |
| 1961 | Satchmo A Musical Autobiography Of Louis Armstrong (1926–1927) Hot Fives And Sevens | Louis Armstrong | Decca | DL 4230 | |
| 1961 | Armstrong’s Greatest Years | Louis Armstrong | Odeon | O 73 316 | |
| 1961 | Ellington Armstrong Vol. 2 | Louis Armstrong & Duke Ellington | PRT Records | JR133 | |
| 1961 | His Greatest Years – Volume 1 | Louis Armstrong | Parlophone | PMC 1140 | |
| 1961 | His Greatest Years – Volume 2 | Louis Armstrong | Parlophone | | |
| 1961 | His Greatest Years – Volume 3 | Louis Armstrong | Parlophone | PMC1146 | |
| 1961 | Collector’s Classics | Louis Armstrong | Brunswick | 87 503 LPBM | |
| 1961 | Ella & Louis | Ella Fitzgerald & Louis Armstrong | Brunswick | 87038 LPBM | |
| 1962 | Satchmo A Musical Autobiography Of Louis Armstrong (1928–Early 1930) | Louis Armstrong | Decca | DL 74330 | |
| 1962 | Satchmo A Musical Autobiography of Louis Armstrong (1930–1934) | Louis Armstrong | Decca | | |
| 1962 | V.S.O.P. (Very Special Old Phonography) Vol.4 | Louis Armstrong | CBS | | |
| 1962 | V.S.O.P (Very Special Old Phonography) Vol. 6 | Louis Armstrong | CBS | | |
| 1962 | V.S.O.P. (Very Special Old Phonography) Vol. VII | Louis Armstrong | Odeon | | |
| 1962 | Face A Face | Louis Armstrong | Philips | V. 21 | |
| 1962 | Il Re del Jazz | Louis Armstrong | Ace of Hearts | DS 6 | |
| 1962 | The Real Ambassadors | Louis Armstrong and His Band, Dave Brubeck, Lambert, Hendricks and Ross, Carmen McRae | Columbia | OL 5850 | |
| 1963 | The Great Reunion | Louis Armstrong & Duke Ellington | Roulette | R 52103 | |
| 1963 | Satchmo In Japan | Louis Armstrong | Decca Records | JDL-5081 | |
| 1963 | The Great Reunion of Louis Armstrong and Duke Ellington | Duke Ellington And Louis Armstrong | Roulette | PRL 092 | |
| 1963 | Verve’s Choice! The Best Of Louis Armstrong | Louis Armstrong | Verve Records | V6-8595 | |
| 1963 | My Greatest Songs | Louis Armstrong | Brunswick | 87 035 | |
| 1964 | Hello Dolly! | Louis Armstrong | Kapp | KS-3364 | |
| 1964 | Ain’t Gonna Give Nobody None of My Jelly Roll | Louis Armstrong | Audio Fidelity | AFSD 6128 | |
| 1964 | In The 30’s – In The 40’s | Louis Armstrong | RCA Victor | LPM-2971 | |
| 1964 | The Best Of Louis Armstrong | Louis Armstrong | Audio Fidelity | AFSD 6132 | |
| 1964 | Ella & Louis | Ella Fitzgerald & Louis Armstrong | Brunswick | LPBM 87 038 | |
| 1964 | A Rare Batch Of Satch | Louis Armstrong | RCA Victor | LPM 2322 | |
| 1965 | Mame | Louis Armstrong | Pickwick/33 Records | SPC-3229 | |
| 1965 | Carnegie Hall Concert – Feb. 8, 1947 | Louis Armstrong | Connoisseur Rarities | CR 520 | |
| 1965 | Yeah ! | Louis Armstrong | Fontana | 683.283 JCL | |
| 1965 | Hello, Louis! | Louis Armstrong | Metro Records | MS 510 | |
| 1965 | Louis Armstrong | Louis Armstrong | AMIGA | 8 50 044 | |
| 1965 | Hraje A Zpívá Louis Armstrong | Louis Armstrong | Supraphon | DM 10160 | |
| 1966 | Satchmo at Symphony Hall | Louis Armstrong | Decca | DL 8037 | 2-LP Set; Konzert aufgenommen am 30. November 1947 |
| 1966 | Satchmo Sings Evergreens | Louis Armstrong | Verve Records | 711 051 | |
| 1966 | A Man Called Adam | Benny Carter feat. the Voices of Sammy Davis, Jr., Louis Armstrong and Mel Tormé | Reprise Records | RS-6180 | |
| 1966 | Louis in Los Angeles 1930 | Louis Armstrong | Swaggie Records | S1265 | |
| 1966 | Louis | Louis Armstrong | Mercury | MG 21081 | |
| 1966 | Armstrong Hot Five And Seven, Vol.1 | Louis Armstrong | Odeon | O 73 211 | |
| 1966 | Ella & Louis | Ella Fitzgerald & Louis Armstrong | AMIGA | 8 50 079 | |
| 1967 | Rare Items (1935–1944) | Louis Armstrong | Decca | DL 79225 | |
| 1967 | The Louis Armstrong Allstars Vancouver B.C. Canada | Louis Armstrong | Dogwood Productions | DW 25 | |
| 1967 | At The Crescendo Vol. 2 | Louis Armstrong | Ace Of Hearts | AH 0082 | |
| 1967 | The Singing Style of Louis Armstrong | Louis Armstrong | VSP | VSP 7/8 | |
| 1967 | Armstrong For Ever Vol. 2 | Louis Armstrong | CBS | 52377 | |
| 1967 | Greatest Hits | Louis Armstrong | Columbia | CS 9438 | |
| 1967 | Swingin’ Dixieland | Al Hirt/Louis Armstrong/Dukes Of Dixieland | Merco / Collegiate–MP-202 | Merco / Collegiate–MP-202 | |
| 1967 | The Hot Five 1926 The Hot Seven 1927 | Louis Armstrong | Swaggie Records | S1233 | |
| 1967 | Louis Armstrong,The Beatles,Ray Charles,Ella Fitzgerald,John Gary,Eydie Gormé,David Houston,The Anita Kerr Singers,Wes Montgomery,The New Vaudeville Band | Louis Armstrong,The Beatles,Ray Charles,Ella Fitzgerald,John Gary,Eydie Gormé,David Houston,The Anita Kerr Singers,Wes Montgomery,The New Vaudeville Band–The National Academy of Recording Arts and Sciences presents the 1966 Grammy Award Winners | diverse Musiklabel, z. B. Mercury | XTV-123942 | |
| 1968 | The One and Only | Louis Armstrong | Vocalion | VL 73871 | |
| 1968 | I Will Wait For You | Louis Armstrong | Brunswick | BL 754136 | |
| 1968 | V.S.O.P. (Very Special Old Phonography) Vol. 1 | Louis Armstrong | CBS | 62470 | |
| 1968 | V.S.O.P. (Very Special Old Phonography) Vol. 2 | Louis Armstrong | CBS | 62471 | |
| 1968 | V.S.O.P. (Very Special Old Phonography) Vol.3 | Louis Armstrong | CBS | 62472 | |
| 1968 | V.S.O.P. (Very Special Old Phonography) Vol.4 | Louis Armstrong | CBS | | |
| 1968 | V.S.O.P. (Very Special Old Phonography) Vol 5 | Louis Armstrong | CBS | 62474 | |
| 1968 | Disney Songs the Satchmo Way | Louis Armstrong | Buena Vista Records | STER-4044 | |
| 1968 | The Great Louis! | Louis Armstrong | Fontana | CP 243 | |
| 1968 | What a Wonderful World | Louis Armstrong | Columbia | SMC 74 474 | |
| 1969 | Back In N.Y. Vol.1 (1935) | Louis Armstrong | MCA Records | MAP/S-3803 P-71 | |
| 1968 | Satchmo Style | Louis Armstrong mit Luis Russell and His Orchestra and Jack Purvis and His Orchestra | Parlophone | PMC 7045 | |
| 1968 | Here’s Louis Armstrong | Louis Armstrong | Vocalion | VL 73851 | |
| 1968 | De Luxe | Louis Armstrong | Disneyland | XS-71-DS | |
| 1968 | Coppia D’Assi | Ella Fitzgerald/Louis Armstrong | Metro | SML 56.023 | |
| 1968 | The Louis Armstrong Story | Louis Armstrong | Brunswick | 358 002 XTA | |
| 1969 | Hello Dolly! (Original Motion Picture Soundtrack Album) | Barbra Streisand, Louis Armstrong | 20th Century Fox Records | DTCS-5103 | |
| 1969 | The Louis Armstrong Orchestra 1935–41 A Chronological Study | Louis Armstrong | Swaggie Records | Mono 701 | |
| 1969 | The Louis Armstrong Orchestra 1935–41 A Chronological Study | Louis Armstrong | Swaggie Records | Mono 702 | |
| 1969 | A Chronological Study Of The Louis Armstrong Orchestra 1935–41 – Volume 3 | Louis Armstrong | Swaggie Records | Mono 703 | |
| 1969 | A Chronological Study Of The Louis Armstrong Orchestra 1935–41 – Volume 4 | Louis Armstrong | Swaggie Records | Mono 704 | |
| 1969 | A Chronological Study Of The Louis Armstrong Orchestra 1935–41 – Volume 5 | Louis Armstrong | Swaggie Records | Mono 705 | |
| 1969 | A Chronological Study Of The Louis Armstrong Orchestra 1935–41 – Volume 6 | Louis Armstrong | Swaggie Records | Mono 706 | |
| 1969 | Le Mejor De Louis Armstrong Vol.I | Louis Armstrong | Coral | S - 21.152 | |
| 1969 | Satchmo and the Duke | Louis Armstrong and Duke Ellington | Saga Eros | EROS 8097 | |
| 1969 | An Early Portrait | Louis Armstrong | Milestone Records | MLP 2010 | |
| 1969 | Louis Armstrong | Louis Armstrong | CBS | S 52 680 | |
| 1969 | Archive Of Jazz Volume 1 | Louis Armstrong | BYG Records | 529.051 | |
| 1969 | Satchmo’s Greatest Vol. 1 1932–1933 | Louis Armstrong | RCA Victor | 730.682 | |
| 1969 | Satchmo’s Greatest Vol. 2 | Louis Armstrong | RCA Victor | | |
| 1969 | Satchmo’s Greatest Vol.3 1933–1946 | Louis Armstrong | RCA Victor | 731.050 | |
| 1969 | La Leggenda del Jazz | Louis Armstrong, Duke Ellington, Jelly Roll Morton, King Oliver, Sidney Bechet, Fats Waller, Benny Goodman, Count Basie, Lionel Hampton, Dizzy Gillespie, Chet Baker, Sonny Rollins | RCA | | |
| 1970 | Louis „Country & Western“ Armstrong | Louis Armstrong | AVCO Embassy | 80 959 IT | |
| 1970 | Greatest Hits Recorded Live | Louis Armstrong | Brunswick | BL 754169 | |
| 1970 | Ella and Louis | Ella Fitzgerald And Louis Armstrong | Verve Records | MG V-4003/4/5 | |
| 1970 | Satchmo Plays King Oliver | Louis Armstrong And His Orchestra | Audio Fidelity | AFSD 5930 | |
| 1970 | Swing That Music Satchmo | Louis Armstrong | Top Classic Historia | H 619 | |
| 1970 | And His Friends | Louis Armstrong | Philips | 6369 401 | mit Leon Thomas, Ornette Coleman und vielen anderen |
| 1970 | This Is Louis Armstrong – Satchmo ’70 | Louis Armstrong | CBS | S 66242 | |
| 1970 | Immortal Session Vol.1 | Louis Armstrong | Ariston | AR/LP/12004 | |
| 1970 | Immortal Session Vol.2 | Louis Armstrong | Ariston | AR/LP/12010 | |
| 1970 | Luis Armstrong 1924 | Louis Armstrong | BYG Records | BYG 11 | |
| 1970 | Louis Armstrong 1928–1931 | Louis Armstrong | Amiga | 8 50 070 | |
| 1970 | Satchmo – A Musical Autobiography Of Louis | Louis Armstrong | Coral | C-COPS 2619 | |
| 1970 | The Definitive Album | Louis Armstrong | Audio Fidelity | AFSD 9012 | |
| 1970 | Louis Armstrong | Louis Armstrong | Pickup | BPU 14011 | |
| 1970 | Louis Armstrong’s Great Hits – Recorded Live | Louis Armstrong | London Records | ZGU 142 | |
| 1970 | Louis Armstrong Presents: New Orleans Jazz at Newport | Louis Armstrong | Wolf Records | WJS-1003 | |
| 1970 | Ramblin’ Rose | Louis Armstrong | H & L Records | 6.24131 AO | |
| 1970 | The Definitive Album By Louis Armstrong | Louis Armstrong | Audio Fidelity | AFSD 6241 | |
| 1970 | The Wonderfull World Of Louis Armstrong | Louis Armstrong | ABC Records | NABN 6002 | |
| 1970 | Lo Mejor De Louis Armstrong Vol. II | Louis Armstrong | Coral | S-21.228 | |
| 1970 | The Jazz Collection Vol.1 1923–1925 | Louis Armstrong | BYG Records | 6623 950 | |

