Skill: johnnyzijianwu/taste-romanticism (version 1.0.1)

# Romanticism — Aesthetic Movement > The revolt of feeling against reason — Romanticism discovered that the sublime, the irrational, and the individual were not obstacles to truth but its deepest sources. ## Overview | Property | Value | |----------|-------| | **Type** | Movement Skill | | **Domain** | Visual Arts | | **Era** | Romanticism | | **Period** | 1780–1850 | | **Key Artists** | Friedrich, Delacroix, Turner, Géricault, Goya | | **Works in Collection** | 1491 | ## Style Tokens These aesthetic signatures define the Romantic movement: - `the sublime as primary experience` - `emotional intensity over rational order` - `individual freedom and genius` - `the irrational and the unconscious` - `nationalism and folk culture` - `nostalgia for the medieval` - `nature as spiritual force` - `the heroic individual against society` - `dramatic atmospheric effects` - `the exotic and the distant` ## Anti-Tokens Aesthetic patterns this movement explicitly rejects: - `rational Enlightenment order` - `classical restraint` - `social conformity` - `academic idealization` - `the urban and industrial` ## Defining Works ### Friedrich, *Wanderer above the Sea of Fog* (1818), Hamburger Kunsthalle The defining image of Romantic individualism: a solitary figure on a rocky summit, surveying a sea of clouds. The figure's back is to the viewer; we are invited to occupy his position, to experience the sublime as he experiences it. The painting is a philosophical argument: the self is most fully itself when confronting the infinite alone. ### Delacroix, *Liberty Leading the People* (1830), Louvre, Paris The allegory of the July Revolution: Liberty as a bare-breasted woman holding the tricolor, stepping over the bodies of the fallen, leading the people forward. The painting combines the allegorical with the documentary — the figures around Liberty are specific individuals, not types. Delacroix was present at the revolution; the painting is simultaneously a political statement and a personal witness. ### Turner, *The Fighting Temeraire* (1839), National Gallery, London A great warship being towed to the breakers by a small steam tug — Turner renders the sunset with such atmospheric intensity that the painting becomes a meditation on the passing of the age of sail and the coming of the industrial age. The old ship is ghostly white; the tug is dark and belching smoke. The painting is a lament for a world that is ending. ## Color Palette - **Primary**: #2C1810, #4A3728, #1A2A3A - **Accent**: #C8A96E, #8B0000, #4A6741 - **Mood**: sublime, passionate, melancholic ## Application Rules ### Writing Prose that places the individual at the center of the universe and makes the universe respond — the Romantic method is to render the inner life with such intensity that the external world becomes a mirror for it. Nature as a spiritual force; the sublime as the primary aesthetic experience; the individual genius as the measure of all things. ### UI Design Interfaces with dramatic atmospheric effects — the Romantic principle applied to design is that the emotional impact of a visual experience is more important than its rational clarity. Deep, saturated colors; dramatic contrasts; the sense of a world larger than the screen. Design that makes the user feel something before they understand what they are looking at. ### Branding Brands that appeal to the individual's sense of their own uniqueness and destiny — the brand that says "you are not like everyone else." The Romantic palette for brands in luxury, adventure, or any field where the customer's identity is the primary product. The brand that has a hero's journey and invites the customer to be the hero. ## Evaluation Criteria - **Must Include**: the sublime as primary experience, emotional intensity, individual freedom - **Must Avoid**: rational Enlightenment order, classical restraint, social conformity - **Confidence Threshold**: 0.72 --- *Distilled by InspiredHub Taste Engine from 1491 works in the collection, spanning Friedrich, Delacroix, Turner, Géricault, and Goya.*


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