Hindi (romanized): is par jor dena bhi mahatvapurn he ki (1950 ke dashak ke vipareet) 1960 ke dashak main filmi siddhant kaa punarvichaar filmon kii aalochana se nahin balki anya vishyon, jaise sanrachanaatmak bhashavigyaan tathaa lakshanikta, se aayaa tha.
English: It is also worth labouring the point that this rethinking of film theory in the 1960s did not come via film criticism (as it did in the 1950s) but through other disciplines, namely structural linguistics and semiotics.