#### Nach dem Tod Armstrongs (Auswahl)

| VÖ-Jahr | Album | Band / Künstler | Musiklabel | Katalog-Nummer | Weitere Informationen |
| 1971 | Ella and Louis Again | Ella Fitzgerald und Louis Armstrong | Verve Records | SGVL 51-038 | Keine Neuerscheinung, sondern Wiederauflage des Albums von 1957 |
| 1971 | The Best of Louis Armstrong | Louis Armstrong | Discolibro | 7602 | |
| 1971 | Body and Soul | Louis Armstrong | Verve Records | SGVL 51-040 | |
| 1972 | Louis and Sidney | Louis Armstrong und Sidney Bechet | CBS | S 53151 | |
| 1972 | The Louis Armstrong Saga | Louis Armstrong | Columbia | LE 10360 | |
| 1972 | V.S.O.P (Very Special Old Phonography) | Louis Armstrong | Epic | ELP 3644 | |
| 1972 | Satchmo at the National Press Club | Louis Armstrong | National Press Club | PR 178 | |
| 1972 | Louis Armstrong & Bing Crosby Live feat.: Joe Venuti and Jack Teagarden | Louis Armstrong, Bing Crosby | Family Records | SFR-DP 655 | |
| 1973 | At the Crescendo | Louis Armstrong | MCA Records | MCA2-4013 | |
| 1973 | On Stage | Louis Armstrong & Bing Crosby | Windmill | WMD 190 | |
| 1973 | At Newport | Louis Armstrong / Duke Ellington | CBS | 62 614 | |
| 1973 | Skokiaan | Louis Armstrong | MCA Records | COPS 6973 | |
| 1973 | Louis Armstrong 6 / Satchmo’s Collectors Items 1936–1937 | Louis Armstrong | MCA Records | 510.069 | |
| 1973 | Louis Armstrong in Concert | Louis Armstrong | RCA | DRL1-0065(e) | |
| 1973 | In New York 1924 | Louis Armstrong | Napoleon | NLP 11016 | |
| 1974 | Louis Armstrong in the Thirties | Louis Armstrong | Alamac | QSR 2401 | |
| 1974 | Mostly Blues | Louis Armstrong | Olympic Records | 7124 | |
| 1974 | At the Carnegie Hall | Louis Armstrong | Joker | SM 3614 | |
| 1974 | Louis Armstrong / Sidney Bechet | Louis Armstrong / Sidney Bechet | Fontana Special | 6424 036 | |
| 1974 | Live Recording | Louis Armstrong | Polskie Nagrania Muza | SXL 1158 | Live aus dem Stork Club, New York City, 1962 |
| 1974 | On the Road | Louis Armstrong | Fairmont Records | FA-1005/6 | |
| 1974 | Louis Armstrong on the Air | Louis Armstrong | Elec Records | KV-108 | |
| 1974 | Louis Armstrong & Duke Ellington | Louis Armstrong & Duke Ellington | Avenue International | ZC CAV 1006 | |
| 1974 | Really The Jazz | Louis Armstrong | EMI Italiana S.p.A. | 3C 034-05669M | |
| 1974 | Louis Armstrong | Louis Armstrong | Concert Hall | SJS 1412 | |
| 1974 | Back in N.Y. Vol. 2 (1935–1936) | Louis Armstrong | MCA Coral | COPS 7009 | |
| 1974 | Mame~When the Saints Go Marching in | Louis Armstrong | Fontana | PAT-1021 | |
| 1974 | What a Wonderful World | Louis Armstrong | Music for Pleasure | TC-MFP 50254 | |
| 1974 | Louie and Lu | Louis Armstrong, Lu Watters | Fairmont | F-108 | |
| 1975 | The Two Greatest Concerts | Louis Armstrong | Musidisc | CCV 2504 | |
| 1975 | Louis Armstrong – The Best Live Concert | Louis Armstrong | Disques Festival | ALBUM 200 | Aufnahmen aus dem Palais des Sports in Paris, Juni 1965 |
| 1975 | Louis Armstrong and Earl Hines 1928 – The Smithsonian Collection | Louis Armstrong & Earl Hines | CBS | P 12754 | |
| 1975 | In East Europe | Louis Armstrong | Up | LPUP 5056 | |
| 1975 | Louis Armstrong – Back in N.Y. and Chicago, VOL.8 (1941) | Louis Armstrong | MCA Coral | 6.22177 AG | |
| 1975 | Retrato de Louis Armstrong | Louis Armstrong | MCA Records | 6756 (MAPS 7901) | |
| 1975 | Here Is Louis Armstrong at His Rare of All Rarest Performances Vol. 2 | Louis Armstrong | Kings Of Jazz | KLJ-20026 | |
| 1975 | Hello Dolly | Louis Armstrong | Musidisc | 30 CV 1359 | |
| 1975 | Town Hall Concert 1947 (The Unissued Part) | Louis Armstrong | RCA | FXM1 7142 | |
| 1975 | Louis Armstrong – At the Crescendo Vol. 2 | Louis Armstrong | MCA Coral | MCL-3008 | |
| 1976 | High Society | Louis Armstrong | Intercord | 25 105-8 B | |
| 1976 | Live at Carnegie Hall | Louis Armstrong | RCA, Locomotive | ML 21012 | |
| 1976 | Snake Rag | Louis Armstrong | Chiaroscuro Records | CR-2002 | |
| 1976 | Satchmo | Louis Armstrong | Varèse International | VS 81006 | |
| 1976 | All Stars | Louis Armstrong | Storyville | SC-44012 | |
| 1976 | Ella and Louis | Ella Fitzgerald & Louis Armstrong | Verve Records | MV 9503/5 | Wiederauflage des Albums aus dem Jahr 1956 |
| 1977 | Louis Armstrong in the 30’s | Louis Armstrong | RCA | NL 47355 | |
| 1977 | Bing Crosby-Louis Armstrong | Bing Crosby, Louis Armstrong | Capitol Records | SM-11735 | |
| 1977 | American Jazz & Blues History Vol.1 | Louis Armstrong | Phonic | PHL 5505 | |
| 1977 | Sweetheart | Louis Armstrong & The Dukes of Dixieland | Chiaroscuro Records | CR 2006 | |
| 1977 | Snake Rag | Louis Armstrong | MICSA | SUP-912 | |
| 1977 | Bing and Satchmo | Bing Crosby and Louis Armstrong | Nipper | 16 0317 1 | |
| 1977 | Louis Armstrong Vol.2 | Louis Armstrong | PRT | JR 129 | |
| 1977 | The Complete Town Hall Concert | Louis Armstrong | RCA | NL 42279 | |
| 1977 | Royal Garden Blues | Louis Armstrong | Versailles | VER 34113 | |
| 1977 | Live in Concert February 1948 | Louis Armstrong | Jazz Anthology | 30 JA 5155 | |
| 1978 | Louis Armstrong Live | Louis Armstrong | Vogue | VK.78 | |
| 1978 | The Great Reunion | Duke Ellington & Louis Armstrong | Roulette | YW-7824-RO | |
| 1978 | Reminiscin’ with Louis | Louis Armstrong | Queen-disc | Q 004 | |
| 1979 | Lucerna-1965 – Lucerna Hall-Prague 1965 – Live | Louis Armstrong | Panton | 8015 0075 | |
| 1979 | Porgy & Bess | George Gershwin, Ella Fitzgerald & Louis Armstrong | Polydor, Supraphon | 1116 2418 | |
| 1979 | Jazz Special – His Last Recordings | Louis Armstrong | RCA | CL 42785 | |
| 1979 | At Their Rarest of All Rare Performances | Ella Fitzgerald, Louis Armstrong | BIAC Records | BRAD 10540-541 | |
| 1979 | Leonard Bernstein Louis Armstrong | Louis Armstrong, Leonard Bernstein | CBS | LSP 13814 | |
| 1980 | Chicago Concert – 1956 | Louis Armstrong | Columbia | C2 36426 | |
| 1980 | Giants of Jazz: Louis Armstrong | Louis Armstrong | Time Life Records | STL-J01 | |
| 1980 | Pops | Louis Armstrong, Fats Waller, Jack Teagarden, Bud Freeman, Albert Casey, George Wettling | Phoenix 10 | PHX 305 | |
| 1980 | Louis Armstrong | Louis Armstrong | Impacto – IMP - 14040 | Impacto – IMP - 14040 | |
| 1980 | Chicago Concert – 1956 | Louis Armstrong | Columbia | C2 36426 | |
| 1980 | Back in New York (1935) | Louis Armstrong | MCA Records | MCA-1304 | |
| 1981 | Louis Armstrong & Jack Teagarden | Louis Armstrong & Jack Teagarden | International Joker Production | SM 3873 | |
| 1981 | Los Grandes del Jazz 68 | Louis Armstrong / Peanuts Hucko / Trummy Young / Billy Kyle | Sarpe | GJ-68 | |
| 1981 | Louis and The Good Book Vol. 2 | Louis Armstrong | MCA Records | LMCL 500 | |
| 1981 | The Louis Armstrong Legend 1926–27 | Louis Armstrong | World Records | SH 405 | |
| 1982 | New Orleans Original Motion Picture Soundtrack | Louis Armstrong, Billie Holiday | Giants of Jazz Productions | GOJ-1025 | |
| 1982 | New Orleans Function | Louis Armstrong | Black Lion | BLM 52005 | |
| 1982 | Louis Armstrong: The Early Years | Louis Armstrong | EMI Records Australia | SCA 069 | |
| 1982 | Greatest Hits (Live in Concert) | Louis Armstrong | Seagull Records | LG-8206 | |
| 1983 | Satchmo – A Musical Autobiography Narrated and Performed by Louis Armstrong Volume 1 | Louis Armstrong | MCA Records | MCA 2-4173 | |
| 1983 | Louis Armstrong at Town Hall The Complete Town Hall Concert 17 May 1947 | Louis Armstrong | RCA | PM 45374 | |
| 1984 | Recording Together for the First Time / The Great Reunion of Louis Armstrong and Duke Ellington | Louis Armstrong & Duke Ellington | Mobile Fidelity Sound Lab | MFSL 2-155 | |
| 1984 | Louis Armstrong & His All Stars | Louis Armstrong | CFE | ES-142 | |
| 1984 | Saint Louis Blues | Louis Armstrong | CBS | 54612 | |
| 1984 | Superstars Of Traditional Jazz: The Legendary Live Broadcasts of 1947 And 1948 | Louis Armstrong, Bobby Hackett, Jack Teagarden, Peanuts Hucko, Jack Lesberg, Ernie Caceres, Dick Cary, George Wettling, Sidney Catlett | Sandy Hook Records | S.H.2092 | |
| 1984 | New Orleans Masters – Volume Two | Louis Armstrong | Swing House Records | SWH-44 | |
| 1985 | Singin’ n’ Playin’ | Louis Armstrong | Lester Recording Catalog | YX-7366-SL | |
| 1986 | Master of Jazz | Louis Armstrong | Storyville | SLP-4101 | |
| 1986 | Louis Armstrong in Sweden | Louis Armstrong | Jazz Information | CAH 4000 | |
| 1986 | Struttin’ with Some Barbecue | Louis Armstrong | Affinity | AFS 1024 | |
| 1987 | Louis Armstrong | Louis Armstrong | Object Enterprises Ltd. | XR0015 | |
| 1987 | Louis Armstrong & Guests | Louis Armstrong | The Entertainers | ENT LP 13041 | |
| 1988 | Ella Fitzgerald / Louis Armstrong | Ella Fitzgerald, Louis Armstrong | Verve Records | 835 313-2 | |
| 1988 | Satchmo – What a Wonderful World | Louis Armstrong | Verve Records | 837 786-1 | |
| 1988 | Bing & Louis Live | Bing Crosby & Louis Armstrong | Spectrum | U4016 | |
| 1988 | Vintage Concert Performances | Louis Armstrong | Seagull Enterprises Corp. | L3000 | |
| 1988 | The Unforgettable Duets | Louis Armstrong & Velma Middleton | The Entertainers | ENT LP 13.048 | |
| 1988 | Do You Know What It Means to Miss New Orleans? | Louis Armstrong | Verve Records | 837 919-2 | |
| 1988 | Hot Fives & Sevens Volume 1 | Louis Armstrong | JSP Records | JSPCD 312 | |
| 1988 | Hot Fives & Sevens Volume 2 | Louis Armstrong | JSP Records | JSPCD 313 | |
| 1988 | Hot Fives & Sevens Volume 3 | Louis Armstrong | JSP Records | JSPCD 314 | |
| 1988 | Hot Fives & Sevens Volume 4 | Louis Armstrong | JSP Records | JSPCD 315 | |
| 1989 | Louis Armstrong – Blueberry Hill | Louis Armstrong | Milan | RC 430 | |
| 1989 | Hello Dolly | Louis Armstrong | Drive | CD Drive 3504 | |
| 1989 | Entertains | Louis Armstrong | Music for Pleasure | MFP 5857 | |
| 1989 | Mame + 1 | Louis Armstrong | Mercury | EJD-3019 | |
| 1989 | The Collection | Bessie Smith | Columbia | CJ 44441 | Enthält vier der neun gemeinsamen Aufnahmen von Armstrong und Smith |
| 1990 | Mack the Knife | Louis Armstrong | Pablo Records | 2310-941 | |
| 1990 | Les Plus Belles Chansons De Louis Armstrong – Hello Louis! | Louis Armstrong | MCA Records | 257134-1 | |
| 1990 | What a Wonderful World | Louis Armstrong | Matinee | 490 042 | |
| 1991 | An American Songbook | Louis Armstrong | Philips | 813 0021 | |
| 1991 | Mahogany Hall Stomp | Louis Armstrong | ASV Living Era | CD AJA 5049 | |
| 1991 | The Louis Armstrong Story | Louis Armstrong | Polskie Nagrania Muza | CK 1230 | |
| 1991 | Bessie Smith – Complete Recordings, Vol. 2 (1924–1925) | Bessie Smith | Columbia,Legacy | C2K 47471 | enthält u. a. die neun gemeinsamen Aufnahmen von Armstrong und Smith |
| 1992 | Louis Armstrong and King Oliver | Louis Armstrong & King Oliver | Milestone Records | MCD 47017-2 | |
| 1992 | Singin’ N’ Playin’ / When the Saints Go Marchin’ In | Louis Armstrong | Lester Recording Catalog | CDC 9067 | |
| 1992 | The Best of a Wonderful World Volume 2 | Louis Armstrong | MCA Records | 170.8076 | |
| 1992 | Louis and the Good Book | Louis Armstrong | MCA Records | MCAD 1300 | |
| 1992 | The California Concerts | Louis Armstrong | Decca Jazz | GRD-4-613 | 4 CDs, aufgenommen 1951 und 1955 |
| 1992 | Louis Armstrong Complete Edition, Volume 4 (1924–1925) | Louis Armstrong | Media 7 | MJCD-4 | |
| 1992 | Louis Armstrong Complete Edition, Volume 8 (1925–Feb. 1926) | Louis Armstrong | Media 7 | MJCD-8 | |
| 1993 | The Wonderful World of Musical | The Hollywood Film Festival Orchestra, Mantovani And His Orchestra, Louis Armstrong | Galaxy Music Ltd. | 3865642 | |
| 1993 | The Complete Decca Studio Recordings of Louis Armstrong and the All Stars 1950–1954 | Louis Armstrong and His All Stars | Mosaic Records | MD6-146 | Sammlung mit 8 LPs bzw. 6 CDs |
| 1994 | Tribute to Louis Armstrong | Louis Armstrong | Jazz Heritage | 913507K | |
| 1994 | When It’s Sleepy Time Down South | Louis Armstrong | ITM-Media | MK 42533 | |
| 1994 | Double Goldies | Louis Armstrong | Goldies | GLD 63308 | |
| 1994 | What a Wonderful World | Louis Armstrong | Excelsior | EXL-2-5246 | |
| 1994 | The Great Louis Armstrong | Louis Armstrong | Great Music | GREAT 057 | |
| 1994 | Live! | Louis Armstrong | Essex Entertainment, Inc. | EXL-4-5278 | |
| 1994 | Volume 7 "1940-41" | Louis Armstrong | Ambassador Records | CLA1907 | |
| 1996 | Louis Armstrong | Louis Armstrong | Maestros del Jazz & Blues | 9520211 | |
| 1996 | Disney Songs the Satchmo Way | Louis Armstrong | Walt Disney Records | 60920-7 | |
| 1996 | Struttin’ | Louis Armstrong mit Edmond Hall’s All-Stars | Drive Archive | DE2-42411 | |
| 1997 | Jazz Masters (100 ans de Jazz) | Louis Armstrong | e.f.s.a. collection | JZ 015 | |
| 1997 | Hello Dolly | Louis Armstrong | A Play Collection | JC 70004-2 | |
| 1997 | The World of Louis Armstrong | Louis Armstrong | ZYX Music | ZYX 11063-2 | |
| 1997 | La vie en rose | Louis Armstrong | Jazz Time | JTM 8131 | |
| 1997 | Please Don’t Talk About Me When I’m Gone | Louis Armstrong | Laserlight Digital | 17 140 | |
| 1997 | The Complete Ella Fitzgerald & Louis Armstrong on Verve | Ella Fitzgerald & Louis Armstrong | Verve | 537 284-2 | Sammlung mit 3 CDs |
| 1998 | Midnights at V-Disc | Louis Armstrong, Jack Teagarden, Woody Herman | Jazz Unlimited | JUCD 2048 | |
| 1999 | Hot Fives & Sevens | Louis Armstrongs Hot Five and Hot Seven | JSP Records | JSPLOUISBOX 100 | |
| 2000 | The Best Live Concert Volume 1 | Louis Armstrong | Verve Records | 440 013 030-2 | |
| 2000 | Super Hits | Louis Armstrong | Columbia | CK 62222 | |
| 2000 | The Great Summit | Complete Sessions | Louis Armstrong & Duke Ellington | Roulette Jazz | 7243 5 24546 2 4 | |
| 2000 | The Best Live Concert Volume 2 | Louis Armstrong | Gitanes Jazz Productions | 013 031-2 | |
| 2000 | Mack the Knife | Louis Armstrong | Midnite Jazz & Blues Collection | MJB004 | |
| 2000 | And His Friends | Louis Armstrong | BMG France | 74321747942 | |
| 2000 | Tiger Rag | Louis Armstrong | Jazz Master Collection | JC 70004-2 | |
| 2000 | The Katanga Concert | Louis Armstrong | Milan | 73138 35908-2 | Liveaufnahmen aus dem November 1960 in Katanga (Kongo) |
| 2000 | Satchmo Live in Berlin Friedrichstadtpalast / The Legendary Berlin Concert | Louis Armstrong and His All Stars | Jazzpoint Records | CD jp 1063 | das komplette Konzert vom 22. März 1965, zwei CDs mit ausführlichen Reisebeschreibungen von Karlheinz Drechsel, des Tournee-Begleiters durch die damalige DDR |
| 2000 | The Complete Hot Five and Hot Seven Recordings | Louis Armstrongs Hot Five and Hot Seven | Columbia | C4K 63527 | Sammlung mit 4 CDs |
| 2000 | The Great Summit: The Master Takes | Louis Armstrong & Duke Ellington | Roulette Jazz | 7243 5 24547 2 3 | |
| 2001 | Heebie Jeebies (Original Recordings 1925–30) | Louis Armstrong | Naxos Jazz | 8.120541 | |
| 2001 | At The Met | Esquire All Stars feat. Louis Armstrong | Arpeggio | ARJ 011 | |
| 2001 | When the Saints Go Marchin’ In | Louis Armstrong | Lester Recording Catalog | 20020 | |
| 2002 | Olympia, Apr. 24th, 1962 | Louis Armstrong | LaserLight Digital | 17438 | |
| 2002 | Solo lo mejor de Louis Armstrong | Louis Armstrong | Music Brokers | MBB5265 | |
| 2002 | Mr. President | Louis Armstrong | Milan | 198 520-2 | |
| 2003 | Louis Armstrong Meets the Girls | Louis Armstrong | Universal | 066429 | |
| 2005 | Blues | Louis Armstrong | Weton-Wesgram B.V. | LATA094 | |
| 2005 | C’est Si Bon ! | Louis Armstrong | MCSA Entertainment | 005101-2 | |
| 2005 | Satchmo Live In Florence ’52 | Louis Armstrong | Twilight Music | TWI CD AS 04 15 | |
| 2006 | The Nice & Philadelphia Concerts | Louis Armstrong | United Archives | UAR502.2 | |
| 2007 | Louis Armstrong – Live at the 1958 Monterey Jazz Festival | Louis Armstrong | Monterey Jazz Festival Records | MUFR-30311 | |
| 2007 | Louis Armstrong in Scandinavia | Louis Armstrong | Storyville | 108 8602 | |
| 2007 | Gospel Book | Louis Armstrong | Éditions Jade | CD 699 626-2 | |
| 2008 | Fleischmann’s Yeast Show & Louis’ Home-Recorded Tapes | Louis Armstrong | Jazz Heritage Society | 52889147 | |
| 2009 | Louis Armstrong Meets Oscar Peterson | Louis Armstrong & Oscar Peterson | Essential Jazz Albums | EJA 040 | |
| 2009 | The Complete Louis Armstrong Decca Sessions (1935–1946) | Louis Armstrong | Mosaic Records | MD7-243 | Sammlung mit 7 CDs |
| 2010 | Swinging On a Star – A Crooner Collection | Ella Fitzgerald, Louis Armstrong | Universal Music Special Markets | 56552 | |
| 2011 | The Complete Masters 1925–1945 | Louis Armstrong | Universal Music | 533 607-9 | |
| 2011 | Live in Paris ’65 | Louis Armstrong | Stardust Records | CLP 4806 | |
| 2012 | Satchmo at the National Press Club | Louis Armstrong | Smithsonian Folkways | SFS 60005 | |
| 2014 | What a Wonderful World: The Great Satchmo Live | Louis Armstrong | Vinyl Passion | VP 80720 | |
| 2014 | Columbia and RCA Victor Live Recordings of Louis Armstrong and the All Stars 1947–1958 | Louis Armstrong and the All Stars | Mosaic Records | MD 9-257 | Sammlung mit 9 CDs |
| 2016 | Basin Street Blues | Louis Armstrong | ORG Music, Black Lion Records | ORGM-2067 | |
| 2016 | The Very Best of | Louis Armstrong | Magic Records | 476 888 8 | |
| 2017 | What a Wonderful World | Louis Armstrong | Decca | UCCU-8007 | |
| 2017 | Bing & Satchmo | Bing Crosby & Louis Armstrong | DOL | DOS728H | |
| 2017 | Louis Armstrong Plays W.C. Handy | Louis Armstrong | Analog Spark | AS00010 | |
| 2017 | The Best of | Louis Armstrong | Universal Music Polska | 5765159 | |
| 2018 | The Great Summit | Louis Armstrong & Duke Ellington | WaxTime In Color | 950630 | |
| 2018 | Ella and Louis | Ella Fitzgerald & Louis Armstrong | Verve Records | | |
| 2018 | The Complete Satchmo Plays King Oliver | Louis Armstrong | Essential Jazz Classics | EJC55684 | |
| 2019 | Porgy & Bess | Ella Fitzgerald & Louis Armstrong | Verve Records | | |
| 2019 | Louis Armstrong Meets Oscar Peterson | Louis Armstrong & Oscar Peterson | Verve Records | | |
| 2019 | Louis Armstrong: Live In Germany | Louis Armstrong | Dot Time Records | DT8555 | |
| 2020 | And His Friends | Louis Armstrong | Flying Dutchman, Solid Records | UVJZ-20091 | |
| 2021 | Hello, Dolly! | Louis Armstrong | Kapp Records | UCCU-45002 | |
| 2021 | What A Wonderful World | Louis Armstrong | Decca | UCCU-45001 | |
| 2021 | Bing & Satchmo | Bing Crosby & Louis Armstrong | MGM Records | | |
| 2022 | The Nightclubs | Louis Armstrong | Dot Time Records | DT8566 | |
| 2022 | Louis Wishes You A Cool Yule | Louis Armstrong | Verve Records | | |
| 2023 | Under The Stars | Louis Armstrong | PU:RE | 010 | |
| 2024 | Vocal Duets - Ltd 180Gm Blue Vinyl | Louis Armstrong | Vinyl Passion | VPL90080 | |
| 2024 | Louis In London | Louis Armstrong | Verve Records, BBC | | |

