ヨーク・ヘラー (York Höller)はドイツの現代音楽の作曲家。1944年1月11日生まれ。

 受賞歴 
The Bernd Alois Zimmermann Prize of the City of Cologne
The Förderpreis of the State of North Rhine–Westphalia
The Prize of the International Composers’ Forum of UNESCO
The Rolf Liebermann Prize for Opera Composers
The Ordre des Arts et des Lettres in 1986 bestowed by the French Minister of Culture
The 2010 University of Louisville Grawemeyer Award for Music Composition for the orchestral work Sphären
 2011 ドイツ音楽作家賞器楽作品作曲賞。

 主要作品 
Fünf Stücke, for piano 
Diaphonie, for two pianos (1965, rev. 1974)
Drei Stücke, for string quartet 
Herr, es ist Zeit (text: Rainer Maria Rilke), for soprano, flute, harp, harpsichord, celesta, and string quartet 
Topic, for large orchestra 
Sonate informelle, for piano 
Sonata, for solo cello 
Epitaph für Jan Palach, for violin and piano 
Piano Concerto no. 1, for piano and orchestra 
Horizont, electronic music (1971–72, rev. 1975)
Décollage, for two speaking choirs, electric guitar, electrically amplified cello, electronic organ, and tape 
Tangens, for cello, electric guitar, piano, electric organ, and two analog synthesizers 
Chroma, for large orchestra and live electronics (1972–74)
Klanggitter, for cello, piano, synthesizer, and tape (1975–76)
Antiphon (String Quartet no. 1), for string quartet and electronically transformed string quartet on tape (1976, rev. 1984)
Arcus, for 15 instruments, percussion, and tape 
Moments musicaux, for flute and piano 
Mythos, tone poem for 13 instruments, percussion, and electronic sounds (1979–80)
Umbra, for large orchestra and tape (1979–80)
Résonance, for orchestra and computer-generated sounds on tape 
Schwarze Halbinseln, for large orchestra, with vocal and electronic sounds on tape 
Pas de trois, for viola, cello, contrabass 
Traumspiel (text: August Strindberg), for soprano, large orchestra, and electronics 
Magische Klanggestalt, for large orchestra 
Improvisation sur le nom de Pierre Boulez, for 16 instrumentalists 
Piano Sonata no. 2 (Hommage à Franz Liszt) 
Der Meister und Margarita, opera in two acts after the novel by Mikhail Bulgakov (1984–89)
Fanal, for trumpet and orchestra 
Aura, for large orchestra (1992, rev. 1996)
Pensées (Piano Concerto no. 2), for piano, orchestra, and electronics 
Pas de deux, for cello and piano 
Tagträume, for violin, cello, and piano 
Gegenklänge, for 18 instruments 
Double, for orchestra 
Partita, for two pianos 
String Quartet no. 2 
Initium, for piano 
Widerspiel, for two pianos and large orchestra (1996–99, rev. 2009)
Movement, for large orchestra (1998–99)
Herbsttag (text: Rainer Maria Rilke, for mezzo soprano, flute, harp, harpsichord, celesta, and string quartet 
Verzweigung, for piano 
Aufbruch, for orchestra 
Ex tempore, for flute, oboe, clarinet (doubling bass clarinet), percussion, violin, viola, cello, harp, and piano 
Trias, for alto saxophone, percussion, and piano 
Der ewige Tag, for chorus, orchestra, and electronics 
Monogramme, for piano (1998–2003)
Klangzeichen, for wind quintet and piano 
Scan, for solo flute 
Feuerwerk, for 17 instrumentalists 
Fluchtpunkte, for flute, English horn, clarinet, piano, and percussion 
Sphären, for orchestra (2001–06)
Piano Quintet, Zweigestalt 
Doppelspiel for piano (two or four hands) (2006–09)
Mouvements for cello and piano , later expanded into the Cello Concerto
Cello Concerto (2010–11)
Piano Sonata no. 3 (2010–11)
Aufschwung con tenuto, for clarinet, viola and piano 
Crossing, for ensemble and electronics (2012–13)
Voyage for orchestra (2013–14)

 著作 
1982. Gestaltkomposition oder Die Konstruktion des Organischen. In Neuland Jahrbuch II, 1981/82, edited by Herbert Henck, 140–43. Bergisch Gladbach: Neuland.
1989. "Composition of the Gestalt, or the Making of the Organism." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 ("1984: Musical Thought at IRCAM"): 35–40.
1989. "Resonance: Composition Today." Translated by Nigel Osborne. Contemporary Music Review 1, no. 1 ("1984: Musical Thought at IRCAM"): 67–76.
1994. Fortschritt oder Sackgasse? Kritische Betrachtungen zum frühen Serialismus. Saarbrücken: Pfau-Verlag.
2004. Klanggestalt—Zeitgestalt. Texte und Kommentare 1964–2003. Musik der Zeit 10, edited by Reinhold Dusella. Berlin: Boosey und Hawkes (Text) ISBN 3-7931-1697-2, and Bote und Bock (Music) ISMN M-2025-2231-8