### Boxsets

* The Complete Louis Armstrong Decca Sessions (1935–1946) - Mosaic, 2009 - 7 CDs mit Gus Aiken, Louis Bacon, Jimmy Archey, Charlie Holmes, Bingie Madison, Luis Russell, Lee Blair, Pops Foster, Paul Barbarin, Bunny Berigan, Dave Barbour, Stan King, Snub Mosley, Jimmy Dorsey, Fud Livingston, Bing Crosby, Frances Langford, Lionel Hampton, Mills Brothers, Shelton Hemphill, Henry Red Allen, George Matthews, George Washington (Posaunist), J. C. Higginbotham, Albert Nicholas, Red Callender, Wilbur De Paris, The CBS Choir voc, Nat Jaffe, Casa Loma Orchestra, Glen Gray, Pee Wee Hunt, Joe Garland, Sid Catlett, Claude Jones, Sidney Bechet, Bernard Addison, Wellman Braud, Zutty Singleton, Prince Robinson, Lawrence Lucie, Henderson Chambers, Sy Oliver arr, Dexter Gordon, Dorothy Dandridge voc, Billy Butterfield, Carl Kress, Bob Haggart, Joe Bushkin, Ella Fitzgerald
* The Complete Decca Studio Recordings of Louis Armstrong and the All Stars 1950–1954 - Mosaic, 1993 - 8 LPs oder 6 CDs mit Jack Teagarden, Barney Bigard, Earl Hines, Arvell Shaw b, Cozy Cole, Velma Middleton, Marty Napoleon, Trummy Young, Joe Bushkin, Babe Russin, Gene Krupa, Bud Freeman, Billy Kyle, Barrett Deems, Edmond Hall, Lucky Thompson, Hilton Jefferson, George Barnes, Everett Barksdale, Squire Gersh b, Peanuts Hucko, Eddie Miller, Danny Barcelona, Sy Oliver arr, Bob Haggart arr
* Columbia and RCA Victor Live Recordings of Louis Armstrong and the All Stars 1947–1958, Mosaic, 2014 - 9 CDs mit Dick Cary, Bob Haggart, George Wettling, Bobby Hackett, Jack Teagarden, Peanuts Hucko, Sid Catlett, Barney Bigard, Arvell Shaw, Velma Middleton, Trummy Young, Edmond Hall, Billy Kyle, Barrett Deems, George Avakian speaking, Jack Lesberg, Dale Jones, Leonard Bernstein speaking, Mort Herbert, Danny Barcelona - The International Youth Band: Roger Guerin, Dusko Goykovich, Albert Mangelsdorff, Erich Kleinschuster, Hans Salomon, Bernt Rosengren, Jan Wróblewski, Ronnie Ross, George Gruntz, Gábor Szabó, Ruud Jacobs, Gilberto Cuppini, Marshall Brown director und andere
* The California Concerts - MCA, 1992 - 4 CDs - rec.: 1951 mit Jack Teagarden, Barney Bigard, Earl Hines, Arvell Shaw, Cozy Cole, Velma Middleton & 1955 mit Trummy Young, Barney Bigard, Billy Kyle, Arvell Shaw, Barrett Deems, Velma Middleton
* A Musical Autobiography - Decca Records, 1958 - 4 LPs (rec.: 1947–1957) mit Yank Lawson, Trummy Young, Edmond Hall, Billy Kyle, George Barnes, Squire Gersh, Barrett Deems, Velma Middleton, Everett Barksdale, Jack Teagarden, Barney Bigard, Earl Hines, Arvell Shaw, Cozy Cole, Dick Cary, Sid Catlett, Bud Freeman, Hilton Jefferson, Seldon Powell, Lucky Thompson - ein Großteil dieser Aufnahmen ist auch auf The Complete Studio Recordings 1950–1954 enthalten - allerdings ohne die von Louis Armstrong gesprochenen Zwischentexte
* The Complete Louis Armstrong Columbia and RCA Studio Sessions 1946-1966 (Mosaic, ed. 2021)

### Singles und EPs
#### Zu Lebzeiten Armstrongs

| VÖ-Jahr | Musiktitel | Band / Künstler | Musiklabel | Katalog-Nr | Weitere Informationen |
| 1923 | Just Gone / Canal Street Blues | King Olivers Creole Jazz Band | Gennett Records | 5133 | |
| 1923 | Mandy Lee Blues / I’m Going Away to Wear You Off My Mind | King Olivers Creole Jazz Band | Gennett Records | 5134 | |
| 1923 | Froggie Moore / Chimes Blues | King Olivers Creole Jazz Band | Gennett Records | 5135 | |
| 1923 | Riverside Blues / Mabel’s Dream [Take 1] | King Olivers Jazz Band | Claxtonola | 40292 | |
| 1924 | Prince of Wails [Take 2] / Mandy Make Up Your Mind [Take 2] | Fletcher Henderson and His Orchestra | | | |
| 1925 | The St. Louis Blues / Cold In Hand Blues | Bessie Smith | Columbia – 14064-D | Columbia – 14064-D | Louis Armstrong (Kornett) |
| 1928 | West End Blues / Fireworks | Louis Armstrong And His Hot Five | Okeh | 41078 | |
| 1928 | Hotter Than That / Savoy Blues | | OKeh | 8535 | |
| 1930 | I Ain’t Got Nobody (And Nobody Cares for Me) / Rockin’ Chair | | OKeh | 8756 | |
| 1930 | I’m a Ding Dong Daddy from Dumas / I’m in the Market for You | | Odeon | 36141 | |
| 1930 | Song of the Islands / Blue Turning Grey Over You | | Odeon | 36039 | |
| 1932 | Rockin’ Chair / Weather Bird | Garland Wilson / Louis Armstrong And Earl Hines | Parlophone | R1194 | |
| 1936 | The Skeleton In The Closet / Hurdy Gurdy Man | Louis Armstrong mit Jimmy Dorsey And His Orchestra | Decca | 949 | |
| 1936 | On A Cocoanut Island / To You, Sweetheart Aloha | Louis Armstrong mit The Polynesians | Decca | 914 | |
| 1936 | Pennies From Heaven | Bing Crosby, Frances Langford, Louis Armstrong | Decca | 15027 | |
| 1936 | If We Never Meet Again / Dipper Mouth | Louis Armstrong And His Orchestra / Jimmy Dorsey And His Orchestra mit Louis Armstrong | Decca | 906 | |
| 1936 | Swing That Music / Thankful | Louis Armstrong And His Orchestra | Decca | 866 | |
| 1937 | In The Shade Of The Old Apple Tree / The Old Folks At Home | The Mills Brothers & Louis Armstrong | Brunswick | 0.2461 | |
| 1937 | When Ruben Swings The Cuban / Mahogany Hall Stomp | Louis Armstrong mit Jimmy Dorsey And His Orchestra | Decca | F.6324 | |
| 1937 | Hawaiian Hospitality / On A Little Bamboo Bridge | Louis Armstrong mit Andy Iona And His Islanders | Decca | 1216 | |
| 1938 | Shadrack/ Jonah And The Whale | Louis Armstrong mit The Decca Mixed Chorus | Decca | 1913 | |
| 1938 | Going To Shout All Over God’s Heaven / Nobody Knows De Trouble I’ve Seen | Louis Armstrong | Decca | 60.312 | |
| 1938 | Caravan / The Flat Foot Floogee | The Mills Brothers / Louis Armstrong | Brunswick | A81669 | |
| 1938 | Elder Eatmore’s Sermon on Generosity / Elder Eatmore’s Sermon on Throwing Stones | | Decca Records | 15043 | |
| 1939 | Jeepers Creepers / What Is This Thing Called Swing? | Louis Armstrong And His Orchestra | Decca Records | 2267 | |
| 1940 | W.P.A. / Marie | Louis Armstrong And Mills Brothers | Decca Records | 3151 | |
| 1940 | Marie / Sleepy Time Gal | Louis Armstrong And Mills Brothers | Decca Records | 3291 | |
| 1940 | Boog-It / Cherry | Louis Armstrong And Mills Brothers | Decca Records | 3180 | |
| 1940 | Boog-It / How Did She Look? | Louis Armstrong And Mills Brothers | Brunswick | 03150 | |
| 1940 | Swing That Music / Wolverine Blues | Louis Armstrong mit Jimmy Dorsey And His Orchestra / Louis Armstrong And His Orchestra | Decca Records | 3105 | |
| 1945 | Sweet Georgia Brown / Shiek Of Araby / Back O’ Town | Benny Goodman Quintet / Esquire All Stars feat. Louis Armstrong | V Disc | 366 | |
| 1945 | I Hope To Die If I Told A Lie / No, Baby, Nobody But You / I’m Confessin’ That I Love You | Erskine Hawkins And His Orchestra / Louis Armstrong And The V-Disc All Stars | V Disc | 491 | |
| 1946 | You Won’t Be Satisfied / The Frim Fram Sauce | Ella Fitzgerald And Louis Armstrong | Decca Records | 23496 | |
| 1946 | Endie / Do You Know What It Means to Miss New Orleans | | RCA Victor | 20-2087 | |
| 1947 | Black And Blue / Don’t Explain | Louis Armstrong / Billie Holiday | V Disc | 771 | |
| 1947 | Reminiscin’ With Louis / Ain’t Misbehavin’ | Louis Armstrong And Art Ford | V Disc | 784 | |
| 1947 | Do You Know What It Means To Miss New Orleans / Who’s Sorry Now | Louis Armstrong And Billie Holiday / Benny Goodman And His Orchestra | V Disc | 760 | |
| 1947 | He’s Funny That Way / It Ain’t Gonna Be Like That / Old Rockin’ Chair | Kay Starr / Frankie Laine / Louis Armstrong mit Edmund Hall And Men | V Disc | 803 | |
| 1949 | You Can’t Lose A Broken Heart / My Sweet Hunk O’ Trash | Billie Holiday, Louis Armstrong | Brunswick | 05074 | |
| 1949 | Blueberry Hill / That Lucky Old Sun | Louis Armstrong And Gordon Jenkins And His Orchestra | Decca Records | 24752 | |
| 1950 | La Vie En Rose / C’est Si Bon | Louis Armstrong mit Sy Oliver And His Orchestra | Decca Records | 9-27113 | |
| 1950 | Life Is So Peculiar / (I’ll Be Glad When You’re Dead) You Rascal You | Louis Armstrong And Louis Jordan And His Tympany Five | Decca Records | 9-27212 | |
| 1950 | Can Anyone Explain? / Dream A Little Dream Of Me | Ella Fitzgerald And Louis Armstrong | Brunswick | 82430 | |
| 1950 | Louis & Ella | Ella Fitzgerald And Louis Armstrong | Brunswick | 10118 | |
| 1950 | Riverside Blues / Mabel’s Dream | King Oliver’s Jazz Band mit Louis Armstrong & Johnny Dodds | Paramount | 14014 | |
| 1950 | You Won’t Be Satisfied / Dream A Little Dream Of Me / Would You Like To Take A Walk / The Frim Fram Sauce | Ella Fitzgerald And Louis Armstrong | Decca | ED 2027 | |
| 1950 | Hawaiian Hospitality / To You, Sweetheart, Aloha | Louis Armstrong | Decca | 25192 | |
| 1951 | Would You Like To Take A Walk (Sump’n Good’ll Come From That) / Who Walks In When I Walk Out | Ella Fitzgerald, Louis Armstrong | Decca | 28552 | |
| 1951 | It’s All In The Game / When It’s Sleepy Time Down South | Louis Armstrong And Gordon Jenkins And His Orchestra | Decca | 27899 | |
| 1951 | (When We Are Dancing) I Get Ideas / A Kiss to Build a Dream On | Louis Armstrong | Decca | 27720 | |
| 1951 | Necessary Evil / Oops! | Ella Fitzgerald And Louis Armstrong | Decca | 9-27901 | |
| 1951 | Cold, Cold Heart / Because Of You | Louis Armstrong | Decca | 27816 | |
| 1951 | Baby It’s Cold Outside / You’re Just In Love | Louis Armstrong And Velma Middleton | Columbia | DO-70147 | |
| 1951 | C’est Si Bon / That’s What The Man Said | Louis Armstrong | Brunswick | 04674 | |
| 1952 | El Choclo (Beso De Fuego) = Kiss Of Fire / Pasearé Solo = I’ll Walk Alone | Louis Armstrong | Decca | 333317 | |
| 1952 | Big Butter And Egg Man / You’re The Apple Of My Eye | Louis Armstrong And Velma Middleton | Decca | 60.721 | |
| 1952 | It Takes Two to Tango / I Laughed at Love | Louis Armstrong | Decca | BM 31072 | |
| 1952 | White Christmas / Winter Wonderland | Louis Armstrong | Decca | 28443 | |
| 1952 | That’s My Desire / Baby, It’s Cold Outside | Louis Armstrong And Velma Middleton mit The All Stars | Decca | 28372 | |
| 1952 | Baby It’s Cold Outside | Louis Armstrong & Velma Middleton | Jack Cullen | | |
| 1952 | Oops! / A Guy Is A Guy | Ella Fitzgerald And Louis Armstrong | Decca | Y6361 | |
| 1952 | Blueberry Hill / Gone Fishin’ | Louis Armstrong | Decca | M 33323 | |
| 1952 | Big Butter And Egg Man / When It’s Sleepy Time Down South | Louis Armstrong, Velma Middleton | Columbia | DO.70026 | |
| 1952 | Chloe (Song Of The Swamp) / Listen To The Mocking Bird | Louis Armstrong mit Gordon Jenkins and his Orchestra and Chorus | Columbia | DO.70023 | |
| 1952 | I Laughed At Love / Takes Two To Tango | Louis Armstrong | Decca | Y6424 | |
| 1953 | C’est Si Bon / Blueberry Hill | Louis Armstrong mit Sy Oliver And His Orchestra / Louis Armstrong mit Chorus And Gordon Jenkins And His Orchestra | Brunswick | 12 003 | |
| 1953 | April In Portugal / Ramona | Louis Armstrong | Decca | 9-28701 | |
| 1953 | Satchmo Serenades | Louis Armstrong Con Orchestra Sy Oliver | Decca | ED 91163 | |
| 1953 | ’Zat You, Santa Claus? | Louis Armstrong and the Commanders | Decca | 9-28943 | |
| 1953 | Serenades | Louis Armstrong | Brunswick | 10 002 | |
| 1953 | Sittin’ In The Sun (Countin’ My Money) / Dummy Song | Louis Armstrong | Decca | 9-28803 | |
| 1953 | Who Walks In When I Walk Out / April In Portugal (The Whisp’ring Serenade) | Louis Armstrong | DO.70043 | Columbia | |
| 1953 | My Walking Stick / Marie | Louis Armstrong & The Mills Brothers | Fonit | 63968 | |
| 1953 | Chlo-E (Song Of The Swamp) / Listen To The Mocking Bird | Louis Armstrong, Gordon Jenkins and his Orchestra and Chorus | Decca | 28524 | |
| 1954 | Someday You’ll Be Sorry / Muskrat Ramble | Louis Armstrong And The Commanders | Decca | 60.977 | |
| 1954 | Skokiaan / Otchi-Tchor-Ni-Ya | Louis Armstrong | Brunswick | 10 011 EPB | |
| 1954 | Louis Armstrong et son orchestre | Louis Armstrong | La Voix De Son Maître | 7 EMF 20 | |
| 1954 | On A Cocoanut Island / To You Sweetheart Aloha | Louis Armstrong | Decca | 45-DLA582 | |
| 1954 | Skokiaan – Rumba Part I / Skokiaan – Rumba Part II | Louis Armstrong | Decca | BM 5332 | |
| 1954 | On A Cocoanut Island / To You Sweetheart Aloha | Louis Armstrong | Decca | 45-DLA582 | |
| 1954 | West-End Blues | Louis Armstrong | Odeon | 7 MOE 2009 | |
| 1954 | I’m Not Rough / Put ’Em Down Blues | Louis Armstrong and His Hot Five | Columbia | SCM 5142 | |
| 1954 | Spooks / Trees | Louis Armstrong and Gordon Jenkins and His Orchestra and Chorus | Decca | 9-29352 | |
| 1954 | Louis Armstrong And The Mills Brothers Vol. 1 | Louis Armstrong and The Mills Brothers | Decca | ED 2113 | |
| 1955 | Ko Ko Mo / Struttin’ mit Some Barbecue | Louis Armstrong und Gary Crosby | Decca | 9-29420 | |
| 1955 | Satchmo Sings | Louis Armstrong | Decca | ED 2238 | |
| 1955 | Sincerely / Pledging My Love | Louis Armstrong | Decca | 9-29421 | |
| 1955 | Louis Armstrong And Gordon Jenkins Vol. 1 | Louis Armstrong And Gordon Jenkins, His Chorus And Orchestra | Brunswick | OE 9045 | |
| 1955 | Louis Armstrong Classics Extended Play 45 | Louis Armstrong | Decca | ED 657 | |
| 1955 | Moments To Remember / Only You | Louis Armstrong | Brunswick | 12 056 | |
| 1955 | At The Crescendo | Louis Armstrong | Decca | ED 91646 | |
| 1955 | At The Crescendo Part 3, Nr 3 | Louis Armstrong | Decca | BME.9185 | |
| 1955 | Louis Armstrong – Classics: New Orleans To New York | Louis Armstrong – Classics: New Orleans To New York | Fonit | ED 91315 | |
| 1955 | Satch Plays Fats | Louis Armstrong | Columbia | B-2085 | |
| 1955 | Sincerely / Pledging My Love | Louis Armstrong | Brunswick | 45-05415 | |
| 1955 | Satchmo Sings | Louis Armstrong, Gary Crosby, The Commanders, Jud Conlon’s Rhythmaires | Brunswick | 10 030 EPB | |
| 1955 | Meet The Artists | Ella Fitzgerald And Delta Rhythm Boys / Louis Armstrong mit The Polynesians | Festival Records | XP45-479 | |
| 1956 | Easy Street / Lazybones | Gary Crosby And Louis Armstrong | Decca | 29921 | |
| 1956 | Can't We Be Friends? / Stars Fell On Alabama | Ella Fitzgerald And Louis Armstrong | Verve Records | V-2023x45 | |
| 1956 | Armstrong and Condon at Newport | Louis Armstrong, Eddie Condon | Philips | 429 314 BE | |
| 1956 | Satchmo Sings Standards | Louis Armstrong | Brunswick | EPB 10 053 | |
| 1956 | Rain, Rain / I Never Saw A Better Day | Louis Armstrong | RCA | 20-6630 | |
| 1956 | High Society | Bing Crosby – Grace Kelly – Louis Armstrong | Capitol Records | EAP 1-45750 | |
| 1956 | High Society Calypso / Now You Has Jazz | Louis Armstrong And His Band / Bing Crosby And Louis Armstrong | Capitol Records | F 3506 | |
| 1956 | Giants Of Jazz | Louis Armstrong mit Sidney Bechet | Brunswick | 10 068 EPB | |
| 1956 | Chicago Jazz Classics – Volume 2 | Louis Armstrong | Coral | 94049 EPC | |
| 1956 | High Society / When The Saints Go Marchin’ In | Louis Armstrong | Decca | 45-BM 31197 | |
| 1956 | Chicago Jazz Classics – Historic Recordings Of The Twenties | Louis Armstrong | Coral | 94028 EPC | |
| 1957 | Vol. 2 – Dream A Little Dream Of Me | Ella Fitzgerald And Louis Armstrong | Decca | BME 9274 | |
| 1957 | Moonlight In Vermont / Can’t We Be Friends / Under A Blanket Of Blue / Stars Fell On Alabama | Ella Fitzgerald & Louis Armstrong | His Master’s Voice | 7EG 8280 | |
| 1957 | Kiss Of Fire | Louis Armstrong | Decca | ED 2012 | |
| 1957 | Satchmo Sings Part 3 | Louis Armstrong | Decca | ED 2240 | |
| 1957 | Satchmo Sings Spirituals | Louis Armstrong | Brunswick | OE 9310 | |
| 1957 | Louis Armstrong | Louis Armstrong | RCA Victor | EPA-5000 | |
| 1957 | I’ll String Along mit You / On My Way (Got On My Travelin’ Shoes) | Louis Armstrong mit Sy Oliver And His Chorus And Orchestra / Louis Armstrong mit Sy Oliver Choir And The All Stars | Decca | 9-30860 | |
| 1957 | Town Hall Concert | Louis Armstrong | RCA Victor | 21007 | |
| 1957 | Sunrise, Sunset / I Believe | Louis Armstrong | Brunswick | 55395 | |
| 1957 | Satchmo Serenades Vol.2 | Louis Armstrong | Decca | BME 9064 | |
| 1957 | The Prisoner’s Song / I’ll String Along with You | Louis Armstrong mit Sy Oliver And His Chorus And Orchestra | Decca | 25646 | |
| 1957 | C’est Si Bon / Avril Au Portugal / La Vie En Rose / Ramona | Louis Armstrong | CID | 105.525 | |
| 1957 | Louis Armstrong | Louis Armstrong | Columbia | B 2625 | |
| 1957 | Ella Och Louis Vol. 1 | Ella Fitzgerald And Louis Armstrong | Karusell | VEP 5006 | |
| 1957 | Ella Och Louis Vol. 2 | Ella Fitzgerald And Louis Armstrong | Karusell | VEP 5007 | |
| 1957 | Willkommen / Sunrise, Sunset | Louis Armstrong | Brunswick | 55474 | |
| 1957 | Under The Stars | Louis Armstrong | Verve Records | epv 5070 | |
| 1957 | Vol. 2 – Dream A Little Dream Of Me | Ella Fitzgerald And Louis Armstrong | Decca | BME 9274 | |
| 1957 | Louis And The Angels | Louis Armstrong | Decca | ED 2496 | |
| 1957 | Greg Norman Presents Louis Armstrong At The Crescendo Volume 1 Part 4 | Louis Armstrong | Brunswick | OE 9183 | |
| 1957 | Potato Head Blues / St. James Infirmary Blues | Louis Armstrong | Odeon | O 21 537 | |
| 1957 | You’re A Heavenly Thing / The Prisoner’s Song | Louis Armstrong mit Sy Oliver And His Orchestra | Decca | 9-30309 | |
| 1958 | C’est Si Bon | Louis Armstrong | Brunswick | 10 129 | |
| 1958 | Jazz De Poche N° 2 | Louis Armstrong | RCA | 75.382 | |
| 1958 | The Five Penny Saints | Danny Kaye And Louis Armstrong | London American Recordings | 45-HLU 9346 | |
| 1958 | The Five Pennies – Part 1 | Danny Kaye, Louis Armstrong, Red Nichols | London Records | RE-U-1245 | |
| 1958 | The Five Pennies – Part 2 | Danny Kaye, Louis Armstrong, Red Nichols | London Records | RE-U 1246 | |
| 1958 | The Five Pennies – Part 3 | Danny Kaye And Louis Armstrong | London Records | RE-U 1247 | |
| 1958 | Louis Armstrong With Gordon Jenkins, His Orchestra And Chorus Volume 2 | Louis Armstrong mit Gordon Jenkins And His Chorus And Orchestra | Brunswick | OE 9046 | |
| 1958 | Ella And Louis At The Hollywood Bowl Vol. 1 | Ella Fitzgerald And Louis Armstrong | Verve Records | EPV 5033 | |
| 1958 | Ella And Louis At The Hollywood Bowl Vol. 2 | Ella Fitzgerald And Louis Armstrong | Verve Records | EPV 6034 | |
| 1958 | Armstrong As Santa Claus | Louis Armstrong | Brunswick | 10124 EPB | |
| 1958 | Louis Armstrong – Swing Low Sweet Chariot | Louis Armstrong – Swing Low Sweet Chariot | Brunswick | 12 283 | |
| 1958 | Ella And Louis Again Vol. 1 | Ella Fitzgerald And Louis Armstrong | Karusell | VEP 5036 | |
| 1958 | Ella And Louis Again Vol. 2 | Ella Fitzgerald And Louis Armstrong | Karusell | VEP 5037 | |
| 1958 | Ella And Louis Again Vol. 3 | Ella Fitzgerald And Louis Armstrong | Karusell | VEP 5038 | |
| 1958 | Ella And Louis Again Vol. 4 | Ella Fitzgerald And Louis Armstrong | Verve Records | EPV 5052 | |
| 1958 | When You’re Smiling (The Whole World Smiles With You) / Nobody Knows The Trouble I’ve Seen | Louis Armstrong | Decca | 9-30624 | |
| 1958 | Swing Low Sweet Chariot | Louis Armstrong | Brunswick | 12 283 | |
| 1958 | Royal Garden Blues | Louis Armstrong | Brunswick | 12 123 | |
| 1958 | Volume 3 | Louis Armstrong | Marcato | EP 10170 | |
| 1958 | Joue les blues de HANDY „In Memoriam“ | Louis Armstrong | Philips | 429.420 BE | |
| 1958 | St. Louis Blues | Louis Armstrong | Columbia | B-2540 | |
| 1958 | The Formula For Love | Nina & Frederik, Louis Armstrong | Metronome | B-1344 | |
| 1959 | The Five Pennies Saints / Battle Hymn Of The Republic | Louis Armstrong & Danny Kaye | London American Recordings | NZL 491 | |
| 1959 | Porgy & Bess Vol. 1 | Ella Fitzgerald & Louis Armstrong | Verve Records | VEP 5055 | |
| 1959 | Porgy & Bess Vol. 2 | Ella Fitzgerald & Louis Armstrong | Verve Records | EPV 5099 | |
| 1959 | Lullaby In Ragtime / Battle Hymn Of The Republic | Danny Kaye – Eileen Wilson / Red Nichols – Louis Armstrong | Dot Records | 45-15991 | |
| 1959 | Onkel Satchmo’s Lullaby | Louis Armstrong und Gabriele | Polydor | NH 24 034 | |
| 1959 | St Louis Blues / Basin Street Blues | Louis Armstrong | Odeon | O 21 060 | |
| 1959 | Formula For Love | Nina & Frederik und Louis Armstrong | Belter | 50.250 | |
| 1959 | Kisses in der Nacht | Louis Armstrong | Philips | 430 510 BE | |
| 1959 | El viejo Mose | Louis Armstrong | Columbia – ECGE 70249 | Columbia – ECGE 70249 | |
| 1959 | Under The Stars Vol. 1 | Louis Armstrong | Karusell | VEP 5046 | |
| 1959 | Under The Stars Vol. 2 | Louis Armstrong | Karusell | VEP-5047 | |
| 1959 | There’s A Boat Dat’s Leavin’ Soon For New York | Louis Armstrong | His Master’s Voice | 45-POP 858 | |
| 1959 | Bye And Bye / Pretty Little Missy | Louis Armstrong | Brunswick | 12 182 | |
| 1959 | May 18 1936 | Louis Armstrong | Brunswick | 10 147 EPB | |
| 1959 | No.2 | Louis Armstrong | RCA | RCX 1031 | |
| 1959 | Ella And Louis Again | Ella Fitzgerald And Louis Armstrong | His Master’s Voice | 7EG 8436 | |
| 1959 | The Hot Five | Louis Armstrong | Parlophone | GEP 8730 | |
| 1960 | Jazz Gallery | Bessie Smith mit Louis Armstrong | Jazz Gallery | 429 609 BE | |
| 1960 | The Five Pennies Saints / After You’ve Gone / Bill Bailey, Won’t You Please Come Home / Just The Blue | Louis Armstrong | London Records | EDGE 71336 | |
| 1960 | Sweethearts On Parade | Louis Armstrong mit The Hites’ Orchestra | Odeon | MOE 2261 | |
| 1960 | Billie And Louis | Billie Holiday, Louis Armstrong | Brunswick | 10 159 | |
| 1960 | Mahogany Hall Blues Stomp / On The Sunny Side Of The Street | Louis Armstrong | Philips | 362 014 ARF | |
| 1960 | On The Sunny Side Of The Street | Louis Armstrong | Fontana | 261 148 TF | |
| 1960 | The Five Pennies Saints | Louis Armstrong | London Records | EDGE 7136 | |
| 1960 | Patato Head Blues | Louis Armstrong | Odeon | O 21 537 | |
| 1960 | Nobody Knows The Trouble I’ve Seen | Louis Armstrong | Verve Records | VV 20.073X45 | |
| 1960 | Down In New Orleans | Louis Armstrong And The Dukes Of Dixieland | Audio Fidelity | FBE 145 204 | |
| 1960 | Louis Armstrong with Zilner Randolph’s Orchestra | Louis Armstrong mit Zilner Randolph’s Orchestra | Odeon | MOE 2264 | |
| 1960 | Louis Armstrong Meets Oscar Peterson | Louis Armstrong und Oscar Peterson | Karusell | VEP S 5061 | |
| 1960 | Shine | Louis Armstrong mit Les Hites’ Orchestra | Odeon | MOE 2262 | |
| 1960 | I’ve Got The World On A String | Louis Armstrong mit Russell Garcia And His Orchestra | Verve Records | EPV 5137 | |
| 1960 | Pastor | Bing Crosby Y Louis Armstrong | MGM Records | HT 057-15 | |
| 1960 | I Ain’t Got Nobody | Louis Armstrong mit Luis Russell Orchestra | Odeon | MOE 2259 | |
| 1960 | Don’t Forget To Mess Around | Louis Armstrong | Odeon | MOE 2252 | |
| 1960 | Ain’t Misbehavin’ | Louis Armstrong mit Carroll Dickerson’s Orchestra | Odeon | MOE 2258 | |
| 1960 | Louis Armstrong With Cocoanut Grove Orchestra | Louis Armstrong mit Cocoanut Grove Orchestra | Odeon | MOE 2260 | |
| 1960 | Stompin’ At The Savoy | Ella Fitzgerald & Louis Armstrong | Barclay-Verve | 70 347 | |
| 1960 | Basin Street Blues / I Gotta Right To Sing The Blues | Louis Armstrong | RCA Italiana – 45N 0867 | RCA Italiana – 45N 0867 | |
| 1960 | Ella & Louis – A Hollywood Bowl | Ella Fitzgerald & Louis Armstrong | Barclay-Verve | 70282 | |
| 1961 | Duke’s Place | Duke Ellington, Louis Armstrong | Roulette | R 4390 | |
| 1961 | Sincerely | Louis Armstrong | Brunswick | 10 198 EPB | |
| 1961 | My Good Old Good Ones | Louis Armstrong | Fontana | 467103 | |
| 1961 | Skokiaan / Otchi-Tchor-Ni-Ya | Louis Armstrong | Brunswick | 10 011 | |
| 1961 | Bing Crosby, Louis Armstrong, Billy May–Bing And Satchmo Vol. 2 | Bing Crosby, Louis Armstrong, Billy May–Bing And Satchmo Vol. 2 | MGM Records | EPF mgm 77 | |
| 1961 | Moon Song / There’s No You / I Was Doing All Right / What’s New | Louis Armstrong Rencontre Oscar Peterson | Barclay-Verve | 74049 | |
| 1961 | Plays The Blues | Louis Armstrong | Brunswick | 10 194 | |
| 1961 | Hermano Bill / Luna De Rocky Mountain / Cantando Al Estilo De Una Orquesta De Dixie / Alla, En Nueva Orleans | Bing Crosby Y Louis Armstrong | MGM Records | HT 057-27 | |
| 1961 | Satchmo & Friends | Louis Armstrong, Bing &Gary Crosby | Brunswick | 10199 EPB | |
| 1961 | It Don’t Mean A Thing | Louis Armstrong & Duke Ellington | Roulette | RL 21.180 | |
| 1962 | Paris Blues – Bande Originale Du Film | Duke Ellington Avec Louis Armstrong | United Artists Records | 36 019 M | |
| 1962 | ルイ・アームストロンクとオール・スターズ*/ルイ・アームストロンク*とゴードン・ジェンキンス楽団*-聖者来りて (When The Saints Go Marching In) / ブルーベリー・ヒル (Blueberry Hill)(7") | Louis Armstrong | Decca | DS-149 | |
| 1962 | A Foggy Day – April In Paris | Ella Fitzgerald, Louis Armstrong | Barclay-Verve | 70 423 | |
| 1962 | Mack the Knife / The Faithful Husar | Louis Armstrong | CBS | CA 281.144 | |
| 1963 | Uncle Satchmo’s Lullaby | Louis Armstrong | Polydor | NH 66 806 | |
| 1963 | Porgy & Bess | Ella Fitzgerald, Louis Armstrong | Barclay | 70273 | |
| 1963 | Willow Weep For Me | Ella Fitzgerald Et Louis Armstrong | Verve Records | 70 484 | |
| 1963 | Satchmo’s Golden Favorites | Louis Armstrong | Decca | DL 7-34161 | |
| 1963 | Louis Armstrong And The Mills Brothers | Louis Armstrong And The Mills Brothers | Brunswick | 10 093 EPB | |
| 1963 | Kis Of Fire | Louis Armstrong | Jugoton | EP-BR-9092 | |
| 1964 | Sincerely | Louis Armstrong | Decca | 25636 | |
| 1964 | So Long Dearie | Louis Armstrong | Mercury | 72338 | |
| 1964 | Hello Dolly / A Lot Of Livin’ To Do / Someday / It’s Been A Long, Long Time | Louis Armstrong | Kapp Records | KEV. 13001 | |
| 1964 | Nomad / Summer Song | Louis Armstrong & Dave Brubeck | CBS | AAG 201 | |
| 1964 | Nomad | Louis Armstrong & Dave Brubeck | CBS | EP 5698 | |
| 1964 | Hello, Dolly! / A Lot Of Livin’ To Do | Louis Armstrong | Kapp Records | K-573 | |
| 1964 | Hello, Dolly! / That’s All I Want The World To Remember Me By | Louis Armstrong | Kapp Records | K-2145 | |
| 1964 | Faith / Bye ’N Bye | Louis Armstrong | Mercury | 72371 | |
| 1964 | I Still Get Jealous / Moon River | Louis Armstrong | Kapp Records | K 2080 | |
| 1964 | I Still Get Jealous / Moon River / A Lot Of Livin’ To Do / Hey, Look Me Over | Louis Armstrong | Kapp Records | 248-XC | |
| 1964 | C’est Si Bon / I Will Wait For You | Louis Armstrong | Decca | DL 80 028 | |
| 1964 | Louis Armstrong And The All Stars–Hello, Dolly! | Louis Armstrong | Decca | 34860 | |
| 1964 | Stars Fell On Alabama / Cheek To Cheek | Ella Fitzgerald ILouis Armstrong | Verve Records | SV-8113 | |
| 1964 | Hello, Dolly! / Blueberry Hill / You Are Woman, I Am Man / It’s Been A Long, Long Time | Louis Armstrong | Kapp Records | 152-XC | |
| 1964 | Louis Armstrong & Duke Ellington | Louis Armstrong & Duke Ellington | Roulette – VREX 65013 | Roulette – VREX 65013 | |
| 1964 | Cheek To Cheek / Tenderly | Ella Fitzgerald Et Louis Armstrong | Barclay-Verve | 70 422 | |
| 1964 | Can’t We Be Friends / Moonlight In Vermont | Ella FitzgeraldILouis Armstrong | Verve Records | SV-8112 | |
| 1964 | Hello, Dolly! / Be My Life’s Companion | Louis Armstrong | Kapp Records | KI 101 | |
| 1965 | Ella And Louis | Ella Fitzgerald And Louis Armstrong | Verve Records | 26 145 | |
| 1965 | Short But Sweet / The Circle Of Your Arms | Louis Armstrong | Mercury | 72495 | |
| 1965 | So Long Dearie (De La Comedia Musical „Hello Dolly“) | Louis Armstrong | Mercury | 126 188 MCE | |
| 1965 | Faith (De La Comedie Musicale "I Hade A Ball") / Bye’n Bye | Louis Armstrong | Mercury | 127178MCF | |
| 1965 | Hey, Look Me Over / Someday | Louis Armstrong | Kapp Records | KI 108 | |
| 1965 | Jeepers Creepers | Louis Armstrong | Kapp Records | 45.099 A | |
| 1965 | Nobody Knows The Trouble I’ve Seen / Body and Soul | Louis Armstrong | Verve Records | 26 912 | |
| 1965 | St James Infirmary / 12th Street Rag / Mahogany Hall Stomp / Confessin’ | Louis Armstrong | CBS | EP 6274 | |
| 1966 | Nobody Knows The Trouble I’ve Seen | Louis Armstrong, The All Stars And The Sy Oliver Choir | Brunswick | 12 142 | |
| 1966 | Mame / Tin Roof Blues | Louis Armstrong | Mercury | 72574 | |
| 1966 | Mumbo Jumbo | Louis Armstrong/Guy Lombardo And His Royal Canadians | Capitol Records | 5716 | |
| 1966 | Cabaret / Canal St. Blues | Louis Armstrong | Columbia | 4-43819 | |
| 1966 | Mame / When The Saints Go Marching In | Louis Armstrong | Mercury | 127244 MCF | |
| 1966 | Cheesecake / Bye ’N Bye | Louis Armstrong | Mercury | 72593 | |
| 1966 | Saint-Louis Blues / Tiger Rag | Louis Armstrong | Fontana | 261 572 TF | |
| 1966 | Recording Together For The First Time | Louis Armstrong And Duke Ellington | Bravo! Records | BRR 380 | |
| 1966 | Mame | Louis Armstrong | Mercury | 126 212 MCE | |
| 1966 | Louis | Louis Armstrong | Mercury | MCE 126217 | |
| 1966 | ダニー・ケイ*,ルイ・アームストロング*,スーザン・ゴードン*–5つの銅貨 ～パラマウント映画「5つの銅貨」サウンドトラック～ = The Five Pennies (Music From The Sound Track Of The Film) | Louis Armstrong | London Records | LS-88 | |
| 1967 | Mack The Knife | Louis Armstrong | CBS | EP 6217 | |
| 1967 | Louis Armstrong | Louis Armstrong | Metro Records | M-510 | |
| 1967 | What a Wonderful World / Cabaret | Louis Armstrong | Philips | 320 082 BF | |
| 1967 | Dimmi Dimmi / Farfallina | Louis Armstrong | Columbia | ME 415 | |
| 1967 | Rosie / You’ll Never Walk Alone | Louis Armstrong | Brunswick | 55350 | |
| 1967 | Step Down, Brother, Next Case | Louis Armstrong | Brunswick | 9-78018 | |
| 1967 | Northern Boulevard Blues / Daydream | Louis Armstrong | Brunswick | 55318 | |
| 1967 | Daydream / Daydream | Louis Armstrong | Brunswick | 78016 | |
| 1967 | Mi Va Di Cantare / Grassa E Bella | Louis Armstrong | Columbia | ME 382 | |
| 1968 | The Life Of The Party | Louis Armstrong | Kapp Records | K 901 | |
| 1968 | The Sunshine Of Love / Hellzapoppin’ | Louis Armstrong | ABC Records | SS 2116 | |
| 1968 | Hello Brother / The Sunshine Of Love | Louis Armstrong | ABC Records | 45-11126 | |
| 1968 | Bare Necessities / Louis | Louis Armstrong And His Orchestra/Tutti’s Trumpets | Buena Vista Records | F-466 | |
| 1968 | I Will Wait for You / Talk to the Animals | Louis Armstrong | Brunswick | 55380 | |
| 1968 | When You Wish Upon A Star / Heigh Ho | Louis Armstrong | Buena Vista Records | DF 467 | |
| 1968 | Willkommen / Rosie | Louis Armstrong | Decca | AD 1013 | |
| 1968 | Louis Armstrong–You're My Woman / The Life Of The Party | Louis Armstrong–You're My Woman / The Life Of The Party | Kapp Records | K 2136 | |
| 1968 | Hello Brother / There Must Be A Way | Louis Armstrong | ABC Records | 8024 | |
| 1968 | Hello Brother / Give me your kisses (I’ll give you my heart) | Louis Armstrong | Stateside | SS2130 | |
| 1968 | Willkommen / I Will Wait For You | Louis Armstrong | Brunswick | 640 026 | |
| 1968 | The Bare Necessities / Ten Feet Off The Ground | Louis Armstrong | Buena Vista Records | WD-8570 | |
| 1968 | The Jungle Book I Wanna Be Like You / Bare Necessities | Louis PrimaEtPhil Harris/Louis Armstrong | Buena Vista Records | VS-612 F | |
| 1968 | Top Hat White Tie And Tails / Just One Of Those Things | Louis Armstrong | Verve Records | VS 573 | |
| 1968 | The Happy Time / Willkommen | Louis Armstrong | Brunswick | 55360 | |
| 1968 | Bibbidi-Bobbidi-Boo | Louis Armstrong | Disneylan | EP-34-4 | |
| 1969 | All The Time In The World / Pretty Little Missy | Louis Armstrong | United Artists Records | UP35059 | |
| 1969 | The Kinda Love Song / Someday | Louis Armstrong | Kapp Records | KV. 539 | |
| 1969 | Louis Armstrong | Louis Armstrong | Fratelli Fabbri Editori | SdMJ-003 | |
| 1969 | The Kinda Love Song | Louis Armstrong | Kapp Records | KS-3-977 | |
| 1969 | Greatest Hits 10 | Louis Armstrong | Stateside | KSE 1004 | |
| 1969 | What a Wonderful World | Louis Armstrong | Fermata | EPE-611 | |
| 1969 | We Have All The Time In The World | Louis Armstrong | United Artists Records | UAN 40518 | |
| 1969 | Hello, Dolly! | Barbra Streisand, Louis Armstrong | 20th Century Fox Records | 6714 | |
| 1970 | Here Is My Heart For Christmas / His Father Wore Long Hair | Louis Armstrong | Philips | 6073 701 | |
| 1970 | Hello Dolly / A Kiss To Build A Dream On | Louis Armstrong | MCA Records | MCS 2121 | |
| 1970 | Hello, Dolly! / You Are Woman, I Am Man | Louis Armstrong | MCA Records | MU 1110 | |
| 1970 | We Shall Overcome | Louis Armstrong | Philips | 6073 700 | |
| 1970 | Louis Armstrong | Louis Armstrong | Fratelli Fabbri Editori | SdMJ 066 | |
| 1970 | New Orleans Function / Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) | Louis Armstrong | MCA Records | MC 3437 | |
| 1970 | Hello, Dolly! / I Still Get Jealous | Louis Armstrong | Coral | SN - 20.468 | |

#### Nach dem Tod Armstrongs (Auswahl)

| VÖ-Jahr | Musiktitel | Band / Künstler | Musiklabel | Katalog-Nr |
| 1971 | Památce Louise Armstronga | Louis Armstrong | Supraphon | 0 33 0494 |
| 1972 | Zip-A-Dee-Doo-Dah / When You Wish Upon A Star | Louis Armstrong | Buena Vista Records | F-489 |
| 1973 | What a Wonderful World / Girl Watcher | Louis Armstrong / The O’Kaysions | Roulette | GG-130 |
| 1975 | Mack The Knife | Louis Armstrong | Krajowa Agencja Wydawnicza | R-0356-II |
| 1976 | What a Wonderful World / Balla | Louis Armstrong / Il Magazzino Dei Ricordi | ABC Records | YD 458 |
| 1977 | Royal Garden Blues / Blueberry Hill / Mack The Knife / Muskrat Ramble | Louis Armstrong | CBS Special Products | ESP 12058 |
| 1978 | C’est Si Bon / La Vie En Rose | Louis Armstrong | Tubes Story | TS2 |
| 1980 | Hello Dolly / Moon River | Louis Armstrong | MCA Records | 101 780 |
| 1981 | April In Portugal / Coimbra | Louis Armstrong / Amalia Rodrigues & Don Byas | Spotlite Records | LPNT 1 |
| 1984 | What a Wonderful World | Louis Armstrong | Old Gold | OG 9419 |
| 1985 | Jingle Bells / White Christmas | Bing Crosby / Louis Armstrong | Signal | S774 |
| 1988 | What a Wonderful World / Game Of Love | Louis Armstrong / Wayne Fontana & The Mindbenders | Records | AM-3010 |
| 1989 | Mame / Nobody Knows The Trouble I've Seen | Louis Armstrong | Polyphon | 873 296-7 |
| 1990 | What a Wonderful World / Hello Dolly / Cabaret | Louis Armstrong | Old Gold | OG 6152 |
| 1991 | Night & Day | Ella Fitzgerald, Louis Armstrong, Blossom Dearie | Verve Records | 865 209-2 |
| 1992 | Blackfoot (The Flat Foot Floogie) (The Satchmo Mix) | Back In Action Feat. Louis Armstrong | ZYX Music | ZYX 6816-8 |
| 1993 | What a Wonderful World | Louis Armstrong | MCA Records | MCT-30677 |
| 1994 | Here We Go | Lifestyle feat. Louis Armstrong | Control | 0041040 CON |
| 2000 | What a Wonderful World (Break ’n’ Groove Mix) | Gold Star vs. Louis Armstrong | Dipiù S.r.l. | TEST 044 |
| 2006 | Dr Teeth / Isn’t This A Lovely Day (Layo & Bushwacka! Remix) | Layo & Bushwacka! / Ella Fitzgerald & Louis Armstrong | Olmeto Records | L&B LTD 003 |
| 2009 | Satchmo Plays King Oliver | Louis Armstrong | Classic Records | ST-91058 |
| 2013 | 'Zat You Santa Claus? | Louis Armstrong | Harkit Records | HRKS 8448 |
| 2016 | No More Christmas | Louis Armstrong | ABC Records | 67276S |
| 2017 | Satchmo Plays King Oliver | Louis Armstrong | Analogue Productions | APJ 5930-45 |
| 2021 | A Gift To Pops | Louis Armstrong | Verve Records | |

### Videoalben (Auswahl)

| VÖ-Jahr | Album | Band / Künstler | Musiklabel | Katalog-Nr |
| 1990 | Movies And Tv Show 1932/59 | Louis Armstrong | Green Line Records | Vidjazz 1 |
| 1991 | Stockholm 62 | Louis Armstrong | Green Line Records | Vidjazz 21 |
| 2002 | Louis Armstrong | Louis Armstrong | Beta | |
| 2004 | Forever Gold | Louis Armstrong | St. Clair | JLGVD28509 |
| 2005 | Louis Armstrong And Friends: C'est Si Bon | Louis Armstrong | D.V. More Record | DVD 1025 |
| 2006 | Live In ’59 | Louis Armstrong | TDK | DVWW-JILA |
| 2008 | Good Evening Ev’rybody | Louis Armstrong | Universal Music | 2731402 |
| | BP Supershow Live In Australia | Louis Armstrong | Umbrella Entertainment | DAVID3174 |

## Chartplatzierungen

Diese Übersicht listet in den Unterkapiteln Musikalben und Kompilationen und Singles und EPs die jeweiligen Platzierungen der Musikalben und Titel des Künstlers. Genannt wird das Jahr der Chartplatzierung, der Titel des Albums bzw. des Titels sowie – für die Länder Deutschland, Österreich, Schweiz, Großbritannien und Vereinigte Staaten – wie lange und mit welcher Bestplatzierung der Titel/das Album in den Charts vertreten war. Sofern verfügbar werden weitere Informationen ergänzt.

### Studioalben

| Jahr | Titel | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Anmerkungen |
| Jahr | Titel | DE | AT | CH | UK | USTemplate:Charttabelle/Wartung/Charts inexistent | Anmerkungen |
| 1949 | Giants of Jazz – Music from the Samuel Goldwyn Production "A Song is Born" | — | — | — | — | US9 (4 Wo.)US | |
| 1950 | Satchmo at Symphony Hall Vol. 2 | — | — | — | — | US10 (1 Wo.)US | |
| 1952 | Satchmo at Pasadena – A Jazz Concert Presented at Pasadena Civic Auditorium, January 30, 1951 | — | — | — | — | US9 (2 Wo.)US | |
| 1955 | Satch Plays Fats: A Tribute to the Immortal Fats Waller by Louis Armstrong & his All-Stars | — | — | — | — | US10 (2 Wo.)US | |
| 1956 | Ella and Louis | DE66 (1 Wo.)DE | — | — | — | US12 (2 Wo.)US | mit Ella Fitzgerald, Charteinstieg in DE erst 2022 |
| 1956 | Louis Armstrong at the Crescendo | — | — | — | UK4 (1 Wo.)UK | — | |
| 1957 | Ella and Louis Again | DE84 (1 Wo.)DE | — | — | — | — | mit Ella Fitzgerald |
| 1960 | Satchmo Plays King Oliver | — | — | — | UK20 (1 Wo.)UK | — | |
| 1961 | Jazz Classics | — | — | — | UK20 (1 Wo.)UK | — | |
| 1964 | Hello, Dolly! | DE21 (5 Mt.)DE | — | — | UK11 (6 Wo.)UK | US1 Gold (75 Wo.)US | Charteinstieg in DE erst 2022 |
| 1968 | What a Wonderful World | — | — | — | UK37 (3 Wo.)UK | US— PlatinUS | |
| 1994 | We Have All the Time in the World | — | — | — | UK10 (15 Wo.)UK | — | |
| 2004 | Ella & Louis Together | — | — | — | UK43 (2 Wo.)UK | — | |
| 2006 | The Wonderful World Of | — | — | — | UK92 (1 Wo.)UK | — | |
| 2024 | Louis in London – A BBC Recording | — | — | CH76 (2 Wo.)CH | — | — | |
grau schraffiert: keine Chartdaten aus diesem Jahr verfügbar

### Kompilationen

| Jahr | Titel | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Anmerkungen |
| Jahr | Titel | DE | AT | CH | UK | US | Anmerkungen |
| 1982 | The Very Best Of Louis Armstrong | — | — | — | UK30 (3 Wo.)UK | — | |
| 1994 | The Ultimate Collection | — | — | — | UK48 (4 Wo.)UK | — | |
| 2000 | The Best Of Louis Armstrong: 20th Century… | — | — | — | — | US192 (1 Wo.)US | |
| 2001 | Ken Burns Jazz – The Definitive Louis… | — | — | — | — | US142 (5 Wo.)US | |
| 2003 | At His Very Best | — | — | — | UK75 (1 Wo.)UK | — | |
| 2012 | The Best Of | — | — | — | UK30 (3 Wo.)UK | — | |
grau schraffiert: keine Chartdaten aus diesem Jahr verfügbar

### EPs

| Jahr | Titel Album | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Anmerkungen |
| Jahr | Titel Album | DE | AT | CH | UK | US | Anmerkungen |
| 1956 | Take It Satch | — | — | — | UK29 (1 Wo.)UK | — | |
grau schraffiert: keine Chartdaten aus diesem Jahr verfügbar

### Weihnachtsalben

| Jahr | Titel | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen (Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen) | Anmerkungen |
| Jahr | Titel | DE | AT | CH | UK | US | Anmerkungen |
| 1997 | What a Wonderful Christmas | — | — | — | — | US162 (2 Wo.)US | |
| 2019 | Ella & Louis Christmas | — | — | — | — | US174 (1 Wo.)US | mit Ella Fitzgerald |
| 2022 | Louis Wishes You a Cool Yule | DE85 (2 Wo.)DE | — | — | — | US122 (4 Wo.)US | |

### Singles

| Jahr | Titel Album | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Höchstplatzierung, Gesamtwochen/​‑monate, AuszeichnungChartplatzierungenChartplatzierungenTemplate:Charttabelle/Wartung/Monatsdaten (Jahr, Titel, Album, Plat­zie­rungen, Wo­chen/Mo­nate, Aus­zeich­nungen, Anmer­kungen) | Anmerkungen |
| Jahr | Titel Album | DE | AT | CH | UK | USTemplate:Charttabelle/Wartung/Charts inexistent | Anmerkungen |
| 1949 | That Lucky Old Sun (Just Rolls Around Heaven All Day) – | — | — | — | — | US24 (3 Wo.)US | |
| 1951 | I Get Ideas – | — | — | — | — | US13 (16 Wo.)US | |
| 1951 | Kiss To Build a Dream On – | — | — | — | — | US17 (11 Wo.)US | |
| 1952 | Takes Two to Tango – | — | — | — | UK6 (10 Wo.)UK | US28 (1 Wo.)US | |
| 1954 | Blueberry Hill – | DE16 (1 Mt.)DE | — | — | — | — | |
| 1955 | Skokiaan – | DE10 (3 Mt.)DE | — | — | — | — | |
| 1956 | A Theme From ’The Threepenny Opera’ (Mack The Knife) – | — | — | — | — | US20 (15 Wo.)US | Louis Armstrong with His All-Stars |
| 1956 | Mack the Knife – | DE4 (6 Mt.)DE | — | — | UK8 (12 Wo.)UK | — | |
| 1956 | The Faithful Hussar – | — | — | — | UK27 (2 Wo.)UK | — | |
| 1956 | Now You Has Jazz – | — | — | — | — | US88 (4 Wo.)US | Bing Crosby & Louis Armstrong |
| 1956 | Blueberry Hill – | — | — | — | — | US29 (11 Wo.)US | Louis Armstrong and Gordon Jenkins and His Orchestra and Chorus |
| 1957 | High Society Calypso – | DE21 (1 Mt.)DE | — | — | — | — | |
| 1959 | Onkel Satchmo’s Lullaby – | DE9 (7 Mt.)DE | — | — | — | — | Louis Armstrong & Gabriele |
| 1964 | So Long Dearie – | — | — | — | — | US56 (6 Wo.)US | |
| 1964 | I Still Get Jealous – | — | — | — | — | US45 (7 Wo.)US | |
| 1964 | Hello, Dolly! – | DE8 (4 Mt.)DE | — | — | UK4 (14 Wo.)UK | US1 (22 Wo.)US | Louis Armstrong and the All Stars |
| 1967 | What a Wonderful World – | DE6 ×3Dreifachgold (34 Wo.)DE | AT1 (20 Wo.)AT | CH7 (6 Wo.)CH | UK1 Platin (36 Wo.)UK | US32 ×5Fünffachplatin (11 Wo.)US | |
| 1968 | The Sunshine of Your Love – | — | — | — | UK41 (7 Wo.)UK | — | |
| 1968 | Mame – | — | — | — | — | US81 (4 Wo.)US | |
| 1994 | We Have All the Time in the World – | — | — | — | UK3 Gold (19 Wo.)UK | — | |
grau schraffiert: keine Chartdaten aus diesem Jahr verfügbar

## Statistik
### Chartauswertung

| | DE | AT | CH | UK | US |
| Nummer-eins-Alben | DE—DE | AT—AT | CH—CH | UK—UK | US1US |
| Top-10-Alben | DE—DE | AT—AT | CH—CH | UK2UK | US5US |
| Alben in den Charts | DE4DE | AT—AT | CH1CH | UK13UK | US11US |
| | DE | AT | CH | UK | US |
| Nummer-eins-Singles | DE—DE | AT1AT | CH—CH | UK1UK | US1US |
| Top-10-Singles | DE5DE | AT1AT | CH1CH | UK5UK | US1US |
| Singles in den Charts | DE7DE | AT1AT | CH1CH | UK7UK | US12US |

### Auszeichnungen für Musikverkäufe

Anmerkung: Auszeichnungen in Ländern aus den Charttabellen bzw. Chartboxen sind in ebendiesen zu finden.
| Land/RegionAus­zeich­nung­en für Mu­sik­ver­käu­fe (Land/Region, Aus­zeich­nungen, Ver­käu­fe, Quel­len) | Silber | Gold | Platin | Ver­käu­fe | Quel­len |
| Australien (ARIA) | 0! S— | Gold1 | 0! P— | 35.000 | aria.com.au |
| Brasilien (PMB) | 0! S— | 2× Gold2 | 0! P— | 120.000 | pro-musicabr.org.br |
| Dänemark (IFPI) | 0! S— | 0! G— | Platin1 | 90.000 | ifpi.dk |
| Deutschland (BVMI) | 0! S— | Gold1 | Platin1 | 1.150.000 | musikindustrie.de |
| Frankreich (SNEP) | 0! S— | 2× Gold2 | Platin1 | 500.000 | infodisc.fr |
| Italien (FIMI) | 0! S— | Gold1 | Platin1 | 95.000 | fimi.it |
| Kanada (MC) | 0! S— | Gold1 | 5× Platin5 | 440.000 | musiccanada.com |
| Polen (ZPAV) | 0! S— | 0! G— | 2× Platin2 | 40.000 | olis.pl |
| Spanien (Promusicae) | 0! S— | Gold1 | 0! P— | 50.000 | elportaldemusica.es |
| Vereinigte Staaten (RIAA) | 0! S— | 3× Gold3 | 6× Platin6 | 7.500.000 | riaa.com |
| Vereinigtes Königreich (BPI) | 4× Silber4 | 3× Gold3 | Platin1 | 1.720.000 | bpi.co.uk |
| Insgesamt | 4× Silber4 | 15× Gold15 | 18× Platin18 | | |